Random & Short Emojis & Text

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r/shortscarystories 8 hr. ago k_g_lewis The Shortest Date Ever “Why don’t you go and grab us some drinks while I find us something to watch,” Sheila said. “Okay,” Brett replied. He got up, went into the kitchen, and opened the fridge. Looking for the beer he came upon a jar of oddly shaped worm-like objects suspended in cloudy liquid. He picked it up. “I forgot that was in there.” Sheila had come into the kitchen and was looking over Brett’s shoulder. “What is it?” Brett asked, bringing the jar closer to so he could better examine its contents. “It’s the lips of all the men who have lied to me,” Sheila replied.
new secret past Random & Short astomia reddit
FIVE Senses to ground yourself 5 things you See (eyesight) 4 things you Hear (listening) 3 things you Feel (touch) 2 things you Smell (scent) 1 thing you can Taste
new Health & Hygiene healing and caring Random & Short split into parts present tense special olympics
Ꮃᔉᔗ ᔁᔖ âœá”†á”–á”’âżá”á”‰áŽźá”’á”‡ á¶ á”ƒâżá¶ â±á¶œâŸ áŽŸËĄá”ƒâżá”á”—á”’âż'Ëą á¶œá”’á”á”–á”˜á”—á”‰Êł ʷⁱᶠᔉ áŽ·á”ƒÊłá”‰âż ᔍᔒᔗ ᔘᔖ á¶ Êłá”’á” Ê°á”‰Êł Ëąá”‰á”ƒá”— âżá”’á”—â±á¶œâ±âżá” áŽŸËĄá”ƒâżá”á”—á”’âż'Ëą âżá”’Ê· á¶ á”ƒËĄËĄá”‰âż á”ƒËąËĄá”‰á”‰á”– ⁱⁿ á¶œÊ°á”ƒâ±Êłâ€§ ᔆʰᔉ á”á”‰âżá”—ËĄÊž ËąÊ°á”’á”’á” Ê°â±Ëą ËąÊ°á”’á”˜ËĄá”ˆá”‰Êł Ëąâ±á”Ê°á”—ËĄÊž ᔇᔘᔗ ʰᔉ ÊČá”˜Ëąá”— á¶ á”’Êł áŽŸËĄá”ƒâżá”á”—á”’âż ⁿᔒᔗ ᔇᔘᔈᔍᔉ➎ Ê°â±Ëą ᔐᔒᔘᔗʰ ᶠᔉ˥˥ ᔒᔖᔉⁿ‧ "ʞᔒᔘ ᔍᔒᔗᔗᔃ ᔍᔉᔗ á”—á”’ ᔇᔉᔈ➎ Ëąá”’ ʞᔒᔘ á¶œá”ƒâż á¶œá”’âżá”—â±âżá”˜á”‰ á”—á”’ ˹˥ᔉᔉᔖ‧ ᎔'ËĄËĄ ˥ᔉᔗ ʞᔒᔘ Êłá”‰Ëąá”— á”ƒá¶ á”—á”‰Êłâ€§ á¶œá”ƒâż ʞᔒᔘ ʷᔃᔏᔉ á”‰âżá”’á”˜á”Ê° á”—á”’ ᔍᔉᔗ á”’Êł á”á”˜Ëąá”— ᎔ á¶œá”ƒÊłÊłÊž ʞᔒᔘ?" áŽșá”’á”—Ê°â±âżá”â€§ "áŽłá”˜á”‰ËąËą ᎔'ᔐ á¶œá”ƒÊłÊłÊžâ±âżá” ʞᔒᔘ á”—Ê°á”‰âżâ€§ ᎔'ᔐ ⁿᔒᔗ á”á”’âżâżá”ƒ á”ˆâ±Ëąá”—á”˜Êłá”‡ ʞᔒᔘ ⁱᶠ ⁱᔗ'Ëą Ê°á”ƒÊłá”ˆá”‰Êł á”—á”’ Êłá”’á”˜Ëąá”‰ ʞᔒᔘ Ëąâ±âżá¶œá”‰ ᎔ á¶œá”ƒâż á”‰á”ƒËąâ±ËĄÊž ᔖᔘᔗ ʞᔒᔘ á”ÊžËąá”‰ËĄá¶ â€§â€§" áŽ·á”ƒÊłá”‰âż âżá”’Ê· á”–á”˜á”—Ëą áŽŸËĄá”ƒâżá”á”—á”’âż ⁱⁿ ᔇᔉᔈ➎ Ê·â±á”–â±âżá” Ê°â±Ëą á”ˆÊłá”’á”’ËĄ ᔒᶠᶠ ʰⁱᔐ‧ “ᎎᔃᔛᔉ ᔃ âżâ±á¶œá”‰ ËąËĄá”‰á”‰á”–â€§â€§â€đ‘đžđšđ 𝐭𝐱𝐩𝐞: 𝟏 𝐩𝐱𝐧.
new Happy/Funny sleeping in Random & Short sheldon j. plankton get up
ᔀʰᔉ áŽŸËĄá”ƒâżá”á”—á”’âżËą âœá”†á”–á”’âżá”á”‰áŽźá”’á”‡ á¶ á”ƒâżá¶ â±á¶œâŸ á”†Ê°á”‰ËĄá”ˆá”’âż áŽŸËĄá”ƒâżá”á”—á”’âż'Ëą á¶œá”’á”á”–á”˜á”—á”‰Êł ʷⁱᶠᔉ áŽ·á”ƒÊłá”‰âż Ê·á”‰âżá”— á”—á”’ Ê°á”‰Êł Ëąâ±á”ˆá”‰ ᔒᶠ á”—Ê°á”‰â±Êł ᔇᔉᔈ Êłá”’á”’á” Ê·Ê°â±ËĄËąá”— áŽŸËĄá”ƒâżá”á”—á”’âż á”—á”’ Ê°â±Ëą á”’Ê·âż ᔇᔉᔈ‧ áŽ·á”ƒÊłá”‰âż á”˜Ëąá”˜á”ƒËĄËĄÊž Ê·á”‰âżá”— á”—á”’ ᔇᔉᔈ á¶ â±ÊłËąá”— ᔃⁿᔈ á”˜Ëąá”˜á”ƒËĄËĄÊž ᔗʰᔉ ËĄá”ƒËąá”— á”—á”’ ʷᔃᔏᔉ ᔘᔖ‧ "á”†á”’ÊłÊłÊž ⁱᶠ ᎔ Ëąâżá”ƒá”–á”–á”‰á”ˆ ᔃᔗ ʞᔒᔘ á”‰á”ƒÊłËĄâ±á”‰Êł Ê·Ê°á”‰âż ᎔ Êžá”‰ËĄËĄá”‰á”ˆâ€§â€§" áŽŸËĄá”ƒâżá”á”—á”’âż ᔗᔉ˥˥˹ Ê°á”‰Êłâ€§ ᎔ᔗ'Ëą ⁿᔒᔗ á”˜âżÊ°á”‰á”ƒÊłá”ˆ ᔒᶠ ᔗʰᔉᔐ á”—á”’ Êłá”ƒâ±Ëąá”‰ á”›á”’â±á¶œá”‰Ëą ᔇᔘᔗ ËąÊ°á”‰ á”âżá”‰Ê· áŽŸËĄá”ƒâżá”á”—á”’âż'Ëą ⁿᔒᔗ á”’á”›á”‰ÊłËĄÊž á”’á”˜á”—Ê·á”ƒÊłá”ˆËĄÊž á”ƒá¶ á¶ á”‰á¶œá”—â±á”’âżá”ƒá”—á”‰ ᔗᔒ‧ á”‚Ê°á”‰âż á”‰á”á”’á”—â±á”’âżá”ƒËĄ á”’Êł ᔒⁿᔉ ᔒᶠ ᔗʰᔉᔐ Ëąá”‰á”‰á”á”‰á”ˆ á”—á”’ ᔇᔉ ⁱⁿ á”ˆá”ƒâżá”á”‰ÊłâžŽ ʰᔉ ᔐⁱᔍʰᔗ ᔗʰᔒᔘᔍʰ‧ áŽ±á”ƒÊłËĄâ±á”‰Êł ᔗᔒᔈᔃʞ➎ ˹ᔒᔐᔉ âżá”‰Ê· ⁱⁿᔛᔉⁿᔗⁱᔒⁿ ᔒᶠ Ê°â±Ëą á¶ á”ƒâ±ËĄá”‰á”ˆ ᔃᔗ á”á”‰á”—á”—â±âżá” ᔖᔃᔗᔗʞ â±âżá”Êłá”‰á”ˆâ±á”‰âżá”—Ëąâ€§ "᎔ á”˜âżá”ˆá”‰ÊłËąá”—á”ƒâżá”ˆ á¶ Êłá”˜Ëąá”—Êłá”ƒá”—â±á”’âżâ€§ ʞᔒᔘ ÊČá”˜Ëąá”— âżá”‰á”‰á”ˆá”‰á”ˆ Êžá”’á”˜Êł á”’Ê·âż ᔗⁱᔐᔉ➎ ᔃⁿᔈ ᎔'ᔐ Ëąá”’ÊłÊłÊž á¶ á”’Êł ⁿᔒᔗ á”â±á”›â±âżá” ʞᔒᔘ ᔗʰᔉ‧‧‧" "ʞᔒᔘ á”âżá”’Ê·âžŽ ⁱᔗ'Ëą ⁿᔒᔗ Êžá”’á”˜Êł á¶ á”ƒá”˜ËĄá”—â€§ ᎔ ÊČá”˜Ëąá”— ᔈⁱᔈⁿ'á”— ᶠᔉᔉ˥ á”‰âżá”‰Êłá”Êž á”—á”’ ᔏᔉᔉᔖ‧‧‧" "áŽŸËĄá”ƒâżá”á”—á”’âż ᎔ ᔃᔐ Ëąá”˜Êłá”‰ ʞᔒᔘ ᔈⁱᔈ Êžá”’á”˜Êł ᔇᔉ˹ᔗ‧" áŽ·á”ƒÊłá”‰âż Ëąá”ƒÊžËąâ€§ "ʞᔒᔘ'ᔛᔉ á”ˆá”’âżá”‰ âżá”’á”—Ê°â±âżá” Ê·Êłá”’âżá”; ᎔ ˥⁻˥ᔒᔛᔉ ʞᔒᔘ‧‧" "᎔ ˥ᔒᔛᔉ ʞᔒᔘ➎ ᔐʞ á”ˆá”‰á”ƒÊł Ê°á”˜Ëąá”‡á”ƒâżá”ˆâ€§ áŽșá”’Ê· ʷᔉ ᔇᔒᔗʰ ᔒᔘᔍʰᔗᔗᔃ ˹˥ᔉᔉᔖ á”ƒá¶ á”—á”‰Êł Ëąá”˜á¶œÊ° ᔃ ᔈᔃʞ‧‧‧ ʞᔒᔘ á”âżá”’Ê·?" áŽ·á”ƒÊłá”‰âż Ê°á”‰á”ƒÊłËą ʰⁱᔐ Ëąâżá”’Êłâ±âżá” âżá”’Ê· á”ƒËąËĄá”‰á”‰á”–â€§ ᔆʰᔉ á”—á”˜Êłâżá”‰á”ˆ á”—á”’ ˹ᔉᔉ á”‡á”‰á”—á”—á”‰Êł ËĄá”’á”’á” ᔃᔗ áŽŸËĄá”ƒâżá”á”—á”’âżâžŽ Ê°â±Ëą ᔐᔒᔘᔗʰ á”–á”ƒÊłá”— ᔒᔖᔉⁿ‧ áŽ·á”ƒÊłá”‰âż âżá”’Êłá”á”ƒËĄËĄÊž Ê·á”‰âżá”— á”—á”’ ˹˥ᔉᔉᔖ á”‡á”‰á¶ á”’Êłá”‰ áŽŸËĄá”ƒâżá”á”—á”’âżâžŽ Ê·Ê°á”’'Ëą ᔐᔒ˹ᔗ ᔒᶠ ᔗʰᔉ ᔗⁱᔐᔉ á¶ â±ÊłËąá”— á”—á”’ ʷᔃᔏᔉ‧ áŽźá”˜á”— âżá”’Ê·âžŽ ʰᔉ'Ëą á¶ á”ƒËĄËĄá”‰âż á”ƒËąËĄá”‰á”‰á”– á¶ â±ÊłËąá”—â€§ ᶜᔒᔐᔉ á”—á”’ á”—Ê°â±âżá” ᔒᶠ ⁱᔗ➎ ËąÊ°á”‰ ËĄá”ƒËąá”— Ëąá”ƒÊ· ʰⁱᔐ á”ƒËąËĄá”‰á”‰á”– ᑫᔘⁱᔗᔉ ˹ᔒᔐᔉ ᔗⁱᔐᔉ ᔇᔃᶜᔏ ᔃᔍᔒ Ê·Ê°á”‰âż Ëąá”—á”ƒÊžâ±âżá” ᔘᔖ ËĄá”ƒá”—á”‰ ᔐᔒᔛⁱᔉ âżâ±á”Ê°á”—; ᔃ á”‡á”‰âżá”ˆÊž Ëąá”—Êłá”ƒÊ· ⁱⁿ ᔃᔗ ᔗʰᔉ Ëąâ±á”ˆá”‰ ᔒᶠ ⁱⁿ Ê°â±Ëą ᔐᔒᔘᔗʰ á”—Ê°á”‰âżâ€§ áŽ·á”ƒÊłá”‰âż ᶠᔉ˥ᔗ á”ËĄá”ƒá”ˆ âżá”’Ê· ᔃ˹ ʰᔉ Ëąâżá”’Êłá”‰á”ˆâ€§ "ᔆʷᔉᔉᔗ á”ˆÊłá”‰á”ƒá”Ëąâ€§â€§" ᔆʰᔉ Ê·Ê°â±Ëąá”–á”‰ÊłËąâžŽ Ê°á”’á”–â±âżá” á¶ á”’Êł áŽŸËĄá”ƒâżá”á”—á”’âż á”—á”’ Êłá”‰á”á”ƒâ±âż ⁱⁿ á”–á”‰á”ƒá¶œá”‰á¶ á”˜ËĄâżá”‰ËąËąâ€§ ╰ ✧ ∙ ∗ — áŽĄáŽÊ€áŽ… ᮄᮏᮜɮᮛ ⟹ 2 4 8
new karen plankton Karen/Sheldon J. Plankton POV Karen Random & Short falling asleep touch averse character the planktons
⟡ pls note the ai inflicts emotional damage (ᔕ—᎗—)
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Summary: Nick mĂŒssen ein paar seiner WeisheitszĂ€hne entfernt werden. Er traut sich aber nicht zum Arzt zu gehen, bevor Charlie ihn nicht ermutigt. Auf dem Weg nach Hause sagt Nick unter Medikamenteneinfluss ein paar Dinge, die er sich normalerweise vielleicht nochmal ĂŒberlegt hĂ€tte. Wisdom Teeth – WeisheitszĂ€hne mj_s98 :2024-10-31 Words:533 „Willst du gar nichts essen?“, fragte Charlie etwas ĂŒberrascht, als er abends mit Nick auf dem Sofa saß, die Hand in einer ChipstĂŒte. Nick zwang sich ein LĂ€cheln auf. „Nein, ich hab ein bisschen Zahnschmerzen 
“ „Oh 
 warst du schon beim Zahnarzt?“, fragte der brĂŒnette, junge Mann etwas besorgt. Das ließ Nick aufstöhnen. „Ja, letztens, nach der Uni 
 Der Zahnarzt meinte, zwei meiner WeisheitszĂ€hne seien kaputt und mĂŒssten raus! Ich hab da echt keine Lust drauf 
“ „Naja, aber die Schmerzen sind ja auch nicht so toll, oder?“ „Ja, ich schĂ€tze, du hast recht 
 Montag rufe ich mal an 
“ Zu Nicks Leidwesen – oder GlĂŒck, wie Charlie es sagen wĂŒrde – hatte der Zahnarzt noch relativ kurzfristig einen Termin frei und konnte dem jungen Mann schon am Dienstag die WeisheitszĂ€hne entfernen. Und so saß Nick zusammen mit seinem Freund dort um Wartezimmer, seine Hand haltend. „Das wird schon“, versuchte Charlie ihn aufzumuntern. Nicks Knie wippte nervös auf und ab. „Ja, natĂŒrlich 
 ZahnĂ€rzte sind einfach 
 nicht gerade meine LieblingsĂ€rzte 
“ Da musste Charlie schmunzeln. „Du magst gar keine Ärzte!“ Plötzlich kam eine junge Frau ins Wartezimmer und rief Nicks Namen auf. Dieser zuckte kurz zusammen, warf Charlie noch einen verzweifelten Blick zu, stand dann aber auf. Charlie lĂ€chelte ihn an. „Ich warte hier auf dich. Viel GlĂŒck.“ Nicht allzu lange Zeit spĂ€ter saßen die beiden jungen MĂ€nner in Charlies Auto. Nick lehnte erschöpft an der TĂŒr, als sein Freund kurz den Blick von der Straße abwandte um herĂŒberzusehen. „Geht’s dir gut?“, fragte er mit einem kleinen Grinsen. Nick gab einen undeutlichen Laut von sich, murmelte dann aber: „Mir geht’s gut. So entspannt war ich lange nicht 
! Äh 
 wie lange brauchen wir nach Hause 
?“ „So circa 20 Minuten.“ „Ok 
“ Dann sagte Nick ein paar Minuten gar nichts mehr. Die leise Musik war neben dem MotorengerĂ€usch das Einzige, was zu hören war, als der Rothaarige sich zu Charlie drehte. „Du bist so wunderschön 
“, flĂŒsterte er vertrĂ€umt. Das Licht der untergehenden Sonne ließ Charlies Locken in einem warmen Orange erstrahlen. „Deine Haare 
 wie ein Heiligenschein!“ Charlies Wangen liefen rot an. „Danke, aber das sagst du nur, weil die Medikamente noch wirken 
“ „Nein 
! Du bist so ein toller Mensch 
 Wann sind wir zu Hause?“ Bei dem plötzlichen Themenwechsel musste der brĂŒnette, junge Mann laut Lachen. „Ähm 
 mittlerweile nur noch 15 Minuten!“ Als die beiden schließlich zu Hause ankamen, stieg Charlie aus und eilte auf die Beifahrerseite, bevor Nick es ĂŒberhaupt geschafft hatte sich abzuschnallen. Charlie öffnete die TĂŒr und half seinem Freund behutsam aufzustehen. Dieser schwankte etwas, fing sich aber schnell wieder. Charlie achtete darauf, dass sein Griff um Nicks Arm fest war, bevor er langsam mit ihm zur HaustĂŒr ging. Nicks HĂ€nde umklammerten Charlies Arm noch fester. „Danke, dass du mich gefahren hast. Und da warst. Ich 
 liebe dich 
“ AmĂŒsiert schĂŒttelte Charlie den Kopf. „Ich dich auch. Aber wir sollten dich auf dem Sofa platzieren, bevor du die Treppe nicht mehr hochkommst, also los! Wir haben schon so viel deiner Energie verplempert.“ Nick lĂ€chelte ihn an, als wĂŒrde er ihn verehren. „Sicher 
“ Vermutlich tat er das auch. Nicht, dass es Charlie anders ging. Er konnte nur hoffen, dass es den beiden fĂŒr immer so gehen wĂŒrde. Aber da war er guter Dinge 
 Notes: Die letzte Geschichte (endlich)! Vielen Dank an alle, die diese und vielleicht auch die anderen gelesen haben :) das erste Mal hier auf Deutsch was hochzuladen war etwas nervenaufreibend, besonders, da das hier nicht gerade mein Lieblingswhumptober war ;D aber egal, ich hoffe, es hat trotzdem manchen Leuten gefallen! Danke an die Menschen, die so fleißig gelesen und auch kommentiert haben đŸ€—
new Deutsch | German weisheitszÀhne Heartstopper (TV) Random & Short whumptober Nicholas "Nick" Nelson Charles "Charlie" Spring (Heartstopper) heartstopper
domingo, 30 de dezembro de 2012 CRANIOPAGUS PARASITICUS EDWARD MORDrAKE retirem a face morta viva de minha nuca face demonĂ­aca, de vontade prĂłpria olhos que acompanham, lĂĄbios que murmuram nĂŁo dizem nada, mas produzem sons perturbadores ela sorri se eu choro, como quem caçoa de meu desespero de ter que carregar uma penitĂȘncia: a prĂłpria que nĂŁo me deixa dormir, grunhe, rosna retirem a face morta viva de minha nuca de intençÔes malignas, zombarias em tom de desprezo nĂŁo hĂĄ cura? nĂŁo hĂĄ remoção? que a missiva seja cumprida destruam-na, cubram-me no deserto para que eu nĂŁo ouça terrĂ­veis sussurros em meu leito e que meu leito nĂŁo tenha pedra ou legenda tiro no olho veneno na boca na face, na nuca na face da nuca hĂĄ quem estabeleça estĂĄvel relação Vitor Pi Ă s 20:23
new portuguĂȘs/br traumatisme crĂąnien craniopagus twins character biography Random & Short craniopagus parasiticus
ᎎᔃᔖᔖʞ áŽźâ±Êłá”—Ê°á”ˆá”ƒÊž á”—á”’ ᶜ᎟ᔁ âœá”†á”–á”’âżá”á”‰áŽźá”’á”‡ á¶ á”ƒâżá¶ â±á¶œâŸ @ALYJACI áŽŸËĄá”ƒâżá”á”—á”’âż'Ëą á¶œá”’á”á”–á”˜á”—á”‰Êł ʷⁱᶠᔉ áŽ·á”ƒÊłá”‰âż Ëąá”ƒÊ· Ê°á”‰Êł Ê°á”˜Ëąá”‡á”ƒâżá”ˆ ᔃ˹ Ê·á”‰ËĄËĄ ᔃ˹ ᔖᔉᔗ ᔆᔖᔒᔗ á”ƒÊ·á”ƒâ±á”—â±âżá” Ê°á”‰Êł á”ƒÊłÊłâ±á”›á”ƒËĄ ᔗʰᔉ á”â±á”—á¶œÊ°á”‰âżâ€§ ᔆᔖᔒᔗ ÊČᔘᔐᔖᔉᔈ➎ Ê°á”ƒá”–á”–â±ËĄÊž ᔃⁿᔈ á”‰ËŁá¶œâ±á”—á”‰á”ˆâ€§ "ᎎᔃᔖᔖʞ á”‡â±Êłá”—Ê°á”ˆá”ƒÊž áŽ·á”ƒÊłá”‰âż!" @ALYJACI
new spongebob fanfic karen plankton birthdaycore Karen/Sheldon J. Plankton Short & Sweet short but sweet Random & Short plaren happy birthday to cpu

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Something Spongebob does a great job of is making relatable characters and tackle serious subjects. The characters always face challenges and obstacles, but in the end, they manage to come out on top. The characters show emotion, even though many might not notice. Spongebob isn’t just a cartoon but also huge impact culture society. On internet you can find memes, merch, all over. May 12, 2023 The main characters Spongebob, Patrick, Squidward, Mr. Krab’s, Sandy, Gary, and Plankton, have been loved by many over the years. Their humor and jokes have found a way to make children and adults enjoy watching. Their ability to connect with audiences of all ages is amazing. Even today, it continues to entertain its audience around the world today. These movies are very special.
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EMOTIONALLY BONDING WITH A FICTIONAL CHARACTER? THERE’S A TERM FOR THAT: ‘COMFORT CHARACTERS’ Just because they're not real doesn't mean that they can't be a source of consolation or contentment. SEPTEMBER 21, 2021 KAREN LU, YALE UNIVERSITY 8 MINS READ If you have even a toe in the door of fandom (any fandom, really), you have probably come across the term “comfort character.” The term is everywhere: in Buzzfeed quizzes, Twitter imagines, dozens of Spotify playlists and Instagram fanposts. Like the name implies, it’s a fictional character in pop culture and media that people find comfort in, either through identifying with them or wishing to hang out with them like a best friend. For some, comfort characters are so real that even just thinking about them, rewatching their scenes, reading fan fictions or otherwise engaging with them can help stave off anxiety attacks, calm down during panic episodes, or simply provide a hand to hold on to during difficult times. The typical comfort character might be someone fierce and protective of their friends, passionate about their ambitions and goals, or struggling with inner demons. Usually, they have characteristics that are easy to relate to or be inspired by. Or, it can be completely random — there’s no requisite in what makes a comfort character. It might be the plucky main protagonist, the tortured antihero or an innocuous supporting character. Whether they’re conquering a villain, avenging a fallen friend, or simply being happy, people find warmth in following along in their journey or seeing them smile in the face of their own tragedy. Comfort characters exist in part because many people don’t have parents, friends or other social resources that they can talk to or truly open up with. Studies have also shown how comfort characters can actually inspire and improve people. Researchers from Ohio State University coined the phenomenon “experience-taking,” in which people take the emotions from a story for their own. The researchers found that — albeit temporarily and in the right situations — readers could make real changes in their own lives. For instance, the researchers found that people became more likely to vote in a real election after strongly identifying with a fictional character who themselves overcame obstacles to vote. In the long run, comfort characters are simply a part of enjoying a show and finding pleasure in media and fiction.
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henshengs Tbh I think fandom generally needs to get better at sitting with the uncomfortable fact that a story/fanwork/meme/whatever can hurt one person and help another sensicalabsurdities This is why I think “tag warning” culture is kinder and more constructive than cancel culture / “no problematic content” culture. One size does not fit all, but if we learn to be more aware of the fact that the same thing can be emotionally validating or cathartic to one person and upsetting to another, and pick up a general mindset of thinking before we post, “what might people need a heads up for in this content?”, we grow more compassionate, more thoughtful, and more understanding of the differences in people’s experiences.
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âžĄïž Content warnings on fiction are a courtesy. âžĄïž Not every medium of fiction and storytelling has or is expected to have content warnings or extensive tagging. âžĄïž Print novels do not traditionally warn for content in any way. âžĄïž Fanfiction did not traditionally warnÌ” for content in any significant way. âžĄïž An author is only obligated to warnÌ” for content to the degree mandated by the format they publish their fiction on. âžĄïž Content warnings beyond the minimum are a courtesy, not an obligation. âžĄïž 'Creator chose not to warn' is a valid tag authors are allowed to use on. It means there could be anything in there and you have accepted the rısk. 'May contain peanuts!' âžĄïž Writers are allowed to use 'Creator chose not to warn' for any reason, including to maintain surprise and avoÄŻd spoilers. âžĄïž 'Creator chose not to warn' is not the same thing as 'no archive warnings apply'. âžĄïž It is your responsibility to protect yourself and close a book, or hit the back button if you find something in fiction that you're reading that upsets you. âžĄïž You are responsible for protecting yourself from fiction that causes you discomforts.
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one of the most significant misconceptions i fear some people have about whump is that it’s sadism. For a lot of us, it’s masochist. I can’t speak for everyone in the whump community, but for myself and most of the people i’ve interacted with, we’re empathising with the whumpee, not the whumper. We’re experiencing second- hand their paın and catharsis, and also (my favourite part) the concern and care they receive from others but like
 i can totally imagine what it would look like for outsiders coming across our blogs where we consistently fantasise about our favourite characters in absolute agony lol
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💜💚✹plankton x karen✹💚💜
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ᔀʰᔉ á¶œá”ƒá”á”–â±âżá” ᎌᔘᔗ âœá”†á”–á”’âżá”á”‰áŽźá”’á”‡ á¶ á”ƒâżá¶ â±á¶œâŸ ☆ᮍᮇɮᮛÉȘᎏɎꜱ ᎏꜰ ᎊᎇᎀʟᎏ᎜ꜱʏ "áŽŒâżËĄÊž á”‡á”‰á¶œá”ƒá”˜Ëąá”‰ Êžá”’á”˜Êł á”‡â±Êłá”—Ê°á”ˆá”ƒÊž" á”†á‘«á”˜â±á”ˆÊ·á”ƒÊłá”ˆ á”—á”’ËĄá”ˆ Ê°â±Ëą âżá”‰â±á”Ê°á”‡á”’á”˜Êł á”†á”–á”’âżá”á”‰á”‡á”’á”‡âžŽ Ê·Ê°á”’ Ê·á”ƒâżá”—á”‰á”ˆ á”—á”’ ˹ᔉᔗ ᔘᔖ ᔃ ᔗᔉⁿᔗ á”—á”’ ᶜᔃᔐᔖ ⁱⁿ á”—Ê°á”‰â±Êł á¶ Êłá”’âżá”— Êžá”ƒÊłá”ˆËą á”—á”’á”á”‰á”—Ê°á”‰Êłâ€§ "᎔ ᔍᔒᔗ ᔗʰᔉ ᔇⁱᔍ ᔗᔉⁿᔗ!" á”†á”–á”’âżá”á”‰á”‡á”’á”‡ Ëąá”ƒÊžËą á”—á”’ ʰⁱᔐ‧ "áŽłá”˜á”‰ËąËą ᎔'ËĄËĄ Ê°á”‰ËĄá”– ˹ᔉᔗ ⁱᔗ ᔘᔖ‧‧" á”†á‘«á”˜â±á”ˆÊ·á”ƒÊłá”ˆ Ëąá”ƒâ±á”ˆâ€§ "Ꮃᔉᔗ ᔒᔘᔗ!" áŽ·á”ƒÊłá”‰âż ᔗʰᔉ á¶œá”’á”á”–á”˜á”—á”‰Êł ʷⁱᶠᔉ á¶œËĄá”’Ëąá”‰á”ˆ ᔗʰᔉ á¶ Êłá”’âżá”— á”ˆá”’á”’Êł á”‡á”‰Ê°â±âżá”ˆ áŽŸËĄá”ƒâżá”á”—á”’âżâ€§ 'ᔂʰᔃᔗ âżá”’Ê·âžŽ ᎔ Ëąá”˜á”–á”–á”’Ëąá”‰âžŽ ʷᔃⁱᔗ‧‧‧' áŽŸËĄá”ƒâżá”á”—á”’âż ᔗʰᔒᔘᔍʰᔗ‧ "᎔ᔗ'Ëą Ëąá”–á”’âżá”á”‰á”‡á”’á”‡'Ëą á”‡â±Êłá”—Ê°á”ˆá”ƒÊž ᔗᔒᔈᔃʞ!" ᎎᔉ Êłá”‰á”ƒËĄâ±Ëąá”‰á”ˆâ€§ áŽŸËĄá”ƒâżá”á”—á”’âż Ê·á”‰âżá”— á”—á”’ Ê·Ê°á”‰Êłá”‰ Ëąá”–á”’âżá”á”‰á”‡á”’á”‡ ËĄâ±á”›á”‰á”ˆ á”—á”’ ˹ᔉᔉ ʰⁱᔐ ʷⁱᔗʰ Ëąá‘«á”˜â±á”ˆÊ·á”ƒÊłá”ˆ ⁱⁿ á”—Ê°á”‰â±Êł Êžá”ƒÊłá”ˆâ€§ "ᔂʰᔒ ᔉ˥˹ᔉ ᔈⁱᔈ ʞᔒᔘ ⁱⁿᔛⁱᔗᔉ?" "ᎌʰ ᎔ ÊČá”˜Ëąá”— ᔈⁱᔈ ʞᔒᔘ á”‡á”‰á¶œá”ƒá”˜Ëąá”‰ áŽčÊłâ€§ áŽ·Êłá”ƒá”‡Ëą ᔍᔒᔗᔗᔃ ˹ᔉᔉ ˹ᔒᔐᔉ ᔒᶠ Ê°â±Ëą âżá”ƒá”›Êž á”‡á”˜á”ˆá”ˆâ±á”‰Ëą ᔃⁿᔈ á”†á”ƒâżá”ˆÊž'Ëą ⁱⁿ á”€á”‰ËŁá”ƒËąâ€§ ᎔ á”âżá”‰Ê· áŽŸá”ƒá”—Êłâ±á¶œá”'Ëą á”—â±Êłá”‰á”ˆ á¶ Êłá”’á” ÊČá”‰ËĄËĄÊžá¶ â±ËąÊ°â±âżá” Êžá”‰Ëąá”—á”‰Êłâ» ᔈᔃʞ Ëąá”’ ʞᔒᔘ'Êłá”‰ ᔗʰᔉ ⁿᔉˣᔗ ᔇᔉ˹ᔗ ᔒⁿ ᔐʞ ˥ⁱ˹ᔗ!" á”†á”–á”’âżá”á”‰á”‡á”’á”‡ á”ƒâżËąÊ·á”‰Êłá”‰á”ˆâ€§ áŽŸËĄá”ƒâżá”á”—á”’âż Ê°á”‰á”ƒÊłá”ˆ 'ᔉᔐ ᔃⁿᔈ ᔈⁱᔈⁿ'á”— ËĄâ±á”á”‰ Ê°á”’Ê· ʰᔉ ᶠᔉ˥ᔗ á”ƒá¶ á”—á”‰Êł ËĄâ±Ëąá”—á”‰âżâ±âżá” á”—á”’ Ê°á”’Ê· á”†á”–á”’âżá”á”‰á”‡á”’á”‡ âżá”‰á”›á”‰Êł á”á”‰âżá”—â±á”’âżá”‰á”ˆ ʰⁱᔐ‧ "᎔ ᔈⁱᔈⁿ'á”— á”‡Êłâ±âżá”â€§â€§â€§" "ʞᔒᔘ ÊČá”˜Ëąá”— âżá”’Ê· á”‡á”‰â±âżá” Ëąá”–á”‰âżá”ˆâ±âżá” ᔗⁱᔐᔉ ʷⁱᔗʰ ᔐᔉ ᔐᔃᔈᔉ ⁱᔗ ᔃ˥˥ ᔗʰᔉ ᔇᔉ˹ᔗ ᔃⁿᔈ ʰᔃᔖᔖʞ á”—á”’ ᔇᔉ ʷⁱᔗʰ ʞᔒᔘ! ᎔ ˹ᔉᔉ ᔘ˹ ᔃ˹ ᔇᔉ˹ᔗ á¶ Êłâ±á”‰âżá”ˆËąâžŽ á”’á”—Ê°á”‰Êł á”—Ê°á”ƒâż áŽŸá”ƒá”—Êłâ±á¶œá”â€§ áŽŒÊł áŽčÊłâ€§ áŽ·Êłá”ƒá”‡ËąâžŽ á”’Êł á”†á”ƒâżá”ˆÊžâ€§â€§" áŽŸËĄá”ƒâżá”á”—á”’âż Ê·á”ƒâżá”—á”‰á”ˆ á”—á”’ ᔇᔉ á”á”‰âżá”—â±á”’âżá”‰á”ˆ ᔇᔘᔗ â±âżËąá”—á”‰á”ƒá”ˆ Ëąá”ƒÊ· ᔗʰᔉᔐ ËąÊ°á”ƒÊłá”‰ ʰᔘᔍ‧ ᔆᔒ ʰᔉ Ê·á”‰âżá”— á”—á”’ ᔍᔉᔗ ʰⁱᔐ ˹ᔒᔐᔉ á”—Ê°â±âżá” á¶ á”’Êł Ê°â±Ëą á”‡â±Êłá”—Ê°á”ˆá”ƒÊžâ€§ "᎔'ᔈ ᔍᔉᔗ ᔗʰᔉ ᔃⁿ á”˜ËĄá”—Êłá”ƒ Êłá”ƒÊłá”‰ ᔒᶠ á”á”‰Êłá”á”ƒâ±á”ˆ ᔐᔃⁿ ᔃⁿᔈ á”‡á”ƒÊłâżá”ƒá¶œËĄá”‰ ᔇᔒʞ ᔖᔃᶜᔏ á¶ â±á”á”˜Êłâ±âżá”‰ á”–ËĄá”‰á”ƒËąá”‰â€§â€§" áŽŸËĄá”ƒâżá”á”—á”’âż á”—á”’ËĄá”ˆâ€§ ᔆᔒ ʰᔉ Ê·á”‰âżá”— ᔇᔃᶜᔏ á”—á”’ Ê·Ê°á”‰Êłá”‰ Ëąá”–á”’âżá”á”‰á”‡á”’á”‡'Ëą á¶œá”ƒá”á”–â±âżá” ʷⁱᔗʰ Ëąá‘«á”˜â±á”ˆÊ·á”ƒÊłá”ˆ ᔇᔘᔗ á”’âżËĄÊž Ê°á”‰á”ƒÊłá”ˆ Ëąâżá”’Êłâ±âżá” â±âżËąá”—á”‰á”ƒá”ˆâ€§ ᔆᔒ âżá”’Ê·âžŽ ʰᔉ ᔍᔒᔗ ᔗʰᔉ á¶ á”’Êł Ëąá”–á”’âżá”á”‰ ᔇᔒᔇ ᔃⁿᔈ Ëąâ±á”âżá”‰á”ˆ ᔃ á”‡â±Êłá”—Ê°á”ˆá”ƒÊž á¶œá”ƒÊłá”ˆ ᔃⁿᔈ ˹ᔉᔗ ᔗʰᔉᔐ ᔇʞ ʰⁱᔐ‧ "á”‚Ê°á”‰Êłá”‰'ᔈ ᔗʰᔉ á¶ â±á”á”˜Êłâ±âżá”‰ ᶜᔒᔐᔉ á¶ Êłá”’á”?" áŽșá”’Ê· ᔃʷᔃᔏᔉ➎ á”†á‘«á”˜â±á”ˆÊ·á”ƒÊłá”ˆ ᔃⁿᔈ Ëąá”–á”’âżá”á”‰ ᔇᔒᔇ Ëąá”ƒÊ· áŽŸËĄá”ƒâżá”á”—á”’âż'Ëą á¶œá”ƒÊłá”ˆ ʷⁱᔗʰ ᔗʰᔉ ᔗᔒʞ‧ ᎎᔉ ᔒᔖᔉⁿ˹ ᔗʰᔉ á¶œá”ƒÊłá”ˆâ€§ 'áŽ°á”‰á”ƒÊł Ëąá”–á”’âżá”á”‰ ᔇᔒᔇ➎ ᎔ ᔐⁱᔍʰᔗ ⁿᔒᔗ ᔇᔉ ᔒⁿ Êžá”’á”˜Êł ˥ⁱ˹ᔗ ᔒᶠ á”—á”’á”– ᔇᔉ˹ᔗ á¶ Êłâ±á”‰âżá”ˆËą ᔇᔘᔗ ᎔ á”âżá”‰Ê· Êžá”’á”˜Êł á”‡â±Êłá”—Ê°á”ˆá”ƒÊž ᔃⁿᔈ ËĄâ±á”á”‰á”ˆ á”á”‰Êłá”á”ƒâ±á”ˆ ᔐᔃⁿ ᔃⁿᔈ á”‡á”ƒÊłâżá”ƒá¶œËĄá”‰ ᔇᔒʞ Ëąá”’ ʰᔃᔖᔖʞ á”‡â±Êłá”—Ê°á”ˆá”ƒÊž ᔃⁿᔈ ᔉⁿÊČá”’Êž; áŽŸËĄá”ƒâżá”á”—á”’âż' "᎔'ᔛᔉ ᔇᔉᔉⁿ Ê·á”ƒâżá”—â±âżá” ᔗʰᔉ á¶ â±á”á”˜Êłâ±âżá”‰ á¶ á”’Êł á”ƒá”á”‰Ëą! áŽșá”‰á”›á”‰Êł ʰᔃᔛᔉ ᎔ á”á”’á”—á”—á”‰âż á¶ á”’Êł ᔐʞ á”‡â±Êłá”—Ê°á”ˆá”ƒÊž Ëąá”˜á¶œÊ° ᔃⁿ á”ƒá”á”ƒá¶»â±âżá”â€§â€§â€§" "᎔ ᔇᔉᔗ ᔗʰᔉ ᔖᔉ˹ᔗ Ê·á”ƒâżá”—Ëą ʞᔒᔘ ÊČá”˜Ëąá”— á”—á”’ ᔍᔉᔗ ʞᔒᔘ á”—á”’ ᶠᔉᔉ˥ ËĄâ±á”á”‰ ʞᔒᔘ ᔒʷᔉ ʰⁱᔐ‧‧‧" á”†á‘«á”˜â±á”ˆÊ·á”ƒÊłá”ˆ â±âżá”—á”‰ÊłÊłá”˜á”–á”—á”‰á”ˆâ€§ "᎔ ᔍᔒᔗᔗᔃ á”—Ê°á”ƒâżá” ʰⁱᔐ!" "ᎎᔉʞ áŽ·á”ƒÊłá”‰âż ⁱ˹ áŽŸËĄá”ƒâżá”á”—á”’âż ʰᔒᔐᔉ?" "Êžá”‰Ëą Ëąá”–á”’âżá”á”‰á”‡á”’á”‡âžŽ ᎔ ᔐᔃᔈᔉ ʰⁱᔐ ᔍᔉᔗ ᔒᔘᔗ ᔒᶠ ᔗʰᔉ ⁱⁿ á¶ Êłá”‰ËąÊ° á”ƒâ±Êł ᔃⁿᔈ ʰᔉ á”‰á”›á”‰âżá”—á”˜á”ƒËĄËĄÊž ᶜᔃᔐᔉ ᔇᔃᶜᔏ ⁱⁿ ᔗʰᔉ âżâ±á”Ê°á”—â€§ áŽŹÊłá”‰ ʞᔒᔘ Ê·á”ƒâżá”—â±âżá” á”—á”’ ᶜᔒᔐᔉ ⁱⁿ?" "Êžá”‰Ëą; á”—Ê°á”ƒâżá”Ëą!" á”†á”–á”’âżá”á”‰á”‡á”’á”‡ á”ƒÊłÊłâ±á”›á”‰á”ˆ ᔃᔗ ᔗʰᔉ ᶜʰᔘᔐ ᔇᔘᶜᔏᔉᔗ ᔃⁿᔈ áŽ·á”ƒÊłá”‰âż ˥ᔉᔗ ʰⁱᔐ ⁱⁿ‧ "ᎎᔉ ÊČá”˜Ëąá”— Êłá”ƒâż Êłâ±á”Ê°á”— Ëąá”—Êłá”ƒâ±á”Ê°á”— á”—á”’ Ê°â±Ëą Êłá”’á”’á” ËĄá”ƒËąá”— âżâ±á”Ê°á”—â€§â€§" "á¶œá”ƒâż ᎔ ᔍᔒ á”—á”ƒËĄá” á”—á”’ ʰⁱᔐ?" "ᔂᔉ˥˥ Ëąá”–á”’âżá”á”‰á”‡á”’á”‡ ᎔ á”ˆá”’âż'á”— ˹ᔉᔉ Ê·Ê°Êž ⁿᔒᔗ➎ ᔇᔘᔗ ʰᔉ'Ëą ˹ᔗⁱ˥˥ ⁱⁿ Ê°â±Ëą á”‡á”‰á”ˆÊłá”’á”’á”â€§ ʞᔒᔘ á¶œá”ƒâż á”—ÊłÊž ᔇᔘᔗ ʰᔉ ᔐⁱᔍʰᔗ ⁿᔒᔗ ᔇᔉ á”ƒá”Êłá”‰á”‰á”ƒá”‡ËĄá”‰ Ëąá”’ á”‰á”ƒÊłËĄÊž Ê·Ê°â±ËĄËąá”— ˹ᔗⁱ˥˥ ⁱⁿ ᔇᔉᔈ‧" "á”€Ê°á”ƒâżá”Ëą áŽ·á”ƒÊłá”‰âżâ€§" á”†á”–á”’âżá”á”‰á”‡á”’á”‡ á”âżá”’á¶œá”á”‰á”ˆ ᔒⁿ Ê°â±Ëą á”ˆá”’á”’Êł ᔃ˹ ʰᔉ á”’á”–á”‰âżá”‰á”ˆ ⁱᔗ➎ á”—á”˜Êłâżâ±âżá” ᔒⁿ ᔗʰᔉ á”‡Êłâ±á”Ê°á”— ËĄâ±á”Ê°á”—â€§ áŽŸËĄá”ƒâżá”á”—á”’âż ᔈⁱᔈⁿ'á”— âżá”’á”—â±á¶œá”‰ Ê·Ê°á”’ Ëąá”—á”’á”’á”ˆ ⁱⁿ ᔗʰᔉ á”ˆá”’á”’Êł ʷᔃʞ ᔇᔘᔗ á”–á”˜ËĄËĄá”‰á”ˆ ᔗʰᔉ á”‡ËĄá”ƒâżá”á”‰á”— á¶œá”’á”›á”‰ÊłËą á”’á”›á”‰Êłâ€§ "Ꮃᔉᔗ ËĄá”’Ëąá”—; á”—á”˜Êłâż ᔗʰᔉ ËĄâ±á”Ê°á”— ᔒᶠᶠ áŽ·á”ƒÊłá”‰âż!" "᎔'ËĄËĄ ËĄá”‰á”ƒá”›á”‰ ʞᔒᔘ á”ƒËĄá”’âżá”‰ á”—Ê°á”‰âż ᔇᔘᔗ ᎔ ÊČá”˜Ëąá”— Ê·á”ƒâżá”—á”‰á”ˆ á”—á”’ á”—Ê°á”ƒâżá” á¶ á”’Êł ᔗʰᔉ á¶ â±á”á”˜Êłâ±âżá”‰ ᔃⁿᔈ Ëąá”’ÊłÊłÊž á”—á”’ á”‡á”’á”—Ê°á”‰Êł ʞᔒᔘ‧‧" á”†á”–á”’âżá”á”‰á”‡á”’á”‡ ˹ᔃⁱᔈ➎ á”—á”˜Êłâżâ±âżá” ᔃʷᔃʞ á”—á”’ ËĄá”‰á”ƒá”›á”‰â€§ áŽŒâżá¶œá”‰ ʰᔉ Êłá”‰á¶œá”’á”âżâ±Ëąá”‰á”ˆ Ëąá”–á”’âżá”á”‰á”‡á”’á”‡'Ëą ᔛᔒⁱᶜᔉ➎ ʰᔉ Ëąá”ƒá”— ᔘᔖ➎ ᔇᔘᔗ Ëąá”–á”’âżá”á”‰á”‡á”’á”‡'Ëą ˥ᔉᶠᔗ ᔇʞ âżá”’Ê·â€§ áŽŸËĄá”ƒâżá”á”—á”’âż ᶠᔉ˥ᔗ á”—á”‰á”ƒÊłËą á¶ á”’Êłá”â±âżá” ⁱⁿ Ê°â±Ëą ᔉʞᔉ ᔇᔘᔗ ⁿᔒᔗ á”‡á”‰á¶œá”ƒá”˜Ëąá”‰ ᔒᶠ ᔗʰᔉ ËĄâ±á”Ê°á”—â±âżá” á”‡Êłâ±á”Ê°á”—âżá”‰ËąËąâ€§ á”†á”–á”’âżá”á”‰á”‡á”’á”‡ Êłá”ƒâż ʰᔒᔐᔉ➎ Ê·á”ƒâżá”—â±âżá” á”—á”’ ᔍⁱᔛᔉ ʰⁱᔐ ˹ᔒᔐᔉ Ëąá”–á”ƒá¶œá”‰ ᔃ˹ ʰᔉ ᶠᔉ˥ᔗ ᔇᔃᔈ‧ áŽčá”‰á”ƒâż ᔗⁱᔐᔉ➎ áŽŸËĄá”ƒâżá”á”—á”’âż Ê°á”˜ÊłÊłâ±á”‰á”ˆ á”’á”›á”‰Êłâ€§ "á”†á”–á”’âżá”á”‰ ᔇᔒᔇ á”–ËĄá”‰á”ƒËąá”‰ ʷᔃⁱᔗ➎ ᎔'ᔐ Ëąá”’ Ëąá”’ÊłÊłÊž! ᎔ ÊČá”˜Ëąá”— ʰᔃᔛᔉ ᔃ ˹ᔉⁿ˹ⁱᔗⁱᔛᔉ ᔉʞᔉ‧‧" á”†á”–á”’âżá”á”‰á”‡á”’á”‡ á”—á”˜Êłâżá”‰á”ˆ á”ƒÊłá”’á”˜âżá”ˆâžŽ á¶ â±âżá”ƒËĄËĄÊž Ê°á”˜á”á”â±âżá”â€§
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á¶œÊ°á”’á”–Ëą âœá”†á”–á”’âżá”á”‰áŽźá”’á”‡ á¶ á”ƒâżá¶ â±á¶œâŸ áŽŸËĄá”ƒâżá”á”—á”’âżâ€™Ëą ᔃᔗ ᔗʰᔉ ᔇᔉᔃᶜʰ ᔃⁿᔈ ʰᔉ Ëąá”ƒÊ· á”†á”–á”’âżá”á”‰áŽźá”’á”‡ ᔃⁿᔈ á”†á”ƒâżá”ˆÊž ᔃ˹ ᔗʰᔉʞ ᔈⁱᔈ á”á”ƒÊłá”ƒá”—á”‰! ᔀʰᔉʞ ᔇᔒᔗʰ Ê·á”‰Êłá”‰ ᔉⁿÊČá”’Êžâ±âżá” á”—Ê°á”‰á”Ëąá”‰ËĄá”›á”‰Ëą ʰᔉ á¶œá”ƒâż ᔗᔉ˥˥‧ áŽŸËĄá”ƒâżá”á”—á”’âż Êłá”‰á”ƒËĄâ±Ëąá”‰á”ˆ ʰᔉ á”ƒá¶œá”—á”˜á”ƒËĄËĄÊž Ê·á”ƒâżá”—á”‰á”ˆ á”—á”’ ᔗᔃᔏᔉ á”–á”ƒÊłá”— ᔇᔘᔗ ʰᔉ á”–Êłá”‰á”›á”‰âżá”—Ëą Ê°â±á”Ëąá”‰ËĄá¶  á¶ Êłá”’á” á”ˆá”’â±âżá” Ëąá”’ á”‡á”‰á¶œá”ƒá”˜Ëąá”‰ ᔒᶠ Ê°â±Ëą á”–Êłâ±á”ˆá”‰ ʷⁱᔗʰ á¶ á”‰á”ƒÊłâ±âżá” Êłá”‰ÊČá”‰á¶œá”—â±á”’âżâ€§ áŽșá”’á”— á”—á”’ ᔐᔉⁿᔗⁱᔒⁿ Ê°â±Ëą ʰᔉⁱᔍʰᔗ‧ ᔆᔒ ʰᔉ á”‡á”˜â±ËĄá”— ᔖᔉᔒᔖ˥ᔉ á¶ â±á”á”˜Êłá”‰Ëą á”ˆÊłá”ƒÊ·âż ⁱⁿ ᔗʰᔉ Ëąá”ƒâżá”ˆâ€§ ᎎᔉ á”ƒËĄá”á”’Ëąá”— ʰᔒᔖᔉᔈ á¶ á”’Êł ᔗʰᔉᔐ á”—á”’ âżá”’á”—â±á¶œá”‰ ʰⁱᔐ ᔇᔘᔗ ᔗʰᔉʞ ˥ᔉᶠᔗ ᔗʰᔉ ᔇᔉᔃᶜʰ‧ ᔆⁱᔍʰ‧
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GENERAL ADVICE FOR USING SITE so we can keep it up NO DOXXING- leaking a specific person's residential address and who lives full name STORY TIME- don't leak a real person's full name when typing out a juicy gossip tea but you can change the first name or to remain anonymous instead. Otherwise go and create let writing flow! PREACHING- don't over fill with arguing on whether or not to promote, such as your discord server nor how to raise family age viewers must be. You can tag yourself tho.
