Pineapple Invasion Emojis & Text

Copy & Paste Pineapple Invasion Emojis & Symbols Episode | Pineapple Invasion Typed By: Amphitrite

Episode | Pineapple Invasion Typed By: Amphitrite Plankton: (emerges from the roof with a waggon, with a rag covering something in it) I'm ready! I'm ready! Ready to steal the Krabby Patty secret formula! Prepare to initiate plan number... hmm... number... What's the number? Oh well, who cares? Karen: Good question. Plankton: Say what? Karen: I said "Good luck". (pushes the waggon down the slope) Plankton: That formula will be mine! (the waggon rolls through the Krusty Krab doors and past the customers up to the cash register boat) Out of my way, pinheads! Move it, move it, move it! (rings the bells) Hey there, schnozzola! I'm about to show you the advantage of not having a nose. Say hello to... r... Mr. Krabs: (rounds up Plankton with SpongeBob's arm) Here's another routine: you're the meat in me knuckle sandwich! Plankton: I'm not hungry! Mr. Krabs: (smashes Plankton between his fists. Plankton sticks to his left fist) Eww. (throws one of Plankton's antennae on the floor) SpongeBob! SpongeBob: (hops in on his leg) Yes, sir. I see the problem. SpongeBob: But Mr. Krabs, how do you know it will be safe from Plankton at my house? Mr. Krabs: Pshaw! He'll think it's still here! His tiny braın is incapable of the kind of abstract thinking that is required for reflection. Or thoughtful reasoning and deduction. He cannot ruminate (pan down to the antenna Plankton lost earlier, catching a signal of what Krabs is saying and Plankton is listening from a distance) He cannot define the hypothesis. He's a tıred clown. He'll never know it's in your house. Plankton: (smiling evilly) Oh, you're right, Professor Krabface. I'm much too simple-minded to look there. (laughs) (at nighttime, SpongeBob walks out of the Krusty Krab with the formula) Plankton: Hey, there. (SpongeBob panickedly hides the formula in one of his holes) Pleasant night, eh SpongeBob? SpongeBob: Oh, uh... yes. It's a very nighty-night for a walkie! Plankton: Ain't that the truth? Hey, nothing gets past you. One could say you have the formula for honesty. SpongeBob: Uh, yeah. One could say that I guess. Uh, anyway, I gotta go wash my formula--HAIR! Hair! I gotta go wash my hair! SpongeBob: (laughing nervously) Okay, bye! (walks home) Narrator: The next morning... SpongeBob: Now remember, Gary. I'm entrusting you. Gary: Meow. SpongeBob: Stay shxrp, Gary. Don't let anyone inside. Gary: Meow. SpongeBob: Bye, Gary! (Plankton watches as SpongeBob leaves. Laughs) Gary: (hears a knσck at the door) Meow. (opens the door) Meow, meow! (slams the door) Plankton: (gets mad and throws box on the ground, which explode. Stunned) Note to self: nitroglycerin is not a substitute for vanilla extract. (collapses) (goes back into the kitchen. Plankton opens the fridge, jumps on the stove, and knocks the fridge over. He then knocks the stove over and climbs through the ducts) Nope, nope, nope. (he climbs in the cupboards, and rummages through it. Gary wakes up from his nap and goes downstairs to see where the noise is coming from. Plankton sneaks past Gary and goes upstairs to search in SpongeBob's room. Gary sees him and gets an idea) Plankton: (walks out of SpongeBob's room and slips on Gary's slime, bounces off a mattress and flies into the ceiling fan, which spins him around and flings him in a basketball net, through a pipe, and onto a record player. The record player spins Plankton and he gets caught under. He falls off and into a puddle of glue. A bowling ball rolls on top of him, squishing and sticking him to it. The bowling ball rolls into a bunch of flower pots like bowling pins. A robotic vacuum cleaner sucks up the mess, including Plankton, who pops out of the dust bin) Alright, snail. Let's go! (Gary beats up Plankton with his eyestalks. After he recovers, he notices the opening of Gary's shell) Of course! What a fÞÞls I've been! (climbs inside) SpongeBob's hidden the secret formula inside Gary's shell! (one of Gary's eyes starts following him. Plankton starts running away as it chases him throughout all sorts of surreal dimensions in Gary's shell) SpongeBob: (returns home) Gary, I'm home! (gasps as soon as he sees the inside of his house is demolished) What happened here?! (gasps) My first Krabby Patty! I had it bronzed! Aw, and I was gonna give that to my grandchildren. (gasps again) My Mermaid Man collectible pants! I could've worn them a thousand more times. (gasps a third time) My glass of water! (teary-eyed) I was gonna drınk that. (walks up to his TV set. The Krabby Patty formula is on top of it) Oh, the Krabby Patty formula! Whew! It's safe and right where I left it. (spots Gary with his eye in his shell) Gary, did you do this? (Gary growls) What's the matter, Gary? Something wrong with your shell? Gary: Meow, meow! SpongeBob: Something's not right, Gary. Plankton: (stops running and reaches a đeađ end) Ha! I lost him! Now I'M lost. (Gary's shell abruptly tilts, causing him to fall deeper into the shell's center) Ow... my head... oh, I must be in the centre of the shell. (sees a piece of paper sticking out of the snail slime) What's that? (takes the paper out of the slime and opens it) This is it! Just like I thought! It was hidden here all the time! The secret Krabby Patty formula! It's beautiful! (a light shines on Plankton) The heavenly light! I always knew I'd see it once I've gotten the formula! (cut to the vet, where it's revealed that Gary's shell is opened up with Plankton inside holding a grocery list, looking dizzy and hallucinating) Doctor: Well, that's odd. Who's that? SpongeBob: Hey, it's Plankton. Doctor: What's he got there? SpongeBob: Looks like one of my old grocery lists. Doctor: I don't know how he got in there, but the gasses inside this shell are making the little guy hallucinate. He would've smelled the gasses if he had a nose like most good-hearted people. (takes a deep whiff) Plankton: (laughs crazy)

Related Text & Emojis

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💚💛= Plankbob â€ïžđŸ’› = Krabob đŸ©”đŸ’›= Squidbob đŸ©·đŸ’›= Patbob đŸ€ŽđŸ’›= Spandy â€ïžđŸ’š = Plabs 💙💚 = Plankaren đŸ€ŽđŸ’™= Karendy â€ïžđŸ©” = Krabsward
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the signs as characters from Spongebob ARIES: Gary the Snail TAURUS: The Flying Dutchman GEMINI: Squilliam Fancyson CANCER: Squidward Tentacles LEO: Mrs. Puff VIRGO: Sandy Cheeks LIBRA: Patrick Star SCORPIO: Plankton SAGITTARIUS: Pearl Krabs CAPRICORN: Mr. Krabs AQUARIUS: Larry the Lobster PISCES: SpongeBob SquarePants
Adyghe: ĐĄĐżĐ°ĐœŃ‡ Баб Amharic: ሔፐንጅቊቄ ሔኰይርፓንቔሔ Azerbaijani: SĂŒngər Bob Kvadrat ƞalvar Bosnian: SpuĆŸva Bob Skockani CatalĂ : Bob Esponja ČeĆĄtina: Spongebob v kalhotĂĄch Cymraeg: SpynjBob PantsgwĂąr Dansk: SvampeBob Firkant Deutsch: SpongeBob Schwammkopf English: SpongeBob SquarePants Español: Bob Esponja Français : Bob l'Ă©ponge Íslenska: Svampur Sveinsson Italiano: SpongeBob Magyar: SpongyaBob KockanadrĂĄg Norsk bokmĂ„l: Svampebob Firkant Polski: SpongeBob Kanciastoporty PortuguĂȘs do Brasil: Bob Esponja Calça Quadrada RomĂąnă: Buretele Bob Pantaloni Pătrați Slovenơčina: SpuĆŸi Kvadratnik Suomi: Paavo Pesusieni Svenska: Svampbob Fyrkant TĂŒrkçe: SĂŒngerBob Kareƞort ΕλληΜÎčÎșÎŹ: ÎœÏ€ÎżÎŒÏ€ ÎŁÏ†ÎżÏ…ÎłÎłÎ±ÏÎŹÎșης МаĐșĐ”ĐŽĐŸĐœŃĐșĐž: ĐĄŃƒĐœŃ“Đ”Ń€ĐŸŃ‚ Đ‘ĐŸĐ± ĐŸĐ°ĐœŃ‚Đ°Đ»ĐŸĐœĐŸĐČсĐșĐž РуссĐșĐžĐč: Đ“ŃƒĐ±ĐșĐ° Đ‘ĐŸĐ± КĐČĐ°ĐŽŃ€Đ°Ń‚ĐœŃ‹Đ” ĐšŃ‚Đ°ĐœŃ‹ СрпсĐșĐž / srpski: ĐĄŃƒĐœŃ’Đ”Ń€ Đ‘ĐŸĐ± ĐšĐŸŃ†ĐșĐ°Đ»ĐŸĐœĐ” à€čà€żà€šà„à€Šà„€ : à€žà„à€Șà€‚à€œ à€Źà„‰à€Ź à€žà„à€•à„à€”à€Ÿà€Żà€° à€Șà„ˆà€‚à€Ÿ àč„àž—àžą: àžȘàžžàž±àž™àžˆàčŒàžšàč‡àž­àžš àžȘàčàž„àž§àžŁàčŒàčàžžàž™àžȘàčŒ í•œê”­ì–Ž: 슀폰지밄 ë„€ëȘšë°”지 æ—„æœŹèȘžïŒš ă‚čăƒăƒłă‚žăƒ»ăƒœăƒ– äž­æ–‡ïŒˆçź€äœ“ïŒ‰ïŒš æ”·ç»”ćźćź 䞭文çčé«” æ”·ç¶żćŻ¶ćŻ¶ çČ”èȘžïŒš æ”·ç¶żćŻ¶ćŻ¶ Ś™Ś™ÖŽŚ“Ś™Ś© : ŚĄŚ€ÖŒŚÖžŚ Ś“Ś–Ś©Ś‘ŚÖžŚ‘ ŚĄŚ§Ś•Ś•ŚąŚšŚ€ÖŒŚąŚ Ś„ ŚąŚ‘ŚšŚ™ŚȘ : Ś‘Ś•Ś‘ŚĄŚ€Ś•Ś’ ŚžŚ›Ś ŚĄŚžŚšŚ•Ś‘Śą Ű§Ù„ŰčŰ±ŰšÙŠŰ© : ŰłŰšÙˆÙ†ŰŹŰšÙˆŰš ÙŰ§Ű±ŰłÛŒ : ŰšŰ§Űšâ€ŒŰ§ŰłÙÙ†ŰŹÛŒ ŰŽÙ„ÙˆŰ§Ű±Ù…Ú©ŰčŰšÛŒ Ù…Ű”Ű±Ù‰ : ŰłŰšÙˆÙ†ŰŹ ŰšÙˆŰš ŰłÙƒÙˆÙŠŰ± ŰšŰ§Ù†ŰȘŰČ
ᔐᔉ ᔐᶊᶫᶫᶊᔒᶰᔗʰ á”ˆá”’á¶«á¶«á”‰Êł
F e l i c i t a t i o n s , m a l e f a c t o r s !
➣ “ What’s a few more
hours. ‟
Favourite PLANKBOB Episodes 10b "F.U.N." 15a "Sleepy Time" 16a "Valentine's Day" 122b "Single Cell Anniversary" 137a "One Coarse Meal" 139a "Gramma's Secret Recipe" 141b "The Main Drain" 168b "Fiasco!" 177b "Move It or Lose It" The SpongeBob Movie: Sponge Out of Water 198b "CopyBob DittoPants" 203a "Pineapple Invasion" 207a "Mimic Madness" 207b "House Worming" 209b "Plankton Gets the Boot" 210b "Burst Your Bubble" 228b "Grandmum's the Word" 230b "Bottle Burglars" 235a "Plankton Paranoia" 238a, Appointment TV 238b "Karen's Virus" The SpongeBob Movie: Sponge on the Run 246a "Plankton's Old Chum" 257a, Handemonium 259a "The Ghost of Plankton" 259b "My Two Krabses" 264a "Plankton's Intern" 272 "SpongeBob's Road to Christmas" 284a "The Flower Plot" 285a "Delivery to Monster Island" 294a "Single-Celled Defense" 305b "Sheldon SquarePants"
b a r n a c l e s
đŸ‹đŸ’Ÿâœš what compares to your beautiful DIODES ??? âœšđŸ’ŸđŸ‹
SpongeBob episode ideas (not actual episodes when written) By @alyjaci on April 2024 sandy tells about her lıfe's adventures in texas pearl takes a job walking Ms puffs amoeba puppy Matilda Squidward tricks spongebob and Patrick in-to doing his chores SpongeBob grandma invites spongebob to a bingo game pearl volunteers at shady shoals spongebob helps plankton spending time with him when plankton gets ınjured much to mr krabs dismay spongebob and Patrick set up a date for mr krabs and Ms puff gary plays with spot at the park The krusty krab hosts a bingo game and the gangs grandparents attend including SpongeBob grandma and squidward grandma and plankton's grandma Sandy helps install a mechanical bull ride at the krusty krab Spongebob and Patrick take plankton to goofy goobers for icecream plankton seeks bubble bass help to ruin the krusty krab out of business Spongebob loyalty to krusty krabs conflicted when plankton's bullied Nosferatu and slappy tried to find a good restaurant to eat pearl wants to sneak out
Ïâ„“Î±ĐžĐșĐČσĐČ || Spongebob x Plankton【Plankbob】 Karandy (Karen x Sandy) Krabston, Krabon - Mr. Krabs and Plankton Patearl - Patrick and Pearl Ïâ„“Î±ĐžĐșŃ‚ÏƒĐž o(ïżŁË‡ïżŁ)o (◠‿◠) Plankdy Ïâ„“Î±ĐžĐșŃ‚ÏƒĐž o(ïżŁË‡ïżŁ)o (◠‿◠) Planktrick Sandearl - Sandy and Pearl ѕqυÎč∂ĐČσĐČ Ń•ÏÏƒĐžgєĐČσĐČ
ÂąĐœÏƒÂąÏƒâ„“Î±Ń‚Ń” (CHOCOLATE!!!!! :chocolate_bar: :chocolate_bar: )àȄ‿àČ„ Ń•ÏÏƒĐžgєĐČσĐČ!!! ⓅⓁⒶⓃⓀⓉⓄⓃ Ń•ÏÏƒĐžgєĐČσĐČ:| ( ‱ )(‱ ) | ÏÎ±Ń‚ŃÎčÂąĐș: / ( ‱ )(‱ ) \ ѕqυÎčâˆ‚Ï‰Î±Ńâˆ‚: ( (‱)(‱) ) Ïâ„“Î±ĐžĐșŃ‚ÏƒĐž: | (‱) |
🩞Eugene 🐡Puff 🐳Pearl đŸżïžSandy 😁
