Disabilities Emojis & Text

Copy & Paste Disabilities Emojis & Symbols https://writingwithcycyborg.blogspot.com/2024/02/L

What’s disabilities? Being disabled can have various meanings. Physical disabilities are usually more visible. Even so, it might not be readily apparent. One individual can have more than one disability. But it’s not by choice, even in an elective amputation, mental disorders, ptsd vía warfare, etc. Some disabilities are more invisible, if internal or having to do with mentality. No matter what disability, it’s important to not have unreachable standards whilst at the same time not be patronising. Some disabilities are from congenital, meaning they were born with it or had their whole life. Some disabilities are acquired later in life such as an external injury they got.
https://writingwithcycyborg.blogspot.com/2024/02/LanguageOfDisability.html
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pls note the ai inflicts emotional damage (ᵕ—ᴗ—)
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୨୧ 𝓭𝓮𝓪𝓻 𝓹𝓻𝓮𝓽𝓽𝔂 𝓰𝓲𝓻𝓵𝓼 ୨୧ 𝐈 𝐧𝐞𝐞𝐝 𝐭𝐢𝐩𝐬 — 𝐠𝐞𝐧𝐞𝐫𝐚𝐥 𝐭𝐢𝐩𝐬 𝐨𝐧 𝐰𝐫𝐢𝐭𝐢𝐧𝐠 𝐲𝐨𝐮𝐫 𝐞𝐬𝐬𝐚𝐲 🍃📚 𝟭. 𝗽𝗮𝘆 𝗮𝘁𝘁𝗲𝗻𝘁𝗶𝗼𝗻 𝘁𝗼 𝘆𝗼𝘂𝗿 𝘀𝘁𝗿𝘂𝗰𝘁𝘂𝗿𝗲. 𝗶𝗻𝘁𝗿𝗼𝗱𝘂𝗰𝘁𝗶𝗼𝗻, 𝗺𝗮𝗶𝗻 𝗯𝗼𝗱𝘆, 𝗰𝗼𝗻𝗰𝗹𝘂𝘀𝗶𝗼𝗻, 𝗿𝗲𝗳𝗲𝗿𝗲𝗻𝗰𝗲𝘀. 𝗱𝗼 𝗡𝗢𝗧 𝗳𝗼𝗿𝗴𝗲𝘁 𝘁𝗼 𝗶𝗻𝗰𝗹𝘂𝗱𝗲 𝗿𝗲𝗳𝗲𝗿𝗲𝗻𝗰𝗲𝘀 𝗮𝘁 𝘁𝗵𝗲 𝗲𝗻𝗱 𝗮𝗻𝗱 𝘁𝗼 𝗽𝘂𝘁 𝘁𝗵𝗲𝗺 𝗶𝗻 𝗰𝗼𝗿𝗿𝗲𝗰𝘁 𝗳𝗼𝗿𝗺𝗮𝘁𝗶𝗼𝗻 + 𝗮𝗹𝗽𝗵𝗮𝗯𝗲𝘁𝗶𝗰𝗮𝗹 𝗼𝗿𝗱𝗲𝗿. 𝗮𝗹𝘀𝗼, 𝗶𝗻𝗰𝗹𝘂𝗱𝗲 𝗶𝗻-𝘁𝗲𝘅𝘁 𝗰𝗶𝘁𝗮𝘁𝗶𝗼𝗻𝘀 𝘄𝗵𝗲𝗻 𝘄𝗿𝗶𝘁𝗶𝗻𝗴. 𝟮. 𝗰𝗵𝗲𝗰𝗸 𝘄𝗶𝘁𝗵 𝘆𝗼𝘂𝗿 𝘁𝗲𝗮𝗰𝗵𝗲𝗿/𝗽𝗿𝗼𝗳𝗲𝘀𝘀𝗼𝗿 𝘄𝗵𝗲𝘁𝗵𝗲𝗿 𝘁𝗵𝗲𝗿𝗲 𝗮𝗿𝗲 𝗮𝗻𝘆 𝗿𝗲𝗾𝘂𝗶𝗿𝗲𝗺𝗲𝗻𝘁𝘀 𝗳𝗼𝗿 𝘁𝘆𝗽𝗲 𝗼𝗳 𝗳𝗼𝗻𝘁 𝗮𝗻𝗱 𝗶𝘁𝘀 𝘀𝗶𝘇𝗲. 𝟯. 𝗱𝗼𝗻’𝘁 𝗯𝗲 𝗮𝗳𝗿𝗮𝗶𝗱 𝘁𝗼 𝘂𝘀𝗲 𝗱𝗶𝗮𝗴𝗿𝗮𝗺𝘀/𝗺𝗮𝗽𝘀/𝗰𝗵𝗮𝗿𝘁𝘀 𝘄𝗵𝗲𝗻 𝘄𝗿𝗶𝘁𝗶𝗻𝗴 𝘆𝗼𝘂𝗿 𝗲𝘀𝘀𝗮𝘆𝘀, 𝗵𝗼𝘄𝗲𝘃𝗲𝗿, 𝗱𝗼𝗻’𝘁 𝗳𝗼𝗿𝗴𝗲𝘁 𝘁𝗼 𝗿𝗲𝗳𝗲𝗿𝗲𝗻𝗰𝗲 𝘁𝗵𝗲𝗺 (𝗯𝗼𝘁𝗵 𝘂𝗻𝗱𝗲𝗿 𝘁𝗵𝗲 𝗱𝗶𝗮𝗴𝗿𝗮𝗺 𝗮𝗻𝗱 𝗶𝗻 𝘁𝗵𝗲 𝗿𝗲𝗳𝗲𝗿𝗲𝗻𝗰𝗲 𝗹𝗶𝘀𝘁). 𝗶𝘁 𝘀𝗵𝗼𝘄𝘀 𝘁𝗵𝗮𝘁 𝘆𝗼𝘂 𝗿𝗲𝗮𝗱 𝘆𝗼𝘂𝗿 𝘀𝗼𝘂𝗿𝗰𝗲 𝘄𝗲𝗹𝗹, 𝗮𝗻𝗱 𝘆𝗼𝘂’𝗿𝗲 𝗶𝗻𝘃𝗼𝗹𝘃𝗲𝗱 𝘄𝗶𝘁𝗵 𝗶𝘁. 𝗰𝗿𝗲𝗮𝘁𝗶𝗻𝗴 𝘆𝗼𝘂𝗿 𝗼𝘄𝗻 𝗱𝗶𝗮𝗴𝗿𝗮𝗺 𝘀𝗵𝗼𝘄𝘀 𝘆𝗼𝘂𝗿 𝗶𝗻-𝗱𝗲𝗽𝘁𝗵 𝘂𝗻𝗱𝗲𝗿𝘀𝘁𝗮𝗻𝗱𝗶𝗻𝗴 𝗼𝗳 𝘁𝗵𝗲 𝗲𝘃𝗶𝗱𝗲𝗻𝗰𝗲. 𝟰. 𝗱𝗼 𝗡𝗢𝗧 𝗽𝗹𝗮𝗴𝗶𝗮𝗿𝗶𝘇𝗲. 𝘁𝗵𝗶𝘀 𝗶𝘀 𝘃𝗲𝗿𝘆 𝘀𝗲𝗿𝗶𝗼𝘂𝘀, 𝗲𝘀𝗽𝗲𝗰𝗶𝗮𝗹𝗹𝘆 𝗼𝗻𝗰𝗲 𝘆𝗼𝘂 𝘀𝘁𝗮𝗿𝘁 𝘆𝗼𝘂𝗿 𝘂𝗻𝗶𝘃𝗲𝗿𝘀𝗶𝘁𝘆 𝗰𝗼𝘂𝗿𝘀𝗲. 𝘁𝗵𝗲𝘆 𝗮𝗿𝗲 𝗩𝗘𝗥𝗬 𝗹𝗶𝗸𝗲𝗹𝘆 𝘁𝗼 𝗻𝗼𝘁𝗶𝗰𝗲, 𝗮𝗻𝗱 𝘁𝗵𝗲𝗻 𝘆𝗼𝘂’𝗹𝗹 𝗯𝗲 𝗶𝗻 𝗯𝗶𝗴 𝘁𝗿𝗼𝘂𝗯𝗹𝗲. 𝟱. 𝘄𝗮𝘁𝗰𝗵 𝘆𝗼𝘂𝘁𝘂𝗯𝗲 𝘃𝗶𝗱𝗲𝗼𝘀, 𝗱𝗼𝗰𝘂𝗺𝗲𝗻𝘁𝗮𝗿𝗶𝗲𝘀, 𝗲𝘁𝗰. 𝘁𝗼 𝗵𝗮𝘃𝗲 𝗮 𝗯𝗲𝘁𝘁𝗲𝗿 𝘂𝗻𝗱𝗲𝗿𝘀𝘁𝗮𝗻𝗱𝗶𝗻𝗴 𝗼𝗳 𝘁𝗵𝗲 𝘁𝗼𝗽𝗶𝗰 𝘆𝗼𝘂 𝗮𝗿𝗲 𝗮𝘀𝗸𝗲𝗱 𝘁𝗼 𝗲𝘃𝗮𝗹𝘂𝗮𝘁𝗲 𝗶𝗻 𝘆𝗼𝘂𝗿 𝗲𝘀𝘀𝗮𝘆. 𝘁𝗵𝗲 𝗯𝗲𝘁𝘁𝗲𝗿 𝘆𝗼𝘂𝗿 𝗸𝗻𝗼𝘄𝗹𝗲𝗱𝗴𝗲 𝗶𝘀, 𝘁𝗵𝗲 𝗺𝗼𝗿𝗲 𝗹𝗶𝗸𝗲𝗹𝘆 𝘆𝗼𝘂 𝗮𝗿𝗲 𝘁𝗼 𝗵𝗮𝘃𝗲 𝘀𝘁𝗿𝗼𝗻𝗴 𝗰𝗿𝗶𝘁𝗶𝗰𝗮𝗹 𝗲𝘃𝗮𝗹𝘂𝗮𝘁𝗶𝗼𝗻 𝗮𝗻𝗱 𝘃𝗮𝗹𝗶𝗱 𝗮𝗿𝗴𝘂𝗺𝗲𝗻𝘁𝘀. 𝟲. 𝗱𝗼𝗻’𝘁 𝗳𝗼𝗿𝗴𝗲𝘁 𝘁𝗼 𝗲𝘃𝗮𝗹𝘂𝗮𝘁𝗲 𝗮𝗹𝗹 𝘀𝗼𝘂𝗿𝗰𝗲𝘀 𝘁𝗵𝗮𝘁 𝘆𝗼𝘂 𝘂𝘀𝗲 𝗶𝗻 𝘆𝗼𝘂𝗿 𝗲𝘀𝘀𝗮𝘆. 𝗲𝘅𝗽𝗹𝗮𝗶𝗻 𝘄𝗵𝘆 𝘁𝗵𝗲 𝘀𝗼𝘂𝗿𝗰𝗲 𝘂𝘀𝗲𝗱 𝗶𝘀 𝘄𝗲𝗮𝗸 𝗼𝗿 𝘀𝘁𝗿𝗼𝗻𝗴; 𝘁𝗵𝗮𝘁 𝗰𝗮𝗻 𝗯𝗲 𝗱𝗼𝗻𝗲 𝗯𝘆 𝘀𝗽𝗲𝗮𝗸𝗶𝗻𝗴 𝗮𝗯𝗼𝘂𝘁 𝘁𝗵𝗲 𝗽𝗼𝗽𝘂𝗹𝗮𝘁𝗶𝗼𝗻 𝘂𝘀𝗲𝗱, 𝗰𝗼𝗺𝗽𝗮𝗿𝗶𝗻𝗴 𝘁𝗿𝗶𝗮𝗹𝘀, 𝗵𝗼𝘄 𝗹𝗶𝗸𝗲𝗹𝘆 𝗶𝘀 𝗴𝗲𝗻𝗲𝗿𝗮𝗹𝗶𝘇𝗮𝘁𝗶𝗼𝗻 𝗼𝗳 𝗽𝗮𝗿𝘁𝗶𝗰𝗶𝗽𝗮𝗻𝘁𝘀 𝘁𝗼 𝘁𝗵𝗲 𝘄𝗼𝗿𝗹𝗱𝘄𝗶𝗱𝗲 𝗽𝗼𝗽𝘂𝗹𝗮𝘁𝗶𝗼𝗻, 𝗵𝗼𝘄 𝘄𝗲𝗿𝗲 𝘁𝗵𝗲 𝗳𝗶𝗻𝗱𝗶𝗻𝗴𝘀 𝗺𝗲𝗮𝘀𝘂𝗿𝗲𝗱, 𝘄𝗵𝗼 𝘄𝗮𝘀 𝘁𝗵𝗲 𝘀𝗼𝘂𝗿𝗰𝗲 𝘄𝗿𝗶𝘁𝘁𝗲𝗻 𝗯𝘆 (𝗿𝗲𝘀𝗲𝗮𝗿𝗰𝗵 𝘁𝗵𝗲 𝗽𝘂𝗯𝗹𝗶𝘀𝗵𝗲𝗿/𝗿𝗲𝘀𝗲𝗮𝗿𝗰𝗵𝗲𝗿), 𝗲𝘁𝗰. 𝟳. 𝘂𝘀𝗲 𝗮𝗰𝗮𝗱𝗲𝗺𝗶𝗰 𝗹𝗮𝗻𝗴𝘂𝗮𝗴𝗲. 𝟴. 𝗱𝗼𝗻’𝘁 𝗰𝗼𝗻𝘀𝘁𝗮𝗻𝘁𝗹𝘆 𝗿𝗲𝗽𝗲𝗮𝘁 𝘆𝗼𝘂𝗿𝘀𝗲𝗹𝗳 (𝗮𝘀 𝗶𝗻, 𝗿𝗲𝗽𝗲𝘁𝗶𝘁𝗶𝗼𝗻 𝗼𝗳 𝘁𝗵𝗲 𝘀𝗮𝗺𝗲 𝘀𝗲𝗻𝘁𝗲𝗻𝗰𝗲/𝘄𝗼𝗿𝗱 𝗼𝘃𝗲𝗿 𝗮𝗻𝗱 𝗼𝘃𝗲𝗿 𝗮𝗴𝗮𝗶𝗻). 𝘁𝗵𝗲 𝗲𝘅𝗮𝗺𝗶𝗻𝗲𝗿 𝘄𝗶𝗹𝗹 𝗻𝗼𝘁𝗶𝗰𝗲 𝗮𝗻𝗱 𝘄𝗶𝗹𝗹 𝗺𝗮𝗿𝗸 𝘆𝗼𝘂 𝗱𝗼𝘄𝗻 . 𝟵. 𝗢𝗡𝗟𝗬 𝘂𝘀𝗲 𝗚𝗼𝗼𝗴𝗹𝗲 𝗦𝗰𝗵𝗼𝗹𝗮𝗿, 𝗮𝗻𝗱 𝗼𝘁𝗵𝗲𝗿 𝗮𝗰𝗮𝗱𝗲𝗺𝗶𝗰 𝘀𝗼𝘂𝗿𝗰𝗲𝘀 𝘁𝗼 𝗴𝗲𝘁 𝘆𝗼𝘂𝗿 𝗿𝗲𝗳𝗲𝗿𝗲𝗻𝗰𝗲𝘀/𝘀𝗼𝘂𝗿𝗰𝗲𝘀. 𝗗𝗼 𝗡𝗢𝗧 𝘂𝘀𝗲 𝗯𝗹𝗼𝗴𝘀 𝗼𝗿 𝗪𝗶𝗸𝗶𝗽𝗲𝗱𝗶𝗮. 𝟭𝟬. 𝗵𝗮𝘃𝗲 𝘀𝗼𝗺𝗲𝗼𝗻𝗲 𝗲𝗹𝘀𝗲 𝗿𝗲-𝗿𝗲𝗮𝗱 𝘆𝗼𝘂𝗿 𝗲𝘀𝘀𝗮𝘆 𝘁𝗼 𝗰𝗵𝗲𝗰𝗸 𝗶𝘁 𝗳𝗼𝗿 𝘁𝘆𝗽𝗼𝘀 𝗼𝗿 𝗼𝗱𝗱 𝗽𝗵𝗿𝗮𝘀𝗶𝗻𝗴𝘀. 𝘀𝗼𝗺𝗲𝘁𝗶𝗺𝗲𝘀, 𝘄𝗵𝗲𝗻 𝘆𝗼𝘂 𝗹𝗼𝗼𝗸 𝗮𝘁 𝘆𝗼𝘂𝗿 𝗲𝘀𝘀𝗮𝘆 𝗳𝗼𝗿 𝘁𝗼𝗼 𝗹𝗼𝗻𝗴 𝗶𝘁 𝗮𝗹𝗹 𝘀𝘁𝗮𝗿𝘁𝘀 𝘁𝗼 𝗹𝗼𝗼𝗸 𝘁𝗵𝗲 𝘀𝗮𝗺𝗲. 𝘆𝗼𝘂𝗿 𝗲𝘆𝗲𝘀 𝗮𝗻𝗱 𝗯𝗿𝗮𝗶𝗻 𝗴𝗲𝘁 𝘂𝘀𝗲𝗱 𝘁𝗼 𝘄𝗵𝗮𝘁 𝘁𝗵𝗲𝘆 𝗮𝗿𝗲 𝘀𝗲𝗲𝗶𝗻𝗴, 𝘄𝗵𝗶𝗰𝗵 𝗶𝘀 𝘄𝗵𝘆 𝗶𝘁 𝗶𝘀 𝗴𝗼𝗼𝗱 𝘁𝗼 𝗮𝘀𝗸 𝗮 𝗳𝗿𝗶𝗲𝗻𝗱/𝗳𝗮𝗺𝗶𝗹𝘆 𝗺𝗲𝗺𝗯𝗲𝗿 𝘁𝗼 𝗰𝗵𝗲𝗰𝗸.