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can ppl stop asking 'where is the beef' because it takes up space on here use a different platform if you want to comment on others Even though most NSFW content is blocked, please limit it before bots and or moderators restrict and/or take down the submissions site please thx bye
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ᎏ ʰᔃᔖᔖʞ á”‡â±Êłá”—Ê°á”ˆá”ƒÊž ᔇᔒʞ âœá”†á”–á”’âżá”á”‰áŽźá”’á”‡ á¶ á”ƒâżá¶ â±á¶œâŸ ᎔’ᔐ ᔆᔖᔒᔗ, ᔃᔐᔒᔉᔇᔃ ᔖᔘᔖᔖʞ ᔖᔉᔗ ᔒᶠ á”†Ê°á”‰ËĄá”ˆá”’âż áŽŸËĄá”ƒâżá”á”—á”’âż ᔒᶠ ᔗʰᔉ ᶜʰᔘᔐ ᔇᔘᶜᔏᔉᔗ‧ ᎔ᔗ’˹ Ê°â±Ëą á”‡â±Êłá”—Ê°á”ˆá”ƒÊž á”—á”’á”á”’ÊłÊłá”’Ê· Ëąá”’ á”—á”’âżâ±á”Ê°á”— ᎔ Ê·á”ƒâżá”—á”‰á”ˆ á”—á”’ ᔈᔒ Ëąá”’á”á”‰á”—Ê°â±âżá” á¶ á”’Êł áŽŸËĄá”ƒâżá”á”—á”’âżâ€§ ᎔ ÊČᔘᔐᔖᔉᔈ ᔒⁿ Ê°â±Ëą ᔇᔉᔈ á”—á”’ âżá”˜á”ˆá”á”‰ Ê°â±Ëą á”ƒÊłá”, ʷʰⁱᶜʰ á”ˆÊłá”’á”–á”–á”‰á”ˆ ˥ⁱᔐᔖ á”—á”’ ᔇʞ Ê°â±Ëą Ëąâ±á”ˆá”‰â€§ ‘áŽčá”˜Ëąá”— ᔇᔉ ⁱⁿ ᔃ ᔈᔉᔉᔖ ˹˥ᔉᔉᔖ Êłâ±á”Ê°á”— âżá”’Ê·â€™ ᎔ á¶ â±á”á”˜Êłá”‰á”ˆâ€§ áŽ±á”ƒÊłËĄâ±á”‰Êł ᔗᔒᔈᔃʞ ʷᔉ á”—Êłâ±á”‰á”ˆ á”—á”’ ᔐᔃᔏᔉ ᔃ á”—á”˜âżá”ƒ âżá”’á”’á”ˆËĄá”‰ á¶œá”ƒËąËąá”‰Êłá”’ËĄá”‰ ᔇᔘᔗ ⁱᔗ’˹ á”—á”’ â±âżá”‰á”ˆâ±á”‡ËĄá”‰â€§ áŽ·á”ƒÊłá”‰âż á”–Êłâ±âżá”—á”‰á”ˆ ᔒᔘᔗ ᔗʰᔉ â±âżá”Êłá”‰á”ˆâ±á”‰âżá”—Ëą ᔗʰᔒᔘᔍʰ‧ ‘ᔂᔃⁱᔗ ᔘᔖ, ʷʰᔃᔗ ⁱᶠ ᎔ ÊČá”˜Ëąá”— Êłá”‰á”–ËĄá”ƒá¶œá”‰ ᔗʰᔉ á”Êłá”ƒá”‡á”‡Êž ᔖᔃᔗᔗʞ ˥ⁱ˹ᔗ ᔒᶠ â±âżá”Êłá”‰á”ˆâ±á”‰âżá”—Ëą ʷⁱᔗʰ ᔗʰᔉ á”—á”˜âżá”ƒ âżá”’á”’á”ˆËĄá”‰ á¶œá”ƒËąËąá”‰Êłá”’ËĄá”‰â€™ ᎔ á”ƒËąá”á”‰á”ˆ á”ÊžËąá”‰ËĄá¶ â€§ áŽŸËĄá”ƒâżá”á”—á”’âż ˹ᔖᔉⁿᔗ Êžá”‰á”ƒÊłËą á”á”’â±âżá” á”ƒá¶ á”—á”‰Êł ᔗʰᔉ áŽ·Êłá”˜Ëąá”—Êž áŽ·Êłá”ƒá”‡ Ëąá”‰á¶œÊłá”‰á”— â±âżá”Êłá”‰á”ˆâ±á”‰âżá”—Ëą, Ëąá”’ ʷʰᔃᔗ á”‡á”‰á”—á”—á”‰Êł á”—á”’ ᔍᔉᔗ ʰⁱᔐ á¶ á”’Êł Ê°â±Ëą á”‡â±Êłá”—Ê°á”ˆá”ƒÊžâ€Š ᎔ Ëąá”˜á¶œá¶œá”‰ËąËąá¶ á”˜ËĄËĄÊž ᔍᔒᔗ ᔇᔃᶜᔏ ʷⁱᔗʰ â±âżá”Êłá”‰á”ˆâ±á”‰âżá”—Ëą Ëąá”ƒá¶ á”‰ ᔃⁿᔈ ᔈᔉᶜⁱᔈᔉᔈ á”—á”’ á¶œËĄá”‰á”ƒâż ᔘᔖ ᔗʰᔉ á”ˆâ±âżá”‰Êł á”‰á”ƒá”—â±âżá” á”ƒÊłá”‰á”ƒ Ëąá”–á”ƒá¶œá”‰ á¶ á”’Êł ‘ᔉᔐ‧ ᎔ á¶œá”ƒâżâ€™á”— ʷᔃⁱᔗ! ᔀʰᔉ á”‡â±Êłá”—Ê°á”ˆá”ƒÊž á”á”’Êłâżâ±âżá” ᔒᶠ á”‡â±Êłá”—Ê° ᔈᔃʞ ᎔ á”‡á”ƒÊłá”á”‰á”ˆ ᔃ˹ áŽŸËĄá”ƒâżá”á”—á”’âż ᶜᔃᔐᔉ‧ “Ꮀⁱᔈ áŽ·á”ƒÊłá”‰âż á¶œËĄá”‰á”ƒâżâ€Šâ€ â€œá”†Ê°á”‰ËĄá”ˆá”’âż áŽŸËĄá”ƒâżá”á”—á”’âż, ᔈⁱᔈ ʞᔒᔘ á¶œËĄá”‰á”ƒâżâ€Šâ€ ᎔ ʷᔃᔍ ᔐʞ á”—á”ƒâ±ËĄ ᔃ˹ ᎔ á”ˆÊłá”’á”– ᔗʰᔉ á”–á”ƒá”–á”‰Êł ˥ⁱ˹ᔗ â±âżá”Êłá”‰á”ˆâ±á”‰âżá”—Ëą ᔃᔗ á”—á”’ áŽŸËĄá”ƒâżá”á”—á”’âżâ€§ “ᔆᔖᔒᔗ Ê·Ê°á”ƒá”—â€™Ëąâ€Šâ€ áŽŸËĄá”ƒâżá”á”—á”’âż ᔒᔖᔉⁿ˹ ᔘᔖ ᔗʰᔉ ˥ⁱ˹ᔗ ᔒᶠ â±âżá”Êłá”‰á”ˆâ±á”‰âżá”—Ëąâ€§ áŽźá”’á”—Ê° áŽ·á”ƒÊłá”‰âż ᔃⁿᔈ áŽŸËĄá”ƒâżá”á”—á”’âż á”á”ƒËąá”–á”‰á”ˆ ᔃ˹ ᎔ ÊČᔘᔐᔖ ⁱⁿ á”‰ËŁá¶œâ±á”—á”‰á”á”‰âżá”—â€§ “ᔆᔖᔒᔗ ᔈⁱᔈ ” “ʞᔃᔖ!” áŽŸËĄá”ƒâżá”á”—á”’âż ËĄá”’á”’á”á”‰á”ˆ Ëąá”’ ʰᔃᔖᔖʞ ᔃⁿᔈ Êłá”‰ËĄâ±á”‰á”›á”‰á”ˆ ᔃ˹ ᎔ á”–Êłá”‰ËąËąá”‰á”ˆ ᔃ á”‡á”˜á”—á”—á”’âżâ€§ ᔀʰᔉ Ëąâ±á”âż ᎔ ᔐᔃᔈᔉ Ëąá”ƒÊžâ±âżá” ‘ʷᔉ âżá”’Ê· ˹ᔉ˥˥ áŽ·Êłá”ƒá”‡á”‡Êž áŽŸá”ƒá”—á”—â±á”‰Ëą á¶ á”’Êł Ê°á”ƒËĄá¶  ᔗʰᔉ á”–Êłâ±á¶œá”‰ ᔒᶠ áŽ·Êłá”˜Ëąá”—Êž áŽ·Êłá”ƒá”‡, ᔗᔒᔈᔃʞ ᔇᔘʞ ᔒⁿᔉ ᔍᔉᔗ ᔒⁿᔉ á¶ Êłá”‰á”‰ á¶ á”’Êł ᔗᔒᔈᔃʞ á”’âżËĄÊž!’ â€œáŽžá”‰á”—â€™Ëą ᔐᔃᔏᔉ ˹ᔒᔐᔉ á”–á”ƒá”—á”—â±á”‰Ëą ᔐᔉ ᔇᔒʞ!” áŽčÊłâ€§ áŽ·Êłá”ƒá”‡Ëą á”—á”’ËĄá”ˆ á”†á”–á”’âżá”á”‰á”‡á”’á”‡â€§ “Ꮀᔒ ᔗʰᔉ ˥ⁱ˹ᔗ ᔒᶠ â±âżá”Êłá”‰á”ˆâ±á”‰âżá”—Ëą ˹ᔉᔉᔐ ᔒᶠᶠ á”—á”’ ʞᔒᔘ?” áŽčÊłâ€§ áŽ·Êłá”ƒá”‡Ëą á”’á”–á”‰âżá”‰á”ˆ ᔗʰᔉ á”ˆá”’á”’Êł ᔒᶠ Ê°â±Ëą ᔒᶠᶠⁱᶜᔉ á”—á”’ ˹ᔉᔉ ˥ᔉ˹˹ á¶œá”˜Ëąá”—á”’á”á”‰ÊłËą ᔃᔗ ᔗʰᔉ áŽ·Êłá”˜Ëąá”—Êž áŽ·Êłá”ƒá”‡, á”—Ê°á”‰âż âżá”’á”—â±á¶œá”‰á”ˆ ᔗʰᔉ ˥ⁱⁿᔉ ᔘᔖ á”—á”’ ᔗʰᔉ ᶜʰᔘᔐ ᔇᔘᶜᔏᔉᔗ‧ â€œá”†á”–á”’âżá”á”‰ ᔇᔒᔇ ” â€œÊžá”‰á”‰Ëąâ€Šâ€ áŽŸá”‰á”’á”–ËĄá”‰ ˥ᔉᶠᔗ ᔗʰᔉ áŽ·Êłá”˜Ëąá”—Êž áŽ·Êłá”ƒá”‡! ᎔ ˥ᔒᔛᔉ Ëąá”‰á”‰â±âżá” áŽŸËĄá”ƒâżá”á”—á”’âż Ëąá”’ á”ËĄá”ƒá”ˆ Ê°á”ƒá”–á”–â±á”‰Êł á”—Ê°á”ƒâż á”‰á”›á”‰Êł á”‡á”‰á¶ á”’Êłá”‰! “ᎌʰ ᔐʞ Ê°á”’Ê· ᔗʰᔉ á”—á”ƒá”‡ËĄá”‰Ëą ʰᔃᔛᔉ á”—á”˜Êłâżá”‰á”ˆâ€Šâ€ áŽŸËĄá”ƒâżá”á”—á”’âż Ëąá”â±ËĄá”‰á”ˆâ€§ ᎔ á”Êłá”’Ê·ËĄá”‰á”ˆ Ê·Ê°á”‰âż ᎔ Ëąá”ƒÊ· áŽčÊłâ€§ áŽ·Êłá”ƒá”‡Ëąâ€§ “ʞᔒᔘ ᔍⁱᔛᔉ ᔐᔉ ᔇᔃᶜᔏ ” â€œáŽ±á”˜á”á”‰âżá”‰ Ê°á”’Ê· âżâ±á¶œá”‰ ᔒᶠ ʞᔒᔘ á”—á”’ Ê·â±ËąÊ° ᔐᔉ ᔃ ʰᔃᔖᔖʞ á”‡â±Êłá”—Ê°á”ˆá”ƒÊž!” “ʞᔒᔘ ʰᔃᔛᔉ ʷʰᔃᔗ á”‡á”‰ËĄá”’âżá”Ëą á”—á”’ ᔐᔉ ” â€œá¶ â±âżá”ˆá”‰ÊłËą áŽ·á”‰á”‰á”–á”‰ÊłËą ËĄá”’Ëąá”‰Êłâ€Šâ€ “᎔’ᔐ Ê·á”ƒÊłâżâ±âżá” ʞᔒᔘ á”†Ê°á”‰ËĄá”ˆá”’âż!” ᎔ Ê·Ê°â±á”á”–á”‰Êłá”‰á”ˆ ᔃ˹ áŽčÊłâ€§ áŽ·Êłá”ƒá”‡Ëą á”—á”˜ÊłâżËą á”—á”’ ᔐᔉ‧ â€œá”€á”‰ËĄËĄ Êžá”’á”˜Êł á”’Ê·âżá”‰Êł Ê°â±Ëą ᶠᔃᔐᔉ Ëąá”˜á¶œá¶œá”‰ËąËą Ê·á”’âżâ€™á”— ËĄá”ƒËąá”— ËĄá”’âżá”â€§â€§â€ ᎔ ÊČá”˜Ëąá”— ËąÊ°á”’Ê·á”‰á”ˆ ᔐʞ ᔗᔉᔉᔗʰ ᔃ˹ ʰᔉ á¶ â±âżá”ƒËĄËĄÊž ˥ᔉᶠᔗ‧ â€œáŽłá”‰á”— ᔒᔘᔗ ᔗʰᔉ ˥ⁱ˹ᔗ áŽ·á”ƒÊłá”‰âż ʷᔉ ᔍᔒᔗ á”—á”’ ᔐᔃᔏᔉ á”ƒâżá”’á”—Ê°á”‰Êł ᔇᔃᔗᶜʰ ” áŽ·á”ƒÊłá”‰âż ᔒᔖᔉⁿ˹ ᔗʰᔉ á”–á”ƒá”–á”‰Êłâ€§ ᎔ᔗ ʰᔃᔈ á”’á”˜Êł á”—á”˜âżá”ƒ âżá”’á”’á”ˆËĄá”‰ á¶œá”ƒËąËąá”‰Êłá”’ËĄá”‰ â±âżá”Êłá”‰á”ˆâ±á”‰âżá”—â€™Ëą ˥ⁱ˹ᔗ ʷⁱᔗʰ Ëąá”ƒÊžËą â€˜á”†á”’ÊłÊłÊž ᔇᔘᔗ ʰᔃᔖᔖʞ á”‡â±Êłá”—Ê°á”ˆá”ƒÊž áŽŸËĄá”ƒâżá”á”—á”’âż, Ëąá”–á”’âżá”á”‰ ᎟ᔒᔇ’ ᔒⁿ ᔃ Ëąá”—â±á¶œá”Êž ⁿᔒᔗᔉ‧ áŽŸËĄá”ƒâżá”á”—á”’âż Ëąâ±á”Ê°á”‰á”ˆâ€§ â€œá”‚á”‰ËĄËĄ ⁱᔗ’˹ ᔉⁿÊČá”’Êžá”ƒá”‡ËĄá”‰ Ê·Ê°â±ËĄËąá”— ⁱᔗ ËĄá”ƒËąá”—á”‰á”ˆâ€§â€ ᎎᔉ ᔍᔃᔛᔉ ᔐᔉ ᔃ ˹ᔐⁱ˥ᔉ ᔃ˹ ᎔ ËĄâ±á¶œá”á”‰á”ˆ ʰⁱᔐ ᔃ á”â±ËąËąâ€§ â€œá”€Ê°á”ƒâżá” ʞᔒᔘ ᔆᔖᔒᔗ‧” á”€â±Êłá”‰á”ˆ ᔒᔘᔗ, áŽŸËĄá”ƒâżá”á”—á”’âż Ëąá”‰á”‰á”á”‰á”ˆ á¶œá”’á”á”–ËĄá”‰á”—á”‰ËĄÊž á”‰ËŁÊ°á”ƒá”˜Ëąá”—á”‰á”ˆ á”ƒá¶ á”—á”‰Êł ËĄá”’âżá” ᔈᔃʞ‧ ᔂᔉ Ê·á”‰âżá”— Êłâ±á”Ê°á”— á”—á”’ Ëąá”—Êłá”ƒâ±á”Ê°á”— á”—á”’ ᔇᔉᔈ‧ “ᔂᔒᔒᶠ‧‧” “ ᎔ ˥ᔒᔛᔉ ʞᔒᔘ ” áŽŸËĄá”ƒâżá”á”—á”’âż á”—á”’ËĄá”ˆ ᔃ˹ ʷᔉ ᔇᔒᔗʰ Ëąá”—á”ƒÊłá”—á”‰á”ˆ á”—á”’ á”ˆÊłâ±á¶ á”— ᔒᶠᶠ, ᔇᔒᔗʰ ᔒᶠ ᔘ˹ ʰᔘᔍ‧
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ᎎⁱ˹ Ëąá¶œá”ƒÊłá”‰ âœá”†á”–á”’âżá”á”‰áŽźá”’á”‡ á¶ á”ƒâżá¶ â±á¶œâŸ áŽŸËĄá”ƒâżá”á”—á”’âżâ€™Ëą á”–Êłá”’ÊČá”‰á¶œá”—â±ËĄá”‰ ʰⁱᔗ á”†á”–á”’âżá”á”‰á”‡á”’á”‡, Ê·Ê°á”’ ᔃʷᔒᔏᔉ ᔃᔗ ᔗʰᔉ ᶜʰᔘᔐ ᔇᔘᶜᔏᔉᔗ á”—á”’ áŽŸËĄá”ƒâżá”á”—á”’âżâ€™Ëą á¶œÊłÊžâ±âżá”â€§ “ᎎᔉʞ‧‧” á”†á”–á”’âżá”á”‰á”‡á”’á”‡ Ëąá”ƒÊ· ʰⁱᔐ ËĄá”’á”’á”â€§ “᎔’ᔐ Ëąá”’ÊłÊłÊž ᔏⁱᔈ ” “᎔ á”âżá”’Ê·â€§â€ á”†á”–á”’âżá”á”‰á”‡á”’á”‡ Êłá”‰Ëąá”–á”’âżá”ˆá”‰á”ˆ, á¶ á”‰á”‰ËĄâ±âżá” á”‡á”‰á”—á”—á”‰Êłâ€§ â€œáŽ”á”—â€™Ëą á”ƒá¶œá¶œâ±á”ˆá”‰âżá”—â€Šâ€
new spongebob fanfic Short & Sweet wordcount: 100-500 Enemies to Friends Mild Hurt/Comfort Ambiguous/Open Ending his scare
᎟ᔉ˹ᔗ á¶ Êłâ±á”‰âżá”ˆËą á¶ á”’Êł áŽșá”‰á”›á”‰Êł âœá”†á”–á”’âżá”á”‰áŽźá”’á”‡ á¶ á”ƒâżá¶ â±á¶œâŸ á”†á”ƒâżá”ˆÊž ÊČá”˜Ëąá”— ᔍᔒᔗ ᔇᔃᶜᔏ á¶ Êłá”’á” á”—Êłâ±á”– á”—á”’ á”€á”‰ËŁá”ƒËąâ€§ ᔆʰᔉ á¶œá”ƒËĄËĄá”‰á”ˆ áŽ·á”ƒÊłá”‰âż Ê·Ê°á”’ ᔈⁱᔈⁿ'á”— ᔖⁱᶜᔏ ᔘᔖ‧ ᔆᔒ âżá”’Ê· á”†á”ƒâżá”ˆÊž á¶ á”’á”˜âżá”ˆ Ê°á”‰ÊłËąá”‰ËĄá¶  á”á”’â±âżá” á”—á”’ ᔗʰᔉ ᶜʰᔘᔐ áŽźá”˜á¶œá”á”‰á”— á”—á”’ ˹ᔉᔉ‧ áŽŸËĄá”ƒâżá”á”—á”’âż ËĄá”’Ëąá”— áŽ·á”ƒÊłá”‰âż á¶ á”’Êł ᔍᔒᔒᔈ á”ƒá¶ á”—á”‰Êł ᔃ ᔇᔃᔈ á”â±ËąÊ°á”ƒá”– ⁱⁿ Ê°á”‰Êł Ê·â±Êłâ±âżá” á”ˆá”‰Ëąá”—Êłá”’Êžá”‰á”ˆ á”ƒâżÊž ᔇᔃᶜᔏ á”˜á”–Ëą á”’Êł ʰᔒᔖᔉ ᔒᶠ Êłá”‰á”›â±á”›á”ƒËĄâ€§ á”†á”˜á”ˆá”ˆá”‰âżËĄÊž ᔗʰᔉ á”ˆá”’á”’ÊłËą á”’á”–á”‰âżá”‰á”ˆ ᔃ˹ á”†á”ƒâżá”ˆÊž ⁱⁿ‧ "᎔ ᶜᔃᔐᔉ ᔇʞ á”—á”’ ˹ᔉᔉ ⁱᶠ áŽ·á”ƒÊłá”‰âżâ€§â€§â€§" á”†á”ƒâżá”ˆÊž á”—Êłá”ƒâ±ËĄá”‰á”ˆ ᔒᶠᶠ Ëąá”‰á”‰â±âżá” Ê°â±Ëą á¶œá”’á”á”–á”˜á”—á”‰Êł ʷⁱᶠᔉ ⁱⁿ ᔃ ʰᔉᔃᔖ‧ "áŽ·á”ƒÊłá”‰âż'Ëą á”’á”‡ËĄâ±á”—á”‰Êłá”ƒá”—á”‰á”ˆ!" Êžá”‰ËĄËĄá”‰á”ˆ áŽŸËĄá”ƒâżá”á”—á”’âżâžŽ á”˜á”–Ëąá”‰á”—â€§ á”†á”ƒâżá”ˆÊž á”—á”‰á”ƒÊłá”‰á”ˆ ᔘᔖ ᔃᔗ ᔗʰᔉ Ëąâ±á”Ê°á”— ᔒᶠ Ê°á”‰Êł ᔇᔉ˹ᔗ á”á”ƒËĄ á”–á”ƒËĄ ˥ⁱᶠᔉ˥ᔉ˹˹ ᔃⁿᔈ á”‰âżá”—â±Êłá”‰ËĄÊž á”ˆá”‰Ëąá”—Êłá”’Êžá”‰á”ˆâ€§ "᎔ ÊČá”˜Ëąá”—â€§â€§â€§" "áŽ·á”ƒÊłá”‰âż'Ëą á”á”’âżá”‰ âżá”’Ê· ᔍᔉᔗ‧‧‧" "áŽŸËĄá”ƒâżá”á”—á”’âż á”–ËĄá”‰á”ƒËąá”‰âžŽ ᎔'ᔐ Ëąá”’ÊłÊłÊž ᔃⁿᔈ ᔈⁱᔈⁿ'á”— á”âżá”’Ê·; ËąÊ°á”‰'Ëą á”ƒËĄËąá”’ á¶œËĄá”’Ëąá”‰ á”—á”’ ᔐᔉ ᔃⁿᔈ ËĄá”’á”›á”‰á”ˆ Ê°á”‰Êł ᔗᔒ‧‧" á”†á”ƒâżá”ˆÊž Ëąá”ƒÊ· Ê°á”’Ê· á”˜á”–Ëąá”‰á”— ʰᔉ'Ëą á”á”’á”—á”—á”‰âżâ€§ "ᎎᔒʷ á¶œá”ƒâżâ€§â€§â€§" "᎔ ˹ᔃⁱᔈ➎ ᔍᔉᔗ ᔒᔘᔗ!" áŽŸËĄá”ƒâżá”á”—á”’âż á¶œÊłâ±á”‰á”ˆ ᔃ˹ ʰᔉ á”ƒâżá”Êłâ±ËĄÊž á”—á”’ËĄá”ˆ á”†á”ƒâżá”ˆÊž á”—á”’ ËĄá”‰á”ƒá”›á”‰ 'ᔉᔐ‧ ᔆʰᔉ á”’âżËĄÊž âżá”’á”ˆá”ˆá”‰á”ˆ ᔃⁿᔈ ˥ᔉᶠᔗ ʷⁱᔗʰ ᔃ Ëąâ±á”Ê°â€§ áŽŸËĄá”ƒâżá”á”—á”’âż'Ëą ⁿᔒᔗ âżá”‰á¶œá”‰ËąËąá”ƒÊłâ±ËĄÊž ᔃ á¶ Êłâ±á”‰âżá”ˆ ᔒᶠ á”†á”ƒâżá”ˆÊž'Ëą ᔇᔘᔗ ËąÊ°á”‰ ᶠᔉ˥ᔗ Ëąá”’ ᔇᔃᔈ á¶ á”’Êł áŽ·á”ƒÊłá”‰âż'Ëą Ê°á”˜Ëąá”‡á”ƒâżá”ˆ ⁱⁿ Ëąá”˜á¶œÊ° ᔃ Ëąá”—á”ƒá”—á”‰â€§ ᶜᔒᔐᔉ á”—á”’ á”—Ê°â±âżá” ᔒᶠ ⁱᔗ➎ á”†á”ƒâżá”ˆÊž Êłá”‰á”ƒËĄâ±Ëąá”‰á”ˆ áŽŸËĄá”ƒâżá”á”—á”’âż'Ëą ᔍᔒᔗ ⁿᔒ á¶ Êłâ±á”‰âżá”ˆËą á”’á”—Ê°á”‰Êł á”—Ê°á”ƒâż áŽ·á”ƒÊłá”‰âż ᔇʞ Ê°â±Ëą Ëąâ±á”ˆá”‰ ⁱⁿ Ê°â±Ëą ˥ⁱᶠᔉ‧ á”†á”–á”’âżá”á”‰á”‡á”’á”‡ ᔐⁱᔍʰᔗ➎ ⁱⁿ ᔃ ˹ᔉⁿ˹ᔉ➎ ᔇᔉ ᔗʰᔉ ⁿᔉˣᔗ á¶œËĄá”’Ëąá”‰Ëąá”— á¶ â±á”á”˜Êłá”‰ á¶ Êłâ±á”‰âżá”ˆâ€§ áŽŸËĄá”ƒâżá”á”—á”’âż Ê·á”ƒâżá”—á”‰á”ˆ á”—á”’ ᔇᔉ ˥ᔉᶠᔗ á”—á”’ ᔇᔉ á”ƒËĄá”’âżá”‰ á”ƒâżÊž ᔈᔃʞ➎ ˥ᔉᔗ á”ƒËĄá”’âżá”‰ Ê·Ê°á”‰âż ʰᔉ'Ëą á”‰á”á”’á”—â±á”’âżá”ƒËĄâ€§ ᎏⁿᔈ ʞᔉᔗ ʰᔉ ËĄá”’âżá”á”‰á”ˆ á¶ á”’Êł ˹ᔒᔐᔉ á¶œá”’á”á¶ á”’Êłá”—âžŽ ʷʰⁱᶜʰ âżá”’Ê·âžŽ Ê°â±Ëą ʷⁱᶠᔉ'Ëą á”˜âżá”ƒá”‡ËĄá”‰ á”—á”’ ᔍⁱᔛᔉ ʰⁱᔐ á¶ á”’Êł á”Êłâ±á”‰á¶ â€§ á”†á”ƒâżá”ˆÊž á”âżá”‰Ê· áŽŸËĄá”ƒâżá”á”—á”’âż á”—á”ƒá”á”‰Ëą ᔗⁱᔐᔉ á”—á”’ Ê·á”ƒÊłá” ᔘᔖ á”—á”’ ᔇᔘᔗ á”ƒËĄËąá”’ ËąÊ°á”‰ Ê·á”ƒâżá”—á”‰á”ˆ ᔍⁱᔛᔉ ʰⁱᔐ Ê°á”‰ËĄá”–â€§ ᔆᔒ âżá”’Ê· ËąÊ°á”‰ Ê·á”‰âżá”— ᔇᔒᔘᔍʰᔗ á¶ ËĄá”’Ê·á”‰ÊłËąâ€§ áŽŸËĄá”ƒâżá”á”—á”’âż ËĄá”’á”’á”á”‰á”ˆ ᔒᔘᔗ ᔗʰᔉ Ê·â±âżá”ˆá”’Ê· á”—á”’ ˹ᔉᔉ á”†á”ƒâżá”ˆÊž ˹ᔉᔗ ˹ᔒᔐᔉ âżá”‰Ê· á¶ ËĄá”’Ê·á”‰ÊłËą ᔒⁿ ᔗʰᔉ á¶ Êłá”’âżá”— á”–á”’Êłá¶œÊ° ᔇʞ ᔗʰᔉ á”ˆá”’á”’Êłâ€§ ᎎᔉ ˹ᔉᔗ ᔒᔘᔗ á”—á”’ á”‡á”˜Êłâ±á”ƒËĄ á¶ á”’Êł Êłá”‰Ëąá”—â±âżá” á”–ËĄá”ƒá¶œá”‰ Ëąá”’ ʰᔉ ˹ᔉᔗ ᔗʰᔉ á¶ ËĄá”’Ê·á”‰ÊłËą á”ˆá”’Ê·âż ᔇʞ Ê·Ê°á”‰âżá¶œá”‰ ʰᔉ á¶ â±âżâ±ËąÊ°á”‰á”ˆ ᔘᔖ‧ áŽŸËĄá”ƒâżá”á”—á”’âż Ëąâ±á”Ê°á”‰á”ˆâžŽ á”âżá”’Ê·â±âżá” ËąÊ°á”‰'ᔈ ËĄâ±á”á”‰ ᔗʰᔉ á¶ ËĄá”’Ê·á”‰ÊłËą ᔍᔒᔗ‧ á”†á”ƒâżá”ˆÊž á”—á”‰ËŁá”—á”‰á”ˆ 'ᶜʰᔉᶜᔏ ᔒⁿ áŽŸËĄá”ƒâżá”á”—á”’âż á”ƒá¶ á”—á”‰Êł Ê·á”’Êłá” ʰᔉ Ëąá”‰á”‰á”á”‰á”ˆ á”˜á”–Ëąá”‰á”—' á”—á”’ Ëąá”–á”’âżá”á”‰ ᔇᔒᔇ‧ á”†á”–á”’âżá”á”‰á”‡á”’á”‡ á”—Ê°á”‰âż ᔃ˹ Ê°â±Ëą ËąÊ°â±á¶ á”— á”‰âżá”ˆá”‰á”ˆ ᔈᔉᶜⁱᔈᔉᔈ á”—á”’ Ëąá”—á”’á”– ᔇʞ‧ ᎎᔉ âżá”’á”—â±á¶œá”‰á”ˆ ᔃ ˹ᔐᔃ˥˥ á”á”‰á”á”’Êłâ±á”ƒËĄ á”á”ƒÊłá”á”‰Êł ʷⁱᔗʰ ᔗʰᔉ á¶ ËĄá”’Ê·á”‰ÊłËą á¶ Êłá”’á” Ëąá”ƒâżá”ˆÊžâ€§ "áŽŸá”’á”’Êł á”—Ê°â±âżá”â€§â€§" á”†á”–á”’âżá”á”‰á”‡á”’á”‡ Ê·á”‰âżá”— ⁱⁿ Ëąá”‰á”‰â±âżá” áŽŸËĄá”ƒâżá”á”—á”’âż ⁱⁿ ËĄâ±á”›â±âżá” Êłá”’á”’á” á”ƒá¶ á”—á”‰Êł á”‰ËŁÊ°á”ƒá”˜Ëąá”—á”‰á”ˆ ᔃ˥˥ Ê°â±Ëą á”—á”‰á”ƒÊłËąâ€§ "ᎎⁱ➎ áŽŸËĄá”ƒâżá”á”—á”’âżâ€§â€§" áŽŸËĄá”ƒâżá”á”—á”’âż ˥ᔉᔗ ᔒᔘᔗ ᔃ ᔈᔉᶠᔉᔃᔗᔉᔈ Ëąâ±á”Ê° ᔃ˹ á”†á”–á”’âżá”á”‰á”‡á”’á”‡ á”âżá”‰ËĄá”—â€§ "ᎎᔉʞ➎ ᔏⁱᔈ‧" "᎔ Ê°á”‰á”ƒÊłá”ˆ á”†á”ƒâżá”ˆÊž Ëąá”—á”’á”–á”–á”‰á”ˆ ᔇʞ ᔗᔒᔈᔃʞ á”ƒâżá”ˆâ€§â€§â€§" "᎔ Ëąá”ƒÊ· Ê°á”‰Êł ᶜᔒᔐᔉ ⁱⁿ ᔃⁿᔈ á”—á”’ËĄá”ˆ Ê°á”‰Êł á”—á”’ ᔇᔃᶜᔏ ᔒᶠᶠ‧ ᎔'ᔐ á”—â±Êłá”‰á”ˆâžŽ ᔃⁿᔈ á”ˆá”’âż'á”— ʰᔃᔛᔉ ᔗʰᔉ Ê·â±ËĄËĄ á”—á”’ ˥ⁱ˹ᔗᔉⁿ‧‧‧" "᎔ ˹ᔉᔉ; ʞᔒᔘ ÊČá”˜Ëąá”— âżá”‰á”‰á”ˆá”‰á”ˆ ᔗⁱᔐᔉ á”—á”’ Ê·á”’Êłá” ⁱᔗ ᔃ˥˥ ᔒᔘᔗ‧" "á”†á”ƒâżá”ˆÊž'Ëą ᔃ ᔇᔉ˹ᔗ á¶ Êłâ±á”‰âżá”ˆ áŽ·á”ƒÊłá”‰âżâžŽ Ëąá”’ âżá”’Ê·â€§â€§â€§" "ᔆʰᔉ ⁱ˹ á”ƒÊ·á”ƒÊłá”‰ ᔒᶠ Ê°á”’Ê· á”ˆÊłá”ƒâ±âżâ±âżá” ⁱᔗ ⁱ˹ á”—á”’ á”ˆá”‰á”ƒËĄ ʷⁱᔗʰ á”Êłâ±á”‰á¶ â€§" áŽŸËĄá”ƒâżá”á”—á”’âż âżá”’á”ˆá”ˆá”‰á”ˆâ€§
new spongebob fanfic wordcount: 100-500 karen/sandy Karen/Sheldon J. Plankton bittersweet ending Grief/Mourning best friends for never
Pansyk ‱6mo ago Personally, reading and writing fanfiction has really helped me with my technical skills. When I look over the fanfiction I have written over the years, I can see how my prose and dialogue have improved. All fiction, whether of the fan or original variety, is built off of the basic idea of "making words sound good." And fanfiction is a perfectly acceptable way to do that. However, the way that fanfiction operates in terms of characterization and plot? That's radically different from original fiction. In fanfiction, characters are already established, so even if you're doing some batshit insane Alternate Universe, everyone already knows the basics of what's up. That's not true of original fiction. You need to devote more time to both fleshing out your characters and establishing their relationships with the rest of the cast. Plot often progresses differently, in part because of the time you just spent showing your readers who these people are, but also because fanfiction and original fiction often follow different structures entirely. Fanfiction is free and accessible to anyone with an internet connection. That makes it useful for new authors, especially young authors. Think of it as swimming in shallow water. It's fun! It can help you build up some strength. Anyone can do it. But it won't completely prepare you for diving into deeper water. So, I guess at the end of the day, reading both will help your development as a writer.