ᔆᔖᔒᔗ'Ëą áŽŹá”›á”‰Êłá”ƒá”á”‰ Ꮀᔃʞ áŽčÊž âżá”ƒá”á”‰'Ëą ˹ᔖᔒᔗ➎ ᔃⁿᔈ ᎔'ᔐ ᔃⁿ ᔃᔐᔒᔉᔇᔃ ᔖᔘᔖᔖʞ ᔃᔗ ᔗʰᔉ ᶜʰᔘᔐ ᔇᔘᶜᔏᔉᔗ‧ áŽŸËĄá”ƒâżá”á”—á”’âż'Ëą ᔗʰᔉ á”’Ê·âżá”‰Êł ᔃⁿᔈ ᔐʞ ᔇᔉ˹ᔗ á¶ Êłâ±á”‰âżá”ˆâžŽ ʰᔉ'Ëą á”á”ƒÊłÊłâ±á”‰á”ˆ á”—á”’ áŽ·á”ƒÊłá”‰âżâ€§ ᔀʰᔉʞ ᔇᔒᔗʰ ˹ᔒᔐᔉᔗⁱᔐᔉ˹ á”‡â±á¶œá”á”‰Êł ᔇᔘᔗ ᔃᔗ ᔗʰᔉ á”‰âżá”ˆ ᔒᶠ ᔗʰᔉ ᔈᔃʞ ᔗʰᔉʞ'Êłá”‰ á”˜Ëąá”˜á”ƒËĄËĄÊž ᔒⁿ ᔍᔒᔒᔈ á”—á”‰Êłá”Ëąâ€§ áŽŸËĄá”ƒâżá”á”—á”’âż'Ëą ᔃⁿ â±âżá”›á”‰âżá”—á”’Êł ᔒᶠ Ëąá¶œâ±á”‰âżá¶œá”‰ ᔃⁿᔈ á”˜âżËąá”˜á¶œá¶œá”‰ËąËąá¶ á”˜ËĄ Êłá”‰Ëąá”—á”ƒá”˜Êłá”ƒâżá”— á”‡á”˜Ëąâ±âżá”‰ËąËąá”á”ƒâż ⁱⁿ ᶠᔒᔒᔈ â±âżá”ˆá”˜Ëąá”—ÊłÊžâ€§ ᎎᔉ'Ëą ⁿᔒᔗ ᔐᔘᶜʰ ᔒⁿ ËąÊ°á”’Ê·â±âżá” á”ƒá¶ á¶ á”‰á¶œá”—â±á”’âż á”—á”’ á”’á”—Ê°á”‰ÊłËą á¶ á”’Êł ⁿᔒᔗ á”‡á”‰â±âżá” ᔃ ᔖᔉᔒᔖ˥ᔉ á”–á”‰ÊłËąá”’âżâžŽ ᔇᔘᔗ ʰᔉ ˥ᔒᔛᔉ˹ á”’á”˜Êł á¶ á”ƒá”â±ËĄÊžâ€§ ᎏ˹ á”‰ËŁá”–á”‰á¶œá”—á”‰á”ˆâžŽ ᔗʰᔉ á”ƒá”›á”‰Êłá”ƒá”á”‰ ᔈᔃʞ Ëąá”—á”ƒÊłá”—Ëą ⁱⁿ ᔗʰᔉ á”á”’Êłâżâ±âżá”â€§ áŽŹËĄá”—Ê°á”’á”˜á”Ê° ⁿᔒᔗ âżá”‰á¶œá”‰ËąËąá”ƒÊłâ±ËĄÊž á¶œá”˜á”ˆá”ˆËĄÊž áŽŸËĄá”ƒâżá”á”—á”’âż á”ˆá”’á”‰Ëą Ëąâżá”˜á”á”ËĄá”‰ ʷⁱᔗʰ ᔐᔉ! ᔀʰᔉ ᔗⁱᔐᔉ ʷᔉ ᔍᔉᔗ ᔘᔖ á”›á”ƒÊłâ±á”‰ËąâžŽ ⁿᔒᔗ á”—á”’ ᔐᔉⁿᔗⁱᔒⁿ ᎔ ˹ᔒᔐᔉᔗⁱᔐᔉ˹ ˹˥ᔉᔉᔖ ⁱⁿ‧ ᎔ᶠ ᎔ Ê·á”ƒâżâżá”ƒ ᔍᔉᔗ ᔒᔘᔗ ᔒᶠ ᔇᔉᔈ á”‰á”ƒÊłËĄâ±á”‰Êł á”—Ê°á”ƒâż ᔗʰᔉ âżá”’Êłá”âžŽ ᎔'ËĄËĄ ËĄâ±á¶œá” á”â±ËąËąá”‰Ëą ʰⁱᔐ ⁱᶠ âżá”˜á”ˆá”â±âżá” á”ˆá”’á”‰Ëąâż'á”— Ê·á”’Êłá”â€§ ᎔ᔗ'Ëą Êłá”ƒÊłá”‰ ⁱᶠ ᎔ á”ˆá”’âż'á”— ˹˥ᔉᔉᔖ ᔒⁿ Ê°â±Ëą á”’Ê·âż ᔇᔉᔈ ʷⁱᔗʰ ᔇᔘᔗ ᔉᔛᔉⁿ á”—Ê°á”‰âż ᎔ á”˜Ëąá”˜á”ƒËĄËĄÊž ᔃᔐ ⁱⁿ ᔗʰᔉ Ëąá”ƒá”á”‰ Êłá”’á”’á”â€§ ᎔ ᔍᔉᔗ ᶠᔉᔈ á”‡Êłá”‰á”ƒá”á¶ á”ƒËąá”— á”‡á”‰á¶ á”’Êłá”‰ á”á”’â±âżá” ᔒᔘᔗ á”ˆá”’á”’ÊłËąâ€§ á”†â±âżá¶œá”‰ ʷᔉ á”ˆá”’âż'á”— ʰᔃᔛᔉ ᔐᔘᶜʰ á”‡á”˜Ëąâ±âżá”‰ËąËąâžŽ áŽŸËĄá”ƒâżá”á”—á”’âż á”˜Ëąá”˜á”ƒËĄËĄÊž Ëąá”–á”‰âżá”ˆËą ᔗʰᔉ ᔈᔃʞ Ê·á”’Êłá”â±âżá” ᔒⁿ á”‰ËŁá”–á”‰Êłâ±á”á”‰âżá”—ËąâžŽ ᔐᔒ˹ᔗ ᔒᶠ ʷʰⁱᶜʰ ⁱⁿᔛᔒ˥ᔛᔉ ᔗʰᔉ á”Êłá”˜Ëąá”—Êž á”Êłá”ƒá”‡â€§ áŽ·Êłá”ƒá”‡Ëą ⁱ˹ ᔗʰᔉ á”’Ê·âżá”‰Êł ᔒᶠ ᔗʰᔉ áŽ·Êłá”˜Ëąá”—Êž áŽ·Êłá”ƒá”‡ Êłá”‰Ëąá”—á”ƒá”˜Êłá”ƒâżá”—âžŽ ᔃⁿᔈ á”Êłá”‰á”ƒá”—á”‰Ëąá”— Êłâ±á”›á”ƒËĄ ᔒᶠ áŽŸËĄá”ƒâżá”á”—á”’âżâ€§ ᎔'ᔛᔉ âżá”‰á”›á”‰Êł á¶ á”’Êłá”á”ƒËĄËĄÊž ᔐᔉᔗ ʰⁱᔐ ᔇᔘᔗ ᎔ á”âżá”’Ê· ʰᔉ'Ëą ᔃⁿ á”‰âżá”‰á”Êžâ€§ ᎎⁱ˹ á”‰á”á”–ËĄá”’Êžá”‰á”‰Ëą á”ƒÊłá”‰ á”†á‘«á”˜â±á”ˆÊ·á”ƒÊłá”ˆ ᔃⁿᔈ á”†á”–á”’âżá”á”‰á”‡á”’á”‡â€§ ᔂᔉ á”ˆá”’âż'á”— â±âżá”—á”‰Êłá”ƒá¶œá”— ʷⁱᔗʰ Ëąá‘«á”˜â±á”ˆÊ·á”ƒÊłá”ˆ ᔐᔘᶜʰ➎ ᔇᔘᔗ áŽŸËĄá”ƒâżá”á”—á”’âż'Ëą ᔒⁿ Ëąá”’á”á”‰Ê·Ê°á”ƒá”— á”ˆá”‰á¶œá”‰âżá”— á”—á”‰Êłá”Ëą ʷⁱᔗʰ á”†á”–á”’âżá”á”‰ ᎟ᔒᔇ á”ˆá”‰Ëąá”–â±á”—á”‰ á”‡á”‰â±âżá” ᔃᔗ á”’á”ˆá”ˆËą ʷⁱᔗʰ ᔗʰᔉ á”’á”—Ê°á”‰Êł Êłá”‰Ëąá”—á”ƒá”˜Êłá”ƒâżá”—â€§ á”†á”–á”’âżá”á”‰áŽźá”’á”‡'Ëą ᔖᔉᔗ ˹ⁿᔃⁱ˥ áŽłá”ƒÊłÊž ᔉᔛᔉⁿ Ê°á”ƒâżá”Ëą ᔒᔘᔗ ʷⁱᔗʰ ᔐᔉ! áŽźá”˜á”— ᔐᔒ˹ᔗ Ê·á”‰á”‰á”á”ˆá”ƒÊžËą ⁱⁿᔛᔒ˥ᔛᔉ á”—ÊłÊžâ±âżá” á”—á”’ ʰᔃᔛᔉ ᔗʰᔉ Ëąá”‰á¶œÊłá”‰á”— á”—á”’ ᔗʰᔉ á”Êłá”ƒá”‡á”‡Êž ᔖᔃᔗᔗʞ! ᔀʰᔉ ˹ᔃⁱᔈ Ëąá”‰á¶œÊłá”‰á”—'Ëą ⁱⁿ ᔃ ᔇᔒᔗᔗ˥ᔉ ⁱⁿ á”—Ê°á”‰â±Êł á”›á”ƒá”˜ËĄá”—âžŽ ᔇᔘᔗ á”ƒËĄËąá”’ á”á”‰á”—á”—â±âżá” ᔗʰᔉ ᔖᔃᔗᔗʞ ⁱᔗ˹ᔉ˥ᶠ ⁱ˹ ᔍᔒᔒᔈ á”‰âżá”’á”˜á”Ê° Ê·Ê°á”‰âż Êžá”’á”˜Êł á”’Ê·âżá”‰Êł'Ëą ᔃ Ëąá¶œâ±á”‰âżá”—â±Ëąá”—! ᔆᔒᔐᔉ ᔒᶠ áŽŸËĄá”ƒâżá”á”—á”’âż'Ëą á”–ËĄá”ƒâżËą á”ƒÊłá”‰ ᔒⁿ ᔃ ʷʰⁱᔐ Ê·Ê°â±ËĄËąá”— á”’á”—Ê°á”‰ÊłËą á”ƒÊłá”‰ á”á”’Êłá”‰ á”ˆÊłá”ƒÊ·âż ᔒᔘᔗ á”—á”ƒá”â±âżá” á”á”’Êłá”‰ ᔗⁱᔐᔉ‧ áŽŹËĄá”—Ê°á”’á”˜á”Ê° ʰᔉ'Ëą ⁿᔒᔗ á”—á”’ ʰᔃᔛᔉ ᔃ ᔇⁱᔗᔉ ˹ᔒᔐᔉᔗⁱᔐᔉ˹ áŽ·Êłá”ƒá”‡Ëą á”—á”ƒá”˜âżá”—Ëą ʰⁱᔐ Ê·Ê°á”‰âż ʰᔉ ᶠᔃⁱ˥˹➎ ᔉᔛᔉⁿ ᔃᔗ ᔗⁱᔐᔉ˹ Êłá”‰Ëąá”’Êłá”—â±âżá” á”—á”’ á”á”ƒá”â±âżá” ᶠᔘⁿ á”’á”˜á”—Êłâ±á”Ê°á”— á¶œá”’âżËąâ±á”ˆá”‰Êłâ±âżá” á”‡á”˜ËĄËĄÊžâ±âżá” áŽŸËĄá”ƒâżá”á”—á”’âż ᔃᔇᔒᔘᔗ ⁱᔗ!áŽŹËĄá”—Ê°á”’á”˜á”Ê° á”˜Ëąá”˜á”ƒËĄËĄÊž á”ƒâżá”ÊłÊžâžŽ áŽŸËĄá”ƒâżá”á”—á”’âż ᔐⁱᔍʰᔗ ᶜᔒᔐᔉ ᔇᔃᶜᔏ ⁱⁿ á”—á”‰á”ƒÊłËą á”‡á”‰â±âżá” Ëąá”’ á”˜á”–Ëąá”‰á”—! ᎎᔉ'Ëą ⁿᔒᔗ á”˜Ëąá”˜á”ƒËĄËĄÊž ⁱⁿÊČá”˜Êłá”‰á”ˆ á”—á”’ ᔇᔃᔈ➎ ᔇᔘᔗ ⁱᔗ'Ëą Ê°á”ƒÊłá”ˆ Ëąá”‰á”‰â±âżá” ʰⁱᔐ á¶ ËĄÊž ⁱⁿ á”ƒá¶ á”—á”‰Êł á”‡á”‰â±âżá” á”—Ê°Êłá”’Ê·âż ᔇʞ áŽ·Êłá”ƒá”‡Ëąâ€§ ᎔ᶠ ᎔ á¶œá”ƒâżâżá”’á”— á¶œÊ°á”‰á”‰Êł ʰⁱᔐ ᔘᔖ ᎔'ËĄËĄ á”˜Ëąá”˜á”ƒËĄËĄÊž ÊČá”˜Ëąá”— ᔇᔉ á”—Ê°á”‰Êłá”‰ á¶ á”’Êł ʰⁱᔐ‧ ᎔'ËĄËĄ ʷᔃᔍ ᔐʞ á”—á”ƒâ±ËĄ Ëąá”ƒá”ˆËĄÊž ᔃᔗ ᔉᔃᶜʰ Êłá”‰á”—á”˜Êłâż á¶ Êłá”’á” á”—Ê°á”‰Êłá”‰â€§ ᎔ ˥ᔒᔛᔉ á”á”’â±âżá” á¶ á”’Êł Ê·á”ƒËĄá”â±á”‰Ëą ᔃⁿᔈ á”—á”’ ᔗʰᔉ á”–á”ƒÊłá”âžŽ Ê·Ê°á”‰Êłá”‰ ˹ᔒᔐᔉᔗⁱᔐᔉ˹ ʷᔉ ᔐᔉᔉᔗ áŽłá”ƒÊłÊž Ëąá”’ ᔃ˹ á”—á”’ ᔍᔉᔗ ᔗʰᔉ á”‰ËŁá”‰Êłá¶œâ±Ëąá”‰ á”—á”’á”á”‰á”—Ê°á”‰Êł! Ëąá”–á”’âżá”á”‰á”‡á”’á”‡'Ëą ⁿᔒᔗ ᔒⁿᔉ á”—á”’ Ê°á”ƒÊłá”‡á”’á”˜Êł á”ƒâżÊž Ê°á”ƒÊłá”ˆ á¶ á”‰á”‰ËĄâ±âżá”Ëą á”—á”’ ᔗʰᔉ á¶ á”‰ËĄËĄá”’Ê· á”–á”‰ÊłËąá”’âżâžŽ ᔇᔘᔗ ʰᔉ á”ˆá”’á”‰Ëą ᔃᶜᔗ ᔒᔘᔗ ᔒᶠ ËĄá”’Êžá”ƒËĄá”—Êž á”—á”’ ᔗʰᔉ á”Êłá”ƒá”‡â€§ Ꮁᔛᔉⁿ ˹ᔒ➎ ʰᔉ ᔃⁿᔈ áŽŸËĄá”ƒâżá”á”—á”’âż ᔇᔒᔗʰ ᔃᔗᔗᔉᔐᔖᔗ á”—á”’ ᶠⁱⁿᔈ á¶œá”’á”á”á”’âż á”Êłá”’á”˜âżá”ˆâ€§ á”‚Ê°á”‰âż ᎔ ᔍᔉᔗ ᔐʞ á”ˆâ±âżâżá”‰ÊłâžŽ áŽ·á”ƒÊłá”‰âż á”á”ƒá”á”‰Ëą Ê°á”‰ÊłËąá”‰ËĄá¶  ᔃⁿᔈ áŽŸËĄá”ƒâżá”á”—á”’âż Ëąá”’á”á”‰á”—Ê°â±âżá”â€§ ᎏ˹ ᔃ á¶œá”’á”á”–á”˜á”—á”‰ÊłâžŽ áŽ·á”ƒÊłá”‰âż á”ˆá”’á”‰Ëąâż'á”— âżá”‰á”‰á”ˆ ᶠᔒᔒᔈ á”–á”‰Êł ˹ᔉ‧ ᔆᔗⁱ˥˥➎ ËąÊ°á”‰ á”ˆá”’á”‰Ëą ʷʰⁱᔖ ᔘᔖ ˹ᔒᔐᔉ ᶜʰᔘᔐ á¶ á”’Êł áŽŸËĄá”ƒâżá”á”—á”’âż'Ëą á”á”‰á”ƒËĄËą! ᎔ ˹ᔒᔐᔉᔗⁱᔐᔉ˹ ᔉᔛᔉⁿ ᔍᔉᔗ ËĄá”‰á¶ á”—á”’á”›á”‰ÊłËą! áŽŒá”˜Êł á”‰á”›á”‰âżâ±âżá”Ëą á”ƒÊłá”‰ ᔍᔒᔒᔈ á¶ á”’Êł ˹ᔒᔐᔉ á”ˆá”’Ê·âżá”—â±á”á”‰âžŽ Ê·Ê°á”‰Êłá”‰ ᔃ˥˥ ᔒᶠ ᔘ˹ ᔈᔒ á”’á”˜Êł á”’Ê·âż á”—Ê°â±âżá”â€§ ᎔ á”—á”‰âżá”ˆ á”—á”’ ʷᔃᔗᶜʰ áŽŸËĄá”ƒâżá”á”—á”’âż Ê·á”’Êłá” ᔒⁿ Ëąá”’á”á”‰á”—Ê°â±âżá”âžŽ ᔃ˹ ʰᔉ ËĄâ±á”á”‰Ëą Ê°á”ƒá”›â±âżá” á”ƒËĄá”’âżá”‰ ᔗⁱᔐᔉ‧ áŽ·á”ƒÊłá”‰âż á”˜Ëąá”˜á”ƒËĄËĄÊž Êłá”˜âżËą Ëąá”—á”ƒá”—Ëą á”’Êł ˹ᔒᔐᔉ á¶œá”’á”á”–á”˜á”—á”‰Êł á”˜á”–á”ˆá”ƒá”—á”‰Ëąâ€§ ᎔ ᔐᔃʞ ᶠⁱⁿᔈ ᔃ ᶜʰᔉʷ á”—á”’Êž á”—á”’ á”–ËĄá”ƒÊž ʷⁱᔗʰ➎ ʷʰⁱᶜʰ ᎔ á”ƒËĄËąá”’ ᔈᔒ ⁱᶠ ᔗʰᔉʞ'ᔛᔉ ᔃ ᔈᔃᔗᔉ âżâ±á”Ê°á”—â€§ ᎏ ᶠᔘⁿ á”—Ê°â±âżá” ʷᔉ ᔈᔒ ⁱ˹ ᔐᔒᔛⁱᔉ âżâ±á”Ê°á”— Ê·Ê°á”‰âż áŽŸËĄá”ƒâżá”á”—á”’âż á”–â±á¶œá”Ëą ᔒᔘᔗ Ëąá”’á”á”‰á”—Ê°â±âżá” á”—á”’ ʷᔃᔗᶜʰ! ᎔'ËĄËĄ ᔇᔉ ᔇʞ ʰⁱᔐ ᔃⁿᔈ ˹ᔒᔐᔉᔗⁱᔐᔉ˹ ᔉᔛᔉⁿ ᶠᔃ˥˥ á”ƒËąËĄá”‰á”‰á”– ᔒⁿ Ê°â±Ëą ËĄá”ƒá”–! áŽŒâżá¶œá”‰ ᔗʰᔉ ᔈᔃʞ ⁱ˹ á”ˆá”’âżá”‰âžŽ ʷᔉ ᔍᔉᔗ Êłá”‰á”ƒá”ˆÊž á”—á”’ ᔇᔉᔈ‧ ᎏ˹ á”ƒá¶ á”’Êłá”‰á”á”‰âżá”—â±á”’âżá”‰á”ˆâžŽ ᎔ á”á”’Ëąá”—ËĄÊž ˹˥ᔉᔉᔖ ᔒⁿ ᔇʞ áŽŸËĄá”ƒâżá”á”—á”’âż'Ëą Ëąâ±á”ˆá”‰ ᔗʰᔉ ᔇᔉᔈ‧ áŽ·á”ƒÊłá”‰âż'Ëą ᔃ á¶œá”’á”á”–á”˜á”—á”‰ÊłâžŽ Ëąá”’ ËąÊ°á”‰ á¶œá”ƒâż á”‰á”ƒËąâ±ËĄÊž ÊČá”˜Ëąá”— ᔒⁿ Ê°á”‰Êł á”’Ê·âż ËĄâ±á”—á”‰Êłá”ƒËĄËĄÊž Êłá”‰á¶œÊ°á”ƒÊłá”á”‰ á”’Êł ᔖᔘᔗ ᔒⁿ ˹˥ᔉᔉᔖ ᔐᔒᔈᔉ á”’Êł Ê·Ê°á”ƒá”—á”‰á”›á”‰ÊłâžŽ Ëąá”’ ËąÊ°á”‰ Ê°á”ƒËą á”—á”’ á”—á”˜Êłâż ᔒⁿ ⁱⁿ á”’Êłá”ˆá”‰Êł á”—á”’ ᔇᔉ ᔃʷᔃᔏᔉ ᎔ á”á”˜á”‰ËąËąâ€§ á”€Ê°á”˜ËąâžŽ ËąÊ°á”‰ á”ˆá”’á”‰Ëąâż'á”— ʰᔃᔛᔉ á”ˆÊłá”‰á”ƒá”Ëą ᔃⁿᔈ/á”’Êł âżâ±á”Ê°á”—á”á”ƒÊłá”‰Ëąâ€§ ᎔ᔗ á”ˆâ±á¶ á¶ á”‰ÊłËą á”˜Ëąâ€§ ᔆᔒᔐᔉᔗⁱᔐᔉ˹ ᎔ â±á”á”ƒá”â±âżá”‰ Ëąá¶œá”‰âżá”ƒÊłâ±á”’Ëą á”’Êł Êłá”‰ËĄâ±á”›á”‰ ᔗʰᔉ ᔈᔃʞ'Ëą ᔉᔛᔉⁿᔗ˹ á”—á”’ ˹ᔉᔗ ᔗʰᔉ ᔗᔒⁿᔉ á¶ á”’Êł ᔐʞ á”ˆÊłá”‰á”ƒá”Ëą ᔒᶠ ᔗʰᔉ âżâ±á”Ê°á”—â€§ áŽ°Êłá”‰á”ƒá” á”’Êł ⁿᔒ➎ ᎔ á¶œá”ƒâż ˹˥ᔉᔉᔖ Ê·á”‰ËĄËĄ Êłá”‰Ëąá”—á”‰á”ˆ á”—Ê°Êłá”’á”˜á”Ê° ᔗʰᔉ âżâ±á”Ê°á”— ᔉᔃᶜʰ‧ ᔆᔒᔐᔉᔗⁱᔐᔉ˹ ᎔'ËĄËĄ á”ƒÊ·á”ƒá”á”‰âż á”—á”’ áŽŸËĄá”ƒâżá”á”—á”’âż Ê°á”ƒá”›â±âżá” ᔃ ᔇᔃᔈ á”ˆÊłá”‰á”ƒá”âžŽ Ëąá”’ ᎔'ËĄËĄ âżá”˜á¶»á¶»ËĄá”‰ á”’Êł Êłá”˜á”‡ á”ƒá”á”ƒâ±âżËąá”— ⁱⁿ Ê°á”’á”–â±âżá” á”—á”’ Ëąá”—á”’á”– ᔗʰᔉ âżâ±á”Ê°á”—á”á”ƒÊłá”‰âžŽ ⁱᶠ ⁿᔒᔗ Êłá”‰á”ƒËąËąá”˜Êłá”‰ ʰⁱᔐ‧ ᎔ á”âżá”’Ê· ʰᔉ'Ëą á”ƒá¶ Êłá”ƒâ±á”ˆ ᔒᶠ Ê·Ê°á”ƒËĄá”‰Ëą ËĄâ±á”á”‰ áŽ·Êłá”ƒá”‡Ëą á”ˆá”ƒá”˜á”Ê°á”—á”‰ÊłâžŽ ᔃⁿᔈ ˹ᔒᔐᔉᔗⁱᔐᔉ˹ áŽ·Êłá”ƒá”‡Ëą á”—á”ƒá”˜âżá”—Ëą á¶œá”ƒâż ᔍᔉᔗ á”—á”’ ʰⁱᔐ Ëąá”’ á”–á”‰ÊłÊ°á”ƒá”–Ëą ᔗʰᔉʞ Ê·á”’Êłá” á”—Ê°á”‰â±Êł ʷᔃʞ'Ëą ⁱⁿ⁻ᔗᔒ á”ˆÊłá”‰á”ƒá”Ëąâ€§ ᎔ Ê·á”’ÊłÊłÊž ᔃᔇᔒᔘᔗ Ê°á”’Ê· ˹ᔒᔐᔉᔗⁱᔐᔉ˹ ᎔ ˹˥ᔉᔉᔖ á”—Ê°Êłá”’á”˜á”Ê° ᔃ ᔇᔃᔈ âżâ±á”Ê°á”—á”á”ƒÊłá”‰âžŽ ᔇᔘᔗ ᎔ á”˜Ëąá”˜á”ƒËĄËĄÊž ᔃʷᔃᔏᔉ á”—á”’ á”ƒâżÊž á¶œËĄá”ƒá”á”’á”˜ÊłËą á”’Êł á”—á”’ËąËąâ±âżá” ᔃⁿᔈ á”—á”˜Êłâżâ±âżá”â€§ ᎏ˥˥ ⁱⁿ ᔃ˥˥ ᎔ ˥ᔒᔛᔉ ˥ⁱᶠᔉ ᔃⁿᔈ ᔗʰᔉ ᔖᔉᔒᔖ˥ᔉ ⁱⁿ ⁱᔗ! ᎔'ᔐ ʰᔃᔖᔖʞ ᔃⁿᔈ Ê·á”’á”˜ËĄá”ˆâż'á”— á”—Êłá”ƒá”ˆá”‰ ⁱᔗ á¶ á”’Êł ᔗʰᔉ Ê·á”’ÊłËĄá”ˆâ€§
áŽ·á”ƒÊłá”‰âż ᔃᔇᔒᔘᔗ á”—Ê°Êž âżá”‰â±á”Ê°á”‡á”’á”˜Êł âœá”†á”–á”’âżá”á”‰áŽźá”’á”‡ Ëąá”—á”ƒÊžËą ᔃᔗ ᔗʰᔉ ᶜʰᔘᔐ ᔇᔘᶜᔏᔉᔗ á¶ á”ƒâżá¶ â±á¶œâŸ "᎔ᔗ'ËĄËĄ ᔇᔉ ᶠᔘⁿ!" á”†á”–á”’âżá”á”‰áŽźá”’á”‡'Ëą Ê°á”’á”˜Ëąá”‰ âżá”‰á”‰á”ˆá”‰á”ˆ ˹ᔒᔐᔉ â±á”á”–Êłá”’á”›á”‰á”á”‰âżá”—Ëą á”á”‰á”—á”—â±âżá” Ê·á”’Êłá”á”‰á”ˆ ᔒⁿ‧ ᔆᔒ ʰᔉ'Ëą Ëąá”—á”ƒÊžâ±âżá” Ê°á”‰Êłá”‰ á”‡á”‰á¶œá”ƒá”˜Ëąá”‰ á”†á‘«á”˜â±á”ˆÊ·á”ƒÊłá”ˆ ⁿᔒᔗ á”á”’âżâżá”ƒ ˥ᔉᔗ ʰⁱᔐ Ëąá”—á”ƒÊž âœá”ƒâżá”ˆ ᔉᔛᔉⁿ ʰᔉ ᔃⁿᔈ áŽŸá”ƒá”—Êłâ±á¶œá” á”ˆâ±ËąËĄâ±á”á”‰ ᔃ˥˥ ᔗʰᔉ ⁿᔒⁱ˹ᔉ á¶ Êłá”’á” ᔗʰᔉ Ê·á”’Êłá”âŸ ᔃⁿᔈ áŽ·Êłá”ƒá”‡Ëą á”ˆá”’á”‰Ëąâż'á”— ʰᔃᔛᔉ á”‰âżá”’á”˜á”Ê° Êłá”’á”’á” á”—á”’ â±âżá¶œËĄá”˜á”ˆá”‰ ʰⁱᔐ‧ áŽłá”ƒÊłÊž ᔗʰᔉ ˹ⁿᔃⁱ˥ ᔉᔛᔉⁿ á¶œÊłá”ƒËąÊ°á”‰Ëą Ê°á”‰Êłá”‰âžŽ ᔃⁿᔈ ʰᔉ ËĄâ±á”á”‰Ëą á”—á”’ á”–ËĄá”ƒÊž ʷⁱᔗʰ ᔆᔖᔒᔗ➎ ᔐʞ Ê°á”˜Ëąá”‡á”ƒâżá”ˆ'Ëą ᔖᔘᔖᔖʞ‧ ᎔ Ê·á”ƒâżâżá”ƒ ᔏᔉᔉᔖ ᔃⁿ ᔉʞᔉ ᔒⁿ ᔗʰᔉᔐ➎ ᔃ˹ áŽŸËĄá”ƒâżá”á”—á”’âż á¶œá”ƒâż ᔍᔉᔗ á”‰á”ƒËąâ±ËĄÊž á”ƒâżá”ÊłÊž Ê·Ê°á”‰âż Ëąá”–á”’âżá”á”‰á”‡á”’á”‡ á”‰á”›á”‰Êł á”ƒâżâżá”’ÊžËą ʰⁱᔐ➎ á”ƒá”‡ËĄá”‰â±Ëąá”— á”˜âżâ±âżá”—á”‰âżá”—â±á”’âżá”ƒËĄËĄÊžâ€§ ᔀʰᔉʞ á”âżá”’Ê· ᔉᔃᶜʰ á”’á”—Ê°á”‰Êł Ê·á”‰ËĄËĄâžŽ ᔇᔘᔗ á¶œá”ƒâż ᔇᔉ ᔃᔗ á”’á”ˆá”ˆËą Ëąâ±âżá¶œá”‰ Ëąá”–á”’âżá”á”‰á”‡á”’á”‡ Ê·á”’Êłá”Ëą á¶ á”’Êł á”–ËĄá”ƒâżá”á”—á”’âż'Ëą á”‰âżá”‰á”ÊžâžŽ ʷʰⁱᶜʰ á¶œá”ƒâż ᔖᔘᔗ áŽŸËĄá”ƒâżá”á”—á”’âż ᔗʰᔉ Ê·Êłá”’âżá” ʷᔃʞ‧ áŽźá”˜á”— ᔒᔖᔖᔒ˹ⁱᔗᔉ˹ á”ƒá”—á”—Êłá”ƒá¶œá”—âžŽ á”á”ƒá”â±âżá” á”—Ê°á”‰â±Êł á¶ Êłâ±á”‰âżá”ˆËąÊ°â±á”– á”ˆÊžâżá”ƒá”â±á¶œ ᔈᔘᔒ Ê·á”’Êłá”â€§ á”†á”–á”’âżá”á”‰áŽźá”’á”‡'Ëą á”á”’â±âżá” á”—á”’ ᔇᔉ âżâ±á¶œá”‰ á”—á”’ ᔃ˥˥➎ ᔃⁿᔈ á¶œá”ƒâż ᔉᔛᔉⁿ ᔇᔉ âżâ±á¶œá”‰Êł á”—á”’ á”–ËĄá”ƒâżá”á”—á”’âż á”—Ê°á”ƒâż ᎔ ˹ᔒᔐᔉᔗⁱᔐᔉ˹‧ áŽŸËĄá”ƒâżá”á”—á”’âż á”âżá”’Ê·Ëą ʰᔉ'Ëą ᔃ á”–á”ƒá¶œâ±á¶ â±Ëąá”— ᔃⁿᔈ Ëąá”–á”’âżá”á”‰á”‡á”’á”‡ á”âżá”’Ê·Ëą á”–ËĄá”ƒâżá”á”—á”’âż á”ƒâżá”á”‰Êł â±ËąËąá”˜á”‰Ëą ᔆᔒ ᔗʰᔉʞ á¶œá”ƒâż ᶜᔒᔐᔉ ᔘᔖ ʷⁱᔗʰ á¶œá”’á”á”–Êłá”’á”â±Ëąá”‰Ëą á”—á”’ á¶œá”’á”á¶ á”’Êłá”— ᶻᔒⁿᔉ˹‧ á”†á”–á”’âżá”á”‰áŽźá”’á”‡ á”ƒËĄËąá”’ á”âżá”’Ê·Ëą ʰᔉ Êłá”ƒÊłá”‰ËĄÊž ᔒᔖᔉⁿ˹ ᔘᔖ➎ ᔇᔘᔗ ʰᔉ á”’âżá¶œá”‰ ⁱⁿ ᔃ Ê·Ê°â±ËĄá”‰ á”ˆá”’á”‰Ëą á”—á”’ ËĄâ±á”á”‰ ᔐᔉ á”’Êł Ê°â±Ëą á”Êłá”ƒâżá”ˆá”á”ƒâ€§ áŽźá”˜á”— ᔉᔛᔉⁿ ʰᔉ Ê°á”ƒËą ˥ⁱᔐⁱᔗ˹ ᔃⁿᔈ á”†á”–á”’âżá”á”‰áŽźá”’á”‡ á”âżá”’Ê·Ëą ⁱᔗ‧ ᔀʰᔉʞ Ê·á”‰Êłá”‰ á”–ËĄá”ƒÊžâ±âżá” ʷⁱᔗʰ ᔗʰᔉ ᔖᔉᔗ˹ Ê·Ê°á”‰âż Ëąá”–á”’âżá”á”‰á”‡á”’á”‡ Ëąá”—á”˜á”‡á”‡á”‰á”ˆ Ê°â±Ëą ᔗᔒᔉ ᔒⁿ ᔃ Êłá”’á¶œá”â€§ "ᔂᔃᔗᶜʰ ᔒᔘᔗ Ê·Ê°á”‰Êłá”‰ ʞᔒᔘ'Êłá”‰ á”á”’â±âżá”âžŽ ʞᔒᔘ ᶠᔒᔒ˥!" Êžá”‰ËĄËĄá”‰á”ˆ áŽŸËĄá”ƒâżá”á”—á”’âż ᔃ˹ Ëąá”–á”’âżá”á”‰á”‡á”’á”‡ ᔗᔒᔒᔏ Ê°â±Ëą Ëąá”’á¶œá” ᔒᶠᶠ‧ ᎔ᔗ˹ Ê°â±Ëą á”’Ê·âż ʷᔃʞ ᔒᶠ ËąÊ°á”’Ê·â±âżá” ʰᔉ á¶œá”ƒÊłá”‰Ëą ᎔ á”á”˜á”‰ËąËąâ€§ ᔂᔉ ᔍᔒᔗ Ëąá”–á”’âżá”á”‰á”‡á”’á”‡ ˹ᔒᔐᔉ ⁱᶜᔉ á”˜âżá”—â±ËĄ ᶠᔉ˥ᔗ á”‡á”‰á”—á”—á”‰Êłâ€§ ᔀʰᔉ ᔖᔉᔗ˹ ᶜᔃᔐᔉ â±âżËąâ±á”ˆá”‰ ᔃⁿᔈ Ëąá”–á”’á”— ᔍᔃᔛᔉ Ëąá”–á”’âżá”á”‰á”‡á”’á”‡ ˹ᔒᔐᔉ á”â±ËąËąá”‰Ëąâ€§ "áŽ±á”ƒËąÊžâžŽ ᔇᔒʞ!" áŽŸËĄá”ƒâżá”á”—á”’âż'Ëą á”—á”‰ËĄËĄâ±âżá” ˹ᔖᔒᔗ➎ Ê°á”’ËĄá”ˆâ±âżá” ᔗʰᔉ ᔃᔐᔒᔉᔇᔃ‧ áŽșá”’Ê· ʰᔉ'Ëą ⁿᔒᔗ ᔐᔘᶜʰ ᔒᶠ ᔃ Ê°á”˜á”á”á”‰ÊłâžŽ ᔇᔘᔗ Ëąâżá”˜á”á”ËĄá”‰Ëą ʷⁱᔗʰ Ëąá”–á”’á”—; ʰᔉ âżá”‰á”›á”‰Êł á”ˆá”’á”‰Ëą ʷⁱᔗʰ ᔖᔉᔒᔖ˥ᔉ➎ ᔃᔗ ËĄá”‰á”ƒËąá”— ⁿᔒᔗ á¶ á”’Êł ËĄá”‰âżá”á”—Ê° ᔒᶠ ᔗⁱᔐᔉ‧ ᎔ á”âżá”‰Ê· ⁿᔒᔗ á”—á”’ Ëąá”˜á”á”á”‰Ëąá”— ᔃ á”‡á”’á”ƒÊłá”ˆ ᔍᔃᔐᔉ➎ á”âżá”’Ê·â±âżá” ᔐʞ Ê°á”˜Ëąá”‡á”ƒâżá”ˆËą ᶜᔒᔐᔖᔉᔗⁱᔗⁱᔛᔉ âżá”ƒá”—á”˜Êłá”‰â€§ ᎔ Ê·á”ƒËą ᔃᔇᔒᔘᔗ á”—á”’ ᔐᔃᔏᔉ ˹ᔒᔐᔉ ᶠᔒᔒᔈ Ê·Ê°á”‰âż á”†á”–á”’âżá”á”‰áŽźá”’á”‡ Ê°á”‰ËĄá”ˆ ᔘᔖ ᔃ ᔖᔃᔗᔗʞ‧ "᎔ á”âżá”’Ê· ʞᔒᔘ'ᔈ ËĄâ±á”á”‰ á”—á”’ á”ƒâżá”ƒËĄÊžËąá”‰ ᔗʰᔉ Êłá”‰á¶œâ±á”–á”‰âžŽ ᔇᔘᔗ ᎔ ᶠᔉᔉ˥ ʞᔒᔘ ËąÊ°á”’á”˜ËĄá”ˆ ᔃᔗ ËĄá”‰á”ƒËąá”— ᔍᔉᔗ ᔃ á”—á”ƒËąá”—á”‰ ᔒᶠ ᔗʰᔉ á”ˆá”‰ËĄâ±á¶œâ±á”’á”˜Ëąâżá”‰ËąËąâ€§" á”†á”–á”’âżá”á”‰áŽźá”’á”‡ Ëąá”ƒâ±á”ˆâ€§ "áŽźá”˜á”— ⁱᶠ áŽ·Êłá”ƒá”‡Ëąâ€§â€§â€§" "áŽčÊłâ€§ áŽ·Êłá”ƒá”‡Ëą ⁿᔒᔗ Ê°á”‰Êłá”‰; á”‡á”‰Ëąâ±á”ˆá”‰ËąâžŽ ʷᔉ'Êłá”‰ á”’âżËĄÊž á”‰á”ƒá”—â±âżá” ⁱᔗ➎ ⁿᔒᔗ Êłá”‰á”›á”‰á”ƒËĄâ±âżá” ᔗʰᔉ á¶ á”’Êłá”á”˜ËĄá”ƒ!" á”†á”–á”’âżá”á”‰áŽźá”’á”‡ á”—á”’ËĄá”ˆ ʰⁱᔐ➎ á”âżá”’Ê·â±âżá” ʰᔉ'Ëą ᔗʰᔉ á”’âżËĄÊž á”–á”‰ÊłËąá”’âż á”‡á”ƒÊłâżá”‰á”ˆ á¶ á”’Êł ˥ⁱᶠᔉ‧ ᔀʰᔉʞ ˹ᔖ˥ⁱᔗ ᔗʰᔉ ᔖᔃᔗᔗʞ➎ á”‰á”ƒá”—â±âżá” á”‰á”›á”‰ÊłÊž ËĄá”ƒËąá”— á”á”’ÊłËąá”‰ËĄ! "á”€Ê°á”ƒâżá” ʞᔒᔘ Ëąá”’ ᔐᔘᶜʰ ᔏⁱᔈ‧‧‧" ᎔ Ëąá”ƒÊ· Ê°á”’Ê· Ëąâ±âżá¶œá”‰Êłá”‰ ʰᔉ'Ëą ʷⁱᔗʰ á”Êłá”ƒá”—â±á”—á”˜á”ˆá”‰âžŽ ᔃ˹ ʰᔉ Êłá”ƒÊłá”‰ËĄÊž Ëąá”’ á”ƒá¶ á¶ á”‰á¶œá”—â±á”’âżá”ƒá”—á”‰ËĄÊž ËąÊ°á”’Ê·Ëą á”ƒá”–á”–Êłá”‰á¶œâ±á”ƒá”—â±á”’âżâ€§ áŽŹá¶ á”—á”‰Êł á”‰á”ƒá”—â±âżá”âžŽ ᔗʰᔉ á”‡á”’ÊžËą á”–á”˜ËĄËĄá”‰á”ˆ ᔒᔘᔗ ᔗʰᔉ ᶜᔒᔘᶜʰ ⁱⁿ á¶ Êłá”’âżá”— ᔗʰᔉ ᔗᔉ˥ᔉᔛⁱ˹ⁱᔒⁿ‧ ᔆᔉᔃᔗᔉᔈ Ëąâ±á”ˆá”‰ ᔇʞ Ëąâ±á”ˆá”‰âžŽ ᔗʰᔉʞ ËĄá”’á”’á”á”‰á”ˆ á¶ á”’Êł Ëąá”’á”á”‰á”—Ê°â±âżá” á”—á”’ ʷᔃᔗᶜʰ‧ ᔆᔖᔒᔗ ᔃⁿᔈ áŽłá”ƒÊłÊž Ê·á”‰âżá”— á”—á”’ Êłá”‰Ëąá”— á¶ á”’Êł ᔗʰᔉ âżâ±á”Ê°á”—â€§ "Ꮇⁱᔈ➎ á”ˆá”’á”‰Ëą Êžá”’á”˜Êł ᔇᔒ˹˹ á”âżá”’Ê· Ê·Ê°á”‰Êłá”‰â€§â€§â€§" "᎔ ᔈⁱᔈⁿ'á”— ᔗᔉ˥˥ ʰⁱᔐ ᎔'ᔈ ᔇᔉ Ëąá”—á”ƒÊžâ±âżá” Ê°á”‰Êłá”‰ ᔃᔗ Êžá”’á”˜Êł á”–ËĄá”ƒá¶œá”‰âžŽ Ëąá”’ á”ˆá”’âż'á”— Ê·á”’ÊłÊłÊž!" á”†á”–á”’âżá”á”‰áŽźá”’á”‡ á”—á”’ËĄá”ˆ á”–ËĄá”ƒâżá”á”—á”’âżâžŽ ËĄá”‰á”ƒâżâ±âżá” á¶œËĄá”’Ëąá”‰Êłâ€§ "ᔂᔃⁱᔗ➎ ᎔'ᔛᔉ Ê·á”’Êłá” á”—á”’á”á”’ÊłÊłá”’Ê· á”á”’Êłâżâ±âżá”! ᔂʰᔃᔗ‧‧‧" "ᔀᔉ˥˥ ʰⁱᔐ ʞᔒᔘ'ᔛᔉ ᔇᔒᔒᔏᔉᔈ ᔃ Êłá”’á”’á” ᔃᔗ ᔃⁿ â±âżâżâ€œ" ᎔ Ëąá”˜á”á”á”‰Ëąá”—á”‰á”ˆâ€§ ᔂᔉ ᔃ˥˥ Êłá”‰á”ƒËĄâ±Ëąá”‰á”ˆ áŽ·Êłá”ƒá”‡Ëą ⁿᔒᔗ á”á”’âżâżá”ƒ ËĄâ±á”á”‰ ⁱᔗ ⁱᶠ ʰᔉ á”âżá”‰Ê· Ê°â±Ëą ËĄá”’Êžá”ƒËĄ Ê·á”’Êłá”á”‰Êł Ëąá”—á”ƒÊžá”‰á”ˆ ᔃᔗ ᔗʰᔉ ᶜʰᔘᔐ ᔇᔘᶜᔏᔉᔗ➎ ᔉᔛᔉⁿ ⁱᶠ ⁱⁿ Ëąá”˜á¶œÊ° á¶œâ±Êłá¶œá”˜á”Ëąá”—á”ƒâżá¶œá”‰Ëąâ€§ ᎔ᔗ'ᔈ á¶œá”ƒá”˜Ëąá”‰ á”á”’Êłá”‰ Êłâ±Ëąá” ᔒᶠ á”—Êłá”’á”˜á”‡ËĄá”‰ á”—Ê°á”ƒâż ⁱᔗ˹ Ê·á”’Êłá”—Ê°! áŽŒâżËĄÊž â±á”á”ƒá”â±âżá”‰ ⁱᶠ ʰᔉ á”âżá”‰Ê· Ëąá”–á”’âżá”á”‰á”‡á”’á”‡'Ëą ⁿᔒᔗ á”’âżËĄÊž á¶œâ±á”›â±ËĄ á”—á”’ á”–ËĄá”ƒâżá”á”—á”’âżâžŽ ᔇᔘᔗ á”ƒËĄËąá”’ ËąÊ°á”ƒÊłá”‰á”ˆ ᔃ ᔖᔃᔗᔗʞ‧‧‧ áŽ·Êłá”ƒá”‡Ëą Êłá”‰á”ƒËĄâ±Ëąá”‰Ëą Ê°á”’Ê· Ëąá”–á”’âżá”á”‰á”‡á”’á”‡'Ëą á”á”’â±âżá” á”—á”’ ᔇᔉ âżâ±á¶œá”‰âžŽ ⁿᔒ á”á”ƒá”—á”—á”‰Êł ʷʰᔃᔗ➎ ᔇᔘᔗ ʰᔉ âżá”‰á”›á”‰Êł á”ƒá”–á”–Êłá”’á”›á”‰Ëą ᔒᶠ Ëąá”–á”’âżá”á”‰á”‡á”’á”‡ á”—ÊłÊžâ±âżá” á”—á”’ ᔏᔉᔉᔖ ᔗʰᔉ ᔖᔉᔃᶜᔉ Ê·Ê°á”‰âż ᔗʰᔉʞ'Êłá”‰ ᔃᔗ á”’á”ˆá”ˆËąâ€§ áŽŸËĄá”ƒâżá”á”—á”’âż á”˜âżá”ˆá”‰ÊłËąá”—á”ƒâżá”ˆËą Ê°â±Ëą ËĄá”’Êžá”ƒËĄá”—Êž á”—á”’ ᔗʰᔉ á”Êłá”˜Ëąá”—Êž á”Êłá”ƒá”‡âžŽ á”ƒËĄá”—Ê°á”’á”˜á”Ê° ʰᔉ á”ˆá”’á”‰Ëąâż'á”— á”ƒá”Êłá”‰á”‰ ʷⁱᔗʰ ⁱᔗ‧ ᎎⁱ˹ á”á”’á”ƒËĄ ⁱⁿ ˥ⁱᶠᔉ ⁱ˹ ËąÊ°á”’Ê·â±âżá” ᔗʰᔉ Ê·á”’ÊłËĄá”ˆ Ê°á”’Ê· á”Êłá”‰á”ƒá”— ʰᔉ á¶œá”ƒâż ᔇᔉ➎ ᔃⁿᔈ Ëąá”–á”’âżá”á”‰á”‡á”’á”‡'Ëą ᔒⁿ áŽ·Êłá”ƒá”‡Ëą Ëąâ±á”ˆá”‰ ⁱⁿ ᔗʰᔉ ˹ᔃⁱᔈ ᶜᔃᔗ ᔃⁿᔈ á”á”’á”˜Ëąá”‰ ᔍᔃᔐᔉ‧ ᎔ Ê·á”ƒËą á”—Ê°â±âżá”â±âżá” ᔃᔇᔒᔘᔗ ⁱᔗ ᔃ˹ ᔗʰᔉ á”–Êłá”’á”Êłá”ƒá”á”á”‰ á”‰âżá”ˆá”‰á”ˆâžŽ ᔃⁿᔈ á”—á”˜Êłâżá”‰á”ˆ ᔒᶠᶠ ᔗʰᔉ ᔗᔉ˥ᔉᔛⁱ˹ⁱᔒⁿ‧ ᎔ Ê·Ê°â±Ëąá”–á”‰Êłá”‰á”ˆ á”—á”’ Ëąá”–á”’âżá”á”‰á”‡á”’á”‡ "᎔ á”ˆá”’âż'á”— á”âżá”’Ê· ʷʰᔃᔗ ᔗⁱᔐᔉ ʞᔒᔘ ᔍᔒ á”—á”’ á”ƒá”—á”—á”‰âżá”ˆ Ê·á”’Êłá”â€§â€§â€§" "᎔ᔐ á”—á”’ á”ƒÊłÊłâ±á”›á”‰ ᔃᔗ ⁞ á”’'á¶œËĄá”’á¶œá” ⁱⁿ ᔗʰᔉ ᔃᔐ‧" á”†á”–á”’âżá”á”‰áŽźá”’á”‡ á‘«á”˜â±á”‰á”—ËĄÊž á”ƒâżËąÊ·á”‰Êłá”‰á”ˆâžŽ Ëąá”’ ᔃ˹ á”—á”’ ⁿᔒᔗ Ëąá”—â±Êł áŽŸËĄá”ƒâżá”á”—á”’âżâžŽ Ê·Ê°á”’ ËĄá”‰á”ƒâżá”‰á”ˆ ᔒⁿ ʰⁱᔐ á”˜âżá”ƒÊ·á”ƒÊłá”‰Ëąâ€§ áŽŒâżËĄÊž ᔐᔉ ᔃⁿᔈ á”†á”–á”’âżá”á”‰áŽźá”’á”‡ Ê·á”‰Êłá”‰ ᔃʷᔃᔏᔉ ᔃᔗ ᔇʞ ᔗʰᔉ á”‰âżá”ˆ ᔒᶠ ᔗʰᔉ á”–Êłá”’á”Êłá”ƒá”á”á”‰â€§ ᎌʰ Ê°á”’Ê· áŽ·Êłá”ƒá”‡Ëą Ê·á”’á”˜ËĄá”ˆâż'á”— ËĄâ±á”á”‰ á”—á”’ ˹ᔉᔉ ⁱᔗ; ᎔ Ê·á”ƒâżá”—á”‰á”ˆ á”—á”’ á¶œÊ°á”˜á¶œá”ËĄá”‰ ᔃᔗ ᔗʰᔉ ⁿᔒᔗⁱᔒⁿ ᔒᶠ ʰⁱᔐ á¶ á”˜Êłâ±á”’á”˜Ëą ᔃᔗ ᔗʰᔉ Ëąâ±á”Ê°á”—â€§ "ᎎᔒʷ'Ëą ᔗʰᔉ ᔗᔒᔉ?" ᎔ á”ƒËąá”á”‰á”ˆâ€§ "á”‚á”ƒâżâżá”ƒ ᶜʰᔉᶜᔏ‧‧‧" "᎔˥˥ ᔗᔃᔏᔉ ᔃ ËĄá”’á”’á” ᔃᔗ ᔐʞ ᔗᔒᔉ á”—á”’á”á”’ÊłÊłá”’Ê· á”á”’Êłâżâ±âżá”â€§â€§â€§" á”†á”–á”’âżá”á”‰áŽźá”’á”‡ ˹ᔃⁱᔈ➎ á”—ÊłÊžâ±âżá” á”—á”’ ˥ıᔉ á”ˆá”’Ê·âż á¶œá”’á”á¶ á”’Êłá”—á”ƒá”‡ËĄÊž ʷⁱᔗʰ á”–ËĄá”ƒâżá”á”—á”’âż ËĄá”ƒÌŠÊžâ±âżá” á”ƒá”á”ƒâ±âżËąá”— ʰⁱᔐ‧ "ᔂʰᔃᔗ ᔗⁱᔐᔉ ⁱ˹ ⁱᔗ?" ᎔ Ê°á”‰á”ƒÊłá”ˆ á”–ËĄá”ƒâżá”á”—á”’âż Ëąá”ƒÊžâžŽ Êłá”’á”˜Ëąâ±âżá” Ëąá”–á”’âżá”á”‰á”‡á”’á”‡â€§ "ᎌʰ➎ ᎔ ᔍᔒᔗ á”—á”’ ᔇᔉ ᔃᔗ Ê·á”’Êłá”! Ꮀᔒⁿ'á”— Ê·á”ƒâżá”— áŽčÊłâ€§ áŽ·Êłá”ƒá”‡Ëą á”—á”’ ᔇᔉ Ëąá”˜Ëąá”–â±á¶œâ±á”’á”˜ËąâžŽ âżá”’Êł ᔇᔉ ËĄá”ƒá”—á”‰ á”—Ê°á”‰Êłá”‰!" á”†á”–á”’âżá”á”‰áŽźá”’á”‡ Ëąá”—á”ƒÊłá”—á”‰á”ˆ á”—á”’ ËĄá”‰á”ƒá”›á”‰âžŽ ᔇᔘᔗ ᎔ Ê·á”ƒâżá”—á”‰á”ˆ á”—á”’ ᶜʰᔉᶜᔏ ᔒⁿ Ê°â±Ëą ᔗᔒᔉ‧ "ᔂʰᔃᔗ ᔃᔇᔒᔘᔗ ᔗʰᔉ ᔗᔒᔉ?" ᎔ á¶œá”ƒËĄËĄá”‰á”ˆ ᔒᔘᔗ‧ ᎎᔉ ᶜʰᔉᶜᔏᔉᔈ ⁱᔗ➎ ᔃⁿᔈ ⁿᔒ Êłá”‰á”ˆâżá”‰ËąËąâ€§ "ᔆᔗⁱ˥˥ ᔍᔒ á”‰á”ƒËąÊž ᔒⁿ ⁱᔗ‧" "ᔂⁱ˥˥ ᔈᔒ!" á”†á”–á”’âżá”á”‰á”‡á”’á”‡ á¶œá”ƒËĄËĄá”‰á”ˆ ᔒᔘᔗ ᔃ˹ ʰᔉ ˥ᔉᶠᔗ‧ "áŽžá”ƒËąá”— ᎔ á¶œá”ƒâż Êłá”‰á¶œá”ƒËĄËĄ á”—ÊłÊžâ±âżá” á”—á”’ Êłá”‰á”á”ƒâ±âż á¶ á”’á¶œá”˜ËąËąá”‰á”ˆ ᔒⁿ ᔗʰᔉ Ëąá¶œÊłá”‰á”‰âż ᔇʞ ʷⁱᔗʰ á”†á”–á”’âżá”á”‰â€§â€§â€§" "᎔ á”ˆá”’âż'á”— á”—Ê°â±âżá” ʞᔒᔘ ᔉᔛᔉⁿ ᔐᔃᔈᔉ ⁱᔗ á”—Ê°Êłá”’á”˜á”Ê° ᔗʰᔉ Ê°á”ƒËĄá¶  ᔒᶠ ᔗʰᔉ á”–Êłá”’á”Êłá”ƒá”á”á”‰!" ᎔ â±âżá”—á”‰ÊłÊČᔉᶜᔗᔉᔈ➎ Êłá”‰á”Êłá”‰á”—á”—â±âżá” Ëąá”ƒÊžâ±âżá” ⁱᔗ Êłâ±á”Ê°á”— ᔃ˹ á”ƒá¶ á”—á”‰Êł ᎔ ˹ᔃⁱᔈ ⁱᔗ; á”‡á”‰á¶œá”ƒá”˜Ëąá”‰ ʰᔉ'Ëą ⁿᔒᔗ ᔒⁿᔉ á”—á”’ ᔃᔈᔐⁱᔗ á”›á”˜ËĄâżá”‰Êłá”ƒá”‡â±ËĄâ±á”—Êžâ€§ ᎏ˹ Ê·á”ƒËĄá”â±âżá” ᔗʰᔉ ᔖᔉᔗ˹➎ ᎔ á”˜Ëąá”‰á”ˆ ᔐʞ Ëąá”˜á”–á”‰Êłá¶œá”’á”á”–á”˜á”—á”‰Êł á”ˆá”‰á”—á”‰á¶œá”—â±á”’âż Ê°á”‰á”ƒÊłâ±âżá” á”†á”–á”’âżá”á”‰áŽźá”’á”‡ ᔃⁿᔈ áŽ·Êłá”ƒá”‡Ëąâ€§ "ᔂʰʞ ʞᔉ ËĄâ±á”á”–â±âżá”âžŽ ᔇᔒⁱ?" "᎔ á”—Êłâ±á”–á”–á”‰á”ˆ ᔒⁿ ᔗʰᔉ ʷᔃʞ Ê°á”‰Êłá”‰âžŽ á”‡á”‰á¶œá”ƒá”˜Ëąá”‰ ᎔ Êłá”ƒâż á”—á”’ á¶ á”ƒËąá”— ⁿᔒᔗ ËĄá”’á”’á”â±âżá” Ê·Ê°á”‰Êłá”‰ ᎔ Ê·á”ƒËą á”á”’â±âżá”â€§â€§â€§" áŽșⁱᶜᔉ Ëąá”ƒá”›á”‰âžŽ Ëąá”–á”’âżá”á”‰á”‡á”’á”‡â€§ "Ꮆᔉ˹ᔗ ᔐᔃᔏᔉ Ëąá”˜Êłá”‰ ⁿᔒᔗ á”—á”’ â±âżá”—á”‰Êłá¶ á”‰Êłá”‰ ʷⁱᔗʰ‧‧‧" "᎔ ᔍᔒᔗ ⁱᔗ➎ áŽčÊłâ€§ áŽ·Êłá”ƒá”‡Ëą; á”‰á”›á”‰ÊłÊžá”—Ê°â±âżá”'Ëą ᶠⁱⁿᔉ!" ᎌᶠ á¶œá”’á”˜ÊłËąá”‰âžŽ ʷᔉ á”ˆâ±á”ˆâżá”— ʰᔃᔛᔉ á”ƒâżÊž á¶œá”˜Ëąá”—á”’á”á”‰ÊłËą ᔃᔗ ᔗʰᔉ ᶜʰᔘᔐ ᔇᔘᶜᔏᔉᔗ‧ áŽŒâżËĄÊž á”—Ê°â±âżá” ᔘⁿᔘ˹ᔘᔃ˥ ⁜ⁱᶠ á”ƒâżÊžá”—Ê°â±âżá”âŸ áŽŸËĄá”ƒâżá”á”—á”’âż ⁿᔒᔗ á”—á”’ Ëąá”—Êłá”‰ËąËąá”‰á”ˆ ᔒⁿ ËĄá”ƒá¶œá” ᔒᶠ á”‡á”˜Ëąâ±âżá”‰ËąËą ᔗᔒᔈᔃʞ➎ á”‡á”‰á¶œá”ƒá”˜Ëąá”‰ ʰᔉ'Ëą á”—ÊłÊžâ±âżá” á”—á”’ ᶜᔒᔐᔉ ᔘᔖ ʷⁱᔗʰ ʷʰᔃᔗ á”—á”’ ᔈᔒ ʷⁱᔗʰ Ëąá”–á”’âżá”á”‰á”‡á”’á”‡ á”ƒá¶ á”—á”‰Êł Ê·á”’Êłá”â€§ "᎞ᔉᔗ'Ëą ˹ᔉᔉ; ʰᔉ ËĄâ±á”á”‰Ëą ÊČá”‰ËĄËĄÊžá¶ â±ËąÊ°âžŽ á”á”ƒÊłá”ƒá”—á”‰âžŽ á”á”‰Êłá”á”ƒâ±á”ˆ ᔐᔃⁿ ᔃⁿᔈ á”‡á”ƒÊłâżá”ƒá¶œËĄá”‰ ᔇᔒʞ‧‧‧" "áŽŸËĄá”ƒâżá”á”—á”’âżâžŽ ʰᔉ á”á”‰á”—Ëą ᔒᶠᶠ Ê·á”’Êłá” á”ƒá¶ á”—á”‰Êł á”‰á”›á”‰âżâ±âżá”Ëą; ʰᔉ ᔐⁱᔍʰᔗ ᔇᔉ á”—á”’ Ê·á”’Êłâż ᔒᔘᔗ á”—á”’ á”–ËĄá”ƒÊžâžŽ á”ƒËĄá”—Ê°á”’á”˜á”Ê° ʰᔉ'ᔈ á”ƒá”–á”–Êłá”‰á¶œâ±á”ƒá”—á”‰ ⁱᔗ!" "áŽ·á”ƒÊłá”‰âżâ€§â€§â€§" áŽŸËĄá”ƒâżá”á”—á”’âż ÊČᔘᔐᔖᔉᔈ Ëąá”—á”ƒÊłá”—ËĄá”‰á”ˆ ᔃᔗ á”âżá”’á¶œá”â±âżá” á¶ Êłá”’á” á¶ Êłá”’âżá”— á”ˆá”’á”’Êłâ€§ ᔂʰᔃᔗ'Ëą áŽŸá”ƒá”—Êłâ±á¶œá” á”ˆá”’â±âżá” Ê°á”‰Êłá”‰â€§â€§â€§ "á”†á”–á”’âżá”á”‰áŽźá”’á”‡'Ëą ⁿᔒᔗ Ê°á”‰Êłá”‰âžŽ ᶜʰᔉᶜᔏ ᔇᔃᶜᔏ á”ƒá¶ á”—á”‰Êł Ê°â±Ëą ËąÊ°â±á¶ á”—â€§ ᔁⁿ˥ᔉ˹˹ ʞᔒᔘ'Êłá”‰ Ê°á”‰Êłá”‰ á¶ á”’Êł ËĄá”˜âżá¶œÊ°â€§â€§â€§" áŽŸËĄá”ƒâżá”á”—á”’âż Ëąá”ƒâ±á”ˆâ€§ "ᎌʰ➎ ʰᔉ'Ëą Ëąá”—á”ƒÊžâ±âżá” Ê°á”‰Êłá”‰? ᎔ Ê·á”ƒËą á”á”’âżâżá”ƒ ᔍᔉᔗ ʰⁱᔐ ᔃ Ëąá”˜Êłá”–Êłâ±Ëąá”‰ á”á”‰á”ƒËĄâ€§ ᎔ ᔈⁱᔈⁿ'á”— á”âżá”’Ê· ʰᔉ'Ëą Ëąá”—á”ƒÊžâ±âżá” ʷⁱᔗʰ ʞᔒᔘ!" áŽŸá”ƒá”—Êłâ±á¶œá” ˹ᔃⁱᔈ ᔃ˹ áŽŸËĄá”ƒâżá”á”—á”’âż'Ëą ËąÊ°á”˜á”— ᔗʰᔉ á”ˆá”’á”’Êł ⁱⁿ Ê°â±Ëą ᶠᔃᶜᔉ‧ áŽŸá”ƒá”—Êłâ±á¶œá” Ê·á”‰âżá”— á”ƒá¶œÊłá”’ËąËą ᔗʰᔉ Ëąá”—Êłá”‰á”‰á”— ᔃ˹ áŽŸËĄá”ƒâżá”á”—á”’âż ᔏᔉᔖᔗ ᔒⁿ á”‡Êłá”ƒâ±âżËąá”—á”’Êłá”â±âżá” ᔒⁿ ʷʰᔃᔗ ʰᔉ á¶œá”’á”˜ËĄá”ˆ ᔈᔒ‧ áŽŒâżá¶œá”‰ Ê°â±Ëą ËąÊ°â±á¶ á”— á”‰âżá”ˆá”‰á”ˆâžŽ á”†á”–á”’âżá”á”‰áŽźá”’á”‡ ʷᔃⁱᔗᔉᔈ á¶ á”’Êł ᔗʰᔉ á¶œá”’á”ƒËąá”— á”—á”’ ᔇᔉ á¶œËĄá”‰á”ƒÊł á”‡á”‰á¶ á”’Êłá”‰ Ê°á”‰á”ƒá”ˆâ±âżá” á”’á”›á”‰Êł Ê°á”‰Êłá”‰â€§ "᎟ʰᔉʷ; ËĄá”’âżá” ᔈᔃʞ ᔒⁿ ᔐʞ ᶠᔉᔉᔗ➎ ᔃ˥˥ Ê·Ê°â±ËĄËąá”— á”ƒá”›á”’â±á”ˆâ±âżá” á”˜âżá”ˆá”˜á”‰ á”˜Ëąá”‰ ᔒᶠ ᔐʞ ᔗᔒᔉ!" áŽŸËĄá”ƒâżá”á”—á”’âż ᔍᔒᔗ ʷʰᔃᔗ ʰᔉ Ê·á”’Êłá”á”‰á”ˆ ᔒⁿ á¶ á”’Êł Ëąá”–á”’âżá”á”‰á”‡á”’á”‡ ᔃ˥˥ ᔈᔃʞ á”’âżËĄÊž á”—á”’ Êłá”‰á”—á”˜Êłâż á”—á”’ ᶠⁱⁿᔈ Ëąá”–á”’âżá”á”‰á”‡á”’á”‡ ËąËĄá”‰á”‰á”–â±âżá” ᔒⁿ ᔗʰᔉ ᶜᔒᔘᶜʰ‧ "᎔ á”á”˜á”‰ËąËą ʰᔉ'Ëą ᔗʰᔉ á¶ â±ÊłËąá”— ᔒⁿᔉ á”—á”’ ᶠᔃ˥˥ á”ƒËąËĄá”‰á”‰á”– á”—á”’âżâ±á”Ê°á”—â€§â€§â€§" ᎔ á”—á”’ËĄá”ˆ áŽŸËĄá”ƒâżá”á”—á”’âżâ€§ áŽ¶á”˜Ëąá”— á”—Ê°á”‰âżâžŽ ᔃ á¶œá”’á”á”á”’á”—â±á”’âż á”’á¶œá¶œá”˜ÊłÊłá”‰á”ˆ á”’á”˜á”—á”ˆá”’á”’ÊłËą ⁱⁿ á¶ Êłá”’âżá”—â€§ áŽŸËĄá”ƒâżá”á”—á”’âż Ê·á”‰âżá”— á”—á”’ â±âżá”›á”‰Ëąá”—â±á”á”ƒá”—á”‰âžŽ ÊČá”˜Ëąá”— á”—á”’ ᶠⁱⁿᔈ áŽŸá”ƒá”—Êłâ±á¶œá” á”‡á”‰â±âżá” á¶ á”’ËĄËĄá”’Ê·á”‰á”ˆ ᔇʞ áŽ·Êłá”ƒá”‡Ëąâ€§â€§â€§ ᎔ á”á”˜á”‰ËąËą áŽŸá”ƒá”—Êłâ±á¶œá” á”‡ËĄá”ƒá”‡á”‡á”‰á”ˆ; ⁱᔗ Ê·á”’âż'á”— á”‰âżá”ˆ Ê·á”‰ËĄËĄâ€§ "áŽŸáŽžáŽŹáŽșᎷᔀᎌáŽș“" áŽ·Êłá”ƒá”‡Ëą Ëąá¶œÊłá”‰á”ƒá”á”‰á”ˆ ⁱⁿ á¶ á”˜ÊłÊžâžŽ ʷʰⁱᶜʰ ᔃʷᔒᔏᔉ Ëąá”–á”’âżá”á”‰á”‡á”’á”‡ á”˜âżá”‡á”‰á”âżá”’Ê·âżËąá”— á”—á”’ áŽŸËĄá”ƒâżá”á”—á”’âżâ€§ áŽčÊž Ê°á”˜Ëąá”‡á”ƒâżá”ˆ ËĄá”’á”’á”á”‰á”ˆ ᔘᔖ ᔃᔗ áŽŸá”ƒá”—Êłâ±á¶œá”â€§ "Ꮃᔉᔗ ˥ᔒ˹ᔗ➎ ᎟ᔃᔗ‧‧‧" "᎔'ᔐ á”—á”ƒËĄá”â±âżá” á”—á”’ ʞᔒᔘ!" áŽ·Êłá”ƒá”‡Ëą â±âżá”—á”‰ÊłÊłá”˜á”–á”—á”‰á”ˆ áŽŸËĄá”ƒâżá”á”—á”’âżâ€§ áŽșá”’Ê· á”†á”–á”’âżá”á”‰áŽźá”’á”‡'Ëą Ê·á”ƒá”—á¶œÊ°â±âżá” ʷⁱᔗʰ ᔐᔉ‧ "ᶻⁱᔖ ⁱᔗ➎ áŽ±á”˜á”á”‰âżá”‰; ʰᔉ'Ëą Êłá”‰Ëąá”—â±âżá”!" "ᎎᔉ ⁱ˹ ᔐᔉ á”‰á”á”–ËĄá”’Êžá”‰á”‰; ᔐᔒᔛᔉ á”’á”›á”‰Êł!" "ᎎᔉ âżá”‰á”‰á”ˆËą ᔖᔉᔃᶜᔉ ᔃⁿᔈ ᑫᔘⁱᔉᔗ➎ ⁿᔒᔗ Êžá”’á”˜Êł ËĄá”’á”˜á”ˆâ€§â€§â€§ "á”†Ê°á”‰ËĄá”ˆá”’âżâžŽ ᎔ á”—á”’ËĄá”ˆ ʞᔉ á”—á”’ ˹ᔗᔉᔖ á”ƒËąâ±á”ˆá”‰!" "ᔂᔉ˥˥ ᎔ á”—á”’ËĄá”ˆ ʞᔒᔘ ᔗᔒ‧‧‧" "᎔˥˥ á¶œÊłá”˜ËąÊ° ʞᔉ á”—á”’ Ëąá”â±á”—Ê°á”‰Êłá”’á”’âżËą á”†Ê°á”‰ËĄâ€§â€§â€§" "áŽșá”’! ᎎᔉ'Ëą ᔒᶠᶠ ᔗʰᔉ á¶œËĄá”’á¶œá” ᔃⁿᔈ ᎔'ᔐ ËĄá”‰á”—á”—â±âżá” ʰⁱᔐ Ëąá”—á”ƒÊžâ€§â€§â€§" "᎔ ʰᔃᔈ ʰⁱᔐ ˥ⁱᔐᔖ ᔃ˥˥ ᔈᔃʞ➎ Ëąá”’ ᔗʰᔉ ËĄá”‰á”ƒËąá”— ʰᔉ á¶œá”ƒâż ᔈᔒ‧‧‧" "ᎎᔉ'Ëą ËĄâ±á”á”–â±âżá” á”‡á”‰á¶œá”ƒá”˜Ëąá”‰ ʰᔉ'Ëą Ëąá”’Êłá”‰â€§â€§â€§" "áŽ±â±á”—Ê°á”‰Êł ʷᔃʞ ᎔'ËĄËĄ á”–á”˜âżâ±ËąÊ° ʰⁱᔐ➎ á¶ á”’Êł ʰᔉ á¶ Êłá”ƒá”—á”‰Êłâżâ±á¶»á”‰â€§â€§â€§" "᎔ ˥ᔉᔗ ʰⁱᔐ‧‧‧" "ᔂᔉ˥˥ á”—Ê°á”‰âż ᎔ ᶠ᎔ᎿᎱ ᎎ᎔áŽč!" ᔂᔉ ᔃ˥˥ Ëąâ±ËĄá”‰âżá”—ËĄÊž Ëąá”—á”’á”’á”ˆ ⁱⁿ ËąÊ°á”’á¶œá” ᔃ˹ ᔗʰᔉ ᔉᶜʰᔒ ᔒᶠ áŽ·Êłá”ƒá”‡ËąâžŽ ʷⁱᔗʰ Ëąá”–á”’âżá”á”‰á”‡á”’á”‡ Ê·Ê°â±á”á”–á”‰Êłâ±âżá”â€§ ᔂᔉ ᔃ˥˥ ʷᔃᔗᶜʰᔉᔈ á”–ËĄá”ƒâżá”á”—á”’âżâžŽ á”âżá”’Ê·â±âżá” ʰᔉ'Ëą á”á”’âżâżá”ƒ ʰᔃᔛᔉ á”—á”’ á¶œÊ°á”’á”’Ëąá”‰ ᔗʰᔉ ᶠᔃᔗᔉ‧‧‧ "᎞ⁱ˹ᔗᔉⁿ á”—á”’ ᔐᔉ➎ áŽ±á”˜á”á”‰âżá”‰; á”†á”–á”’âżá”á”‰áŽźá”’á”‡ ˥ᔒᔛᔉ˹ Ê°â±Ëą ÊČᔒᔇ ᔃᔗ Êžá”’á”˜Êł Êłá”‰Ëąá”—á”ƒá”˜Êłá”ƒâżá”— á”ƒâżá”ˆâ€§â€§â€§" ᎔ Ëąá”ƒÊ· áŽŸËĄá”ƒâżá”á”—á”’âż'Ëą á”—á”‰á”ƒÊłÊž ᔉʞᔉᔈ âżá”’Ê·â€§â€§â€§ "ʞᔒᔘ ʰᔃᔛᔉ ᔃ Ëąá¶œá”’Êłá”‰ á”—á”’ ˹ᔉᔗᔗ˥ᔉ ʷⁱᔗʰ ᔐᔉ➎ ᔍᔃᔐᔉ ᔒⁿ; ᔇᔘᔗ á”†á”–á”’âżá”á”‰áŽźá”’á”‡'Ëą ᔇᔉᔉⁿ âżá”’á”—Ê°â±âżá” ᔇᔘᔗ á”â±âżá”ˆ á”—á”’ á”‰â±á”—Ê°á”‰Êł ᔒᶠ ᔘ˹ ᔃᔗ á”’á”˜Êł Ê·á”’ÊłËąá”—! ᎎᔒʷ á”ˆá”ƒÊłá”‰ ʞᔒᔘ‧‧‧" "á”†â±âżá¶œá”‰ Ê·Ê°á”‰âż ᔈᔒ‧‧‧" "ᔂᎱ ᎏᎿᎱ ᶠᎿ᎔ᎱáŽș᮰ᔆ⾮ ᎏáŽșᎰ ᎎᎱ ᎰᎌᎱᔆáŽș'ᔀ áŽ°áŽ±á”†áŽ±áŽżâ±œáŽ± Ꮁ᎔ᔀᎎᎱᎿ ᎌᶠ ᔁᔆ!" áŽ·Êłá”ƒá”‡Ëą Ëąá”—á”’á”á”–á”‰á”ˆâžŽ Ê°á”ƒÊłá”ˆâ€§ "ᔂʰʞ á”ƒÊłá”‰âż'á”— ʞᔒᔘ‧‧‧" "᎔ ᎿᎏᔀᎎᎱᎿ ᔀᎏᎷᎱ ᔀᎎᎱ áŽźáŽžáŽŹá¶œáŽ· ᎱʞᎱ ᔀᎎᎏáŽș ᔀᎌ áŽŽáŽŹâ±œáŽ± áŽčÊž ᶠᎿ᎔ᎱáŽșᎰ ᶠ᎔ᎿᎱᎰ!" áŽŸËĄá”ƒâżá”á”—á”’âż á¶œÊłâ±á”‰á”ˆâžŽ ᔃ˹ áŽčÊłâ€§ áŽ·Êłá”ƒá”‡Ëą Ëąá”ƒÊ· ʰⁱᔐ Ê·â±ËĄËĄâ±âżá”ËĄÊž ⁿᔒᔗ ᔍⁱᔛᔉ ᎏ ᶠⁱᔍʰᔗ ᔃ˹ ʰᔉ á”˜Ëąá”˜á”ƒËĄËĄÊž Ê·á”’á”˜ËĄá”ˆâ€§ "Ꮃᔒ ᔃʰᔉᔃᔈ➎ á”‰á”˜á”á”‰âżá”‰â€§ á”†á‘«á”˜á”ƒËąÊ° ᔐᔉ ᔃ˹ ËĄá”’âżá” ᔃ˹ ʞᔒᔘ ˥ᔉᔗ ⁱᔗ á”á”‰á”ƒâż Ëąá”–á”’âżá”á”‰á”‡á”’á”‡â€§â€§â€§" áŽ¶á”˜Ëąá”— á”—Ê°á”‰âżâžŽ Ëąá”–á”’âżá”á”‰á”‡á”’á”‡ ᔖⁱᶜᔏᔉᔈ ᔘᔖ á”–ËĄá”ƒâżá”á”—á”’âżâžŽ Ê·Ê°á”’ ᶠᔉ˥ᔗ á”á”’Êłá”‰ Ëąá”’Êłá”‰ á”—Ê°á”ƒâż á”†á”–á”’âżá”á”‰áŽźá”’á”‡'Ëą ᔗᔒᔉ Ê·Ê°á”‰âż ʰᔉ Ëąá”—á”˜á”‡á”‡á”‰á”ˆ ⁱᔗ‧ ᎔ⁿ á”—á”‰á”ƒÊłËąâžŽ ʰᔉ ËĄá”’á”’á”á”‰á”ˆ ᔃᔗ áŽŸËĄá”ƒâżá”á”—á”’âżâ€§ Ꮁᔛᔉⁿ áŽčÊłâ€§ áŽ·Êłá”ƒá”‡Ëą Ëąá”ƒÊ· á”–ËĄá”ƒâżá”á”—á”’âż'Ëą Ëąâ±âżá¶œá”‰Êłâ±á”—Êž ⁱⁿ á”â±á”›â±âżá” ᔘᔖ Ê°â±Ëą ˥ⁱᶠᔉ'Ëą Ê·á”’Êłá” á”—á”’ Ëąá”–á”’âżá”á”‰á”‡á”’á”‡â€§ áŽșá”‰á”›á”‰Êł Ê°á”ƒËą ʰᔉ á¶œá”ƒËĄËĄá”‰á”ˆ á”ƒâżÊž á”–á”‰ÊłËąá”’âż ᔃ á¶ Êłâ±á”‰âżá”ˆâžŽ á”˜âżá”—â±ËĄ ᔗᔒᔈᔃʞ‧
PLANKTON'S PET | Typed By: abney317 Plankton: Don't patronise me! Why does every single plan fall apart? It's just a stupid sandwich! I tell you, it's wearing me down! Karen: You need to stop your obsessi0n over it. SpongeBob: Plankton! (Looking through window. Plankton screams) I have the perfect solution to your problem. Plankton: SpongeBob? How could you possibly help me? SpongeBob: You should try the local animal shelter? That's where I found my Gary. Plankton: Oh, yeah? Perhaps you're on to something there. (At animal shelter) Plankton: (Pet barks) Hey there, little guy. (Pet barks and jumps into Plankton's arms) Looks like we have a winner. SpongeBob: Oh, so cute! Whatcha gonna call him? He looks like a "Spot" to me. (Spot licks Plankton, barks and pants. Back at the Chum Bucket now.) Well, Spot, I'm your new owner, so shower me with love and affection. Karen: You're gonna have to train him to do that. Plankton: I, train him? (sighs) I'll give it a tÌąry. All right, Spot. Let's start with something easy. Stay. (Picks up Spot and sits him down) Good boy. Excellent! Now shake. (Spot shakes his bĂždy, shaking the whole building) Wow! That's one mean shake you got there. I think we should burn off some of that extra energy. Would you like to go walkies? (Holding up leash) (Put collar on Spot) March! (Spot barks. Plankton whistles. Plankton starts getting tired and panting) Phew. We've walked (Notices he's only made it to the mailbox) I guess our legs are too short for walkies. How about a nice round of fetch? (Brings back ball. Grunts) Fetch! (Ball lands on top of Spot and Plankton screams.) What have I done? I'm a terrible pet owner! Terrible! Karen! We're gonna need another Spot! (Spots squishes himself back together and pops up from the ground barking.) Nice rebound, Spot! You know, I get squashed a lot too. (sniffles. Spot licks Plankton) (Back inside the Chum Bucket) Okay, Spot. Today, you'll learn how to be an attack pet to guard the Chum Bucket from intruders. Now, Spot, pretend I'm a burglar. Attack! (Spot whimpers) You're not getting this? Come at me! Uh-oh, losing balance. (Falls down) A little help? (Spot jumps on Plankton and licks him) Or a second thought, what do I need a guard dog for? I can't ever keep chum away. What I really need, is a retriever. (Plankton now showing Spot a picture of a Krabby Patty) This is your target. I want you to retrieve a Krabby Patty. Now, security is tight; so I've divide the pl-- (Spot walks away. Plankton flips to next page of plan with a picture of the Krusty Krab on it) Wait! Where are you going? You're not ready! Fish #1: I'd like a large... (sees moving Krabby Patty on the ground) What was that? Squidward: Didn't see it, don't care. Plankton: (Sitting on a wooden chair, snoring and drooling. Spot drops Krabby Patty and barks) What! It's a Krabby Patty? It's...a miracle! (heavenly choir vocals) Karen, look at what Spot brought home. Karen: That's wonderful! Spot deserves a reward. Plankton: He can have anything he wants, up to half my kingdom--er, laboratory. (Spot panting. Chomps entire Krabby Patty) Plankton: Noo! No! You've been a very bad amoeba! Bad amoeba! I'm afraid you'll have to be punıshed. You need a time out. I'm just gonna put you out here until you learnt to behave. (Spot to mailbox) Shouldn't take more than five minutes. (Spot whimpers) Aww... no, no, I must be strong. (Spot whimpers. Plankton goes back into the Chum Bucket) I can't do it. (tender music plays) Spot, I'm sorry. I-- (Music stops when Plankton opens the door. Spot is gone and collar is on the ground) Spot! He's gone. (Crying) Where is he? Spot! Come back! (Sobbing) Spot! (Plankton goes searching) Spot! Where are you, Spot! (sobbing at the Krusty Krab dumpsters) SpongeBob: (Walks out with trash) Why, Plankton, what's wrong? (dump3d trash) Plankton: I lost spot. SpongeBob: That's terrible! Gary lost me once. I was cold, alone, st☆rve. It was the worst eight minutes of my life. Plankton: Spot! (dramatic music) You're safe! You were hiding the whole time! You sneaky little amoeba, you. (Spot barks and licks Plankton. Plankton laughs) SpongeBob: Aw, wow! I'm glad found Spot. Plankton: I thought him everything he knows! (Spot barks and licks Plankton)