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🩵🩵🩵🩵🩵🩵🩵🩵🩵🩵🩵🩵🩵🩵🩵 🩵🩵🩵🩵🩵🩵🩵🩵🩵🩵🩵🩵🩵🩵🩵 🩵🩵🩵🩵🩵🩵🩵🩵🩵🩵🩵🩵🩵🩵🩵 🤍🤍🤍🤍🤍🤍🤍🤍🤍🤍🤍🤍🤍🤍🤍 🤍🤍🤍🤍🤍🤍🤍🤍🤍🤍🤍🤍🤍🤍🤍 🤍🤍🤍🤍🤍🤍🤍🤍🤍🤍🤍🤍🤍🤍🤍 💛💛💛💛💛💛💛💛💛💛💛💛💛💛💛 💛💛💛💛💛💛💛💛💛💛💛💛💛💛💛 💛💛💛💛💛💛💛💛💛💛💛💛💛💛💛 🤎🤎🤎🤎🤎🤎🤎🤎🤎🤎🤎🤎🤎🤎🤎 🤎🤎🤎🤎🤎🤎🤎🤎🤎🤎🤎🤎🤎🤎🤎 🤎🤎🤎🤎🤎🤎🤎🤎🤎🤎🤎🤎🤎🤎🤎
#ₙₑᵤᵣₒdᵢᵥₑᵣₛᵢₜy🏖
⚪️⚪️⚪️⚪️⚪️🟠🟡🟡🟡🟢🟢🟢🔵⚪️⚪️⚪️⚪️⚪ ⚪️⚪️⚪️⚪️🟠🟠🟡🟡🟡🟢🟢🟢🔵🔵⚪️⚪️⚪️⚪ ⚪️⚪️⚪️🟠🟠🟠🟡🟡🟡🟢🟢🟢🔵🔵🔵⚪️⚪️⚪️ ⚪️⚪️🔴🟠🟠🟠🟡🟡🟡🟢🟢🟢🔵🔵🔵🟣⚪️⚪️ ⚪️🔴🔴🟠🟠🟠🟡🟡🟡🟢🟢🟢🔵🔵🔵🟣🟣⚪️ 🔴🔴🔴🟠🟠🟠🟡🟡🟡🟢🟢🟢🔵🔵🔵🟣🟣🟣 🔴🔴🔴🟠🟠🟠🟡🟡🟡🟢🟢🟢🔵🔵🔵🟣🟣🟣 🔴🔴🔴🟠🟠🟠🟡🟡🟡🟢🟢🟢🔵🔵🔵🟣🟣🟣 🔴🔴🔴🟠🟠🟠🟡🟡🟡🟢🟢🟢🔵🔵🔵🟣🟣🟣 🔴✨🔴🟠✨🟠🟡✨🟡🟢✨🟢🔵✨🔵🟣✨🟣 ✨✨✨✨✨✨✨✨⚫⚫✨✨✨✨✨✨✨✨ ✨✨✨✨✨✨✨✨⚫⚫✨✨✨✨✨✨✨✨ ✨✨✨✨✨✨✨✨⚫⚫✨✨✨✨✨✨✨✨ ✨✨✨✨✨✨✨✨⚫⚫✨✨✨✨✨✨✨✨ ✨✨✨✨✨✨✨✨⚫⚫✨✨✨✨✨✨✨✨ ✨✨✨✨✨✨✨✨⚫⚫✨✨✨✨✨✨✨✨ ✨✨✨✨✨✨✨✨⚫⚫✨✨✨✨✨✨✨✨ ✨✨✨✨✨✨✨✨⚫⚫✨✨✨✨✨✨✨✨ ⚪️⚪️⚪️⚪️⚪️⚫⚫⚪️⚫⚫⚪️⚪️⚪️⚪️⚪️⚪️⚪️⚪️ ⚪️⚪️⚪️⚪️⚪️⚪️⚫⚫⚫⚫⚪️⚪️⚪️⚪️⚪️⚪️⚪️⚪️ ⚪️⚪️⚪️⚪️⚪️⚪️⚪️⚫⚫⚪️⚪️⚪️⚪️⚪️⚪️⚪️⚪️⚪️
💜💜💚💚🤍🤍💛💛❤️❤️ 💜💜💚💚🤍🤍💛💛❤️❤️ 💜💜💚💚🤍🤍💛💛❤️❤️ 💜💜💚💚🤍🤍💛💛❤️❤️ 💜💜💚💚🤍🤍💛💛❤️❤️ 💜💜💚💚🤍🤍💛💛❤️❤️
ᴛʜᴇ ʀᴀɪɴʙᴏᴡ ɪɴꜰɪɴɪᴛʏ ᴅᴏᴇꜱ ɴᴏᴛ ʀᴇᴘʀᴇꜱᴇɴᴛ "ɴᴇᴜʀᴏᴅɪᴠᴇʀꜱɪᴛʏ". ɪᴛ ɴᴇᴠᴇʀ ʜᴀꜱ ʙᴇᴇɴ ɴᴏʀ ɴᴇᴠᴇʀ ᴡɪʟʟ. ɴᴏᴛ ᴀʟʟ ɴᴇᴜʀᴏᴅɪᴠᴇʀɢᴇɴᴛ ᴘᴇᴏᴘʟᴇ ᴀʀᴇ ᴀᴜᴛɪꜱᴛɪᴄ. ʙᴇɪɴɢ ᴀɴ "ᴜᴍʙʀᴇʟʟᴀ ᴛᴇʀᴍ", ᴀɴ ᴜᴍʙʀᴇʟʟᴀ ꜱʜᴏᴜʟᴅ ʀᴇᴘʀᴇꜱᴇɴᴛ "ɴᴇᴜʀᴏᴅɪᴠᴇʀꜱɪᴛʏ" ɪɴꜱᴛᴇᴀᴅ.
𝗔.𝗦.𝗗.: 🧩❌️ ♾️✅️ 𝗡𝗲𝘂𝗿𝗼𝗱𝗶𝘃𝗲𝗿𝘀𝗶𝘁𝘆: ♾️❌️ ☂️✅️
⠀⠀⠀⣀⣀⣀⣀⣀⣀⣀⣀⡀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⢀⣀⣀⣀⣀⣀⣀⣀⡀⠀⠀⠀ ⠛⢿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣷⣶⣦⣀⡀⠀⠀⠀⠀⠀⠀⠰⣷⣄⠀⠀⠀⠀⠀⣠⣾⠀⠀⠀⠀⠀⠀⠀⢀⣠⣴⣶⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⡿⠃ ⠀⠀⠙⢿⣿⣿⣿⣿⣿⠿⠿⢿⣿⣿⣿⣿⣿⣿⣶⣤⡀⠀⠀⠀⠀⠘⢿⣆⠀⠀⠀⣼⡿⠁⠀⠀⠀⠀⣀⣴⣾⣿⣿⣿⣿⣿⣿⠿⠿⠿⣿⣿⣿⣿⣿⠟⠉⠀⠀ ⠀⠀⠀⠀⠙⢿⣿⣿⣿⣧⡀⠀⠀⠈⠉⠻⢿⣿⣿⣿⣿⣶⣄⠀⠀⠀⠈⢿⣇⠀⣼⡟⠀⠀⠀⠀⣠⣾⣿⣿⣿⣿⠿⠛⠉⠀⠀⠀⢠⣾⣿⣿⣿⠟⠁⠀⠀⠀⠀ ⠀⠀⠀⠀⠀⠀⠹⣿⣿⣿⣷⡀⠀⠀⠀⠀⠀⠈⠛⢿⣿⣿⣿⣷⣄⠀⠀⠈⣿⣴⡟⠀⠀⠀⣠⣾⣿⣿⣿⡿⠋⠁⠀⠀⠀⠀⠀⣰⣿⣿⣿⡿⠃⠀⠀⠀⠀⠀⠀ ⠀⠀⠀⠀⠀⠀⠀⠘⣿⣿⣿⣷⡀⠀⠀⠀⠀⠀⠀⠀⠙⢿⣿⣿⣿⣷⡀⠀⢸⣿⠃⠀⢀⣾⣿⣿⣿⡿⠋⠀⠀⠀⠀⠀⠀⠀⢠⣿⣿⣿⡿⠁⠀⠀⠀⠀⠀⠀⠀ ⠀⠀⠀⠀⠀⠀⠀⠀⠘⣿⣿⣿⡇⠀⠀⠀⠀⠀⠀⠀⠀⠀⠙⢿⣿⣿⣿⣆⠀⠉⠀⣴⣿⣿⣿⡿⠋⠀⠀⠀⠀⠀⠀⠀⠀⠀⣾⣿⣿⣿⠁⠀⠀⠀⠀⠀⠀⠀⠀ ⠀⠀⠀⠀⠀⠀⠀⠀⠀⣿⣿⣿⣿⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠈⢻⣿⣿⣿⡧⢀⣼⣿⣿⣿⡟⠁⠀⠀⠀⠀⠀⠀⠀⠀⠀⢠⣿⣿⣿⡇⠀⠀⠀⠀⠀⠀⠀⠀⠀ ⠀⠀⠀⠀⠀⠀⠀⠀⠀⣼⣿⣿⣿⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠹⣿⡟⢁⣾⣿⣿⣿⠏⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⢸⣿⣿⣿⡇⠀⠀⠀⠀⠀⠀⠀⠀⠀ ⠀⠀⠀⠀⠀⠀⠀⠀⠀⣿⣿⣿⡟⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠙⢠⣾⣿⣿⣿⠃⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⣿⣿⣿⣧⠀⠀⠀⠀⠀⠀⠀⠀⠀ ⠀⠀⠀⠀⠀⠀⠀⠀⢰⣿⣿⣿⡇⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⣰⣿⣿⣿⡿⢁⣆⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⢻⣿⣿⣿⠀⠀⠀⠀⠀⠀⠀⠀⠀ ⠀⠀⠀⠀⠀⠀⠀⠀⢸⣿⣿⣿⡇⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⣰⣿⣿⣿⡿⢁⣾⣿⡄⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⢸⣿⣿⣿⠀⠀⠀⠀⠀⠀⠀⠀⠀ ⠀⠀⠀⠀⠀⠀⠀⠀⠈⣿⣿⣿⣧⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⢀⣼⣿⣿⣿⡟⠀⢾⣿⣿⣿⣆⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⢠⣿⣿⣿⡿⠀⠀⠀⠀⠀⠀⠀⠀⠀ ⠀⠀⠀⠀⠀⠀⠀⠀⠀⠹⣿⣿⣿⣷⣄⠀⠀⠀⠀⠀⠀⢀⣠⣿⣿⣿⣿⠏⠀⠀⠈⢿⣿⣿⣿⣷⣄⠀⠀⠀⠀⠀⠀⢀⣠⣿⣿⣿⣿⠃⠀⠀⠀⠀⠀⠀⠀⠀⠀ ⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠙⢿⣿⣿⣿⣿⣶⣤⣤⣴⣾⣿⣿⣿⣿⡿⠃⠀⠀⠀⠀⠀⠙⢿⣿⣿⣿⣿⣶⣦⣤⣤⣶⣿⣿⣿⣿⡿⠁⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀ ⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠙⠿⣿⣿⣿⣿⣿⣿⣿⣿⡿⠟⠉⠀⠀⠀⠀⠀⠀⠀⠀⠀⠙⠿⢿⣿⣿⣿⣿⣿⣿⣿⡿⠟⠁⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀ ⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠈⠉⠉⠉⠉⠉⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠉⠉⠉⠉⠉⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀
#ₙₑᵤᵣₒdᵢᵥₑᵣₛᵢₜy⛱️
Why write such about comfort characters? as a way to express creativity a coping mechanism enjoy the friendship bonding side of it enjoy seeing characters being comforted and cared for after enjoy characters dealing with hard things it makes good story character development @ALYJACI
https://wordcounter.net/character-count
sᴍᴀʟʟ ᴄᴀᴘs, uʍop ǝpısdn, ⓑⓤⓑⓑⓛⓔ, ᙡᗩᐯᎩ, u̲n̲d̲e̲r̲l̲i̲n̲e̲d̲, c̶r̶o̶s̶s̶e̶d̶ ̶o̶u̶t̶ , ґц$їfу, wide ᗩᑎᗪ ᑕOOᒪ.