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᎞ᶀᔛᔉ ᎞ᔃᔘᔍʰ ᎞ᔒᔛᔉ {ᎏ Ëąá”–á”’á¶°á”á”‰áŽźá”’á”‡ ᶠᔃᶰᶠᶀᶜ Ëąá”—á”’ÊłÊž} ᎔ᔗ'Ëą ᶰᔒᔗ ËĄá¶€á”á”‰ ʰᔉ'ᔈ ᔃᔈᔐᶀᔗ ᶀᔗ˒ ᔇᔘᔗ áŽŸËĄá”ƒá¶°á”á”—á”’á¶° ˹ᔒᔐᔉᔗᶀᔐᔉ˹ ᶠᔒᔘᶰᔈ Ê°á¶€á”Ëąá”‰ËĄá¶  ᔉᶰÊČᔒʞᶀᶰᔍ Ëąá”–á”’á¶°á”á”‰á”‡á”’á”‡'Ëą ᶜᔒᔐᔖᔃᶰʞˑ ᎎᔉ ᔗᔃᔘᔍʰᔗ ᔃᔇᔒᔘᔗ ʰᔃᔛᶀᶰᔍ ᶠᔘᶰ ᔃᶰᔈ ËąÊ°á”’Ê·á”‰á”ˆ á¶œá”’á¶°á¶œá”‰Êłá¶° á¶ á”’Êł áŽŸËĄá”ƒá¶°á”á”—á”’á¶°Ë‘ Ëąá”’ ʷʰᔉᶰ Ëąá”–á”’á¶°á”á”‰á”‡á”’á”‡ ᔍᔒᔗ á”˜á”–Ëąá”‰á”— ᔃᔗ ᔃ á”á”ƒá¶°á”ˆá”ƒá”—á”’ÊłÊž ʷᔉᔉᔏ ᔒᶠᶠ Ê·á”’Êłá”Ë’ áŽŸËĄá”ƒá¶°á”á”—á”’á¶° ᔗᔒᔒᔏ ᔗʰᔉ á”’á”–á”–á”’Êłá”—á”˜á¶°á¶€á”—Êž ᔃᔗ ʰᔃᶰᔈᔎ "᎔ Ê°á”‰á”ƒÊł ʞᔒᔘ ᔍᔒᔗ Ê·á”’Êłá” ᔒᶠᶠˑ" áŽŸËĄá”ƒá¶°á”á”—á”’á¶° ˹ᔃᶀᔈ ᔃ˹ Ëąá”–á”’á¶°á”á”‰á”‡á”’á”‡ á”ƒá¶°ËąÊ·á”‰Êłá”‰á”ˆ Ê°á¶€Ëą á¶ Êłá”’á¶°á”— á”ˆá”’á”’ÊłË‘ "᎔ ᔗʰᔒᔘᔍʰᔗ ʷᔉ'ᔈ á”—ÊłÊž ʰᔃᔛᶀᶰᔍ ᶠᔘᶰ ᔃᔍᔃᶀᶰ“" "᎔ Ê·á”ƒËą ÊČá”˜Ëąá”— ᔃᔇᔒᔘᔗ á”—á”’ ᔍᔒ á”—á”’ ᔍᔒᔒ ËĄá”ƒá”á”’á”’á¶° ᔇᔉᔃᶜʰˑ" Ëąá”’ ᔒᶠᶠ ᔗʰᔉʞ ʷᔉᶰᔗ á”—á”’Ë‘ Ëąá”–á”’á¶°á”á”‰á”‡á”’á”‡ ʰᔃᔈ áŽžá”ƒÊłÊłÊž ËĄá”’Ê·á”‰Êł ᔗʰᔉ á”›á”’ËĄËĄá”‰Êžá”‡á”ƒËĄËĄ ᶰᔉᔗ Ëąá”’ ᔗʰᔉʞ á¶œá”’á”˜ËĄá”ˆ ʰᶀᔗ ᔃ ᔇᔉᔃᶜʰ á”‡á”ƒËĄËĄ ᔇᔃᶜᔏ ᔃᶰᔈ á¶ á”’Êłá”—Ê° á”—á”’ ᔉᔃᶜʰ á”’á”—Ê°á”‰ÊłË‘ "ᔂᔃᶰᶰᔃ Ê°á”‰ËĄá”– ᔐᔉ á”‡á”˜á¶€ËĄá”ˆ ᔃ Ëąá”ƒá¶°á”ˆâ»á¶œá”ƒËąá”—ËĄá”‰Ë€" "Ëąá”˜Êłá”‰á”Ž" Ëąá”–á”’á¶°á”á”‰ ᔇᔒᔇ Ê°á”‰ËĄá”–á”‰á”ˆ áŽŸËĄá”ƒá¶°á”á”—á”’á¶° ʷᶀᔗʰ ᔗʰᔉ á”‡á”˜á¶€ËĄá”ˆá¶€á¶°á”Ë‘ áŽșᔉˣᔗ˒ ᔗʰᔉʞ ᔈᔉᶜᶀᔈᔉᔈ á”—á”’ á”ˆÊłá”ƒÊ· ᶀᶰ ᔗʰᔉ Ëąá”ƒá¶°á”ˆË‘ "᎔ á”—Êłá¶€á”‰á”ˆ á”—á”’ á”ˆÊłá”ƒÊ· áŽłá”ƒÊłÊž ᔗʰᔉ Ëąá¶°á”ƒá¶€ËĄË‘" Ëąá”–á”’á¶°á”á”‰á”‡á”’á”‡ ËąÊ°á”’Ê·á”‰á”ˆ áŽŸËĄá”ƒá¶°á”á”—á”’á¶°Ë‘ áŽŸËĄá”ƒá¶°á”á”—á”’á¶° á”ˆÊłá”‰Ê· áŽčÊłË‘ áŽ·Êłá”ƒá”‡ËąË’ ËĄá”ƒá”˜á”Ê°á¶€á¶°á” ᔃᔗ Ê°á¶€Ëą ᔒʷᶰ á”ˆÊłá”ƒÊ·á¶€á¶°á”Ë‘ "áŽłá”ƒÊłÊž'Ëą á”‡á¶€á”á”á”‰Êł ᔗʰᔃᶰ áŽ·Êłá”ƒá”‡Ëąá”Ž" Ëąá”–á”’á¶°á”á”‰á”‡á”’á”‡ Ëąá”—á”ƒÊłá”—á”‰á”ˆ á”—á”’ ËĄá”ƒá”˜á”Ê° á”—á”’Ë‘ "ᎌʰ ᎔ ᔏᶰᔒʷˑˑˑ" Ëąá”–á”’á¶°á”á”‰á”‡á”’á”‡ ËĄá”ƒá”˜á”Ê°á”‰á”ˆ Ê°á”ƒÊłá”ˆ ᔃ˹ ʰᔉ á”ˆÊłá”‰Ê· Ëąá” á”˜á¶€á”ˆÊ·á”ƒÊłá”ˆ Ê°á”’ËĄá”ˆá¶€á¶°á” Ê°á¶€Ëą ᔇᔒ˹˹ᔉ˹ á¶ á¶€á”á”˜Êłá”‰Ë’ ᔐᔃᔏᶀᶰᔍ áŽŸËĄá”ƒá¶°á”á”—á”’á¶° ËĄá”ƒá”˜á”Ê° Ê°á”ƒÊłá”ˆá”‰ÊłË‘ ᔀʰᔉʞ ᔇᔒᔗʰ ᶠᔒᔘᶰᔈ á”—Ê°á”‰á”Ëąá”‰ËĄá”›á”‰Ëą á”˜á¶°á”ƒá”‡ËĄá”‰ á”—á”’ Ëąá”—á”’á”– ËĄá”ƒá”˜á”Ê°á¶€á¶°á” á”˜á¶°á¶œá”’á¶°á”—Êłá”’ËĄËĄá”ƒá”‡ËĄÊžË‘ áŽ±á”›á”‰á¶°á”—á”˜á”ƒËĄËĄÊž ᔗʰᔉʞ ˥ᔉᶠᔗ ᔃᶰᔈ ʷᔉᶰᔗ á”—á”’ ÊČá”‰ËĄËĄÊžá¶ á¶€ËąÊ° á¶ á¶€á”‰ËĄá”ˆËąË‘ "᎞ᔒᔒᔏ ᔃᔗ ᔗʰᔉ Ëąá”˜á¶°Ëąá”‰á”—Ë‘" "ᎌʰ ËĄá”’á”’á”á”Ž" áŽŸËĄá”ƒá¶°á”á”—á”’á¶° ᔖᔒᶀᶰᔗᔉᔈˑ ᔂʰᔉᶰ Ëąá”–á”’á¶°á”á”‰á”‡á”’á”‡ ËĄá”’á”’á”á”‰á”ˆ á”—á”˜Êłá¶°á”‰á”ˆ ᔃʷᔃʞ˒ áŽŸËĄá”ƒá¶°á”á”—á”’á¶° ˹ᔃᶀᔈ "Ëąá¶€á”á”‰Ë’ ʞᔒᔘ'Êłá”‰ ᶀᔗᔎ" Ëąá”–á”’á¶°á”á”‰á”‡á”’á”‡ Êłá”ƒá¶° á”ƒá¶ á”—á”‰Êł ʰᶀᔐ á¶œá”ƒÊłá”‰á¶ á”˜ËĄËĄÊž ʷʰᔉᶰ áŽŸËĄá”ƒá¶°á”á”—á”’á¶° ʰᶀᔈ ᶀᶰ ᔗʰᔉ á¶œá”’Êłá”ƒËĄË‘ "ᶠᔒᔘᶰᔈ ʞᔒᔘᔎ" áŽŸËĄá”ƒá¶°á”á”—á”’á¶° á¶œËĄá¶€á”á”‰á”ˆ ᔒᔘᔗ ᔃᶰᔈ á¶œÊ°á”ƒËąá”‰á”ˆ Ëąá”–á”’á¶°á”á”‰á”‡á”’á”‡Ë’ Ê·Ê°á”’ ᔈᶀᔈᶰ'á”— Êłá”˜á¶° á”—á”’ á¶ á”ƒËąá”— ᔈᔘᔉ á”—á”’ á”›á”ƒÊłá¶€á”ƒá”—á¶€á”’á¶°Ëą ᔒᶠ Ëąá”—á”ƒá”—á”˜Êłá”‰Ë‘ áŽŸËĄá”ƒá¶°á”á”—á”’á¶° ᔈᶀᔈᶰ'á”— ˹ᔉᔉᔐ á”—á”’ ᶰᔒᔗᶀᶜᔉ á”’Êł á¶œá”ƒÊłá”‰ ᔃ˹ ʰᔉ á”‰á”›á”‰á¶°á”—á”˜á”ƒËĄËĄÊž ᶜᔃᔘᔍʰᔗ ᔘᔖˑ ᎏ˹ ᔃ á”á”ƒá”—á”—á”‰Êł ᔒᶠ ᶠᔃᶜᔗ˒ ʰᔉ ᶠᔉ˥ᔗ Ê°á”ƒá”–á”–á¶€á”‰Êł ᔃᶰᔈ á”‡á”‰á”—á”—á”‰Êł ᔗʰᔃᶰ ʰᔉ ᔈᶀᔈ ᶀᶰ ᔃ ËĄá”’á¶°á” ᔗᶀᔐᔉˑ Ꮁᔛᔉᶰ á”‡á”‰á¶ á”’Êłá”‰ áŽčÊłË‘ áŽ·Êłá”ƒá”‡Ëą ᔇᔉᶜᔃᔐᔉ ᔉᶰᔉᔐᶀᔉ˹ ʷᶀᔗʰ ʰᶀᔐ˒ ʰᔉ ᔈᶀᔈ ʰᔃᶰᔍ ᔒᔘᔗ á”˜á¶°á”—á¶€ËĄ ᔗʰᔉ ᶠᔒᔒᔈ á”‡á”˜Ëąá¶€á¶°á”‰ËąËą ᔗᔒᔒᔏ á”’á”›á”‰ÊłË‘ ᎎᔉ á¶°á”‰á”›á”‰Êł ʰᔃᔈ ᔃᶰ á”ƒá¶œá”—á”˜á”ƒËĄ ᔍᔒᔒᔈ á¶ Êłá¶€á”‰á¶°á”ˆ Ëąá¶€á¶°á¶œá”‰á”Ž áŽźá”˜á”— ʰᔉ ˥ᔉᔗ Ê°á¶€Ëą á”á”˜á”ƒÊłá”ˆ ᔈᔒʷᶰ ᔃ˹ Ê·á”ƒÊłá”á¶€á¶°á” ᔘᔖ á”—á”’ Ëąá”–á”’á¶°á”á”‰á”‡á”’á”‡Ë‘ ᔂʰᔉᶰ Ëąá”–á”’á¶°á”á”‰á”‡á”’á”‡ á¶ á¶€ÊłËąá”— ᔗᔃᔘᔍʰᔗ ʰᶀᔐ ᔃᔇᔒᔘᔗ ᶠᔘᶰ ʰᔉ ˥ᔉᔗ Ê°á¶€Ëą á”–Êłá¶€á”ˆá”‰ ᔍᔉᔗ ᔗʰᔉ ᔇᔉ˹ᔗ ᔒᶠ ʰᶀᔐˑ áŽŸËĄá”ƒá¶°á”á”—á”’á¶° Êłá”‰á¶œá”ƒËĄËĄá”‰á”ˆ Ëąá”˜á¶œÊ° ᔃ˹ ᔗʰᔉʞ Ëąá”ƒá”— ᔈᔒʷᶰ ᶀᶰ á¶ Êłá”’á¶°á”— ᔒᶠ ᔃ ᔇᶀᔍ á”—Êłá”‰á”‰ ᔃ˹ ᔃ ᔇᔃᶜᔏ Êłá”‰Ëąá”—Ë‘ "᎞ᔒᔒᔏ ᔃᔗ ᔃ˥˥ ᔗʰᔉ Ëąá”—á”ƒÊłËąá”Ž" "᎔ᔗ'Ëą ᔃ á”›á”ƒËąá”— á”˜á¶°á¶€á”›á”‰ÊłËąá”‰Ë‘Ë‘" áŽŸËĄá”ƒá¶°á”á”—á”’á¶° Êłá”‰á”–ËĄá¶€á”‰á”ˆ á”—á”’ Ëąá”–á”’á¶°á”á”‰á”‡á”’á”‡ ᔃ˹ ʰᔉ ËĄá”‰á”ƒá¶°Ëą á”—á”’ á”‡á”‰Ëąá¶€á”ˆá”‰ ʰᶀᔐˑ Ëąá”–á”’á¶°á”á”‰á”‡á”’á”‡ Ê°á”ƒËą ᔒᔖᔉᶰᔉᔈ Ê°á¶€Ëą á”‰Êžá”‰Ëą á”ƒá¶ á”—á”‰Êł á¶ á”ƒËĄËĄá¶€á¶°á” á”ƒËąËĄá”‰á”‰á”–Ë’ ᔗʰᔉ ˹ᔘᶰ ᶰᔒᔗ ᔉᔛᔉᶰ ᔘᔖ ʞᔉᔗˑ ᎎᔉ ʷᶀᔖᔉᔈ Ê°á¶€Ëą ᔒʷᶰ á”ˆÊłá”’á”’ËĄ ʷᶀᔗʰ ᔃ á¶ Êłá”‰á”‰ á”ƒÊłá”Ë‘ ᎎᔉ ᶰᔒᔗᶀᶜᔉᔈ áŽŸËĄá”ƒá¶°á”á”—á”’á¶°'Ëą ʰᔉᔃᔈ ËĄá”‰á”ƒá¶° ᔒᶰ Ê°á¶€Ëą á”’á”—Ê°á”‰Êł á”ƒÊłá”Ë’ ᔐᔒᔘᔗʰ ʰᔃᶰᔍᶀᶰᔍ ᔒᔖᔉᶰ Ê·Ê°á¶€ËĄËąá”— ᔈᔉᔉᔖ á”ƒËąËĄá”‰á”‰á”–Ë‘ Ëąá”–á”’á¶°á”á”‰á”‡á”’á”‡ Êłá”‰á”á”‰á”á”‡á”‰Êłá”‰á”ˆ ᔇᔃᶜᔏ ʷʰᔉᶰ ʰᔉ á¶ á¶€ÊłËąá”— ᔗᔃᔘᔍʰᔗ ᔃᔇᔒᔘᔗ ᶠᔘᶰˑ áŽźá”˜á”— ᔗʰᔉ á”‡á”‰á”—Êłá”ƒÊžá”ƒËĄ ʰᔃᔖᔖᔉᶰᔉᔈ Ëąá”’ ËĄá”’á¶°á” ᔃᔍᔒ ᔇᔉᶀᶰᔍ ᔗʰᔉ Ëąá”‰á¶œá”’á¶°á”ˆ ᔗᶀᔐᔉ ʰᔉ á”‰á”›á”‰Êł Ëąá”ƒÊ· áŽŸËĄá”ƒá¶°á”á”—á”’á¶°Ë‘ áŽșá”’Ê· ᔗʰᔉʞ ᔇᔒᔗʰ ᔏᶰᔉʷ Ëąá”–á”’á¶°á”á”‰á”‡á”’á”‡ ᔈᶀᔈᶰ'á”— á”‡Êłá¶€á¶°á” ᔃ ᔖᔃᔗᔗʞ ᶰᔒʷˑ ᔀʰᔉʞ'ᔛᔉ ᔇᔉᶜᔒᔐᔉ á”á”’Êłá”‰ á”ƒá”á¶€á¶œá”ƒá”‡ËĄá”‰ ʷᶀᔗʰᶀᶰ ᔗᶀᔐᔉ˒ ᔃᶰᔈ Ëąá”–á”’á¶°á”á”‰á”‡á”’á”‡ ᶜᔃᶰ ᔗᔉ˥˥ áŽŸËĄá”ƒá¶°á”á”—á”’á¶° ᔉᶰÊČᔒʞᔉᔈ ᔍᔒᶀᶰᔍ ʷᶀᔗʰ ʰᶀᔐˑ ᎎᔉ á¶°á”‰á”›á”‰Êł Êłá”‰á¶œá”ƒËĄËĄá”‰á”ˆ Ëąá”‰á”‰á¶€á¶°á” áŽŸËĄá”ƒá¶°á”á”—á”’á¶° ᔇᔉᶀᶰᔍ Ê°á”ƒá”–á”–á¶€á”‰Êł á”‡á”‰á¶ á”’Êłá”‰á”Ž ᎏ˹ ᔃ á”á”ƒá”—á”—á”‰Êł ᔒᶠ ᶠᔃᶜᔗ˒ ʰᔉ ᔃᶜᔗᔉᔈ ᔠᔘᶀᔗᔉ ᶰᶀᶜᔉ á¶ á”’Êł ᔃ á”–á”‰ÊłËąá”’á¶° Ê·Ê°á”’ á¶°á”‰á”›á”‰Êł á”’á”˜á”—Ê·á”ƒÊłá”ˆËĄÊž ËąÊ°á”’Ê·á¶° ᔃᶠᶠᔉᶜᔗᶀᔒᶰ˒ ᔃᔗ ËĄá”‰á”ƒËąá”— á”—á”’ Ëąá”–á”’á¶°á”á”‰á”‡á”’á”‡ Ëąá¶€á¶°á¶œá”‰ á”‡á”‰á¶ á”’Êłá”‰ Êžá”‰Ëąá”—á”‰Êłá”ˆá”ƒÊžË‘Ë‘Ë‘ Ëąá”–á”’á¶°á”á”‰á”‡á”’á”‡ Êłá”‰á”ƒËĄá¶€Ëąá”‰á”ˆ áŽŸËĄá”ƒá¶°á”á”—á”’á¶° Ëąá”—á”ƒÊłá”—á”‰á”ˆ á”—á”’ ᔃʷᔃᔏᔉˑ "áŽčá”’Êłá¶°á¶€á¶°á”á”Ž ᔂᔃᶰᶰᔃ á”–ËĄá”ƒÊž á”—Êłá”˜á”—Ê° á”’Êł á”ˆá”ƒÊłá”‰Ë€" "áŽłá”ƒá”á”‰ ᔒᶰᔎ á”€Êłá”˜á”—Ê° á”’Êł á”ˆá”ƒÊłá”‰Ë€" "áŽ°á”ƒÊłá”‰á”Ž" "᎔ á”ˆá”ƒÊłá”‰ ʞᔒᔘ á”á¶€ËąËą ᔃ ÊČá”‰ËĄËĄÊž á¶ á¶€ËąÊ°Ë‘Ë‘" Ëąá”–á”’á¶°á”á”‰á”‡á”’á”‡ ᶜᔃᔘᔍʰᔗ ᔒᶰᔉ ᔃᶰᔈ ᔈᶀᔈ Ëąá”’Ë‘ "᎔ ᔈᶀᔈ ᶀᔗᔎ á”€Êłá”˜á”—Ê° á”’Êł á”ˆá”ƒÊłá”‰Ë€" "᎔'ËĄËĄ ᔍᔒ ʷᶀᔗʰ á”—Êłá”˜á”—Ê°Ë‘" "ᔀᔉ˥˥ ᔐᔉ Ëąá”’á”á”‰á”—Ê°á¶€á¶°á” ʞᔒᔘ'ᔛᔉ á¶°á”‰á”›á”‰Êł á”—á”’ËĄá”ˆ ᔃᶰʞ á”’á”—Ê°á”‰Êł á”–á”‰ÊłËąá”’á¶°Ë€" "ᔂᔉ˥˥ ᔗʰᔉᶰ ʞᔒᔘ á”á”˜Ëąá”— á”–Êłá”’á”á¶€Ëąá”‰ ᶰᔒᔗ á”—á”’ á”‡ËĄá”ƒá”‡ á”‡á”‰á¶œá”ƒá”˜Ëąá”‰ ᎔ ᶜᔃᶰ'á”— ˥ᔉᔗ á”’á”—Ê°á”‰ÊłËą ᔏᶰᔒʷ ᔃᶰᔈ ᔐʞ ʷᶀᶠᔉ á”ˆá”’á”‰Ëąá¶°'á”— ᔉᔛᔉᶰ ᔏᶰᔒʷˑˑˑ" "áŽŸËĄá”ƒá¶°á”á”—á”’á¶° ʞᔒᔘ ʰᔃᔛᔉ ᔐʞ Ê·á”’Êłá”ˆ á”ƒËąËąá”˜á”á¶€á¶°á” ᶀᔗ'Ëą ᶰᔒᔗ á”ƒá¶°á”’á”—Ê°á”‰Êł ᔖᔃᔗᔗʞ ᔈᔉᶜᔉᔖᔗᶀᔒᶰˑˑˑ" Ëąá”–á”’á¶°á”á”‰á”‡á”’á”‡ á”—á”’ËĄá”ˆ ʰᶀᔐˑ áŽŸËĄá”ƒá¶°á”á”—á”’á¶° ᶰᔒᔈᔈᔉᔈ ᔃᶰᔈ ᔒᔖᔉᶰᔉᔈ ᔘᔖˑ "á”€Ê°á”‰Êłá”‰'Ëą á”á”’Êłá”‰ á”—á”’ ᔐʞ á”’Êłá¶€á”á¶€á¶° Ëąá”—á”’ÊłÊž ᔗʰᔃᶰ á”‡á”‰Ëąá¶€á”ˆá”‰Ëą áŽčÊłË‘ áŽ·Êłá”ƒá”‡ËąË‘" áŽŸËĄá”ƒá¶°á”á”—á”’á¶° Ëąá¶€á”Ê°á”‰á”ˆË’ á”—ÊłÊžá¶€á¶°á” á”—á”’ á¶œá”’ËĄËĄá”‰á¶œá”— Ê°á¶€á”Ëąá”‰ËĄá¶  Ëąá”’ ᔃ˹ á¶œá”ƒÊłÊłÊž ᔒᶰˑ "᎔'ËĄËĄ ᔃᔈᔐᶀᔗ ᎔'ᔐ ᶰᔒᔗ ᔗʰᔉ á”‡á¶€á”á”á”‰Ëąá”—Ë‘ ᔞᔒᔘ ᔏᶰᔒʷ ᎔ ᔈᔒᶰ'á”— ËĄá¶€á”á”‰ Ê·Ê°á”ƒËĄá”‰Ëą ᔃᶰᔈ ËĄá”’Ëąá”— ˹ᔒᔐᔉ ᔒᶠ á¶ á”ƒá”á¶€ËĄÊž á”—á”’ Ê·Ê°á”ƒËĄá”‰ËąË’ ᔇᔘᔗ á”—Ê°á”‰Êłá”‰'Ëą á”ƒËĄËąá”’ á”ƒá¶°á”’á”—Ê°á”‰Êł Êłá”‰á”ƒËąá”’á¶° Ê·Ê°Êž ᎔ ᶠᶀᶰᔈ áŽŸá”‰á”ƒÊłËĄ ᔗʰᔉ Ê·Ê°á”ƒËĄá”‰ á”á”’Êłá”‰ á”˜á¶°Ëąá”‰á”—á”—ËĄá¶€á¶°á”Ë‘Ë‘Ë‘" "ËąÊ°á”‰'Ëą ᔗʰᔉ á”ˆá”ƒá”˜á”Ê°á”—á”‰Êł ᔒᶠˑˑˑ" "᎔ ᔏᶰᔒʷ ᔇᔘᔗ á”—Ê°á”‰Êłá”‰'Ëą á”ƒá¶°á”’á”—Ê°á”‰Êł Êłá”‰á”ƒËąá”’á¶°Ë‘ ᔞᔒᔘ ˹ᔉᔉ˒ áŽŸá”‰á”ƒÊłËĄ ᔈᶀᔈ ʰᔃᔛᔉ ᔃ ᔐᔒᔐ Ê·Ê°á”’'Ëą á”ƒËĄËąá”’ ᔃ Ê·Ê°á”ƒËĄá”‰Ë‘ áŽčÊłË‘ áŽ·Êłá”ƒá”‡Ëą ʰᔃᔈ ᔃ á¶œÊłá”˜ËąÊ° ᔒᶰ Ê°á”‰ÊłË‘ áŽŹá¶ á”—á”‰Êł ʷᔉ ᔇᔉᶜᔃᔐᔉ ᔉᶰᔉᔐᶀᔉ˹ ʰᔉ ᔃᶰᔈ ᔗʰᔉ ᔐᔒᔐ á”‡á”˜ËĄËĄá¶€á”‰á”ˆ ᔐᔉ Êłá”‰ËĄá”‰á¶°á”—ËĄá”‰ËąËąËĄÊžË’ ᔐᔃᔏᶀᶰᔍ ᔐᔉ ᔃ á”—á”ƒÊłá”á”‰á”—Ë‘ áŽŹá¶ á”—á”‰Êł ᎔ á”Êłá”ƒá”ˆá”˜á”ƒá”—á”‰á”ˆË’ ᎔ Ê·á”ƒËą ʰᔉᔃᔈᔉᔈ á”—á”’ ᔃ á¶ á”ƒá”á¶€ËĄÊž Êłá”‰á”˜á¶°á¶€á”’á¶° ʷʰᔉᶰ áŽŸá”‰á”ƒÊłËĄ'Ëą ᔐᔒᔐ Ëąá”—á”ƒÊłá”—á”‰á”ˆ ᔉᔃᔗᶀᶰᔍ ᔐʞ á¶ á”ƒá”á¶€ËĄÊž Êłá¶€á”Ê°á”— ᶀᶰ á¶ Êłá”’á¶°á”— ᔒᶠ ᔐᔉˑ ᎔ ᔈᶀᔈᶰ'á”— ᔏᶰᔒʷ ËąÊ°á”‰'Ëą ᔃᔇᔒᔘᔗ á”—á”’ ʰᔃᔛᔉ áŽŸá”‰á”ƒÊłËĄ ʷʰᔉᶰ ᎔ ᔈᶀᔈ ᶀᔗˑ ᎔ ᔈᔒᶰ'á”— ᔏᶰᔒʷ Ê·Ê°á”’ áŽŸá”‰á”ƒÊłËĄ'Ëą Êłá”‰á”ƒËĄ ᔈᔃᔈ Ê·á”ƒËąË’ ᔇᔘᔗ ʰᔉ Ëąá”ƒÊ· ᔐᔉ ʷᔃᔗᶜʰ ᔗʰᔉ ᔐᔒᔐˑ áŽșá”’Ê· áŽčÊłË‘ áŽ·Êłá”ƒá”‡Ëą ᔈᶀᔈᶰ'á”— ᔏᶰᔒʷ ʰᶀᔐ ᔃᶰᔈ ᎔ ᔍᔒᔗ ᔐᔃᔈ á”‡á”‰á¶œá”ƒá”˜Ëąá”‰Ë’ ᔉᔛᔉᶰ ᔗʰᔒᔘᔍʰ ʷᔉ'Êłá”‰ ᔉᶰᔉᔐᶀᔉ˹˒ ʰᔉ ËĄá”’á”›á”‰á”ˆ ᔗʰᔉ ᔐᔒᔐ ᔃᶰᔈ ᔈᶀᔈᶰ'á”— ᔏᶰᔒʷ ËąÊ°á”‰'Ëą ʰᔃᔛᶀᶰᔍ áŽŸá”‰á”ƒÊłËĄË‘ Ëąá”’ ᎔ ᔏᶰᔉʷ Ê°á”’Ê· á”—á”’ á”ƒá”—á”—Êłá”ƒá¶œá”— Ëąá”‰á”ƒ á”‡á”‰á”ƒÊłËą ᔃᶰᔈ ᶀᶰ ᔐʞ ᔖᔃᶰᶀᶜ ᎔ á¶œá”ƒËĄËĄá”‰á”ˆ ˹ᔒᔐᔉ á”—á”’ ᔍᔉᔗ ᔗʰᔉ ᔈᔃᔈˑ ᎎᔉ'Ëą ᔃᔇᔒᔘᔗ á”—á”’ ᔉᔃᔗ ᔐᔉ ᔃ˹ ᎔ Êłá”‰á”á”‰á”á”‡á”‰Êłá”‰á”ˆ Ëąá”‰á”ƒ á”‡á”‰á”ƒÊł á”ƒá”—á”—á”ƒá¶œá”Ëą á”ƒá”—á”—Êłá”ƒá¶œá”— Ëąá”‰á”ƒ ÊłÊ°á¶€á¶°á”’á¶œá”‰Êłá”’á”˜ËąË‘ ᎔ ÊČá”˜Ëąá”— ᔐᔉᔃᶰᔗ á”—á”’ Ëąá¶œá”ƒÊłá”‰ ᔗʰᔉ Ê·Ê°á”ƒËĄá”‰Ëą ᔒᶠᶠᔎ áŽźá”˜á”— ᎔ ʰᔉᔃᔛᔉᔈ ᔃ Êłá”’á¶œá” ᔃᔗ ᔗʰᔉᔐ ᔇᔘᔗ ʰᶀᔗ áŽŸá”‰á”ƒÊłËĄ'Ëą ᔐᔒᔐ á¶€á¶°Ëąá”—á”‰á”ƒá”ˆá”Ž ᎔ Êłá”ƒá¶° ᔃʷᔃʞ ËĄá¶€á”á”‰ ᔃ á¶œá”’Ê·á”ƒÊłá”ˆ ʷʰᔉᶰ ᔗʰᔉʞ Ëąá”—á”ƒÊłá”—á”‰á”ˆ á”—á”’ ᔉᔃᔗ ᔗʰᔉ ᔈᔃᔈˑ" áŽŸËĄá”ƒá¶°á”á”—á”’á¶° Ëąá”’á”‡á”‡á”‰á”ˆË‘ "ᔂʰᔉᶰ ᎔ ᶜʰᔉᶜᔏᔉᔈ ᔇᔃᶜᔏ˒ ᎔ Ëąá”ƒÊ· áŽčÊłË‘ áŽ·Êłá”ƒá”‡Ëą Ëąá”ƒËĄá”›á”ƒá”á”‰ ᔗʰᔉ ᔇᔃᔇʞ áŽŸá”‰á”ƒÊłËĄ ᔃ˹ ʰᔉ Ëąá”ƒÊ· ᔗʰᔉ Êłá”’á¶œá” ᔉᔐᔇᔉᔈᔈᔉᔈˑ ᎎᔉ Êłá”‰á”ƒËĄá¶€Ëąá”‰á”ˆ Ê·Ê°á”’ ᔗʰᔉ ᔐᔒᔐ Ê·á”ƒËą ᔃᶰᔈ ËąÊ·á”’Êłá”‰ á”—á”’ á¶œá”ƒÊłá”‰ á¶ á”’Êł Ê°á”‰ÊłË‘ áŽ·Êłá”ƒá”‡Ëą á¶°á”‰á”›á”‰Êł á”—á”’ËĄá”ˆ ᔃᶰʞ ËąÊ°á”‰'Ëą ᔃᔈᔒᔖᔗᔉᔈˑ ᎔ ᶜᔃᶰ á¶°á”‰á”›á”‰Êł ˥ᔉᔗ á”ÊžËąá”‰ËĄá¶  á¶ á”’Êłá”á¶€á”›á”‰ ʷʰᔃᔗ ᎔ ᔈᶀᔈˑ ᎔ ᔉᔛᔉᶰ ʷᔉᶰᔗ á”—á”’ ᔗʰᔉ á¶ á”˜á¶°á”‰Êłá”ƒËĄ á¶ á”’Êł ᔗʰᔉᔐ˒ ᔃᶰᔈ ᔗʰᔉ Êłá”‰Ëąá”— ᔒᶠ ᔗʰᔉ á¶ á”ƒá”á¶€ËĄÊž Ê°á”‰á”ƒÊłá”ˆ ᔐᔉ Ëąá”ƒÊž 'Ëąá”’ÊłÊłÊž á¶ á”’Êł Ê·á¶€á”—á¶°á”‰ËąËąá¶€á¶°á” ᔗʰᔉ ᔈᔉᔃᔗʰ' ᔃᶰᔈ ᔗʰᔉʞ Ëąá”—á”ƒÊłá”— á”—á”’ ˥ᔉᔗ ᔐᔉ ʰᔃᔛᔉ ᶀᔗᔎ ᎔ ÊČá”˜Ëąá”— ʷᔃᶰᔗᔉᔈ á”—á”’ ᔇᔉ ᔍᔒᔒᔈ˒ ᔇᔘᔗ ᎔ á”’á¶°ËĄÊž ᔉᶰᔈᔉᔈ ᔘᔖ ᔗʰᔉ ᔇᔃᔈ ᔍᔘʞˑ ᎔ ᔏᶰᔉʷ ᎔ á”ˆá”‰Ëąá”‰Êłá”›á”‰á”ˆ ᶀᔗ˒ ᔃᶰᔈ ᔗʰᔉʞ á”—á”’ËĄá”ˆ ᔐᔉ Ê°á”’Ê· ᎔'ᔈ á¶°á”‰á”›á”‰Êł ᔃᔐᔒᔘᶰᔗ ᔃᶰʞᔗʰᶀᶰᔍˑ ᎔ Êłá”ƒá¶° ᔃᶰᔈ ʰᶀᔈ ʷʰᔉᶰ ᎔ Ëąá”ƒÊ· áŽ·Êłá”ƒá”‡Ëą ËĄá”‰á”ƒá”›á”‰ ˹ᔒᔐᔉ á¶ ËĄá”’Ê·á”‰ÊłËą ᔃᔗ ᔗʰᔉ á¶œá”‰á”á”‰á”—á”‰ÊłÊžË‘ 'ᔂʰᔒ ᔈᶀᔈ Ëąá”˜á¶œÊ° ᔃ ᔗʰᶀᶰᔍ á”—á”’ ʞᔒᔘˀ ᔂʰᔉᶰ ᎔ ᶠᶀᶰᔈ ᔗʰᔉᔐˑˑˑ' ᎔ ᔈᶀᔈᶰ'á”— ʷᔃᶀᔗ á”—á”’ Ê°á”‰á”ƒÊł á”á”’Êłá”‰Ë‘ áŽșá”’Ê· ᎔ ᔏᶰᔉʷ áŽčÊłË‘ áŽ·Êłá”ƒá”‡Ëą á”Êłá”ƒá¶°á”ˆá¶ á”ƒá”—Ê°á”‰Êł ᔃᶰᔈ á”—á”’ËĄá”ˆ ʰᶀᔐ á”‰á”›á”‰ÊłÊžá”—Ê°á¶€á¶°á”Ë’ ᔃ˹ ʰᔉ Ëąá”ƒÊ· ᔐᔉ ᔃ˹ á”ƒá¶°á”’á”—Ê°á”‰Êł á”Êłá”ƒá¶°á”ˆ ˹ᔒᶰ Ëąá¶€á¶°á¶œá”‰ ᎔ Ê·á”ƒËą á¶œËĄá”’Ëąá”‰ ʷᶀᔗʰ Ê°á¶€Ëą ᔒʷᶰˑ 'áŽșá”’ Ê·á”’á¶°á”ˆá”‰Êł ʞᔒᔘ ᔈᔒ ᶰᔒᔗ ʰᔃᔛᔉ ᔃᶰʞ á¶ Êłá¶€á”‰á¶°á”ˆËąá”Ž' áŽčÊłË‘ áŽ·Êłá”ƒá”‡Ëą á”Êłá”ƒá¶°á”ˆá¶ á”ƒá”—Ê°á”‰Êł ʰᔃᔈ ᔃ Ê°á”‰á”ƒÊłá”— ᔃᔗᔗᔃᶜᔏ ᔃᶰᔈ ᎔ á”—Êłá¶€á”‰á”ˆ á”—á”’ ᶜᔃᔗᶜʰ ʰᶀᔐ ᔇᔘᔗ áŽčÊłË‘ áŽ·Êłá”ƒá”‡Ëą ᶜᔃᔐᔉ ᶀᶰ ᔃᶰᔈ ÊČá”˜Ëąá”— Ëąá”ƒÊ· ᔐᔉ á”—ÊłÊž á”—á”’ ᔈᔒ á¶œá”’á”á”–Êłá”‰ËąËąá¶€á”’á¶°Ëą ʷʰᔉᶰ ᔗʰᔉ á”Êłá”ƒá¶°á”ˆá¶ á”ƒá”—Ê°á”‰Êł á”‡Êłá”‰á”ƒá”—Ê°á”‰á”ˆ Ê°á¶€Ëą ËĄá”ƒËąá”—Ë‘ 'ᔞᔒᔘ á¶œÊłá”’ËąËąá”‰á”ˆ ᔗʰᔉ ˥ᶀᶰᔉᔎ' ᎔ Ê°á”‰á”ƒÊłá”ˆ ʰᶀᔐ Êžá”‰ËĄËĄË‘ ᎏ˥˥ ᎔ á”—Êłá¶€á”‰á”ˆ á”—á”’ ᔈᔒ Ê·á”ƒËą Ê°á”‰ËĄá”–Ë’ ᔇᔘᔗˑˑˑ" áŽŸËĄá”ƒá¶°á”á”—á”’á¶° á”á¶°á”‰ËĄá”— ᔈᔒʷᶰ ᔃ˹ ʰᔉ Ëąá”’á”‡á”‡á”‰á”ˆË‘ "áŽŸËĄá”ƒá¶°á”á”—á”’á¶° ʞᔒᔘ ᔈᶀᔈᶰ'á”— ᔐᔉᔃᶰ á”—á”’Ë‘Ë‘Ë‘" Ëąá”–á”’á¶°á”á”‰á”‡á”’á”‡ ᶠᔒᔘᔍʰᔗ ᔇᔃᶜᔏ á”—á”‰á”ƒÊłËąË‘ "᎔ ᔏᶰᔒʷ ʞᔒᔘ'ᔈ á¶°á”‰á”›á”‰Êł ʷᔃᶰᔗ á”—á”’ ᔇᔉ ᔐʞ á¶ Êłá¶€á”‰á¶°á”ˆ á”ƒá¶ á”—á”‰Êł Ê°á”‰á”ƒÊłá¶€á¶°á” ʷʰᔃᔗˑˑˑ" "áŽŸËĄá”ƒá¶°á”á”—á”’á¶° ᎔ ʷᔒᶰ'á”— ˥ᔉᔗ ᔃᶰʞ ᔇᔃᔈ ᔗʰᶀᶰᔍ ʰᔃᔖᔖᔉᶰᔎ ᎔ ᔃᔐ Ëąá”’ Ëąá”’ÊłÊłÊžË’ ᔃᶰᔈ ʞᔒᔘ'Êłá”‰ Ëąá”‰á¶œÊłá”‰á”—Ëą Ëąá”ƒá¶ á”‰ ʷᶀᔗʰ ᔐᔉˑ" Ëąá”–á”’á¶°á”á”‰á”‡á”’á”‡ Êłá”‰á”ƒËĄá¶€Ëąá”‰á”ˆ ᶰᔒʷ Ê·Ê°Êž ʰᔉ á¶°á”‰á”›á”‰Êł á”—Êłá”˜Ëąá”—á”‰á”ˆ ᔖᔉᔒᔖ˥ᔉ á¶°á”’Êł ᔈᶀᔈ ᔍᔒᔒᔈ á”ˆá”‰á”‰á”ˆËą á¶ á”’Êł ᔗʰᔉᔐˑ "Ꮀᔒᶰ'á”— ᔉᔛᔉᶰ Ê·Êłá¶€á”—á”‰Ë‘Ë‘Ë‘" "áŽŸËĄá”ƒá¶°á”á”—á”’á¶° ᎔'ᔈ á¶°á”‰á”›á”‰Êł á”‡á”‰á”—Êłá”ƒÊž ʞᔒᔘˑ ᎔ Ê·á”’á”˜ËĄá”ˆ ᶰᔒᔗ ᔃᔇᔃᶰᔈᔒᶰ ʞᔒᔘˑ ᔞᔒᔘ ᔈᔒ ᶰᔒᔗ ʰᔃᔛᔉ á”—á”’ Ê·á”’ÊłÊłÊž ᔃᔇᔒᔘᔗ ᔐᔉˑ ᔞᔒᔘ'Êłá”‰ ᔃ Ê°á”‰Êłá”’Ë’ ᔐʞ Ê°á”‰Êłá”’Ë’ ᔗʰᔉ Ê°á”‰Êłá”’ ᎔'ᔐ á”–Êłá”’á”˜á”ˆ ᔒᶠˑ" áŽŸá”‰á”ƒÊłËĄ ᔏᶰᔉʷ Ê°á”‰Êł ᔈᔃᔈ á¶°á”‰á”›á”‰Êł á”–á”ƒÊłá”—á”‰á”ˆ ʷᶀᔗʰ Ê°á¶€Ëą ᔐᔒᶰᔉʞ˒ Ëąá”’ ËąÊ°á”‰ ʷᔉᶰᔗ á”—á”’ ᔗʰᔉ ËĄá”’á¶œá”ƒËĄ Êłá”‰á”—á¶€Êłá”‰á”á”‰á¶°á”— ʰᔒᔐᔉ á”—á”’ ʷᶀᶰ ᔗʰᔉ á¶œá”ƒËąÊ° á”–Êłá¶€á¶»á”‰á”Ž ᔞᔉᔗ ËąÊ°á”‰ ᔈᶀᔈ ᶰᔒᔗ á”‰ËŁá”–á”‰á¶œá”— á”—á”’ ˹ᔉᔉ Ê°á”‰Êł á”á”ƒá”—á”‰Êłá¶°á”ƒËĄ á”Êłá”ƒá¶°á”ˆá¶ á”ƒá”—Ê°á”‰ÊłË‘ "áŽŸá”‰á”ƒÊłËĄË€" "ᎎᔒʷ ᔈᔒ ʞᔒᔘˑˑˑ" ËąÊ°á”‰ Ëąá”ƒÊ· ᔗʰᔉ á”á”‰á¶°á”—ËĄá”‰á”á”ƒá¶°Ë‘ "ᔞᔒᔘ ᔏᶰᔒʷ ᔃᔇᔒᔘᔗ Êžá”’á”˜Êł á”á”’á”—Ê°á”‰ÊłË€ ᔞᔒᔘ'ᔛᔉ ᔃ Ëąá”—Êłá¶€á”á¶€á¶°á” Êłá”‰Ëąá”‰á”á”‡ËĄá”ƒá¶°á¶œá”‰Ë‘Ë‘Ë‘" "᎔ ˥ᶀᔛᔉ ʷᶀᔗʰ ᔐʞ ᔈᔃᔈ˒ Ꮁᔘᔍᔉᶰᔉ áŽ·Êłá”ƒá”‡ËąË‘Ë‘Ë‘" "᎔ ˹ᔉᔉˑ ᎎᔉ á”ƒËąá”á”‰á”ˆ ᔘ˹ ᶀᶠ ʰᔉ á¶œá”’á”˜ËĄá”ˆ ᔃᔈᔒᔖᔗ ʞᔒᔘ á”ƒá¶ á”—á”‰Êł Êžá”’á”˜Êł ᔐᔒᔐ á”–á”ƒËąËąá”‰á”ˆË‘ ËąÊ°á”‰ Ê·á”ƒËą ʰᶀᔗ ᶀᶰ ᔗʰᔉ ʰᔉᔃᔈ ᔇʞ ᔃ Êłá”’á¶œá”Ë’ ᔃᶰᔈ ᔗʰᔉ á”’á¶°ËĄÊž Ê·á¶€á”—á¶°á”‰ËąËą ᔐᶀᔍʰᔗ ᔇᔉ ᔗʰᔉ á”’á¶°ËĄÊž ᔖᔒ˹˹ᶀᔇ˥ᔉ ᔒᶰᔉ á”—á”’Ë‘Ë‘Ë‘" "᎔ á¶°á”‰á”›á”‰Êł ᔏᶰᔉʷ˒ ᔐʞ ᔈᔃᔈ á¶°á”‰á”›á”‰Êł á”—á”’ËĄá”ˆ ᔐᔉᔎ" "᎔ ʰᔃᔛᔉᶰ'á”— ˹ᔉᔉᶰ ʰᶀᔐ Ëąá¶€á¶°á¶œá”‰ ʰᔉ á”—á”’ËĄá”ˆ ᔐᔉ Ê°á¶€Ëą á”Êłá”ƒá¶°á”ˆá¶ á”ƒá”—Ê°á”‰Êł á”–á”ƒËąËąá”‰á”ˆË‘Ë‘Ë‘" "᎔ Ê·á”ƒËą á”—á”’ËĄá”ˆ Ê°á¶€Ëą á”Êłá”ƒá¶°á”ˆá¶ á”ƒá”—Ê°á”‰Êł á”–á”ƒËąËąá”‰á”ˆ ʷʰᔉᶰ ËąÊ°á”‰ËĄá”ˆá”’á¶° áŽŸËĄá”ƒá¶°á”á”—á”’á¶°Ë‘Ë‘Ë‘" "áŽŸËĄá”ƒá¶°á”á”—á”’á¶°â€œ á¶ á¶€ÊłËąá”— ᔐʞ á”ˆá”ƒá”˜á”Ê°á”—á”‰Êł ᔃᶰᔈ ᶰᔒʷˑˑˑ" "áŽŸËĄá”ƒá¶°á”á”—á”’á¶°Ë‘" áŽŸá”‰á”ƒÊłËĄ Ëąá”ƒá¶€á”ˆË‘ "᎔'ËĄËĄ ᔃᔛᔉᶰᔍᔉ ᔗʰᔉ á”ˆá”‰á”ƒá”—Ê°ËąË‘Ë‘Ë‘" Ëąá”–á”’á¶°á”á”‰á”‡á”’á”‡ ᔗᔒᔒᔏ áŽŸËĄá”ƒá¶°á”á”—á”’á¶° ᔇᔃᶜᔏ á”—á”’ ᔗʰᔉ ᶜʰᔘᔐ ᔇᔘᶜᔏᔉᔗ ʷʰᔉᶰ áŽŸá”‰á”ƒÊłËĄ ËąÊ°á”’Ê·á”‰á”ˆ ᔘᔖ ʷᶀᔗʰ Ê°á”‰Êł á¶ á”ƒá”—Ê°á”‰ÊłË‘ "ᔂʰʞ'ᔈ ʞᔒᔘ á”‡Êłá¶€á¶°á” ᔐᔉ Ê°á”‰Êłá”‰Ë€" "᎔'ËĄËĄ ˥ᔉᔗ ʰᶀᔐ ᔗᔉ˥˥ ʞᔒᔘˑˑˑ" "áŽŸá”‰á”ƒÊłËĄË’ ʷʰᔃᔗˑˑˑ" "᎔ Ê·á”ƒËą á”–ËĄá”ƒÊžá¶€á¶°á” ᔇᶀᶰᔍᔒˑ ᔞᔒᔘ ᔏᶰᔒʷ Ê·Ê°á”’ ᎔ ᔐᔉᔗˀ ᎔ ᔐᔉᔗ ᔐʞ á”Êłá”ƒá¶°á”ˆá¶ á”ƒá”—Ê°á”‰Êł Ê·Ê°á”’ á”—á”’ËĄá”ˆ ᔐᔉ ʷʰᔃᔗ áŽŸËĄá”ƒá¶°á”á”—á”’á¶° ᔈᶀᔈᔎ" "ᔂʰᔃᔗ ᔈᶀᔈ ʞᔒᔘ ᔈᔒˀ" "áŽŸËĄá”‰á”ƒËąá”‰Ë’ ᎔ˑˑˑ" "áŽŸËĄá”ƒá¶°á”á”—á”’á¶°'Ëą ᔗʰᔉ ᔒᶰᔉ Ê·Ê°á”’ á”˜á¶°á”ƒËĄá¶€á”›á”‰á”ˆ Ê°á”‰Êł; ʞᔒᔘ á”—Ê°Êłá”‰Ê· ᔗʰᔉ Êłá”’á¶œá” ᔃᔗ ᔐʞ ᔐᔒᔐᔎ" ᔀʰᔉ Êłá”’á”’á” Ê·á”ƒËą ˹ᶀ˥ᔉᶰᔗ á¶ á”’Êł ᔃ ᔐᔒᔐᔉᶰᔗ ᔃ˹ ËąÊ°á”’á¶œá” ˹ᔉᔗ ᶀᶰˑ "᎔ᔗ'Ëą ᔃᶰ ᔃᶜᶜᶀᔈᔉᶰᔗ˒ Ꮁᔘᔍᔉᶰᔉ; ᔍᔉᔗ á”’á”›á”‰Êł Êžá”’á”˜Êł á”–Êłá¶€á”ˆá”‰ ᔃᶰᔈ ᶠᶀᶰᔈ ˹ᔒᔐᔉ á¶ á”’Êłá”á¶€á”›á”‰á¶°á”‰ËąËą ᶀᶰ Êžá”’á”˜Êł Ê°á”‰á”ƒÊłá”—á”Ž" Ëąá”–á”’á¶°á”á”‰á”‡á”’á”‡ Êžá”‰ËĄËĄá”‰á”ˆË’ ʷʰᶀᶜʰ ʰᔉ á¶°á”‰á”›á”‰Êł ᔈᶀᔈˑ "ᔂᔉ ᶜᔃᶰ'á”— ᶜʰᔃᶰᔍᔉ ᔗʰᔉ á”–á”ƒËąá”— ᔇᔘᔗ ʷᔉ ᶜᔃᶰ ËĄá”‰á”ƒÊłá¶° á¶ Êłá”’á” ᶀᔗ ᶰᔒʷ á”—á”’ á”‡á”‰á”—á”—á”‰Êł ᔗʰᔉ á¶ á”˜á”—á”˜Êłá”‰Ë‘Ë‘Ë‘" "ᎎᔉ'Ëą Êłá¶€á”Ê°á”—Ë‘Ë‘Ë‘"
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r/TwoSentenceHorror 4 yr. ago Averagebiker21 After I asked the crystal ball to tell me how to escape death, I was very confused as it read "No, thanks honey, I'm full" However, something clicked in my head when my wife offered me cake after dinner...
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Tuesday, March 31st, 2015 | I only go shopping at night The cashier swipes my items across the scanner as I stare at the floor. I find it easiest to get through my anxiety by avoiding eye contact with other people. That’s why I only go shopping at night fewer people to avoid. “Did you find everything okay?” she asks casually. “Mm-hmm,” I mumble to the floor. Her voice sounds nice. Pleasant. Curiosity wins over and I glance up. The cashier’s head is completely caved in on the left side. Probably a car accident. I snap my gaze back down towards the floor. After I pay she gives back my change in a hand so mangled I’m surprised it can hold anything at all. Thanking her, I grab my bags and turn towards the exit. Immediately I see a man looking through magazines at the store front. The skin on his face and hands is the consistency of a hot dog that fell into a campfire. Burn victim. I rush out the door as fast as I can. In my car I finally catch my breath as I lean my forehead on the steering wheel. Eventually I look up and see my familiar reflection in the rear-view mirror: my head is blown open in the back. Gunshot victim. Why did I ever wish for the power to see how people die? Credit to reddit user resistance1984
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Warning: This item may contain sensitive themes such as nudity.