Squidward: [to Mr. Krabs] Admit it. Without SpongeBob, you’d be nothing.
__________ [___________] | . - . | | , ( o . o ) . | | > | n | < | | ` ` " ` ` | | POISON! | ` " " " " " " " `
𝒄𝒖𝒕𝒆 𝒐𝒗𝒆𝒓𝒍𝒐𝒂𝒅
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Episode Transcript: One Coarse Meal Plankton: Enjoy, Eugene! (activates b*mb, which blows up roof) Mr. Krabs: (with a wooden plank in his mĂžuth) PLANKTON! (crunches the plank, breaking it) I just had that roof redone last week! Plankton: You will be re-re-doing it when I'm through with you! Mr. Krabs: Ready for instant? (SpongeBob takes off his hat and reveals a can of peas. Opens the can with his claw and pours all the peas into SpongeBob. Uses SpongeBob as a gum) Fire! (SpongeBob shoots peas at Plankton. The peas shoot through Plankton's air glider. Plankton blows a bubble over himself causing the peas to be deflected. The deflected peas hits the frying pans. One of the frying pans fall and hits SpongeBob. Plankton fires a missile at them) Take cover! (picks up SpongeBob and uses him as a shield, but the missile just falls straight to the ground) Oh, ha, ha, it didn't blow up. Another dud, Plankton. Plankton: Another dud huh? (pushes a button which causes the missile to transform into a robotic arm and it squeezes Mr. Krabs and SpongeBob) Mr Krabs: Oh, you're playin' with fire now, Plankton! Plankton: No need to get worked up with this, Krabs. Just give me the secret formula and off I go. Mr. Krabs: Well, you ain't gettin' it Plankton: Well, I construct you to reconsider. (presses a button and the arm squeezes harder) Mr. Krabs: Oh, go jump of a plank! Plankton: Oh well, I have other ways of getting it when I need. Where is the formula, Krabs? (tickles Mr. Krabs with feather. Mr. Krabs laughs) Still not going to talk 'ey, Krabs? (tickles Mr. Krabs' nose with the feather causing him to sneeze and blowing Plankton to the ground) OK Krabs, I see you're still not going to crack but I don't think your underling is of the same level. SpongeBob: I'll never talk Plankton: Well, we'll see what Mr.Feather has to say about that, SpongeBob: OK, OK! but I don't how to get into the safe behind the painting in Mr. Krabs' office that houses the secret formula! He won't let me near it! (everyone pauses) Plankton: Clever, behind the painting 'ey, Krabs? Mr. Krabs: Errrrrrrr... Plankton: (sniffs) Say what am I smelling? You got something burnıng? SpongeBob: (sniffs) Smells like blubber to me, Plankton: Bl-bl-blubber? Pearl: Dad! Plankton: (screams) Cal̶l off your daughter Krabs! CAL̶L HER OFF!! Mr. Krabs: She's a big gĂźrl, Plankton. I have no cĂžntrĂžl over what she does. Oh, and you better watch out. I think she's extra hangry today. Plankton: Stay back whale! I'm pippy to what you do to organisms like me. I've seen those documentaries! (as he says this, he backs up into the freezer) Pearl: Did he just go into the freezer? Plankton: (exits freezer and walks out the doors) Don't say it! Pearl: I ̶prefer salad over Plankton anyway. Mr. Krabs: Who knew Plankton was so afraid of whales? (chuckles evilly) Pearl, me darling daughter, you saved me busıness and my Formular now get us out of this strap. Pearl: Mall money. Mr. Krabs: Alright, alright. You're gettin' more like your old man every day. (gives dollar to Pearl) Pearl, why don't you swing to the Chum Bucket on your way to the mall? Give Plankton a little scare? Pearl: Double my mall money! Mr. Krabs: (grunts) Alright, SpongeBob. It's your turn! SpongeBob: Here you go, Pearl. Buy something pretty. Pearl: Hey, this isn't money! SpongeBob: No, it's even better! It's the money Mr. Krabs pays me with. (money is shown) Mr. Krabs' Wacky Bucks! Mr. Krabs: (to himself) It's all catching up to me... (to Pearl) Please, Pearl? Pearl: No way! The Chum Bucket is, like, totally gross! Mr. Krabs: Hmmm... in that case, I'll need to borrow one of your dressers. SpongeBob: Hummina-hunh? Pearl: (at the same time) Huh?! (bubble-wipe to the Chum Bucket. Plankton runs inside) Karen: My triumphant husband returns. How'd you fail this time? Plankton: Krabs had a whale! Karen: You mean his bıg, scary, teenage daughter? Plankton: I hear that mocking tone in your voice Karen, and I don't appreciate it! Don't you remember what happened to my ancestors at the hands of those beasts? (Plankton's family is shown having a picnic before being eaten by a whale) Karen: OK. When you take a b͞reak from your delusional paranoia, the trash needs some attention. It's ripened. (bubble-wipe to Plankton taking out the trash) Pearl: (emerges from dumpster) I'M HANGRY!! Plankton: NO!! (runs back inside and bars the door) That should keep her out! Pearl: (sneaks up behind him) I WANT PLANKTON MEAT! Plankton: (runs out the lab) Karen! She's here! She got in! Karen: What are you talking about? Plankton: There's a whale in the laboratory! Karen: Are you out of your mind? Plankton: See for yourself!! Karen: (checks the lab) No whale in here. Plankton: I swear! A whale was just in here. She was next to the transmutator. She was right here in this spot! Her mĂžuth all frothy, her blowhole flowing! Karen: Oh that's enough Plankton! If you'll excuse me, I have to get back to more permanent primary functions. (rolls away) Plankton: Karen! Karen--! Karen: I'm not listening! Hm hm hm! (time card appears) French Narrator: 16 paranoia-filled days later... Karen: (off microphone) Plankton, your dinner is ready. Plankton, can you hear me? Plankton: Yes, Karen. I can hear you. Could you please bring it up? I can't rısk stepping into the light. The whale might see me. (cries. Mr. Krabs, in a costume looking like Pearl, laughs. Bubble-wipe to night. Plankton is shown having a nightmare) No! No, no! (he is seen being chased by Pearl and falls into her blowhole) Whoa! (lands in Pearl's mĂžuth) Hey! Get me out of here! (Pearl flings him into her throat with her tongue) No, no! (falls into her stomach, where his ancestors find him) Grand-Dad: Hey, Plankton! Glad you could joın the rest of the famıly! Plankton: Grand-Dad? Grand-Dad: Yep, and you're pretty brave standing in that there gastric acid. Plankton: Gastric acid? (his bĂždy is half-burned. Screams while Pearl laughs evilly and lightning strikes. Wakes up from nightmare and screams) I CAN'T TAKE IT! Oh, this is driving me cRaZy! (cries. Mr. Krabs takes off his disguise and laughs. Bubble-wipe to morning; crying) What's the poınts of going on? I'll just be tĂžrture for the rest of my life by that whale! (lıes down) That's it. I'm done. The 4:15 bus should be here any time now. SpongeBob: Hi, Plankton. Whatchya doin' lĂ„yÄ«ng on the middle of the road? Plankton: Go away, CheeseHead! Can't you see I'm trying to get run over? In fact, better yet just step on me as hĂŁrd as you can, will ya? SpongeBob: I'm sorry, Plankton, but that flies in the face of my good nature. Plankton: Forget it kid. I'll just wait for the next bus. Go on back to the Krusty Krab and enjoy yourself. SpongeBob: Okay! (bubble-wipe to the Krusty Krab) Mr. Krabs: (erases a picture of Plankton) Goodbye, pipsqueak! SpongeBob: Sorry to interrupt your gloating, sir. I just thought it would be pertinent for you to know that Plankton is lĂ„yÄ«ng on the street, forlorn. Mr. Krabs: Really? He's a mess! SpongeBob: Mr. Krabs, I know you and Plankton are both sworn enemıes and all, but putting on a dress to frıghten him? Isn't that taking it a little too far? Mr. Krabs: May I remind you of the fact that you've disclosed the location of me safe, where I keep the secret formula? SpongeBob: No need to remind me, sir. I've broken Rule #2 in the employee rulebook: Never disclose the location of the secret formula! Don't worry, Mr. Krabs. I'll fıx this. (bubble-wipe to Plankton) Plankton: (angrily) Man, what does it take to getÌŽ run over around here?! SpongeBob: Hi, Plankton. Plankton: What, do you have mud in your ears? TAKE A HIKE! SpongeBob: Yes, I remember. But I just wanted to tell that the secret formula is not, I repeat NOT, in the safe behind the painting in the Krusty Krab. Plankton: What difference does it make? There's no point ever since I've been tĂžrture by that blasted whale. SpongeBob: Don't worry. Everyone has a secret fear! For instance, Mr. Krabs' secret fear is... (whispers in Plankton's ear) Plankton: Really? SpongeBob: Mmm-hmm, and guess what else? That was Mr. Krabs in whale suit that you've been scared of. Plankton: So, you're saying that this whole time it was Krabs masquerading as a whale?! (angrily) Why that conniving bottomfeeder! SpongeBob: But certainly, you wouldn't have use for such innocuous information, would you? Plankton: No, of course not. SpongeBob: Well, back to your self-destructive behaviour, Plankton. Thank you for this talk! Plankton: No, no. Thank you! (laughs evilly. Bubble-wipe to the Krusty Krab) Mr. Krabs: This is almost too fun! (puts on the Pearl costume) Plankton ain't even a challenge no more! Plankton: Oh, is that so. Mr. Krabs: Oh, Plankton. Back for more, aren't ya? Okay, here it goes. (breaths deeply) Boo! Plankton: You don't scare me, Krabs. Mr. Krabs: I ain't Krabs, I'm... uh, I mean... (in Pearl's voice) I'm Pearl, not Krabs. Plankton: The jĂžb is up, Krabs. I know all about the suit, and your secret fear! Mr. Krabs: Secret fear? (takes off the head; in regular voice) What are you talkin' about? Plankton: See for yourself. (the robotic arm squeezes Mr. Krabs) Enjoy the show! (a mime is shown) Mr. Krabs: No. No. Muh-muh-make it stop! Make it stop! Plankton: Doesn't feel so good on the other end of the stick, doesn't it, scaredy pants? I feel wonderfully! SpongeBob: Um, Plankton, if I were you I wouldn't be so snug. Plankton: Why? SpongeBob: Because a hangry pod of whales have just arrived for early feeding. (whales are outside) Plankton: (screams) Not another feeding! Get me out of here! (removes a nail from the floor and jumps ınsıde. SpongeBob puts a cork in the hĂžle, turns off a projector, making the whales disappear, and gets Mr. Krabs out of the robot arm) Mr. Krabs: Whew! You really redeemed yourself, boyÌą! (to mime) Okay, you're beginning to creep me out.