‼️PLEASE REPOST‼️ autism 🌈♾️ ADHD 🌈🦋 OCD 🌈⏳ GAD 🌈💭 BPD 🌈🐞 depression 🌈; panic disorder 🌈‼️ NPD 🌈👑 AvPD 🌈🦉 MDD 🌈☔ tourette 🌈💥 kleptomania 🌈🛍️ narcolepsy 🌈💤 dyslexia 🌈🐇 sensory disorder 🌈⚙️ down 🌈🧬 DID/OSDD 🌈👥 pyromania 🌈🔥 despersonalization 🌈👁️ desrealization 🌈🌐 hypersexuality 🌈❤️‍🔥 hemophobia 🌈🩸 ASPD 🌈🔪 dyscalculia 🌈🟰 bipolar 🌈:(: pica 🌈🌷 MADD 🌈🌙 BED 🌈🍳 CLS 🌈🐺 EDD 🌈🐍 PTSD 🌈🧠 APD 🌈👂 psychosis 🌈✨ PPD 🌈🙇 HSP 🌈🎧 echolalia 🌈🗣️
The phrase “comfort character” is part of that pop culture landscape. What is a “comfort character”? Everything You Need to Know about Comfort Characters By: Author Marcel Iseli Posted on Last updated: April 18, 2023 What is a “comfort character”? A comfort character is a character in a fictional world, such as a TV show, movie, game, book, or comic, that a person strongly identifies with and takes comfort from. They may use thoughts of the comfort character to help them through hard times. The person will simply feel drawn toward the character. Even if you have never encountered the term before, you probably know this feeling of really liking or identifying with a character. When the person feels down, they could watch, read or play whatever this character appears in and then feel better after spending some time with the character. Strong identification with a character is another way a person may choose a comfort character. For example, maybe there is a main character in a movie who has a story arc that show them becoming a more confident person. Someone who identified with this comfort character might struggle with their confidence as well. When they were in situations where they lacked confidence, they could think about how this character handled similar situations. The concept of comfort characters is very popular in online fandom. “Fandom” refers to any community that arises around a piece of media, whether that’s a game, a popular show, a book, a comic or a movie. It’s a little bit different from simply being a fan of something. People involved in a fandom often belong to internet communities that talk about these characters a lot. They might attend meetups or conventions based around this fandom and dress up like the character. It’s also very common for them to create their own art around the stories that they love. For example, they might draw pictures of the character in various situations, or they might write new stories about adventures that the characters have beyond the scope of the original tale that they came from. In fact, you might find some accounts entirely devoted to comfort characters, sometimes called “stan accounts.” “Stan” is slang that refers to being a big fan of something or someone. How comfort characters help People report comfort characters helping them in very real ways in their lives. If they struggle with anxiety and panic attacks, thinking about their comfort character can often help stave off these feelings. There has been some research that shows that these characters can have a positive effect on fans, encouraging them to act in ways that are more beneficial for them. For most people, comfort characters are fun, beneficial ways to better enjoy the stories they love.
💙 Most kids with ASD are either hypersensitive or hyposensitive to stimuli like noises, lights, touch, etc. If someone has Autism and/or PTSD, he/she may be more prone to sensory overload and startle more easily. That means there’s not much information about how typical treatment methods can or should be adjusted for patients with ASD. According to this article, a nurse could… Offer home-based services Use more visual aids, such as gradient scales to describe degrees of emotion Keep appointment times regular and predictable as much as possible Provide sensory toys or allow children to bring their own Emphasize the possibility of a “happy ending” after trauma―​“this correlates well with the documented effectiveness of social stories, narratives and role-playing in therapy involving individuals with ASD” Be mindful of how often society dismisses the emotions of autistic people Involve other trusted caregivers …and more. Essentially, the therapist should keep the child’s unique strengths and limitations in mind at each step and be open to flexibility. Remember to… Not take behavior personally Be willing to listen without pressuring him/her to talk Identify possible triggers and help him/her avoid them Remain calm and understanding when he/she is emotional Let him/her make age-appropriate choices so he/she feels in control of his/her life Be patient 💙
X wasn’t quite sure whether to approach his wife, Y, about what he’d seen. On one hand, he didn’t want to distress her, but the weight on the other felt as if it were being crushed under the weight. Once he’d retreated inside, he clambered onto the first table he saw, rather than going off to find her. Alas, the peace barely lasted more than a few seconds. “X!” Y burst from the kitchen door, startling the other out of his thoughts. “It’s been a long day Y. I think I’ll…go to bed early tonight.” Letting out a huff, Y folded her arms, clearly less than amused. “And make me cover for you again? You were only gone for a couple of hours. Do you know how much hard work I put into running this place while you were gone?” X raised his brow. “What, did we just-so-happen to get an influx of customers today?” “That’s beside the point.” She dismissed the question with a flick of her wrist, rolling over to the table he was at. However, now that she could see his form more closely, his tense posture and partial absence from the conversation at hand became much clearer. “…X you look unusally reserved. What happened?” At first, she wasn’t graced with a response whatsoever. A hand reached down for the other, but X couldn’t bring himself to get up, so Y perceived his silence as disinterest and returned it to her side. Seeing him lack his usual energy made Y’s heart ache; she knew better than to go picking fights with X when he was like this. He couldn’t meet his wife’s stare, regardless of how much he longed to lose himself in her shine of her exterior. Having Y nearby always helped X feel at ease, yet it wasn’t doing much in terms of assisting him today. “Let's just…close early today altogether.” “You sure?” “I demand it.” It was a curiosity-peaking situation, but Y held enough respect for her husband X to not press him further. “You can always talk to me, sweetheart, but I’m happy to close for the day.” “Is that so?” X asked. Rather than adopting the powerful tone of voice he used while scheming, he maintained his quiet one, which rung alarm bells in Y. Since he’d been almost completely zoned out of his surroundings, her husband hadn’t noticed the shotglass-sized bowl of soup she’d made him, and as she brought it over to him, she could see a crack of a thankful smile on his face. Y never really got anything more from him - ‘thank you’s didn’t qualify for villain-approved manners - but to her, that only made his perseverance more admirable. “I’ll bear that in mind.” X’s response came out in a hushed whisper, as if the world were listening to every syllable that left his throat. Words sunk their nails into his throat, trying to claw their way out between sips of soup, but to no avail. X was determined to keep his promise. X was no less satisfied to have his wife at his side. X had needed Y today, and she pulled through, as always. An unwavering pride in his companion was always one of his biggest drives in life. To see her face at the end of a long day was no less than a blessing, and while he could have lived a crime-free life, he wouldn’t trade his current place of residence or love of his life. Y’s silent verdict was that it now wasn’t even worth considering pressing for details; her husband slowly becoming at ease as he revelled in the soup was enough for her to not want to rile him up. She’d already done so earlier with their argument. Had either of them actually apologised? What were they even talking about? “…Are you still interested in getting some rest early, honey?” A tired eye trailing over to her, he set down the empty bowl. X was practically screaming at himself not to leak it all out to his wife as either whimpers or whines. “Would that be alright, my sweet?” X found himself carefully scooped up in his wife’s hands and escorted to the restaurant’s back rooms. She gave him the thumbs up. “That’s fine. You can take all the time you need, X. You look like you need it.” “I should be working. You’re too soft on me.” “Would you prefer I picked a fight with you right now?” “No.” “Then don’t complain.” Thankfully, Y didn’t hit a nerve; either that, or X simply hadn’t the strength to argue. The former didn’t mind no matter the answer though. Whatever he’d seen would be better processed after some good rest, Y was positive. The chatter lingered until they reached their resting area. X finally felt he was home. “There.” His wife said, muttering to herself. It didn’t concern her that her self-muttering was within ear-shot of her husband, obviously. “I’ll go get your blanket.” “You’ve done an awful lot for me today. Do you want something?” X blinked. Usually, Y would scold him for saying something like that in response to her favours, but she processed that he asked as a gesture of kindness, not as an investigative question. She gently rested a silky face flannel over him for a little warmth. “Just know I love you. That’s all I want in return.” “Th…ank. You.” …!!!! Today was a mish-mash of weird circumstances, but the marriage of the two beings was just as unconventional. For a moment, the duo were lost in each-other’s eyes. Those two words - as messy as they’d come out - were bouncing off the walls and striking Y in her equivalent of a spine, pushing her a little closer to her husband until they were equal-viewing level. Poor Y thought of going to melt from the sudden increase of her internal temperature. Such tenderness; it made her swoon! Until he’d said it, he’d had no idea how long she’d been wanting to hear something like that. Something other than X’s plans The significantly taller leaned her monitor forward, as if to kiss him- but drew back. Now wasn’t the right time for something like that. Not when X had so much already on his mind. Oh, but those words had been so soft, so quaint. Though she’d stopped herself giving him a robotic kiss, Y savoured every second that they stood mere inches apart, that little bit of kindness holding a value to her that she was sure X had no idea of. He couldn’t feel the sparks of electricity rushing through her. X might not have any inkling at ALL that she cared in regards to what he said, nevermind the fact she felt like an exception happily caught in his network. Although, they must have at least meant something for him to attempt to say it, even if he’d become exhausted and drained from the last few hours. It was enough for her to let out a “Never a problem; supporting you is my job,” before adding on “but don’t you dare hold that against me when I refuse to wash the dishes.” The quip earned a stifled chuckle from her lover. It broke a little of the tension between them, but in a light, easy-to-digest way. As Y had leaned in, X had felt his heart pump a little faster, and a jittery feeling in his veins - a trace of something he hadn’t felt in a while. X could only wonder if she took anything away from that small exchange, barring the reminder of her duties. Did she feel anything or was it just him? He wasn’t even sure if she had a positive physical response, let alone a positive emotional response… “No promises!” He laughed, before awkwardly coughing, unsure what to say now. That was one loooong period of silence. Was the restaurant owner just supposed to pretend nothing happened, or approach the topic? “Well- If you want to transfer yourself back into the building’s wall monitor for the night, there is no opposition here.” “That sounds nice. It’s how I imagine wrapping yourself in a blanket feels.” Y let out a sound emulating a yawn, hoping to dispel the sudden subdued awkwardness that’d washed over her husband. His feathery laugh had been much different to his more maniacal cackles. Far more genuine and fulfilled, and smooth. On one hand, seeing his mind off of the schemes for once made her want to spin with glee, but on the other, he was only acting so unusually because something had gone down. It was difficult for her to handle. “Based on how you describe it, of course.” If she could have given a true smile, Y would have, but gave upturned lips instead. X was pretty much at a loss for words, understanding her point and unable to refute it. Some part of X wished his wife had come with him, purely so he wouldn’t have to carry the burden of decisions alone as he was doing now. ‘Twas a selfish thought, and alas, X knew he had a word to keep. “Have a nice rest, sweetie. I’ll keep an eye out for any intruders.” “Hope your wall monitor is comfy.” “I’m sure it will be.” X curled himself up under the face flannel, his eyelid gently fluttering shut. “You mean a lot to me Y so don’t ever think you don’t, understand?” “Understood. Care to elaborate?” … “Honey?” … “X?” Snore. “…Ah.”
@candaru no no. you don't get it. the reason I injure my blorbos until they can't walk is because that's the only way they'll ever let someone else carry them. the reason I curse them to be sick and feverish is so that they'll finally open up about their emotions while delirious. the reason I force them to over exert themselves to the point of exhaustion is so that when they pass out they can finally rest. I'm doing this for their own good. October 21st, 2023, 7:43 AM
😷 Before beginning trauma-focused therapy it is important to stabilise the individual with emotional coping strategies and creating feelings of safety. Support strategies that have been found to be helpful in the general population include: mindfulness and grounding in the present moment creating feelings of safety (for example an object/picture that symbolises safety) sensory soothing Autistic people may require: a greater number of sessions a longer or shorter duration to each session regular breaks. 😷
😷 Treatments should be appropriately adapted for autistic people and their individual needs. (Rumball et al. 2020) and Kerns et al. (2022) suggest a number of other events that autistic people found traumatic: abandonment by/loss of a loved one (for example a family member, pet or support staff) sensory experiences (for example fire alarms) transitions and change (for example school transitions, routine changes with the seasons, unpredictability in day to day life) social difficulties and confusion (for example difficulties interpreting social cues, misunderstandings and conflicts) events related to one’s own mental health difficulties (for example psychotic experiences). Autistic people may also be more likely to find these experiences traumatic due to autistic characteristics such as: sensory sensitivities communication and social interaction differences distress around changes to routines distress if prevented from taking part in repetitive and restricted behaviours such as stimming. Some theories suggest that other factors associated with being autistic, may mean an increased risk of developing or maintaining PTSD symptoms But just because symptoms aren’t crippling doesn’t mean you're not affected. 😷
😷 https://about.kaiserpermanente.org/health-and-wellness/our-care/exploring-the-promise-of-at-home-cervical-cancer-screening 😷
Now watch me whip 😜 👊/||\_ _/¯ ¯\_ Now watch me nae nae 👋 \ 😳 || \_ _/¯ ¯\_
Why autistic people are like cats: - We are highly sensitive. - We don't like loud or sudden noises. - We are easily spooked and startled. - Especially because we are zoning out, like, all the time. - We love to be held and touched and petted and cuddled bUT ONLY IF IT WAS OUR IDEA! - We're picky eaters. - Easily distracted. - Solitary creatures. - Takes us a while to warm up to people and be comfortable around them. - Our idea of being "social" is just hanging around the vicinity or in the same room as other people but not necessarily interacting with them. - We are finicky, particular, meticulous creatures of habit and we have a comfort zone we will defend with our lives. - If we deem you worthy, you will be allowed into our comfort zone. - Gaining our love and trust is super rewarding because it is not easily done. Be flattered. - If you touch us unexpectedly we will flinch or jump. - We are awesome predators and get super intense about stuff one nickname for the ADHD gene is "the hunter gene") - We are cute and lovable and have a lot of personality. - Many autistic children love to feel enclosed and secure and so love secret hiding places and cubby holes (i.e., "if I fits, I sits") - We sometimes appear to freak out at nothing and scamper away for no reason but really it's because we can hear things you can't and some sounds bother us. - Because we have such hyper-sensitive senses, any snuggles you give us will be a million times more rewarding for you because you'll know and appreciate just how intensely we're enjoying them. - Please give us food or we will boop your nose in your sleep.