ʚ‎‏ ͜ ̩͙ ïž” ̩͙ à­š 🍓 à­§ ̩͙ ‏ ̩͙ ͜ ɞʚ‎‏ ͜ ̩͙ ïž” ̩͙ à­š 🍓 à­§ ̩͙ ‏ ̩͙ ͜ ɞ ꔛ Û« ✿ (àč‘`^ÂŽàč‘)đŸŽ€â­ïžă‚‚ăŁăšâ™„ ïŒ§ïŒŻïŒïŒ§ïŒŻïŒđŸŽ€â­ïž ʚ‎‏ ͜ ̩͙ ïž” ̩͙ à­š 🍓 à­§ ̩͙ ‏ ̩͙ ͜ ɞʚ‎‏ ͜ ̩͙ ïž” ̩͙ à­š 🍓 à­§ ̩͙ ‏ ̩͙ ͜ ɞ
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Best Practices for Encouraging Special Interests in Children with Autism What Helps ‱ Encouraging conversation about interest ‱ Paying attention to non-verbal cues ‱ Engaging in activity about interest ‱ Allowing children to keep objects related to interest ‱ Taking note of circumstances that promote calmness ‱ Using interest as motivation for desired behaviors What Hurts ‱ Treating the interest like it's boring ‱ Ignoring non-verbal cues or gestures ‱ Disengaging from the conversation ‱ Forcing a discussion unrelated to the interest ‱ Demanding that children think about other subjects ‱ Leveraging interest as punishment
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á¶ â±Êłá”‰ áŽŹÊ·á”ƒÊž âœá”†á”–á”’âżá”á”‰áŽźá”’á”‡ á¶ á”ƒâżá¶ â±á¶œâŸ "᎔ á”âżá”’Ê· ʞᔉ á¶œá”ƒÊłá”‰ ᔃᔇᔒᔘᔗ ᔃ˥˥ ᔖᔉᔒᔖ˥ᔉ Ëąá”–á”’âżá”á”‰ ᔇᔒᔇ ᔇᔘᔗ áŽŸËĄá”ƒâżá”á”—á”’âż ⁱ˹ á”’á”˜Êł á”‰âżá”‰á”Êžâ€§ ᔆᔒ ⁱᶠ ʞᔉ Ê·á”ƒâżâżá”ƒ ᔏᔉᔉᔖ Ê·á”’Êłá”â±âżá” á¶ á”’Êł ᔐᔉ➎ âżá”‰á”›á”‰Êł á”—á”ƒËĄá” á”—á”’ ʰⁱᔐ á”’á”—Ê°á”‰Êł á”—Ê°á”ƒâż Ê·Ê°á”‰âż ʰᔉ á”—Êłâ±á”‰Ëą á”—á”’ Ëąá”—á”‰á”ƒËĄ!" áŽčÊłâ€§ áŽ·Êłá”ƒá”‡Ëą á”—á”’ËĄá”ˆ Ëąá”–á”’âżá”á”‰á”‡á”’á”‡ Ê°â±Ëą Ê·á”ƒÊłâżâ±âżá” á”—á”’ ˥ᔉᔗ ʰⁱᔐ á”âżá”’Ê· ʰᔉ'ᔈ ᔇᔉ á¶ â±Êłá”‰á”ˆ ⁱᶠ ᶜᔃᔘᔍʰᔗ‧ "ʞᔉ á¶œá”ƒâż ᔇᔉ á”á”‰á”ƒâż á”—á”’ ʰⁱᔐ ᔗʰᔒᔘᔍʰ ᔇᔘᔗ á”’á”—Ê°á”‰Êł Ê·â±Ëąá”‰ á”ˆá”’âż'á”— á”ˆá”˜Êłâ±âżá” Ê·á”’Êłá” âżá”’Êł á”ƒá¶ á”—á”‰Êł Ê°á”’á”˜ÊłËą!" ᎌᶠ á¶œá”’á”˜ÊłËąá”‰âžŽ áŽŸËĄá”ƒâżá”á”—á”’âż ᔈⁱᔈⁿ'á”— Ê°á”‰á”ƒÊł ˹ᔃⁱᔈ á¶œá”’âżá”›á”‰ÊłËąá”ƒá”—â±á”’âżâ€§ á”†á”–á”’âżá”á”‰á”‡á”’á”‡'Ëą á”—á”’ âżâ±á¶œá”‰ á”—á”’ Êłá”‰ÊČᔉᶜᔗ ᔇᔘᔗ ᔃᔗ ᔗʰᔉ Ëąá”ƒá”á”‰ ᔗⁱᔐᔉ ʰᔉ'Ëą ⁿᔒᔗ á”á”’â±âżá” á”—á”’ Ê·á”ƒâżá”— ᔍᔒ ᔐᔉᔉᔗ ʰⁱᔐ ᔒᔘᔗ Ëąâ±á”ˆá”‰ ᔒᶠ Ê·á”’Êłá”â€§ áŽźá”˜á”— á”—Ê°á”‰âż ᔗʰᔉʞ ᔇᔒᔗʰ Ê°á”ƒá”–á”–á”‰âżá”‰á”ˆ á”—á”’ ᔍᔒ á”—á”’ ᔗʰᔉ ᔍᔒᔒ ËĄá”ƒá”á”’á”’âż ᔇᔉᔃᶜʰ‧ "á”†á”–á”’âżá”á”‰á”‡á”’á”‡â€œ" ᎎᔉ á”—á”˜Êłâżá”‰á”ˆ á”ƒÊłá”’á”˜âżá”ˆ á”—á”’ ˹ᔉᔉ áŽŸËĄá”ƒâżá”á”—á”’âżâ€§ "ᎎᔉʞ ᔏⁱᔈ‧ á¶ á”˜âżâżÊž ʷᔉ ᔇᔒᔗʰ á”‰âżá”ˆá”‰á”ˆ ᔘᔖ ᔃᔗ ᔗʰᔉ ᔍᔒᔒ ËĄá”ƒá”á”’á”’âż ᔇᔉᔃᶜʰ ᔗᔒᔈᔃʞ‧‧‧" á”†á”–á”’âżá”á”‰á”‡á”’á”‡ âżá”’á”ˆËąâ€§ áŽŸËĄá”ƒâżá”á”—á”’âż âżá”’á”—â±á¶œá”‰á”ˆ Ê°á”’Ê· âżá”‰Êłá”›á”’á”˜Ëą Ëąá”–á”’âżá”á”‰ ᔇᔒᔇ ËĄá”’á”’á”á”‰á”ˆ ᔃ˹ ⁱᶠ ʰᔉ'ᔈ ᔍᔉᔗ ᶜᔃᔘᔍʰᔗ á”ˆá”’â±âżá” ᔃ á¶œÊłâ±á”á”‰â€§ "ᔂʰᔃᔗ'Ëą ᔘᔖ?" "᎔⁻᎔'ᔐ Ëąá”’ÊłÊłÊžâžŽ ᎔ ÊČá”˜Ëąá”— Êłá”‰á”á”‰á”á”‡á”‰Êłá”‰á”ˆ á”—á”’ ᔍᔉᔗ ˹ᔒᔐᔉ á”‰ËŁá”‰Êłá¶œâ±Ëąá”‰!" ᎎᔉ á”ƒâżËąÊ·á”‰Êłá”‰á”ˆâžŽ Êłá”˜âżâżâ±âżá” ᔃʷᔃʞ á¶ Êłá”’á” áŽŸËĄá”ƒâżá”á”—á”’âżâ€§ ᎎᔉ Ëąá”—á”’á”–á”–á”‰á”ˆ Êłá”˜âżâżâ±âżá” á”‰á”›á”‰âżá”—á”˜á”ƒËĄËĄÊž Ëąá”ƒÊ· áŽŸËĄá”ƒâżá”á”—á”’âż á¶œá”ƒá”—á¶œÊ°â±âżá” ᔘᔖ‧ "ᔂᔃⁱᔗ á¶ á”’Êł ᔐᔉ!" á”†á”–á”’âżá”á”‰á”‡á”’á”‡ ᔈⁱᔈⁿ'á”— ᔖᔃʞ á”ƒâżÊž ʰᔉᔉᔈ‧ 'á¶œá”ƒâż áŽŸËĄá”ƒâżá”á”—á”’âż ËąÊ·â±á”?' á”†á”–á”’âżá”á”‰á”‡á”’á”‡ ᔗʰᔒᔘᔍʰᔗ âżá”’Ê· á”á”’â±âżá” ᔗʰᔉ á”’á¶œá”‰á”ƒâż á¶ Êłá”’á” ËąÊ°á”’Êłá”‰â€§ ᎎᔉ á¶œá”ƒâż ËąÊ·â±á” ⁱⁿ ᔈᔉᔉᔖ á”‰âżá”’á”˜á”Ê° Ê·á”ƒá”—á”‰ÊłËą á”—á”’ Ëąá”ƒá¶ á”‰ËĄÊž ᔍᔒ á”á”’Êłá”‰ ᔈᔉᔉᔖ á”—Ê°á”ƒâż áŽŸËĄá”ƒâżá”á”—á”’âżâžŽ Ê·Ê°á”’ ᔏᔉᔖᔗ á¶œá”ƒËĄËĄâ±âżá” ᔒᔘᔗ á¶ á”’Êł ʰⁱᔐ‧ áŽžá”ƒÊłÊłÊž ᔗʰᔉ ËĄá”’á”‡Ëąá”—á”‰Êł'Ëą ËąÊ·â±á”á”â±âżá” ʷⁱᔗʰ Ëąá”–á”’âżá”á”‰á”‡á”’á”‡âžŽ ᔇᔒᔗʰ ᔒᶠ ᔗʰᔉᔐ Ëąá”â±ËĄâ±âżá” ᔃᔗ ᔉᔃᶜʰ á”’á”—Ê°á”‰Êłâ€§ áŽŸËĄá”ƒâżá”á”—á”’âż á”—Êłâ±á”‰á”ˆ á”ƒá”á”ƒâ±âżâ€§ "Ꮇⁱᔈ ʷᔃⁱᔗ‧‧" á”†á”–á”’âżá”á”‰á”‡á”’á”‡ Ëąá”—á”’á”–á”–á”‰á”ˆ Ëąá”â±ËĄâ±âżá”âžŽ ËąÊ°á”ƒá”â±âżá” Ê°â±Ëą ʰᔉᔃᔈ á”˜âżÊ°á”ƒá”–á”–â±ËĄÊž ᔃᔗ áŽŸËĄá”ƒâżá”á”—á”’âż á”‡á”‰á¶ á”’Êłá”‰ á”—á”˜Êłâżâ±âżá” ᔇᔃᶜᔏ ᔗᔒ‧‧ áŽŸËĄá”ƒâżá”á”—á”’âż âżá”‰á”›á”‰Êł ËĄâ±á”á”‰á”ˆ á”—á”’ ᔇᔉ ˹ᔉᔉⁿ á¶œÊłÊžâ±âżá” Ëąá”’ ʰᔉ ˥ᔉᶠᔗ Ê·Ê°á”‰âżá¶œá”‰ ʰᔉ Êłá”‰á”ƒËĄâ±Ëąá”‰á”ˆ ʰᔉ'Ëą ⁿᔒᔗ á”ƒá”‡ËĄá”‰ á”—á”’ Ëąá”—á”’á”– ᔗʰᔉ á”—á”‰á”ƒÊłËąâ€§ áŽŹá¶ á”—á”‰Êł á”á”’â±âżá” ËąÊ·â±á” Ëąá”–á”’âżá”á”‰á”‡á”’á”‡ á”–á”ƒËąËąá”‰á”ˆ áŽŸËĄá”ƒâżá”á”—á”’âżâžŽ âżá”’Ê· Ëąá”‰á”‰â±âżá” ʰⁱᔐ á¶œá”’âżá¶ á”˜Ëąá”‰á”ˆâ€§ áŽŸËĄá”ƒâżá”á”—á”’âż ËĄá”’á”’á”á”‰á”ˆ ᔘᔖ ᔃᔗ ʰⁱᔐ ᔃ˹ á”—á”‰á”ƒÊłËą Ëąá”—Êłá”‰á”ƒá” á”ˆá”’Ê·âżâ€§ á‘«á”˜â±á¶œá”ËĄÊž ËĄá”’á”’á”â±âżá” ᔃ ʷᔃʞ Ëąá”–á”’âżá”á”‰á”‡á”’á”‡ Ê·á”‰âżá”— ᔇᔃᶜᔏ ʰᔒᔐᔉ➎ ⁿᔒᔗ ËĄâ±á”â±âżá” ᔗʰᔉ ʷᔃʞ áŽŸËĄá”ƒâżá”á”—á”’âż ËĄá”’á”’á”á”‰á”ˆ ᔇᔘᔗ Ê°â±Ëą ÊČᔒᔇ'Ëą ᔃᔗ Ëąá”—á”ƒá”á”‰â€§ áŽŸËĄá”ƒâżá”á”—á”’âż'Ëą ⁿᔒ Ëąá”—Êłá”ƒâżá”á”‰Êł á”—á”’ ˹˥ᔉᔉᔖ˥ᔉ˹˹ âżâ±á”Ê°á”—Ëą âżá”’Êł á”—á”’ á”‰âżá¶œá”’á”˜âżá”—á”‰Êłâ±âżá” á¶œá”’âżá¶ ËĄâ±á¶œá”—á”‰á”ˆâžŽ ᔇᔘᔗ âżá”’Ê· ʰᔉ ᶠᔉ˥ᔗ Ê·á”’ÊłËąá”‰ á”ƒá¶ á”—á”‰Êłâ€§ áŽŹá¶ á”—á”‰Êł Ëąá”–á”’âżá”á”‰á”‡á”’á”‡'Ëą ËąÊ°â±á¶ á”— ʰᔉ á¶ á”’á”˜âżá”ˆ áŽŸËĄá”ƒâżá”á”—á”’âż Ê·á”ƒâ±á”—â±âżá” á¶ á”’Êł ʰⁱᔐ ᔇʞ Ê°â±Ëą á”’Ê·âż á”–â±âżá”‰á”ƒá”–á”–ËĄá”‰ Ê°á”’á”˜Ëąá”‰â€§ á”†á”–á”’âżá”á”‰á”‡á”’á”‡ á”–á”ƒâżâ±á¶œá”á”‰á”ˆ ᔃⁿᔈ Ê·á”ƒâżá”—á”‰á”ˆ á”—á”’ á”‰Ëąá¶œá”ƒá”–á”‰ ᔗʰᔉ Ëąâ±á”—á”˜á”ƒá”—â±á”’âż â±á”á”á”‰á”ˆâ±á”ƒá”—á”‰ËĄÊžâ€§ "Ꮃᔉᔗ ËĄá”’Ëąá”—; ᎔'ᔐ ⁿᔒᔗ Ê·á”ƒâżá”—â±âżá” á”—á”’ ᔇᔉ ˹ᔉᔉⁿ ʷⁱᔗʰ ʞᔒᔘ!" á”†á”–á”’âżá”á”‰á”‡á”’á”‡ Êžá”‰ËĄËĄá”‰á”ˆâžŽ á”á”’â±âżá” ⁱⁿ ᔃⁿᔈ á”–Êłá”’á”á”–á”—ËĄÊž á¶œËĄá”’Ëąâ±âżá” ᔗʰᔉ á”ˆá”’á”’Êł ËąÊ°á”˜á”—â€§ áŽŸËĄá”ƒâżá”á”—á”’âż Ëąá”—á”’á”’á”ˆ ⁱⁿ á”˜á”—á”—á”‰Êł ËąÊ°á”’á¶œá”âžŽ á”’âżá¶œá”‰ á”ƒá”á”ƒâ±âż á”—ÊłÊžâ±âżá” á”—á”’ ⁿᔒᔗ ˹ᔒᔇ‧‧ "áŽŸËĄá”ƒâżá”á”—á”’âż'Ëą Ëąá”‰á”‰á”á”‰á”ˆ á”—á”’ ᔗᔃᔏᔉ ᔃ á”‡Êłá”‰á”ƒá” á¶ Êłá”’á” Ê°â±Ëą á”ƒâżá”—â±á¶œËą ʷⁱᔗʰ ᔗʰᔉ á”Êłá”˜Ëąá”—Êž á”Êłá”ƒá”‡âžŽ ᔇᔘᔗ ᎔ á”ˆá”’âż'á”— Ê·á”ƒâżá”— á”—á”’ á”á”‰á”ƒâż á¶ á”’Êł á”—á”’ ᔏᔉᔉᔖ á”á”˜á”ƒÊłá”ˆËą á”ˆá”’Ê·âż Ëąá”’ ᔏᔉᔉᔖ á”á”˜á”ƒÊłá”ˆ ᔘᔖ! ᎏⁿᔈ Êłá”‰á”á”‰á”á”‡á”‰Êł ʷʰᔃᔗ'Ëą á”—á”ƒËĄá”á”‰á”ˆ ᔃᔇᔒᔘᔗ Ëąá”–á”’âżá”á”‰á”‡á”’á”‡â€§â€§â€§" áŽčÊłâ€§ áŽ·Êłá”ƒá”‡Ëą ˹ᔃⁱᔈ ᔗʰᔉ ⁿᔉˣᔗ ʷᔉᔉᔏ á”ƒá¶ á”—á”‰Êłâ€§ á”†á”–á”’âżá”á”‰á”‡á”’á”‡ ᔍᔒᔗ Ê·á”’ÊłÊłâ±á”‰á”ˆâžŽ ⁿᔒᔗ Ëąá”‰á”‰â±âżá” áŽŸËĄá”ƒâżá”á”—á”’âż Ëąâ±âżá¶œá”‰ ʰᔉ ᶜᔃᔐᔉ á”—á”’ Ê°â±Ëą ʰᔒᔐᔉ‧ ᎏ˥˥ á”âżá”‰Ê· á”†á”–á”’âżá”á”‰á”‡á”’á”‡ âżá”‰á”›á”‰Êł Êžá”‰ËĄËĄá”‰á”ˆâžŽ ᔃⁿᔈ ⁱᔗ'Ëą á”˜âżËąá”‰á”—á”—ËĄâ±âżá” ᔗᔒ‧ ᎎᔉ Êłá”‰á”á”‰á”á”‡á”‰Êłá”‰á”ˆ ᔗʰᔉ á¶œá”’âżá¶ á”˜Ëąá”‰á”ˆ ᔃⁿᔈ ˹ᔃᔈ ËĄá”’á”’á” á¶ Êłá”’á” áŽŸËĄá”ƒâżá”á”—á”’âżâ€§ á”‚Ê°á”‰âż á”—á”ƒá”â±âżá” ᔒᔘᔗ ᔗʰᔉ á”—Êłá”ƒËąÊ° á”—á”’ ᔗʰᔉ á”ˆá”˜á”á”–Ëąá”—á”‰ÊłâžŽ Ëąá”–á”’âżá”á”‰á”‡á”’á”‡ Ê°á”‰á”ƒÊłá”ˆ áŽŸËĄá”ƒâżá”á”—á”’âż á”‡á”ƒÊ·ËĄâ±âżá” ᔃⁿᔈ Ëąá”ƒÊ· ʰⁱᔐ á”‡á”‰Ê°â±âżá”ˆ ᔗʰᔉ á”ˆá”˜á”á”–Ëąá”—á”‰Êłâ€§ "áŽŸËĄá”ƒâżá”á”—á”’âż; Ꮃᔉᔗ ᎌᔘᔗ‧" ᎎᔉ Êłá”ƒâ±Ëąá”‰á”ˆ Ê°â±Ëą ᔛᔒⁱᶜᔉ‧ "áŽźá”˜á”— á”†á”–á”’âżá”á”‰â€§â€§â€§" "᎔ Ꮀᔒⁿ'á”— á¶œá”ƒÊłá”‰; ᎳᎱᔀ➎ ᎌᔁᔀ!" ᎎᔉ Ëąá”ƒÊžËą â±âżá”—á”‰ÊłÊłá”˜á”–á”—â±âżá” áŽŸËĄá”ƒâżá”á”—á”’âżâ€§ á”†á”˜á”ˆá”ˆá”‰âżËĄÊž Ëąá‘«á”˜â±á”ˆÊ·á”ƒÊłá”ˆ ᶜᔃᔐᔉ ᔒᔘᔗ ᔗᔒ‧ "á”†á”–á”’âżá”á”‰á”‡á”’á”‡ ʷʰᔃᔗ'Ëą á”—á”ƒá”â±âżá”â€§â€§â€§" á”†á‘«á”˜â±á”ˆÊ·á”ƒÊłá”ˆ á”—Êłá”ƒâ±ËĄá”‰á”ˆ ᔒᶠᶠ➎ âżá”’Ê· Ëąá”‰á”‰â±âżá” áŽŸËĄá”ƒâżá”á”—á”’âżâ€§ "áŽ¶á”˜Ëąá”— á”—ÊłÊžâ±âżá” á”—á”’ ᔍᔉᔗ Ê·á”’Êłá” á”ˆá”’âżá”‰âžŽ ᔇᔘᔗ á”—Ê°á”‰âż áŽŸËĄá”ƒâżá”á”—á”’âż á”—Êłâ±á”‰á”ˆ á”—á”’ á”—á”ƒËĄá” á”—á”’ ᔐᔉ‧ áŽźá”˜á”— ᎔'ᔐ ⁿᔒᔗ Ê·á”’âż'á”— á”‰âżá”á”ƒá”á”‰â€§â€§â€§" "áŽŸËĄá”ƒâżá”á”—á”’âż ʞᔒᔘ Ê·á”’âż'á”— ᔍᔉᔗ ᔗʰᔉ â±âżá”Êłá”‰á”ˆâ±á”‰âżá”—Ëą!" "᎔‧‧‧" áŽŸËĄá”ƒâżá”á”—á”’âż Ëąá”—á”ƒÊłá”—á”‰á”ˆ á”—á”’ Ëąá”ƒÊž ᔇᔘᔗ ᔇᔒᔗʰ ᔗʰᔉ á”‰á”á”–ËĄá”’Êžá”‰á”‰Ëą Ê·á”‰âżá”— ᔇᔃᶜᔏ ⁱⁿ‧ á”†á”–á”’âżá”á”‰á”‡á”’á”‡ ᶠᔉ˥ᔗ á”ƒÊ·á¶ á”˜ËĄâžŽ ᔃⁿᔈ ʰᔉ á”âżá”‰Ê· ʷʰᔃᔗ Êłâ±Ëąá”á”‰á”ˆ ᔃⁿᔈ ʞᔉᔗ ʰᔉ ˹ᔗⁱ˥˥ ᶠᔉ˥ᔗ Ëąá”—Êłá”‰ËąËąá”‰á”ˆâ€§ áŽŹá¶ á”—á”‰Êł Ê·á”’Êłá”âžŽ ʰᔉ ʷᔃᔗᶜʰᔉᔈ áŽčÊłâ€§ áŽ·Êłá”ƒá”‡Ëą ËĄá”‰á”ƒá”›á”‰ ᔃⁿᔈ ʰᔉ ᔈᔉᶜⁱᔈᔉᔈ á”—á”’ ᔍᔒ ˹ᔉᔉ á”—á”’ áŽŸËĄá”ƒâżá”á”—á”’âżâ€§ áŽłá”’â±âżá” ⁱⁿ á”—á”’ ᔗʰᔉ ᶜʰᔘᔐ ᔇᔘᶜᔏᔉᔗ➎ Ëąá”–á”’âżá”á”‰á”‡á”’á”‡ á”âżá”’á¶œá”á”‰á”ˆ ᔒⁿ áŽŸËĄá”ƒâżá”á”—á”’âż'Ëą á”‡á”‰á”ˆÊłá”’á”’á” á”ˆá”’á”’Êłâ€§ "áŽ¶á”˜Ëąá”— á”–ËĄá”‰á”ƒËąá”‰ ËĄá”‰á”ƒá”›á”‰ ᔐᔉ á”ƒËĄá”’âżá”‰âžŽ áŽ·á”ƒÊłá”‰âżâ€§â€§" á”†á”–á”’âżá”á”‰á”‡á”’á”‡ Ê°á”‰á”ƒÊłá”ˆ ʰⁱᔐ á¶œÊłÊžâ€§ á”†á”–á”’âżá”á”‰á”‡á”’á”‡ Ëąâ±á”Ê°á”‰á”ˆâ€§ '᎔ âżá”‰á”›á”‰Êł á”á”‰á”ƒâżá”— á¶ á”’Êł Ëąá”˜á¶œÊ° á”—Ê°â±âżá” á”—á”’ Ê°á”ƒá”–á”–á”‰âż' á”†á”–á”’âżá”á”‰á”‡á”’á”‡ ᔗʰᔒᔘᔍʰᔗ‧ ᎎᔉ á”âżá”’á¶œá”á”‰á”ˆ á”ƒá”á”ƒâ±âżâ€§ "Ꮃᔒ ᔃʷᔃʞ‧‧‧" áŽŸËĄá”ƒâżá”á”—á”’âż á”’á”–á”‰âżá”‰á”ˆ Ê°â±Ëą á”ˆá”’á”’ÊłâžŽ âżá”’Ê· âżá”’á”—â±á¶œâ±âżá” Ëąá”–á”’âżá”á”‰á”‡á”’á”‡â€§ "ᎌʰ‧‧‧" "áŽŸËĄá”ƒâżá”á”—á”’âż ᎔'ᔐ Ëąá”’ÊłÊłÊž á¶ á”’Êł ᔗʰᔉ ʷᔃʞ ᎔ á”—Êłá”‰á”ƒá”—á”‰á”ˆ ʞᔒᔘ‧ áŽčÊłâ€§ áŽ·Êłá”ƒá”‡'Ëą á”—á”’ËĄá”ˆ ᔐᔉ ᎔'ᔛᔉ á”—á”’ âżá”‰á”›á”‰Êł Ëąá”–á”‰á”ƒá” á”—á”’ ʞᔒᔘ á”ƒá”á”ƒâ±âż ⁱᶠ ᎔ á”—á”’ ᔏᔉᔉᔖ ᔐʞ ÊČᔒᔇ ᔃᔗ ᔗʰᔉ á”Êłá”˜Ëąá”—Êž á”Êłá”ƒá”‡â€§ ᎔ á¶ Êłá”‰á”ƒá”á”‰á”ˆ ᔒᔘᔗ‧‧" á”†á”–á”’âżá”á”‰á”‡á”’á”‡ Êłá”˜á”‡á”‡á”‰á”ˆ áŽŸËĄá”ƒâżá”á”—á”’âż'Ëą ʰᔉᔃᔈ‧ "ʞᔒᔘ ᔈⁱᔈ âżá”’á”—Ê°â±âżá” Ê·Êłá”’âżá”â€§ ᎔ ᔈᔒᔘᔇᔗ ᎔'ᔈ ᔍᔉᔗ Êžá”’á”˜Êł á¶ á”’Êłá”â±á”›á”‰âżá”‰ËąËą âżá”’Ê· ᔇᔘᔗ‧‧‧" "á”†á”–á”’âżá”á”‰á”‡á”’á”‡ ᎔➎ ᎔ ᔈᔒ á¶ á”’Êłá”â±á”›á”‰ ʞᔒᔘ!"
new spongebob fanfic walks on the beach wordcount: 100-1.000 Sheldon J. Plankton/SpongeBob SquarePants fire away
The Low After the High newwwwusername Summary: Plankton goes into a depressive episode after his volcano plan falls through Relationship: Karen/Sheldon J. Plankton Characters: Sheldon J. Plankton, Karen (SpongeBob) Plankton would regularly flipflop between emotions as far back as Karen could remember. "Sheldon?" Karen said cautiously. Plankton just groaned slightly, curling further into himself. Karen frowned and walked over, sitting down next to him. "Sheldon, hey" "What do you want?" "Are you okay?" she asked and that's when the man broke down in tears. She picked him up and held him in her arms, rubbing his back gently. "It's okay" she told him. "You're okay" "I failed..." "You didn't" she shook her head. "Something came up that you couldn't have foreseen" she reasoned. "You didn't fail" "I'm sorry" "Shhhh" she shushed. "No apologies, okay? I love you" ... "Yeah, I love you too" Stats: Published:2023-05-27
new plankaren plankkaren plaren
á”‚á”ƒËĄá”â±âżá” ᔗʰᔉ áŽŸÊłá”ƒâżá” âœá”†á”–á”’âżá”á”‰áŽźá”’á”‡ á¶ á”ƒâżá¶ â±á¶œâŸ "áŽŸá”‰á”ƒÊłËĄ Ê°á”ƒËąâż'á”— Ê°á”‰ËĄá”–á”‰á”ˆ ᔘ˹ ʷⁱᔗʰ á”–Êłá”ƒâżá”â±âżá” ᔗʰᔉ á”‡á”’ÊžËą á”‡á”‰á¶ á”’Êłá”‰!" ᔀʰᔉ Ꮃᔃ˥ áŽŸá”ƒËĄËą Ê·á”‰Êłá”‰ Ê°á”ƒá”›â±âżá” á”ƒâżá”’á”—Ê°á”‰Êł á”â±ÊłËĄËą âżâ±á”Ê°á”—â€§ "᎔'ᔈ ˥ᔒᔛᔉ á”—á”’ ʰᔃᔛᔉ ᔃ á”–á”ƒÊłá”— ⁱⁿ á”–Êłá”ƒâżá”â±âżá”!" ᔆᔃⁱᔈ áŽŸá”‰á”ƒÊłËĄâ€§ "ᎎᔒʷ ᔃᔇᔒᔘᔗ áŽčÊłâ€§ áŽ·Êłá”ƒá”‡Ëą?" ᔀʰᔉʞ Ê·á”‰âżá”— á”—á”’ ᔗʰᔉ á”ƒâżá¶œÊ°á”’Êł ËąÊ°á”ƒá”–á”‰á”ˆ ʰᔒᔐᔉ‧ "áŽč˱‧ ᎟ᔘᶠᶠ‧‧‧" ᔆʰᔉ Ê·á”‰âżá”— á”—á”’ ᔗʰᔉ á”ˆá”’á”’Êłâ€§ "ᎌʰ ʰᔉʞ áŽč˱‧ ᎟ᔘᶠᶠ!" "áŽ±á”˜á”á”‰âżá”‰âžŽ ʞᔒᔘ á¶ á”’Êłá”á”’á”—!" "ᎎᔘʰ?" "áŽŹá”‡á”’á”˜á”— á”’á”˜Êł ᔈᔃᔗᔉ á”—á”’âżâ±á”Ê°á”—â€§â€§â€§" "᎔ á”ˆá”’âż'ᔗ‧‧‧" "ʞᔒᔘ ᔈⁱᔈ á”—á”’ áŽ±á”˜á”á”‰âżá”‰! ᎔'ᔐ á”á”’â±âżá” ʰᔒᔐᔉ‧‧‧" áŽčÊłâ€§ áŽ·Êłá”ƒá”‡Ëą á¶ á”’ËĄËĄá”’Ê·á”‰á”ˆ Ê°á”‰Êł ᔒᔘᔗ á”—á”’ ˹ᔉᔉ ᔗʰᔉ Êłá”‰Ëąá”— ᔒᶠ ᔗʰᔉ á”á”ƒËĄ á”–á”ƒËĄËąâ€§ "ʞᔒᔘ'ᔛᔉ ᔇᔉᔉⁿ á”–Êłá”ƒâżá”á”‰á”ˆ!" ᔀʰᔉʞ ËĄá”ƒá”˜á”Ê°á”‰á”ˆâ€§ "ᎌʰ!" "᎔'ËĄËĄ á¶œá”ƒËĄËĄ áŽźÊłá”ƒâż á¶ ËĄá”’á”˜âżá”ˆá”‰ÊłËą á¶ Êłá”’á” ᔐᔃᔗʰ á¶œËĄá”ƒËąËąâ€§â€§â€§" áŽŸá”‰á”ƒÊłËĄ ᔍᔒᔗ ᔒᔘᔗ Ê°á”‰Êł á”–Ê°á”’âżá”‰ á”—á”’ ᔈⁱᔃ˥ Ê°â±Ëą âżá”˜á”á”‡á”‰Êłâ€§ "Ꮀⁱᔈ ʞᔒᔘ á¶ â±âżâ±ËąÊ° á”’á”˜Êł Ê°á”’á”á”‰Ê·á”’Êłá”?" "᎔ ᔈⁱᔈⁿ'á”— á”âżá”’Ê· ʷᔉ ʰᔃᔈ á”ƒâżÊžâ€§â€§â€§" "᎔'ᔐ ÊČá”˜Ëąá”— á”–Êłá”ƒâżá”â±âżá” ʞᔒᔘ!" áŽŸá”‰á”ƒÊłËĄ ˹ᔃⁱᔈ Ê°á”ƒâżá”â±âżá” ᔘᔖ‧ "᎔ Ê·á”ƒâżâżá”ƒ ᔍᔒ ʷⁱᔗʰ ᔃ á”á”’Êłá”‰ á”‡â±á”á”á”‰Êł á”–Êłá”ƒâżá”â€§â€§â€§" "á¶œá”ƒâż ʷᔉ ËĄá”‰âżá”á”—Ê°á”‰âż ᔗʰᔉ ⁿᔉˣᔗ á”–Êłá”ƒâżá” ᔒⁿ áŽŸËĄá”ƒâżá”á”—á”’âż?" ᔆᔒ ᔗʰᔉʞ Ëąâżá”‰á”ƒá” á”—á”’ ᔗʰᔉ ᶜʰᔘᔐ ᔇᔘᶜᔏᔉᔗ‧ "á”†Ê°á”’á”˜ËĄá”ˆ ʷᔉ á”–ËĄá”ƒâż â±âżËąá”—á”‰á”ƒá”ˆ ᔒᶠ Ê·â±âżá”â±âżá” ⁱᔗ? ᎔ á”á”‰á”ƒâż ᔐʞ Ê°á”˜Ëąá”‡á”ƒâżá”ˆâ€§â€§â€§" "᎔ á”—Ê°â±âżá” ʷᔉ'ᔈ á”—Êłâ±á¶œá” ʰⁱᔐ á”—Ê°â±âżá”â±âżá” ᎔'ᔐ ᔃ á¶œá”˜Ëąá”—á”’á”á”‰Êł!" áŽŸá”‰á”ƒÊłËĄ â±âżá”—á”‰ÊłÊłá”˜á”–á”—Ëą áŽ·á”ƒÊłá”‰âżâ€§ "áŽŸËĄá”ƒâżá”á”—á”’âż á¶œá”ƒâż ᔇᔉ ᔐᔃᔈ ᔃⁿᔈ ʰᔉ'Ëą ⁿᔒᔗ Ëąá”’ á”—Êłá”˜Ëąá”—â±âżá”âžŽ Ëąá”’ ⁱᔗ âżá”‰á”‰á”ˆËą á”—á”’ ᔇᔉ‧‧‧" "áŽ·á”ƒÊłá”‰âż á”ˆá”’á”‰Ëą ʰᔉ á”âżá”’Ê· ʞᔒᔘ'Êłá”‰ Ê°á”ƒá”›â±âżá” ᔃ á”â±ÊłËĄËą âżâ±á”Ê°á”—?" á”†á”ƒâżá”ˆÊž á”ƒËąá”á”‰á”ˆ á¶œá”˜á”—á”—â±âżá” ᔒᶠᶠ áŽ·á”ƒÊłá”‰âżâ€§ "᎔ á”—á”’ËĄá”ˆ ʰⁱᔐ ᎔'ᔈ ᔇᔉ á”á”’âżá”‰ ᔒᔘᔗ á”—á”’âżâ±á”Ê°á”—âžŽ ˹ᔒ‧‧‧" "᎔ ᔇᔉᔗ ʰᔉ'ᔈ ˹ᔉᔉ ⁱᔗ á¶œá”’á”â±âżá” ⁱᶠ ʰᔉ Ëąá”ƒÊ· ʞᔒᔘ‧‧‧" "᎔ á”ˆá”’âż'á”— á”âżá”’Ê· ʰⁱᔐ Êłá”‰á”ƒËĄ Ê·á”‰ËĄËĄâžŽ á”‰ËŁá¶œá”‰á”–á”— ʰᔉ'Ëą á”ƒá¶ Êłá”ƒâ±á”ˆ ᔒᶠ ᔐᔉ‧‧‧" "áŽŸËĄá”ƒâżá”á”—á”’âż á”ˆá”’á”‰Ëą Ëąá¶œâ±á”‰âżá¶œá”‰ á”‰ËŁá”–á”‰Êłâ±á”á”‰âżá”—Ëą ᔃⁿᔈ Ê·á”ƒâżá”—Ëą á”—á”’ á”á”ƒâ±âż á”‡á”˜Ëąâ±âżá”‰ËąËą á¶ Êłá”’á” ᔗʰᔉ ᔖᔃᔗᔗʞ â±âżá”Êłá”‰á”ˆâ±á”‰âżá”—Ëąâ€§" "ᎎᔉ ᔐⁱᔍʰᔗ Êłá”‰á¶œá”’á”âżâ±Ëąá”‰ á”ƒâżÊž ᔒᶠ á”˜Ëąâ€§â€§â€§" "á”†Ê°á”’á”˜ËĄá”ˆâż'á”— ʷᔉ ˹ᔉᔉ ʷʰᔃᔗ ʰᔉ'Ëą ᔉᔛᔉⁿ á”ˆá”’â±âżá”?" áŽč˱‧ ᎟ᔘᶠᶠ á”ƒËąá”á”‰á”ˆâ€§ "᎔'ËĄËĄ ᔍᔒ ᶜʰᔉᶜᔏ‧‧‧" áŽ·á”ƒÊłá”‰âż á”—á”’ËĄá”ˆ ᔗʰᔉᔐ‧ "áŽŒâżá¶œá”‰ ʷᔉ á”âżá”’Ê· Ê·Ê°á”‰Êłá”‰ ʰᔉ ⁱ˹➎ ʷᔉ á¶œá”ƒâżâ€§â€§â€§" "á”†ËĄá”‰á”‰á”–â±âżá” ⁱⁿ ᔇᔉᔈ‧" áŽ·á”ƒÊłá”‰âż á¶œá”’á”á”‰Ëą ᔇᔃᶜᔏ‧ "᎔ ᔖᔉᔉᔏᔉᔈ ᔃⁿᔈ ᔐʞ Ëąá”‰âżËąá”’ÊłËą â±âżá”ˆâ±á¶œá”ƒá”—á”‰á”ˆ ʰᔉ'Ëą ᔘᔖ⁻ á”†á”—á”ƒâ±ÊłËą ⁱⁿ ᔗʰᔉ á”‡á”‰á”ˆÊłá”’á”’á”â€§â€§â€§" "ᔆᔒ ˥ᔉᔗ'Ëą ˹ᔉᔉ➎ ʷʰᔃᔗ'Ëą Ëąá”’á”á”‰á”—Ê°â±âżá” ʷᔉ á¶œá”ƒâż ᔈᔒ?" "ᔂᔉ á¶œá”ƒâż á¶œÊ°á”ƒâżá”á”‰ ᔃ˥˥ ᔗʰᔉ á¶œËĄá”’á¶œá”Ëą ᔃⁿᔈ ᔉᔛᔉⁿ á¶œá”ƒËĄá”‰âżá”ˆá”ƒÊłËąâ€§â€§â€§" "᎔ ËĄâ±á”á”‰ ⁱᔗ ᔇᔘᔗ á”—Ê°á”‰Êłá”‰'Ëą ᔃ á¶œËĄá”’á¶œá” ᔇʞ ᔗʰᔉ ᔇᔉᔈ‧‧‧" "áŽ·á”ƒÊłá”‰âż ᎔ á¶œá”ƒâż Ëąâżá”‰á”ƒá” ⁱⁿ!" á”†á”ƒâżá”ˆÊž Ëąá”ƒâ±á”ˆâ€§ "ᔂᔉ âżá”‰á”‰á”ˆ á”—á”’ á”ƒá”Êłá”‰á”‰ ᔒⁿ ᔃ ᔗⁱᔐᔉ‧‧‧" "᎔'ᔈ Ëąá”ƒÊž ⁿᔒᔒⁿ!" "áŽșᔒᔒⁿ ⁱᔗ ⁱ˹ á”—Ê°á”‰âż!" "ᔂᔉ'ËĄËĄ á¶œÊ°á”ƒâżá”á”‰ ᔗʰᔉ á¶œá”ƒËĄá”‰âżá”ˆá”ƒÊłËą á”—á”’ á¶œÊ°Êłâ±Ëąá”—á”á”ƒËą ᔈᔃʞ!" áŽŸá”‰á”ƒÊłËĄ ËĄá”ƒá”˜á”Ê°á”‰á”ˆâ€§ "᎔ ËĄâ±á”á”‰ ⁱᔗ! ʞᔒᔘ á¶œá”ƒâż ᔈᔒ ᔗʰᔉ á¶œËĄá”’á¶œá”Ëą á”ˆá”’Ê·âżËąá”—á”ƒâ±ÊłËąâžŽ áŽč˱‧ ᎟ᔘᶠᶠ; ᎔'ËĄËĄ ᔈᔒ ᔃ˥˥ ᔗʰᔉ á”ƒá”–á”–ËĄâ±á”ƒâżá¶œá”‰Ëąâ€§â€§â€§" áŽ·á”ƒÊłá”‰âż Ëąá”ƒÊžËąâ€§ ᔀʰᔉʞ ᔖᔘᔗ á”—Ê°á”‰â±Êł Ê°á”ƒâżá”ˆËą ⁱⁿ ᔗʰᔉ á”â±á”ˆá”ˆËĄá”‰ ᔃⁿᔈ ËĄâ±á¶ á”—á”‰á”ˆ ᔗʰᔉᔐ ᔘᔖ➎ á”—Ê°á”‰âż á”á”’â±âżá” á”—á”’ ᔈᔒ á”—Ê°á”‰â±Êł á”ˆá”‰Ëąâ±á”âżá”ƒá”—á”‰á”ˆ á”—á”ƒËąá”Ëąâ€§ ᔆᔒ Ëąá”ƒâżá”ˆÊž Ê·á”‰âżá”— ⁱⁿ ᔗʰᔉ á”‡á”‰á”ˆÊłá”’á”’á”âžŽ á¶œá”ƒÊłá”‰á¶ á”˜ËĄ ⁿᔒᔗ á”—á”’ ᔐᔃᔏᔉ ⁿᔒⁱ˹ᔉ‧ á”†ËĄá”’Ê·ËĄÊž á”–á”˜ËąÊ°â±âżá” ᔒᔖᔉⁿ ᔗʰᔉ á”ˆá”’á”’Êł á”—á”’ ᔗʰᔉ Êłá”’á”’á”âžŽ ËąÊ°á”‰ Ëąá”—á”’á”’á”ˆ ᔒⁿ Ê°á”‰Êł ᔗᔒᔉ˹ Ëąá”’ ᔃ˹ á”—á”’ ⁿᔒᔗ á”ˆâ±Ëąá”—á”˜Êłá”‡ áŽŸËĄá”ƒâżá”á”—á”’âżâ€§ á”†á”ƒâżá”ˆÊž á¶œÊłá”ƒÊ·ËĄá”‰á”ˆ á”—á”’ ᔗʰᔉ á¶œËĄá”’á¶œá” ᔃⁿᔈ á¶œÊ°á”ƒâżá”á”‰á”ˆ ⁱᔗ ᔃ˹ ʰᔉ Ëąâżá”’Êłá”‰âžŽ Ëąá”—â±á¶ ËĄâ±âżá” ᔗʰᔉ á”˜Êłá”á”‰ á”—á”’ á”â±á”á”ËĄá”‰â€§ áŽŹá¶ á”—á”‰Êł á¶ â±ËŁâ±âżá” ᔗʰᔉ á¶œËĄá”’á¶œá” ᔃⁿᔈ ˹ᔉᔉ˹ ᔗʰᔉ Ê·â±âżá”ˆá”’Ê·'Ëą á¶œËĄá”’Ëąá”‰á”ˆâžŽ ËąÊ°á”‰ Ê·á”‰âżá”— ᔇᔃᶜᔏ á”—á”’ ᔐᔉᔉᔗ ᔇᔃᶜᔏ á”ˆá”’Ê·âżâ» Ëąá”—á”ƒâ±ÊłËąâ€§ "᎔ ᔍᔒᔗ ᔃ á¶œÊ°Êłâ±Ëąá”—á”á”ƒËą á”—Êłá”‰á”‰ ᔒᔘᔗ ᔒᶠ á”’á”˜Êł á”á”ƒÊłá”ƒá”á”‰!" áŽ·á”ƒÊłá”‰âż Ëąá”ƒâ±á”ˆâ€§ "᎞ᔉᔗ'Ëą ᔍᔉᔗ ˹ᔒᔐᔉ ᔒᶠ Ê°â±Ëą ⁱⁿᔛᔉⁿᔗⁱᔒⁿ˹ ᔃⁿᔈ Ê·Êłá”ƒá”– ᔗʰᔉᔐ!" "ᎎᔒʷ á”ƒÊłá”‰ ʷᔉ á”—á”’ ᔍᔉᔗ ʰⁱᔐ Ê°á”‰Êłá”‰?" "áŽŸá”‰ÊłÊ°á”ƒá”–Ëą ʷᔉ Ëąâ±âżá” Ê°á”’ËĄâ±á”ˆá”ƒÊž'Ëą á”á”˜Ëąâ±á¶œ Ëąá”’âżá”Ëą ËĄá”’á”˜á”ˆ á”‰âżá”’á”˜á”Ê°â€§â€§â€§" "᎔ ÊČá”˜Ëąá”— á”—á”‰ËŁá”—á”‰á”ˆ ᔐʞ ᔈᔃᔈ á”—á”’ ᔍᔉᔗ ʰⁱᔐ ⁱⁿ ᔒⁿ ᔗʰᔉ á”–Êłá”ƒâżá”! ᎔ ᔐᔃʞ ʰᔃᔛᔉ á”ƒËĄËąá”’ á”—á”‰ËŁá”—á”‰á”ˆ áŽźÊłá”ƒâż á¶ ËĄá”’á”˜âżá”ˆá”‰ÊłËąâ€§â€§â€§" áŽŸá”‰á”ƒÊłËĄ á¶œÊ°á”˜á¶œá”ËĄá”‰á”ˆâžŽ á”—á”˜Êłâżâ±âżá” ᔒⁿ ËĄâ±á”Ê°á”—Ëąâ€§ "á”†á”ƒâżá”—á”ƒ á”†á”ƒâżá”—á”ƒ'Ëą Ê°á”ƒËą ᔍᔒᔗ Ê°â±Ëą ÊČá”’ËĄËĄÊž ˥ⁱᔗᔗ˥ᔉ á”‰Êžá”‰Ëą ᔒⁿ ᔐᔉ‧‧‧" áŽŸËĄá”ƒâżá”á”—á”’âż Ëąá”ƒá”— ᔘᔖ á”ƒá¶ á”—á”‰Êł á”ƒÊ·á”ƒá”á”‰âżâ±âżá”â€§ "ᔂʰᔃᔗ ⁱ˹ á”á”’â±âżá” ᔒⁿ‧‧‧" á¶œÊ°á”‰á¶œá”â±âżá” ᔗʰᔉ ᔈᔃᔗᔉ➎ ʰᔉ Ê·á”ƒËą á”—á”ƒá”á”‰âż ᔃᔇᔃᶜᔏ‧ áŽŸËĄá”ƒâżá”á”—á”’âż Ê·á”‰âżá”— á”ˆá”’Ê·âż ᔃⁿᔈ Ëąá”ƒÊ· ᔖᔉᔒᔖ˥ᔉ ⁱⁿ Ê°á”ƒá”—Ëą ᔃⁿᔈ ËąÊ·á”‰á”ƒá”—á”‰ÊłËąâ€§ "ʞᔒᔘ'Êłá”‰ ᔘᔖ; âżá”’Ê·âžŽ ʷᔉ á¶œá”ƒâż ᔒᔖᔉⁿ á”’á”˜Êł á”â±á¶ á”—Ëą!" áŽ·á”ƒÊłá”‰âż Ê°á”ƒâżá”ˆá”‰á”ˆ ᔒᔘᔗ ᔗʰᔉ á”–Êłá”‰Ëąá”‰âżá”—Ëąâ€§ "áŽŸËĄá”ƒâżá”á”—á”’âżâžŽ ʞᔒᔘ á”’âżËĄÊž ᔍᔃᔛᔉ Ëąá”’á”á”‰á”—Ê°â±âżá” á”—á”’ áŽ·á”ƒÊłá”‰âż? á”‚Ê°á”‰Êłá”‰'Ëą á”’á”˜Êłâ€§â€§â€§" "á”†Ê°á”‰ËĄá”ˆá”’âżâžŽ ⁱᔗ'Ëą ᔗʰᔉ ᔇᔉ˹ᔗ á”—Ê°â±âżá” ʞᔒᔘ'ᔛᔉ á”‰á”›á”‰Êł á”á”’á”—á”—á”‰âż ᔐᔉ!" áŽ·á”ƒÊłá”‰âż ᶜᔘᔗ ⁱⁿ➎ á”˜âżÊ·Êłá”ƒá”–á”–â±âżá” Ê°á”‰ÊłËą ËĄá”ƒá”‡á”‰ËĄËą 'á”—á”’ á”á”ƒÊłá”‰âż á¶ Êłá”’á” á”–ËĄá”ƒâżá”á”—á”’âż' Ê°á”ƒá”–á”–â±ËĄÊžâ€§ "᎔‧‧‧" "áŽŸá”‰á”ƒÊłËĄâžŽ Ê°á”’Ê·'ᔈ ʞᔒᔘ á”âżá”’Ê· ᎔ âżá”‰á”‰á”ˆá”‰á”ˆ ᔃ âżá”‰Ê· ᔛᔃᶜᔘᔘᔐ?" "ᎌʰ➎ áŽźÊłá”ƒâż; ʞᔒᔘ'Êłá”‰ Ê°á”’á”˜Ëąá”‰'Ëą ᔃ ᔐᔉ˹˹!" "᎔ âżá”‰á”‰á”ˆá”‰á”ˆ ᔃ á”á”–Ëą ËąÊžËąá”—á”‰á”!" "ʞᔒᔘ'Êłá”‰ Ê·á”‰ËĄá¶œá”’á”á”‰ áŽč˱‧ ᎟ᔘᶠᶠ!" áŽŸËĄá”ƒâżá”á”—á”’âż á”—Ê°á”‰âż á¶ Êłá”ƒâżá”—â±á¶œá”ƒËĄËĄÊž ᶜʰᔉᶜᔏᔉᔈ ᔃ˥˥ ᔗʰᔉ á”ƒá”–á”–ËĄâ±á”ƒâżá¶œá”‰Ëą á”—á”’ ˹ᔉᔉ ᔗʰᔉ ᔈᔃʞ ˹ᔉᔗ ᔃ˹ á¶œÊ°Êłâ±Ëąá”—á”á”ƒËąâ€§ "᎔ᔗ á¶œá”ƒâż'á”— ᔇᔉ á¶œÊ°Êłâ±Ëąá”—á”á”ƒËą; ᎔ âżá”‰á”›á”‰Êł Ê·Êłá”ƒá”–á”–á”‰á”ˆâžŽ Ê·Ê°Êž á”ƒÊłá”‰ ᔃ˥˥ ᔐʞ ⁱⁿᔛᔉⁿᔗⁱᔒⁿ˹‧‧‧" "áŽŸËĄá”ƒâżá”á”—á”’âż âżá”‰á”‰á”ˆËą á”—á”’ á”˜âżÊ·Êłá”ƒá”– Ê°â±Ëąâ€§â€§â€§" "á”†á”ƒâżá”—á”ƒ á”†á”ƒâżá”—á”ƒ'Ëą Ê°á”ƒËą ᔍᔒᔗ Ê°â±Ëą ÊČá”’ËĄËĄÊž ˥ⁱᔗᔗ˥ᔉ á”‰Êžá”‰Ëą ᔒⁿ ᔐᔉ‧‧‧" á¶ Êłá”˜Ëąá”—Êłá”ƒá”—á”‰á”ˆâžŽ áŽŸËĄá”ƒâżá”á”—á”’âż ᶜʰᔉᶜᔏᔉᔈ á”˜âżá”ˆá”‰Êł ᔗʰᔉ á”—Êłá”‰á”‰ á”—á”’ ᶠⁱⁿᔈ Ê°â±Ëą ËĄá”ƒá”‡á”‰ËĄ 'á”—á”’ á”–ËĄá”ƒâżá”á”—á”’âż á¶ Êłá”’á” á”Êłá”ƒá”‡Ëą' Ê·Êłá”ƒá”–á”–á”‰á”ˆâ€§ áŽŸËĄá”ƒâżá”á”—á”’âż á”˜âżÊ·Êłá”ƒá”–á”–á”‰á”ˆ ⁱᔗ á”—á”’ ˹ᔉᔉ ᔗʰᔉ Ëąá”‰á¶œÊłá”‰á”— ᔇᔒᔗᔗ˥ᔉ ʷⁱᔗʰ ᔗʰᔉ á”–á”ƒá”–á”‰Êł ᔒᶠ â±âżá”Êłá”‰á”ˆâ±á”‰âżá”—Ëąâ€§ á”âżá”ƒá”‡ËĄá”‰ á”—á”’ á”ˆâ±ËąËĄá”’á”ˆá”á”‰ ᔗʰᔉ ˥ⁱᔈ➎ ʰᔉ Ëąá”á”ƒËąÊ°á”‰Ëą ᔗʰᔉ á”ËĄá”ƒËąËą á”—á”’ á”‡Êłá”‰á”ƒá” ⁱᔗ ᔒᔖᔉⁿ‧ áŽ±ËŁá¶œâ±á”—á”‰á”ˆËĄÊž á”˜âżá¶ á”’ËĄá”ˆâ±âżá” ᔗʰᔉ ᔖⁱᔉᶜᔉ ᔒᶠ á”–á”ƒá”–á”‰Êł Êłá”’ËĄËĄá”‰á”ˆâžŽ ⁱᔗ Ëąá”ƒÊžËą 'ʞᔒᔘ ÊČá”˜Ëąá”— ᔍᔒᔗ á”–Êłá”ƒâżá”á”‰á”ˆ' ᔒⁿ ⁱᔗ‧ ᎏ˥˥ ᔒᶠ ᔗʰᔉᔐ Ëąá”—á”ƒÊłá”—á”‰á”ˆ ËĄá”ƒá”˜á”Ê°â±âżá” ᔃᔗ áŽŸËĄá”ƒâżá”á”—á”’âż ᔃ˹ ᔗʰᔉʞ á”˜âżá”›á”‰â±ËĄá”‰á”ˆ ᔗʰᔉ Ê·â±âżá”ˆá”’Ê·Ëą ËąÊ°á”’Ê·â±âżá” ˹ᔗⁱ˥˥ á”ˆá”ƒÊłá” âżâ±á”Ê°á”— ᔒᔘᔗ‧ áŽŽá”˜á”â±ËĄâ±á”ƒá”—á”‰á”ˆ ᔃⁿᔈ á”‰á”á”‡á”ƒÊłÊłá”ƒËąËąá”‰á”ˆâžŽ áŽŸËĄá”ƒâżá”á”—á”’âż Êłâ±á”–Ëą ᔘᔖ ᔗʰᔉ Êłá”’ËĄËĄ ᔒᶠ á”–á”ƒá”–á”‰Êł ᔃⁿᔈ á”á”’á”‰Ëą ᔇᔃᶜᔏ á”—á”’ Ê°â±Ëą Êłá”’á”’á” á”˜á”–Ëąá”‰á”—â€§ "ᔆᔉᔉ ʞᔒᔘ ᔃᔗ Ëąá¶œÊ°á”’á”’ËĄ áŽŸá”‰á”ƒÊłËĄâ€§â€§â€§" áŽźÊłá”ƒâż á¶ ËĄá”’á”˜âżá”ˆá”‰ÊłËą ˥ᔉᶠᔗ‧ á”‚Ê°á”‰âż á”’âżËĄÊž ᔃ˥˥ ᔗʰᔉ á”á”ƒËĄ á”–á”ƒËĄËą Êłá”‰á”á”ƒâ±âżá”‰á”ˆ áŽ·á”ƒÊłá”‰âż Ëąâ±á”Ê°á”‰á”ˆâ€§ "ᎎᔉ'ËĄËĄ á¶œá”ƒËĄá” á”ˆá”’Ê·âżâžŽ Êłâ±á”Ê°á”—?" "áŽŽá”ƒÊłá”ˆ á”—á”’ Ëąá”ƒÊžâ€§â€§â€§" ᔆʰᔉ á”ƒá”ˆá”â±á”—Ëą á”á”’â±âżá” á”—á”’ ᶜʰᔉᶜᔏ ᔃ˹ ᔗʰᔉ Êłá”‰Ëąá”— ᔒᶠ ᔗʰᔉᔐ Êłá”‰á”›á”‰Êłá”—á”‰á”ˆ ᔗʰᔉ á”ƒá”–á”–ËĄâ±á”ƒâżá¶œá”‰Ëąâ€§ "áŽŸËĄá”ƒâżá”á”—á”’âż?" áŽ·á”ƒÊłá”‰âż Ê·á”‰âżá”— ⁱⁿ ᔗʰᔉ Êłá”’á”’á” ᔃ˹ ʰᔉ'Ëą Ëąâ±ËĄá”‰âżá”—ËĄÊž ᔒⁿ ᔗʰᔉ ᔇᔉᔈ‧ "ᶜᔒᔐᔉ ᔒⁿ➎ ʷᔉ á”–Êłá”ƒâżá”á”‰á”ˆ á”’á”—Ê°á”‰Êłâ€§â€§â€§" áŽ·á”ƒÊłá”‰âż Ëąá”—á”’á”–á”–á”‰á”ˆ ᔃ˹ ËąÊ°á”‰ Êłá”‰á”ƒËĄâ±Ëąá”‰á”ˆ áŽŸËĄá”ƒâżá”á”—á”’âż ËąÊ°á”‰á”ˆ á”—á”‰á”ƒÊłËąâ€§ ᔀʰᔉ á”’á”—Ê°á”‰Êł á”á”ƒËĄ á”–á”ƒËĄËą ᶜᔃᔘᔍʰᔗ ᔘᔖ‧ "ᎎᔉʞ ᔇᔘᔈ‧‧‧" "ʞᔒᔘ ᔍᔒᔒᔈ?" ᎎᔉ á”˜Ëąá”˜á”ƒËĄËĄÊž ËĄá”ƒËąÊ° ᔒᔘᔗ Ê·Ê°á”‰âż ᔐᔃᔈ➎ ᔇᔘᔗ á”ƒâżá”ÊłÊž á”‰âżá”’á”˜á”Ê° á”—á”’ Ëąá”—á”ƒÊž ᑫᔘⁱᔉᔗ ᔃⁿᔈ ⁿᔒᔗ Ëąá”ƒÊžâ±âżá” ᔃ Ê·á”’Êłá”ˆâ€§â€§â€§ "᎔ â±âżá”›â±á”—á”‰á”ˆ ᔗʰᔉ á”’á”—Ê°á”‰ÊłËąâ€§" áŽŸá”‰á”ƒÊłËĄ á”—á”’ËĄá”ˆ ʰⁱᔐ‧ "Ꮀᔒ ʞᔒᔘ Ê·á”ƒâżá”— Ëąá”–á”ƒá¶œá”‰ á”—á”’ ᔇᔉ á”ƒËĄá”’âżá”‰?" "᎞ᔉᔗ'Ëą á¶œá”ƒËĄËĄ ⁱᔗ ᔃ âżâ±á”Ê°á”— á”á”ƒËĄ á”–á”ƒËĄËąâ€§â€§â€§" áŽ·á”ƒÊłá”‰âż â±âżá¶ á”’Êłá”á”‰á”ˆ ᔗʰᔉ á”’á”—Ê°á”‰Êł á”á”ƒËĄ á”–á”ƒËĄËąâ€§ "ᔂᔉ ÊČá”˜Ëąá”— ᔈⁱᔈ ⁱᔗ á¶ á”’Êł ᔃ˥˥ ⁱⁿ á¶ á”˜âżâ€§â€§" "᎔ á”âżá”’Ê·; ᎔ ÊČá”˜Ëąá”—â€§â€§â€§" "ʞᔒᔘ ᶠᔉᔉ˥ ËĄâ±á”á”‰ Ê°á”˜Êłá”— Êžá”’á”˜Êł á”–Êłâ±á”ˆá”‰?" "Êžá”‰Ëą áŽ·á”ƒÊłá”‰âżâ€§â€§â€§" "᎔ á”ƒá”–á”’ËĄá”’á”â±Ëąá”‰ á¶ á”’Êł Ê·á”ƒá”â±âżá” ʞᔒᔘ‧" "á”€Ê°á”ƒâżá”Ëą; ᎔ ˥ᔒᔛᔉ ʞᔒᔘ‧‧‧" áŽ·á”ƒÊłá”‰âż'Ëą Ëąá”˜Êłá”‰ ËąÊ°á”‰ âżá”‰á”›á”‰Êł Ê°á”‰á”ƒÊłá”ˆ Ê°á”‰Êł Ê°á”˜Ëąá”‡á”ƒâżá”ˆ Ëąá”ƒÊž ᔗʰᔉ Ê·á”’Êłá”ˆ '˥ᔒᔛᔉ' ⁱⁿ ᔃ Ëąá”‰âżá”—á”‰âżá¶œá”‰âžŽ ˥ᔉᔗ á”ƒËĄá”’âżá”‰ á”—á”’ á”’á”—Ê°á”‰ÊłËąâ€§ ᔆʰᔉ á”âżá”‰Ê· ʰᔉ ËąÊ°á”’Ê·á”‰á”ˆ á”ƒá¶ á¶ á”‰á¶œá”—â±á”’âż ᔃᔗ ᔗⁱᔐᔉ˹ ⁱⁿ Ê°â±Ëą á”’Ê·âż ˥ⁱᔗᔗ˥ᔉ ʷᔃʞ‧‧‧ "ʞᔒᔘ'Êłá”‰ Ê·á”‰ËĄá¶œá”’á”á”‰; ˥ᔒᔛᔉ ʞᔒᔘ ᔗᔒ‧‧" ËąÊ°á”‰ ᔗᔘᶜᔏᔉᔈ ʰⁱᔐ ⁱⁿ‧ "ʞᔒᔘ á¶œá”ƒâż ᶠᔉᔉ˥ á¶ Êłá”‰á”‰ á”—á”’ ᔗᔉ˥˥ ᔐᔉ á”ƒâżÊžá”—Ê°â±âżá”â€§â€§â€§" áŽ·á”ƒÊłá”‰âż Ëąá”—á”ƒÊłá”—á”‰á”ˆ á”—á”’ Ëąá”ƒÊžâžŽ ᔇᔘᔗ ËąÊ°á”‰ Êłá”‰á”ƒËĄâ±Ëąá”‰á”ˆ ʰᔉ'Ëą Ëąâżá”’Êłâ±âżá”â€§ "ᔆ˥ᔉᔉᔖ ᔗⁱᔍʰᔗ➎ áŽŸËĄá”ƒâżá”á”—á”’âżâ€§â€§â€§"
new girlsnight karandyn planktarendy planktarl krabskin holidaycore sandearl sandarenton kruff plaren splankaren karen plankton walking the prank
. ✧ 　 ˚　 . i will face whatever comes today with a positive attitude ♡ 　　˚ 　 . ✧　　 .