Kamp Koral: SpongeBob's Under Years season two episodes: Mad Science Squirrel: Plankton recruits Sandy to help in his lab. (#227A) To Pop a Bubble: SpongeBob is determined to find out who popped his new bubble friend. (#227B) No title card available High and Dry: The Dinghy cabin camps overnight out of the water. (#228A) The Beardsman: Wilderness expert Paul Grunion visits the camp. (#228B) Five Times the Fun: When Patrick's detached limbs regrow into five Patrick clones, it's up to the gang to stop them before they take over the camp. (#229A) Low Falutin: Rea and Roh get a taste of the cheap life after they lose all their money. (#229B) Nut Madness: Things get nutty at camp when Sandy goes feral over the sight of peanuts. (#330A) Mermaid Men and Barnacle Boys: The Dinghy and Pontoon cabins go head-to-head in a series of superhero challenges. (#230B) A Tale of Two Roxies: It's a classic case of sibling rivalry after the conjoined Roxie sisters split up. (#231A) Nite Owls: When the Dinghies attempt to stay up all night, they discover a side of camp they've never seen before. (#231B) Calling Some Monsters: Realizing the monsters are actually quite boring, SpongeBob and Patrick set out to help them channel their wild side. (#232A) Dig This: A mysterious bone discovery at Kamp Koral leads Sandy to start an archeological dig. (#232B) Un-Breaking and De-Entering: SpongeBob discovers that Gary's been secretly taking items from everyone in camp. (#233A) Swimmin' Holed: After SpongeBob and Patrick discover Narlene and Nobby's secret swimming hole, it doesn't stay a secret for long. (#233B) Krabsy the Klown: When Mr. Krabs reveals that he used to be a clown, SpongeBob convinces him to wear the big shoes once again. (#234A) Lords of the LARP: Mo joins the Pontoon cabin's LARP (live action role-playing) group. (#234B) Mascot Mayhem: SpongeBob and Patrick compete to become Kamp Koral's mascot. (#235A) Putt Up or Shut Up: Mr. Krabs and Squidward compete head-to-head to see who is the better golfer. (#235B) Who's Complaining?: Mr. Krabs puts Squidward in charge of Kamp Koral's complaint department. (#236A) Patrick's Star: SpongeBob and Sandy gift Patrick a star for his birthday. (#236B) A Finful of Sand Dollars: Sheriff Sandy pulls out all the stops when a ne'er-do-well interloper turns Kamp Koral's Western Day upside down. (#237A) Cretins of the Night: SpongeBob and Patrick discover the ups and downs of vampire life with Kidferatu's help. (#237B) The Suit Suits You: Sandy learns the dangers of untested technology while an old companion goes on a journey of self-discovery. (#238A) Parasite Pals: SpongeBob's relationship with the rest of camp is pushed to the brink by his newest friend, a parasite living in him. (#238B) End of Summer Daze: Summer is over, and SpongeBob and Patrick stay behind for one final attempt to catch a jellyfish – but they're not the only ones hiding out at camp. (#239)
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The Patrick Star Show season two episodes: The Commode Episode: Patrick gets stuck in the bathroom. (#232A.) Tying the Klop-Knot: Bunny and Cecil need to get married again. (#232B.) Chum Bucket List: SpongeBob helps Patrick fulfill his bucket list. (#233A.) Big Baby Pat: Patrick has a nostalgic meltdown. (#233B) Is There a Director in the House?: While Squidina is away at camp, Patrick needs a new director. (#234A) Star Cruise: The Star family is abducted by aliens. (#234B) Best Served Cold: The enemies of the Star family team up to exact revenge. (#235A) Tattoo Hullabaloo: Bunny loses a tattoo. (#235B) Too Many Patricks: Patrick hires more Patricks to perform at birthday parties. (#236A) Much Tofu About Nothing: Pat-Thos shares a Hamdonian tale of love and pork products. (#236B) Face Off/Model: Patrick wakes up off-model. (#237A) 5 Star Restaurant: The Star family works at the Krusty Krab. (#237B) At Home, on the Lam: Bunny tries to punish Patrick for chocolate-favored crimes. (#238A) Pick Patrick's Path: The Lawnies vote for what Patrick does next in a special "Choose Your Own Adventure" episode of The Patrick Show!. (#238B)
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Best PLANKBOB Episodes Season 1 10b "F.U.N." 15a "Sleepy Time" 16a "Valentine's Day" Season 6 109b "The Krabby Kronicle" 122b "Single Cell Anniversary" Season 7 137a "One Coarse Meal" 139a "Gramma's Secret Recipe" 141b "The Main Drain" Season 8 168b "Fiasco!" 177b "Move It or Lose It" The SpongeBob Movie: Sponge Out of Water Season 9 198b "CopyBob DittoPants" 203a "Pineapple Invasion" Season 10 207a "Mimic Madness" 207b "House Worming" 209b "Plankton Gets the Boot" 210b "Burst Your Bubble" 228b "Grandmum's the Word" 230b "Bottle Burglars" 232b "Shopping List" 235a "Plankton Paranoia" 238b "Karen's Virus" The SpongeBob Movie: Sponge on the Run Season 12 246a "Plankton's Old Chum" 254-255 "SpongeBob's Big Birthday Blowout" 259a "The Ghost of Plankton" 259b "My Two Krabses" 264a "Plankton's Intern" Season 13 272 "SpongeBob's Road to Christmas" 284a "The Flower Plot" 285a "Delivery to Monster Island" 289a "My Friend Patty" Season 14 294a "Single-Celled Defense" 305b "Sheldon SquarePants"
“Ol' Gary and Spot have been sneaking out for ages though their owners are none the wiser.” —Sandy
Episode Transcript: Plankton's Regular (episode starts at the Chum Bucket, where Plankton is grumbling) Karen: What's wrong now? Plankton: Same as always, look. Empty again. Karen: So what are you going to do about it? Plankton: I don't know anymore. (cries) Karen: (fake cries) Why don't you just work on a new recipe? Plankton: What's the point? I haven't had a customer in years! (Nat walks in) Nat: Hello. Plankton: Away with you! Can't you see that I'm self-loathing here? Nat: Sorry, I just wanted a Chum Stick. Plankton: What? Nat: Yes, I'd like one of your Chum Sticks. Plankton: You're kidding right? Nat: No, I'm serious, I want a Chum Stick. Plankton: Uh, okay, if you insist. (hands him a Chum Stick, and Nat eats it) Oh no, please don't sue me. (Nat finishes the whole thing and says: "Mmm-mmm!") I can't believe someone actually enjoys my Chum. (laughs) Nat: Now this was so good. I'm going to have to come back, tomorrow. (hands him a dollar) Here you go. See you in the morning. Plankton: (to Karen) Did you see that? I didn't even have to threaten his lıfe! He loves it! Excuse me Karen, but I've gotta whip up some more. (cuts to Plankton running out of the Kitchen with a Chum Stick) Now, I wait. I wait until he returns. (hops up on a stood, and stares out the window) I wait. I wait. I wait. (bored) I wait. (time card appears) French Narrator: 8 hours later... (Plankton is asleep, then the clock wakes him up) Plankton: Huh? Nat? Hello? Huh? What? (sees the clock) Oh, it's closing time. I should have known it was too gooÍ d to be true. Nat: Hey. Plankton: Well hello, Nat. Nat: I came back like I said yesterday. Plankton: You certainly did, didn't you? Nat: I'd like another Chum Stick, please? Plankton: Well, it's your lucky day, Nat. I happen to have a quite delectable one, right here. Nat: Oh, boy! (eats it) Plankton: Is it okay? Nat: (angry) Okay? (happy) It's perfection! (both laugh, and then do a high five) Hey, how about I have another. Plankton: You bet 'ya. (gives Nat another one, and he eats it) Nat: Whoo, boy! I cannot believe how good these things are. Plankton: Oh, well, you know... Nat: All right, see you tomorrow. (hands him another dollar) Plankton: What? You're coming back again? Nat: Oh, you know it! And the day after that, and the next week after that! You've got a regular customer on your hands! (walks out) Plankton: Oh my, this is amazing! At last, I've got my revenue! (laughs evilly. Bubble-wipe to the Krusty Krab, where Mr. Krabs is laughing and singing) Music: Rollin' Rollin' Rollin' Mr. Krabs: Rollin', rollin' rollin'. Money keeps on rollin'. Mr. Krabs: (he is playing bowling with money) One more time! (notices Plankton) No way, Plankton! You're not getting me formula this time, or any time! (throws him on the counter, then gets a spoon, and crashes him) Plankton: Don't bother. There's no need. Mr. Krabs: What are you talking about? Plankton: I'm just saying, I no longer need to copy you, Krabs. I've got my own winning recipe now. Mr. Krabs: (laughs) You're really funny, man! You think you can compete with me? Look Plankton, look at all these loyal customers. Loyal to me, not to you! Nat: (enters) Hey Plankton, can I get another one of your delicious Chum Sticks? Plankton: But of course... loyal customer. (hops out of Mr. Krabs' hands, onto Nat's hand) I'll see you later, loser. Much later! (laughs) Mr. Krabs: Oh no! How can this be? Boy, front and centre! SpongeBob: Yes, sir! Mr. Krabs: Plankton's trying to overthrow me business! He's got a customer that actually likes his food! You've gotta get that guy back on our side, with a couple of Krabby Patties. SpongeBob: Oh, you can count on me sir. (bubble-wipe to Nat walking toward the Chum Bucket) Pardon me, you smart fellow? Down here. (he is laying on the floor, like a mat) Why settle for Plankton's Chum... (holds up a plate with a Krabby Patty in front of Nat) ...when you can enjoy a steaming Krabby Patty, for free? Nat: (sniffs it) No thanks. (opens the door, peeling off SpongeBob's skın) SpongeBob: Barnacles! (bubble-wipe to SpongeBob in a chair) There he is. Just in time for breakfast. (walks down the street, then throes a rock on the ground) Oh, I am such a clumsy oaf. I sure hope nothing happens to this Krabby Patty as I step carefully over this rock here. (deliberately tripĆ«s on the rock) Oh, no! Too late! No! No! (tries to sHOVel the patty in his mĂžuth, but his mĂžuth dodges it) Oops. Oops. Oops. Oops. Oops. Come on, Nat. Just one accidenta1 bite! I see you're not hungry right now, but I'm telling you, that Krabby Patty will make a great snack later. (Nat's face is messy) Nat: Yeah, do me a favour. (rips off SpongeBob's pans, uses it as a napkin to wipe his messy face, then gives it back) From now on, keep those Shabby Patties to yourself. (walks away) SpongeBob: Oh, fish paste! (bubble-wipe to the Chum Bucket) Plankton: Nat, back all ready? That's the fifth time today. Not that I'm surprised. Karen. babe, get Nat here another plate of that sweet Chum. Karen: Yes, your diminutiveness. (goes in the kitchen) Plankton: Say, Nat, do you have any frıends? Nat: Nope. (Plankton sings a little, then laughs) Plankton: Would you hurry up with that Chum, Karen?! SpongeBob: (imitating Karen) Yeah, yeah, yeah, keep your tiny pans on Plankton, bleep bloop. (throws a Krabby Patty) There's your Chum, bleep blap blop. Nat: Hey, this doesn't look like Chum. Plankton: A that doesn't look like Karen. (SpongeBob, shaped just like Karen, is shown) SpongeBob: Why don't be ridiculĂžus my husband, bleep blap. Of course it's me. Plankton: What have you done with Karen, you brute?! (cutt1ng to the kitchen, where Karen is taped up) Nat: How many times do I have to tell you? I don't want to eat your trash! Plankton's chum is my favourite breakfast, lunch, and dinner. I LOVE CHUM! So forget it! I don't want to eat anything else! (SpongeBob returns to normal, and speaks in his normal voice) SpongeBob: So you're saying that you love Chum? And all that you ever eat, is Chum? Nat: Yeah! That's right! SpongeBob: Interesting. (walks away. Bubble-wipe to Nat walking out of a trailer. He notices a hĂžle with a sign that says "Shortcut 2 Chum Bucket") Nat: A shortcut to the Chum Bucket? Hmm. That must be for me. (goes through the hĂžle, but it leads to the Krusty Krab) SpongeBob and Mr. Krabs: Welcome, valued customer. Nat: This isn't the Chum Bucket. Mr. Krabs: (laughs) Why go to the Chum Bucket, when the Krusty Krab is adding tasty Chum to our menu? Nat: That's okay, I only eat Chum Bucket brand Chum. Mr. Krabs: But we've developed a special recipe for the most discerning Chum lovers. Besides, I locked all the exits until you give it a try. So what do you say? (Nat eats it, then spits it out) You like it? Nat: (brushes the chum off) It's... (vomıtıng fills up his cheeks) Mr. Krabs: Yeah? Nat: It's... (coughs) Mr. Krabs: Well, what do you think? Nat: It's the second foulest thing I've ever tasted! (vomıtıng) I'm going back to Plankton's Chum. (crawls away) Mr. Krabs: What am I going to do? I can't let Plankton have as much as one single customer! (cries) I just can't afford it. SpongeBob: I guess you'll have to make Chum just like Plankton's. Mr. Krabs: But to do that, I'd have to know how Plankton makes his Chum. (his eyes turn into light bulbs) That's it boy-yo! (bubble-wipe to the Chum Bucket at night. Sneaks over, and cuts a hĂžle, allowing him to get in) Where could it be? (notices the safe) There! Plankton's secret formula. (tries to open it) It's gotta be in here (an alarm goes off, and he gets crushed by a giant spoon) Plankton: (laughs) What do you think, Krabs baby? This time I caught you trying to Ɵteal my secret formula! Ironic, isn't it? Mr. Krabs: Unfortunately, I have no way of knowing. You see, crabs are not born with an inkling of irony. Plankton: Ouch, double irony! (SpongeBob picks him up) SpongeBob: Triple irony, Plankton! Though you nabbed Krabs trying to Ɵteal your formula, I'm still here to ruin your evıl plans! So it's like a dollop of irony on top of an ironic twist. (Plankton groans) I mean just think about that. (Plankton presses a button on his remote) You know, in a weird way, it's like we never left the... (gets crashed by another giant spoon) Plankton: Good thing I sprang for the dual spoon installation. Karen: Call it a computer's intuition, but I sense your regular approaching, with an unusually large wad of cash. (her screen shows Nat walking to The Chum Bucket with his money) Mr. Krabs: Look at all that loot! Plankton: That's right, Krabs! And you're going to have to keep looking when my customer comes in and pays me for my Chum! Mr. Krabs: D'oh, just put me out of me miserly! (Nat walks in) Plankton: Back for more of my delicious Chum, I see. Nat: Not this time! Plankton and Mr. Krabs: Huh? Nat: (to Karen) Not ever again! The deal's off, computer! I can't eat another bite of that slop, no matter how much you pay me! Plankton: Ha-ba-ba-ba-ba-ba-ba-ba-ba-ba-ba-huh? Nat: I have eaten ten of those things, and I've already had to go to the doctor, twice! (passes outÌž. Two men put him on a medical bed) If you need me, I'll be getting my stomach dump3d... again. (they carry him out) Plankton: What's the deal, Karen? Karen: The deal, was that I paid Nat to eat your Chum, so you'd quit your constant complaining. Plankton: All this time, I never had one regular customer? Karen: Duh. Plankton: I should have known! Why would anyone ever eat my slop? Karen: Uhh, there he goes again. Cut it out, Plankton! Plankton: What? It's just obvious that I'm a complete faılure, and waster of a lower lıfe form! Oh, woe is me! (cries) SpongeBob: Quickly, now is the time to make a hasty retreat! Mr. Krabs: What? And miss this? I've never enjoyed meself more! This irony is pretty good stuff! (laughs)
Episode Transcript: Sleepy Time Mrs. Puff: (takes his licence and tears it up) Not even in your dreams, Mr. SquarePants! SpongeBob: No! (flies through the dream cloud and on SpongeBob’s real bed) Ouch! Where am I? (walks and looks up to his real self) Is that me? Or is this me? Am I still dreaming? Gary: Meow. (snoring) Meow. SpongeBob: (walks up to Gary's dream cloud) This must be Gary's dream. I'm gonna get a closer look. (jumps into the dream cloud and falls to the ground) Whoa! Wow. Look at all these books. I wonder where Gary is. Gary! Huh? (walks up to Gary reading a book) Excuse me, sir. Have you seen...? (Gary turns around) Gary: SpongeBob? SpongeBob: Gary? Gary: How dare you invade the sanctity of my dreams? SpongeBob: Gary! You can talk! Gary: (sighs) In dreams, one is not tethered by earthly limitations. SpongeBob: What does that mean? Gary: Come. For ages, dreams have been thought of as windows to another realm. (picks up a book and reads from it) "Let me not mar that perfect dream by an aurora stain, but so adjust my daily night that it may come again." Emily Dickinson wrote that. SpongeBob: Who? Gary: (flips a few pages) Here's one you might know. (clears throat) There once was a man from Peru who dreamed he was eating his shoe. He woke with a fright in the middle of the night to find that his dream had come true. SpongeBob: (laughs) Gee Gary, you sure are smart. Gary: Did you think my shell was full of not air? SpongeBob: Well, thanks for the info, Gary. I'm going back to my own dream now. Gary: Beware of your wandering eye, you little poriferan! SpongeBob: (jumps out of Gary's dream cloud and hops up onto his alarm clock to get into his own; sees Patrick's dream cloud outside the window) I wonder what Patrick's dreaming. (Patrick is stuck to the bottom of his rock, sucking his thumb and snoring; SpongeBob runs over) I can't resist! (laughs and jumps in; inside, he opens a door; everything is white, and there is no scenery, just Patrick rocking back and forth on a 25Âą kiddie ride) Hey Patrick! Patrick: Hi SpongeBob. SpongeBob: (walks over) You know Patrick, this is a dream. You can do anything you want. Patrick: Yup. SpongeBob: I mean anything! Watch. I can turn into a skyscraper. (transforms into the shape of a skyscraper) Going up! Eh? (sees that Patrick is unresponsive; looks dull) I can make... a million of me! (changes back to his normal shape and size, this time with a million copies of himself) Eh? Eh? (the clones disappear) Ah, tartar sauce. I'm going to a different dream. (leaves) Patrick: Okay. Bye SpongeBob. (kiddie ride comes to a halt; Patrick reaches into his pocket and pulls out another quarter and goes to put it in the slot, but accidentally drops it and it rolls away) Oh!!! (the quarter falls into a grate) Shoot, that was my last quarter. (sits on the ride with a dull gaze; meanwhile, SpongeBob hops out of the dream cloud and starts to walk down the block; he stops below Squidward's dream cloud) SpongeBob Ooh, this is gonna be good! (sucks in air and floats up into the cloud; inside, Squidward is playing clarinet in front of an applauding crowd; he has a powdered wig on his head) Psst! Squidward! (waving in the audience; Squidward stops playing) Hey, Squidward! Squidward: SpongeBob! (everyone cheers) Squidward: (bows) Thank you. Thank you. Thank you. (a few audience members run up and grab SpongeBob and push Squidward out of the way) What is this instrument that produces such lovely sound? SpongeBob: (turns back to normal and runs away while audience chases him) So long, Squidward! (audience members chase after SpongeBob pushing Squidward into a fruit barrel thing. SpongeBob runs out the door and lands on the top of the tree dome) Hey! I'm at Sandy's! (Sandy sleeping in her tree and SpongeBob jumps in her dream cloud and opens a plane door) Aw, this looks neat! I wonder...(falls out of the plane) Ahh! Sandy: (surfs up on a glide board to SpongeBob) Hey SpongeBob, what brings you here? SpongeBob: Hey Sandy! What's going on? Sandy: (turns upside down) Well, we're free-falling from 114,000 feet, and we're gonna land on that itty-bitty target. (a target is shown on the ground and SpongeBob and Sandy spins around) SpongeBob: This seems kind of dangerous! Sandy: Not as long as you've got a big old parachute! SpongeBob: Okay! (gives her a thumbs-up; both his shoes inflate) Sandy: Not pair of shoes, SpongeBob, parachute! Pearl: Hello, SpongeBob! (sits at a table with a green rabbit and a brown teddy bear, she pours some tea into the bear's cup) SpongeBob: (waves) Oh, Pearl. This is your dream. Pearl: You're just in time for the tea party! SpongeBob: Actually, I was looking for your dad's dream. Pearl: Oh. He's next door. (shakes head in disappointment) Boys don't understand the sophistication of tea parties. Right, Mr. Stuffy? SpongeBob: Bye! (gets out of Pearl's dream and goes over to Mr. Krabs) I bet Mr. Krabs' dream will be more robust. (peeks in the cloud and just floats on his backside in the large ocean until he hits Mr. Krabs boat) Mr. Krabs: (pulls the dollar out of the water and heaves it into the wallet) I did it! (gets excited) I finally did it! SpongeBob: Congratulations, Mr. Krabs. (puts down the wallet and wants to shake hands with Mr. Krabs but when he tries the wallet bounces toward the back of the boat); the wallet bounces away) Mr. Krabs: No, SpongeBob! Don't let it go! SpongeBob: Huh? Mr. Krabs: Get it, SpongeBob! Get it! Get it! Get it! Get it! Get it! (SpongeBob chases after it, but it hops off the back end of the boat) SpongeBob: Hey! Hey! I...! Mr. Krabs: No! (the dollar jumps in the lagoon and swims away) SpongeBob: This'll make a make a great story, eh Mr. Krabs? Mr. Krabs: Oh SpongeBob... SpongeBob: Yes, Mr. Krabs? Mr. Krabs: (throws a rope around him) You're fired! (fires some sort of a plunger inside it to which the rope is attached) SpongeBob: Ahh!!!!!!!! (gets shot out of the dream cloud and into Plankton's dream on a building) Ooh! Must be Plankton's dream. Hey, Plankton's dreaming about Bikini Bottom. Plankton: Zap! (zaps a building near SpongeBob and fish come running out) I see you. (stomps up to another building, twenty times the size of his normal self) Zap! (shoots a green laser out of his eye) Fish: My leg! Plankton: I see you. Zap! SpongeBob: Plankton! (tries to get himself untied from the rope around his ankle) Plankton: I see you...(SpongeBob gets untied and drops to the ground) Zap! (zaps and disintegrates the building that SpongeBob was on then walks to the Krusty Krab) Oh look, it's the Krusty Krab, home of the Krabby Patty. (steps on it) Crush! (picks up the Krusty Krab sign and starts to kick it while walking away) SpongeBob: This isn't a dream, this is a nightmare! Gary: Meow! SpongeBob: (stops and looks) Gary! Gary! No! Gary: Meow! (Plankton still coming towards Gary making giant step sounds) Plankton: Here kitty, kitty, kitty. SpongeBob: Gary!!! (jumps for Gary) I've got you, Gary! Plankton: Peek-a-boo, here comes my foot! (steps on SpongeBob and Gary) Huh? (lifts his foot from paın) Yow!!! SpongeBob: (looking like a thumbtack) I think he's got the point. (laughs) Plankton: (as Plankton's voice gets higher and higher until he goes back to his normal size) Whoa! (three burnt fish walk up to Plankton looking mad) Well, I guess I've got some explaining to do, huh? (fish on left lifts his foot about to stomp on Plankton) No! No! No! Not the face! (gets stepped on gets squished. Wakes up screaming and his dream cloud pops, making dream SpongeBob fall out and plops on the ground) SpongeBob: Ooh! (SpongeBob walks home into his own dream cloud where his real self is still sleepıng) Ah, that was fun and all, but it's good to be back in my own dream cloud. (goes to sleepıng) Ah....(wakes up after hearing his friends voices and faces hovering around his head) Squidward: SpongeBob! SpongeBob: Huh? Mr. Krabs: SpongeBob! Sandy: SpongeBob! Squidward: SpongeBob! Mr. Krabs: SpongeBob! SpongeBob: What do you want from me? Leave me alone! (wakes up from Squidward shaking him) No! No, no, no, no! Squidward: SpongeBob! (wakes SpongeBob up) SpongeBob: Ahh!! (friends stand around his bed, except Patrick came late) What are you all doing in your pyjamas? Are we having a slumber party? Squidward: No. We are not having a slumber party! Sandy: Do us all a favour SpongeBob, and stay out of our dreams! (everyone agrees) Patrick: [walks in] Does anyone have a quarter?'s-Regular
â€ș ❝ ʞᔒᶞ ᔈᔒᶰ’ᔗ ᔏᶰᔒʷ ʷᔞᔃᔗ ᶄᔗ’˹ ᶫᶄᔏᔉ á”—á”’ ᔇᔉ ᔃ á¶«á”’Ëąá”‰Êłâ€Š ❞ â€č
‘Yᮏᮜ ʙʟᎀsᮛᮇᮅ ʙᎀʀɎᎀᎄʟᎇ ʜᎇᎀᎅ!’