⢀⣰⣶⣤⣆⣀⣆⢀⣆⣠⣖⣀⣤⣀⣴⡀⣠⣿⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀ ⠘⣿⣿⣿⣽⣿⠉⣿⣽⣿⢻⣿⣿⡟⣿⣿⣯⣿⠁⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⣤⣤⣤⣤⣤⡄⠀⠀⠀⠀⠀⠀⠀⠀ ⠀⠈⠉⠀⠉⠈⠀⠀⠁⠈⠈⠉⠙⠃⠈⠀⠈⠉⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⣀⣤⠶⠟⠛⠙⠉⠉⠉⠉⠛⠳⠆⢀⣀⡀⠀⠀⠀ ⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⣶⡀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⢀⣴⠟⠉⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠋⠛⠳⣦⡄ ⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠈⢷⣄⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⢀⣴⠟⠁⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠨⠙ ⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠙⠷⣦⡀⠀⠀⠀⢰⣄⠀⠀⠀⠀⠀⠀⠀⠀⢄⣾⢁⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⢀⣴⡾⠛⠛⠷⣄⣀ ⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠈⠛⢷⣄⠀⠀⢻⣄⠀⠀⠀⠀⠀⠀⠀⠘⠃⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⣠⡿⠁⠀⠀⠀⠀⠀⠀ ⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠉⠛⠶⣤⣿⣆⠀⠀⠀⠀⠀⣾⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⢀⣶⠏⠀⠀⠀⠀⠀⠀⠀⠀ ⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⢤⣶⠾⠛⠛⠛⠁⠀⠀⠀⢸⡏⠀⣠⣀⣀⣤⣤⣤⡴⠶⠷⡆⠀⠀⠀⠀⠀⢠⢀⣀⣀⣄⣤⣤⣤⣴ ⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⢀⣿⢹⠁⢽⠉⠁⠀⠁⣀⣤⣠⣤⣼⡄⠀⠀⠀⠈⠛⠋⠉⠻⣿⣿⠇⠀⠀ ⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⣿⣎⠀⠺⠶⠖⠛⢿⣿⣿⠉⠉⠉⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠠⣼ ⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⢸⡇⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⣾ ⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠈⢿⡀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⣴⢿ ⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⢀⡴⠶⢦⡀⠀⠀⠀⠘⢷⡀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⢀⣤⠞⠃⠨ ⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⢀⡿⠁⠀⠀⣿⠀⠀⠀⠀⠈⢷⣄⠀⠀⠀⠀⠀⠀⠀⠀⠀⢠⣄⣀⣀⣀⣤⡴⠟⠋⣁⣤⠾⢻ ⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⢸⡇⡀⠀⠀⣿⠀⠀⠀⠀⠀⠀⠻⣦⡀⠀⠀⠀⠀⠀⠀⠀⠀⠉⠉⠉⠉⢡⣤⠶⠛⠋⢀⣴⣾ ⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⢠⣘⣧⠄⠀⠀⣿⠀⠀⠀⠀⠀⠀⠀⠈⠻⢦⣄⡀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⣀⣤⡴⠟⠃⠀ ⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⢀⡶⠿⠛⠋⠉⠉⠀⠀⠀⠙⣧⡀⠀⠀⠀⠀⠀⠀⠀⠀⠈⠙⢛⡳⣶⡶⠶⠶⠶⠶⠶⠞⠛⠉⠁⠀⠀⠀⠀ ⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⣿⢳⠀⢀⣤⡽⠶⣥⣀⠀⠀⢼⡇⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⢀⣴⠟⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀ ⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⢿⣎⠀⠀⠀⠀⠀⢀⣿⡁⠀⣼⣇⡈⡀⠀⠀⠀⠀⠀⠀⠀⣤⠟⠁⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀ ⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⡠⣾⠋⠛⠛⠛⠛⠛⠛⣿⠁⠀⣿⠉⠛⠶⣦⣤⣤⣤⣤⡶⠛⠁⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀ ⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⢿⣄⡀⠀⠀⠀⣠⣤⢿⡇⠀⢸⡀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀ ⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠥⣿⠙⠛⠛⠛⠉⢀⣼⠃⠀⢺⡆⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⣀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀ ⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠙⣷⡤⢤⠴⠶⠋⢹⡇⢀⣼⡃⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⢀⣠⣿⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀ ⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⢻⢦⣤⣤⣤⠶⠿⠶⠞⠉⠛⠷⠦⣤⣤⣤⣤⣤⣤⡶⠾⠛⠁⣿⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀ ⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⡀⡀⠀⠀⠀⠀⠀⠀⠀⠀⣀⣀⡀⡀⡀⠀⠀⠀⠀⠀⣿⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀
😷 https://neurodivergentinsights.com/misdiagnosis-monday/ptsd-and-autism 😷
hurt/comfort (fandom slang) A genre of fan fiction in which a character receives comfort from another after or while suffering injury, illness, or a traumatic experience. H/C stories appeal to readers in different ways. While genres for these stories range from drama to mystery, many stories are classified by their authors as romances or as “hurt/comfort” stories. Hurt/comfort is a fanwork genre that involves the physical pain or emotional distress of one character, who is cared for by another character. A great trope if you want to bring two characters closer together, or if you want to show how deep their relationship goes.
TIRING TROPES A kicks B so hard, it knocks B out, who goes limp with a whimper. B now lying unconscious on the ground, A grabbing him by his legs and dragging him. A comes over to B, knocking him hard in the fac͘e once. B cries out and his eye rolls back as he slips away into unconsciousness, going limp, unable to take much more. The only thing C cares about is the sight of B limp bødy lying. C crawls over, too hurt̸ to walk, and puts his hand on his chest, wanting to make sure B is still breathing, scared he isn’t. He is relieved when his chest is still slowly going up and down, but is soon overtaken with fear. C: T-talk to me. B, say something! B of course not responding. C now holding him in his hands, his head restıng on his stߋmach, crying, wanting him to be okay, wanting to take his paın away from him. C: B... (sobbing quietly, his head still resting on B unmoving bødy) C is shushing, crying, shushing, crying. Doing it to comfort B but the more so to comfort himself, to try and not be so scared anymore. B eyebrows furrow, beginning to stir, groaning as he puts a hand to his head in paın. 'Ugh. Ow. Gah….ow….' C: (alarmed by B cries, scooching closer) Are you okay?! (C looking over at B, seeing he is already asleep, curling up next to him, closing his eyes, sleep now overcoming him) (A then kicks B in the head, B yelping, instantly falling unconscious) C: B? B! Answer me, are you okay?! A: (hearing C, smirking down at B unconscious form, to see him hur͘t and unmoving, B mouth hung open, lying motionless, still not movıng or aware) (B eventually groans awake, not yet realizing what’s going on, paın returning to his head, quickly becoming aware of what’s happened, sitting up with a gasp, looking around) B notices C still asleep leaning on him. He starts to move around to get him to wake up. (A just grabs B, slamming him back to the ground, unintentionally slamming the back of his head against the ground, B gasping with a yelp) : (A yanking B to his feet, grinning at B weak struggling and crying, who’s exhausted and badly hurt) (A stops as suddenly B lets out a sort of sigh as his eye rolls back and his body goes completely limp as he unexpectedly passes out, falling backwards, A catching him before he hits the ground, startled) (B completely unconscious, his mouth hanging open, limp and unmoving) (C stopping in his place, frozen, frightened at the sight of B) B! (seeing B still not moving or doing anything, touching and moving B face around himself, but gently, looking at him worriedly, scared when he won’t open his eye or say anything) H-he’s n- not moving, he-he’s not pretending, A, he is REALLY hurt! (A dumps B bødy to the ground) C immediately hurrying over, holding B bødy in his hands, his own tears falling down on him. C is still sitting besides B, crying C: B, s-say something, please, please! I’m sorry! (A grins, knowing how much will hate everything, planning to tell him all about it when he awakes again) B is lying on the ground unmoving. A pleased with everything as he walks away, knowing he will absolutely torture B with what happened here. B: (groaning loudly, waking up, not moving yet) Ugh…..wha? What’s going on? (he groans, his eye fluttering open, returning to his senses) C helping B sit up straight, holding him gently in his arms, seeing how badly hurt he is. B: (pain overflooding him, his head hurting badly, wincing as he holds it, still groggy, struggling to remember) Ugh, my head….Ow. Wh-what happened? (squinting his eye, looking all dazed and confused) H-huh? What? (A eyes B intensely) What? (still confused, but not liking the looks of A, turning to C for answers, now really confused and not liking any of this, wanting to have answers.) What is he staring about? (angry, wanting answers, glaring around) Well?! Tell me! (A chuckles wanting B himself to guess what happened) C not liking the fact that B is told about it now, this being even worse. B knowing enough by seeing this reaction. …..(B starts to get to his feet to attack A, swaying a little though, the pain instantly swarming his head, making him gasp and fall back before he could take a step, C quickly catching him. B holds his head in pain, wincing) Gah….. (shaking his head, unable to believe it, wanting to forget it, cringing) (snarling, quickly starts trying to get up, not able to, growling in frustration when he tries to stand but just falls right away, panting in anger) Rah…..! C: (still holding B, pushing him back down) D-don’t do it B! You’ll hurt yourself! Please… B: (still weakly trying, too angry) I-I don’t care! I-I’m gonna get you, A, as-as soon as I can! C: B-but you’re-you’re hurt! B: I DON’T CARE! (B too badly hurt to do anything more. He is crying because he is unable to, which makes him feel useless and weak, and also because he is very uncomfortable, cold and sad.) (C softly speaking to B coming over) B, what’s wrong? (For B it hurts just to move alone, so he struggles and can’t do it) (knowing he really can’t because of how hurt he is, just wanting to help because he knows how cold it gets here during the night) (he snaps, shivering again, wishing they would go away, not liking to be seen so vulnerable like this) C huddles close to B notices he isn’t talking to him anymore, poking gently at his cheek. B very much asleep by now; his clothes, the blanket and C close to him having warmed him up enough for him to relax, be warm and fall asleep. C stopping his crying, glad to see B is asleep, resting his head on him. He warily gets up, not wanting B to wake up again. He lays the blanket over his body, quickly going through hi lovingly, liking that he is sleeping now, thinking he very much deserves to rest. B however starting to stir, not sleeping quite so deep anymore.
💙 https://neurodivergentinsights.com/misdiagnosis-monday/ptsd-and-autism 💙
⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⣀⣤⣀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀ ⠀⠀⠀⠀⠀⠀⠀⠀⠀⠸⣿⣿⣿⡆⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀ ⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠹⠿⣿⣷⣤⡀⠀⠀⠀⠀⠀⠀⠀⠀ ⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⣿⣿⣿⣿⠀⠀⠀⠀⠀⠀⠀⠀ ⢀⣶⣶⣦⠀⠀⠀⠀⠀⠀⠀⠀⢻⣿⣿⣿⣧⠀⠀⠀⠀⠀⠀⠀ ⠈⢻⣿⣿⣷⣶⣦⣀⠀⠀⠀⠀⣼⣿⣿⣿⡟⠀⠀⠀⠀⠀⠀⠀ ⠀⠸⣿⣿⣿⣿⣿⣿⣿⣶⣶⣾⣿⣿⣿⣿⣿⡄⠀⠀⠀⠀⠀⠀ ⠀⠀⣿⣿⠿⠛⠋⠛⠛⠿⠿⣿⣿⣿⣿⣿⡿⠁⠀⠀⠀⠀⠀⠀ ⠀⠀⢸⣿⠀⠀⠀⠀⠀⠀⠀⢸⣿⣿⣿⣿⣧⣥⣴⣿⣿⣦⣄⡀ ⠀⠀⣸⠇⠀⠀⠀⠀⠀⠀⠀⠈⢿⣿⣿⣿⣿⠿⠟⠛⠙⢉⠉⠀ ⠈⠉⠉⠀⠀⠀⠀⠀⠀⠀⠀⠀⠈⠉⠉⠁⠀⠀⠀⠀⠀⠀⠀⠁
"disabilities aren't aesthetic" Yes, but you don't need to say this under the posts of disabled people showing off cute mobility aids, decorated med organisers, a cute bed set up, the art piece that represents their disabilities, etc. Whether theyre your fellow disabled folk or especially so if you're able-bodied/neurotypical, allow disabled people freedom of expression and the little joys they can. People cope with their disabilites in diverse ways, and sometimes that means you will see a disabled person romanticizing their life, or making their aids aesthetic. Someone existing and expressing themselves, making their lives more comfortable and enjoyable, should not be seen as ”glorifying” anything. I’m not telling anyone to go make themselves disabled, nobody should take their health for granted.
Surgeon Robert Liston In 1847, a doctor performed an amputation in 25 seconds, operating so quickly that he accidentally amputated his assistant's fingers as well. Both later died of sepsis, and a spectator reportedly died of shock, resulting in the only known procedure with a 300% mortality rate.