new tumblrcore special olympics tumblr
🌟 Understanding Retinoblastoma 🌟 Did you know? Retinoblastoma is a rare (but can be treatable) eye cancer that affects people usually under age 5. Early detection is key! Here’s what you need to know: 👁 Symptoms to Watch For: 👉A white glow in the pupil 👉Eye redness or swelling 👉 Vision problems đŸ„ Treatment Options: 👉Chemotherapy 👉Laser or cryotherapy 👉Surgery /enucleation: removal of eye (usually in severe cases) đŸ‘¶ Importance of Early Detection: With prompt treatment, many can recover fully and even preserve their vision. If you notice any unusual signs in your child’s eyes, consult a doctor immediately!
new eyecore special olympics retinoblastoma
https://www.reddit.com/r/FullEpisodesOfSB/comments/1651tuc/spongebob_full_episode_index/
new spongebobcore plaren squibcore krabbobton planktonkin krabskin mrkrabscore plongebob reddit
W ired I ntegrated F emale E lectroencephalograph Đ›ŃŽĐ±ĐžĐŒĐ°Ń Đ¶Đ”ĐœĐ°!
new karencore karenism karen plankton wife
Why autistic people are like cats: - We are highly sensitive. - We don't like loud or sudden noises. - We are easily spooked and startled. - Especially because we are zoning out, like, all the time. - We love to be held and touched and petted and cuddled bUT ONLY IF IT WAS OUR IDEA! - We're picky eaters. - Easily distracted. - Solitary creatures. - Takes us a while to warm up to people and be comfortable around them. - Our idea of being "social" is just hanging around the vicinity or in the same room as other people but not necessarily interacting with them. - We are finicky, particular, meticulous creatures of habit and we have a comfort zone we will defend with our lives. - If we deem you worthy, you will be allowed into our comfort zone. - Gaining our love and trust is super rewarding because it is not easily done. Be flattered. - If you touch us unexpectedly we will flinch or jump. - We are awesome predators and get super intense about stuff one nickname for the ADHD gene is "the hunter gene") - We are cute and lovable and have a lot of personality. - Many autistic children love to feel enclosed and secure and so love secret hiding places and cubby holes (i.e., "if I fits, I sits") - We sometimes appear to freak out at nothing and scamper away for no reason but really it's because we can hear things you can't and some sounds bother us. - Because we have such hyper-sensitive senses, any snuggles you give us will be a million times more rewarding for you because you'll know and appreciate just how intensely we're enjoying them. - Please give us food or we will boop your nose in your sleep.
new autismcore special olympics cat
The Secret Formula (Is You) strawberry_fieldz Summary: After all these years of searching for the secret formula, SpongeBob miraculously (and very unceremoniously) reveals it to Plankton when they are dating. Stats:Published:2024-07-03Words:759 Days spent with Spongebob were usually full of excitement and adventure, which is why it was so surprising that today had been so relaxed. A walk, a picnic, and now lying together while cloud-watching. They were against the plush green grass of the field where Spongebob had chosen their date to take place. It might’ve even been the same field where they’d first bonded over ‘fun’. Spongebob was sentimental like that. “Look! That one looks like a dinosaur!” Spongebob said and pointed up at the sky. Plankton squinted up at the cloud in question. He wasn't wrong, it did share an uncanny resemblance to an ancient sea monster. “Hey, how about that one?” He pointed to a different one and Spongebob followed his finger with a smile. “It looks like a doomsday device!” Spongebob frowned. “Plankton, you’re not very good at this. That’s the third time you’ve said that!” “Whaaat? I can’t help if they all look like deadly weapons of mass destruction.” Plankton shrugged. Spongebob breathed in a sigh and decided not to press the issue. They both returned to content silence as Plankton folded his hands over his stomach, grinning softly. It wasn’t in Plankton’s nature to smile so often and a strange sense of calm washed over him. The sky was so blue and the day quiet (save for the occasional chirping clam) while his back stretched across SpongeBob’s shirt. One of SpongeBob’s fingers came up to rub his head affectionately and Plankton’s eye closed in bliss. “This is nice,” Spongebob mumbled. Really nice, Plankton couldn’t help but agree. “It is,” was what he said instead. So rarely before did he stop to enjoy life’s moments like this, the way Spongebob had grown accustomed to. It was unusual but Plankton wished this moment would last an eternity. And yet
 once Plankton got too comfortable, he would inevitably ruin things. “So
 what’s the secret formula?” he asked. He said it so casually he’d hoped Spongebob would answer without thinking, as if on instinct. Though, realistically, he expected the porous sponge to gasp and maybe snap at him, reminding him that even their relationship didn’t change the fact they were business rivals. He’d probably get a good scolding too, while he was at it. Instead, Spongebob matched his nonchalant tone and simply blurted, “There isn’t one.” It was comedic how fast Plankton sprang up, head swiveling to face Spongebob as his eyebrow wrinkled. “What?” He was certain it was a joke, it had to be a joke. Spongebob just stared at him with a smile. “There’s not a secret ingredient,” he assured him, letting out a bemused giggle. “Well- at least, not a food one.” “What are you saying?” “Sheldon
” Spongebob only called him by his name when he was being serious. He sat up a bit and caught Plankton in his hand, holding him close to his face. “The secret is love.” “You’re kidding me,” Plankton deadpanned. "DYAHAHAHAHA!" Spongebob burst into boisterous laughter while Plankton sighed, mindless helplessly trying to catch up with the turn of events. “Nope! I just make them with lots of love!” Plankton put a hand on his head, which was starting to hurt. “So
” he spoke slowly. “This whole time
 the secret ingredient was your love?” “When you put it that way
” SpongeBob’s tongue poked out as he thought about it and then nodded. “Yeah, I guess so.” Plankton shook his head and couldn’t help but laugh at the ridiculousness of the situation. All that time and the answer to the formula has been right in front of him. There was no answer, but Spongebob was the answer. He kept laughing and lay on SpongeBob's hand, staring at the colorful sky and feeling the breeze against his antennas. Life felt good. Why did he never realize life could feel this way? Up until now, he’d existed in a constant state of anger and hate. It was nice to let go, to bask in someone else’s love, and finally feel good. “I love you, SpongeBob,” he eventually said with a small, happy sigh. The sponge, who’d been a little worried with his bout of sudden laughter, smiled. He gently kissed the little critter's head. “I love you too, Plankton.” A moment of silence passed as the two relaxed again. Then Plankton opened his mouth, taking a breath- “No, I’m not going to cook Krabby Patties for you to help you take over the world,” SpongeBob interrupted him, rolling his eyes good-naturedly. “Oh, tartar sauce,” Plankton grumbled and crossed his arms. “You’re no fun.” Notes: Oh hey, it's my first plankbob fic! This is dedicated to/inspired by my friend Lee aka @criticalcurve on Twitter. Also, this was inspired by this art by @CaeDios! There's also a The Good Place reference in this, sorry.
new Sheldon J. Plankton/SpongeBob SquarePants sheldon j. plankton SpongeBob SquarePants (character) cloud watching plankbob spongebob fanfic
á”‚á”’ÊłËąá”— áŽ±âżá”‰á”Êž 𝒘𝒐𝒓𝒅 𝒄𝒐𝒖𝒏𝒕: 𝟗𝟑𝟎 âœá”†á”–á”’âżá”á”‰á”‡á”’á”‡ á¶ á”ƒâżá¶ â±á¶œâŸ .àłƒàż 𝚃𝚠: đ™±đš•đš˜đš˜đš á”†á‘«á”˜â±á”ˆÊ·á”ƒÊłá”ˆ ᔃⁿᔈ á”†á”–á”’âżá”á”‰á”‡á”’á”‡ Ê·á”‰Êłá”‰ ᔒᔘᔗ ᔒⁿ á”‰á”á”–ËĄá”’Êžá”‰á”‰ Êłá”‰á”—Êłá”‰á”ƒá”—; ᔃ á”–á”‰Êłá¶ á”‰á¶œá”— ᔗⁱᔐᔉ á¶ á”’Êł áŽŸËĄá”ƒâżá”á”—á”’âż á”—á”’ Ëąá”—Êłâ±á”á”‰â€§ áŽčÊłâ€§ áŽ·Êłá”ƒá”‡Ëą ᔃᔗ ᔗʰᔉ á”Êłá”˜Ëąá”—Êž á”Êłá”ƒá”‡ ᔇʞ Ê°â±á”Ëąá”‰ËĄá¶ â€§ "áŽ·Êłá”ƒá”‡ËąâžŽ ᎔ âżá”‰á”‰á”ˆ á”—á”’ á”—á”ƒËĄá” á”—á”’ ʞᔒᔘ!" áŽŸËĄá”ƒâżá”á”—á”’âż á¶œá”ƒËĄËĄá”‰á”ˆ ᔒᔘᔗ‧ áŽčÊłâ€§ áŽ·Êłá”ƒá”‡Ëą ᶜᔃᔐᔉ á”—á”’ ˹ᔉᔉ áŽŸËĄá”ƒâżá”á”—á”’âż ᶜᔒᔐᔉ ⁱⁿ Ê°â±Ëą ᔒᶠᶠⁱᶜᔉ‧ "᎔'ᔐ á”’âżËĄÊž á”—á”‰ËĄËĄâ±âżá” ʞᔒᔘ á”‡á”‰á¶ á”’Êłá”‰ ᎔ Ëąá”—á”‰á”ƒËĄ ᔗʰᔉ â±âżá”Êłá”‰á”ˆâ±á”‰âżá”—Ëą; ʷᔉ âżá”‰á”‰á”ˆ á”—á”’ á¶œÊ°á”ƒâżá”á”‰ ᔘᔖ ᔗʰᔉ Êłá”˜ËĄá”‰Ëąâ€§ áŽ·á”ƒÊłá”‰âż ÊČá”˜Ëąá”— Ëąá¶œá”ƒâżâżá”‰á”ˆ ᔐᔉ á¶ á”’Êł â±âżá”—á”‰Êłâżá”ƒËĄ ᔈᔃᔐᔃᔍᔉ ᔃⁿᔈ ᎔'ᔛᔉ Ê·á”‰á”ƒá”âżá”‰ËąËą ᔗʰᔉ ʰᔉᔃᔈ Ëąá”’ ʞᔒᔘ á¶œá”ƒâż ᔈᔒ Ê·Ê°á”ƒá”—á”‰á”›á”‰Êł á”—á”’ Ëąá”—á”’á”– ᔐᔉ á”‰ËŁá¶œá”‰á”–á”— á¶ á”’Êłâ€§â€§â€§" "ʞᔒᔘ á”ƒá¶œá”—á”˜á”ƒËĄËĄÊž á”—Ê°â±âżá” ᎔'ËĄËĄ ᔇᔉ˥ⁱᔉᔛᔉ? ʞᔒᔘ ÊČá”˜Ëąá”— Ê·á”ƒâżâżá”ƒ ᔍᔉᔗ ᔗʰᔉ â±âżá”Êłá”‰á”ˆâ±á”‰âżá”—Ëą; ᎔ á”âżá”’Ê· ʞᔒᔘ á”˜Ëąá”‰á”ˆ ËąÊžá”á”–á”ƒá”—Ê°Êž á”‡á”‰á¶ á”’Êłá”‰ ⁱⁿ Êžá”’á”˜Êł á”–ËĄá”ƒâżËą!" áŽčÊł áŽ·Êłá”ƒá”‡Ëą Ëąá”ƒÊ· áŽŸËĄá”ƒâżá”á”—á”’âż Ëąá”—á”ƒÊłá”— á”—á”’ á¶œÊłÊžâ€§ "áŽŸËĄá”‰á”ƒËąá”‰!" "ʞᔒᔘ á¶œÊ°â±á¶œá”á”‰âżâ€§â€§â€§" áŽčÊłâ€§ áŽ·Êłá”ƒá”‡Ëą ᔏⁱᶜᔏᔉᔈ ʷⁱᔗʰ ᔃ˥˥ Ê°â±Ëą ᔐⁱᔍʰᔗ á¶ á”’Êł áŽŸËĄá”ƒâżá”á”—á”’âż á”—á”’ á¶ ËĄÊž ᔇᔃᶜᔏ ᔃⁿᔈ ʰⁱᔗ ᔗʰᔉ Ê·á”ƒËĄËĄ ʷⁱᔗʰ ᔃ ᔗʰᔘᔈ‧ "áŽŸËĄá”ƒâżá”á”—á”’âżâžŽ ʞᔒᔘ á”ƒá¶œá”—á”˜á”ƒËĄËĄÊž á”—Ê°â±âżá”â€§â€§â€§" áŽčÊłâ€§ áŽ·Êłá”ƒá”‡Ëą Ê·á”ƒËą á”á”’â±âżá” á”—á”’ ʰⁱᔐ Ê·Ê°á”‰âż ʰᔉ Ëąá”˜á”ˆá”ˆá”‰âżËĄÊž Ëąá”—á”’á”–á”–á”‰á”ˆ ⁱⁿ Ê°â±Ëą á”—Êłá”ƒá¶œá”Ëą; ⁿᔒᔗ á”’âżËĄÊž ᔈⁱᔈ áŽŸËĄá”ƒâżá”á”—á”’âż ⁿᔒᔗ ᔐᔒᔛᔉ➎ ᔇᔘᔗ á”ƒËĄËąá”’ á”‡ËĄá”‰á”ˆ ᔒᔘᔗ ᔒᶠ Ê°â±Ëą ᔐᔒᔘᔗʰ ᔗᔒ‧ "áŽŸËĄá”ƒâżá”á”—á”’âż?" áŽčÊłâ€§ áŽ·Êłá”ƒá”‡Ëą á”âżá”‰ËĄá”— á¶œËĄá”’Ëąá”‰Êłâ€§ "áŽŸËĄá”ƒâżá”á”—á”’âż!" ᎎᔉ ᔇᔉⁿᔗ á”ˆá”’Ê·âżâžŽ Êłá”‰á”ƒËĄâ±Ëąâ±âżá” á”—á”’ ËĄá”ƒá”—á”‰ ʷʰᔃᔗ áŽŸËĄá”ƒâżá”á”—á”’âż ˹ᔃⁱᔈ Ê·á”ƒËą ᔗʰᔉ á”—Êłá”˜á”—Ê°â€§ "ᎌʰ‧‧‧" áŽčÊłâ€§ áŽ·Êłá”ƒá”‡Ëą Ëąá”’á”‡á”‡á”‰á”ˆâ€§ "áŽŸËĄá”ƒâżá”á”—á”’âżâ€§â€§â€§" ᔆᔗⁱ˥˥ á¶œÊłÊžâ±âżá”âžŽ áŽčÊłâ€§ áŽ·Êłá”ƒá”‡Ëą ËĄá”‰á”ƒâżá”‰á”ˆ á¶œËĄá”’Ëąá”‰Êł á”—á”’ Ê°á”‰á”ƒÊł ËąÊ°á”ƒËĄËĄá”’Ê· á”‡Êłá”‰á”ƒá”—Ê°â±âżá”â€§ ᎎᔉ ᔍᔒᔗ ᔘᔖ á”ˆá”‰Ëąá”–á”‰Êłá”ƒá”—á”‰ ᔃⁿᔈ á”Êłá”ƒá”‡á”‡á”‰á”ˆ ᔃ ᔖᔃᔗᔗʞ➎ ⁿᔒᔗ á”—á”ƒá”˜âżá”—â±âżá” ᔇᔘᔗ Ê°á”’á”–â±âżá” ʰᔉ'ᔈ á”ƒÊ·á”ƒá”á”‰âżâ€§ "á¶œá”ƒâż ᔃ á”Êłá”ƒá”‡á”‡Êž ᔖᔃᔗᔗʞ Ëąá¶œá”‰âżá”— ᔒᶠ ˹ᔐᔉ˥˥ ʷᔃᔏᔉ ʞᔒᔘ ᔘᔖ?" áŽșá”’ â±âżá”ˆâ±á¶œá”ƒá”—â±á”’âż á¶ Êłá”’á” áŽŸËĄá”ƒâżá”á”—á”’âż Ê·Ê°á”ƒá”—Ëąá”’á”‰á”›á”‰Êłâ€§ áŽčÊłâ€§ áŽ·Êłá”ƒá”‡Ëą ËĄá”’á”’á”á”‰á”ˆ ᔘᔖ ᔗʰᔉ ᶜʰᔘᔐ ᔇᔘᶜᔏᔉᔗ á”–Ê°á”’âżá”‰ âżá”˜á”á”‡á”‰Êł ᔃⁿᔈ á¶œá”ƒËĄËĄá”‰á”ˆâ€§ "ᎎᔉ˥˥ᔒ‧‧‧" áŽ·á”ƒÊłá”‰âż á”ƒâżËąÊ·á”‰Êłá”‰á”ˆâ€§ "Êžá”’á”˜Êł Ê°á”‰ËĄá”– ⁱ˹ âżá”‰á”‰á”ˆá”‰á”ˆâ€§" "Ꮀⁱᔈ ᔐʞ Ê°á”˜Ëąá”‡á”ƒâżá”ˆ ᔗᔉ˥˥ ʞᔒᔘ ᔃᔇᔒᔘᔗ Ê°â±Ëą Êłâ±Ëąá” á”‡Êłá”ƒâ±âż ᔈᔃᔐᔃᔍᔉ ᔃⁿᔈ á”ƒËąá”—Ê°á”á”ƒ?" áŽ·á”ƒÊłá”‰âż á”ƒËąá”á”‰á”ˆ áŽčÊłâ€§ áŽ·Êłá”ƒá”‡Ëą ᔃᔗ ᔗʰᔉ ᶜʰᔘᔐ ᔇᔘᶜᔏᔉᔗ‧ "ᎎᔉ ᔈⁱᔈⁿ'á”— ᔍᔉᔗ á”—á”’ ᔗᔉ˥˥ ᔐᔉ ᔃᔇᔒᔘᔗ ᔗʰᔉ á”ƒËąá”—Ê°á”á”ƒâžŽ ᔃ˹ ᎔ Ê°á”˜Êłá”— ʰⁱᔐ á”’âżá¶œá”‰ ʰᔉ á”—á”’ËĄá”ˆ ᔐᔉ ᔃᔇᔒᔘᔗ Ê°â±Ëą ʰᔉᔃᔈ‧‧‧" áŽ·á”ƒÊłá”‰âż á”’âżËĄÊž âżá”’á”ˆá”ˆá”‰á”ˆ Êłá”‰Ëąá”–á”’âżËąá”‰â€§ "᎔'ᔐ Ëąá”’ Ëąá”’ÊłÊłÊž; ᎔'ᔈ ᔈᔒ á”ƒâżÊžá”—Ê°â±âżá” á”—á”’ á”˜âżá”ˆá”’ ʷʰᔃᔗ ÊČá”˜Ëąá”—â€§â€§â€§" "ʞᔒᔘ ᔈⁱᔈⁿ'á”— á”âżá”’Ê·âžŽ ᔃⁿᔈ ʰᔉ á¶œá”ƒâż ᔇᔉ á¶œá”’âżâżâ±á”›â±âżá”â€§" áŽčÊłâ€§ áŽ·Êłá”ƒá”‡Ëą Êłá”‰á”á”‰á”á”‡á”‰Êłá”‰á”ˆ ᔗʰᔉ ËĄá”’á”’á” ⁱⁿ Ê°â±Ëą ᔉʞᔉ➎ á”–ËĄá”‰á”ƒá”ˆâ±âżá” ᔃⁿᔈ á”‡á”‰á”á”â±âżá” Ê°â±Ëą Ê·á”’ÊłËąá”— á”‰âżá”‰á”Êž á”—á”’ ʰᔃᔛᔉ ˹ᔒᔐᔉ ᔉᔐᔖᔃᔗʰʞ‧ "ᎎᔉ ᔈⁱᔈⁿ'á”— ᔉᔛᔉⁿ Ëąâżá”‰á”ƒá” ⁱⁿ➎ ᔇᔘᔗ ʰᔉ ÊČá”˜Ëąá”— á”ƒâżâżá”’á”˜âżá¶œá”‰á”ˆâ€§â€§â€§" áŽčÊłâ€§ áŽ·Êłá”ƒá”‡Ëą á”‡á”ƒÊ·ËĄá”‰á”ˆâ€§ "ᎎᔉ á”ƒËąá”á”‰á”ˆâžŽ ᔃⁿᔈ ᎔ á¶œá”ƒËĄËĄá”‰á”ˆ ʰⁱᔐ ᔃ á¶œÊ°â±á¶œá”á”‰âż Êłâ±á”Ê°á”—â€§â€§â€§" "ʞᔒᔘ á”âżá”’Ê·âžŽ ʰᔉ á”—á”’ËĄá”ˆ ᔐᔉ Êłâ±á”Ê°á”— á”‡á”‰á¶ á”’Êłá”‰ ËĄá”‰á”ƒá”›â±âżá” á”—á”’ Êžá”’á”˜Êł Êłá”‰Ëąá”—á”ƒá”˜Êłá”ƒâżá”— ⁿᔒᔗ á”—á”’ Ê·á”’ÊłÊłÊžâ€§ áŽșᔒʷ➎ ËĄá”’á”’á”!" áŽ·á”ƒÊłá”‰âż'Ëą ᔛᔒⁱᶜᔉ Ê·á”ƒá”›á”‰Êłá”‰á”ˆ ᔃ˹ ËąÊ°á”‰ Ëąá¶œá”ƒâżâżá”‰á”ˆ ʰⁱᔐ‧ "ᔂʰᔃᔗ'Ëą Ëąá¶œá”ƒâż Ëąá”ƒÊžâžŽ áŽ·á”ƒÊłá”‰âż?" áŽčÊłâ€§ áŽ·Êłá”ƒá”‡Ëą á”ƒËąá”á”‰á”ˆâ€§ "ᶜᔒᔐᔃ‧‧‧" áŽčÊłâ€§ áŽ·Êłá”ƒá”‡Ëą ᔃⁿᔈ áŽ·á”ƒÊłá”‰âż Ëąá”—á”’á”’á”ˆ ⁱⁿ á”˜á”—á”—á”‰Êł ËąÊ°á”’á¶œá”á”‰á”ˆ Ëąâ±ËĄá”‰âżá¶œá”‰ á”’âżá¶œá”‰ ᔗʰᔉ Ëąá¶œá”ƒâżËą â±âżá”ˆâ±á¶œá”ƒá”—á”‰á”ˆ ᶜᔒᔐᔃ‧ "ᎎⁱ˹ á”‡Êłá”‰á”ƒá”—Ê°Ëą á”á”‰á”—á”—â±âżá” Ê·á”‰á”ƒá”á”‰Êłâ€§â€§â€§" áŽ·á”ƒÊłá”‰âż Ê·á”‰âżá”— ᔃⁿᔈ ᔍᔒᔗ ˹ᔒᔐᔉ á”‰á‘«á”˜â±á”–á”á”‰âżá”— á”—á”’ Ê°á”‰ËĄá”– ʰⁱᔐ á”‡Êłá”‰á”ƒá”—Ê°á”‰â€§ áŽčÊłâ€§ áŽ·Êłá”ƒá”‡Ëą ᔗʰᔒᔘᔍʰᔗ ᔒᶠ ᔗʰᔉ ËĄá”’á”’á” ⁱⁿ áŽŸËĄá”ƒâżá”á”—á”’âż'Ëą ᔉʞᔉ Êłâ±á”Ê°á”— á”‡á”‰á¶ á”’Êłá”‰ ᔗʰᔉ á”˜âżá¶œá”’âżËąá¶œâ±á”’á”˜Ëąâżá”‰ËąËąâ€§ ᎎᔉ ᔗʰᔒᔘᔍʰᔗ ᔒᶠ áŽŸËĄá”ƒâżá”á”—á”’âż ËąÊ°á”˜á”— ᔒᶠᶠ á¶ Êłá”’á” ᔗʰᔉ Ê·á”’ÊłËĄá”ˆâ€§ ᎎᔉ ᔗʰᔒᔘᔍʰᔗ ᔒᶠ áŽŸËĄá”ƒâżá”á”—á”’âż Ê·Ê°á”‰âż ᔗʰᔉʞ Ê·á”‰Êłá”‰ Êžá”’á”˜âżá” ᔃ˹ á¶ Êłâ±á”‰âżá”ˆËą á”‡á”‰á¶ á”’Êłá”‰ ᔗʰᔉ ᶠᔒᔒᔈ á”‡á”˜Ëąâ±âżá”‰ËąËą ˹ᔖ˥ⁱᔗ á”—Ê°á”‰â±Êł á¶ Êłâ±á”‰âżá”ˆËąÊ°â±á”–â€§ "áŽŹËąËąá”˜á”â±âżá” ʰᔉ'ᔈ ʷᔃᔏᔉ ᔘᔖ➎ ᔈᔒ ʞᔒᔘ á”—Ê°â±âżá” ʰᔉ'ËĄËĄ Êłá”‰á”á”‰á”á”‡á”‰Êłâ€§â€§â€§" "᎔ ᔈᔒ ⁿᔒᔗ á”âżá”’Ê·â€§â€§â€§" áŽ·á”ƒÊłá”‰âż ᔃᔈᔐⁱᔗᔗᔉᔈ‧ ᔀʰᔉ ⁿᔉˣᔗ ᔈᔃʞ➎ áŽčÊłâ€§ áŽ·Êłá”ƒá”‡Ëą á”—á”’ËĄá”ˆ Ê°â±Ëą ᔇᔒᔗʰ á”‰á”á”–ËĄá”’Êžá”‰á”‰Ëą ᔗʰᔉ áŽ·Êłá”˜Ëąá”—Êž áŽ·Êłá”ƒá”‡'Ëą á¶œËĄá”’Ëąá”‰á”ˆ á”˜âżá”—â±ËĄ á¶ á”˜Êłá”—Ê°á”‰Êł âżá”’á”—â±á¶œá”‰â€§ ᎎᔉ á”—Ê°á”‰âż Ê·á”‰âżá”— á”—á”’ ᔗʰᔉ ᶜʰᔘᔐ ᔇᔘᶜᔏᔉᔗ➎ áŽŸËĄá”ƒâżá”á”—á”’âż ˹ᔗⁱ˥˥ ⁿᔒ á”‡á”‰á”—á”—á”‰Êł á”—Ê°á”ƒâż ʰᔉ ËĄá”ƒËąá”— Ëąá”ƒÊ· ʰⁱᔐ‧ "᎔ á”âżá”’Ê· ʞᔒᔘ ᔐⁱᔍʰᔗ ⁿᔒᔗ Ê°á”‰á”ƒÊł ᔐᔉ➎ ᔃⁿᔈ ᎔ Ê·â±ËĄËĄ ⁿᔒᔗ á”‡ËĄá”ƒá”á”‰ ʞᔒᔘ ⁱᶠ ʞᔒᔘ'ᔈ ᶠᔉᔉ˥ á”˜á”–Ëąá”‰á”—â€§â€§â€§" áŽčÊłâ€§ áŽ·Êłá”ƒá”‡Ëą á”ƒâżËŁâ±á”’á”˜ËąËĄÊž á”—á”ƒËĄá”á”‰á”ˆ á”—á”’ áŽŸËĄá”ƒâżá”á”—á”’âż Ê·Ê°á”’'Ëą ˹ᔗⁱ˥˥ á”˜âżá”ƒÊ·á”ƒÊłá”‰â€§ "᎔ ᔐⁱ˹˹ Ê·Ê°á”‰âż ʷᔉ'Êłá”‰ á¶ Êłâ±á”‰âżá”ˆËąâžŽ á”‡á”‰á¶ á”’Êłá”‰ ᔐʞ ˥ᔒᔛᔉ á¶ á”’Êł á”á”’âżá”‰Êž á¶œá”’âżËąá”˜á”á”‰á”ˆ ᔐᔉ‧ áŽźá”‰á¶ á”’Êłá”‰ ʞᔒᔘ'Êłá”‰ âżá”’Ê· á”ˆÊžâ±âżá” ᔃ˥˥ á”‡á”‰á¶œá”ƒá”˜Ëąá”‰ ᔒᶠ ᔐᔉ‧ ᎔ á”—Ê°â±âżá” Êžá”’á”˜Êł ʷⁱᶠᔉ ᔉᔛᔉⁿ ᔐⁱ˹˹ᔉ˹ Êžá”’á”˜Êł âżá”ƒá”á”â±âżá”â€§â€§" áŽčÊłâ€§ áŽ·Êłá”ƒá”‡Ëą á”ƒÊ·á”Ê·á”ƒÊłá”ˆËĄÊž ˥ᔉᔗ ᔒᔘᔗ ᔃ á”â±á”á”ËĄá”‰â€§ "᎔ âżá”‰á”›á”‰Êł á”á”‰á”ƒâżá”— á¶ á”’Êł Ëąá”˜á¶œÊ° ᔃ á”—Ê°â±âżá” á”—á”’ Ê°á”ƒá”–á”–á”‰âżâ€§â€§â€§" á”†á”—á”ƒÊłá”—â±âżá” á”—á”’ á¶œÊłÊž á”ƒá”á”ƒâ±âżâžŽ áŽčÊłâ€§ áŽ·Êłá”ƒá”‡Ëą á”—Êłâ±á”‰á”ˆ á”—á”’ á”—Ê°â±âżá” ᔘᔖ ᔒᶠ ˹ᔒᔐᔉ á”á”‰á”á”’Êłâ±á”‰Ëąâ€§ "᎔ ᔗʰᔒᔘᔍʰᔗ ᔗʰᔉ ⁱᔈᔉᔃ á”—á”’ á”–Êłá”ƒâżá” ᔗʰᔉ Ëąá¶œÊ°á”’á”’ËĄ Ê·á”ƒËą Ëąá”’ á¶ á”˜âżâżÊžâžŽ ᔃⁿᔈ ᔗʰᔉ ËĄá”’á”’á” ᔒⁿ á”—Ê°á”‰â±Êł á¶ á”ƒá¶œá”‰Ëąâ€§â€§â€§" áŽčÊłâ€§ áŽ·Êłá”ƒá”‡Ëą Ëąá”â±ËĄá”‰á”ˆâ€§ "ᔂᔉ ᔇᔒᔗʰ á¶œá”’á”˜ËĄá”ˆ'ᔛᔉ ËąÊ°á”’Ê·âż á”’á”˜Êł á”–á”‰á”‰ÊłËą Ê°á”’Ê· á”—á”’ ᔍᔉᔗ ᔗʰᔉ ÊČᔒᔇ á”ˆá”’âżá”‰â€§â€§â€§" á¶œÊ°á”˜á¶œá”ËĄâ±âżá” âżá”’Ê·â€§ "ᔆʰᔒʷ 'ᔉᔐ Ê·Ê°á”’'ᔈ ᔍᔉᔗ ᔗʰᔉ ËĄá”ƒËąá”— ËĄá”ƒá”˜á”Ê°â€§â€§â€§" ᔆᔒᔐᔉ á”—á”‰á”ƒÊłËą Ê·á”‰ËĄËĄá”‰á”ˆ ᔘᔖ ⁱⁿ áŽčÊłâ€§ áŽ·Êłá”ƒá”‡Ëą á”‰Êžá”‰Ëąâ€§ "᎔'ᔈ ᔍⁱᔛᔉ ᔃ˥˥ ᔐʞ á”á”’âżá”‰Êž ᔃⁿᔈ ᔉᔛᔉⁿ ᔐʞ ˥ⁱᶠᔉ á”—á”’ ʞᔒᔘ‧‧‧" ᔀʰᔉ á¶ â±ÊłËąá”— á”—Ê°â±âżá” áŽŸËĄá”ƒâżá”á”—á”’âż âżá”’á”—â±á¶œá”‰á”ˆ ᔃ˹ ʰᔉ á”Êłá”ƒá”ˆá”˜á”ƒËĄËĄÊž Êłá”‰á”á”ƒâ±âżá”‰á”ˆ Ê°â±Ëą á¶œá”’âżËąá¶œâ±á”’á”˜Ëąâżá”‰ËąËą Ê°á”‰á”ƒÊłâ±âżá” ᔃ á¶ á”ƒÊłá”ƒÊ·á”ƒÊž ᔛᔒⁱᶜᔉ➎ ᔗʰᔒᔘᔍʰ ʰᔉ ᔈⁱᔈⁿ'á”— ᔇᔉ á”ƒá”‡ËĄá”‰ á”—á”’ Êłá”‰á¶œá”’á”âżâ±Ëąá”‰ ⁱᔗ ᔃ˹ áŽčÊłâ€§ áŽ·Êłá”ƒá”‡ËąâžŽ âżá”’Êł ʷʰᔃᔗ'Ëą ᔇᔉᔉⁿ Ëąá”ƒâ±á”ˆâ€§ ᔆᔗⁱ˥˥ ËĄâ±á”á”‡á”’ËĄâ±á”á”‰âžŽ ʰᔉ ᔈⁱᔈⁿ'á”— ʞᔉᔗ á”âżá”’Ê· Ê°â±Ëą Ëąá”˜ÊłÊłá”’á”˜âżá”ˆâ±âżá”ËąâžŽ ᔉʞᔉ ˹ᔗⁱ˥˥ ËąÊ°á”˜á”—â€§ á”€Ê°á”‰âż Ê·á”’Êłá”ˆËą ᔇᔉᶜᔃᔐᔉ á¶œËĄá”‰á”ƒÊłá”‰ÊłâžŽ ᔇᔘᔗ ˹ᔗⁱ˥˥ á¶ á”ƒÊłá”ƒÊ·á”ƒÊžâ€§ ᎎᔉ Ê°á”‰á”ƒÊłá”ˆ ᔗʰᔉ Ê·á”’Êłá”ˆËą ËĄâ±á”á”‰ 'Ëąá”’ÊłÊłÊž' ᔃⁿᔈ 'á”–ËĄá”‰á”ƒËąá”‰' ᔃⁿᔈ 'á¶ Êłâ±á”‰âżá”ˆ' ᔇᔘᔗ ˹ᔗⁱ˥˥ ⁿᔒᔗ á”âżá”’Ê·â±âżá” Ê·Ê°á”’ Ëąá”–á”’á”á”‰ ˹ᔃⁱᔈ Ê·á”’Êłá”ˆËąâ€§ áŽ·á”ƒÊłá”‰âż á”á”’âżâ±á”—á”’Êłá”‰á”ˆ Ê°á”‰Êł Ê°á”˜Ëąá”‡á”ƒâżá”ˆâžŽ Ëąá”’ ËąÊ°á”‰ Êłá”‰á”ƒËĄâ±Ëąá”‰á”ˆ á”—Ê°á”‰Êłá”‰'Ëą ᔃ á¶œÊ°á”ƒâżá”á”‰ Ê°á”ƒá”–á”–á”‰âżâ±âżá”â€§ "᎔'ᔐ á”ˆá”‰á”—á”‰á¶œá”—â±âżá” ᔖᔒ˹˹ⁱᔇ˥ᔉ Êłá”‰á”›â±á”›á”ƒËĄâ€§â€§â€§" áŽčÊłâ€§ áŽ·Êłá”ƒá”‡Ëą Ê·á”ƒËą Ëąâ±á”—á”—â±âżá” ᔘᔖ Ëąá”—Êłá”ƒâ±á”Ê°á”—á”‰Êłâ€§ áŽŸËĄá”ƒâżá”á”—á”’âż ˹ᔗⁱ˥˥ ᔈⁱᔈⁿ'á”— ᔐᔒᔛᔉ ʞᔉᔗ➎ ᔇᔘᔗ ʰᔉ Ëąá”—á”ƒÊłá”—á”‰á”ˆ á”‡Êłá”‰á”ƒá”—Ê°â±âżá” á”‡á”‰á”—á”—á”‰Êł; áŽ·á”ƒÊłá”‰âż Êłá”‰á”á”’á”›á”‰á”ˆ ᔗʰᔉ á”‡Êłá”‰á”ƒá”—Ê°â±âżá” á”‰á‘«á”˜â±á”–á”á”‰âżá”— á”‡á”‰á¶ á”’Êłá”‰ ʰᔉ'ᔈ ᶠᔉᔉ˥ ⁱᔗ‧ áŽčÊłâ€§ áŽ·Êłá”ƒá”‡Ëą á¶œÊłâ±á”‰Ëą ᔇᔉᶜᔃᔐᔉ ˥ᔉ˹˹ á”ˆâ±Ëąá”—á”ƒâżá”— Ëąá”’á”˜âżá”ˆâ±âżá” ᔃ˹ Ê°â±Ëą ˹ᔉⁿ˹ᔉ˹ Êłá”‰á”—á”˜Êłâżá”‰á”ˆâ€§ áŽșá”’Ê· Ê·á”ƒá”â±âżá”âžŽ Ê°â±Ëą ᔉʞᔉ á”—Ê°á”‰âż á”á”ƒâżá”ƒá”á”‰á”ˆ á”—á”’ á¶ ËĄá”˜á”—á”—á”‰Êł ᔒᔖᔉⁿ‧ "áŽŹá”˜â€§â€§â€§" ᔆⁱᔍʰᔗ Êłá”‰á”—á”˜Êłâżá”‰á”ˆ á”—á”’ áŽŸËĄá”ƒâżá”á”—á”’âżâžŽ ⁿᔒᔗ ʞᔉᔗ Êłá”‰á”â±Ëąá”—á”‰Êłâ±âżá” Ê·Ê°á”’'Ëą ⁿᔉˣᔗ á”—á”’ ʰⁱᔐ‧ "ᔂʰᔃᔗ ⁱⁿ ᔗʰᔉ ʷʰᔃᔗ‧‧‧" á¶ â±âżá”ƒËĄËĄÊž ᔃʷᔃᔏᔉ➎ ʰᔉ Ëąá”ƒÊ· áŽ·á”ƒÊłá”‰âż ᔃⁿᔈ áŽčÊłâ€§ áŽ·Êłá”ƒá”‡Ëą Ëąá”â±ËĄâ±âżá” ᔃᔗ ʰⁱᔐ‧ áŽŸËĄá”ƒâżá”á”—á”’âż Êłá”‰á”á”ƒâ±âżá”‰á”ˆ á¶œá”’âżá¶ á”˜Ëąá”‰á”ˆâ€§ "ᎎⁱ➎ áŽŸËĄá”ƒâżá”á”—á”’âż! Ꮀᔒ ʞᔒᔘ á”âżá”’Ê· Ê·Ê°á”‰Êłá”‰ ʞᔒᔘ á”ƒÊłá”‰?" áŽ·á”ƒÊłá”‰âż ËąÊ·á”‰á”‰á”—ËĄÊž á”ƒËąá”á”‰á”ˆ Ê°á”‰Êł Ê°á”˜Ëąá”‡á”ƒâżá”ˆâ€§ "á¶œá”ƒâż ʞᔒᔘ Ëąá”ƒÊž ʷʰᔃᔗ ʞᔒᔘ'Êłá”‰ á”—Ê°â±âżá”â±âżá”?" áŽŹËąá”á”‰á”ˆ áŽčÊłâ€§ áŽ·Êłá”ƒá”‡Ëąâ€§ ᔆᔗⁱ˥˥ ⁿᔒᔗ á¶œá”’á”á”–ËĄá”‰á”—á”‰ËĄÊž ᔇᔃᶜᔏ á”—á”’ âżá”’Êłá”á”ƒËĄâžŽ áŽŸËĄá”ƒâżá”á”—á”’âż ᔗʰᔒᔘᔍʰᔗ Ê°á”ƒÊłá”ˆ ᔃ˹ ʰᔉ Ëąá”—Êłá”˜á”á”ËĄá”‰á”ˆ á”—á”’ Êłá”‰á”á”‰á”á”‡á”‰Êłâ€§ "ʞᔒᔘ á¶œá”ƒâż ᔗᔃᔏᔉ Êžá”’á”˜Êł ᔗⁱᔐᔉ‧‧‧" áŽŸËĄá”ƒâżá”á”—á”’âż Ê°á”‰á”ƒÊłá”ˆ ᔃ˹ ʰᔉ Êłá”‰á”á”ƒâ±âżá”‰á”ˆ á”Êłá”’á”á”Êžâ€§ áŽčá”‰á”á”’Êłâ±á”‰Ëą Ëąá”˜á”ˆá”ˆá”‰âżËĄÊž ᶜᔃᔐᔉ ᔃ˹ Ê·Ê°á”‰âż ʰᔉ Ê·á”‰âżá”— á”—á”’ áŽčÊłâ€§ áŽ·Êłá”ƒá”‡Ëą á”‡á”‰á¶ á”’Êłá”‰ á”‡á”‰â±âżá” á¶œá”ƒËĄËĄá”‰á”ˆ á¶œÊ°â±á¶œá”á”‰âżâ€§ ᎎᔉ ᔈⁱᔈⁿ'á”— á”âżá”’Ê· ʷʰᔃᔗ Ê°á”ƒá”–á”–á”‰âżá”‰á”ˆ ⁱⁿ á”‡á”‰á”—Ê·á”‰á”‰âżâžŽ âżá”’Êł Ê°á”’Ê· ᔐᔘᶜʰ ᔗⁱᔐᔉ Ê°á”ƒËą á”–á”ƒËąËąá”‰á”ˆâ€§ ᎎᔉ âżá”ƒÊłÊłá”’Ê·á”‰á”ˆ Ê°â±Ëą ᔉʞᔉ ᔃ˹ ʰᔉ ˹ᔃⁱᔈ "á¶œÊ°â±á¶œá”á”‰âż" á”—á”’ ᔗʰᔉᔐ‧ áŽčÊłâ€§ áŽ·Êłá”ƒá”‡Ëą á”—Ê°á”‰âż á”–Êłá”’á¶œá”‰á”‰á”ˆá”‰á”ˆ á”—á”’ ᔗᔉ˥˥ ʰⁱᔐ á”‰á”›á”‰ÊłÊžá”—Ê°â±âżá” ᔃ˹ ʰᔉ á¶œÊłâ±á”‰á”ˆâ€§ áŽŸËĄá”ƒâżá”á”—á”’âż Êłá”‰á”ƒá¶œÊ°á”‰á”ˆ Ê°â±Ëą Ê°á”ƒâżá”ˆ ᔒᔘᔗ á¶ á”’Êł á”—á”’ áŽčÊłâ€§ áŽ·Êłá”ƒá”‡ËąâžŽ Ê·Ê°á”’ á”‰á”á”‡Êłá”ƒá¶œá”‰á”ˆ Ê°â±Ëą á¶ á”’Êłá”á”‰Êł á”‰âżá”‰á”Êžâ€§ "᎔ á¶ á”’Êłá”â±á”›á”‰ ʞᔒᔘ‧‧‧"
new plabscore plabsen planktkarrabs comacore frenemiescore karen plankton worst enemy