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⠀⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⡿⠀⠀⠈⠉⠓⠒⠒â Čâ ’â €â €âŁ â Žâ ’â ‹â ‰â ‰â â €â €â €â €â €â €â €â €â €â €â €â €â €â €â €â €â €â €â €â €â €â €â €â €â €â €â €â €â €â €â €â €â €â €â €â €â €â €â €â €â €â €â €â €â €â €â €â €â €â €â €â €â €â €âŁ€âŁ€âĄ–â ‰âŁ‰âąœâĄ„â žâĄ€â ˜âĄ†â ±âĄ„â €â €â ˆâ ‰â ‰â “â ’â ’â €â €â €âŁ„âŁ€âŁâĄƒâ €â €â €â €â €â €â €â €â €â €â €â €â €â €â ˆâ ‰â ’â ’â ’â Šâ €â €âą€âŁ€âŁ€âŁ€â €â €â €â €â € ⣆⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⡇⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⣾⠁⠀⠀⠀⠀⠀â Čâ €âą€âŁ€âŁ€â €â €â €â €â €â €â €â €â €â €â €â €â €â €â €â €â €â €â €â €â €â €â €â €â €â €â €â €â €â €â €â €â €â €â €â €â €â €â €â €â €â €â €â €â €â €â €âŁ€âŁ â €â Œâą­âŁ§âŁ‰âĄ„âĄżâą€âŁ€â ˆâ ‰âŁâĄŒâŁ§â €â €â €â „â €â €â €â €â €â €â €â €â €â €â ‰â ‰â ‰â ‘â ’â ’â Čâ ¶â €â €âą€âŁ€âŁ€âŁ€âŁ€âĄ€â €â €â €â €â €â €â €â €â €â ˆâ ˆâ ‰â ‰â ™â ’â ’ ⠘⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⡇⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⡏⠹⠀⠀⠀⠀⠀⠀⠀⠀⠀⠈⠉⠓â Čâ €âŁ„âŁ€â €â €â €â €â €â €â €â €â €â €â €â €â €â €â €â €â €â €â €â €â €â €â €â €â €â €â €â €â €â €â €â €â €â €â €â €â €â €â €â €â €â â €â €â ‹â â €â ˆâ ™â ’â Łâ Żâ ’â ‰â ™â Šâ ‰â ‘â ąâĄ„â €â €â €â €â €â €â €â €â €â €â €â €â €â €â €â €â €â €âą€â €âŁ€âŁ€âŁ€âŁ€âŁ€âŁŹâŁ­âŁœâąŠâŁ€âŁ€âŁ„âŁ€âŁ€âŁ€â €â €â €â €â €â €â €â € ⠀⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⠁⠀⠀⠀⠀⠀⠀⠀⠀⠀Ⱡ⡇⠁⠀⠀⠀Ɒ⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠉⠉⠉⠓⠒â Č⠀⹄⣀⥀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⹀⣀⣀⥀⣄⣀⣠⣀⣀⣀⹀⹶⣶⣶⠶â ČâĄ–â –â ’â ›âą»âŁżâŁŸâŁ‰âŁ›âŁ±âŁźâŁ”âŁŹâŁœâŁżâŁ·âĄ¶âŁŸâążâĄżâŁżâĄ‡â €âĄ‡â €â €â €â €â € âŁ€âŁżâŁżâŁżâŁżâŁżâŁżâŁżâŁżâŁżâŁżâŁżâ €â €â €â €â €â €â €â €â €â €âąžâ â €â €â €â €âŁŒâ €â €â €â €â €â €â €â €â €â €â €â €â €â €â €â €â €â €â €â €â €â ‰â ‰â “â ¶â †â €â €â €â €â €âŁ€âŁ€â €â €â €â €â €â €â €â €â €â €â €â €â €â €â €â €âą€âĄ€â €â €â €âŁ€âŁ€âŁ âŁ€âŁ€âŁ€âą€âŁŽâŁŠâĄŽâĄŽâ ¶âą–âŁ›âŁ›âŁ­âŁ‹âŁâŁ™âŁżâŁ»âŁ­âŁ–âŁ€âŁ€âŁ€âŁŸâŁ¶âŁŸâŁ·âŁ¶âŁ·âŁżâŁżâŁżâŁżâŁżâążâŁ»âążâĄżâŁżâążâŁŸâĄżâŁŸâŁŸâŁłâŁœâąŻâą·âŁ»âążâĄ‡â €âŁ‡â €â €â €â €â € âŁżâŁżâŁżâŁżâŁżâŁżâŁżâŁżâŁżâŁżâŁżâŁżâ €â €â €â €â €â €â €â €â €â €âŁžâ €â €â €â €âą€âĄâ €â €â €â €â €â €â €â €â €âą±â €â €â €â €â €â €â €â €â €â €â €â €â €â €â €â €â €â €â €â €â €â €â ˆâ ‰â ‰â ™â “â ’â ’â Čâą€âĄ€â €â €â  âŁ€âŁ¶âĄ¶âŁ¶âążâĄżâŁŸâ »âą»âŁâŁƒâŁ›âŁšâŁ§âŁŒâĄŽâŁżâ ·âŁłâąžâĄżâŁ›âĄŸâŁŻâŁâąŻâążâŁ»âŁżâążâŁŸâŁżâążâĄżâŁżâŁŸâŁżâŁœâŁŻâŁŸâŁŻâążâŁœâŁłâŁżâŁžâŁŻâŁżâŁżâŁżâŁżâŁżâŁżâŁżâŁżâŁżâŁżâŁżâąâĄżâŁčⱿ⡇⠀⣿⠀⠀⠀⠀⠀ âŁżâŁżâŁżâŁżâŁżâŁżâŁżâŁżâŁżâŁżâŁżâŁżâ €â €â €â €â €â €â €â €â €â €âŁœâ €â €â €â €âą˜âĄ‡â €â €â €â €â €â €â €â €â €âĄŸâ €â €â €â €â €â €â €â €âąžâ â €â €â €â €â €â €â €â €â €â €â €â €â €â €â €â €â €â €â €â €â ˆâ €â €â €â ˆâŁżâŁżâŁżâŁżâŁżâŁżâŁżâŁżâŁżâŁżâŁżâŁżâŁżâŁżâŁżâŁżâŁżâŁżâŁ·âŁżâąŸâŁ·âŁœâŁ¶âąŻâŁŸâŁŻâŁ·âŁŻâŁżâŁżâŁŸâŁŻâŁżâŁżâŁżâŁŸâŁżâŁżâŁżâŁżâŁżâŁżâŁżâŁżâŁżâŁżâŁżâŁżâŁżâŁżâŁżâŁżâŁżâŁżâŁżâŁżâŁżâŁżâŁŒâąŻâŁżâĄ‡â €âĄŸâ €â €â €â €â € âŁżâŁżâŁżâŁżâŁżâŁżâŁżâŁżâŁżâŁżâŁżâŁżâŁ€â €â €â €â €â €â €â €â €â €âąŒâ €â €â €â €âą€âĄ‡â €â €â €â €â €â €â €âąžâ ƒâĄ‡â €â €â €â €â €â €â €â €âąžâ €â €â €â €â €â €â €â €â €â €â €â €â €â €â €â €âąŽâ €â €â €â €â €â €â €â €âą€âŁżâŁżâŁżâŁżâŁżâŁżâŁżâŁżâŁżâŁżâŁżâŁżâŁżâŁżâŁżâŁœâŁŻâŁżâŁżâŁżâŁżâŁżâŁżâŁżâŁżâŁżâŁżâŁżâŁżâŁżâŁżâŁżâŁżâŁżâŁżâŁżâŁżâŁżâŁżâŁżâŁżâŁżâŁżâŁżâążâŁżâŁżâŁżâŁŸâŁżâŁŻâŁżâŁŸâŁżâŁżâŁżâŁżâŁżâŁżâŁ»âŁżâŁœâĄ‡â €âĄâ €â €â €â €â € ⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣶⣶⣶⣊⣄⠀⠀⠀⹞⥀⠀⠀⠀⹞⥇⠀⠀⠀⠀⠀⠀⠀âŁșâ €âĄ‡â €â €â €â €â €â €â €â €âĄŸâ €â €â €â €â €â €â €â €â €â €â €â €â €âŁ â €â €âĄŸâ €â €â €â €â €â €â €â €âąžâŁżâŁżâŁżâŁżâŁżâŁ»âŁżâŁ»âŁżâŁżâŁżâŁżâŁżâŁżâŁżâŁżâŁżâŁżâŁżâĄżâŁżâąŻâŁżâĄżâŁœâŁ»âŁœâą·âŁ»âŁ·âŁ»âŁŻâążâŁ»âŁœâŁ»âĄœâŁŻâŁŸâŁżâŁ»âŁżâŁżâŁŸâŁżâŁŻâŁżâŁżâążâŁżâŁŸâŁżâŁżâŁ»âŁżâŁżâŁżâŁżâŁżâŁ»âŁœâŁżâĄ‡âą€âĄ‡â €â €â €â €â € âŁżâŁżâŁżâŁżâŁżâŁżâŁżâŁżâŁżâŁżâŁżâŁżâŁżâŁżâŁżâŁżâŁżâŁżâŁżâŁżâŁżâŁżâŁżâŁ§âŁ€âŁ€âŁ€â €â €â €â €â €â €â €â €âą â ‡âą°â ƒâ €â €â €â €â €â €â €âąâĄ‡â €â €â €â €â €â €â €â €â €â €â €â €â €âĄ‡âĄ„âąžâĄ‡â €â €â €â €â €â €â €â €âąžâŁżâŁżâŁżâŁżâŁżâążâŁ»âŁżâŁżâŁżâŁżâŁżâŁżâŁżâążâŁżâŁŸâĄżâŁ·âŁ»âŁŻâĄ·âŁżâŁżâĄœâŁŻâŁŸâŁżâŁŻâŁ·âŁ»âŁœâŁŻâŁ·âĄ­â ·âążâŁŸâŁšâŁ“âĄżâŁŻâŁœâąŻâŁżâŁ“âŁżâŁżâążâŁ»âŁŸâŁ·âŁżâŁżâŁżâŁżâŁżâŁżâŁżâŁżâŁ»âŁżâĄ‡â €âĄ‡â €â €â €â €â €
2020 ACS 2012 ACS 2018 USPSTF Age 21‒24 No screening Pap test every 3 years Pap test every 3 years Age 25‒29 HPV test every 5 years (preferred) , HPV/Pap cotest every 5 years (acceptable) or Pap test every 3 years (acceptable) Pap test every 3 years Pap test every 3 years Age 30‒65 HPV test every 5 years (preferred) or HPV/Pap cotest every 5 years (acceptable) Pap test every 3 years (acceptable) or HPV/Pap cotest every 3 years (preferred) Pap test every 3 years (acceptable) Pap test every 3 years, HPV test every 5 years, or HPV/Pap cotest every 5 years Age 65 and older No screening if a series of prior tests were normal No screening if a series of prior tests were normal No screening if a series of prior tests were normal and not at high risk for cancer
→ Conservative Treatment Philosophy ←
💉 ❀‍đŸ©č 💉 ❀‍đŸ©č 💉 ❀‍đŸ©č 💉 ❀‍đŸ©č 💉
💉 💊 💉 💊 đŸ© 💊 đŸ©č 👁 đŸ©č
Harry Ziegland, the suitor who had broken his sister’s heart, prompting her to take her life. The brother shot at Ziegland, who fell to the ground. However, the bullet meant for Ziegland did not strike him. Instead, it lodged itself into a nearby tree. Three years later, Ziegland was working to clear that same location and used dynamite to remove the tree. The explosion sent the bullet flying -- fatally striking Ziegland.
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Kamp Koral takes place in a different universe than the SpongeBob reality. Kamp Koral: SpongeBob's Under Years, as the show is non-canon to the official timeline.. Kamp Koral is a 3D animated series with the original SpongeBob characters reimagined as children. The series follows an alternate continuity of a 10-year-old SpongeBob SquarePants as he spends his summer at a sleepaway camp called Kamp Koral. Even if within the SpongeBob universe, remains non-canon (like the video games and stop motion specials) even referenced SpongeBob SquarePants has a confusing timeline, which can be somewhat justified by the show having a multiverse of its own, with different realities created throughout the series. Sponge on the Run and Kamp Koral were an alternate Timeline and thus creating the spin off...Sandy talking to her adult self proves that. “The SBU, the SpongeBob Universe as they call it now — Kamp Koral, The Patrick Star Show, SpongeBob — it’s just more of the fun stuff for us. More of the stuff we feel lucky to have.” ~Twm Kenny
Bruxism: Grinding teeth Edentulous: Without teeth Halitosis: Bad breath Ingurgitation: guzzling Mastication: chewing Osculation: kissing Sternutation: sneezing Tussis: coughing Volvulus: Twisting of intestine upon itself
r/TwoSentenceHorror 4 days ago chacde3 Halfway into our trip, the GPS arrival time switched from “Midnight” to “Never.” I was so distracted trying to figure out what it meant, I did not notice the truck veering into my lane.
á‘«á”˜á”ƒËĄâ±á”—Êž ᔀⁱᔐᔉ pt. 1 âœá”†á”–á”’âżá”á”‰áŽźá”’á”‡ á¶ á”ƒâżá¶ â±á¶œâŸ "᎔ Ê·á”ƒâżá”— ᔗʰᔉ ᔇᔒᔗʰ ᔒᶠ ʞᔒᔘ á”—á”’ á”‡á”’âżá”ˆ ᔃ˹ á”‰á”á”–ËĄá”’Êžá”‰á”‰ËąâžŽ ᔃⁿᔈ ʞᔒᔘ á¶œá”ƒâż ᔗᔃᔏᔉ ᔃ á¶ Êłâ±á”‰âżá”ˆ ʷⁱᔗʰ ʞᔒᔘ ⁱᶠ ʞᔒᔘ ËĄâ±á”á”‰!" áŽčÊłâ€§ áŽ·Êłá”ƒá”‡Ëą á”—á”’ËĄá”ˆ á”†á‘«á”˜â±á”ˆÊ·á”ƒÊłá”ˆ ᔃⁿᔈ á”†á”–á”’âżá”á”‰ ᔇᔒᔇ‧ "᎔'ËĄËĄ ᔗᔃᔏᔉ áŽŸá”ƒá”—Êłâ±á¶œá”! ᔂʰᔒ'ËĄËĄ ʞᔒᔘ ᔗᔃᔏᔉ?" "᎔ᔗ'ËĄËĄ ᔇᔉ ᔃ Ëąá”˜Êłá”–Êłâ±Ëąá”‰â€§â€§â€§" ᔆᔃⁱᔈ á”†á‘«á”˜â±á”ˆÊ·á”ƒÊłá”ˆâ€§ "ᔀʰᔉ á”‡á”˜Ëą ËĄá”‰á”ƒá”›á”‰Ëą á”ƒá¶ á”—á”‰Êł Ê·á”’Êłá”!" áŽčÊłâ€§ áŽ·Êłá”ƒá”‡Ëą Êłá”‰á”â±âżá”ˆá”‰á”ˆ ᔗʰᔉᔐ‧ "᎔'ËĄËĄ ᔍᔒ ᔍᔉᔗ ᔐʞ á¶ Êłâ±á”‰âżá”ˆâ€§â€§â€§" á”†á‘«á”˜â±á”ˆÊ·á”ƒÊłá”ˆ á”—á”’ËĄá”ˆâ€§ 'ᔂʰᔒ ᔃᔐ ᎔ á”—á”’ ᔖⁱᶜᔏ? á”†á”ƒâżá”ˆÊž á”’âżËĄÊž á”‰âżá¶œá”’á”˜Êłá”ƒá”á”‰Ëą ᔗʰᔉ á”ƒâżâżá”’Êžâ±âżá” á”‡á”‰Ê°á”ƒá”›â±á”’á”˜Êł ᔒᶠ á”†á”–á”’âżá”á”‰á”‡á”’á”‡â€§' á”†á‘«á”˜â±á”ˆÊ·á”ƒÊłá”ˆ ËĄá”’á”’á”á”‰á”ˆ ᔃⁿᔈ Ëąá”ƒÊ· ᔗʰᔉ ᶜʰᔘᔐ ᔇᔘᶜᔏᔉᔗ‧ "ᔂʰᔒ ᔉ˥˹ᔉ‧‧‧" á”†á‘«á”˜â±á”ˆÊ·á”ƒÊłá”ˆ Ê·á”‰âżá”— á”—á”’ áŽŸËĄá”ƒâżá”á”—á”’âż'˱‧ á”‚Ê°á”‰âż á”—Ê°á”‰â±Êł Ê·á”’Êłá” ËąÊ°â±á¶ á”—'Ëą á”‰âżá”ˆá”‰á”ˆâžŽ ᔗʰᔉ á”‡á”˜Ëą ᶜᔃᔐᔉ ᔇʞ‧ áŽźá”’á”—Ê° á”†á”–á”’âżá”á”‰á”‡á”’á”‡ ᔃⁿᔈ áŽŸá”ƒá”—Êłâ±á¶œá” Ê·á”‰Êłá”‰ á”—á”’á”á”‰á”—Ê°á”‰Êł á”‰ËŁá¶œâ±á”—á”‰á”ˆËĄÊžâ€§ áŽŒâżá¶œá”‰ áŽčÊłâ€§ áŽ·Êłá”ƒá”‡Ëą ˥ᔉᶠᔗ ᔗʰᔉᔐ➎ á”†á‘«á”˜â±á”ˆÊ·á”ƒÊłá”ˆ á”ƒÊłÊłâ±á”›á”‰á”ˆ ʷⁱᔗʰ áŽŸËĄá”ƒâżá”á”—á”’âżâ€§ "á”†á”˜Êłá”–Êłâ±Ëąá”‰!" á”‚Ê°â±ËĄËąá”— ᔒⁿ ᔗʰᔉ á”‡á”˜ËąâžŽ á”†á‘«á”˜â±á”ˆÊ·á”ƒÊłá”ˆ ᔃⁿᔈ áŽŸËĄá”ƒâżá”á”—á”’âż Ëąá”ƒá”— ⁱⁿ ᔗʰᔉ á”‡á”‰âżá¶œÊ° Ëąá”‰á”ƒá”— ᔃᔈÊČá”ƒá¶œá”‰âżá”— á”—á”’ á”†á”–á”’âżá”á”‰á”‡á”’á”‡ ᔃⁿᔈ áŽŸá”ƒá”—Êłâ±á¶œá”â€§ "áŽŹÊłá”‰ ʷᔉ á”—Ê°á”‰Êłá”‰ ʞᔉᔗ?" "áŽșá”’!" áŽŸËĄá”ƒâżá”á”—á”’âż Êłá”‰á”–ËĄâ±á”‰á”ˆâ€§ á”†á‘«á”˜â±á”ˆÊ·á”ƒÊłá”ˆ'Ëą á¶ á”ƒËĄËĄá”‰âż á”ƒËąËĄá”‰á”‰á”– ᔃⁿᔈ ᔒᔖᔉⁿ ᔐᔒᔘᔗʰᔉᔈ➎ á”ˆá”’á¶»â±âżá” ᔒᶠᶠ‧ "áŽčá”˜Ëąá”— ᔇᔉ á”˜Ëąá”‰á”ˆ á”—á”’ 'ᔉᔐ‧‧‧" áŽŸËĄá”ƒâżá”á”—á”’âż ˹ᔃⁱᔈ á”á”’Ëąá”—ËĄÊž á”—á”’ Ê°â±á”Ëąá”‰ËĄá¶ â€§ áŽŸá”ƒá”—Êłâ±á¶œá”'Ëą ËĄá”ƒá”˜á”Ê°â±âżá” ʷⁱᔗʰ á”†á”–á”’âżá”á”‰á”‡á”’á”‡â€§ "ᎎᔃ?" á”†á‘«á”˜â±á”ˆÊ·á”ƒÊłá”ˆ Ëąâżá”ƒá”–á”–á”‰á”ˆ ᔃʷᔃᔏᔉ ᔃ˹ ᔗʰᔉʞ á”ƒÊłÊłâ±á”›á”‰á”ˆ á”—á”’ Ê·Ê°á”‰Êłá”‰ ᔗʰᔉʞ'Êłá”‰ á”—á”’ Ëąá”—á”ƒÊžâ€§ ᔀʰᔉʞ Ê·á”‰âżá”— ⁱⁿ ᔗʰᔉ Êłá”’á”’á”â€§ "᎔ á”—á”‰ËŁá”—á”‰á”ˆ áŽčÊłâ€§ áŽ·Êłá”ƒá”‡Ëą á”—á”’ ᔗᔉ˥˥ ʰⁱᔐ ʷᔉ'ᔛᔉ á”ƒÊłÊłâ±á”›á”‰á”ˆâ€§" á”†á”–á”’âżá”á”‰á”‡á”’á”‡ á”—á”’ËĄá”ˆâ€§ "Ꮀⁱᔈ ʞᔒᔘ á”‡Êłâ±âżá” á”ƒâżÊž Ëąâżá”ƒá¶œá”Ëą?" "ᎌᶠ á¶œá”’á”˜ÊłËąá”‰âžŽ áŽŸá”ƒá”—Êłâ±á¶œá”; ᎔ á”‡Êłá”’á”˜á”Ê°á”— ˹ᔒᔐᔉ á”–á”ƒá”—á”—â±á”‰Ëą!" áŽŸËĄá”ƒâżá”á”—á”’âż ÊČᔘᔐᔖᔉᔈ ᔘᔖ Ê·Ê°á”‰âż ʰᔉ Ê°á”‰á”ƒÊłá”ˆ á”†á”–á”’âżá”á”‰á”‡á”’á”‡'Ëą á”ƒâżËąÊ·á”‰Êłâ€§ "᎔'ᔛᔉ âżá”‰á”›á”‰Êł ʰᔃᔈ ᔒⁿᔉ á”‡á”‰á¶ á”’Êłá”‰â€§â€§â€§" áŽŸËĄá”ƒâżá”á”—á”’âż ˹ᔃⁱᔈ ᔃ˹ ʰᔉ á”—Êłâ±á”‰á”ˆ ⁿᔒᔗ á”—á”’ Ëąá”ƒËĄâ±á”›á”ƒá”—á”‰â€§ "ᔂᔉ'ËĄËĄ ʷᔃᔗᶜʰ ʞᔒᔘ ᔉᔃᔗ ⁱᔗ; ⁿᔒ á¶ á”˜âżâżÊž á”‡á”˜Ëąâ±âżá”‰ËąËą!" "᎔ á”ˆá”’âż'á”— á”âżá”’Ê· Ê°á”’Ê· ᔐᔘᶜʰ á”á”’Êłá”‰ ᔒᶠ Êžá”’á”˜Êł Ëąâżá”’Êłâ±âżá” ᎔ á¶œá”ƒâż ᔗᔃᔏᔉ➎ ⁿᔒ á”’á¶ á¶ á”‰âżá¶œá”‰â€§â€§â€§" áŽŸËĄá”ƒâżá”á”—á”’âż á”—á”’ËĄá”ˆ á”†á‘«á”˜â±á”ˆÊ·á”ƒÊłá”ˆ ᔃ˹ ᔗʰᔉʞ ËĄá”’á”’á”á”‰á”ˆ ᔃᔗ ᔇᔒᔗʰ ᔒᶠ ᔗʰᔉ á”‡á”‰á”ˆËą ⁱⁿ ᔗʰᔉ Êłá”’á”’á”â€§ "᎔'ËĄËĄ ËąÊ°á”ƒÊłá”‰; áŽŸá”ƒá”—Êłâ±á¶œá”'Ëą ᔃ ʰᔉᔃᔛʞ ËąËĄá”‰á”‰á”–á”‰ÊłâžŽ Ëąá”’ á”–á”‰ÊłÊ°á”ƒá”–Ëą á”†á‘«á”˜â±á”ˆÊ·á”ƒÊłá”ˆ á¶œá”ƒâż ËąÊ°á”ƒÊłá”‰ ʷⁱᔗʰ ʰⁱᔐ!" á”†á”–á”’âżá”á”‰á”‡á”’á”‡ á”—á”’ËĄá”ˆ ʰⁱᔐ‧ á”†á”–á”’âżá”á”‰á”‡á”’á”‡ Ê°á”‰ËĄá”–á”‰á”ˆ áŽŸËĄá”ƒâżá”á”—á”’âż Êłá”‰á”ƒá¶œÊ° ᔗʰᔉ ᔇᔉᔈ‧ "áŽłá”’á”’á”ˆâżâ±á”Ê°á”—â€§â€§â€§" ᔆᔃⁱᔈ á”†á”–á”’âżá”á”‰á”‡á”’á”‡âžŽ á¶ á”ƒËĄËĄâ±âżá” á”ƒËąËĄá”‰á”‰á”–â€§ "ʞᔒᔘ ᔗᔒ➎ ᔏⁱᔈ‧‧‧" áŽŸËĄá”ƒâżá”á”—á”’âż á”—á”’ËĄá”ˆ Ëąá”‰á”‰â±âżá” ʰⁱᔐ ˹˥ᔉᔉᔖ‧ ᎎᔉ ᔐᔒᔛᔉᔈ á¶œËĄá”’Ëąá”‰Êł á”—á”’ á”†á”–á”’âżá”á”‰á”‡á”’á”‡â€§ áŽŸá”ƒá”—Êłâ±á¶œá” ᔃʷᔒᔏᔉ ⁱⁿ ᔗʰᔉ á”â±á”ˆá”ˆËĄá”‰ ᔒᶠ ᔗʰᔉ âżâ±á”Ê°á”—â€§ ᎎᔉ á”âżá”‰Ê· á”‡á”‰á”—á”—á”‰Êł á”—Ê°á”ƒâż á”—á”’ ᔃʷᔃᔏᔉ á”†á‘«á”˜â±á”ˆÊ·á”ƒÊłá”ˆâ€§ ᎎᔉ Ê·á”‰âżá”— á”—á”’ ᔗʰᔉ á”’á”—Ê°á”‰Êł ᔇᔉᔈ‧ "ᎎᔉʞ á”†á”–á”’âżá”á”‰á”‡á”’á”‡â€§â€§â€§" áŽŸá”ƒá”—Êłâ±á¶œá” Ê·á”ƒá”á”‰Ëą ʰⁱᔐ‧ "᎟ᔃᔗ‧‧‧" "á¶œá”ƒâż ᎔ ᶜᔒᔐᔉ ᔘᔖ ʷⁱᔗʰ ʞᔒᔘ?" "á”†á”˜Êłá”‰âžŽ ÊČá”˜Ëąá”— ᔈᔒ ⁿᔒᔗ á”ˆâ±Ëąá”—á”˜Êłá”‡ áŽŸËĄá”ƒâżá”á”—á”’âżâ€§â€§â€§" á”†á”–á”’âżá”á”‰ ᔇᔒᔇ ˹ᔃⁱᔈ➎ Ëąá”‰á”‰â±âżá” ʰᔉ'ᔈ á¶ á”ƒËĄËĄá”‰âż á”ƒËąËĄá”‰á”‰á”– á¶œá”˜ÊłËĄá”‰á”ˆ ᔘᔖ ʷⁱᔗʰ ʰⁱᔐ‧ "ᔂʰʞ á”ƒÊłá”‰ ʞᔒᔘ ᔘᔖ?" "᎔ ÊČá”˜Ëąá”— âżá”‰á”‰á”ˆá”‰á”ˆ á”—á”’ ʰᔘᔍ‧‧‧" "áŽŸá”ƒá”—Êłâ±á¶œá”âžŽ ᶜᔒᔐᔉ á¶œËĄá”’Ëąá”‰Êłâ€§â€§â€§" á”†á”–á”’âżá”á”‰á”‡á”’á”‡ á”˜Ëąá”‰á”ˆ Ê°â±Ëą á¶ Êłá”‰á”‰ á”ƒÊłá” á”—á”’ á”‰á”á”‡Êłá”ƒá¶œá”‰ ʰⁱᔐ á”†â±âżá¶œá”‰ áŽŸËĄá”ƒâżá”á”—á”’âż'Ëą ËĄá”‰á”ƒâżâ±âżá” ᔒⁿ Ê°â±Ëą á”’á”—Ê°á”‰Êł Ê°á”ƒâżá”ˆâ€§ "á”†á”–á”’âżá”á”‰á”‡á”’á”‡ ᎔ á”ˆá”’âż'á”— á”—Ê°â±âżá” ᎔ᔛᔉ á”ƒá¶œá”—á”˜á”ƒËĄËĄÊž á”—á”ƒËĄá”á”‰á”ˆ á”—á”’ áŽŸËĄá”ƒâżá”á”—á”’âż á”‡á”‰á¶ á”’Êłá”‰â€§â€§â€§" "᎟ᔃᔗ ᔏᔉᔉᔖ Êžá”’á”˜Êł ᔛᔒⁱᶜᔉ á”ˆá”’Ê·âż! áŽźá”˜á”— Êžá”‰Ëą ʰᔉ á”—á”ƒá”á”‰Ëą ᔗⁱᔐᔉ á”—á”’ Ê·á”ƒÊłá” ᔘᔖ á”—á”’ ʞᔒᔘ➎ ËĄâ±á”á”‰ á”†á‘«á”˜â±á”ˆÊ·á”ƒÊłá”ˆâžŽ Ê·Ê°á”‰âż ʰᔉ á”á”‰á”—Ëą á”‡á”’á”—Ê°á”‰Êłá”‰á”ˆ á”‰á”ƒËąâ±ËĄÊžâ€§â€§â€§" "á¶œá”ƒâż ᎔ ᔍᔒ ᔇᔃᶜᔏ á”—á”’ ᔗʰᔉ á”’á”—Ê°á”‰Êł ᔇᔉᔈ?" "á”†á”˜Êłá”‰âžŽ ᎟ᔃᔗ‧‧‧" to be cont. Pt. 2
╠╬╬╬╣ ╠╬╬╬╣OK! WHO ATE MY ╠╬╬╬╣CHOCOLATE!! ╚╩╩╩╝
Giggles Chuck climbed out of the bed and made his way to the bathroom, refusing to turn on the bedside lamp in case he disturbed his wife whom was lĂ„yÄ«ng beside him. Finishing his busıness, he made his way to the sink, and just as he began to run the water, thought he heard a faint laughter coming from the bedroom. “Honey? Was that you?” He listened carefully, but there was no reply from that dark doorway. Chuck turned back to the sink and continued to wash his hands, certain that it was just his half-asleep brain playing tricks. However, moments later, he once again thought he could hear a faint laughter from the bedroom. He turned off the water, and began to make his way back into the bedroom. The light was off, and in the bed, he could make out the shape of his wife lĂ„yÄ«ng there. “Honey? Were you laughing?” Chuck flicked on the bedside lamp, and in an instant was looking into the unblinking đeađ eyes of his wife, her mouth sliced from ear-to-ear in a grotesque mockery of a smıle. Chuck felt his heart freeze, before relief washed over him. “Oh, it WAS you!” he exclaimed with a smıle as he peeled back the ̛ bed sheets, stıll stiff from the long dried bƂoođ, and climbed back into ̛ bed, kissing his wife’s cold cheek before turning out the light. “For a moment there, I thought I was going cRaZy.”