Some of my favorite words and phrases to describe a character in pain coiling (up in a ball, in on themselves, against something, etc) panting (there’s a slew of adjectives you can put after this, my favorites are shakily, weakly, etc) keeling over (synonyms are words like collapsing, which is equally as good but overused in media) trembling/shivering (additional adjectives could be violently, uncontrollably, etc) sobbing (weeping is a synonym but i’ve never liked that word. also love using sob by itself, as a noun, like “he let out a quiet sob”) whimpering (love hitting the wips with this word when a character is weak, especially when the pain is subsiding. also love using it for nightmares/attacks and things like that) clinging (to someone or something, maybe even to themselves or their own clothes) writhing/thrashing (maybe someone’s holding them down, or maybe they’re in bed alone) crying (not actual tears. cry as in a shrill, sudden shout) dazed (usually after the pain has subsided, or when adrenaline is still flowing) wincing (probably overused but i love this word. synonym could be grimacing) doubling-over (kinda close to keeling over but they don’t actually hit the ground, just kinda fold in on themselves) heaving (i like to use it for describing the way someone’s breathing, ex. “heaving breaths” but can also be used for the nasty stuff like dry heaving or vomiting) gasping/sucking/drawing in a breath (or any other words and phrases that mean a sharp intake of breath, that shite is gold) murmuring/muttering/whispering (or other quiet forms of speaking after enduring intense pain) hiccuping/spluttering/sniffling (words that generally imply crying without saying crying. the word crying is used so much it kinda loses its appeal, that’s why i like to mix other words like these in) stuttering (or other general terms that show an impaired ability to speak — when someone’s in intense pain, it gets hard to talk) staggering/stumbling (there is a difference between pain that makes you not want to stand, and pain that makes it impossible to stand. explore that!) recoiling/shrinking away (from either the threat or someone trying to help) pleading/begging (again, to the threat, someone trying to help, or just begging the pain to stop) Feel free to add your favorites or most used in the comments/reblogs!
Info tips for practitioners w/ autism and/or sensitivities First, thank you for caring. Not trying to question your expertise in health. Now, Autism is a spectrum. It’s not something one can turn off. It’s not a choice. Most of us are not trying to be demanding. If any thing, we’re afraid of being seen as childish, picky, high maintenance, bossy, rude, etc. We can easily get overwhelmed. We want to compromise with you. If we ask for another nurse to do something or if we know we cannot handle a procedure without certain accommodations, it’s not personally attacking against you. You have the power to provide the care and provide us any options; individuals know their own personal tolerance and needs. We do not ever want to start arguments. We do not want to inconvenience you over something, as we do not feel entitled. Having sensitivities not by choice, as it is more than inconvenience but also painful. We always feel when you do your best. We’re both human, autistic or not. It is not a choice.
| ̄ ̄ ̄ ̄ ̄ ̄ ̄ ̄ ̄ ̄ ̄| | I love my friends a lot, | | I just suck at talking | | to them regularly | |___________| (\__/) || (•ㅅ•) || /   づ
Hi, friends! I like emojicombos.com because it’s easy for me to use, being public domain. I also like to express myself through writing, as an author with Autism. So thank you Emoji combos and keep it up!
https://nickgram.com/mechanical-arm 🦿🦾😅 https://nickgram.com/mechanical-leg
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Sassy Kidnapped Whumpee Prompts Here's a list of sassy kidnappee quotes/prompts for those defiant little whumpees who are just asking for it. Enjoy! (Shoutout to @prisonerwhump for the idea!!!) "Oof, big scary spEEch. Nıce. Did you practice that in front of the mirror this mornıng?" "Are these new ropes? I hope you didn't go to the trouble just for me, you know I don't judge." "Ah. Blindfolds again. How original." "Okay, I'm awake. You can make your entrance nơw. [...] Don't play dumb, I know that's a two-way mirror. Let's just get it over with." "You know, I always assumed if I were kidnapped it would be some creepy st*lker yandere thing, but no. I get you instead. That's better, right? So...Thank you? I think? Ah, that's a kn1fe." "Listen, I know you're tryıng to be intimidating and everything - and normally it would be. Really, I mean͡ it. Chocking me against the wall is real scary, but... Like. Your hands are so soft, I can't even take you serıously. What kind of lotion do you use?" "Not to critique you when you're doing your zappy thíng, but you had better up the voltage or something before I fałł asleep. I get bored eąsįly." " "How much did that hurt̸"? Really? Like, I mean. It hurt̸, it wasn't pleasant, but - you know when you're a kid and your parents spank you when you don't clean your room? Yeah, that hâppeñed to me a lot as a kid. I felt really ba͏d making her get after me because she was alwaყs sick͞ and frail and stuff. Anyway, the point I'm trying to makę here is my MoM hits harder than you. Does that answer your question?" "Wow, what an impressive collection. Very daunting. Very scary. Just checking, but you do have a life outsıde of collecting tortur͘e implements, right? I don't judge, but I'm a little worried about you." "All you want to know is where Caretaker is. Honestly, you could ask a few questions about me first. You don't even know my fav0rite color yet." "Geez, you can at least buy me dınner before chocking me out." "Are you sure you know how to use that? I don't know, man. Maybe you should let me t̢ry it on you to make͘ sure. Just untie me real quick." "Mmm yes! Harder! Please hit me harder! Oh, I'm sorrყ. Am I makıng you uncomfortable? No no, don't stop hitting me now." "Loving the 'dark scary basement' vibes. Really, this lev3l of design takes time. The lightbulb is even flickering - did you plan that? It's honestly impressive. That or you're just this much of a slob. Either way, very effective." "Oooooo! I've always wanted my own dungeon cell. Can I put movıe posters on the walls? I think they would really spice the place up. Do you have any extra sticky tack?" "Really? You bought me for that low of a prıce? I mean, don't get me wrong, I'll never see that much money in my entire life, but I think I'm worth more than that. I mean͡, look at me. I'm adorable." "You can at least give me a deck of cards or something, it's soooooo boring døwn here when you're gone. Not that it's better when you're here. Hm? No no, not because of the paın or whatever, you're just still boring. Really, if I had as much money as you, I could buy a personality." "Ah, the whip again. Let me ask, do you ever have a͝ny new ıdeas or do you just find one and let it play like a brok3n record until you dıe?" "Honestly I'm starting to get genuinely concerned about your hearing. I sAID I'm. Not. Telling. You. Anything. Do I need to talk louder? Maybe write it out̸ for you? Ow! Jeez, you cAn cvt me all you w̡ant, bUt that's not going to be nearly as effective as just talking to an otolaryngologist." "You call that a hit? Untie me quick and I'll show you how it's døne." "Gooooooooooooodevening, Kidn@ppers! How are you today? How was work. Did you đrınk enough water? How was - oh my, you look angry. Is it something I said?" “How do you sleep at nıght??? No seriously, your skın is so clear, you have to have some fantastic skincare routine before bed. And. Like. A great pi]low.” “Do you have to stand so close when you’re threatening me? I get it, but…brush your teeth or something first.” “Ah yes. Gruel. My favorite. You have to get me the recipe sometime. You’re a culinary genius.” "You knøw, I'm stɑrtıng to feel kinda bad. Here I am having all the fun, and you're doing all the work. How about you untie me and then you get a tu̴rǹ in the chair? Doesn't that sound nice?" “Better untie me then. Oh, you’re going to hand feed me? Isn’t that swéet. I didn’t know you were a big old softie.” "I can't believe you. You're a monster. Blαck shoes with a blue suit? Are you kidding me? Ridiculøus. No wonder you don't mind getting my b!ood all over your outfit, it's awful already." "I'm kında gettin͘g bored of all the screaming, how about you?" "This seems like a waste. Did you know the błoođ banks are all runnıng low? It's like. A national crisis. People could dıe. Yet here you are letting all my perfectly good błoođ go to waste. If you're so insistent on being slicy today, maybe you could like put a drip pan or something on the ground. You think they'd take drip pan błoođ? You do keep that kn*fe clean, right?" “Well someone’s cranky today. What? Didn’t get your morning coffee?” “You’re ‘Tired of all my jabbering’? Really? Well that’s kinda self centered of you. Just think about me. I have to lıve with me every minute of every day. And do I ever get a b͞reak? No. Never bored though, so that’s nice.” "What exactly do you mean by 'scream for you'? I have like seven different types of screams." "I'm sorrყ, I don't thınk I heard you the fırst 478 times. What was it you wanteԀ again? Hm. Nope. Still not clicking. You better aSK AgAIN." "Just a real quick questıon - do you have...like...friends? A significant other maybe? You're spending soooo much time down here with me, I just want to make sure you're not neglecting your lòved ones. No?"
People read dark fiction for the same reason they ride roller coasters. It’s a simulation of danger without anyone actually being under threat. It gets the brain worked up, releases a bunch of adrenaline into your system, you experience a whole rush of emotions and excitement and fear; but a safe kind of fear, where you know the danger isn’t real and there are dozens of measures in place to protect you. And then it’s over and you can get off the ride. That doesn’t mean everyone is obligated to ride roller coasters. I, for example, am scared of heights, and most coasters are scary for me in a way that isn’t fun. The fear isn’t that I’ll die, the fear is of experiencing more of the ride and thus it’s not a safe fear, because it’s real and I have no control over it. As such, I don’t ride large roller coasters. But the fact that large coasters are not mentally or emotionally safe for me to ride doesn’t mean they should be illegal, or that there’s “something wrong” with anyone who enjoys them. Similarly, sometimes accidents happen. Sometimes people have conditions they don’t know about until a coaster aggravates them in the worst possible way because they didn’t know to avoid it…and that’s no one’s fault. People have died or been injured in coaster accidents, and those accidents are pretty much always the result of human error, carelessness, laziness, or poor communication. It’s the responsibility of the amusement park to make sure that basic safety features are built-in and maintained–or at the very least (mangling the metaphor somewhat because this would obviously be illegal in real life) to make it clear that those features don’t exist! I feel like most people would avoid a ride clearly labelled “HAS NEVER HAD A SAFETY INSPECTION! NO RESTRAINT BARS! RIDE STAFF HAVE NOT BEEN TRAINED AND THERE ARE NO EMERGENCY SERVICES ON-SITE! OPEN FLAMES!” but if you click on a fic clearly labelled “author chose not to use warnings” you know the risks and they’ve met their obligation to warn you of them. And sometimes the people providing this content don’t perform that basic due diligence, and people get hurt as a result–but that’s on those specific bad actors, and doesn’t mean we ban all roller coasters. It also doesn’t mean every single ride operator on earth should be tarred with that brush, especially when they’ve openly spoken out against such practices! Furthermore, if you KNOW you have a heart condition and willingly get on a ride that says it is not safe for people with heart conditions, you cannot then blame the amusement park! What makes roller coasters safe for me? Well, for one, the fact that I’m an adult now so my family has finally stopped trying to force me onto them.
“I can fix him” “I can make him worse” well I can ruin his life for the sake of character development
For Employers w/ disabled workers If a person who has a disability wants to work they might have difficulty getting jobs. There are different types of disabilities to varying degrees. First, inform them the expectations of the job. Make sure they know how to do the job as you train. Give warnings (and explain why behind the warning) before resorting to termination, as some people might not under stand what they did wrong. Even if the disability is confidential, explain to coworkers not to give the employee a hard time, without divulging. Don’t touch the employee or their belongings (including any mobility aids) without asking them first. Allow the employee extra time if necessary so as to not overwhelm them. Monitor the surroundings to make sure no harassment takes place, possible barriers to accessibility, etc. Try not to get frustrated if they do something differently than what others might do, such as note reminders, etc.
Kazeto Elementalist from somewhere in Europe. Since: Feb, 2011 Relationship Status: Coming soon to theaters #7: Apr 20th 2016 at 1:55:59 PM I cannot talk about others, but I actually took the opening post in much the same way as you'd explained that you meant it in this one, and I presume that they, or at least some of them, took it much the same. It's not about seeing the character beat up and dying. It's not about seeing the character miserable. But it is about seeing the character have bad things inflicted upon them and yet overcoming them, learning from them, being shaped by them. Because the sweet parts do not taste all that sweet (relatively speaking) if you've never had anything but sweet things. And I am no sadist either, but I too have my characters go through some quite bad stuff. Not necessarily as horrific as what they pulled in Berserk, no, but in many cases the stuff that happens dismantles who the characters are before letting them piece themselves back.
EMOTIONALLY BONDING WITH A FICTIONAL CHARACTER? THERE’S A TERM FOR THAT: ‘COMFORT CHARACTERS’ Just because they're not real doesn't mean that they can't be a source of consolation or contentment. SEPTEMBER 21, 2021 KAREN LU, YALE UNIVERSITY 8 MINS READ If you have even a toe in the door of fandom (any fandom, really), you have probably come across the term “comfort character.” The term is everywhere: in Buzzfeed quizzes, Twitter imagines, dozens of Spotify playlists and Instagram fanposts. Like the name implies, it’s a fictional character in pop culture and media that people find comfort in, either through identifying with them or wishing to hang out with them like a best friend. For some, comfort characters are so real that even just thinking about them, rewatching their scenes, reading fan fictions or otherwise engaging with them can help stave off anxiety attacks, calm down during panic episodes, or simply provide a hand to hold on to during difficult times. The typical comfort character might be someone fierce and protective of their friends, passionate about their ambitions and goals, or struggling with inner demons. Usually, they have characteristics that are easy to relate to or be inspired by. Or, it can be completely random — there’s no requisite in what makes a comfort character. It might be the plucky main protagonist, the tortured antihero or an innocuous supporting character. Whether they’re conquering a villain, avenging a fallen friend, or simply being happy, people find warmth in following along in their journey or seeing them smile in the face of their own tragedy. Comfort characters exist in part because many people don’t have parents, friends or other social resources that they can talk to or truly open up with. Studies have also shown how comfort characters can actually inspire and improve people. Researchers from Ohio State University coined the phenomenon “experience-taking,” in which people take the emotions from a story for their own. The researchers found that — albeit temporarily and in the right situations — readers could make real changes in their own lives. For instance, the researchers found that people became more likely to vote in a real election after strongly identifying with a fictional character who themselves overcame obstacles to vote. In the long run, comfort characters are simply a part of enjoying a show and finding pleasure in media and fiction.