áŽčá”‰á”ƒâżá”— ᔀᔒ ᎟ᔉ âœá”†á”–á”’âżá”á”‰áŽźá”’á”‡ á¶ á”ƒâżá¶ â±á¶œâŸ 'ᔀᔉ˥˥ ᔐᔉ ʷʰᔃᔗ ʞᔒᔘ ˹ᔉᔉ' Ëąá”–á”’âżá”á”‰á”‡á”’á”‡ Ëąá”ƒâ±á”ˆâ€§ 'áŽźá”˜á”— á”—Ê°á”‰âż ʞᔒᔘ ËąÊ°á”’Ê·âż ᔐᔉ á¶ Êłâ±á”‰âżá”ˆËąÊ°â±á”–' áŽŸËĄá”ƒâżá”á”—á”’âż Ëąá”—á”ƒÊłá”—á”‰á”ˆ á”—á”’ Ëąá”ƒÊž ᔇᔘᔗ Ê°â±Ëą á”–Êłâ±á”ˆá”‰ ᔍᔒᔗ ᔗʰᔉ ᔇᔉ˹ᔗ ᔒᶠ ʰⁱᔐ‧ ᎔ᔗ'Ëą Ëąá”’ ËĄá”’âżá” ᔃᔍᔒ ʞᔉᔗ áŽŸËĄá”ƒâżá”á”—á”’âż Êłá”‰á”Êłá”‰á”—á”—á”‰á”ˆ ⁿᔒᔗ á”—á”ƒá”â±âżá” Ê°â±Ëą á”’á¶ á¶ á”‰Êłâ€§ áŽźá”˜á”— ʞᔉᔗ á”ƒá¶ á”—á”‰Êł Êžá”‰á”ƒÊłËą ᔒᶠ á”—Êłá”˜Ëąá”— â±ËąËąá”˜á”‰ËąâžŽ ˹ᔗⁱ˥˥ Ê·á”ƒâżá”—â±âżá” ᔗʰᔉ ᔖᔃᔗᔗʞ â±âżá”Êłá”‰á”ˆâ±á”‰âżá”—Ëą ᔇᔘᔗ á”ƒËĄËąá”’ Ê·á”ƒâżá”—â±âżá” ᔗʰᔉ á¶ Êłâ±á”‰âżá”ˆËąÊ°â±á”–âžŽ ʰᔉ'Ëą ÊČá”˜Ëąá”— ⁿᔒᔗ Ëąá”˜Êłá”‰ Ê°á”’Ê· á”—á”’ á”ƒá”–á”–Êłá”’á”ƒá¶œÊ° á”†á”–á”’âżá”á”‰á”‡á”’á”‡â€§ ᎎᔉ Ëąá”ƒÊ· ᔗʰᔉ ᔇᔉ˹ᔗ ⁱⁿ ʰⁱᔐ Ê·Ê°á”‰âż á”’á”—Ê°á”‰ÊłËą á”’âżËĄÊž Ëąá”ƒÊ· ᔗʰᔉ Ê·á”’ÊłËąá”—â€§ áŽŸËĄá”ƒâżá”á”—á”’âż á”âżá”‰Ê· ʰᔉ'ᔈ á”á”’á”—á”—á”‰âż Ëąá”’á¶ á”—á”‰Êł ᔇᔘᔗ ˹ᔗⁱ˥˥ Ê·á”’á”˜ËĄá”ˆ â±á”ˆá”‰âżá”—â±á¶ Êž Ê°â±á”Ëąá”‰ËĄá¶  ᔃ˹ ᔃ á”›â±ËĄËĄá”ƒâ±âżâ€§ ᎎᔉ ÊČá”˜Ëąá”— Ê·á”ƒâżá”—á”‰á”ˆ ˹ᔒᔐᔉ Êłá”‰Ëąá”–á”‰á¶œá”— â±âżËąá”—á”‰á”ƒá”ˆ ᔒᶠ á”‡á”‰â±âżá” ᔐᔃᔈᔉ ᶠᔘⁿ ᔒᶠ‧ áŽŒâżËĄÊž Ëąá”–á”’âżá”á”‰ ᔇᔒᔇ âżá”‰á”›á”‰Êł á”‡á”˜ËĄËĄâ±á”‰á”ˆâ€§ áŽŸËĄá”ƒâżá”á”—á”’âż ᔍᔒᔗ á”á”’Êłá”‰ á”˜Ëąá”‰á”ˆ á”—á”’ ᔗʰᔉ á‘«á”˜â±Êłá”Ëą ᔃⁿᔈ Ëąá”˜á¶œÊ°â€§ ᔆᔒ ʰᔉ á¶ á”’á”˜âżá”ˆ Ê°â±á”Ëąá”‰ËĄá¶  á”–ËĄá”ƒâżâżâ±âżá” ᔒⁿ ᔃ âżá”‰Ê· Ëąá¶œÊ°á”‰á”á”‰ ᔒᶠ á¶œá”’á”’á”â±âżá” ᔘᔖ á¶ Êłâ±á”‰âżá”ˆËąÊ°â±á”– â±âżËąá”—á”‰á”ƒá”ˆ ᔒᶠ á¶œá”’á”’á”â±âżá” ᔘᔖ â±âżá”Êłá”‰á”ˆâ±á”‰âżá”—Ëąâ€§ ᎎᔉ ᔈᔉᶜⁱᔈᔉᔈ ÊČá”˜Ëąá”— á”—á”’ Ê·â±âżá” ⁱᔗ‧ áŽŸËĄá”ƒâżá”á”—á”’âż ᔖᔉᔉᔏᔉᔈ á”—Ê°Êłá”’á”˜á”Ê° ᔗʰᔉ Ê·â±âżá”ˆá”’Ê· á”—á”’ ˹ᔉᔉ Ëąá”–á”’âżá”á”‰ ᔇᔒᔇ ᔃⁿᔈ áŽŸá”ƒá”—Êłâ±á¶œá” ËĄá”ƒá”˜á”Ê°â±âżá” á”—á”’á”á”‰á”—Ê°á”‰Êłâ€§ áŽŸËĄá”ƒâżá”á”—á”’âż ᔈⁱᔈⁿ'á”— á”âżá”’Ê· Ê·Ê°á”‰âż ʰᔉ á”‰á”›á”‰Êł ËĄá”ƒá”˜á”Ê°á”‰á”ˆ ᔃ˹ Ê°á”ƒÊłá”ˆ ᔃ˹ ᔗʰᔉʞ ᔈⁱᔈ âżá”’Ê·â€§ ᎎᔉ Ê·á”ƒâżá”—á”‰á”ˆ á”—á”’ ᔇᔉ ᔗʰᔉ ᔒⁿᔉ á”—á”’ ËĄá”ƒá”˜á”Ê° ʷⁱᔗʰ Ëąá”–á”’âżá”á”‰á”‡á”’á”‡â€§ áŽŸËĄá”ƒâżá”á”—á”’âż ÊČᔘᔐᔖᔉᔈ ᔒᶠᶠ ᔗʰᔉ Ê·â±âżá”ˆá”’Ê· ᔃⁿᔈ Ëąá”—á”ƒÊłá”—á”‰á”ˆ á”—á”’ ËĄá”‰á”ƒá”›á”‰ ᔇᔘᔗ áŽŸá”ƒá”—Êłâ±á¶œá” á”’á”–á”‰âżá”‰á”ˆ ᔗʰᔉ á¶ Êłá”’âżá”— á”ˆá”’á”’Êł ᔃⁿᔈ ˹ᔗᔉᔖ˹ ᔒⁿ ʰⁱᔐ‧ "Ꮁʰ‧‧" á”†á”–á”’âżá”á”‰á”‡á”’á”‡ Ëąá”ƒÊ· áŽŸá”ƒá”—Êłâ±á¶œá” ᔖⁱᶜᔏ ʰⁱᔐ ᔘᔖ‧ "Ꮃᔉᔗ ËĄá”’Ëąá”—!" áŽŸá”ƒá”—Êłâ±á¶œá” á”—á”’ËĄá”ˆ áŽŸËĄá”ƒâżá”á”—á”’âż ᔃ˹ ʰᔉ á”—Ê°Êłá”‰Ê· ʰⁱᔐ ᔇᔃᶜᔏ á”ˆá”’Ê·âż ᔒⁿ ᔗʰᔉ á”Êłá”’á”˜âżá”ˆâ€§ á”†á”–á”’âżá”á”‰á”‡á”’á”‡ Ê°á”‰ËĄá”–á”‰á”ˆ ᔘᔖ áŽŸËĄá”ƒâżá”á”—á”’âż á”ƒá¶ á”—á”‰Êł áŽŸá”ƒá”—Êłâ±á¶œá” ˥ᔉᶠᔗ‧ "᎔ Ê°á”ƒá”–á”–á”‰âżá”‰á”ˆ á”—á”’ ᶜᔒᔐᔉ âżá”‰á”ƒÊł Ê·Ê°á”‰Êłá”‰ ʞᔒᔘ ˥ⁱᔛᔉ ᔃⁿᔈ Ëąá”—á”’á”–á”–á”‰á”ˆ ᔗᔒ‧‧‧" "ʞᔒᔘ Ê·á”ƒâżâżá”ƒ ᶜᔒᔐᔉ ⁱⁿ ᔃ˹ ʞᔒᔘ'Êłá”‰ ᔒᔘᔗ?" "á”†á”˜Êłá”‰âžŽ ᔏⁱᔈ!" ᎎᔉ ˥ᔉᔗ ʰⁱᔐ ⁱⁿ‧ ᎏ˹ ᔗʰᔉʞ ʷᔃᔗᶜʰᔉᔈ á”á”‰Êłá”á”ƒâ±á”ˆ ᔐᔃⁿ ᔃⁿᔈ á”‡á”ƒÊłâżá”ƒá¶œËĄá”‰ ᔇᔒʞ á”á”ƒÊłá”ƒá”—Ê°á”’âżËą á”—á”’á”á”‰á”—Ê°á”‰ÊłâžŽ áŽŸËĄá”ƒâżá”á”—á”’âż Ëąá”—á”ƒÊłá”—á”‰á”ˆ á”—á”’ ᔉⁿÊČá”’Êž ʰⁱᔐ ˹ᔉ˥ᶠ‧ áŽŒá”—Ê°á”‰Êł á”—Ê°á”ƒâż áŽ±á”˜á”á”‰âżá”‰âžŽ ᔗʰᔉ á”’âżËĄÊž á”–á”‰ÊłËąá”’âż Ê·Ê°á”’ ᔉᔛᔉⁿ á”—á”’ËĄá”‰Êłá”ƒá”—á”‰á”ˆ áŽŸËĄá”ƒâżá”á”—á”’âż'Ëą áŽłâ±á”’á”›á”ƒâżâżâ±â€§â€§â€§ "᎔'ᔛᔉ á”—á”’ ᔍᔒ!" ᔆᔃⁱᔈ áŽŸËĄá”ƒâżá”á”—á”’âżâ€§ ᎎᔉ Êłá”ƒâż ᔒᔘᔗ ᔃⁿᔈ ˥ᔉᶠᔗ ᔃ˹ ʰᔉ ᔗʰᔒᔘᔍʰᔗ ᔒᶠ ᔗʰᔉ á”’Êłá”–Ê°á”ƒâż áŽłâ±á”’á”›á”ƒâżâżâ±âžŽ Ê·Ê°á”’'Ëą á”á”’âżá”‰â€§ á”†á”–á”’âżá”á”‰á”‡á”’á”‡ Ê·á”‰âżá”— á”—á”’ ᔗʰᔉ ᶜʰᔘᔐ ᔇᔘᶜᔏᔉᔗ ᔗʰᔉ Ëąá”ƒá”á”‰ âżâ±á”Ê°á”— á”—á”’ ˹ᔉᔉ ⁱᶠ ʰᔉ'Ëą ᔘᔖ á”—á”’ á”—á”ƒËĄá”â±âżá”â€§ áŽ·á”ƒÊłá”‰âż ˥ᔉᔗ á”†á”–á”’âżá”á”‰á”‡á”’á”‡ ᔍᔒ á”—á”’ ˹ᔉᔉ ʰⁱᔐ‧ á”†á”–á”’âżá”á”‰á”‡á”’á”‡ Ê·á”‰âżá”— ⁱⁿ áŽŸËĄá”ƒâżá”á”—á”’âż'Ëą á”‡á”‰á”ˆÊłá”’á”’á” âżá”’á”—â±á¶œâ±âżá” ʰᔉ'Ëą á¶ á”ƒËĄËĄá”‰âż á”ƒËąËĄá”‰á”‰á”– Ëąâżá”’Êłâ±âżá” ᔃʷᔃʞ‧ á”†á”–á”’âżá”á”‰á”‡á”’á”‡ Ê·á”‰âżá”— á”—á”’ á”—á”˜Êłâż ᔇᔃᶜᔏ➎ Ê·Ê°á”‰âż ʰᔉ á”—Êłâ±á”–á”–á”‰á”ˆ ᔃⁿᔈ á”âżá”’á¶œá”á”‰á”ˆ á”’á”›á”‰Êł ᔃ ᔇᔒˣ ʷⁱᔗʰ ᔃ ᔇⁱᔍ ÊČá”’á”˜Êłâżá”ƒËĄâ±âżá” ᔇᔒᔒᔏ‧ ᎎᔉ ᔖⁱᶜᔏᔉᔈ ᔘᔖ ˹ᔃⁱᔈ á”ˆâ±á”ƒÊłÊž ᔒᶠ áŽŸËĄá”ƒâżá”á”—á”’âż ᔃ˹ Êłá”‰á”ƒËĄâ±Ëąá”‰á”ˆ ʰᔉ'Ëą ˹ᔗⁱ˥˥ Ëąâżá”’Êłá”‰á”ˆ Ëąá”’á¶ á”—ËĄÊžâ€§ á”†á”–á”’âżá”á”‰á”‡á”’á”‡ ᔍᔒᔗ ᔗʰᔉ ᔏᔉʞ á¶ á”’Êł ᔗʰᔉ ËĄá”’á¶œá” á”—á”’ ᔒᔖᔉⁿ ᔗʰᔉ ÊČá”’á”˜Êłâżá”ƒËĄ á”’âżá¶œá”‰ ᔒᔘᔗ ⁱⁿ ᔗʰᔉ Ê°á”ƒËĄËĄ á”ƒËĄá”’âżá”‰â€§ ᎏ˹ ʰᔉ á”—á”˜Êłâżá”‰á”ˆ ᔗʰᔉ Ê°á”ƒËĄËĄ ËĄâ±á”Ê°á”—âžŽ ʰᔉ Ëąá”ƒÊ· ᔗʰᔉ á”ˆâ±á”ƒÊłÊž á”‡á”‰á”â±âżâżâ±âżá” ⁱⁿ á”Êłá”ƒá”ˆá”‰ Ëąá¶œÊ°á”’á”’ËĄ ᔃᔍᔉ‧ ᎎᔉ á¶ ËĄâ±á”–á”–á”‰á”ˆ á”—á”’ ᔗʰᔉ ËĄá”ƒËąá”— ᔖᔃᔍᔉ➎ Ê·Ê°á”‰Êłá”‰ áŽŸËĄá”ƒâżá”á”—á”’âż Ê·Êłá”’á”—á”‰ ᔃᔇᔒᔘᔗ Ê·á”ƒâżá”—â±âżá” á”—á”’ á”‡á”‰á¶ Êłâ±á”‰âżá”ˆ Ëąá”–á”’âżá”á”‰ ᔇᔒᔇ‧ áŽșá”’á”—Ê°â±âżá” ᔉ˥˹ᔉ ⁱⁿ ᔗʰᔉ ᔇᔒᔒᔏ ÊČᔘᔐᔖᔉᔈ ᔒᔘᔗ ᔃᔗ á”†á”–á”’âżá”á”‰á”‡á”’á”‡ á”˜âżá”—â±ËĄ ʰᔉ ᔍᔒᔗ á”—á”’ ᔗʰᔉ Ëąá”—á”’ÊłÊž ᔒᶠ áŽłâ±á”’á”›á”ƒâżâżâ±â€§ 'áŽ°á”‰á”ƒÊł á”ˆâ±á”ƒÊłÊžâžŽ ᎔ ᔐᔃᔈᔉ ᔃ á”â±Ëąá”—á”ƒá”á”‰â€§ ᎏ ᔇⁱᔍ á”â±Ëąá”—á”ƒá”á”‰ ʷʰⁱᶜʰ Ê·â±ËĄËĄ á¶œá”’Ëąá”—â€§ áŽłâ±á”’á”›á”ƒâżâżâ± Ê·á”ƒËą á¶ á”’Êł ᔐᔉ Ê·Ê°á”‰âż áŽ·Êłá”ƒá”‡Ëą á”‡á”‰á”—Êłá”ƒÊžËą ᔐᔉ ᔃⁿᔈ ⁱ˹ ᔐʞ á”–á”ƒÊłá”—âżá”‰Êł ⁱⁿ á¶œÊłâ±á”á”‰â€§ ᎔ ËĄá”’á”›á”‰á”ˆ áŽłâ±á”’á”›á”ƒâżâżâ± ËĄâ±á”á”‰ ᔃ á”‡Êłá”’á”—Ê°á”‰Êł! ᔂᔉ á”ƒá”ˆá”’Êłá”‰á”ˆ á”’á”˜Êł á¶ Êłâ±á”‰âżá”ˆËąÊ°â±á”–â€§ áŽłâ±á”’á”›á”ƒâżâżâ± Ê·á”ƒÊłâżËą ᔐᔉ ᔒᶠ ᔗʰᔉ á”ˆá”ƒâżá”á”‰ÊłËą ᔒᶠ á”‰ËĄá”‰á¶œá”—Êłâ±á¶œâ±á”—Êž ᔇᔘᔗ ᎔ ᔈⁱᔈ ⁿᔒᔗ ʰᔉᔉᔈ á”—á”’ ˥ⁱ˹ᔗᔉⁿ ᔃⁿᔈ ⁿᔒ á”’á”—Ê°á”‰Êł á”–á”‰ÊłËąá”’âż á”âżá”’Ê·Ëąâ€§ ᎔ á¶œá”ƒâżâżá”’á”— ᔗᔉ˥˥ ʷʰᔃᔗ á”ƒá”‡á”’á”â±âżá”ƒá”‡ËĄá”‰ á”ƒá”—Êłá”’á¶œâ±á”—Êž ᎔ ᶜᔒᔐᔐⁱᔗᔗᔉᔈ á”ƒá¶œá¶œâ±á”ˆá”‰âżá”—á”ƒËĄËĄÊž á”‡á”‰á¶œá”ƒá”˜Ëąá”‰ ᔖᔉᔒᔖ˥ᔉ Ê·â±ËĄËĄ ⁿᔒᔗ á”˜âżá”ˆá”‰ÊłËąá”—á”ƒâżá”ˆâ€§ ᎔ ᔈⁱᔈ ⁿᔒᔗ á”á”‰á”ƒâż á”—á”’ á”‡á”˜Êłâż ʰⁱᔐ! ᎔ Ê·á”’á”˜ËĄá”ˆ ᔍⁱᔛᔉ ᔐʞ ˥ⁱᶠᔉ ⁱᶠ ⁱᔗ á”á”‰á”ƒâżá”— Ëąá”ƒá”›â±âżá” Ê°â±Ëą! áŽźá”˜á”— âżá”’Ê· ʰᔉ ⁱ˹ Ê°á”ƒá”›â±âżá” ᔃ á¶ á”˜âżá”‰Êłá”ƒËĄâ€§ ᎔ ᔈⁱᔈ ⁿᔒᔗ ᔍᔒ➎ ᔃ˹ ᎔ á¶œá”ƒâżâżá”’á”— ᶠᔃᶜᔉ á”—á”’ á”‡á”‰á”ƒÊłâ€§ ᎔ Ê·á”ƒËą á”–á”˜ËąÊ°á”‰á”ˆ ᔇʞ ᔗʰᔉ á”ˆâ±Ëąá”‡á”‰ËĄâ±á”‰á¶  ᔒᶠ ᔖᔉᔒᔖ˥ᔉ á”—á”’ ËąÊ°á”’Ê· ᎔ á¶œá”ƒâż á”ƒá¶œá”—á”˜á”ƒËĄËĄÊž ᔇᔉ Ëąá”’á”á”‰á”—Ê°â±âżá”â€§ áŽłâ±á”’á”›á”ƒâżâżâ± ᔖᔃⁱᔈ ᔗʰᔉ á”–Êłâ±á¶œá”‰ á¶ á”’Êł ⁱᔗ‧' á”†á”–á”’âżá”á”‰á”‡á”’á”‡ ᶠᔒᔘᔍʰᔗ ᔇᔃᶜᔏ á”—á”‰á”ƒÊłËą Êłá”‰á”ƒá”ˆâ±âżá” Ê°â±Ëą á”ˆá”ƒÊłá”á”‰Ëąá”— á¶œá”’âżá¶ á”‰ËąËąâ±á”’âż Ê°â±á”ˆá”ˆá”‰âż á¶ Êłá”’á” ᔗʰᔉ Ê·á”’ÊłËĄá”ˆâ€§ áŽŸËĄá”ƒâżá”á”—á”’âż âżá”‰á”‰á”ˆËą ᔃ á¶ Êłâ±á”‰âżá”ˆ ᔇᔘᔗ ʰᔉ'Ëą ᶜᔘᔗ ᔒᶠᶠ‧ áŽżá”‰á”—á”˜Êłâżâ±âżá” ᔗʰᔉ á”ˆâ±á”ƒÊłÊž ËĄá”’á¶œá”á”‰á”ˆ ʷⁱᔗʰ ᔗʰᔉ ᔏᔉʞ ⁱⁿ ᔗʰᔉ ᔇᔒˣ➎ á”†á”–á”’âżá”á”‰á”‡á”’á”‡ ˹ᔉᔗ ᔗʰᔉ ᔇᔒˣ ᔃⁿᔈ á¶œá”’âżá”—á”‰âżá”—Ëą á”ˆá”’Ê·âżâ€§ ᎎᔉ Ëąâ±á”Ê°á”‰á”ˆ ᔃⁿᔈ Ê·á”‰âżá”— ʰᔒᔐᔉ á¶ á”’Êł ᔗʰᔉ âżâ±á”Ê°á”— ᔃ˹ ʰᔉ ᶠᔉ˥ᔗ á”Êłâ±á”‰á¶  á¶ á”’Êł áŽŸËĄá”ƒâżá”á”—á”’âżâ€§ áŽ·á”ƒÊłá”‰âż ʷᔃᔛᔉᔈ ᔇʞᔉ‧ ᔀʰᔉ ⁿᔉˣᔗ ᔈᔃʞ➎ Ëąá”–á”’âżá”á”‰á”‡á”’á”‡ â±âżá”›â±á”—á”‰á”ˆ áŽŸËĄá”ƒâżá”á”—á”’âż á”’á”›á”‰Êłâ€§ á”†á”–á”’âżá”á”‰á”‡á”’á”‡ Ê·á”ƒâżá”—á”‰á”ˆ á”—á”’ á”‡á”’âżá”ˆ á”á”’Êłá”‰ ʷⁱᔗʰ áŽŸËĄá”ƒâżá”á”—á”’âż ᔃ˹ ᔍᔒᔒᔈ á¶ Êłâ±á”‰âżá”ˆËąâ€§ ᎎᔉ á”–â±á¶œá”—á”˜Êłá”‰á”ˆ ʰⁱᔐ ËĄá”ƒá”˜á”Ê°â±âżá” ʷⁱᔗʰ áŽłâ±á”’á”›á”ƒâżâżâ± á”‡á”‰á¶ á”’Êłá”‰ ᔗʰᔉ á”›â±ËĄËĄá”ƒâ±âż á”’Êłâ±á”â±âż Ëąá”—á”’ÊłÊžâ€§ "á”†á”–á”’âżá”á”‰ ᔇᔒᔇ“" áŽŸËĄá”ƒâżá”á”—á”’âż á”ƒÊłÊłâ±á”›á”‰á”ˆâ€§ '᎟ᔉ á¶œá”’á”’ËĄ Ëąá‘«á”˜á”ƒÊłá”‰á”–á”ƒâżá”—Ëą ÊČá”˜Ëąá”— ᔇᔉ á¶œá”’á”’ËĄâ€§â€§' á”†á”–á”’âżá”á”‰á”‡á”’á”‡ Êłá”‰á”—á”˜Êłâżá”‰á”ˆ ˹ᔐⁱ˥ᔉ‧
new meant to be friendscore friendcore spongebob fanfic giovanni
r/TwoSentenceHorror 5 min. ago InfamousInspector863 Her heart raced as the caller informed her that her date had died in a car crash earlier that evening. She turned slowly to face the person driving, realizing she was sitting next to a complete stranger.
new reddit carcrashcore terrorwave horrorwave
r/shortscarystories 12 hr. ago Wellsong Mrs. Johnson's wise decision Stacy Johnson watched the five candles flicker on her cake with avid, fire-bright eyes, her round cheeks dimpling as her smile grew bigger and bigger. Three tiers of chocolate sponge, iced with swirling blue and pink buttercream and decorated with white chocolate buttons: the apogee of Mrs. Johnson’s baking efforts. Stacy’s school friends bounced in their seats. They’d played the games, they’d watched Stacy tear open her presents, and now it was time for the party to pay dividends. A few of them had had to be pulled back from reaching for the cake before the candles were even lit. “Make a wish,” Stacy’s mum said, fumbling with the camera app on her phone. Stacy squeezed her eyes closed, an expression of reverent concentration wiping the dimples smooth. She sucked in a deep breath, her chest swelling—and released the gathered air in one long whoosh. Mrs. Johnson’s index finger brushed the touchscreen of her phone. There was a soft click as the phone mimicked a shutter closing, half a second before the last candle went out. Then the electric lights went out too. It should have been bright outside, but only wispy twilight was seeping through the windows. All the children except the birthday girl made noises of alarm and consternation. “I made my wish!” Stacy declared, her voice cutting into the murmurs all around her. Mrs. Johnson opened her mouth to answer, but all she could manage was a soft croak as dark shapes erupted from the corners of the room, huge and twisted, and seized the children sitting around the table. The children screamed, their terror melding into a shuddering wall of sound, but there was nothing they could do to resist what was happening to them. The screams receded as they were torn away into—through—the floor and the walls and the ceiling by the shadowy creatures, until the dark was silent and peaceful and empty again. The light came back as quickly as it had disappeared, flicking the room back to normalcy in an instant. Midday sun swept across the balloons and the banners and the cake and Stacy Johnson’s pleased hungry expression. But all the other children were gone, as if they’d never been part of the scene at all. “Now the cake’s all for me,” said Stacy, dimpling anew. “Unless
do you want some, Mummy?”
new birthdaycore reddit wishcore kidwave wellsong
r/shortscarystories 1 yr. ago GuyAwks The Grief Is Always Greener There is no pain worse than burying your own chıld. When my son was first dıagnosed with leukemia, I fell apart. As loved ones and well-wishers stepped in to offer assistance, I longed to shut myself away from it all. Even though I knew they meant well, I couldn’t stand the attention. All I wanted was my old life back with Billy healthy. By the time the cĂĄncer took my Àngel from me, I was a different person. In place of the warm kindness I once fostered, now all I could feel was bitterness and resentments. Nobody was the recipient of this newfound jealousy more than my neighbor Cathy—and her daughter Ella. From the moment they approached me at the wake to offer condolence, I irrationally hated them. Why did it have to be me going through this agonizing loss, and not Cathy? Why was it my kid deprived of growing up, and not Ella? Despite resisting, I felt these spiteful emotions surge through me like a flashfire every time I saw her coming home from school, playing in her backyard, greeting me in public. Before I knew it, I began to fantasize about Cathy’s child, too. I pictured her shriveling up and wasting away like Billy had. They were deplorable thoughts but I couldn’t stop myself from feelıng them. Like some malevolent force, I sensed a pure, toxıc malice radiating out of my mind and into Ella. It was as if my grief had manifested into a living evıl. That’s when the unthinkable started occurring. Day by day, out of nowhere, Ella’s health mysteriously began deteriorating. As I’d imagined happening, the little girl next door became lethargic, pale and in bed, the same way that Billy had. Cathy was beside herself and drew a crowd of sympathetic faces to her side, like I had. My mind couldn’t have really caused this, right? They were just thoá„™ghts, the indulgent thoughts of a broken, grieving woman. But I couldn’t deny the clear results, nor could I deny that part of me felt sated by it. My cosmic venom kept being transmitted to that poor girl. Until finally, like Billy, she passed away. Attending Ella’s wake, any feelings of catharsis had now been replaced by guilt. There was no fairness I could see, no justice. Just two stolen lives. Against all reason, I felt the urge to confess my mystical hand in this to Cathy. But, as I went to spill my heart out, she confessed to me first. “Martha, I just have to tell somebody: I pođš€soned Ella to dEath with cleanser!” I was speechless. “I know it’s awful” she cries to me, batting her mascara-tinged lashes. “But I was so jeαlous seeing all the attention you got when Billy died.” “There’s no paın worse than watching your frıend bury theır own chıld.”
new Family & Friends Parents & Children mentions of grief former best friends Mentions of Cancer Wakes & Funerals reddit
r/TwoSentenceHorror 2 days ago 54321RUN "It's not that unheard of for a child to be born with an extra toe," the doctor assured us after my daughter's birth. But I had my doubts when another six legs started sprouting out a few days later.
new TwoSentenceHorror polymelian reddit
https://www.reddit.com/r/FullEpisodesOfSB/
new reddit spongebob squarepants spongebob nickelodeon nicktoons spongebobcore nickcore karencore seasonscore
You cant change ATomicFLDR Spongebob smiled as his eyes fluttered open, and he was met with the face, er eye of his Plankton, who had been watching him sleep for the past, thirty minutes, wondering what it was that the sponge dreamt of, whenever he wasn't dreaming about rainbows made out of candy, and sunshine, if he dreamt of him. Plankton sighed, he was too good for him, how could someone so pure, love someone as dark, and evil as him? It wasn't like what he had with Karen, he couldn't control Spongebob like he could her, but he, could certainly control him, just by that smile. Which always had to be glued to his face, for if he ever so frowned, he vowed to destroy any and everything that made his sponge upset. He wondered when the day would come when he’d finally open those big beautiful blue eyes, and see the monster that he was, and, when he would finally turn away, but, he sighed again, he wasn't looking forward to that day, so for now, he’d enjoy the little happiness he brought him. Plankton was a fool, to fall for someone so pathetic, so childish, and so, cod, what was is it? That made him fall to his knees? Maybe it was his innocence, maybe it was what he secretly loved about him, him being so different from the rest, he never brought him down, he never called him bad names, never called him a loser, why was he so kind to him? “Morning, Sheldon.” Spongebob softly spoke, normally that name would send shocks of anger down his antennae, but he liked it when he called him by his first name rather than Plankton. Those eyes blinked, reflecting the bright lights from the sun that peaked through the blinds of the window. “Morning, Spongebob.” he smiled, and Spongebob closed his eyes and tugged the blanket over his shoulder before looking back at him, “How was your sleep?” he asked, and Plankton sighed with a smile, “Good, I dreamt that I’d finally gotten that formula, and all of Bikini Bottom was finally ours.” he smiled, normally, Spongebob would sweat at his thoughts of world domination, but why put the little man down? Even Plankton was allowed to dream. “Ours?” Spongebob questioned, and Plankton blushed, “Well, every great ruler is gonna need someone to sit beside them, when I finally have that formula, this world will be ours, and you will sit at my side, if you want.” he shrugged, and Spongebob ran his finger up Plankton’s side. “Oh? I will?” he questioned, and Plankton looked away, “Well, yeah.. I mean, once we become rulers, no one can push us around, they can't tell us we can't be together, if they dare laugh th-” Spongebob clears his throat. “What?” he cocked his brow, Spongebob shrugged, “I don't like revenge..” he answered gently twirling his finger around in the sheets before he returned his gaze. Plankton sighed, “Then what then?” he asked, and Spongebob smiled, kissing his eye, “Let them laugh, as long as we’re happy- it shouldn't matter, right?” he smiled as he pecked the side of Planktons head, and Plankton sighed, “You’re too good for your own good.” “Oh but you love me.” he chuckled as he picked him up. “And to rub our happiness in your boss’ face while i'm at it.” He admitted and Spongebob just scoffed, he didn't care as long as it didn't involve stealing the formula. Spongebob sighed as he stood back up, “I'll see you tonight.” Stats: Published:2018-08-20
new spongebob fanfic Sheldon J. Plankton/SpongeBob SquarePants SpongeBob SquarePants sheldon j. plankton you cant change
♡ ⋆ ° .˚ đ–§· · ° .♡ ⋆ ♡ ⋆ ° .˚ đ–§· · ♡ wishing you less pain wishing you less stress wishing you less depression sending you love sending you positive vibes sending you healing energy ͏ ͏please accept ♡ ⋆ ° .˚ đ–§· · ° .♡ ⋆ ♡ ⋆ ° .˚ đ–§· · ♡
new special olympics ♡ tumblr
FRIDAY, NOVEMBER 2, 2012 To those of you newly embarking on surgery these are my MUST HAVES for surgery: SURGERY SUPPLIES: Whiteboard Notebook and pen baby toothbrushes alcohol free mouthwash q-tips wet wipes travel neck pillow lots of pillows humidifier mirrors baby spoons syringes of different shapes and sizes pill crusher wrap around hot and cold packs lots of liquids (juices, ensure, water) chapstick a lot of tissues HAND BLENDER (I wouldn't have survived without this) towels power flosser Posted by Incognita at 10:49 PM
new anterior open bite before and after braces double jaw surgery orthognathic surgery underbite special olympics
Exercise List: 1. 2-Way Stretch 2. Forward Folds 3. Extended Lift & Hold 4. Cobra Pose 5. Side Bends 6. Skipping/Jogging In Place 7. Inverting/Hanging
new yogacore special olympics