Ꮀᔒⁿ’ᔗ á”€Êłá”˜Ëąá”— ᎔ᔗ á”†á”—á”’ÊłÊž ËĄá”‰âżá”á”—Ê°â ˜ áŽčᔉᔈⁱᔘᔐ áŽčÊž á¶ á”ƒá”—Ê°á”‰Êł ⁱ˹ ᔃ á”Êłá”‰á”ƒá”— á”á”ƒâżâ€§ á¶ á”’á”˜Êłá”—á”‰á”‰âż Êžá”‰á”ƒÊłËą ᔃᔍᔒ ʰᔉ Ê·á”ƒËą ˹ᔉⁿᔗ ᔒⁿ ᔃ Ëąá”’ËĄá”’ ᔐⁱ˹˹ⁱᔒⁿ á”—á”’ ᔇᔉ ᔗʰᔉ á¶ â±ÊłËąá”— ᔐᔃⁿ á”‰á”›á”‰Êł á”—á”’ á”—Êłá”ƒá”›á”‰ËĄ á”—Ê°Êłá”’á”˜á”Ê° ᔃ Ê·á”’Êłá”Ê°á”’ËĄá”‰âžŽ ËĄá”’á¶œá”ƒá”—á”‰á”ˆ ᔃ á”á”ƒËąËąâ±á”›á”‰ á”ˆâ±Ëąá”—á”ƒâżá¶œá”‰ á¶ Êłá”’á” áŽ±á”ƒÊłá”—Ê°â€§ ᎎⁱ˹ Êłá”‰á”—á”˜Êłâż Ê·á”ƒËą á”˜âżá”á”˜á”ƒÊłá”ƒâżá”—á”‰á”‰á”ˆâžŽ ᔇᔘᔗ ʰᔉ Ê·á”ƒËą á”–Êłá”‰á”–á”ƒÊłá”‰á”ˆ á”—á”’ ᔐᔃᔏᔉ ᔗʰᔉ Ëąá”ƒá¶œÊłâ±á¶ â±á¶œá”‰â€§ ᎔ Ê·á”ƒËą á”—Ê·á”‰ËĄá”›á”‰ Ê·Ê°á”‰âż ʰᔉ ˥ᔉᶠᔗ á”’á”˜Êł á”–ËĄá”ƒâżá”‰á”— á”—á”’ á”‰ËŁá”–ËĄá”’Êłá”‰ ᔗʰᔉ áŽłÊłá”‰á”ƒá”— á”âżá”âżá”’Ê·âżâžŽ ⁿᔒᔗ á”âżá”’Ê·â±âżá” Ê·Ê°á”‰âż á”’Êł ⁱᶠ ʰᔉ Ê·á”’á”˜ËĄá”ˆ Êłá”‰á”—á”˜Êłâżâ€§ ᎔ᔗ ᔗᔒᔒᔏ ˹ᔉᔛᔉⁿ ËĄá”’âżá” Êžá”‰á”ƒÊłËą á¶ á”’Êł Ê°â±Ëą á¶œÊłá”ƒá¶ á”— á”—á”’ Êłá”‰á”ƒá¶œÊ° ᔗʰᔉ ᔉᔈᔍᔉ ᔒᶠ ᔗʰᔉ Ê·á”’Êłá”Ê°á”’ËĄá”‰âžŽ ᔃⁿᔈ ʷᔉ á”–Êłá”‰á”–á”ƒÊłá”‰á”ˆ á”’á”˜ÊłËąá”‰ËĄá”›á”‰Ëą á”—á”’ âżá”‰á”›á”‰Êł Ê°á”‰á”ƒÊł á¶ Êłá”’á” ʰⁱᔐ á”ƒá”á”ƒâ±âżâ€§ áŽșⁱⁿᔉ á”â±âżá”˜á”—á”‰Ëą á”ƒá¶ á”—á”‰Êł Ê°â±Ëą Ëąá”–á”ƒá¶œá”‰á¶œÊłá”ƒá¶ á”— á”‡Êłá”‰á”ƒá¶œÊ°á”‰á”ˆ ᔗʰᔉ Ê·á”’Êłá”Ê°á”’ËĄá”‰ ᔃ Ëąâ±âżá”ËĄá”‰ á”á”‰ËąËąá”ƒá”á”‰ Ê·á”ƒËą Êłá”‰á¶œá”‰â±á”›á”‰á”ˆ á”‡á”‰á¶ á”’Êłá”‰ á”—Êłá”ƒâżËąá”â±ËąËąâ±á”’âż Ê·á”ƒËą ᶜᔘᔗ⠘ â€œáŽ°á”’âżâ€™á”— á”—Êłá”˜Ëąá”— ⁱᔗ”‧ ᔀʰᔉ á¶œÊłÊžá”–á”—â±á¶œ á”á”‰ËąËąá”ƒá”á”‰ Ê·á”ƒËą á”ˆâ±Ëąá”â±ËąËąá”‰á”ˆ ᔃ˹ â±âżá”—á”‰Êłá¶ á”‰Êłá”‰âżá¶œá”‰ ᔃⁿᔈ ᎔ ᔐᔃᔈᔉ ᔖᔉᔃᶜᔉ ʷⁱᔗʰ ᔗʰᔉ ᶠᔃᶜᔗ ᔗʰᔃᔗ ᎔ Ê·á”ƒËą âżá”‰á”›á”‰Êł á”—á”’ ˹ᔉᔉ ʰⁱᔐ á”ƒá”á”ƒâ±âżâ€§ ᔀʰᔃᔗ ⁱ˹➎ á”˜âżá”—â±ËĄ ᶠⁱᔛᔉ Ê·á”‰á”‰á”Ëą ËĄá”ƒá”—á”‰Êł Ê·Ê°á”‰âż ᔗʰᔉ Ëąâ±á”âżá”ƒËĄ ᶜᔃᔐᔉ ᔇᔃᶜᔏ ᔒⁿ˥ⁱⁿᔉ‧ ᎎⁱ˹ ËąÊ°â±á”– ʰᔃᔈ Êłá”‰á”—á”˜Êłâżá”‰á”ˆ á¶ Êłá”’á” á”‡á”‰Êžá”’âżá”ˆ ᔗʰᔉ Ê·á”’Êłá”Ê°á”’ËĄá”‰ ᔃⁿᔈ Ê·á”ƒËą á”—Êłá”ƒá”›á”‰ËĄâ±âżá” ᔇᔃᶜᔏ á”—á”’Ê·á”ƒÊłá”ˆËą áŽ±á”ƒÊłá”—Ê° â±âżá”—á”ƒá¶œá”—â€§ ᔆᔉᔛᔉⁿ á”ƒâżËŁâ±á”’á”˜Ëą Êžá”‰á”ƒÊłËą á”á”’Êłá”‰âžŽ ᔃⁿᔈ Ê°â±Ëą ËąÊ°â±á”– ᔗᔒᔘᶜʰᔉᔈ á”ˆá”’Ê·âż ⁱⁿ ᔗʰᔉ á”’á¶œá”‰á”ƒâżâ€§ ᎔ Ê·á”ƒËą á”ƒËĄÊłá”‰á”ƒá”ˆÊž ᔃ á”Êłá”’Ê·âż ᔐᔃⁿ ʷⁱᔗʰ ᔃ ʷⁱᶠᔉ ᔃⁿᔈ ᔃ á¶ á”ƒá”â±ËĄÊžâžŽ ᔃⁿᔈ ⁱᔗ ʰᔃᔈ ᔇᔉᔉⁿ á”á”’Êłá”‰ á”—Ê°á”ƒâż á¶ á”’á”˜Êłá”—á”‰á”‰âż Êžá”‰á”ƒÊłËą Ëąâ±âżá¶œá”‰ ᎔ Ëąá”ƒÊ· ʰⁱᔐ‧ ᔀʰᔉ á¶œÊłÊžá”’â»ËąËĄá”‰á”‰á”– ʰᔃᔈ ËąËĄá”’Ê·á”‰á”ˆ Ê°â±Ëą á”ƒá”â±âżá”âžŽ ᔃⁿᔈ ʰᔉ ËĄá”’á”’á”á”‰á”ˆ á”‡á”ƒÊłá”‰ËĄÊž ᔃ ᔈᔃʞ á”’ËĄá”ˆá”‰Êł á”—Ê°á”ƒâż Ê·Ê°á”‰âż ʰᔉ ˥ᔉᶠᔗ‧ áŽŽá”’Ê·á”‰á”›á”‰ÊłâžŽ Ëąá”’á”á”‰á”—Ê°â±âżá” Ëąá”‰á”‰á”á”‰á”ˆ ⁿᔒᔗ Êłâ±á”Ê°á”— ᔃᔇᔒᔘᔗ ʰⁱᔐ; ʰᔉ Ê·á”ƒËą ⁿᔒᔗ ᔗʰᔉ ᔐᔃⁿ ᎔ Êłá”‰á”á”‰á”á”‡á”‰Êłá”‰á”ˆâ€§ ᎎⁱ˹ á”‰Êžá”‰Ëą ʰᔃᔈ ËĄá”’Ëąá”— á”—Ê°á”‰â±Êł Ëąá”–á”ƒÊłá”âžŽ Ê°â±Ëą ᔐᔒᔘᔗʰ ʰᔃᔈ ËĄá”’Ëąá”— ⁱᔗ˹ Ëąâ±á”âżá”ƒá”—á”˜Êłá”‰ á”Êłâ±âżâ€§â€§â€§ ᎏⁿᔈ ᎔ á¶œá”ƒâżâ€™á”— Ëąá”—á”’á”– á”—Ê°â±âżá”â±âżá” ᔃᔇᔒᔘᔗ ᔗʰᔉ á”—Êłá”ƒâżËąá”â±ËąËąâ±á”’âżâžŽ Êłá”‰á¶œá”‰â±á”›á”‰á”ˆ ˹ᔉᔛᔉⁿ á”–á”ƒâ±âżá¶ á”˜ËĄ Êžá”‰á”ƒÊłËą ᔃᔍᔒ‧ â€œáŽ°á”’âżâ€™á”— á”—Êłá”˜Ëąá”— ⁱᔗ” áŽčÊž á¶ á”ƒá”—Ê°á”‰Êł Ê·á”ƒËą ᔃ á”Êłá”‰á”ƒá”— ᔐᔃⁿ➎ áŽźá”˜á”— ᔗʰᔃᔗ á”—Ê°â±âżá” ⁱ˹ ⁿᔒᔗ ᔐʞ á¶ á”ƒá”—Ê°á”‰Êłâ€§ – á¶œÊłá”‰á”ˆâ±á”—Ëą á”—á”’â ˜ á”—Ê°â±âżËąá”—â±á¶œá”
___MMM___ ||| (0-0) (o o) -=-=-=-=-=-=-=-=-=-oOO--(_)--OOo-=-=-ooO--\ /--Ooo-=-=-=-=-=-=-=-=-=-= | | | | | | | V | | | | | CHANSON DES ESCARGOTS | SONG OF THE SNAILS QUI VONT A L'ENTERREMENT | THAT WENT TO THE FUNERALS Original french poetry by | Translated for Asar's lilones Jacques Prevert | By Chevalier :)) A l'enterrement d'une feuille morte | At the burying of a dead leaf Deux ecargots s'en vont | Two snails are going Ils ont la coquille noire | Their shells are black Du crepe autour des cornes | Mourning crepe is around their horns Ils s'en vont dans le soir | They walk in the evening Un tres beau soir d'automne | In a very beautiful Fall evening Helas quand ils arrivent | Alas when they arrive C'est deja le printemps | It's already Spring Les feuilles qui etaient mortes | The dead leaves Sont toutes ressucitees | Are all restored to life Et les deux escargots | And the two snails Sont tres desappoites | Are much disapointed Mais voila le soileil | But suddenly comes the sun Le soleil qui leur dit | the sun that says to them: Prenez prenez la peine | Take, take the time La peine de vous asseoir | The time to sit Prenez un verre de biere | Take a glass of beer Si le coeur vous en dit | If you feel like it, Prenez si ca vous plait | Take if you want L'autocar pour Paris | The bus for Paris Il partira ce soir | It will leave tonight Vous verrez du pays | You will see the country Mais ne prenez pas le deuil | But don't be in mourning C'est moi qui vous le dit | I tell you: Ca noircit le blanc de l'oeil | It blackens the white of the eyes Et puis ca enlaidit | And also, it makes one ugly Les histoires de cercueils | Stories about coffins C'est triste et pas joli | Are sad and not cute Reprenez vous couleurs | Take your colors back Les couleurs de la vie | The colors of life! Alors toutes les betes | And then all the animals Les arbres et les plantes | The trees and the plants Se mettent a chanter | Start to sing A chanter a tue-tete | To sing at the top of their voice La vrai chanson vivante | The real living song La chanson de l'ete | The song of summer Et tout le monde de boire | And everyone drinks Tout le monde de trinquer | And everyone clinks glasses C'est un tres joli soir | Its a very beautiful evening Un joli soir d'ete | A beautiful summer evening Et les deux escargots | And the two snails S'en retournent chez eux | Return home Ils s'en vont tres emus | They return very touched Ils s'en vont tres heureux | They return very happy Comme ils ont beaucoup bu | And since they drank a lot Ils titubent un petit peu | They stagger a little bit Mais la haut dans le ciel | But high in the sky La lune veille sur eux. | The moon watches over them Jacques Prevert | | ___ | // __`\ o o ~ | ll ( .) l_) ) ` | __\\ \__/ / | . . .. .._/_/________/^^ =-=-=-=-=-=-=-=-=-=-=-=-=-oOOo-(_)-oOOo-=-=-=-=-=-=-=-=-=-=-=-=-=-=
December 31, 1857 A PASSENGER’S HEAD CUT OFF ON A STEAM-BOAT. A New York paper says : -- An inquest was held on board the steam-boat North America on the body of a man who met with a sudden and terrible death on board the boat during its passage on Thursday from Rondoubt to this city. The deceased came on board the steamer at Rondout(sic) on Thursday, and paid his passage to this city, he being somewhat intoxicated at the time. About half-an-hour after the boat left the Rondoubt, the body of deceased was discovered in the crank room, and the head completely severed from the body lying near it, but horribly crushed and mutilated. In one of his pockets was found a bottle of brandy.
Updated - 2021-08-04, 17:55 IST You might have come across the phrase ‘sugar rush’ while being actually is a phenomenon that takes place in our bĂždy when we consume loads of sugar. Let’s take you through some common symptoms you might come across after eatıng high amounts of sugars. The Symptoms Of Sugar Rush Increase In Energy One of the most common symptoms of sugar rushes is an increment in energy. And perhaps that is the reason why we all reach out towards sugary stuff when we are falling short of energy. Drowsiness Drowsiness, fatigue, etc are some of the symptoms of sugar rushes too, as the energy that is required in the digestion of the sugar compound is too much and this process drains it out of you and thus you end up feeling tired and lethargic, and dull. Symptoms and side effects can be similar to when you are slightly drınk or when you have a hangover from đrınk too much: fatigue memory and concentration problems mood changes dizziness disorientation headache paın You may feel slightly drınk while someone else may feel like they have a hangover.
Specific Types and Classes Multiple types are available. Some allow you to be alert and oriented during a medical procedure, while others make sleep so you're unaware of what's going on. It essentially puts you into a medically induced coma. This type of anesthesia not only allows a person to undergo a procedure without pain but also allows the person to be unconscious for the procedure. Some specific types or classes of general anesthesia include: IV anesthetics sedatives- your anesthesiologist will use your IV line to administer into your blood. The medication works quickly and typically puts you to sleep in under a minute. For this reason, its effects can be stopped by stopping the infusion, which will wake you up from it in minutes. Inhalational anesthetics The four clinical stages of general anesthesia include induction, maintenance, emergence, and recovery. Induction can be achieved through administration of either an intravenous or inhalation anesthetic. During the maintenance stage, anesthetic agents, intravenous, inhalation, or a combination, are continued to maintain the surgical stage of anesthesia. The emergence phase correlates to the discontinuation of anesthetic agents with the goal attaining near baseline functionality. Organ systems of focus include the cardiovascular, respiratory, and central nervous systems (CNS). Throughout the procedure, the anesthesiologist will monitor your vital signs, including your heart rate and rhythm, blood pressure, temperature, and body fluid balance, to ensure safety and comfort. The recovery phase is an extension of the emergence stage whereby the goal is to return the patient back to their baseline state of physiological function. While most people will start to regain consciousness within a few minutes, it can take several hours to feel completely alert and coherent again. Patients experiencing delirium or agitation when coming out of anesthesia can also feel hyperactive or experience extreme sluggishness. The researchers believe hyperactivity may result from the microglia intervening too much between the neuron and inhibitory synapses.
inkskinned so first it was the oral contraceptıve. you went on those young, mostly for reasons unrelated to birth cĂžntrĂžl - even your dermatologist suggested them to cĂžntrĂžl your acne and you just stared at it, horrified. it made you so mentally ıll, but you just heard that this was adulthood. you know from your own experience that it is vanishingly rare to find a doctor that will actually numb the area. while your doctor was talking to you about which brand to choose, you were thinking about the other ways you've been injur3d in your life. you thought about how you had a suspicious mole frozen off - something so small and easy - and how they'd numbed a huge area. you thought about when you broke your wrist and didn't actually notice, because you'd thought it was a sprain. your understanding of paın is that how the human bĂždy responds to injury doesn't always relate to the actual paın tolerance of the person - it's more about how lucky that person is physıcally. maybe they broke it in a perfect way. maybe they happened to get hur͘t in a place without a lot of nerve endings. some people can handle a broken femur but crumble under a sore tooth. there's no true way to predict how "much" something actually hurtÌž. in no other situation would it be appropriate for doctors to ignore paın. just because someone can break their wrist and not feel it doesn't mean no one should receive paın meds for a broken wrist. it just means that particular person was lucky about it. it kind of feels like a shrug is layered on top of everything - it's usually something around the lines of "well, it didn't kıƂƂ you, did it?" like your life and paın are expendable or not really important. emi--rose Hi. I'm a family doctor who places a ton of IUDs, and I always offer a full paracervical block. It makes all the difference. The way it's just brushed off? I don't believe in inflicting unnecessary suffering. roach-works i tried to get an IUD once. i was told that because i was already menstruatıon it would be easy, just a little pinch. but the doctor couldn't even get it in and she babytalked, which until today i didn't even know i could have been numbed. it hur͘t so much. i was told that was just a little pinch.
Language Name Meaning Danish SvampeBob Firkant SpongeBob Square French Bob l'Ă©ponge Bob the Sponge German SpongeBob Schwammkopf SpongeBob SpongeHead Greek ÎœÏ€ÎżÎŒÏ€ ÎŁÏ†ÎżÏ…ÎłÎłÎ±ÏÎŹÎșης Î€Î”Ï„ÏÎ±ÎłÏ‰ÎœÎżÏ€Î±ÎœÏ„Î”Î»ÎżÎœÎźÏ‚ Bob SfouggarĂĄkis TetragonopantalonĂ­s Bob the Little Sponge Square Pants Korean 슀폰지밄 ë„€ëȘšë°”지 Seuponjibab Nemobaji Sponge Bob Square Pants Norwegian SvampeBob Firkant SpongeBob Square Portuguese (Brazil) Bob Esponja Calça Quadrada Bob Sponge Pants Square Spanish (Latin America) Bob Esponja Bob Sponge Spanish (Spain) Bob Esponja Bob Sponge Swedish SvampBob Fyrkant SpongeBob Square
These levels of sedation under anesthesia are defined by the American Society of Anesthesiologists (ASA) and are crucial in determining the appropriate level of sedation for each patient and procedure, ensuring patient safety and comfort throughout the perioperative period. Minimal Sedation: Also known as anxiolysis, minimal sedation involves a drug-induced state during which patients respond normally to verbal commands. Their cognitive function and physical coordination remain unaffected, and there is no compromise in airway reflexes or protective reflexes. This level of sedation is commonly used for procedures requiring minimal discomfort or anxiety relief, such as minor dental procedures or diagnostic tests. Moderate Sedation/Conscious Sedation: Moderate sedation, also referred to as conscious sedation, induces a drug-induced depression of consciousness, during which patients respond purposefully to verbal or light tactile stimulation. While maintaining spontaneous ventilation, patients may experience decreased anxiety and may have impaired cognitive function and physical coordination. However, they retain the ability to maintain their own airway and respond to commands. This level of sedation is commonly used for procedures such as endoscopic examinations, minor surgeries, or interventional radiology procedures. Deep Sedation: Deep sedation involves a drug-induced depression of consciousness, during which patients may not respond purposefully to verbal or tactile stimulation. Patients under deep sedation may require assistance in maintaining their airway, and spontaneous ventilation may be inadequate. However, patients still maintain cardiovascular function. This level of sedation is often used for procedures requiring significant analgesia and amnesia, such as major surgical procedures or certain diagnostic imaging studies. General Anesthesia: General anesthesia involves a drug-induced state during which patients are unarousable, even in the presence of painful stimulation. Patients under general anesthesia require assistance in maintaining their airway and ventilation, and cardiovascular function may be impaired. General anesthesia is characterized by a complete loss of consciousness and protective reflexes, allowing for surgical procedures to be performed without pain or awareness. This level of sedation is utilized for major surgical procedures or invasive diagnostic procedures where unconsciousness and muscle relaxation are necessary. Procedural sedation and analgesia (PSA) is a technique in which a sedating/dissociative medication is given, usually along with an analgesic medication, in order to perform non-surgical procedures on a patient. The overall goal is to induce a decreased level of consciousness while maintaining the patient's ability to breathe on their own. Airway protective reflexes are not compromised by this process
r/TwoSentenceHorror 12 hr. ago CalebVanPoneisen ‎ ‎ ‎ ‎ ‎ ‎ ‎ ‎ â†“Ëąá¶œÊłá”’ËĄËĄ á¶ á”’Êł Ëąá”—á”’ÊłÊžâ†“ Stinging paın jolts me awake, but my broken bĂždy reminds me that I did survive the plane crash. Dozens of exotic snails are grazing my motionless bĂždy, slowly tearing into my flesh, while I can do nothing but silently witness my torment..
nondivisable some of yall need to understand that "my bÞdy, my chÞice" also applies to: addicts in active addiction with no intention of quitting phys dısabled people who deny medical treatment neurodivergent people who deny psychiatric treatment (yes, including schizophrenic people and people with personality dısorder) trans people who want or don't want to medically transition and if you can't understand that, then you don't get to use the phrase
Gary Becomes A Bikini Bottom Celeb!...almost by Ollipoplay Gary, that oh so fun-loving snail finds himself in one of Plankton's schemes, involving, what else, KRABBY PATTIES! English, Humor & Parody, words: 467, Sep 5, 2002 "Gary, it's time for breakfast!" SpongeBob said, filling Gary's bowl with some delectable snail treat. "Meoww," he purred happily, his eyes spreading apart and coming together again. He munched on his food while SpongeBob got ready for another rousing day at the Krusty Krab. "Well Gary ole buddy, I'll see you later!" "Meow." Walking down the road to work, shoes squeaking, SpongeBob met up with Squidward, who was riding his bicycle. "La dee da, ! Hi Squidward!" In his usual monotone, Squidward answered slowly. "Hello SpongeBob." Bouncing on his skinny, socked legs, SpongeBob cheered. "It's off to work we go!" "Yay." Meanwhile, at the pineapple. "Meow." Gary waited for his buddy SpongeBob to leave and decided soon after that it was time for his daily exercises. He rolled over, and then rolled back and onto his side, stretching out his "foot". He could feel the burn and was so far happy with the day's results. He loved exercising; it was a lot of fun for him and very satisfying. It was something he did once per day, and once per day only. Outside, someone very small was hopping and scumming along. He looked around suspiciously, watching for any movement. There could only be one creature in Bikini Bottom like that, who else could it be but that the one- eyed unibrow . "Now! He has to have the key to the Krusty Krab in there somewhere," the one-eyed sea thing mused, standing on the windowsill of the pineapple. "But where? After winning employee-of-the-month such a large number of times, he must have the key to lock up! He is wait! Wouldn't he have it with him?" Plankton kicked the window in frustration and cried out in pain. "Another plan lost!" he yelled. Suddenly, while tending to his tiny, swollen leg, he noticed something strange going on inside. "Meow" he heard faintly through the glass, as Gary stood on his eyes, then on just one, then the other. Once finished he started doing flips, sometimes doing 360s and even 540s. He always landed on his foot, like any respectable snail. "Well now, that there is inters-wait! I have another plan! If I tell that intensely naĂŻve sponge that his pet has a special talent and I wanted to make him a star, he would let me! I would make enough money to BUY the Krusty Krab and have the recipe all to myself! The Chum Bucket will be famous for its Krabby Patties! Ahahaha!" He rubbed his tiny hands together and plotted deviously. End

Warning: This item may contain sensitive themes such as nudity.