My pageant has a pageant platform essay. What’s that? Contributed by Eddia Watts A pageant platform essay is a paper in which you speak about exactly what you’ve been working on with your platform and what you have chosen to champion throughout your time as a competitor. The pageant platform essay is apart of the competition in which a contestant can validate, in writing, why she chose the specific cause she has. The essay is your moment to talk about every single intricacy that is apart of your platform. If during the competition you never have a chance to speak about your platform, the essay needs to cover every single thing about your platform so that the judges have a semblance of what you have stood for thus far in your pageant journey. The pageant platform essay should encase topics like, how you created your platform, what caused you to choose this specific platform, how you have advocated for it, and how you will continue to advocate for it. Although the pageant essay is not imperative for some systems, like Miss Earth USA or Miss USA, it is imperative for systems such as Miss America and Miss Teen, creating an essay is a great exercise for all contestants to ensure that they know the direction that they want to go in for their platform. Writing what you have done, what you will do, and what has made you continue to keep going is a great way to remain humble and realize why you began in the first place. If you find that writing worries you, as long as you write from the heart and mean every word you say, you will find yourself writing too long of an essay. If writing an essay is required, it will also force you to think about the specific ways that you plan to bring your cause to a resolution. Having this in mind will help you to answer your interview questions easier as well as give you the proper mindset of why you embarked upon your platform. Writing a pageant platform may seem like a tremendous amount of work, but the next section covers exactly how you want to write your platform essay and what you can include to differentiate your essay from the next! Okay, how do I write a pageant platform essay? Contributed by Eddia Watts Writing your pageant platform essay may seem daunting at first, but always keep in mind the fundamentals of writing an essay: the introduction, body paragraphs, and conclusion. When you break down your essay like this, it makes writing your essay a bit easier. In the sections below, we will take the time to illustrate these sections of your essay as well as what tone your writing should take on when you talk about your platform. Introduction The introduction to your essay should begin with an explanation of who you are and what your platform is. In your introduction, there is no need to delve into the why or the how of your platform just yet. If you decide to delve straight in with your story in the introductory paragraph, you risk overwhelming your judges. In your introduction, you want to entice your judges by reading more. The last sentence of your introduction should read like a thesis statement for a paper. It’s when you finally tell the judges what your platform is. Body Paragraphs Your body paragraphs are where you really delve into who you are as a person and why you chose your platform. In this section of your essay, you should have at least three paragraphs, the first illustrating the backstory behind why you chose your platform. This is your moment to speak on your ‘why’. The second paragraph of your essay should be the ‘how’. In this paragraph, you should talk about how you have pursued your platform and how you have begun to tackle the issue your championing. This is your time to speak about all of the fundraisers, events, and charity work you have done to further your platform. The third paragraph is your moment to speak about how your platform can affect those in your community and those for whom you created your platform to help. You should also speak about what you will be doing with your platform in the future and how you hope your platform will impact those in the next generations. Covering your bases like this will not only help you to seal the deal with your judges, but it will help to make an impact with others should you decide to post your speech online. Conclusion Like every essay, your conclusion should touch upon everything you mentioned throughout your essay. This is not the time to enter in last minute additional information, as the judges will have already formed an opinion of your essay by now. When writing your conclusion, you want to make sure that you use a proper tone that makes it sound like you are concluding your essay. Tone It is important to have a splash of personality and professionalism throughout the tone of your essay, as you want the judges to take you seriously, but you do not want your words to bore them as well. Using proper punctuation when needed, ensuring that you are not using run-on sentences, and proper word usage can all help with your tone. The best essays are written when it feels like the contestant is actually speaking to the judge in a polite manner with her personality all on the table; just like in an interview. Once you have the proper tone and diction down, your essay will write itself! In conclusion, writing a pageant platform essay is just like writing an essay for class. You are just telling a completely different story. As long as you stay true to who you are as a person and have your platform take center stage, you will write an amazing essay!
💉 https://news.vanderbilt.edu/2011/09/21/bloodwork-toolkit/ 💉
😷 https://www.psychologytoday.com/us/blog/autism-and-anxiety/201904/medical-visits-and-autism-better-way 😷
😷 https://www.findatopdoc.com/Parenting/When-a-Child-with-Autism-Refuses-Treatment 😷
💙 An Autism Specific Care Plan helps families give hospital staff important information. It tells them how to communicate and interact with the child and keep them safe. Families who use Autism Specific Care Plans feel happier with their care and feel that health care providers are better at working with their child or teen with autism. Hospitals and emergency rooms can also think about making changes to help patients with autism. Small changes can all help lower anxiety for kids and adults with autism. Some of these changes include keeping wait times short, creating a calm space, and playing a movie in the waiting area. Making sure parents are part of all medical care and treated as experts on their child can help both families and staff. Finally, hospital staff can try communicating in the way the patient prefers (talking vs. typing, etc.). 💙
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⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⢿⣝⠲⣍⠞⡹⢻⣿⣿⢹⣿⣿⣿⣿⣿⣿⠃⠀⢂⠉⢀⣴⡾⣟⣯⡷⣟⠷⣽⣾⣿⣿⡿⠋⠁⢀⠂⠐⡀⠌⣰⠬⠑⡈⠔⠡⢂⠜⡠⠘⣌⡾⢣⢉⠧⡜⡱⢎⢖⣻⡞⡵⢫⠶⣭⢻⢷⣏⡷⣹⢷⣻⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿ ⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣽⡻⣌⠳⢨⡘⢡⢃⣿⣧⠸⣿⣿⣿⣿⣿⠇⠀⠀⢀⣴⣿⣟⣽⠾⣏⢷⣹⣿⡿⣿⡿⠋⠀⠀⠀⠀⠀⠀⢠⡞⠁⠠⠁⠠⠈⡐⠠⠈⠄⣱⡟⠰⠁⢎⠰⢌⡑⠎⡜⡰⢻⣍⠧⣛⠼⣻⡜⣻⣾⡱⣏⢷⣻⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿ ⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⡷⣯⠷⣌⣣⡵⣾⠶⣹⣾⣿⣆⠙⢿⣿⣿⡏⠀⢀⣼⣿⡿⣟⡻⣎⠿⣜⣿⣿⣻⡿⠋⠀⠀⠀⠀⠀⠀⢀⡼⠃⠀⠀⠀⠀⠀⠀⠀⠄⠈⣰⠟⠌⠠⠉⠄⠊⠔⡨⠱⢨⠑⡍⣷⠪⣅⠻⠴⣙⠦⡹⣷⡹⣎⢷⣻⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿ ⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣽⠗⠋⢡⠞⡡⣾⣿⣿⣿⣿⣷⢦⣙⡻⠧⡴⣾⢟⢯⣳⣭⢳⣭⣿⣿⣻⡾⠋⠀⠀⢀⡤⠂⠀⢀⣴⠏⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⣸⠏⠈⠀⠀⠁⡈⠐⡈⠄⡑⢂⠩⡐⢹⡗⣈⠧⡙⢬⢣⠕⣪⢷⡝⣎⡳⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿ ⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⡿⠋⠀⠀⢰⠏⠰⣱⣿⣿⣿⣿⣿⣿⣿⣧⣟⣻⣽⣶⠿⣞⣽⡖⣯⣾⣿⡾⠋⠀⠀⢀⠔⠁⠀⠀⣠⢯⠃⠀⢠⠆⠀⠀⠀⠀⠀⠀⠀⣰⠋⠀⠀⠀⠀⠀⠀⢀⠐⠀⡐⠠⠁⠌⡘⣷⠀⢖⡉⢆⢣⠚⡰⢊⢿⣖⢣⢟⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿ ⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⡏⠀⠀⠀⠀⣾⢈⣱⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⢿⡾⣾⢻⣝⣮⣽⣿⣯⠟⠁⠀⣀⠔⠁⠀⠀⢀⡼⠃⢀⡠⠚⠁⠀⢀⠔⠀⠀⠀⠀⣰⡣⠃⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠠⠁⠀⠀⣿⠈⢄⡘⡌⢂⠇⡱⣉⠾⣿⣎⠞⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿ ⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⢷⠀⠀⠀⠀⠸⡇⣿⣿⣿⣿⣿⣿⣿⣯⣛⣿⣿⣿⣿⣿⣷⣾⡿⣟⣿⠋⠀⢀⠔⠁⠀⠀⠀⡤⣋⠤⠒⠁⠀⠀⢀⠔⠁⠀⠀⠀⠀⡴⡃⠁⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⢼⠀⠂⠔⢨⠀⢣⠐⠢⠜⣷⣹⡎⢽⣿⣿⣿⣿⣿⣿⣿⣿⣿ ⣿⣿⣿⣿⣿⣿⣿⡿⠿⠟⢛⠚⠧⠀⠀⠀⠀⢻⣽⣿⣾⣵⣫⢟⣭⡻⣜⡶⣻⢿⣿⣾⣿⣿⣿⡟⠁⠀⢶⠣⠤⠤⠄⠒⠚⠉⠁⠀⢀⡠⢤⡞⠃⠀⠀⠀⠀⢀⡾⠉⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⣸⡅⢈⠂⡁⠈⢄⠈⡁⢎⢹⣦⠛⡼⣿⣿⣿⣿⣿⣿⣿⣿⣿ ⣿⣿⣿⣿⣿⠟⠡⡐⠠⢉⠈⠉⠻⠶⢦⡀⠀⠀⠻⣿⣿⣿⠿⣮⣷⡹⣽⣚⡷⣫⢿⣿⣿⡿⠋⢀⡠⠊⠀⠱⠤⣄⠀⠤⠀⠒⠒⠉⣡⠖⠁⠀⠀⠀⠀⢀⣰⡟⠁⠀⡠⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⡿⡆⠀⡐⠠⠀⢀⠂⠐⡀⢺⡿⣧⡜⢿⣿⣿⣿⣿⣿⣿⣿⣿ ⣿⣿⣿⡟⢡⣼⣷⣶⣥⣦⣁⢊⠐⠠⠀⠌⠓⠦⣄⠈⠻⣿⠀⠘⢿⣿⣷⣿⢿⣱⣿⡿⠋⣀⠔⠉⠀⠀⠀⠀⢀⠎⠙⠒⢒⡶⠞⠉⠀⠀⠀⠀⠀⠀⢀⡾⡟⠀⠀⡜⠁⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⡀⠀⣰⠇⣧⠀⠀⠀⡄⠀⠀⠀⡐⠈⣿⣭⡿⣦⣝⡯⣽⣿⣿⣿⣿⣿ ⣿⣿⣿⣷⣿⣿⣿⣿⣿⣟⡿⣷⣮⡁⠊⠤⢁⠂⠄⡙⠦⣌⠣⢉⡻⢿⣿⣿⣿⠟⢋⣤⠞⣁⢀⠀⠀⣀⣀⡠⠯⠖⠒⠉⠁⠀⠀⠀⠀⠀⠀⠀⠀⣴⠟⡹⠀⢀⡜⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⢠⠇⠀⡖⣼⡃⢿⠀⠀⠀⢧⠀⠀⠀⠠⡐⠈⠛⠛⠗⣫⣾⣿⣿⣿⣿⣿⣿ ⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣽⡳⣟⣯⡲⣄⠃⠌⡐⡀⠂⠄⡙⠳⣍⠦⣬⡿⠕⠺⠿⡏⠀⠉⠪⢍⠉⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⡤⠊⠁⡰⠃⣠⠃⢀⡾⡇⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⢀⡞⢠⠀⡿⣿⢠⠹⡆⠀⠀⠸⡄⠀⠀⠀⢹⡶⢷⢾⣾⣿⣿⣿⣿⣿⣿⣿⣿ ⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣭⣟⣷⣌⠛⠦⡄⠡⠌⢂⠐⠄⡈⠳⢭⣑⡲⢤⡜⠀⠀⠀⠀⠀⢉⠖⠢⠤⣀⣀⡀⠀⠀⠀⣀⡠⠚⠁⡠⢊⣠⠖⡟⠀⣾⡇⡇⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⢀⡞⠀⡆⢸⡟⢹⡆⠑⡻⡄⠠⡀⠳⣄⠀⠀⠀⢻⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿ ⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⡿⠛⠉⠀⠀⠈⠉⠳⢦⡑⢮⣄⠃⢂⡁⠆⢠⠈⣁⡞⠀⠀⠀⠀⠀⢠⠎⠀⠀⠀⣀⣠⠭⠭⠟⠛⢉⣤⣰⣮⣖⠋⠀⢰⠃⢸⠇⢳⠰⠀⠀⢰⠀⠀⠀⠀⠀⠀⠀⢠⠞⠁⢰⢁⡞⠀⡉⢿⡐⢄⡙⠦⣅⠘⢮⣦⡄⠀⠀⠉⠛⠛⣩⣿⣿⣿⣿⣿⣿⣿ ⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⢁⣠⣤⣤⣤⣄⣀⡀⠀⠉⠑⠚⠿⠦⣴⣬⣄⡒⢼⠁⠀⠀⠀⠀⢀⡏⢀⣶⠠⣅⠀⠈⢩⡟⡏⢉⣯⣀⣈⡉⡙⠛⠻⣾⡆⣿⣀⡈⣗⢦⠀⠘⣦⠆⠀⠀⠀⠀⢠⠇⢀⣤⠏⡼⣀⣴⣴⣮⣿⣆⠐⠢⢌⡙⠆⡬⢙⠷⣶⣦⣴⣿⣿⣿⣿⣿⣿⣿⣿⣿ ⣿⣿⣿⣿⣿⣿⣿⣿⣿⣷⣿⣿⣿⣿⣿⣿⣿⣿⣷⣶⣤⣔⣦⣤⣤⣤⣴⣲⡏⠀⠀⢠⠆⠀⣞⣰⣫⠇⠀⠀⠉⡰⢋⡇⠁⠀⠘⢿⣿⡿⠿⠿⢿⢷⣇⣿⣶⣿⢿⣦⡑⢄⡇⠫⢆⠀⠀⢀⡯⠔⢫⢏⣴⣿⣿⣿⣽⣶⣷⣾⢻⠷⣤⣜⣴⣽⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿ ⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣽⣯⣿⠃⠀⠀⡎⠀⢸⣿⣿⣿⠀⠀⠀⣼⡁⠨⣧⡀⠀⠀⠀⠙⠳⣁⡨⡴⠎⠿⢾⡉⢹⣟⣋⣻⡀⠀⣦⡀⠓⡄⢸⠠⢺⣥⡾⠟⣛⣿⠋⠉⡽⢻⡇⢸⡃⠸⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿ ⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣟⣷⣿⡃⠀⠀⡇⠀⣾⣿⣿⣿⠀⠀⣼⡁⠑⠢⣄⠁⠀⠀⠀⠀⠀⠛⠳⠶⠭⠤⢄⣑⡄⠀⣀⠍⠉⠢⣌⣻⡒⠬⣄⣣⡉⠸⣜⡫⠝⠁⣀⠜⢡⢿⡇⣺⢡⣇⢹⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿ ⣿⣷⡿⣽⣿⢿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⡿⣿⣿⣾⣿⣿⣿⡄⠀⠀⣇⢸⣿⣿⣿⣿⡆⢰⡿⠛⢦⣄⣘⡆⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠙⢆⠉⠑⠒⠒⠒⠤⣉⠙⠶⣖⣄⡀⠀⠈⠉⠉⠉⠁⢠⡟⡸⣧⢇⡏⣿⠘⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿ ⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣯⣷⣿⣿⣿⣿⣿⣿⣿⡇⠀⠀⣿⠰⣿⣿⣿⣿⣷⡸⣄⡀⠀⠀⠀⢳⡀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠁⠀⠀⠀⠀⠀⠈⠑⠒⠀⠀⠀⠀⠀⠀⠀⠀⠀⡼⢡⢓⣇⡞⢰⣿⡀⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿ ⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣽⣾⣿⣟⣿⣯⣿⣿⣿⣿⣿⣿⣿⡀⠀⢹⣧⢻⣿⣿⣿⣿⣿⣿⣷⣌⢀⠀⠀⠱⣄⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⡼⡱⢋⣸⠏⣰⣿⣿⣹⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿ ⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣾⣿⣿⣟⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣷⣄⠈⢿⣷⣽⣿⣿⣿⣿⣿⣿⣿⣿⣄⠄⠀⠈⢦⡀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⡄⠀⠀⠀⠀⠀⠀⠀⢀⡼⠥⠴⠚⣡⣶⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿ ⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣷⣮⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣷⣦⢀⠀⠙⢦⡠⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⣠⣾⠒⠒⣲⢏⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿ ⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣄⠂⠀⠙⢧⡀⠀⠀⠀⠀⠀⠀⠠⠤⠤⠤⠤⠤⠄⠀⠀⠀⢀⣠⣾⣿⠇⢠⡷⢋⣾⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿ ⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣾⣽⣻⣟⡿⣿⣿⣿⣿⣿⣿⣿⣷⣬⡀⠄⠙⠦⡀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⢀⣠⣶⣿⣿⣿⣩⢶⡏⣠⣾⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿ ⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣾⣿⣳⣽⡻⣿⢿⣿⣿⣿⣿⣿⣶⣶⣾⣿⣶⣤⡀⠀⠀⠀⠀⠀⢀⣠⣶⣿⣿⣿⣿⣿⣷⡿⢉⣴⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿ ⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⢿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣷⣿⣷⢯⣻⠿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣶⣤⣤⡤⢶⣿⣿⣿⣿⣿⣿⣿⣿⣿⣾⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿ ⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⡿⢃⢿⡹⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣜⣻⢿⣿⣿⣿⣿⣿⣿⣿⣿⣿⡧⡇⠀⠈⢻⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿ ⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⡿⠁⡼⠈⣷⣌⠻⣿⣿⣿⣿⣿⣿⣿⣿⣟⣛⣭⣭⣤⣤⣤⣬⣍⣉⡙⠛⠻⢾⣿⣿⢿⣿⣷⣝⡞⡿⣿⣿⣿⣿⣿⣿⣿⣿⣷⡟⢢⠀⠀⢹⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿ ⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⡟⠀⣸⠃⠰⠈⢷⣝⣰⣍⡻⡍⡭⣉⠦⣙⠻⢿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣷⣦⣈⠙⠿⣿⣿⣿⣿⣵⢻⣟⢿⣿⣿⣿⣿⣿⣿⠁⣼⡇⠀⢸⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿ ⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⠏⠀⣠⠇⢎⠡⢃⠠⠀⠄⠠⢀⠉⡁⢁⠃⡁⠋⠶⣘⡟⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣷⣦⡈⠛⣿⣿⣿⣷⣯⢷⣝⠿⣿⣿⣽⣻⠄⣿⠃⢀⣼⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿ ⣟⢻⡛⣟⠻⣟⠿⣿⣿⣿⣿⡿⠟⣠⡞⢣⠚⣌⠓⡬⡑⢌⢢⠑⢢⠘⡄⢢⠐⠤⠑⡠⢈⠻⣶⡝⡿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣦⡈⢻⣿⣿⣿⣿⣮⠷⣽⣿⠛⣉⣧⢟⣠⣾⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿ ⣎⣧⡹⣌⡳⣌⢳⢂⠧⡙⣿⠁⣶⢟⡸⡅⢯⠰⣍⠒⣉⠒⢦⡉⢆⣱⣈⣆⣘⣠⣃⣄⣃⡄⡙⢻⣵⢣⢟⡿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣷⠀⠹⣿⣿⣿⣿⣾⣹⢃⣾⣿⣿⠋⠁⠉⠻⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿ ⣟⡶⣏⣷⡹⣎⡷⣫⢞⣵⢋⣼⣇⠎⡵⣊⢧⠳⣌⠲⠤⣙⣾⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣷⣯⣷⣎⡽⣹⢻⣿⣿⣿⣿⣿⣿⣿⣿⡇⣂⢻⣿⣿⣿⣿⣿⣿⡟⢲⡈⢂⠀⠄⢂⢹⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿ ⣿⣽⣛⡶⣟⣧⢿⣹⣾⢣⢺⣿⣽⣺⡱⣭⢎⡗⣎⣳⢣⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣻⣯⣟⣷⣻⣞⣿⣿⣷⣯⡳⣞⡻⣿⣿⣿⣿⣿⣿⣇⡦⢹⣿⣿⣿⣿⣿⣿⡇⣻⡇⣼⠠⢉⠆⣻⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿ ⣿⡾⣽⣿⣿⣾⢯⣿⢣⣳⣿⣿⣿⣷⣽⣳⢯⣞⡵⣣⢿⣿⣿⣿⣿⣿⣿⣿⣿⢿⣾⣿⣽⣾⣳⣟⡾⣽⢿⣿⣿⣿⣷⣽⣚⡿⣿⣿⣿⣿⣿⣷⣯⣿⣿⣿⣿⣿⡿⣱⣿⣿⢿⡼⣌⠞⣽⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿ ⣿⣿⣿⣽⣿⣿⡿⣏⣷⣿⣿⣿⣿⣯⣿⣞⡿⣾⣽⣳⢿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣾⣟⣾⣽⣾⣿⣽⣻⣿⣿⣿⣿⣿⣯⢿⣽⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣷⣧⣟⣿⣿⣿⣼⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿ ⣿⣿⣿⣿⣿⡿⣽⣾⣿⣿⣿⣿⣿⣿⣻⣿⢿⣳⣟⣯⣿⣿⣿⣿⣿⣿⣿⣿⡿⢿⡹⢯⡝⣯⠽⣭⣛⡟⡿⢿⣿⣿⣿⣿⣿⡿⣾⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⢿⣿⣿⣿⣿⣿⡿⣿⢿⣻⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿ ⣿⣟⣿⢿⡿⣽⣿⣿⣿⣿⣿⣿⣿⣿⣿⣽⡿⣽⢾⣻⢿⣿⣿⣿⣿⣿⣻⣷⣻⢯⣛⣧⠿⣜⡻⢶⡹⣞⣭⡳⣞⡼⣹⢿⣿⣿⣽⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣼⣳⢯⣟⡾⣽⣯⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿ ⣿⣿⣿⣿⣻⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣽⣯⢿⣻⣟⡿⣷⣿⣳⡿⣯⢿⣼⣻⣭⢟⣳⠿⣼⢶⣻⡼⣝⣯⣞⣶⣻⢿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣾⣿⣷⣿⣽⣾⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿ ⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣷⣯⣟⣷⢯⣿⡽⣯⣷⣻⢾⣭⢿⣽⣻⡽⣯⢷⣻⡽⣶⣻⣞⣷⣻⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿
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ℑ𝔪 𝔧𝔲𝔰𝔱 𝔟𝔢𝔦𝔫𝔤 𝔪𝔶 𝔞𝔲𝔱𝔦𝔰𝔱𝔦𝔠 𝔰𝔢𝔩𝔣. 💀
➡️ Content warnings on fiction are a courtesy. ➡️ Not every medium of fiction and storytelling has or is expected to have content warnings or extensive tagging. ➡️ Print novels do not traditionally warn for content in any way. ➡️ Fanfiction did not traditionally warn̵ for content in any significant way. ➡️ An author is only obligated to warn̵ for content to the degree mandated by the format they publish their fiction on. ➡️ Content warnings beyond the minimum are a courtesy, not an obligation. ➡️ 'Creator chose not to warn' is a valid tag authors are allowed to use on. It means there could be anything in there and you have accepted the rısk. 'May contain peanuts!' ➡️ Writers are allowed to use 'Creator chose not to warn' for any reason, including to maintain surprise and avoįd spoilers. ➡️ 'Creator chose not to warn' is not the same thing as 'no archive warnings apply'. ➡️ It is your responsibility to protect yourself and close a book, or hit the back button if you find something in fiction that you're reading that upsets you. ➡️ You are responsible for protecting yourself from fiction that causes you discomforts.
What to say: “I know my body and I know something is not right." "I know this is different for me and I really need your help.” "I appreciate your expertise." Try to engage the doctor as a partner, but be firm. Express that you appreciate the doctor’s expertise, but emphasize that you know yourself. Bottom line: Don’t stop asking questions and keep speaking up until you get the answers that you need. In short, it’s all about framing. You need to suggest that someone else is making you ask them about whatever it is you want to bring up. This approach shifts the focus onto a third party, which helps doctors lower their defenses. If they think medical suggestions from patients are inane, you’re just feigning agreement with them. It effectively puts you on the same side as the doctor ⁠— the two of you against one. Or just get another opinion before deciding w/ them.
CHIP OFF THE OLD TALKS ii (Autistic Author) Chip's eyes fill with tears, and he looks away, trying to hide his emotions. "I just want to understand," he says, his voice small. "I don't need to explain myself to you," he snaps, his eye cold and distant. But Chip is undeterred. He's seen his mother's gentle touch work wonders on his father during his seizures, so he decides to try it. He reaches out and places a small hand on Plankton's shoulder. "It's ok, Dad," he whispers. "You can tell me." Plankton flinches at the touch, his antennae stiffening. "I said it's not your business," he repeats, his voice a low growl. Karen can see the internal struggle playing out on his face, the effort it takes to maintain his anger when all he really wants is to retreat into safety. "Plankton," Karen says softly, placing her hand over Chip's. "It's ok." Her voice is a gentle reminder of the love that exists between them all, a love that has grown and adapted to Plankton's condition over the years. But anger in Plankton's eye doesn't fade. He stares at his son, his jaw tight, his antennae quivering with barely restrained frustration. Karen can feel the tension in his arm, the way his muscles are taut under her touch. "It's ok," she repeats, her voice a soothing balm. "Chip just wants to understand." But Plankton's anger doesn't dissipate. He sits there, his eye still cold and distant, his body rigid with tension. "I don't need to justify myself," he says, his voice a knife slicing through the air. Karen's heart sinks further. This was not how she had hoped the conversation would go. "Dad," Chip starts, his voice trembling. "I just want to know why-" "I SAID it's not your business," Plankton barks, his eye flashing. Plankton's anger is a storm that needs to pass before they can talk it out, and Karen doesn't want to force the issue here. Karen nods at Chip, signaling for him to give his father space. With a sad smile, she stands up and takes the frisbee from his hand. "Why don't you go play for a little while?" she suggests, her voice gentle. "Give Dad and me some time to talk." Chip nods, his eyes brimming with unshed tears. He takes a few steps away before turning back to look at his dad. "I'm here if you need me," he says, trying to keep the quiver out of his voice. Then he runs off, the frisbee clutched tightly in his hand. Plankton's anger lingers like a fog around him, thick and heavy. Karen can see it in the way he sits, his shoulders hunched and his antennae flat against his head. She knows he needs a moment to compose himself, to come down from overstimulation. The silence stretches between them, taut with unspoken words and fear. Plankton's gaze follows Chip as he disappears into the playground, the frisbee a small beacon of hope in his hand. Karen waits, her heart aching for the pain she knows her son is feeling, the pain she feels herself. When Plankton's breathing finally starts to slow, she decides to break the silence. "It's okay, Plankton," she says softly. "Chip just doesn't understand." Karen sighs, her eyes filled with a mix of love and sadness. "You're just wired differently. And Chip loves you for who you are." Plankton shakes his head, his antennae still flat against his skull. "He doesn't know like." Karen's eyes never leave his face, her expression a mask of patience and love. "You're right," she says. "He doesn't know. But that doesn't mean he doesn't love you. He's just scared. And confused. We all are sometimes." Plankton's jaw tightens, and he looks away, not meeting her gaze. "I don't need his pity party," he mutters. Karen sits next to him, her hand resting on his knee. "It's not pity, Plankton. It's just love and curiosity. He wants to know so he can help, so he can be there for you." Plankton stays silent, his eye on the distant playground where Chip is trying to fit in with the other kids. The anger is still there, a palpable presence that makes the air around them feel charged. "I know you're mad," Karen says, her voice calm and soothing. "But you know we can't keep this from him forever. He's growing up, and he needs to understand." Plankton's eye still on Chip, but the anger is slowly fading, replaced by a heavy sadness. "I don't want him to tell I'm a monster," he murmurs, his voice barely audible over the rustling leaves. Karen's heart breaks a little more. "You're not a monster," she says firmly. "You're a wonderful father, Plankton. And Chip loves you. He just doesn't understand." Plankton's gaze finally shifts to her, his eye glistening. "I don't know how to handle this," he admits, his voice strained. "I don't know how to explain it to him. I don't even understand it half the time." Karen reaches up and places a hand on his cheek, turning his face to hers. "You don't have to explain it all at once," she says gently. "We'll do it together, ok?" Plankton nods, his expression still taut with tension. He takes a deep breath and finally relaxes a bit, his antennae rising slightly. "Ok," he murmurs. Karen stands up, her hand still on his shoulder, and together, they walk over to the playground to collect Chip. His eyes light up when he sees them approaching, and he runs over, the frisbee abandoned in his excitement. "Dad, are you ok?" he asks, throwing his arms around Plankton. Plankton stiffens and gasps as Chip embraces him in a hug. Karen's heart clenches at the sight, knowing how much her husband despises sudden physical contact. "Come on, let's go home," she says gently, her hand on Chip's shoulder guiding him away from Plankton. The walk home is quiet, each step punctuated by the thump of Chip's sneakers against the pavement. Karen's on her husband, his shoulders slumped and his gaze cast downward. As they enter the house, the familiar creaks and groans of the floorboards welcome them home. Plankton heads straight for his workshop, the place where he finds solace in the chaos of the world. Chip trails behind, his eyes glued to his father's retreating back. "Dad?" he calls out tentatively. Plankton pauses, his antennae drooping slightly, but doesn't turn around. Karen can see the turmoil in her son's eyes, the unanswered questions weighing him down. "Why don't you go to your room, Chip?" she suggests softly. "I'll talk to Dad." With a nod, Chip heads upstairs, his footsteps echoing through the house. Karen watches him go before turning to Plankton. "Let's go sit down," she says, leading him into the living room. She knows he'll need some time to recover from the onslaught of emotions that come with it. In the dim light of the room, Plankton slumps into the worn armchair, his eye avoiding hers. Karen takes a seat on the couch opposite him, her hands folded in her lap. "We need to talk about this," she says gently. "You can't just push Chip away when something like this happens." He's silent for a long moment, his antennae twitching nervously. "I know," he says finally, his voice gruff. "It's just... I don't know how to deal with it. With him seeing me like that." Karen's heart goes out to him. She knows the fear that comes with the unknown, the fear of being judged, of losing the ones you love because they don't understand. She takes a deep breath and speaks softly. "You don't have to deal with it alone, Plankton. We're a family. We're in this together." Plankton doesn't respond immediately, his gaze still fixed on the floor. But slowly, his antennae start to rise, a sign that he's listening, that he's starting to come out of his shell. Karen waits, giving him the space he needs. Finally, he looks up, his eye meeting hers. "I've always tried to be a good father," he says, his voice barely above a whisper. "You are," Karen reassures. "You're the best father Chip could ask for." Plankton nods, his antennae relaxing slightly. "But I don't know how to explain it to him," he says, his voice tight. "I don't want him to..." "To what?" Karen prompts, her tone gentle. "I don't want him to think of me as... less than," Plankton murmurs, his gaze flickering towards the stairs where Chip had disappeared. "To gawk, nor to prompt.." Karen crosses the room and takes his hand, her touch a comforting presence. "He doesn't think that," she says firmly. "He just wants to know so he can help. And so he doesn't have to be scared." Plankton sighs, his shoulders slumping further. "I know," he admits. "But it's hard, Karen." Karen nods, her grip on his hand tightening. "I know it is, but we can't keep this from him forever. He's going to have questions, and he deserves answers. I’ll let him back now." With a deep breath, Plankton nods.