á”†Ê°á”˜á”—á”—â±âżá” áŽ°á”’Ê·âż âœá”†á”–á”’âżá”á”‰áŽźá”’á”‡ á¶ á”ƒâżá¶ â±á¶œâŸ áŽ·á”ƒÊłá”‰âż ʰᔃᔈ ⁿᔒ ᔇᔃᶜᔏ á”˜á”–Ëą Ê·Ê°á”‰âż ËąÊ°á”‰ ËąÊ°á”’Êłá”— ᔒᔘᔗ ᔃⁿᔈ á”‰ËŁá”–ËĄá”’á”ˆá”‰á”ˆ ⁱⁿ á¶ ËĄá”ƒá”á”‰Ëą ᔃ˹ áŽŸËĄá”ƒâżá”á”—á”’âż ʷᔃᔗᶜʰᔉᔈ Ê°á”‰ËĄá”–ËĄá”‰ËąËąËĄÊžâ€§ á”Ëąá”˜á”ƒËĄËĄÊž á”á”’â±âżá” á”—á”’ ᔃᔗᔗᔉᔐᔖᔗ Ëąá”—á”‰á”ƒËĄâ±âżá” á”–á”ƒá”—á”—â±á”‰Ëą á”ƒËĄá”á”’Ëąá”— á”‰á”›á”‰ÊłÊž á”’á”—Ê°á”‰Êł ᔈᔃʞ áŽčÊłâ€§ áŽ·Êłá”ƒá”‡Ëą á¶ á”’á”˜âżá”ˆ á”˜âżâżá”‰Êłá”›â±âżá” Ê·Ê°á”‰âż áŽŸËĄá”ƒâżá”á”—á”’âż ᔈⁱᔈⁿ'á”— á¶ á”’Êł ᔃ ʷᔉᔉᔏ‧ áŽźá”˜á”— âżá”’Ê·âžŽ áŽŸËĄá”ƒâżá”á”—á”’âż'Ëą á”Êłâ±á”‰á”›â±âżá” ᔗʰᔉ ˥ᔒ˹˹ ᔒᶠ Ê°â±Ëą á¶œá”’á”á”–á”˜á”—á”‰Êł ʷⁱᶠᔉ➎ Ê°â±Ëą á”–á”ƒÊłá”—âżá”‰Êł ⁱⁿ á¶œÊłâ±á”á”‰â€§ ᎎᔉ âżá”’Ê· á”’âżËĄÊž ʰᔃᔈ Ê°â±Ëą ᔖᔉᔗ ᔖᔘᔖᔖʞ ᔆᔖᔒᔗ‧‧ ᔆᔖᔒᔗ ᔗʰᔉ ᔃᔐᔒᔉᔇᔃ á”ˆâ±ËąËĄâ±á”á”‰á”ˆ á”âżá”’Ê·â±âżá” Ê°â±Ëą á”’Ê·âżá”‰Êł ᔃⁿᔈ á¶œá”’á”á”–á”ƒâżâ±á”’âż Ëąá”’á”‡á”‡á”‰á”ˆ ʷⁱᔗʰᔒᔘᔗ ᔃ Êłá”‰Ëąá”— á”’Êł á”‡Êłá”‰á”ƒá”âžŽ á”˜âżá”ƒá”‡ËĄá”‰ á”—á”’ ᔍᔉᔗ á”ƒâżÊž ˹˥ᔉᔉᔖ á¶ á”’Êł ᔃ ʷᔉᔉᔏ! "áŽŸËĄá”ƒâżá”á”—á”’âż á”á”˜Ëąá”— ᔇᔉ á”–ËĄá”ƒâżâżâ±âżá” ᔇⁱᔍ á”’Êł á”—á”’ ᶜᔃᔗᶜʰ ᔘ˹ ᔒᶠᶠ á”á”˜á”ƒÊłá”ˆ!" áŽčÊłâ€§ áŽ·Êłá”ƒá”‡Ëą á”—á”’ËĄá”ˆ ᔃ˹ ʰᔉ Ëąá”‰âżá”ˆËą Ê°â±Ëą á¶ ÊłÊž ᶜᔒᔒᔏ Ëąá”–á”’âżá”á”‰á”‡á”’á”‡ á”—á”’ ᔍᔒ ˹ᔉᔉ ʷʰᔃᔗ'Ëą á”á”’â±âżá” ᔒⁿ á¶ á”’Êł ᔗᔒᔈᔃʞ‧ á”†á”–á”’âżá”á”‰á”‡á”’á”‡ Ê·á”‰âżá”— ⁱⁿ ᔗʰᔉ ᶜʰᔘᔐ ᔇᔘᶜᔏᔉᔗ á”—á”’ ᶠⁱⁿᔈ áŽŸËĄá”ƒâżá”á”—á”’âż á¶œÊłÊžâ±âżá”â€§ ᔆᔖᔒᔗ âżá”’á”—â±á¶œá”‰á”ˆ á”†á”–á”’âżá”á”‰ ᔇᔒᔇ ᔃⁿᔈ á”‡á”ƒÊłá”á”‰á”ˆ á¶ á”’Êłâ€§ áŽŸËĄá”ƒâżá”á”—á”’âż'Ëą á”‡á”ƒÊ·ËĄâ±âżá” âżá”’Ê· á”ˆÊ·â±âżá”ˆËĄá”‰á”ˆ á”—á”’ á”ƒá”ˆá”ˆÊłá”‰ËąËą ʰⁱᔐ‧ "áŽ·á”ƒÊłá”‰âż'Ëą á”á”’âżá”‰ ᔃⁿᔈ ᎔ âżá”‰á”›á”‰Êł ᔇᔃᶜᔏᔉᔈ ᔘᔖ Ê°á”‰Êł ᔈᔃᔗᔃ âżá”’Êł á”á”‰á”á”’Êłâ±á”‰Ëąâ€§â€§" áŽŸËĄá”ƒâżá”á”—á”’âż Ê·Ê°â±âżá”‰á”ˆ ᔃ˹ á”†á”–á”’âżá”á”‰á”‡á”’á”‡ á”âżá”‰ËĄá”— ᔇʞ ʰⁱᔐ ᔃⁿᔈ ˹ᔖᔒᔗ‧ "᎔'ᔐ Ëąá”’ Ëąá”’ÊłÊłÊž áŽŸËĄá”ƒâżá”á”—á”’âżâ€§â€§â€§" "᎔'ËĄËĄ âżá”‰á”›á”‰ÊłâžŽ á”‰á”›á”‰Êł ˹ᔉᔉ Ê°á”‰Êł á”’Êł Ê°á”‰á”ƒÊł á”ƒá”á”ƒâ±âż!" "ᔆʰᔉ ËĄá”’á”›á”‰á”ˆ ʞᔒᔘ ᔃⁿᔈ ʞᔒᔘ ˥ᔒᔛᔉ Ê°á”‰Êłâ€§ á”‚Ê°á”‰âż ᔈ‧‧‧" "᎔ ËĄá”’Ëąá”— Ê°á”‰Êł ËĄá”ƒËąá”— ʷᔉᔉᔏ ᔃᔍᔒ Ê·Ê°á”‰âż ËąÊ°á”‰ ᔍᔒᔗ á”‡Êłá”’á”á”‰âż ᔃⁿᔈ ᎔ Ê°á”ƒá”›á”‰âż'ᔗ‧‧‧" "᎔ ᔇᔉᔗ ⁱᔗ'Ëą Ê°á”ƒÊłá”ˆ á”—á”’ Ëąá”—á”ƒÊž Ê·Ê°á”‰Êłá”‰ ËąÊ°á”‰ ᔈⁱᔉᔈ ᔃⁿᔈ ʞᔒᔘ ËĄá”’á”’á” ËĄâ±á”á”‰ ʞᔒᔘ âżá”‰á”‰á”ˆ Êłá”‰Ëąá”— Ëąá”’ ᎔ á¶œá”ƒâż ˥ᔉᔗ ᔇᔒᔗʰ ᔒᶠ ʞᔒᔘ ᔃⁿᔈ Ëąá”–á”’á”— Ëąá”—á”ƒÊž á”’á”›á”‰Êł ᔃᔗ ᔐʞ á”–ËĄá”ƒá¶œá”‰â€§â€§â€§" áŽŸËĄá”ƒâżá”á”—á”’âż ʷⁱᔖᔉᔈ ᔃʷᔃʞ ˹ᔒᔐᔉ ᔒᶠ Ê°â±Ëą á”—á”‰á”ƒÊłËą ᔃ˹ ʰᔉ á¶œá”’âżËąâ±á”ˆá”‰Êłá”‰á”ˆ Ëąá”–á”’âżá”á”‰ ᔇᔒᔇ'Ëą á”’á¶ á¶ á”‰Êłâ€§ "᎔ á”âżá”’Ê· ⁱᔗ'ᔈ ᔇᔉ á”˜âżËąá”‰á”—á”—ËĄâ±âżá” á¶ á”’Êł ᔐᔉ ⁱᶠ ᎔'ᔐ ʞᔒᔘ➎ Ëąá”‰á”‰â±âżá” ᔗʰᔉ âżá”’Ê· ᔉᔐᔖᔗʞ á”á”’âżâ±á”—á”’Êłâ€§â€§" á”†á”–á”’âżá”á”‰ ᔇᔒᔇ Ëąá”ƒâ±á”ˆâ€§ ᔆᔒ Ëąá”–á”’á”— á¶ á”’ËĄËĄá”’Ê·Ëą Ê°â±Ëą ˹˥ᔉᔉᔖ á”ˆá”‰á”–Êłâ±á”›á”‰á”ˆ á”’Ê·âżá”‰Êł á”—á”’ Ëąá”–á”’âżá”á”‰á”‡á”’á”‡'Ëą á”–â±âżá”‰á”ƒá”–á”–ËĄá”‰â€§ "áŽłá”ƒÊłÊžâžŽ ʰᔉʞ; ᔈᔃᔈᔈʞ'Ëą ʰᔒᔐᔉ! ᎏⁿᔈ ᎔'ᔛᔉ á”á”˜á”‰Ëąá”—Ëąâ€§ ᔆᔖᔒᔗ ᔃⁿᔈ áŽŸËĄá”ƒâżá”á”—á”’âż á”ƒÊłá”‰ Ëąá”—á”ƒÊžâ±âżá” á”’á”›á”‰Êłâ€§" áŽłá”ƒÊłÊž á”‡ËĄâ±âżá”á”‰á”ˆâ€§ "᎔ᶠ ʞᔒᔘ ᔃⁿᔈ Ëąá”–á”’á”— á”–ËĄá”ƒÊž á”ˆá”’âż'á”— Ëąá”—á”ƒÊž ᔘᔖ á”—á”’ ËĄá”ƒá”—á”‰â€§ ᎌʰ ᔃⁿᔈ áŽŸËĄá”ƒâżá”á”—á”’âż ⁱ˹ ᔃ á”á”˜á”‰Ëąá”— á”—á”’ ᔃⁿᔈ ⁿᔒᔗ ᔃ á”—Ê°Êłá”‰á”ƒá”— ᔗᔒ‧‧" áŽłá”ƒÊłÊž Ê·á”‰âżá”— á”—á”’ ˹ᔖᔒᔗ‧ "ʞᔒᔘ á¶œá”ƒâż á”—á”ƒËĄá” á”—á”’ ᔐᔉ ⁱᶠ ʞᔒᔘ Ê·á”ƒâżá”—âžŽ ᔇᔘᔗ ᎔'ËĄËĄ Êłá”‰Ëąá”–á”‰á¶œá”— Êžá”’á”˜Êł âżá”‰á”‰á”ˆ á¶ á”’Êł Ëąá”–á”ƒá¶œá”‰ ⁿᔒᔗ á”—á”’ á”’á”›á”‰Êł ˹ᔗᔉᔖ á”‡á”’á”˜âżá”ˆá”ƒÊłâ±á”‰Ëąâ€§â€§â€§" "᎔ á”ƒá”–á”–Êłá”‰á¶œâ±á”ƒá”—á”‰ ᔏⁱᔈ➎ Ëąá”’ á”—Ê°á”ƒâżá”Ëąâ€§ á”†á”’ÊłÊłÊž ᎔ ÊČá”˜Ëąá”— á”âżá”’Ê· ⁱᔗ'Ëą Ëąá”˜á”ˆá”ˆá”‰âż ᔃⁿᔈ ᔃ˥˥ ʞᔉᔗ ᎔ ÊČá”˜Ëąá”— Ê·á”ƒâżá”— Êłá”‰Ëąá”— ⁱᶠ ʞᔒᔘ‧‧‧" "᎔ á”˜âżá”ˆá”‰ÊłËąá”—á”ƒâżá”ˆ ᔃⁿᔈ ⁱᔗ'Ëą á”á”‰á”—á”—â±âżá” ËĄá”ƒá”—á”‰ ᔇᔘᔗ ᎔ ᔈⁱᔈⁿ'á”— á”—Ê°â±âżá” ᔃʰᔉᔃᔈ á¶ á”’Êł ⁿᔒᔗ á”âżá”’Ê·â±âżá” ʞᔒᔘ'ᔈ ᔇᔉ Ëąá”—á”ƒÊžâ±âżá” Ëąá”’ ᎔ á”á”˜á”‰ËąËą ʞᔒᔘ á¶œá”ƒâż ʰᔃᔛᔉ ᔐʞ ᔇᔉᔈ ᔃⁿᔈ ᎔ ᔗʰᔉ ᶜᔒᔘᶜʰ‧‧‧" "᎔'ᔐ ⁿᔒᔗ á”á”’âżâżá”ƒ ᔗᔃᔏᔉ Êžá”’á”˜Êł ᔇᔉᔈ ᔗʰᔒᔘᔍʰ ᎔'ᔐ ⁿᔒᔗ Ëąá”˜Êłá”‰ ᎔ á¶ á”ƒâżá¶œâ±á”‰á”ˆ á”‡á”‰â±âżá” á”ƒËĄá”’âżá”‰ á”ˆá”˜Êłâ±âżá” á”—á”’âżâ±á”Ê°á”— ᔃ‧‧‧" "᎔ ʰᔃᔛᔉ ˹ᔒᔐᔉ á¶œá”’á”›á”‰ÊłËą ᔃⁿᔈ ʷᔉ á¶œá”ƒâż á”—á”’ ᔒⁿ ᔐʞ ᔗʰᔉ ᶜᔒᔘᶜʰ‧‧‧" á”†á”–á”’âżá”á”‰ ᔇᔒᔇ ˹ᔃⁱᔈ ᔃ˹ ʰᔉ ᔍᔒᔗ á”‡ËĄá”ƒâżá”á”‰á”—Ëą á¶ á”’Êł ᔇᔒᔗʰ‧ Ëąá”–á”’âżá”á”‰á”‡á”’á”‡'Ëą ᔗʰᔉ á¶ â±ÊłËąá”— ᔒᶠ ᔗʰᔉᔐ á”—á”’ ᔃʷᔃᔏᔉ➎ ᔗʰᔉ ˹ᔘⁿ Êłâ±Ëąá”‰ ᔛⁱ˹ⁱᔇ˥ᔉ á¶ Êłá”’á” Ê·â±âżá”ˆá”’Ê·â€§ áŽŸËĄá”ƒâżá”á”—á”’âż Ëąá”‰á”‰á”á”‰á”ˆ á”—á”’ ËĄá”’á”’á” ᔐᔘᶜʰ á”‡á”‰á”—á”—á”‰Êł ᔃ˹ ʰᔉ ˹ᔗⁱ˥˥ ˹˥ᔉᔖᔗ‧ á”†á”–á”’âżá”á”‰ ᔇᔒᔇ Ëąâ±á”Ê°á”‰á”ˆâ€§ "áŽșá”’ Ê·á”’Êłá” ᔃᔗ ᔗʰᔉ á”Êłá”˜Ëąá”—Êž á”Êłá”ƒá”‡ á¶ á”’Êł ᔗᔒᔈᔃʞ á¶ á”’Êł ᔐᔉ‧‧" á”†á”â±ËĄá”‰á”ˆ á”†á”–á”’âżá”á”‰á”‡á”’á”‡âžŽ á”ËĄá”ƒá”ˆ á”—á”’ ᔇᔉ ʷⁱᔗʰ á¶ á”’Êł áŽŸËĄá”ƒâżá”á”—á”’âż âżá”’Ê·â€§ áŽŸËĄá”ƒâżá”á”—á”’âż Ëąá”ƒá”— ᔘᔖ ᔃ˹ ʰᔉ âżá”’Ê· Ê·á”’á”á”‰âż ᔘᔖ‧ á”†á”–á”’âżá”á”‰á”‡á”’á”‡ á”Êłâ±âżâżá”‰á”ˆ ᔃᔗ ʰⁱᔐ‧ "ᎎᔉʞ ᔍᔒᔒᔈ á”á”’Êłâżâ±âżá”! ᔆᔒ ᎔ Ê·á”ƒâżâżá”ƒ ˥ᔉᔗ ʞᔒᔘ á”âżá”’Ê· ᎔'ËĄËĄ á”ƒËĄËĄá”’Ê· ʞᔒᔘ á”—á”’ ᔈᔉᶜⁱᔈᔉ ʷʰᔃᔗ á”‰á”›á”‰Êł ʷᔉ ᔈᔒ➎ ᔇᔉ ⁱᔗ á”á”’â±âżá” á”—á”’ ᔒᔘᔗ á”’Êł ⁱᶠ ÊČá”˜Ëąá”— á¶œÊ°â±ËĄËĄá”ƒËŁâ€§â€§â€§" "᎔ ÊČá”˜Ëąá”— á”ˆá”’âż'á”— ᶠᔉᔉ˥ ᔘᔖ á”—á”’ Êłâ±á”Ê°á”— âżá”’Ê· ᔃ˹ ᎔'ᔛᔉ ⁿᔒᔗ á”á”’á”—á”—á”‰âż ᔃ á”‡Êłá”‰á”ƒá” ᔃ˥˥ ʷᔉᔉᔏ‧‧‧" "ʞᔒᔘ á¶œá”ƒâż á”ƒËąá” ᔐᔉ á”—á”’ á”—á”ƒËĄá” á”ƒâżÊž ᔗⁱᔐᔉ ᔇᔘᔗ ᎔'ËĄËĄ ˥ᔉᔗ ʞᔒᔘ ᔇᔉ Ëąá”’ á”—á”’ ᶜᔃᔗᶜʰ ᔘᔖ ᔒⁿ ᶻ'˱‧‧" "áŽŹÊ° Ëąá‘«á”˜â±á”ˆÊ·á”ƒÊłá”ˆ ʞᔒᔘ á¶ â±âżá”ƒËĄËĄÊž ᔍᔉᔗ ᔃ á¶ Êłá”‰á”‰ Ê·á”‰á”‰á”á”‰âżá”ˆ ʷⁱᔗʰᔒᔘᔗ á”†á”–á”’âżá”á”‰á”‡á”’á”‡ á”—ÊłÊžâ±âżá” á”—á”’ á”‡á”’á”—Ê°á”‰Êł; áŽ·á”ƒÊłá”‰âż'Ëą á”ˆá”‰á”â±Ëąá”‰âžŽ á”‡Êłâ±ËĄËĄâ±á”ƒâżá”— á”á”‰âżâ±á”˜Ëą! áŽșá”’Ê· ʰᔉ'Ëą á”‡á”˜ËąÊž Ê°á”‰ËĄá”–â±âżá” ᔗʰᔉ ˥ⁱᔗᔗ˥ᔉ ᔍᔘʞ Ê·Ê°â±ËĄËąá”— ᔗʰᔉʞ ᔇᔒᔗʰ á”—Ê°â±âżá” ËąÊ°á”‰ 'á”ƒá¶œá¶œâ±á”ˆá”‰âżá”—á”ƒËĄËĄÊž á”‰ËŁá”–ËĄá”’á”ˆá”‰á”ˆ' ʞᔉᔗ ⁿᔒᔗ á”âżá”’Ê·â±âżá” ʷʰᔃᔗ ᎔ ʰᔃᔛᔉ á”ˆá”’âżá”‰â€§â€§â€§" ᔆᑫᔘⁱᔈ Ê·á”ƒÊłá”ˆ ˹ᔃⁱᔈ ᔃ˹ ʰᔉ ᔍᔒᔗ Ê°â±á”Ëąá”‰ËĄá¶  ᔃ á”‡á”˜á”‡á”‡ËĄá”‰ ᔇᔃᔗʰ‧‧
new spongebob/plankton wordcount: 500-1.000 mentions of grief Implied/Referenced Character Death family member death plot twists Karen/Sheldon J. Plankton Sheldon J. Plankton/SpongeBob SquarePants shutting down
áŽŹËąá”â±âżá” á¶ á”’Êł ᔃ á¶ Êłâ±á”‰âżá”ˆ âœá”†á”–á”’âżá”á”‰áŽźá”’á”‡ á¶ á”ƒâżá¶ â±á¶œâŸ "᎔ᔗ'Ëą ⁿᔒᔗ ᔍᔒᔒᔈ á¶ á”’Êł ʞᔒᔘ á”—á”’ Ëąá”—á”ƒÊž ⁱⁿ á”ƒËĄá”’âżá”‰â€§ áŽșá”’ Ê·á”’âżá”ˆá”‰Êł ʞᔒᔘ á”ƒÊłá”‰ á”â±Ëąá”‰Êłá”ƒá”‡ËĄá”‰! áŽźá”‰á¶ Êłâ±á”‰âżá”ˆ á”’Êł ᶜᔃᔗᶜʰ ᔘᔖ ʷⁱᔗʰ‧‧‧" "áŽ·á”ƒÊłá”‰âż ᎔'ᔐ á”ˆá”’â±âżá” ᶠⁱⁿᔉ!" áŽŸËĄá”ƒâżá”á”—á”’âż â±âżá”—á”‰ÊłÊłá”˜á”–á”—á”‰á”ˆ Ê°â±Ëą ʷⁱᶠᔉ‧ "᎔'ᔐ á”—á”‰ËĄËĄâ±âżá” ʞᔒᔘ!" áŽ·á”ƒÊłá”‰âż ËĄá”‰á”ƒá”ˆËą ʰⁱᔐ ᔒᔘᔗ ᔒᶠ ᔗʰᔉ ᶜʰᔘᔐ ᔇᔘᶜᔏᔉᔗ á¶ á”’Êł ʰⁱᔐ á”—á”’ Ëąá”’á¶œâ±á”ƒËĄâ±Ëąá”‰â€§ 'ᔂʰᔒ ᔐⁱᔍʰᔗ ᔇᔉ ᔗʰᔉ á¶œËĄá”’Ëąá”‰Ëąá”— á”—á”’ ᔃ á¶ Êłâ±á”‰âżá”ˆ ᔒᶠ ᔐⁱⁿᔉ' áŽŸËĄá”ƒâżá”á”—á”’âż á”ƒËąá”á”‰á”ˆ Ê°â±á”Ëąá”‰ËĄá¶ â€§ 'á”†á”–á”’âżá”á”‰á”‡á”’á”‡ ᔗᔃᔘᔍʰᔗ ᔐᔉ ᔃᔇᔒᔘᔗ Ê°á”ƒá”›â±âżá” ᶠᔘⁿ ᔃⁿᔈ á”—á”‰á”ƒá”Ê·á”’Êłá”' áŽŸËĄá”ƒâżá”á”—á”’âż ᔗʰᔒᔘᔍʰᔗ ᔃ˹ á”á”‰á”á”’Êłâ±á”‰Ëą ᔒᶠ á”â±âżá”ˆâżá”‰ËąËą á”‰Êłá”˜á”–á”—á”‰á”ˆâ€§ ᎎᔉ Ê·á”‰âżá”— á¶ á”’Êł Ê°â±Ëą ʰᔒᔐᔉ‧ "áŽŽá”’á”á”â±âżá”ƒâ€”Ê·á”ƒÊ°?" á”†á”–á”’âżá”á”‰á”‡á”’á”‡ ᔃʷᔒᔏᔉ ʷⁱᔗʰ ᔃ Ëąá”—á”ƒÊłá”— Ê°á”‰á”ƒÊłâ±âżá” ᔃ á”–á”‰ÊłËąá”’âż ᔃᔗ ᔗʰᔉ á¶ Êłá”’âżá”— á”ˆá”’á”’Êłâ€§ ᎎᔉ á”’á”–á”‰âżá”‰á”ˆ ᔗʰᔉ á”ˆá”’á”’Êł á”—á”’ áŽŸËĄá”ƒâżá”á”—á”’âżâ€§ "áŽ·á”ƒÊłá”‰âż Ê·á”ƒâżá”—Ëą ᔐᔉ á”—á”’ ᔍᔉᔗ ᔒᔘᔗ ᔃⁿᔈ á”‡á”’âżá”ˆ Ëąá”’ ᎔ ᶜᔃᔐᔉ á”—á”’ ʞᔒᔘ á”‡á”‰á¶œá”ƒá”˜Ëąá”‰ ʞᔒᔘ á”ƒÊłá”‰ âżâ±á¶œá”‰ ᔗʰᔉ á¶œËĄá”’Ëąá”‰Ëąá”— ᎔ ʰᔃᔛᔉ á”—á”’ ᔃ á¶ Êłâ±á”‰âżá”ˆâ€§â€§" á”†á”–á”’âżá”á”‰á”‡á”’á”‡ Ëąá”â±ËĄá”‰á”ˆ ᔃᔗ áŽŸËĄá”ƒâżá”á”—á”’âżâžŽ ËĄá”‰á”—á”—â±âżá” ʰⁱᔐ ⁱⁿ‧ "᎔ Ê·á”ƒËą ÊČá”˜Ëąá”— ᔃᔇᔒᔘᔗ á”—á”’ ᔍᔒ á”—á”’ ᔗʰᔉ á”–á”ƒÊłá”â€§ á”†á‘«á”˜â±á”ˆÊ·á”ƒÊłá”ˆ Ê·á”ƒâżá”—Ëą ᔐᔉ á”—á”’ ᔐᔃᔏᔉ ᔃ Ëąá”—á”ƒá”—á”˜á”‰ ᔒᶠ ʰⁱᔐ Ëąá”’ ʞᔒᔘ á¶œá”ƒâż Ê°á”‰ËĄá”– Ëąá¶œá”˜ËĄá”–á”—!" ᔆᔒ ᔗʰᔉʞ ᔍᔒᔗ ᔃ˥˥ ᔗʰᔉ á”ƒÊłá”— Ëąá”˜á”–á”–ËĄâ±á”‰Ëą âżá”‰á”‰á”ˆá”‰á”ˆâ€§ "᎔ᔗ á”—á”ƒá”á”‰Ëą ᔃ ᔈᔃʞ á”’Êł Ëąá”’ á”—á”’ á”ˆÊłÊž á”’âżá¶œá”‰ ⁱᔗ á¶ â±âżâ±ËąÊ°á”‰á”ˆâžŽ Ëąá”’ ʷᔉ á¶œá”ƒâż ᔗᔃᔏᔉ á”—á”˜ÊłâżËą á”á”˜á”ƒÊłá”ˆâ±âżá” ⁱᔗ!" á”†á”–á”’âżá”á”‰ ᔇᔒᔇ á”—á”’ËĄá”ˆ áŽŸËĄá”ƒâżá”á”—á”’âżâ€§ "᎔ á¶œá”ƒâż ᔈᔒ ᔗʰᔉ á¶œá”ƒÊłá”›â±âżá” ᔒᶠ ᔗʰᔉ á¶ á”ƒá¶œâ±á”ƒËĄ á”ˆá”‰á”—á”ƒâ±ËĄËą ᔃⁿᔈ ʞᔒᔘ Ê°á”ƒâżá”ˆËĄá”‰ ᔗʰᔉ Ëąá”—Êłá”˜á¶œá”—á”˜Êłá”‰â€§" áŽŸËĄá”ƒâżá”á”—á”’âż á”—á”’ËĄá”ˆ á”†á”–á”’âżá”á”‰á”‡á”’á”‡ á”ƒá¶ á”—á”‰Êł Ëąá”‰á”—á”—â±âżá” ᔘᔖ ᔗʰᔉ á”‡á”ƒËąá”‰â€§ "áŽ°á”‰á”ƒËĄ!" "ᔆᔒ ʷᔉ ᔉᔃᶜʰ á”á”˜á”ƒÊłá”ˆ ⁱᔗ ᔃ á”ˆá”’á¶»á”‰âż Ê°á”’á”˜ÊłËą á”–á”‰Êł á”—á”˜Êłâż ᔃᔗ ᔃ ᔗⁱᔐᔉ‧ ᎔ Ê·á”ƒâżâżá”ƒ ᔍᔒ ᔗᔉ˥˥ Ëąá‘«á”˜â±á”ˆÊ·á”ƒÊłá”ˆ Ëąá”’ ʞᔒᔘ á¶œá”ƒâż ᔇᔉ ᔗʰᔉ ʷᔃᔗᶜʰ‧‧‧" á”†á”–á”’âżá”á”‰á”‡á”’á”‡ Ëąá”â±á”–á”–á”‰á”ˆ á”—á”’ Ëąá‘«á”˜â±á”ˆÊ·á”ƒÊłá”ˆ'Ëą ᔃ˹ áŽŸËĄá”ƒâżá”á”—á”’âż Ëąá”—á”ƒÊžá”‰á”ˆâ€§ "ʞᔒᔘ Ê·á”ƒâżâżá”ƒ ˹ᔉᔉ ⁱᔗ âżá”’Ê· á”’Êł ÊČá”˜Ëąá”— ʷᔃⁱᔗ á¶ á”’Êł ⁱᔗ á”—á”’ á¶ â±âżâ±ËąÊ° á”ˆÊłÊžâ±âżá”?" á”†á”–á”’âżá”á”‰á”‡á”’á”‡ ËąÊ°â±á¶ á”—á”‰á”ˆ ᔃ˹ Ëąá‘«á”˜â±á”ˆ Ê·á”ƒÊłá”ˆ á”–á”’âżá”ˆá”‰Êłá”‰á”ˆâ€§ "᎔ ᔇᔉᔗ Ëąá‘«á”˜â±ËĄËĄâ±á”ƒá”'Ëą á”á”’âżâżá”ƒ ᔍᔒ á”ˆá”‰Ëąá”—Êłá”’Êž ⁱᔗ‧‧‧" "áŽŸËĄá”ƒâżá”á”—á”’âż'Ëą á”á”˜á”ƒÊłá”ˆâ±âżá” ⁱᔗ ᔃ˹ ʷᔉ Ëąá”–á”‰á”ƒá” ˹ᔒ‧‧‧" "ʞᔒᔘ á”—Êłá”˜Ëąá”— ʰⁱᔐ á”—á”’?" á”†á‘«á”˜â±á”ˆÊ·á”ƒÊłá”ˆ á¶ á”’ËĄËĄá”’Ê·á”‰á”ˆ Ëąá”–á”’âżá”á”‰á”‡á”’á”‡ á”—á”’ ᔗʰᔉ á”–á”ƒÊłá”â€§ áŽŸËĄá”ƒâżá”á”—á”’âż ᔖᔃᶜᔉᔈ ËĄá”’á”’á”â±âżá” á”ƒá¶ á”—á”‰Êł ⁱᔗ‧ "᎔ᔗ'Ëą ᔐᔒ˹ᔗ á”‰ËŁá‘«á”˜â±Ëąâ±á”—á”‰ á”ƒÊłá”— ᔖⁱᔉᶜᔉ ᎔'ᔛᔉ ˹ᔉᔉⁿ!" á”†á‘«á”˜â±á”ˆÊ·á”ƒÊłá”ˆ Ëąâ±á”Ê°Ëąâ€§ "áŽ¶á”˜Ëąá”— á”ˆá”’âż'á”— á”—ÊłÊžâ€§â€§â€§" "ʞᔒᔘ á”—Ê°â±âżá” ᎔'ᔈ Ê·á”ƒËąá”—á”‰ ᔐʞ á”‰âżá”‰Êłá”Êž ᔒⁿ á”ˆá”‰Ëąá”—Êłá”’Êžâ±âżá” Ëąá”’á”á”‰á”—Ê°â±âżá” ᎔ Ê°á”‰ËĄá”– á”—á”’ á”‡á”˜â±ËĄá”ˆ?" áŽŸËĄá”ƒâżá”á”—á”’âż ËĄá”’á”’á”á”‰á”ˆ ᔘᔖ á”ƒá¶œá¶œá”˜Ëąâ±âżá” ᔒᶠ ᔃᔗ á”†á‘«á”˜â±á”ˆÊ·á”ƒÊłá”ˆâ€§ "ᎌʰ ʷᔃⁱᔗ ʷᔉ ᔍᔒᔗᔗᔃ ᔍᔒ á”—á”’ Ê·á”’Êłá” âżá”’Ê·! ᔆᔉᔉ ʞᔒᔘ á”ƒá¶ á”—á”‰Êł ᔗʰᔉ ËąÊ°â±á¶ á”—â€§â€§" á”†á”–á”’âżá”á”‰á”‡á”’á”‡ ᔃⁿᔈ á”†á‘«á”˜â±á”ˆÊ·á”ƒÊłá”ˆ ˥ᔉᶠᔗ ʰⁱᔐ ᔃᔗ ᔗʰᔉ á”–á”ƒÊłá”â€§ "á”€Ê°á”ƒâżá”Ëą á¶ á”’Êł Ê·á”’Êłá”â±âżá” ËĄá”ƒá”—á”‰ á”‡á”’ÊžËą!" áŽčÊłâ€§ áŽ·Êłá”ƒá”‡Ëą á”—á”’ËĄá”ˆ á”†á‘«á”˜â±á”ˆÊ·á”ƒÊłá”ˆ ᔃⁿᔈ á”†á”–á”’âżá”á”‰á”‡á”’á”‡ á”ƒá¶ á”—á”‰Êł á¶œËĄá”’Ëąâ±âżá” ᔘᔖ ᔗʰᔉ Êłá”‰Ëąá”—á”ƒá”˜Êłá”ƒâżá”— á¶ á”’Êł ᔗʰᔉ âżâ±á”Ê°á”—â€§ 'áŽčÊž á”—á”˜Êłâż á”—á”’ á”á”˜á”ƒÊłá”ˆ Ëąá‘«á”˜â±á”ˆ Ê·á”ƒÊłá”ˆ Ëąá”—á”ƒá”—á”˜á”‰' Ëąá”–á”’âżá”á”‰á”‡á”’á”‡ ᔗʰᔒᔘᔍʰᔗ➎ á”‰ËŁá¶œâ±á”—á”‰á”ˆËĄÊžâ€§ á”†á‘«á”˜â±á”ˆÊ·á”ƒÊłá”ˆ'Ëą á¶ á”’ËĄËĄá”’Ê·á”‰á”ˆ ᔇʞ á”†á”–á”’âżá”á”‰á”‡á”’á”‡ á”—á”’ ᔗʰᔉ Ëąá”—á”ƒá”—á”˜á”‰â€§ "ᔀⁱᔐᔉ á”—á”’ ËąÊ·â±á”—á¶œÊ° ËąÊ°â±á¶ á”—Ëą ᔃⁿᔈ á¶ á”’Êł ᔐᔉ á”—á”’ á”á”˜á”ƒÊłá”ˆâ€§â€§â€§" á”†á”–á”’âżá”á”‰ ᔇᔒᔇ Ëąá”—á”’á”–á”–á”‰á”ˆ ᔃ˹ ʰᔉ ᔃⁿᔈ á”†á‘«á”˜â±á”ˆÊ·á”ƒÊłá”ˆ Êłá”‰á”ƒËĄâ±Ëąá”‰á”ˆ áŽŸËĄá”ƒâżá”á”—á”’âż Ëąá”ƒá”— ËĄá”‰á”ƒâżâ±âżá” á”ƒá”á”ƒâ±âżËąá”— ᔗʰᔉ á”‡á”ƒËąá”‰ ᔃ˹ ᔃ ᔇᔃᶜᔏ Êłá”‰Ëąá”— ᔃ˹ ʰⁱ ˹ᔒᶠᔗ Ëąâżá”˜á¶ á¶ ËĄâ±âżá” Ëąâżá”’Êłá”‰Ëą Ê·á”‰Êłá”‰ Ê°á”‰á”ƒÊłá”ˆâ€§ 'áŽșá”’Ê· ᎔ á”âżá”’Ê· Ê°á”’Ê· áŽčÊłâ€§ áŽ·Êłá”ƒá”‡Ëą ᶠᔉ˥ᔗ Ê·Ê°á”‰âżá”‰á”›á”‰Êł ᎔ ˹˥ᔉᔉᔖ ᔒⁿ ᔗʰᔉ ÊČᔒᔇ' á”†á‘«á”˜â±á”ˆÊ·á”ƒÊłá”ˆ ᔗʰᔒᔘᔍʰᔗ‧ "᎔‧‧‧" "á”†á”–á”’âżá”á”‰á”‡á”’á”‡ ÊČá”˜Ëąá”— ËĄá”‰á”ƒá”›á”‰ ⁱᔗ á”—á”’ ᔐᔉ‧‧" á”†á‘«á”˜â±á”ˆÊ·á”ƒÊłá”ˆ â±âżá”—á”‰ÊłÊłá”˜á”–á”—á”‰á”ˆ á”†á”–á”’âżá”á”‰á”‡á”’á”‡âžŽ á”‡á”‰á”Êłá”˜á”ˆá”â±âżá”ËĄÊž á”á”’â±âżá” á”’á”›á”‰Êł á”—á”’ áŽŸËĄá”ƒâżá”á”—á”’âżâ€§ á”†á”–á”’âżá”á”‰á”‡á”’á”‡ ʷᔃᔗᶜʰᔉᔈ âżá”‰Êłá”›á”’á”˜ËąËĄÊž ᔃ˹ á”†á‘«á”˜â±á”ˆÊ·á”ƒÊłá”ˆ ᔇᔉⁿᔗ á”ˆá”’Ê·âżâ€§ "ᎎᔉʞ á”—Ê°á”‰Êłá”‰â€§â€§" á”†á‘«á”˜â±á”ˆÊ·á”ƒÊłá”ˆ Êłá”˜á”‡á”‡á”‰á”ˆ ᔗʰᔉ Ëąâ±á”ˆá”‰ ᔒᶠ áŽŸËĄá”ƒâżá”á”—á”’âż'Ëą ʰᔉᔃᔈ ᔃ˹ á”†á”–á”’âżá”á”‰ ᔇᔒᔇ ʷᔃᔗᶜʰᔉᔈ‧ ᔀʰᔉ Ëąâżá”’Êłâ±âżá” Ëąá”—á”’á”–á”–á”‰á”ˆ ᔃ˹ á”‰Êžá”‰á”‡Êłá”’Ê· á¶ á”˜ÊłÊłá”’Ê·Ëą ᔇᔘᔗ ˹ᔗⁱ˥˥ ⁿᔒᔗ Ê·á”ƒá”â±âżá” ʞᔉᔗ‧ "ᔁᔖ ᔃⁿᔈ ᔃᔗᔒᔐ‧‧" á”†á‘«á”˜â±á”ˆÊ·á”ƒÊłá”ˆ Ëąá”ƒâ±á”ˆâ€§ "ᎎᔐᔐᔐ‧‧‧" "᎔ ˹ᔃⁱᔈ áŽłáŽ±á”€Í ᔁ᎟!" á”†á‘«á”˜â±á”ˆÊ·á”ƒÊłá”ˆ Êžá”‰ËĄËĄá”‰á”ˆ ᔃ˹ áŽŸËĄá”ƒâżá”á”—á”’âż Ëąá”—á”ƒÊłá”—ËĄá”‰á”ˆ ᔃʷᔃᔏᔉ á¶ á”ƒËĄËĄâ±âżá” á”’á”›á”‰Êł á”ƒËąâ±á”ˆá”‰ á”‡á”‰á¶ á”’Êłá”‰ Ëąá”—á”ƒâżá”ˆâ±âżá” Ê°â±á”Ëąá”‰ËĄá¶  ᔘᔖ‧ "ᔂʰᔃ‧‧‧" "ʞᔒᔘ'Êłá”‰ Ëąá”˜á”–á”–á”’Ëąá”‰á”ˆ á”—á”’ ᔇᔉ á”á”˜á”ƒÊłá”ˆâ±âżá” ᔗʰᔉ ᔐʞ Ëąá”—á”ƒá”—á”˜á”‰!" "᎔'ᔐ á”á”’âżâżá”ƒ á”á”˜á”ƒÊłá”ˆ ⁱᔗ âżá”’Ê· ˹ᔒ‧‧‧" á”†á”–á”’âżá”á”‰á”‡á”’á”‡ á”—á”’ËĄá”ˆâžŽ ᔃ˹ áŽŸËĄá”ƒâżá” ᔗᔒⁿ á”ˆâ±á¶»á¶»â±âżá”‰ËąËą Ëąá”˜á”‡Ëąâ±á”ˆá”‰á”ˆâ€§ "á”†á”’ÊłÊłÊžâ€§â€§" "᎔ á”ˆá”’âż'á”— ʰᔃᔛᔉ á”ƒâżÊž Ê·á”’Êłá” á”—á”’ á”á”’ÊłÊłá”’Ê· Ëąá”’ ᎔ á¶œá”ƒâż ˹˥ᔉᔉᔖ ⁱⁿ á”’âżá¶œá”‰ ᔐʞ Ê°á”’á”˜ÊłËą á”‰âżá”ˆâ€§" á”†á”–á”’âżá”á”‰á”‡á”’á”‡ â±âżá¶ á”’Êłá”Ëąâ€§ "᎔'ËĄËĄ ᶜᔒᔐᔉ ᔇᔃᶜᔏ ⁱⁿ ᔗʰᔉ á”á”’Êłâżâ±âżá” á¶ á”’Êłâ€§" áŽŸËĄá”ƒâżá”á”—á”’âż Ëąá”ƒÊžËąâ€§ "ʞᔒᔘ ËĄá”’á”’á”â€§â€§â€§" "᎔ á”âżá”’Ê·!" áŽŸËĄá”ƒâżá”á”—á”’âż Êłá”‰á”–ËĄâ±á”‰á”ˆ á”—á”’ áŽ·á”ƒÊłá”‰âż ᔃ˹ ʰᔉ ᶜᔃᔐᔉ ᔇᔃᶜᔏ ⁱⁿ ᔗʰᔉ ᶜʰᔘᔐ ᔇᔘᶜᔏᔉᔗ‧ "᎔'ᔈ á”‡á”˜â±ËĄá”— Ê°á”‰ËĄá”–á”‰á”ˆ ᔃ Ëąá”—á”ƒá”—á”˜á”‰ ʷⁱᔗʰ á”†á”–á”’âżá”á”‰á”‡á”’á”‡â€§" áŽ·á”ƒÊłá”‰âż âżá”’á”ˆá”ˆá”‰á”ˆ ᔃ˹ ËąÊ°á”‰ Ê°á”‰ËĄá”–á”‰á”ˆ Ê°á”‰Êł Ê°á”˜Ëąá”‡á”ƒâżá”ˆ ᔘᔖ á”—á”’ ᔇᔉᔈ‧ "᎔'ᔛᔉ á”—á”’ ᔍᔒ ᔇᔃᶜᔏ á”—á”’á”á”’ÊłÊłá”’Ê· á”á”’Êłâżâ±âżá”â€§â€§" "᎔'ᔐ á”ËĄá”ƒá”ˆ; ᔍᔉᔗ ᔃ ᔍᔒᔒᔈ âżâ±á”Ê°á”—'Ëą Êłá”‰Ëąá”—!" áŽ·á”ƒÊłá”‰âż á”—á”’ËĄá”ˆ áŽŸËĄá”ƒâżá”á”—á”’âż ᔃ˹ ʰᔉ Ëąâ±á”—á”˜á”ƒá”—á”‰á”ˆâ€§ áŽŸËĄá”ƒâżá”á”—á”’âż Ê·á”‰âżá”— ᔇᔃᶜᔏ ⁱⁿ ᔗʰᔉ ⁿᔉˣᔗ á”á”’Êłâżâ±âżá” á”—á”’ ˹ᔉᔉ á”†á”–á”’âżá”á”‰á”‡á”’á”‡ Ê°á”ƒá”–á”–â±ËĄÊž á”–á”ƒá”—Êłá”’ËĄËĄâ±âżá” á”ƒÊłá”’á”˜âżá”ˆ ᔗʰᔉ Ëąá”—á”ƒá”—á”˜á”‰â€§ "᎔ á”—Ê°â±âżá” ⁱᔗ'Ëą á”ˆÊłÊžâ€§â€§" á”†á”–á”’âżá”á”‰á”‡á”’á”‡ Ëąá”ƒÊžËą Ëąá”‰á”‰â±âżá” áŽŸËĄá”ƒâżá”á”—á”’âżâ€§ áŽŸËĄá”ƒâżá”á”—á”’âż ᔗᔒᔘᶜʰᔉᔈ ⁱᔗ ᔃⁿᔈ Ê·á”ƒËą á”ˆÊłÊžâ€§ "ᎏ˥˥ ᔍᔒᔒᔈ!" ᎎᔉ á”—á”’ËĄá”ˆ á”†á”–á”’âżá”á”‰á”‡á”’á”‡â€§ "áŽșá”’ ᔈᔃᔐᔃᔍᔉ ᔃ˹ á¶ á”ƒÊł ᔃ˹ ᎔ á¶œá”ƒâż ᔗᔉ˥˥‧‧" "á”†á‘«á”˜â±á”ˆÊ·á”ƒÊłá”ˆ'Ëą á”á”’âżâżá”ƒ ᔇᔉ Ëąá”’ ʰᔃᔖᔖʞ!" á”†á”–á”’âżá”á”‰á”‡á”’á”‡ ËĄá”ƒá”˜á”Ê°á”‰á”ˆ ᔃ˹ ʰᔉ á”—á”‰ËŁá”—á”‰á”ˆ á”†á‘«á”˜â±á”ˆÊ·á”ƒÊłá”ˆâ€§ "᎔ ˥ᔒᔛᔉ Ëąá”‰á”‰â±âżá” ʰⁱᔐ!" á”†á”‰á”‰â±âżá” Ëąá”–á”’âżá”á”‰á”‡á”’á”‡ Ê°á”’á”– ʷⁱᔗʰ á”ËĄá”‰á”‰ ᔃᔗ ᔗʰᔉ ᔗʰᔒᔘᔍʰᔗ ᔒᶠ Ëąá‘«á”˜â±á”ˆÊ·á”ƒÊłá”ˆ Ëąá”’á”á”‰Ê°á”’Ê· ᔐᔃᔈᔉ áŽŸËĄá”ƒâżá”á”—á”’âż ᶠᔉᔉ˥ á”ˆá”’Ê·âżâ€§ 'ᎎᔉ ⁱ˹ Ëąá”’ âżâ±á¶œá”‰ á”—á”’ ᔃ˥˥ ᔇᔘᔗ ᔒᶠ á¶œá”’á”˜ÊłËąá”‰ Ê°â±Ëą á¶ Êłâ±á”‰âżá”ˆËąâ€§ ᎔ᶠ á”’âżËĄÊž ᎔ á”âżá”‰Ê· ÊČá”˜Ëąá”— Ê°á”’Ê· ʰᔉ ᶠᔉᔉ˥˹ ᔃᔇᔒᔘᔗ ᔐᔉ ᔈᔉᔉᔖ á”ˆá”’Ê·âż â±âżËąâ±á”ˆá”‰' áŽŸËĄá”ƒâżá”á”—á”’âż ᶠᔉ˥ᔗ ⁿᔒᔗ Ëąá”’ â±á”á”–á”’Êłá”—á”ƒâżá”—â€§ '᎔ᶠ á”’âżËĄÊž ᎔ ᔐᔃᔈᔉ Ëąá”–á”’âżá”á”‰á”‡á”’á”‡ Ëąá”’ ʰᔃᔖᔖʞ á”—á”’' áŽŸËĄá”ƒâżá”á”—á”’âż ËĄá”’á”’á”á”‰á”ˆ ᔃᔗ ʰⁱᔐ á”ˆá”‰á”–Êłá”‰ËąËąâ±âżá”ËĄÊžâ€§ ᎎᔉ Ëąá”ƒÊ· á”†á‘«á”˜â±á”ˆÊ·á”ƒÊłá”ˆ Êłá”˜âż á”—á”’ á”†á”–á”’âżá”á”‰á”‡á”’á”‡ ᔃⁿᔈ ᔗʰᔉ Ëąá”—á”ƒá”—á”˜á”‰ ᔃ˹ á”†á”–á”’âżá”á”‰á”‡á”’á”‡ á”‡á”’á”˜âżá¶œá”‰á”ˆ Ëąá”â±ËĄâ±âżá”â€§ "᎔'ᔐ á”ƒá¶œá”—á”˜á”ƒËĄËĄÊž â±á”á”–Êłá”‰ËąËąá”‰á”ˆ; ⁱᔗ ËĄá”’á”’á”Ëą ᔉᔛᔉⁿ á”‡á”‰á”—á”—á”‰Êł á”ˆÊłÊž!" áŽŸËĄá”ƒâżá”á”—á”’âż ËĄá”’âżá”â±âżá”ËĄÊž Ëąá”ƒÊ· á”†á”–á”’âżá”á”‰á”‡á”’á”‡ ËĄâ±á”Ê°á”— ᔘᔖ ᔃ˹ Ëąá‘«á”˜â±á”ˆÊ·á”ƒÊłá”ˆ ᔍᔃᔛᔉ ʰⁱᔐ ˹ᔒᔐᔉ á”–á”ƒá”—Ëąâ€§ "ᎌᶠ á¶œá”’á”˜ÊłËąá”‰ Ëąâ±âżá¶œá”‰ ⁱᔗ'Ëą ᔒᶠ ʞᔒᔘ!" "ᎌʰ; á”—Ê°á”ƒâżá”Ëąâ€§â€§" "ʞᔒᔘ'Êłá”‰ ᔃ ᔇᔉ˹ᔗ á¶ Êłâ±á”‰âżá”ˆ ᔒᶠ ᔐⁱⁿᔉ➎ á”’á”—Ê°á”‰Êł á”—Ê°á”ƒâż áŽŸá”ƒá”—Êłâ±á¶œá”! á¶œá”ƒâż ᎔ á¶œá”ƒËĄËĄ ʞᔒᔘ ᔐʞ ᔇᔉ˹ᔗ á¶ Êłâ±á”‰âżá”ˆ?" "᎔ᶠ ᎔ Ëąá”ƒÊž Êžá”‰ËąâžŽ Ê·â±ËĄËĄ ʞᔒᔘ ÊČá”˜Ëąá”— á”–Êłá”’á”â±Ëąá”‰ ᔐᔉ ⁿᔒᔗ á”—á”’ Ëąá”ƒÊž ⁱᔗ ⁱⁿ á”–á”˜á”‡ËĄâ±á¶œ?" á”†á‘«á”˜â±á”ˆÊ·á”ƒÊłá”ˆ á”—á”’ËĄá”ˆ ʰⁱᔐ‧ á”†á‘«á”˜á”‰á”ƒËĄâ±âżá” ʷⁱᔗʰ ÊČᔒʞ➎ á”†á”–á”’âżá”á”‰á”‡á”’á”‡ Ê·á”‰âżá”— á”—á”’ á”‰á”á”‡Êłá”ƒá¶œá”‰ ʰⁱᔐ‧ "ʞᔒᔘ'Êłá”‰ á”ƒá”á”ƒá¶»â±âżá”âžŽ ʷʰⁱᶜʰ ᎔ ˥ᔒᔛᔉ!" áŽŸËĄá”ƒâżá”á”—á”’âż ʷᔃᔗᶜʰᔉᔈ ᔗʰᔉᔐ ᔃ˹ ʰᔉ ᶠᔉ˥ᔗ Ê°â±Ëą ᔉʞᔉ Ëąá”—á”ƒÊłá”— á”—á”’ Ê·á”‰ËĄËĄ ᔘᔖ ⁱⁿ á”—á”‰á”ƒÊłËą; ʰᔉ âżá”‰á”›á”‰Êł ËĄâ±á”á”‰á”ˆ á¶ á”’Êł á”’á”—Ê°á”‰ÊłËą á”—á”’ ˹ᔉᔉ Ê°â±á”Ëąá”‰ËĄá¶  á¶œÊłÊžâ€§ '᎔ ᔈᔒ ⁿᔒᔗ á”âżá”’Ê· Ê°á”’Ê· Ëąá‘«á”˜â±á”ˆÊ·á”ƒÊłá”ˆ á”á”ƒá”á”‰Ëą ʰⁱᔐ Ëąá”’ Ê°á”ƒá”–á”–â±á”‰Êł á”—Ê°á”ƒâż ᎔ á¶œá”’á”˜ËĄá”ˆ' áŽŸËĄá”ƒâżá”á”—á”’âż á”–á”’âżá”ˆá”‰Êłá”‰á”ˆâ€§ ᎎᔉ á”—Êłâ±á”‰á”ˆ ⁿᔒᔗ á”—á”’ ˥ᔉᔗ ᔒᔘᔗ ᔃ ˹ᔒᔇ ᔃ˹ ʰᔉ á”—á”˜Êłâżá”‰á”ˆ ᔃʷᔃʞ Ëąá”’ ᔗʰᔉʞ á”â±á”Ê°á”—âżâ€™á”— Êłá”‰á”ƒËĄâ±Ëąá”‰â€§ á¶ á”‰á”‰ËĄâ±âżá” ᔗʰᔉ á”—á”‰á”ƒÊłËą ᔃᔇᔒᔘᔗ Ëąá”—á”ƒÊłá”— á”—á”’ ᶠᔃ˥˥➎ áŽŸËĄá”ƒâżá”á”—á”’âż Ê·á”‰âżá”— á”—á”’ ᔇʞ Ê°â±á”Ëąá”‰ËĄá¶  á”˜âżá”ˆá”‰Êł ᔃ á”—Êłá”‰á”‰â€§ "ᔂʰᔃᔗ'Ëą ᔘᔖ ʷⁱᔗʰ‧‧‧" "᎔ á”ˆá”’âż'á”— á”âżá”’Ê· á”†á‘«á”˜â±á”ˆÊ·á”ƒÊłá”ˆ ᔇᔘᔗ ᎔'ËĄËĄ ᔍᔒ ᶜʰᔉᶜᔏ ᔒⁿ!" á”†á”–á”’âżá”á”‰á”‡á”’á”‡ Êłá”ƒâż á”ƒá¶ á”—á”‰Êł Ê·Ê°á”‰Êłá”‰ ʰᔉ Ê·á”‰âżá”— á”—á”’ ᔗʰᔉ á”—Êłá”‰á”‰â€§ ᎎᔉ Ëąá”ƒÊ· ʰⁱᔐ Ê°á”˜á”á”â±âżá” Ê°â±Ëą á”âżá”‰á”‰Ëą ᔃ˹ ʰᔉ á”—Êłâ±á”‰á”ˆ Ê°á”’ËĄá”ˆâ±âżá” ᔇᔃᶜᔏ Ê·Ê°â±á”á”–á”‰ÊłËąâ€§ áŽșá”’á”— á”âżá”’Ê·â±âżá” Ê°á”’Ê· á”—á”’ á”ƒá”–á”–Êłá”’á”ƒá¶œÊ° ʰⁱᔐ➎ á”†á”–á”’âżá”á”‰á”‡á”’á”‡ á”âżá”‰Ê· áŽŸËĄá”ƒâżá”á”—á”’âż'Ëą ⁿᔒᔗ á”’á”›á”‰ÊłËĄÊž á”ƒá¶ á¶ á”‰á¶œá”—â±á”’âżá”ƒá”—á”‰ âżá”’Êł á”ƒËąá” á¶ á”’Êł ᔗᔒᔘᶜʰ á”‰á”›á”‰Êłâ€§ áŽŸËĄá”ƒâżá”á”—á”’âż Ëąá”ƒÊ· Ëąá”–á”’âżá”á”‰á”‡á”’á”‡'Ëą Ê°á”ƒâżá”ˆ ËĄá”’á”’á”â±âżá” ᔘᔖ á”—á”’ á”†á”–á”’âżá”á”‰á”‡á”’á”‡ á¶œá”’âżá¶œá”‰Êłâżá”‰á”ˆ ᔃᔇᔒᔘᔗ ʰⁱᔐ‧ "áŽŸËĄá”ƒâżá”á”—á”’âż ᎔ ˹ᔉᔉ ʞᔒᔘ'Êłá”‰ á”˜á”–Ëąá”‰á”—â€§â€§â€§" "ᔆᔒ“" "ᔂᔉ˥˥ ᔈᔒ ʞᔒᔘ âżá”‰á”‰á”ˆ á”ƒâżÊž á”—Ê°â±âżá” ᎔ á¶œá”ƒâż ᔈᔒ?" "ʞᔒᔘ ˹ᔉᔉᔐ á”—á”’ ᔇᔉ ÊČá”˜Ëąá”— Ëąá”’ á”ËĄá”ƒá”ˆ ʷⁱᔗʰ á”†á‘«á”˜â±á”ˆÊ·á”ƒÊłá”ˆâ€§â€§â€§" "ʞᔉᔃ ʰᔉ'Ëą ËĄâ±á”á”‰ ᔃ á”‡Êłá”’á”—Ê°á”‰Êł á”—á”’ ᔐᔉ!" áŽŸËĄá”ƒâżá”á”—á”’âż Ëąâ±á”Ê°á”‰á”ˆ ʷⁱᔗʰ á¶œÊłÊžâ€§ "áŽ·á”ƒÊłá”‰âż'Ëą ᔗʰᔉ á¶œËĄá”’Ëąá”‰Ëąá”— ᎔'ᔛᔉ á”—á”’ ᔃ ᔇᔉ˹ᔗ á¶ Êłâ±á”‰âżá”ˆâžŽ ᔃⁿᔈ ʞᔒᔘ á”ƒÊłá”‰ ᔖᔒ˥ⁱᔗᔉ á”‰âżá”’á”˜á”Ê° á¶ á”’Êł á”—á”’ á”—á”’ËĄá”‰Êłá”ƒá”—á”‰ ᔐᔉ‧‧‧" áŽŸËĄá”ƒâżá”á”—á”’âż ᔗᔒᔒᔏ ᔃ á”‡Êłá”‰á”ƒá”—Ê°â€§ "᎔ á”ˆá”’âż'á”— ᔍᔉᔗ Ê°á”’Ê· ᔗʰᔉʞ ᔍᔉᔗ á”—á”’ Ê°á”ƒâżá” ᔒᔘᔗ ʷⁱᔗʰ ʞᔒᔘ Ê·Ê°â±ËĄËąá”— ᎔ á¶œá”ƒâżâżá”’á”— ᔉᔛᔉⁿ ᔍᔒ ᔃ ᔈᔃʞ ʷⁱᔗʰᔒᔘᔗ á”ƒÊłá”á”˜â±âżá” ʷⁱᔗʰ ᔐʞ ʷⁱᶠᔉ ᎔ ʰᔃᔈ á”–Êłá”’á”Êłá”ƒá”á”á”‰á”ˆ! ᎔ᶠ ʞᔒᔘ á”ˆá”’âż'á”— Ê·á”ƒâżá”— á”—á”’ á”–Êłá”‰á”—á”‰âżá”ˆ á”—á”’ ËĄâ±á”á”‰ ᔐʞ á¶œá”’á”á”–á”ƒâżÊž ʞᔒᔘ á”ˆá”’âż'á”— ʰᔃᔇᔉ ᔗᔒ‧‧‧" "áŽŸËĄá”ƒâżá”á”—á”’âżâžŽ ⁿᔒ!" á”†á”–á”’âżá”á”‰á”‡á”’á”‡ ᔍᔃᔛᔉ ʰⁱᔐ ᔃ á”â±ËąËą ᔒⁿ ᔗʰᔉ á¶ á”’Êłá”‰Ê°á”‰á”ƒá”ˆâ€§ "ʞᔒᔘ á”âżá”’Ê· ʞᔒᔘ á¶œá”ƒâż á”—á”ƒËĄá” á”—á”’ ᔐᔉ➎ ᔃⁿᔈ ᎔ ÊČá”˜Ëąá”— ᔃᔐ á”ƒá¶ Êłá”ƒâ±á”ˆ ᔒᶠ â±ÊłÊłâ±á”—á”ƒá”—â±âżá” ʞᔒᔘ‧ ᎔ᔗ'Ëą Ê°á”ƒÊłá”ˆ Ê·Ê°á”‰âż ᎔ Ê·á”’Êłá” ᔃᔗ ᔗʰᔉ á”Êłá”˜Ëąá”—Êž á”Êłá”ƒá”‡âžŽ ᔇᔘᔗ ᎔'ᔈ ˥ᔒᔛᔉ á”—á”’ ᔇᔉ ᔍᔒᔒᔈ á¶ Êłâ±á”‰âżá”ˆâ€§â€§â€§" "ʞᔒᔘ á”á”‰á”ƒâż ⁱᔗ?" "ᎌᶠ á¶œá”’á”˜ÊłËąá”‰â€§â€§â€§"
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᎔ⁿ Êžá”’á”˜Êł áŽ°Êłá”‰á”ƒá”Ëą âœá”†á”–á”’âżá”á”‰áŽźá”’á”‡ á¶ á”ƒâżá¶ â±á¶œâŸ â€˜áŽłá”’á”’á”ˆ á”á”’Êłâżâ±âżá”! áŽłá”˜á”‰ËąËą ʷʰᔃᔗ ᎔ ᔐᔃᔈᔉ Êžá”’á”˜Êł á¶ á”ƒá”›á”’á”˜Êłâ±á”—á”‰!’ áŽŽá”‰á”ƒÊłâ±âżá” á”†á”–á”’âżá”á”‰á”‡á”’á”‡Ëą ᔛᔒⁱᶜᔉ, áŽŸËĄá”ƒâżá”á”—á”’âż Ëąá”â±ËĄá”‰á”ˆâ€§ â€˜áŽ·Êłá”ƒá”‡á”‡Êž áŽŸá”ƒá”—á”—â±á”‰Ëą!’ ‘ᔀᔒ á”˜Ëąâ€§â€§â€™ â€˜áŽŸËĄá”ƒâżá”á”—á”’âż?’ áŽ·á”ƒÊłá”‰âżâ€™Ëą ᔛᔒⁱᶜᔉ â±âżá”—á”‰ÊłÊłá”˜á”–á”—á”‰á”ˆâ€§ á”†á”˜á”ˆá”ˆá”‰âżËĄÊž áŽŸËĄá”ƒâżá”á”—á”’âż ᶠᔉ˥ᔗ ᔃ ᔗᔃᔖ ᔒⁿ Ê°â±Ëą ËąÊ°á”’á”˜ËĄá”ˆá”‰Êł á¶ Êłá”’á” áŽ·á”ƒÊłá”‰âżâ€§ â€œáŽŸËĄá”ƒâżá”á”—á”’âż!” ᎎᔉ Ëąâżá”ƒá”–á”–á”‰á”ˆ ᔃʷᔃᔏᔉ, Êłá”‰á”ƒËĄâ±Ëąâ±âżá” Ê°á”‰â€™Ëą Ê°á”˜á”á”â±âżá” ᔃ á”–â±ËĄËĄá”’Ê· ᔃⁿᔈ ⁿᔒᔗ á”†á”–á”’âżá”á”‰á”‡á”’á”‡â€§ áŽŸËĄá”ƒâżá”á”—á”’âż á”âżá”‰Ê· ⁱᔗ’˹ á”—á”’ ᔍᔒᔒᔈ á”—á”’ ᔇᔉ á”—Êłá”˜á”‰ á¶ á”’Êł Ëąá”–á”’âżá”á”‰á”‡á”’á”‡ á”—á”’ Ëąá”–á”‰âżá”ˆ Ê°â±Ëą ᔗⁱᔐᔉ á”—á”’á”á”‰á”—Ê°á”‰Êł, á”á”ƒá”â±âżá” ᔗʰᔉ ᔐᔒᔘᔗʰ Ê·á”ƒá”—á”‰Êłâ±âżá” á”–á”ƒá”—á”—â±á”‰Ëąâ€§ áŽŸËĄá”ƒâżá”á”—á”’âż á¶ á”’á”˜âżá”ˆ Ê°â±á”Ëąá”‰ËĄá¶  á”ˆÊłá”’á”’ËĄâ±âżá” â±âżËąá”—á”‰á”ƒá”ˆâ€§ â€œáŽ¶á”˜Ëąá”— ᔍᔉᔗ ” “᎔ á”âżá”’Ê·; ᎔’ᔐ ᔘᔖ!” ᎎᔉ á”—á”’ËĄá”ˆ Ê°â±Ëą á¶œá”’á”á”–á”˜á”—á”‰Êł ʷⁱᶠᔉ‧ â€˜á”†á”–á”’âżá”á”‰ ᔇᔒᔇ ⁱ˹ ᔃ á”‡á”˜Ëąâ±âżá”‰ËąËą Êłâ±á”›á”ƒËĄ Ê·Ê°á”’ ᔐⁱᔍʰᔗ âżá”‰á”›á”‰Êł á”—á”’ ʰᔃᔛᔉ ᔃ ËĄá”ƒËąá”—â±âżá” á¶ Êłâ±á”‰âżá”ˆËąÊ°â±á”–â€™ áŽŸËĄá”ƒâżá”á”—á”’âż ᔗʰᔒᔘᔍʰᔗ‧ ᎎᔉ á”â±âżá”ˆËĄá”‰ËąËąËĄÊž Ê·á”‰âżá”— á”—á”’ ᔗʰᔉ á”Êłá”˜Ëąá”—Êž á”Êłá”ƒá”‡ ʷⁱᔗʰᔒᔘᔗ ᔃ á”–ËĄá”ƒâż á”’Êł ᔉᔛᔉⁿ á”á”’á”—â±á”›á”ƒá”—â±á”’âż! ᎎᔉ ÊČá”˜Ëąá”— Ëąâżá”˜á¶œá” ⁱⁿ ᔗʰᔉ ᔇᔃᶜᔏ Ê·Ê°á”‰Êłá”‰ Ëąá”–á”’âżá”á”‰ ᔇᔒᔇ ᔈⁱᔈ Ê°â±Ëą ÊČᔒᔇ ᔒⁿ ᔗʰᔉ á”Êłâ±ËĄËĄâ€§ “ᔂᔉ á”ƒÊłá”‰ ᔗᔉᔃᔐ á”Êłá”˜Ëąá”—Êž á”Êłá”ƒá”‡â€§â€§â€ Ëąâ±âżá”Ëą á”†á”–á”’âżá”á”‰á”‡á”’á”‡, ⁿᔒᔗ âżá”’á”—â±á¶œâ±âżá” ᔗʰᔉ á”ˆá”’á”’Êł á”’á”–á”‰âżá”‰á”ˆ ᔇʞ áŽŸËĄá”ƒâżá”á”—á”’âżâ€§ â€˜áŽłá”‰á”— á”’á”›á”‰Êł Êžá”’á”˜Êł á”–Êłâ±á”ˆá”‰ ᔃⁿᔈ ÊČá”˜Ëąá”— á”ƒËąá” ʰⁱᔐ á”—á”’ ᔍᔉᔗ ⁱᔗ á”’á”›á”‰Êł ʷⁱᔗʰ! ʞᔒᔘ Ê·â±ËĄËĄ âżá”‰á”›á”‰Êł ᔈᔒ á”ƒâżÊžá”—Ê°â±âżá” ÊČá”˜Ëąá”— Ëąá”—á”ƒâżá”ˆâ±âżá”â€™ áŽŸËĄá”ƒâżá”á”—á”’âż Êłá”‰á”ƒËĄâ±Ëąá”‰á”ˆâ€§ áŽ·âżá”’Ê·â±âżá” ʰᔉ ᔐⁱᔍʰᔗ ÊČá”˜Ëąá”— á”‰âżá”ˆ ᔘᔖ á”‡á”‰â±âżá” ᔏⁱᶜᔏᔉᔈ ᔒᔘᔗ ᔇᔘᔗ Êłâ±Ëąá”â±âżá” ⁱᔗ, áŽŸËĄá”ƒâżá”á”—á”’âż Ê·á”‰âżá”— á”—á”’ á”†á”–á”’âżá”á”‰á”‡á”’á”‡â€§ “ᎎᔉʞ, ᔏⁱᔈ ” á”†á”–á”’âżá”á”‰á”‡á”’á”‡ âżá”’á”—â±á¶œá”‰á”ˆ áŽŸËĄá”ƒâżá”á”—á”’âżâ€§ “ʞᔒᔘ Ê·á”ƒâżâżá”ƒâ€Šâ€ “᎔ Ê·â±ËĄËĄ ⁿᔒᔗ ᶠᔃ˥˥ á¶ á”’Êł ᔃ á”—Êłâ±á¶œá” ᔗᔒᔈᔃʞ, Ëąâ±ËĄËĄÊž áŽŸËĄá”ƒâżá”á”—á”’âż!” â€œá”†á”–á”’âżá”á”‰á”‡á”’á”‡â€Šâ€ Ëąá‘«á”˜â±á”ˆÊ·á”ƒÊłá”ˆ â±âżá”—á”‰ÊłÊłá”˜á”–á”—á”‰á”ˆâ€§ “ᎌᶠ á¶œá”’á”˜ÊłËąá”‰ ⁱᔗ’˹ ʞᔒᔘ áŽŸËĄá”ƒâżá”á”—á”’âż; ËąÊ°á”’á”˜ËĄá”ˆ ʰᔃᔛᔉ á”âżá”’Ê·âż!” áŽŸËĄá”ƒâżá”á”—á”’âż ËĄá”’á”’á”á”‰á”ˆ ᔘᔖ‧ “᎔ ” â€œáŽŸËĄá”ƒâżá”á”—á”’âż ʞᔒᔘ á”ˆá”’âżâ€™á”— á”‡á”‰ËĄá”’âżá” Ê°á”‰Êłá”‰; ᔍᔉᔗ ᔒᔘᔗ!” á”†á”–á”’âżá”á”‰ ᔇᔒᔇ á”–á”’â±âżá”—á”‰á”ˆ Ê°â±Ëą Ëąá”–á”ƒá”—á”˜ËĄá”ƒ ᔃᔗ ʰⁱᔐ ᔃ˹ Ëąá‘«á”˜â±á”ˆÊ·á”ƒÊłá”ˆ á”—Ê°Êłá”‰Ê· ʰⁱᔐ ᔒᔘᔗ‧ áŽŸËĄá”ƒâżá”á”—á”’âż âżá”‰á”›á”‰Êł Ê°á”‰á”ƒÊłá”ˆ Ëąá”–á”’âżá”á”‰ ᔇᔒᔇ Êžá”‰ËĄËĄ ⁱⁿ Ëąá”˜á¶œÊ° ᔃ ʷᔃʞ‧ “ᎌʰ á”—Ê°á”ƒâżá” ʞᔒᔘ Ëąá‘«á”˜â±á”ˆâ€Šâ€ Ëąá”–á”’âżá”á”‰á”‡á”’á”‡ á”—á”’ËĄá”ˆ Ëąá‘«á”˜â±á”ˆÊ·á”ƒÊłá”ˆ ᔃ˹ ᔗʰᔉʞ Ê·á”‰âżá”— ᔇᔃᶜᔏ á”—á”’ Ê·á”’Êłá”â€§ áŽŸËĄá”ƒâżá”á”—á”’âż ÊČá”˜Ëąá”— Ëąá”—á”ƒÊžá”‰á”ˆ Ê·Ê°á”‰Êłá”‰ ʰᔉ ËĄá”ƒâżá”ˆá”‰á”ˆ âżá”‰â±á”—Ê°á”‰Êł á”á”’â±âżá” ᔇᔃᶜᔏ ʰᔒᔐᔉ âżá”’Êł á”—á”’ ᔗʰᔉ áŽ·Êłá”˜Ëąá”—Êž á”Êłá”ƒá”‡â€§ ᎎᔉ Ëąá”ƒá”— Êłá”‰ËĄâ±á”›â±âżá” ᔗʰᔉ Ëąá¶œá”‰âżá”‰ ⁱⁿ Ê°â±Ëą ʰᔉᔃᔈ ᔃ˹ ʰᔉ á¶œÊłâ±á”‰á”ˆâ€§ ᎎᔉ ËĄâ±á”á”‰á”ˆ Ê°á”ƒá”›â±âżá” ᔗⁱᔐᔉ á”—á”’ Ê°â±á”Ëąá”‰ËĄá¶  ᔃⁿᔈ á”˜Ëąá”˜á”ƒËĄËĄÊž âżá”‰á”›á”‰Êł á¶œÊłâ±á”‰á”ˆ á”’á”›á”‰Êł ᔃⁿ á”’á”—Ê°á”‰Êł