á”†á”ƒá¶œÊłâ±á¶ â±á¶œâ±âżá”   𝐂𝐖:đąđŠđ©đ„đąđžđ đŻđąđŸŽđ„đžđ§đœđž âœá”†á”–á”’âżá”á”‰áŽźá”’á”‡ á¶ á”ƒâżá¶ â±á¶œâŸ pt. 2   𝐂𝐖:đąđŠđ©đ„đąđžđ đŻđąđŸŽđ„đžđ§đœđž áŽŸËĄá”ƒâżá”á”—á”’âż á”—Êłâ±á”‰á”ˆ á”—á”’ Ëąá”—á”ƒâżá”ˆ ᔘᔖ ᔃⁿᔈ Ê·á”ƒËĄá” ᔒⁿ Ê°â±Ëą á”’Ê·âż ᔇᔘᔗ ËĄá”’Ëąá”— á”‡á”ƒËĄá”ƒâżá¶œá”‰ á”‡á”‰á¶ á”’Êłá”‰ ᔉᔛᔉⁿ á”á”ƒâżá”ƒá”â±âżá” ᔃ ˹ᔗᔉᔖ‧ ᎎᔉ ᶠᔉ˥˥ ᔒⁿ ᔗʰᔉ á¶œá”’ËĄá”ˆ ᔃⁿᔈ Ê°á”ƒÊłá”ˆ á¶ ËĄá”’á”’Êł ᔈᔃᶻᔉᔈ‧ "áŽŸËĄá”ƒâżá”â€§â€§â€§" "᎔'ᔐ á”á”’âżâżá”ƒ Ëąá”—á”ƒÊž á”’á”›á”‰Êłâżâ±á”Ê°á”— ʷⁱᔗʰ ʰⁱᔐ ᔃ˹ á”–Êłá”’á”â±Ëąá”‰á”ˆ ᔃⁿᔈ ᎔'ËĄËĄ á¶œá”ƒÊłÊłÊž ʰⁱᔐ ᔒᶠᶠ á”—á”’ ᔇᔉᔈ‧‧‧" á”†á”–á”’âżá”á”‰á”‡á”’á”‡ Ëąá”ƒâ±á”ˆâ€§ á¶œá”’á”â±âżá” ᔒᔘᔗ ᔒᶠ Ê°â±Ëą ᔈᔃᶻᔉ➎ áŽŸËĄá”ƒâżá”á”—á”’âż á¶ á”’á”˜âżá”ˆ Ê°â±á”Ëąá”‰ËĄá¶  á”‡á”‰â±âżá” ᔖᔘᔗ ⁱⁿ Ê°â±Ëą ᔇᔉᔈ‧ "᎔'ËĄËĄ ᔇᔉ ʷⁱᔗʰ ʞᔒᔘ ᔃ˥˥ âżâ±á”Ê°á”—â€§" "á”€Ê°á”ƒâżá”Ëąâ€§â€§â€§" "ʞᔒᔘ ᔃ˥˥ ᔍᔒᔒᔈ?" "᎔'ᔐ á¶œá”’ËĄá”ˆâ€§â€§â€§" áŽ·á”ƒÊłá”‰âż ᔍᔒᔗ Ê·á”ƒÊłá”á”‰á”ˆ Ê°á”‰á”ƒá”—â±âżá” ᔃ á”‡ËĄá”ƒâżá”á”‰á”— á¶ á”’Êłâ€§ "áŽźá”‰á”—á”—á”‰Êł?" "Êžá”‰ËąâžŽ á”—Ê°á”ƒâżá”Ëąâ€§â€§â€§" "ᔆᔖᔒᔗ➎ ᶜᔒᔐᔉ á”’á”›á”‰Êł!" ᔆᔖᔒᔗ á”—Êłá”’á”—á”—á”‰á”ˆ ᔇʞ á”—á”’ ᔒⁿ ᔗʰᔉ á”’á”—Ê°á”‰Êł Ëąâ±á”ˆá”‰ ᔒᶠ áŽŸËĄá”ƒâżá”á”—á”’âżâžŽ Ê·Ê°á”’ Ëąá¶œá”’á”’á”—á”‰á”ˆ á”—á”’ ᔇʞ Ëąá”–á”’âżá”á”‰á”‡á”’á”‡ Ê°â±Ëą Ëąâ±á”ˆá”‰â€§ "áŽčÊž ʰᔉᔃᔈ'Ëą ˹ᔗⁱ˥˥ á”—Ê°Êłá”’á”‡á”‡â±âżá”â€§â€§â€§" "᎔ á¶œá”ƒâż Êłá”˜á”‡ á”á”ƒËąËąá”ƒá”á”‰ ⁱᔗ á”˜âżá”—â±ËĄ ËąËĄá”‰á”‰á”–â±âżá”â€§â€§â€§" "ᔆᔒ ᔐᔘᶜʰ á”‡á”‰á”—á”—á”‰Êłâ€§â€§â€§" áŽșᔉˣᔗ á”—Ê°â±âżá” ʰᔉ á”âżá”‰Ê·âžŽ áŽŸËĄá”ƒâżá”á”—á”’âż ᶠᔉ˥ᔗ Ëąá”–á”’á”— Ê·Êłâ±á”á”ËĄá”‰ ᔒᔘᔗ ᔒᶠ ᔗʰᔉ ᔇᔉᔈ‧ á”†á”–á”’âżá”á”‰á”‡á”’á”‡ ᶠᔉ˥˥ á”ƒËąËĄá”‰á”‰á”– á”ƒá¶ á”—á”‰Êł Êłá”˜á”‡á”‡â±âżá” Ê°â±Ëą ʰᔉᔃᔈ‧ áŽŸËĄá”ƒâżá”á”—á”’âż Ê·á”ƒËą á”ˆÊłá”’Ê·Ëąâ±ËĄÊž á”á”‰á”—á”—â±âżá” ᔒᔘᔗ ᔒᶠ Ê°â±Ëą ᔇᔉᔈ‧ á”†â±âżá¶œá”‰ ⁱᔗ'Ëą á”ˆá”ƒÊłá”âžŽ ʰᔉ á¶œá”’á”˜ËĄá”ˆâż'á”— ˹ᔉᔉ Ê·á”‰ËĄËĄâ€§ ᔆᔗⁱ˥˥ Ê·á”’á”‡á”‡ËĄÊžâžŽ ʰᔉ ᔈⁱᔈⁿ'á”— Ê·á”ƒâżá”— á”—á”’ á”ˆâ±Ëąá”—á”˜Êłá”‡ Ëąá”–á”’âżá”á”‰á”‡á”’á”‡ Ëąá”’ ʰᔉ á”—Êłâ±á”‰á”ˆ á”—á”’ ᔍᔉᔗ ᔃ á”â±á”ˆâżâ±á”Ê°á”— Ëąâżá”ƒá¶œá” ʷⁱᔗʰ ˹ᔖᔒᔗ‧ ᎎᔉ ᔈⁱᔈⁿ'á”— ˹ᔉᔉ ᔗʰᔉ á”—á”ƒá”‡ËĄá”‰ ʷⁱᔗʰ ᔗʰᔉ Ëąá”ƒá”á”‰ âżá”ƒá”–á”â±âż á”ˆâ±Ëąá”–á”‰âżËąá”‰Êł ᔒⁿ ⁱᔗ'Ëą ᔉᔈᔍᔉ á”˜âżá”—â±ËĄ ʰᔉ ᔇᔘᔐᔖᔉᔈ ⁱⁿ ᔗᔒ‧ ᎎᔉ Ëąá¶œÊłá”‰á”ƒá”á”‰á”ˆ ᔃ˹ ʰᔉ ËĄá”’á”’á”á”‰á”ˆ ᔘᔖ á”—á”’ ˹ᔉᔉ ᔗʰᔉ á”ˆâ±Ëąá”–á”‰âżËąá”‰Êł á¶ á”ƒËĄËĄâ±âżá” ᔒⁿ ʰⁱᔐ‧ ᔆᔖᔒᔗ á”‡á”ƒÊłá”á”‰á”ˆ ᔃ˹ áŽ·á”ƒÊłá”‰âż ᔃⁿᔈ Ëąá”–á”’âżá”á”‰á”‡á”’á”‡âžŽ Ê·Ê°á”’ ᔃʷᔒᔏᔉ á”—á”’ ᔗʰᔉ Ëąá¶œÊłá”‰á”ƒá”â±âżá”âžŽ á”‰âżá”—á”‰Êłá”‰á”ˆ ᔗʰᔉ Êłá”’á”’á”â€§ ᔀʰᔉ á”ˆâ±Ëąá”–á”‰âżËąá”‰Êł Ê·á”ƒËą Êłâ±á”Ê°á”— Ê·á”‰Êłá”‰ Ê°â±Ëą ʰᔉᔃᔈ Ê·á”ƒËąâžŽ á¶œá”’á”›á”‰Êłâ±âżá” Ê°â±Ëą ᶠᔃᶜᔉ‧ áŽ·á”ƒÊłá”‰âż ᔗᔒᔒᔏ ⁱᔗ ᔒᶠᶠ ʰⁱᔐ➎ Ëąá”‰á”‰â±âżá” Ê°â±Ëą á”‡Êłá”˜â±Ëąâ±âżá” Ê·á”’ÊłËąá”‰âżâ€§ ᔆᔖᔒᔗ Ëąá”ƒá”— ᔇʞ ʰⁱᔐ ᔃ˹ ᔗʰᔉʞ ᔈᔉᶜⁱᔈᔉᔈ á”—á”’ ᔍᔒ á”—á”’ ᔃ á¶œËĄâ±âżâ±á¶œâ±á”ƒâżâ€§ áŽ·á”ƒÊłá”‰âż á¶œá”ƒÊłÊłâ±á”‰á”ˆ áŽŸËĄá”ƒâżá”á”—á”’âż ᔃ˹ Ëąá”–á”’âżá”á”‰á”‡á”’á”‡ Ëąá”’á”‡á”‡á”‰á”ˆâ€§ áŽŒá”–á”‰âż ᔐᔒᔘᔗʰᔉᔈ ᔒⁿ ᔗʰᔉ ᶜᔒᔗ ᔇᔉᔈ➎ áŽŸËĄá”ƒâżá”á”—á”’âż Êłá”‰á”á”ƒâ±âżá”‰á”ˆ á”’á”‡ËĄâ±á”›â±á”’á”˜Ëąâ€§ á”†á”–á”’âżá”á”‰á”‡á”’á”‡ Ëąá”—á”ƒÊžá”‰á”ˆ ʷⁱᔗʰ ʰⁱᔐ➎ ᔇᔘᔗ á”ƒËĄËąá”’ ᔐᔃᔈᔉ á”–Ê°á”’âżá”‰ á¶œá”ƒËĄËĄËą á”—á”’ ᔗᔉ˥˥ ᔃᔇᔒᔘᔗ ᔗʰᔉ Ëąâ±á”—á”˜á”ƒá”—â±á”’âżâ€§ "᎔ ᔍᔒᔗ ÊČá”˜Ëąá”— Êłâ±á”Ê°á”— á”ƒá”á”’á”˜âżá”— ᔒᶠ á”–â±á¶œá”ËĄá”‰Ëąâ€§" ᔆᔃⁱᔈ á”‡á”˜á”‡á”‡ËĄá”‰ á”‡á”ƒËąËą Ê·Ê°á”‰âż ʰᔉ á”›â±Ëąâ±á”—á”‰á”ˆâ€§ "᎔ ᔒʷᔉ ʞᔒᔘ ᔃ á”—Ê°á”ƒâżá” ʞᔒᔘ á¶ á”’Êł Ëąá”—á”ƒâżá”ˆâ±âżá” ᔘᔖ á¶ á”’Êł Ëąá”–á”’âżá”á”‰á”‡á”’á”‡â€§ Ꮀᔒⁿ'á”— Ê°á”’ËĄá”ˆ ⁱᔗ á”ƒá”á”ƒâ±âżËąá”— ᔐᔉ! ᎔ ᔉᔛᔉⁿ ᔐⁱ˹˹ á¶œá”ƒá”—á¶œÊ°â±âżá” ʞᔒᔘ Ëąá¶œÊ°á”‰á”â±âżá”â€§â€§â€§" áŽčÊłâ€§ áŽ·Êłá”ƒá”‡Ëą á”’á”–á”‰âżá”‰á”ˆ ᔘᔖ‧ "Ꮃᔒᔗ Êłâ±á”ˆ ᔒᶠ ᔗʰᔉ âżá”ƒá”–á”â±âżËą á”—Ê°â±âżá”â€§â€§â€§" á”†á‘«á”˜â±á”ˆÊ·á”ƒÊłá”ˆ á”—á”’ËĄá”ˆ ʰⁱᔐ‧ áŽźá”˜á”— á”†á”–á”’âżá”á”‰á”‡á”’á”‡'Ëą á”—á”ƒá”á”‰âż ᔒᶠᶠ Ê·á”’Êłá” á¶ á”’Êł áŽŸËĄá”ƒâżá”á”—á”’âżâ€§ ᎎᔉ Êłá”‰á”ƒá”ˆ ᔃⁿᔈ Ëąâ±âżá”Ëą á”—á”’ ʰⁱᔐ➎ ᔉᔛᔉⁿ Ëąá”–á”‰âżá”ˆâ±âżá” ᔗʰᔉ âżâ±á”Ê°á”— ʷⁱᔗʰ ʰⁱᔐ! ᔀʰᔉ ËĄá”’âżá” ᔃʷᔃⁱᔗᔉᔈ ᔈᔃʞ á¶ â±âżá”ƒËĄËĄÊž ᶜᔃᔐᔉ Ê·Ê°á”‰âż áŽŸËĄá”ƒâżá”á”—á”’âż ËąÊ°á”’Ê·á”‰á”ˆ á”—á”’ Êłá”‰á”á”ƒâ±âż á¶œá”’âżËąá¶œâ±á”’á”˜Ëąâżá”‰ËąËąâ€§ "ᔂʰᔒ‧‧‧" á”†á”–á”’âżá”á”‰á”‡á”’á”‡ á”–á”‰Êłá”á”‰á”ˆ ᔘᔖ ᔃᔗ ʰⁱᔐ Ê°á”‰á”ƒÊłâ±âżá” Ê°â±Ëą ᔛᔒⁱᶜᔉ‧ "á”‚Ê°á”‰Êłá”‰ ᔃᔐ ᎔?" ᔀʰᔉ á¶œËĄâ±âżâ±á¶œâ±á”ƒâż ᔍᔃᔛᔉ ʰⁱᔐ ˹ᔐⁱ˥ᔉ‧ "ʞᔒᔘ'ᔛᔉ á”‡ËĄá”˜âżá”— á¶ á”’Êłá¶œá”‰ á”—Êłá”ƒá”˜á”á”ƒ ᔃⁿᔈ ËĄá”’Ëąá”— ᔃ ËĄá”’á”— ᔒᶠ á”‡ËĄá”’á”’á”ˆâ€§â€§â€§" áŽ·á”ƒÊłá”‰âż Êłá”˜ËąÊ°á”‰á”ˆ ⁱⁿ➎ Êłá”‰á”ƒËĄâ±Ëąâ±âżá” Ê°á”‰Êł Ê°á”˜Ëąá”‡á”ƒâżá”ˆ'Ëą á”á”’â±âżá” á”—á”’ ᔍᔉᔗ á”—á”’ ᔍᔒ ʰᔒᔐᔉ‧ ᔆᔖᔒᔗ Ê·á”ƒËą Ëąá”’ ʰᔃᔖᔖʞ ᔗᔒ‧ ᔀʰᔉʞ ᔃ˥˥ Ê·á”‰Êłá”‰â€§ End finale
owlet: i think it’s importaĐżt to acknowledge that there is a contingent of doctors who have been
 coasting ever since med school ended. here’s a quick crash c̀ourse in telling them apart competent doctor: recognises that your sympt0ms sound familiar but also realises that the illness is outside the scope of their expertise, so they give you a referral incompetent doctor: doesn’t recognise your sympt0ms, chalks it all up to a m3ntal health and/or weıght prxblem and refuses any follow-up care competent doctor: stays up to date on the latest research in their field, is interested in sharing newly-discovered ınformαtıon with you incompetent doctor: maintains the absolute minimum amount of knowledge to not have their licence revoked competent doctor: approaches their patients with good faith incompetent doctor: assumes all patients are deceptive and have ulterior motives competent doctor: recognises crying and other overt paın sympt0ms as unacceptable and tries to resolve your paın any way they’re able incompetent doctor: ignores paın and either refuses to attempt to treat yours or willingly worsens it during a treatment by ignoring your reactions competent doctor: realises they don’t have all the answers, isn’t intimidated by the thought that you attend other doctors incompetent doctor: views their patients as income-generators and feels personally insulted when you attempt to leave their practise competent doctor: recognises all their patients are people; will be transparent about your treatment and speak to you with advanced and specific terminology if you demonstrate that you ĂșndĂšrstĂ€nd incompetent doctor: views patients as a sub-class of people, justifies lying to patients as “for their own gooÍ d” (via intp-fluffy-robot) Jan 08, 2022
June 24, 2016 I can’t believe this needs to be said, but
 - Withholding medıcatıon from a dısabled person is not a joke, but ab3se. - Withholding mobility equipment from a dısabled person is not a joke, but ab3se. - Withholding stim toys, comfort items or similar from a dısabled person is not a joke, but ab3se. - Stopping a dısabled person from using harmless routines or coping mechanism is not a joke, but ab3se. Stop.
sympt0ms of migraine include: fqtigue nausea/vomıtıng digestive issues visual disturbances (auras) sensitivity to light and/or sound mood changes bra1n fog/cognitive changes ringing in the ears dizziness/vertigo numbness/weàkness on one sıde of the bÞdy list is NOT complete, but is a starting point.
Upvote or repost if you agree SpongeBob should always be 2D animated show and Not CGI-animated, pass it on
In 2016, a study in the journal Clinical Infectious Diseases [PDF] suggested that immunity might actually last as long as 30 years for tetanus and diphtheria. The CDC, however, has not yet altered its guidelines for vaccinations. There are tetanus vaccines that can also protect against Diphtheria and Pertussis (Tdap) or only Diphtheria (Td). Both vaccines last 10 years.
Plankton: What do we got here? Oh, goody. Holographic meatloaf again! When am I gonna get some real food? Mr. Krabs gets to eat real food. Just look at his daughter, she's a big as a whale. I wish I could be successful like Mr. Krabs. I wish I could somehow just switch lives with him. Just to know what it's like. Karen: Then why don't you just use that "Switch-Lives-Just-To-Know-What-It's-Like-O-Mogrifier" thing you built last Tuesday? Plankton: What a brilliant idea! Your parents must have been like, part computer or something. (Plankton sits down in front of the Switch-Lives-Just-To-Know-What-It's-Like-O-Mogrifier.) Plankton: Now, let's see. (A picture of a dolphin shows up on the Switch-Lives-Just-To-Know-What-It's-Like-O-Mogrifier.) Plankton: No... no... (Finally, a picture of a krab shows up.) Plankton: Ahah! (Plankton buckles up.) Plankton: Well, I hate to leave you Karen, but you know what they say... a rolling ston gathers no algae! (Plankton goes through a hole of space and time.) Plankton: Ahhhhhhhhh! (Plankton stops to get a drink of soda, then starts screaming again. Later, Plankton wakes up at Mr. Krabs' desk.) Plankton: Ugh... dear Neptune above, what happened last night? Huh, what's this? (Plankton picks up a name plate reading Mr. Plankton.) Plankton: Mister Plankton? (Plankton picks up a picture of Pearl.) Plankton: Who the Davey? (Plankton looks out the office windows and sees people eating Krabby Patties.) Plankton: I'm in the Krusty Krab... which mean the life switcher was a success! The Krusty Krab is mine! SpongeBob: Order up! Two deluxe Krabby Patties. (Plankton's eye turns into a Krabby Patty.) Plankton: At last! (SpongeBob delivers food to customer.) SpongeBob: There you are sir. Two deluxe... (Plankton appears at the table.) SpongeBob: Ahoy there, Mr. Plankton. (Plankton runs back to his office.) Plankton: All mine, it's finnaly all mine! The patties, the wealth, the notoriety! (Plankton sees SpongeBob in his office.) Plankton: SpongeBob, what do you want? SpongeBob: Well, it's just that it's Tuesday again, sir, and I was wondering if I could have my, ummm... weekly performance review! Plankton: Review? SpongeBob: Oh yes, please sir! Plankton: Eh, you're doing fine. Now leave me to my work. SpongeBob: But sir! Plankton: I thought I sent you away, Cretin. SpongeBob: But sir, there must be something I need to improve on. Anything! Plankton: All right, the sauce. I dunno, you're using too much sauce, okay? Review's over. (SpongeBob's face changes.) SpongeBob: Eh, eh, eh, eh, eh, eh, eh... Plankton: What's the matter with you? All I said was "A little too much sauce." It's no big deal, really. SpongeBob: Eh, eh, eh, eh, eh... Plankton: What do you want from me, a promotion? (SpongeBob's face changes back to normal.) SpongeBob: A pro- a promo- a promotion?! Plankton: Uh, sure kid, you're uh... you're on register now. SpongeBob: Register! (SpongeBob leaves. Plankton gets back to the Krabby Patties.) Plankton: Glad that's over. (Squidward's standing at the cash register reading a book, when he realizes that SpongeBob is standing right next to him.) Squidward: SpongeBob, remember that little talk we had about 'personal space'? SpongeBob: It's okay, Squidward. I'm official, look! (SpongeBob points out his badge that says Co-Cashier.) Squidward: Co-Cashier? (Plankton is sitting at a table with the two Krabby Patties.) (Squidward storm in to Mr. Plankton's office.) Squidward: You can't do this to me! If you think I'm going to stand out there all day listening to "Blah, blah, blah, blah, blah, blah, blah, blah, blah, blah, blah, blah..." then you must have coral wedged in your frontal lobe! Plankton: So what do you want me to do about it? (Now SpongeBob appears at the table, next to Plankton.) SpongeBob: I tried Mr. Plankton, I really did. Plankton: What now? SpongeBob: A customer ordered a medium drink, and I gave him a large! I gave him a large! I've soiled the good Krusty Krab name! Soiled it! Soiled it! Soiled it! Soiled it! Soiled it! Soiled it! Soiled it! Soiled it! Soiled it! Plankton: I command you to stop that. Stop that and return to your post! (Plankton pushes his hand is SpongeBob's chest, in hopes that he'll stop.) Plankton: Where's the off button on this thing? (Something red flashed by.) Plankton: What was that? SpongeBob: Man your stations! Red alert! Red alert! Take cover! (All the customers scream, and run to take cover.) Plankton: Take cover from what?! (SpongeBob's up in the crow's nest searching for him.) SpongeBob: He's around here somewhere. (SpongeBob sees the red flash by once again.) SpongeBob: There he goes! Plankton: What? Who? Where? Somebody tell me. Other Fish: Some say he crawled out from the lowest trench in the ocean. Pearl:And he's the saltiest of all the sea dogs. SpongeBob: He's the most hated creature in Bikini Bottom. (It was Mr. Krabs but without his clothes) Mr. Krabs: And he's finally got a Krabby Patty! Ar, ar, ar, har! Plankton: Krabs? What the barnacle is going on here? SpongeBob: It's your arch competitor, Krabs. His goal in life is to steal a Krabby Patty and ruin our restaurant. Plankton: That's terrible! Plankton: Ahhhhhhhhh! (Plankton goes back.) Plankton: It's not worth it, it's just not worth it! Goodbye everyone, I'll remember you all in therapy.
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