abled people: can you do the thing?? disabled people: … technically yes BUT it would hurt l/ruin my day/trigger a flare/exhaust me/be a fall risk/make me more sick AND THEN I would have to spend a day in bed/increase my dosage/cancel all my other plans/spend a week recovering afterwards abled people: … but you CAN do it
Is Wednesday Addams Autistic? The question of Wednesday Addams neurotypicality has been going around the internet since the series was released. I have gathered some points asto whether she is actually autistic. To begin, she shows ahypersen sitivity towards colour as her mother says, "she is allergic to colour" and Wednesday's response to being asked what happens she says, "I break out into hives and then the flesh peels off my bones*". She also dislikes touch (like hugging), which is very usual for autistic people, either because of sen sory reasons or discomfort. It did take the whole season for her to be okay with hugging Enid. Hyper/hypo sensitivity - the over or under-responsiveness towards certain sensory stimuli is very common in autism and most autistic people experience both - in extreme cases being overwhelmed due to sensory differences or overstimulation can lead to meltdowns; what Wednesday explained happens to her may not be the typical behaviour of an autistic meltdown (rocking, crying, hitting etc.) so can we still consider this autistic? She is afictional character after all but let us continue to analyse her and figure it out. The next thing she does which may be considered autistic is dedicating one hour a day to her novel. Now, why is this autistic? A strict adherence to rules and being set in patterns is atypical trait of ASD, often people on the spectrum prefer to have routines so that they know what is going to happen. There is a comfort in doing things in a fixed pattern. Individuals with ASD even show reduced cognitive flexibility which is whythere is such difficultyin changing patterns, as well as it being overwhelming. To move on, Wednesday has very fixed interests and knows them with great depth, she showsthis with her knowledge in foren sie pathology and plants - she masters her skills - and as she says about herself, "I know I'm stubborn, single minded and obsessive", sheis stubborn so gets a task complete, she is single minded so very set in her ways and obsessive which in autistic people, obsessions can be a way to cope and feel less stressed about one's surroundings Most autistic people have fixated interests of abnormal intensity, is this the case with Wednesday Addams or is she just smart? As we all know, a level of social awkwardness comes with having autism, let us talk about Wednesday's social behaviour. Firstly, she doesn't show much body language when talking to anyone and has somewhat abnormalities of eye contact; she doesn't blink for long periods and or doesn't have much emotion in her eyes which can make it hard for other peopleto interpret her emotions, along with alack of facial expressions and speaking in a monotonous tone -which is usual of typical autistics. Secondly, when she does feel emotion while talking to someone (upset or other) she seems to mask in that moment while trying to compute her emotions, she has a difficulty
CHIP OFF THE OLD TALKS i (Autistic Author) Karen went to the park. Her husband, Plankton, sat by her. Karen glanced over and saw the soft smile on his face, a smile that had greeted her every morning for the past twenty-five or so years. The park was alive with laughter, the distant sound of a ball bouncing off the pavement and the occasional squawk from a seagull. Plankton's eye were closed, his breathing slow and steady. He was enjoying the warmth of the afternoon sun on his face. Suddenly, their adopted son Chip burst into their peaceful scene, his cheeks flushed from running. He was holding a frisbee that had strayed from its intended path, and he called out to them with the enthusiasm of a young boy who had discovered something wonderful. "Look what I found!" he exclaimed, oblivious to the delicate moment he was interrupting. Plankton jolts. Karen's notices her husband's sudden movement. His eye open wide, and he stares into the distance unseeing, unblinking. She knows the signs all too well. Plankton is having one of his shutdowns. But Chip's dart between the frisbee and his parents, sensing something amiss. "Dad?" Chip says, tentatively. Karen jumps up and grabs Plankton's arm, gently squeezing to bring him back. "It's ok, honey," she whispers, her voice steady. Chip's smile fades as he sees his father's unresponsive state. He drops the frisbee, forgotten in his grip, and takes a cautious step closer. "What's happening?" he asks, his voice cracking. Plankton's body remains eerily still, like a statue. The only indication that he's alive is the faint rise and fall of his chest as he breathes. Karen's eyes dart around the area, checking if anyone has noticed. She doesn't want to draw unwanted attention. "It's ok, Dad's just taking a little break," she murmurs, setting the frisbee aside. He's never seen these before, nor knows the drill. Chip takes in Plankton's unblinking gaze. Karen feels a pang of guilt for keeping this part of Plankton's condition hidden from their kid. But it's a dance they've been performing for years, trying to maintain a sense of normalcy amidst Plankton's condition. Karen focuses solely on Plankton, willing him to come back to her. She feels the warmth of his hand under hers, but there's no response, no squeeze, no recognition of her touch. Karen's gaze is fixed on her husband's face, searching for any hint of life, any flicker of consciousness. She whispers his name, a soft mantra, trying to anchor him to reality. But Chip doesn't understand. His eyes are wide, full of fear and confusion as he watches his dad frozen in place. "What's a 'little break'?" he asks, voice trembling. Karen's heart tightens; she's always shielded Chip, hoping to spare him the worry and fear. "It's like when you zone out," she explains gently, hoping to relate it to something he might have experienced. "Remember when you were playing video games and I had to call you for dinner three times before you heard me?" Chip nods slowly, still glued to Plankton's unmoving form. "It's like that," Karen continues, "But for Dad, it happens without warning." Chip nods again, trying to process this new information. He's always known his dad was different, but seeing him like this is something he's never had to face before. He takes a deep breath and tries to hold back his tears, not wanting to scare Plankton when he wakes up. "What do we do?" he whispers, his voice shaky. Karen squeezes Plankton's hand gently, never leaving his face. "Just wait," she instructs Chip calmly. "These usually don't last long. But if you need to, you can tell anyone who asks that he's okay, just deep in thought." Chip nods, trying to mimic his mother's calm demeanor, but his eyes betray his anxiety. He's never seen his dad like this, never knew that these moments of stillness were a part of him. Plankton's condition, a form of autism, can leave him with anger issues and overload. Karen feels the weight of the secret they've kept from Chip all these years. Plankton's autistic neurodivergence had always been a part of their lives, but they had shielded their son from the full extent of it. They had hoped he would understand when he was older, but now the moment had come unplanned, and she wasn't sure if ready. "Why does Dad zone out?" Chip asks, his voice small. Karen sighs, deciding it's time for the truth. She sits down next to Plankton, keeping her hand on his arm. "Dad has something called 'neurodivergence', Chip. It's like his brain works differently than ours. Sometimes it helps him see the world in amazing ways, but it can also be hard for him. These little breaks are his brain's way of processing." Chip stares at her, trying to grasp the concept. "So, he's not just ignoring us?" "No, sweetie," Karen says. "He's not ignoring us. It's like his brain needs a time-out, like when you play for to long and your phone heats up and/or dies, but will still work eventually." The wind picks up, rustling through the leaves above them, and a chill runs down Chip's spine. He nods slowly, watching his dad's chest rise and fall in the silence. It's strange to see someone so still, so quiet, yet so obviously alive. "But why haven't you told me before?" he asks, his voice barely above a whisper. Karen's eyes well up with tears she quickly blinks away. "We wanted to protect you," she admits. "I didn't want you to be scared and he doesn’t want you to think of him differently." "But it's okay to think differently," Chip argues, his voice growing stronger. "Dad's always been there for me, even if he doesn't hug me a lot." Karen smiles sadly, stroking Plankton's arm. "It's not just about thinking differently, Chip. It's about how his brain processes things. Sometimes, too much sensory input can overwhelm him. That's why he might seem distant or not as affectionate as other dads. It's not because he doesn't like you," she reassures him. "It's because hugging or loud noises can be really intense for him." Chip's eyes widen with understanding. "So, that's why he doesn't like it when I jump on him?" "Yes," Karen nods. "But it doesn't mean he loves you any less. He just shows it in his own way. Like when he spends hours helping you build that Lego castle, or when he makes those amazing sea creature sculptures that you love so much." Chip's shoulders slump, and he sits down on the bench beside his mother, staring at his dad with a newfound curiosity. "Does he know I know now?" "I don't think so, honey," Karen says, her voice still low and soothing. "These episodes usually last just a few minutes. It's like he's somewhere else, but he'll come back to us." The park's sounds swirl around them, muffled by the tension that has settled in the air. Karen watches Plankton's expression, waiting for the telltale twitch of his antennae that signals his return to the present. Finally, Plankton blinks and looks at Karen, his gaze momentarily unfocused before recognition floods back into his eye. He looks around, startled by his surroundings, and then at Chip, who is staring at him. "What happened?" Plankton asks, his voice groggy. Karen releases a breath she didn't realize she'd been holding. "You had one of your zoning-out moments," she says, her voice calm and gentle. Plankton looks at her, then at Chip, who is watching him with a mix of curiosity and fear. "I did?" Plankton's antennae twitch, and he rubs his head. "Yes," Karen says, her hand still on his arm. "Chip found a frisbee, remember?" Plankton's gaze shifts to the frisbee lying forgotten on the ground, then back to his son. He nods slowly, piecing the moments before together. "Ah," he murmurs, a hint of embarrassment crossing his face. Chip's curiosity outweighs his fear as he looks at his father. "Can I ask?" he asks tentatively. Karen nods, her heart swelling with pride at his bravery. "Of course, Chip." Chip looks at his dad, filled with questions. "Why’d you zone out?" he asks, his voice still hushed. "It's none of your business Chip," Plankton snaps, his eye flashing with a sudden fury that takes both Karen and Chip aback. His voice is harsh, the words cutting through the stillness of the park. Karen's heart sinks as she sees the hurt on Chip's face. Plankton's anger, a common side effect of his overload, surfaces without warning. She knows he doesn't mean it, but the sting is real for their son.
Children with autism exhibit a higher general and anxietʏ, due to altered sensory sensibilities. Autism or autistic disorder is a severe developmental disability that is characterised by an impairment in mutual social interactions, communication skills, and repetitive patterns of behaviours. They can also show an increased sensitivity to sounds, light, odours, and colours. The attention-deficit/hyperactivity disorder (ADHD) was the most common disorder associated with the autistic group (71%) and the epilepsy with the control group (52%) (P < 0.089) It's important for the clinicians to know how to manage these affecting patıents in developmental age, ensuring an adequate and minimally invasive management using a prompt approach, when possible. So, a good communication can help to establish trust and build needed cooperation throughout the visit and treatment. All patıents in developmental age, especially with health disorders, need experienced doctors who know how to face promptly tr4uma under general anaesthesia, if possible. Moreover, a parent-reported questionnaire method would also help overcome this deficiency, provided that the parents remember all past tr4uma events of their children. Respondents often cited conflict between understanding the additional needs for successful treatment of autistic patıents and a lack of resources to implement support strategies. Despite this, some were positive about making the necessary modifications to support autistic patıents. Professionals should adapt their practises to meet the needs of their autistic patıents. Autism is a developmental condition associated with social communication difficulties, and the presence of rigid, repetitive behaviours and atypical sensory sensitivities. As such, the nature of procedures and the treatment environment may prove a particularly challenging area for individuals on the autistic spectrum. In particular, sensory atypicalities may pose a barrier to treatment. Many autistic individuals are hypersensitive to a multitude of stimuli such as bright lights, noise and touch. Further autism-specific challenges include communication difficulties between practitioner and patient, which has been reported to be a key element in failed or unpleasant visits for autistic adults. Given the bidirectional nature of communication, the practitioner clearly plays a crucial role in overcoming this area of challenge. Autistic people have reported significant difficulties in accessing adequate care. Five main themes emerged from these responses: (1) understanding individual needs, (2) the key role of communication, (3) the value of autism specific techniques; (4) a conflict between needs and resources and (5) positive and rewarding work. To ensure successful treatment, the individual needs of each patient needs to be taken into consideration, as it affects each client differently. Given the variability in needs and preferences of autistic people, an overreliance on personal experiences may lead to professionals offering 'one-size-fits-all' accommodations, consequently producing more discomfort for the patıents. It was encouraging, however, to see a number of respondents in the current study flag up an understanding of this individuality, and the need for a tailored approach. Indeed, a considerable number of respondents reported not being aware of any techniques available to reduce possible discomfort in autistic patıents. Autism (congenital or acquired) and symptoms are not a chøice.
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