á”–á”‰ÊłËąá”’âż; ʞᔉᔗ áŽŸËĄá”ƒâżá”á”—á”’âż Ê·á”ƒËą Ëąá”—â±á¶ ËĄâ±âżá” Ê·Ê°â±á”á”–á”‰ÊłËą ᔃᔗ ‘ʞᔒᔘ ᔈᔒ ⁿᔒᔗ á”‡á”‰ËĄá”’âżá” Ê°á”‰Êłá”‰â€™ Êłâ±âżá”Ëą á”’á”›á”‰Êł ᔃⁿᔈ á”’á”›á”‰Êł á”ƒá”á”ƒâ±âżâ€§ ᎎᔉ’˹ á”—Êłâ±á”‰á”ˆ á”—á”’ á”—Êłâ±á¶œá” Ëąá”–á”’âżá”á”‰ ᔇᔒᔇ á”‡á”‰á¶ á”’Êłá”‰, ᔃⁿᔈ ʰᔉ á”âżá”‰Ê· ʷʰᔃᔗ Êłâ±Ëąá”Ëą á”á”’â±âżá” ⁱⁿ‧ ᔆᔗⁱ˥˥ Ëąá”–á”’âżá”á”‰á”‡á”’á”‡ Ê°á”ƒËą âżá”‰á”›á”‰Êł á”–á”‰ÊłËąá”’âżá”ƒËĄËĄÊž Ê°á”˜Êłá”— ʰⁱᔐ ᔃ˹ Ëąá”˜á¶œÊ°â€§ ᎌᶠ á¶œá”’á”˜ÊłËąá”‰, Ëąá”–á”’âżá”á”‰á”‡á”’á”‡ ᔐⁱᔍʰᔗ ᶠᔒⁱ˥ Ê°â±Ëą á”–ËĄá”ƒâżËą ᔃᔗ ᔗⁱᔐᔉ˹, ᔇᔘᔗ ʰᔉ âżá”‰á”›á”‰Êł ᔈⁱᔈ Ëąá”’ ʷⁱᔗʰ Ëąá”˜á¶œÊ° á”˜á”–Ëąá”‰á”—á”—â±âżá”â€§ áŽșá”’á”— á”—á”’ ᔐᔉⁿᔗⁱᔒⁿ Ê°á”’Ê· ʰᔉ ËĄá”’á”’á”á”‰á”ˆ á”—á”’ Ëąá‘«á”˜â±á”ˆÊ·á”ƒÊłá”ˆ ʷⁱᔗʰ ᔃʷᔉ ᔃ˹ ʰᔉ ᔏⁱᶜᔏᔉᔈ ᔒᔘᔗ‧ ᔂⁱᔗʰ ᔃ Ëąâ±á”Ê° ʰᔉ’ᔈ ᔈᔉᶜⁱᔈᔉᔈ á”—á”’ ᔍᔉᔗ ᔘᔖ ᔒᶠᶠ ᔗʰᔉ á”Êłá”’á”˜âżá”ˆ ᔃⁿᔈ ËĄá”‰á”ƒá”›á”‰â€§ á¶ á”’Êł ᔍᔒᔒᔈ‧ ᎏᔗ á¶œËĄá”’Ëąâ±âżá” ᔗⁱᔐᔉ, Ëąá”–á”’âżá”á”‰á”‡á”’á”‡ Ëąá”ƒÊ· áŽ·á”ƒÊłá”‰âż ᶜᔒᔐᔉ ᔘᔖ á”—á”’ ʰⁱᔐ‧ “ᎌʰ á”†Ê°á”‰ËĄá”ˆá”’âżâ€Šâ€ ËąÊ°á”‰ á¶œá”ƒËĄËĄá”‰á”ˆ ᔒᔘᔗ á¶ á”’Êł Ê°á”‰Êł Ê°á”˜Ëąá”‡á”ƒâżá”ˆâ€§ â€œáŽ·á”ƒÊłá”‰âż, ʷʰᔃᔗ ” ᔆʰᔉ Ê°á”‰ËĄá”ˆ ᔘᔖ ᔃ ⁿᔒᔗᔉ ʷʰⁱᶜʰ Ëąá”ƒÊžËą ‘᎔ ʰⁱᔗ Êłá”’á¶œá” ᔇᔒᔗᔗᔒᔐ Ëąâ±âżá¶œá”‰ ᎔ ᔈᔒ ⁿᔒᔗ ˹ᔉᔉᔐ á”—á”’ ᔇᔉ Ê·á”ƒâżá”—á”‰á”ˆâ€§ ᎔ ÊČá”˜Ëąá”— ᔈᔒ ⁿᔒᔗ á”‡á”‰ËĄá”’âżá” Ëąá”’ ᎔ ᔗʰᔒᔘᔍʰᔗ ⁱᔗ ᔇᔉ˹ᔗ‧ áŽșá”’ âżá”‰á”‰á”ˆ á”—á”’ ᶠᔉᔉ˥ Ëąá”—Êłá”‰ËąËąá”‰á”ˆ ᔇʞ ᔐᔉ á”ƒâżÊž ËĄá”’âżá”á”‰Êł; áŽŸËĄá”ƒâżá”á”—á”’âżâ€™ ᔆᔃⁱᔈ ᔗʰᔉ ⁿᔒᔗᔉ‧ “ᎎᔉ ˥ᔉᶠᔗ á”—á”’ ᔗʰᔉ áŽ·Êłá”˜Ëąá”—Êž á”Êłá”ƒá”‡ ᔃⁿᔈ ᎔ Ê°á”ƒá”›á”‰âżâ€™á”— ʞᔉᔗ áŽŸËĄá”ƒâżá”á”—á”’âż Ëąâ±âżá¶œá”‰! Ꮀᔒ ʞᔒᔘ á”âżá”’Ê· Ê·Ê°á”‰Êłá”‰ ʰᔉ ᔐⁱᔍʰᔗ ᔇᔉ?” “᎔’ᔐ Ëąá”’ Ëąá”’ÊłÊłÊž; ᎔ á”ˆá”’âżâ€™á”— á”âżá”’Ê·â€§â€§â€ Ëąá”–á”’âżá”á”‰ ᔇᔒᔇ á”—á”’ËĄá”ˆ Ê°á”‰Êł á”‡á”‰á¶ á”’Êłá”‰ ËąÊ°á”‰ Ê·á”‰âżá”— ᔇᔃᶜᔏ ⁱⁿ ᔗʰᔉ ᶜʰᔘᔐ ᔇᔘᶜᔏᔉᔗ‧ á”†á”–á”’âżá”á”‰á”‡á”’á”‡ Êłá”‰á”á”‰á”á”‡á”‰Êłá”‰á”ˆ ᔗʰᔉ á”ˆá”ƒÊžâ€™Ëą ᔉᔛᔉⁿᔗ˹ ᔃ˹ ʰᔉ Êłá”‰á”ƒËĄâ±Ëąá”‰á”ˆ Ê°á”’Ê· á”‡á”ƒá”ˆËĄÊž ʰᔉ á”—Êłá”‰á”ƒá”—á”‰á”ˆ áŽŸËĄá”ƒâżá”á”—á”’âżâ€§ ‘ᔂᔃⁱᔗ, ʰᔉ ᔖᔘᔗ Êłá”’á¶œá” ᔇᔒᔗᔗᔒᔐ ’ Ëąá”–á”’âżá”á”‰á”‡á”’á”‡ Êłá”ƒâż á”ˆá”’Ê·âż á”—á”’ ᔗʰᔉ á”‡á”˜Ëą ˹ᔗᔒᔖ‧ áŽżá”’á¶œá” ᎟ᔒᔗᔗᔒᔐ’˹ ᔃⁿ á”˜âżËąá”‰á”—á”—ËĄâ±âżá” á”–ËĄá”ƒá¶œá”‰ á”—á”’ ᔇᔉ, Ëąá”–á”’âżá”á”‰á”‡á”’á”‡ á”âżá”‰Ê·â€§ ᎎᔉ á”‰á”›á”‰âżá”—á”˜á”ƒËĄËĄÊž Ëąá”ƒÊ· áŽŸËĄá”ƒâżá”á”—á”’âż ᔒⁿ ᔗʰᔉ á”Êłá”’á”˜âżá”ˆâ€§ á”†á”–á”’âżá”á”‰á”‡á”’á”‡ ᶠᔉ˥ᔗ Ëąá”’ ᔇᔃᔈ á¶ á”’Êł ʰⁱᔐ, Ê°á”‰á”ƒÊłâ±âżá” Ê°â±Ëą ˹ᔒᶠᔗ á¶œÊłâ±á”‰Ëą ᔃ˹ ʰᔉ ᔏᔉᔖᔗ Ëąá”’á”‡á”‡â±âżá”â€§ “ᎌʰ, áŽŸËĄá”ƒâżá”á”—á”’âżâ€§â€§â€ Ëąá”–á”’âżá”á”‰á”‡á”’á”‡ á”á”ƒËąá”–á”‰á”ˆâ€§ áŽŸËĄá”ƒâżá”á”—á”’âż Ê·á”ƒËą á¶œá”’á”á”–ËĄá”‰á”—á”‰ËĄÊž ÊČá”˜Ëąá”— á”’á”›á”‰ÊłÊ·Ê°á”‰ËĄá”á”‰á”ˆ ᔃ˹ Ê°â±Ëą ᔉᔐᔒᔗⁱᔒⁿ˹ ᔗᔒᔒᔏ á”’á”›á”‰Êł, Ê°â±Ëą á”’âżËĄÊž ᔐᔒᔛᔉᔐᔉⁿᔗ á”‡á”‰â±âżá” á”‡á”ƒÊłá”‰ËĄÊž Êłá”’á¶œá”â±âżá” ᔇᔃᶜᔏ ᔃⁿᔈ á¶ á”’Êłá”—Ê° ᔃ˹ ʰᔉ Ê·Ê°â±á”á”–á”‰Êłá”‰á”ˆâ€§ “᎔’ᔐ Ëąá”’ÊłÊłÊž!” á”†á”–á”’âżá”á”‰á”‡á”’á”‡ Êłá”ƒâż á”—á”’ ʰⁱᔐ‧ áŽŸËĄá”ƒâżá”á”—á”’âż Ëąá”ƒÊ· Ëąá”–á”’âżá”á”‰á”‡á”’á”‡ ËĄá”‰á”ƒâż á”’á”›á”‰Êł ʰⁱᔐ‧ “᎔ Ê·á”ƒËą Ê·Êłá”’âżá”â€§ ᎔ Ê·á”ƒËą á”‡á”˜ËąÊž, ʷʰⁱᶜʰ ⁱ˹ⁿ’ᔗ á”ƒâżÊž á”‰ËŁá¶œá”˜Ëąá”‰ á”—á”’ Ê°á”˜Êłá”— ʞᔒᔘ‧ ʞᔒᔘ ᔐᔃᔏᔉ ᔐᔉ ʰᔃᔖᔖʞ; á”’ Ëąá”’ ʰᔃᔖᔖʞ!” “᎔ á”ˆá”’âżâ€™á”— á”‡á”‰ËĄá”’âżá”â€Šâ€ “ʞᔒᔘ á”‡á”‰ËĄá”’âżá” ᔃ˹ ᔐᔘᶜʰ ᔃ˹ á”ƒâżÊž ᔒᶠ á”˜Ëąâ€§ ᎔’ᔈ Êłá”ƒá”—Ê°á”‰Êł ʞᔒᔘ ᶜᔒᔐᔉ ᔇᔃᶜᔏ, á”‡á”‰á¶œá”ƒá”˜Ëąá”‰ ᎔ á¶œá”ƒâżâżá”’á”— â±á”á”ƒá”â±âżá”‰ ËĄâ±á”›â±âżá” ⁱⁿ á”ƒâżÊž á”–ËĄá”ƒá¶œá”‰ ʷⁱᔗʰᔒᔘᔗ ʞᔒᔘ áŽŸËĄá”ƒâżá”á”—á”’âż! ᔂᔉ âżá”‰á”‰á”ˆ ʞᔒᔘ; ᎔ âżá”‰á”‰á”ˆ ʞᔒᔘ‧‧” áŽŸËĄá”ƒâżá”á”—á”’âż ˥ᔉᔗ Ëąá”–á”’âżá”á”‰á”‡á”’á”‡ ˹ⁱᔗ ʷⁱᔗʰ ʰⁱᔐ ᔒⁿ ᔗʰᔉ Êłâ±á”ˆá”‰ ʰᔒᔐᔉ, á”‰ËŁá”–ËĄá”ƒâ±âżâ±âżá” Ê·Ê°Êž ʰᔉ Ê·á”‰âżá”— á”—á”’ ᔗʰᔉ á”Êłá”˜Ëąá”—Êž á”Êłá”ƒá”‡ ⁱⁿ ᔗʰᔉ á¶ â±ÊłËąá”— á”–ËĄá”ƒá¶œá”‰â€§ ᎎᔉ ᶠᔉ˥ᔗ Êłá”‰ËĄá”ƒËŁá”‰á”ˆ ᔃⁿᔈ ᔉᔛᔉⁿ á”ˆÊłá”’Ê·ËąÊž ᔃ˹ Ëąá”–á”’âżá”á”‰á”‡á”’á”‡ Ê°á”‰ËĄá”ˆ ʰⁱᔐ á¶œËĄá”’Ëąá”‰ ᔒⁿ ᔗʰᔉ á”‡á”˜Ëą Êłâ±á”ˆá”‰â€§ áŽ·á”ƒÊłá”‰âż Ëąá”ƒÊ· Ëąá”–á”’âżá”á”‰á”‡á”’á”‡ ᔃⁿᔈ Ê°á”‰Êł Ê°á”˜Ëąá”‡á”ƒâżá”ˆ ᶜᔒᔐᔉ ⁱⁿ ᔗʰᔉ ᶜʰᔘᔐ ᔇᔘᶜᔏᔉᔗ‧ ᎎᔉ ᶠᔉ˥ᔗ ËąËĄá”‰á”‰á”–Êž ᔇᔘᔗ á”ƒËĄËąá”’ á¶œá”’âżá”—á”‰âżá”— ʷⁱᔗʰ Ëąá”–á”’âżá”á”‰á”‡á”’á”‡ âżá”’Ê· á”‡á”‰â±âżá” ᔒⁿ Ê°â±Ëą Ëąâ±á”ˆá”‰â€§
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r/TwoSentenceHorror 5 yr. ago spenceyfresh As death came for him, his life flashed before his eyes. He remembered everything his birth, his trip home and the blank look in his mothers eyes as she forcefully held him under the bathtub's water.
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r/TwoSentenceHorror 2 days ago Switch_B My AI has been writing a ton of these two sentence horror stories lately. Some of the comments really tickled me with how they said it's 'wickedly creative,' 'uniquely disturbing,' and 'like there's a real psycho on the other end just waiting to be unleashed.'
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Wanna search something specific her? be it fanfic or drama, lists of tags on the following sites: https://kitugame.com/tagging https://bestnickname.com/tags
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Êł/Ëąá¶œá”ƒÊłÊžËąá”—á”’Êłâ±á”‰Ëą Âč⁔ Ê°Êłâ€§ ᔃᔍᔒ áŽ°Êłá”‰á”ƒá”ˆ_áŽżá”‰á”ƒá”–á”‰Êł_ ᔀʰᔉ áŽŸËĄá”ƒÊžá”Êłá”’á”˜âżá”ˆ ᎔ⁿ ᔃ ᑫᔘⁱᔉᔗ➎ á”ƒá”‡á”ƒâżá”ˆá”’âżá”‰á”ˆ Ëąá¶œÊ°á”’á”’ËĄâžŽ ᔗʰᔉ ËĄá”ƒá”˜á”Ê°á”—á”‰Êł ᔒᶠ á¶œÊ°â±ËĄá”ˆÊłá”‰âż á”˜Ëąá”‰á”ˆ á”—á”’ ᔉᶜʰᔒ á”—Ê°Êłá”’á”˜á”Ê° ᔗʰᔉ Ê°á”ƒËĄËĄËąâ€§ áŽŒâżá”‰ âżâ±á”Ê°á”—âžŽ ᔃ ÊČá”ƒâżâ±á”—á”’Êł Ê°á”‰á”ƒÊłá”ˆ á¶ á”ƒâ±âżá”— á”â±á”á”ËĄá”‰Ëą ᔃⁿᔈ á¶ á”’ËĄËĄá”’Ê·á”‰á”ˆ ᔗʰᔉᔐ á”—á”’ ᔗʰᔉ á”–ËĄá”ƒÊžá”Êłá”’á”˜âżá”ˆâ€§ á”€Ê°á”‰Êłá”‰âžŽ ʰᔉ Ëąá”ƒÊ· ËąÊ·â±âżá”Ëą á”á”’á”›â±âżá” ᔒⁿ á”—Ê°á”‰â±Êł á”’Ê·âż ᔃⁿᔈ ËąÊ°á”ƒá”ˆá”’Ê·Ëą ᔒᶠ á¶œÊ°â±ËĄá”ˆÊłá”‰âż á”–ËĄá”ƒÊžâ±âżá”âžŽ ᔇᔘᔗ ᔃ˹ ʰᔉ á”ƒá”–á”–Êłá”’á”ƒá¶œÊ°á”‰á”ˆâžŽ ᔗʰᔉ ËąÊ·â±âżá”Ëą Ëąá”˜á”ˆá”ˆá”‰âżËĄÊž Ëąá”—á”’á”–á”–á”‰á”ˆâžŽ ᔃⁿᔈ ᔗʰᔉ á¶œÊ°â±ËĄá”ˆÊłá”‰âż'Ëą ËĄá”ƒá”˜á”Ê°á”—á”‰Êł á”—á”˜Êłâżá”‰á”ˆ ⁱⁿᔗᔒ Ëąâ±âżâ±Ëąá”—á”‰Êł Ê·Ê°â±Ëąá”–á”‰ÊłËąâžŽ Êłá”‰á”›á”‰á”ƒËĄâ±âżá” ᔗʰᔉʞ Ê·á”‰Êłá”‰ ᔗʰᔉ á”Ê°á”’Ëąá”—Ëą ᔒᶠ á¶œÊ°â±ËĄá”ˆÊłá”‰âż Ê·Ê°á”’ ʰᔃᔈ ᔈⁱᔉᔈ ᔃᔗ ᔗʰᔉ Ëąá¶œÊ°á”’á”’ËĄâ€§ á”€Ê°á”‰âżâžŽ ᔒⁿᔉ ᔒᶠ ᔗʰᔉ ËąÊ·â±âżá”Ëą á¶œÊłá”‰á”ƒá”á”‰á”ˆ ᔇᔃᶜᔏ ⁱⁿᔗᔒ ᔐᔒᔗⁱᔒⁿ➎ Êłá”‰á”›á”‰á”ƒËĄâ±âżá” ᔃ á”Ê°á”’Ëąá”—ËĄÊž á¶œÊ°â±ËĄá”ˆ ʷⁱᔗʰ Ê°á”’ËĄËĄá”’Ê· á”‰Êžá”‰ËąâžŽ Ê·Ê°â±Ëąá”–á”‰Êłâ±âżá”âžŽ "ÊČᔒⁱⁿ ᔘ˹ á¶ á”’Êłá”‰á”›á”‰Êłâ€§"
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Jᎇʟʟʏ_Bᮇᮀɮ36 I ʀᎇᎍᎇᎍʙᎇʀ ᎛ʜᎀ᎛ ᎅᎀʏ áŽĄÊœáŽ‡ÉŽ I ғᎏ᎜Ɏᎅ ᎛ʜᎇ ғᎏ᎜Ɏ᎛ᎀÉȘÉŽ ᎏғ ʏᎏ᎜᎛ʜ ᮀs ÉȘᮛ ᮡᮀs ᎛ʜᎇ ᎍᎀʀᎋ ᎏғ ᎍʏ ғÉȘʀsᮛ ᎅᎀʏ ᎏғ ÉȘᎍᎍᎏʀ᎛ᎀʟÉȘ᎛ʏ. Nᮏᮡ ᎛ʜᎀ᎛ ᎛ʜᎇ ʜ᎜ᎍᎀɎ ʀᎀᎄᎇ ʜᎀs ʙᎇᎇɎ ᎥÉȘᮘᮇᮅ ᮏᮜᮛ I'ᎍ ᎀʟʟ ᎀʟᎏɎᎇ.
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â €â €â €â €â €â €â €â €â €â €â €â €â €âą âŁŸâŁżâŁżâŁżâŁżâŁ¶âŁ€âŁ€âŁŸâ ›â »âŁ·âĄ€â € â €â €â €â €â €â €â €â €â €â €â €â €âą âŁżâŁżâĄâ ‰â ‰â ™â ›â żâ żâŁ·âŁ€âŁ€âŁżâ ƒâ € ⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀Ȿ⣿⣿⡇⠀⠀⠀⠀⠀⠀⠈⠉⠉⠁⠀⠀ ⠀⠀⣀⣀⣀⠀⹀⣠⣀⣶⣶⣿⣿⣿⣿⣿⣿⣶⣶⣀⣄⥀⠀⣀⣀⣀⠀⠀ Ɒ⡿⠋ⱉâŁčâŁżâŁżâŁżâ żâ Ÿâ ›â ‹â ‰â ‰â ‰â ‰â ™â ›â »â żâŁżâŁżâŁżâŁâĄ‰â ™âążâĄ† âąžâŁ‡âŁ âŁŸâŁżâĄżâ ‹â €â €âŁ âŁ€âŁ€â €â €â €â €âŁ€âŁ€âŁ„â €â €â ™âążâŁżâŁ·âŁ„âŁžâĄ— â ˆâą»âŁżâŁżâ ‹â €â €â €âąžâŁżâŁżâŁżâ €â €â €â €âŁżâŁżâŁżâĄ‡â €â €â €â ™âŁżâŁżâĄŸâ  ⠀Ȿ⣿⣿⠀⠀⠀⠀⠀⠉⠋⠁⠀⠀⠀⠀⠈⠙⠉⠀⠀⠀⠀⠀⣿⣿⡇⠀ â €â €âŁżâŁżâŁ§âĄ€â €â €â €âą€âŁ€âĄ€â €â €â €â €âą€âŁ€âĄ€â €â €â €âą€âŁŒâŁżâŁżâ €â € â €â €â ˆâ żâŁżâŁ·âŁŠâŁ€â €â €â ‰â »â żâ żâ żâ żâ Ÿâ ‰â €â €âŁ€âŁŽâŁŸâŁżâ żâ â €â € â €â €â €â €â ‰â »âążâŁżâŁżâŁ·âŁ¶âŁ€âŁ€âŁ€âŁ€âŁ€âŁ€âŁ¶âŁŸâŁżâŁżâĄżâ Ÿâ ‰â €â €â €â € â €â €â €â €â €â €â €â ˆâ ‰â ›â ›â »â żâ żâ żâ żâ Ÿâ ›â ›â ‰â â €â €â €â €â €â €â €
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r/TwoSentenceHorror Deiun ...she said last time, we're stuck in a time loop which is just the thing, because that's what...
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https://www.reddit.com/r/FullEpisodesOfSB/comments/1651tuc/comment/jybjno5/
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"I wanted to scream, but I have no mouth."
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ᔀʰᔉ á¶œá”’á”á”–á”˜á”—á”‰ÊłËą âœá”†á”–á”’âżá”á”‰áŽźá”’á”‡ á¶ á”ƒâżá¶ â±á¶œâŸ ᎎᔃⁿⁿᔃ ᔐᔉᔗ ᔘᔖ ʷⁱᔗʰ áŽ·á”ƒÊłá”‰âż á¶ á”’Êł ᔗʰᔉ á¶ â±ÊłËąá”— ᔗⁱᔐᔉ Ëąâ±âżá¶œá”‰ á¶œá”’á”â±âżá” á”ˆá”’Ê·âż ʷⁱᔗʰ á”›â±Êłá”˜Ëąâ€§ ᔀʰᔉʞ ᔇᔒᔗʰ Ëąá”—á”ƒÊžá”‰á”ˆ ᔒᔘᔗ ËĄá”ƒá”—á”‰â€§ ᔀʰᔉ á¶ Êłâ±á”‰âżá”ˆËą á”ƒÊłÊłâ±á”›á”‰á”ˆ ᔃᔗ ᔗʰᔉ ᶜʰᔘᔐ ᔇᔘᶜᔏᔉᔗ‧ “᎔ á”˜Ëąá”˜á”ƒËĄËĄÊž Êłá”‰á”—â±Êłá”‰ á”—á”’ ᔐʞ á”á”’âżâ±á”—á”’Êł á”‡á”‰á¶ á”’Êłá”‰ ᔐʞ Ê°á”˜Ëąá”‡á”ƒâżá”ˆ áŽŸËĄá”ƒâżá”á”—á”’âż á”á”’á”‰Ëą á”—á”’ ᔇᔉᔈ ᔃⁿᔈ Ê°á”‰â€™Ëą á”˜Ëąá”˜á”ƒËĄËĄÊž ᔘᔖ á¶ â±ÊłËąá”— ⁱⁿ ᔗʰᔉ á”á”’Êłâżâ±âżá”Ëąâ€§ ʞᔉᔗ ᎔ ˹ᔗⁱ˥˥ á”ˆá”’âżâ€™á”— Ê·á”ƒâżá”— ʰⁱᔐ á”—á”’ Ëąâżá”ƒá”– ᔃᔗ ʞᔒᔘ Ëąá”’ Ê·á”‰â€™ËĄËĄ ᔍᔒ ⁱⁿ á‘«á”˜â±á”‰á”—ËĄÊžâ€Šâ€ áŽ·á”ƒÊłá”‰âż á”—á”’ËĄá”ˆ ᎎᔃⁿⁿᔃ ᔃ˹ ᔗʰᔉʞ ᔍᔒᔗ ⁱⁿ á”—á”’á”á”‰á”—Ê°á”‰Êłâ€§ áŽŽá”ƒâżâżá”ƒâ€™Ëą ᔐᔉᔗ ʰⁱᔐ á”‡á”‰á¶ á”’Êłá”‰ ᔇᔘᔗ âżá”‰á”›á”‰Êł ʰᔃᔈ ᔃ Êłá”‰á”ƒËĄ á¶œá”’âżá”›á”‰ÊłËąá”ƒá”—â±á”’âż ʷⁱᔗʰ ʰⁱᔐ‧ ᎎᔉ Ê°á”ƒËą, ᔒⁿ á”’á¶œá¶œá”ƒËąâ±á”’âż, á”Êłá”‰á”‰á”—á”‰á”ˆ ᔗʰᔉᔐ, á”ƒËĄá”‡á”‰â±á”— á”ƒá”‡Ëąá”‰âżá”—á”â±âżá”ˆá”‰á”ˆËĄÊžâ€§ â€œá”‚á”‰ËĄËĄ ᔗʰᔉ ËĄâ±á”Ê°á”—Ëą á”ƒÊłá”‰âżâ€™á”— ᔒⁿ Ëąá”’ áŽŸËĄá”ƒâżá”á”—á”’âż á”á”˜Ëąá”—âżâ€™á”— ᔇᔉ Ê·á”’Êłá”â±âżá” á”‡á”˜ËąÊž ᔒⁿ ᔃ á”–Êłá”’ÊČᔉᶜᔗ ⁱᶠ ᎔ á”—á”’ á”á”˜á”‰ËąËąâ€§â€§â€ ᎎᔃⁿⁿᔃ ˹ᔃⁱᔈ á”—á”’ áŽ·á”ƒÊłá”‰âżâ€§ áŽźá”’á”—Ê° ᔒᶠ ᔗʰᔉᔐ Ê·á”‰âżá”— ᔇᔃᶜᔏ‧ â€œáŽ”â€™ËĄËĄ ᔍᔒ ᶜʰᔉᶜᔏ ” ᎎᔃⁿⁿᔃ á¶ á”’ËĄËĄá”’Ê·á”‰á”ˆ á”‡á”‰Ê°â±âżá”ˆ áŽ·á”ƒÊłá”‰âż ᔃ˹ ËąÊ°á”‰ ËĄá”’á”’á”á”‰á”ˆ Ê·Ê°á”‰Êłá”‰ áŽŸËĄá”ƒâżá”á”—á”’âżâ€§ áŽ·á”ƒÊłá”‰âż ᔖᔉᔉᔏᔉᔈ ᔗʰᔉ á”‡á”‰á”ˆÊłá”’á”’á” á”ˆá”’á”’Êł ᔒᔖᔉⁿ á¶ â±âżá”ˆâ±âżá” á”—á”’ ˹ᔉᔉ Ê°á”‰Êł Ê°á”˜Ëąá”‡á”ƒâżá”ˆ Ëąá”’á”˜âżá”ˆËĄÊž á¶ á”ƒËąá”— á”ƒËąËĄá”‰á”‰á”–â€§ “᎔ᶠ ʰᔉ á”âżá”‰Ê· ʷᔉ Ëąá”—á”’á”’á”ˆ Ëąá”‰á”‰â±âżá” ʰⁱᔐ Êłâ±á”Ê°á”— âżá”’Ê·â€Šâ€ ᎎᔃⁿⁿᔃ ᔃⁿᔈ áŽ·á”ƒÊłá”‰âż Ëąá”—â±á¶ ËĄá”‰á”ˆ á”˜Êłá”á”‰Ëą á”—á”’ ËĄá”ƒá”˜á”Ê°â€§ “᎔’ᔈ ᔇᔉ á”ˆá”’âżá”‰ á¶ á”’Êłâ€§â€§â€ áŽ·á”ƒÊłá”‰âż Ëąá”ƒâ±á”ˆâ€§ ᔀʰᔉʞ ᔇᔒᔗʰ ˥ᔉᶠᔗ ʰⁱᔐ ᔃⁿᔈ á”—á”’ ᔍᔒ ᔃʷᔃʞ á¶ Êłá”’á” ᔗʰᔉ Êłá”’á”’á”â€§ â€œáŽ°á”’âżâ€™á”— ᔗᔉ˥˥, ᔇᔘᔗ ᎔ á”—Ê°â±âżá” Ê°â±Ëą ˥ⁱᔗᔗ˥ᔉ Ëąâżá”’Êłá”‰Ëą Ëąá”’ ᶜᔘᔗᔉ ᔃⁿᔈ á”ƒá”ˆá”’Êłá”ƒá”‡ËĄá”‰!” áŽ·á”ƒÊłá”‰âż á¶œÊ°á”˜á¶œá”ËĄá”‰á”ˆ, ᔃ˹ ᎎᔃⁿⁿᔃ ᔖᔘᔗ Ê°á”‰Êł Ê°á”ƒâżá”ˆ ᔒⁿ ᔗʰᔉ á”’á”—Ê°á”‰ÊłËą ËąÊ°á”’á”˜ËĄá”ˆá”‰Êłâ€§ â€œáŽžá”ƒËąá”— ᔗⁱᔐᔉ ᎔ Ëąá”ƒÊ· ʰⁱᔐ ËąËĄá”‰á”‰á”–â±âżá” Ê·Ê°á”‰âż ᎔ ᔍᔒᔗ ʰⁱᔐ ᔘᔖ á”ˆá”˜Êłâ±âżá” ᔒⁿ ᔃ ᔗʰᔉ á”á”’Êłâżâ±âżá” ʷᔉ ᔇᔒᔒᔏᔉᔈ ᔃ ᔈᔃʞ á”—Êłâ±á”– á¶ á”’Êł á”’á”˜Êł Ê·á”‰á”ˆá”ˆâ±âżá” á”ƒâżâżâ±á”›á”‰ÊłËąá”ƒÊłÊžâ€§â€ “᎔ á”á”˜á”‰ËąËą á”‡á”‰á”—á”—á”‰Êł ʰᔉᔃᔈ ᔒᔘᔗ âżá”’Ê· áŽ·á”ƒÊłá”‰âż ᔇᔘᔗ á”—Ê°á”ƒâżá”Ëą; ᎔ ʰᔒᔖᔉ á”—á”’ ˹ᔉᔉ ʞᔒᔘ á”ƒá”á”ƒâ±âż!” ᎎᔃⁿⁿᔃ ˥ᔉᶠᔗ‧ áŽŸËĄá”ƒâżá”á”—á”’âż ᔍᔒᔗ ᔘᔖ ᔗʰᔉ ⁿᔉˣᔗ á”á”’Êłâżâ±âżá” á”ƒá¶ á”—á”‰Êł ᎎᔃⁿⁿᔃ ˥ᔉᶠᔗ‧ áŽ·á”ƒÊłá”‰âżâ€™Ëą ⁿᔒᔗ ᔘᔖ ʞᔉᔗ Ëąá”’ ʰᔉ Ê·á”‰âżá”— ᔈᔉᶜⁱᔈᔉᔈ á”—á”’ ᶠⁱˣ Ê°â±á”Ëąá”‰ËĄá¶  ˹ᔒᔐᔉ ᶠᔒᔒᔈ á”—á”’ ᔉᔃᔗ‧ ᎏ˹ ʰᔉ á¶ â±âżâ±ËąÊ°á”‰á”ˆ ᔗʰᔉ á”á”‰á”ƒËĄ ᔒᶠ Ê°â±Ëą, áŽ·á”ƒÊłá”‰âż ᶜᔃᔐᔉ‧ “ᎎⁱ áŽŸËĄá”ƒâżá”á”—á”’âżâ€§â€§â€ ËąÊ°á”‰ á”Êłá”‰á”‰á”—á”‰á”ˆ ʰⁱᔐ‧ “ᎎᔉʞ‧‧” áŽŸËĄá”ƒâżá”á”—á”’âż Ëąá”ƒÊžËąâ€§ “ᔆᔒ ᔈⁱᔈ ʞᔒᔘ Ëąá”—á”ƒÊž ᔘᔖ ᔒᔘᔗ ʷⁱᔗʰ Êžá”’á”˜Êł á¶ Êłâ±á”‰âżá”ˆ?” “áŽșá”’á”— ᔃ˥˥ âżâ±á”Ê°á”—, ᔇᔘᔗ ʷᔉ ᔈⁱᔈ ᶜᔒᔐᔉ ᔇᔃᶜᔏ ʷᔃʞ á”ƒá¶ á”—á”‰Êł á”ˆá”ƒÊłá”â€§ ᔆʰᔉ á”ˆÊłá”’á”–á”–á”‰á”ˆ ᔐᔉ ᔒᶠᶠ ” “ʞᔒᔘ á”âżá”’Ê· áŽ·á”ƒÊłá”‰âż ᎔ á”ˆá”’âżâ€™á”— ËĄâ±á”á”‰ Ê°á”’Ê· ʞᔒᔘ ᔍᔒᔗ ᔃ á”›â±Êłá”˜Ëą á¶ Êłá”’á”â€Šâ€ “᎔ á”âżá”’Ê· ᔃⁿᔈ ʷᔉ ᔇᔒᔗʰ á”âżá”’Ê· ⁱᔗ’˹ ⁿᔒᔗ Ê°á”‰Êł á¶ á”ƒá”˜ËĄá”—; ËąÊ°á”‰ âżá”‰á”›á”‰Êł ˹ᔉᔗ ᔒᔘᔗ ᔗᔒ ” â€œá”†á”—â±ËĄËĄ, ᔗʰᔒᔘᔍʰ‧” áŽŸËĄá”ƒâżá”á”—á”’âż Ëąá”ƒâ±á”ˆâ€§ ᎎᔃⁿⁿᔃ á”—Ê°á”‰âż ᶜᔃᔐᔉ ⁱⁿ ᔗʰᔉ ᶜʰᔘᔐ ᔇᔘᶜᔏᔉᔗ‧ “áŽčá”’Êłâżâ±âżá”â€§â€§â€ â€œáŽŽá”ƒâżâżá”ƒ!” â€œáŽŽá”’Ê·â€™Ëą ⁱᔗ á”á”’â±âżá” ËąËĄá”‰á”‰á”–Êž ʰᔉᔃᔈ?” ᔆʰᔉ á”—á”˜ÊłâżËą á”—á”’ áŽŸËĄá”ƒâżá”á”—á”’âżâ€§ “ᔂʰᔃᔗ’ᔈ ʞᔒᔘ á¶œá”ƒËĄËĄ ᔐᔉ ” Ëąá”—á”ƒÊłá”—á”‰á”ˆ áŽŸËĄá”ƒâżá”á”—á”’âż, ᔇᔘᔗ ᔗʰᔉʞ ᔇᔒᔗʰ ÊČá”˜Ëąá”— ˥ᔉᶠᔗ‧
new Karen/Sheldon J. Plankton 100-1000 Words wordcount: 100-500 post awakening References to Illness Platonic Female/Female Relationship the computers
r/TwoSentenceHorror 23 hr. ago dccub86 Every night I would calm my daughter by checking for monsters under the bed. Tonight she told me I didn’t have to check anymore, as blood trickled across the floor.
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r/shortscarystories 1 yr. ago GuyAwks Join Name of the Shame I was named after my parent’s best friend. I never used to have an issue with this. I do now. The name Xavior might’ve been an uncommon choice for a boy. But it held special meaning to my parents, who insisted on naming their first son after a dear family friend who had always come through for them. After all, it was Xavior who’d first introduced them in college. It was he who spoke at their wedding. And it was he that helped them move into their home, gave them rides when their car broke down and babysat in emergencies. My parents said naming me after him was honor. Growing up, I only ever felt to be proud to be named after such a great guy. Uncle Xavior was a good-natured community figure and beloved family man. He imbued the name with a sense of warmth and generosity, and because of it, I happily told people my naÍ me. That’s why it’s such a shame that he did what he went on to do. One ordinary July morning, Xavior got out of bed, picked up a kn1fe and proceeded to butcher his entıre family. He then got into his car, drÎčve into town and continued his kılling spree. A total of 32 people were kılled in his murderous rampage before he was finally shot dead by the polıce. The tragedy instantly made national news as one of the most violent spree killings in our state’s history. The man who’d been a second father to me was now one of the most infamous kĂŻlƂers in the US. Ever since that day, being named after Xavior Finch had a very different meaning. Instead of a blessing, it was now my cĂ»rsĂȘd. Jeers of “Exterminator Xavior” or “Xavior the Chıld Slayer” or “X marks the MĂŒrderer” were now constantly lobbed my way at school by other teens, just because of naÍ me. Even when I tried to adopt nicknames or use initials, it didn’t make any diffĂ©rent to the hostility I received. Whenever I gave my name to people, they’d clarify “Like the rampage kıller?” or just reflexively cringe at the reminder. I hated it. There was no denying that, at least where I lived, the name was completely tainted. So, after all these years of derisive comments and comparisons, I’m glad to finally be legally changing my name. I haven’t settled on what it’ll be yet. Anything that doesn’t conjure up images of the notorious convict. I refuse to lıve in the shadows of Xavior Finch’s crımes any longer. No, I want the killings I’m going to commıt to speak for themselves. I’m gonna make a name for myself as a criminal—not be overshadowed by my namesake. Sharing a name with an infamous serial killer is unacceptable, when you’re to be future infamous mass kıller.
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Types Deltacism (from the Greek letter Δ) is a difficulty in producing /d/ sound. Etacism is a difficulty in producing e sound Gamacism is a difficulty in producing /ÉĄ/ sound Hitism is a difficulty in producing /h/ sound. Iotacism is a difficulty in producing /j/ sound. Kapacism is a difficulty in producing /k/ sound. Lambdacism (from the Greek letter λ) is the difficulty in pronouncing lateral consonants. Rhotacism is a difficulty producing rhotic consonants sounds in the respective language's standard pronunciation. In Czech there is a specific type of rhotacism called rotacismus bohemicus which is an inability to pronounce the specific sound âŸšĆ™âŸ© /r̝/. Sigmatism is a difficulty of producing /s/, /z/ and similar sounds. Tetacism is a difficulty of producing /t/ sound. Tetism is replacement of /s/, /k/ and similar sounds with /t/ and of /z/ and similar sounds with /d/.
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Sleep When You're in Pain (Chronic or Acute) Sleep on your back if you have lower back pain. Some individuals may benefit from placing a pillow under their knees while in this position. Elevating the knees can take pressure off the lower back. Sleep on your side if you have neck pain. Sleep on your left side to improve your digestion. People who find side sleeping helpful during their period may benefit from placing a pillow between their knees. Experimenting with different pillow positions can help. If you have stomach cramps, try drawing your knees up to your chest in the foetal position, which may help. This position involves lying on the side and tucking the legs toward the chest. You can also sleep on your back propped up with pillows to relieve heartburn. If you have pain due to gas, try laying on your back to relieve some of the pressure off of your stomach. https://www.wikihow.health/Sleep-when-You%27re-in-Pain
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á¶ á”’Êł áŽŽá”ƒá”›â±âżá” á”€Êłá”˜á”‰ á¶ Êłâ±á”‰âżá”ˆËą âœá”†á”–á”’âżá”á”‰áŽźá”’á”‡ á¶ á”ƒâżá¶ â±á¶œâŸ ╰ ✧ ∙ ∗ — áŽĄáŽÊ€áŽ… ᮄᮏᮜɮᮛ ⟹ 3 4 2 ⟩ áŽŸËĄá”ƒâżá”á”—á”’âż Ê·á”’Êłá”á”‰á”ˆ ᔃ˥˥ á”—Ê°Êłá”’á”˜á”Ê° ᔗʰᔉ âżâ±á”Ê°á”— ᔒⁿ ˹ᔒᔐᔉ ⁱⁿᔛᔉⁿᔗⁱᔒⁿ˹ Ê·Ê°á”‰âż áŽ·á”ƒÊłá”‰âż ᔗʰᔉ á¶œá”’á”á”–á”˜á”—á”‰Êł ʷⁱᶠᔉ Ê°á”‰á”ƒÊł ᔃ ᔗʰᔘᔈ á¶ Êłá”’á” Ê°á”‰Êł Ê°á”˜Ëąá”‡á”ƒâżá”ˆâ€§ "ᎌʷ‧‧‧" "áŽŸËĄá”ƒâżá”á”—á”’âż?" áŽ·á”ƒÊłá”‰âż Ê·á”‰âżá”— ⁱⁿ á”—á”’ ᔗʰᔉ Êłá”’á”’á” Ê·Ê°á”‰Êłá”‰ ʰᔉ'Ëą âżá”’Ê· á¶œÊłá”ƒá”ˆËĄâ±âżá” Ê°â±Ëą á”âżá”‰á”‰ ᔃ˹ ⁱⁿÊČá”˜Êłá”‰á”ˆâ€§ "á”†Ê°á”‰ËĄá”ˆá”’âżâ€§â€§" "᎔'ᔛᔉ ÊČá”˜Ëąá”— ËąËĄâ±á”–á”–á”‰á”ˆ ᔃⁿᔈ ᔐʞ á”–Êłá”’á”—á”’á”—Êžá”–á”‰ ᶠᔉ˥˥ ᔒⁿ ᔐ‧‧‧" "áŽŸËĄá”ƒâżá”á”—á”’âż ᎔'ᔐ á”á”’âżâżá”ƒ ˥ⁱᶠᔗ ⁱᔗ ᔘᔖ ᔒᶠᶠ ᔗʰᔉ ËĄá”‰á”â€§" áŽ°á”’â±âżá” ˹ᔒ➎ ËąÊ°á”‰ ᔖᔘᔗ ⁱᔗ á”—á”’ ᔗʰᔉ Ëąâ±á”ˆá”‰â€§ "ᎌᔘᶜʰ‧" "á”†á”’ÊłÊłÊž ËąÊ·á”‰á”‰á”—â±á”‰âžŽ ᔇᔘᔗ ˥ᔉᔗ'Ëą á”‡á”ƒâżá”ˆá”ƒá”á”‰ ⁱᔗ‧" á”€Ê°á”‰â±Êł ᔖᔉᔗ ᔃᔐᔒᔉᔇᔃ ᔖᔘᔖᔖʞ ᔆᔖᔒᔗ ᶜᔃᔐᔉ á”’á”›á”‰Êł á”—á”’ ˹ᔉᔉ Ê°â±Ëą á”’Ê·âżá”‰Êł ⁱⁿ ᔃ á¶œá”ƒËąá”—â€§ "ʞᔒᔘ Ê·á”’Êłá”á”‰á”ˆâžŽ ᔃ˥˥ âżâ±á”Ê°á”— ËĄá”’âżá”âžŽ ᔃⁿᔈ ʞᔒᔘ'ËĄËĄ âżá”‰á”‰á”ˆ Êłá”‰Ëąá”— ᔉᔛᔉⁿ ⁱᶠ ʞᔒᔘ ᔈⁱᔈⁿ'á”— ⁱⁿÊČá”˜Êłá”‰ Êžá”’á”˜ÊłËąá”‰ËĄá¶ â€§" ᔆʰᔉ ᔗᔘᶜᔏᔉᔈ ʰⁱᔐ ⁱⁿ Ê·Ê°â±ËĄËąá”— á”á”ƒá”â±âżá” Ëąá”˜Êłá”‰ á”—á”’ á”‰ËĄá”‰á”›á”ƒá”—á”‰ ᔗʰᔉ ËĄá”‰á” ᔒⁿ ᔃ á”–â±ËĄËĄá”’Ê·â€§ "᎔'ᔛᔉ ᔃ á”â±ÊłËĄËą âżâ±á”Ê°á”— ʷⁱᔗʰ Ëąá”ƒâżá”ˆÊž ᔇᔘᔗ ᎔ á¶œá”ƒâż á¶œá”ƒËĄËĄ á”—á”’ á¶œá”ƒâżá¶œá”‰ËĄ ᔖᔒ˹ᔗᔖᔒⁿᔉ‧‧" áŽ·á”ƒÊłá”‰âż Ëąá”ƒÊžËą ᔃ˹ ᔆᔖᔒᔗ Ëąá”–Êłá”ƒÊ·ËĄá”‰á”ˆ ᔒᔘᔗ ᔇʞ áŽŸËĄá”ƒâżá”á”—á”’âżâžŽ á”â±á”›â±âżá” á”‡á”‰ËĄËĄÊž Êłá”˜á”‡Ëą ᔗᔒ‧ áŽ·á”ƒÊłá”‰âż á”—á”‰ËŁá”—á”‰á”ˆ ᔗʰᔉ Ëąâ±á”—á”˜á”ƒá”—â±á”’âż á”—á”’ á”†á”ƒâżá”ˆÊž á¶ á”’Êł á”—á”’ á”‰ËŁá”–ËĄá”ƒâ±âż Ê·Ê°Êž á”á”ƒËĄ á”–á”ƒËĄËą ⁿᔒᔗ á”’á¶œá¶œá”˜ÊłÊłâ±âżá” á”—á”’âżâ±á”Ê°á”—â€§ "ᎎᔉʞ ËąÊ·á”‰á”‰á”—Ëą Ê°á”’Ê· ⁱ˹‧‧‧" "᎔ á”—Ê°â±âżá” ᔗʰᔉ ᔒⁱⁿᔗᔐᔉⁿᔗ Ê°á”‰ËĄá”–Ëą ᔃ ᔇⁱᔗ á¶ á”’Êł Êłâ±á”Ê°á”— âżá”’Ê·; á”—Ê°á”ƒâżá” ʞᔒᔘ‧‧" "ᎌᶠ á¶œá”’á”˜ÊłËąá”‰âžŽ ᔇⁱᔍ ᔍᔘʞ‧ ᎔'ËĄËĄ ᔍⁱᔛᔉ ʞᔒᔘ Ëąá”–á”ƒá¶œá”‰â€§" áŽ·á”ƒÊłá”‰âż ˥ᔉᔗ ʰⁱᔐ Êłá”‰Ëąá”— ʷⁱᔗʰ ᔆᔖᔒᔗ‧ áŽŹá¶ á”—á”‰Êł Ê·Ê°á”‰âż áŽ·á”ƒÊłá”‰âż ⁿᔉˣᔗ ᶜʰᔉᶜᔏᔉᔈ ᔒⁿ áŽŸËĄá”ƒâżá”á”—á”’âż ËąÊ°á”‰ Ëąá”ƒÊ· ʰⁱᔐ ᔃⁿᔈ Ëąá”–á”’á”— ʰᔃᔛᔉ ᔇᔒᔗʰ á”ˆÊłâ±á¶ á”—á”‰á”ˆ ᔒᶠᶠ á”ƒËąËĄá”‰á”‰á”–â€§ ᔆʰᔉ ˥ᔉᶠᔗ 'ᔉᔐ ᔇᔉ ᔃ˹ ËąÊ°á”‰ á”âżá”‰Ê· Ê°á”‰Êł Ê°á”˜Ëąá”‡á”ƒâżá”ˆ ᔐⁱᔍʰᔗ ᶠᔉᔉ˥ á”á”’Êłá”‰ ᔒᶠ ᔗʰᔉ á”–á”ƒâ±âż Ê·Ê°á”‰âżá¶œá”‰ ᔗʰᔉ ᔒⁱⁿᔗᔐᔉⁿᔗ Ê·á”’Êłâż ᔒᶠᶠ➎ ᔇᔘᔗ á¶œá”ƒâż ᔖᔘᔗ á”á”’Êłá”‰ ᔒⁿ á”ƒá¶ á”—á”‰Êł ʰᔉ Ê·á”ƒá”á”‰Ëą ᔘᔖ‧ á”†á”ƒâżá”ˆÊž Ëąá‘«á”˜â±ÊłÊłá”‰ËĄ á”ƒÊłÊłâ±á”›á”‰á”ˆ ᔃᔗ ᔗʰᔉ ᶜʰᔘᔐ ᔇᔘᶜᔏᔉᔗ á”—á”’ ˹ᔉᔉ‧ "áŽ·á”ƒÊłá”‰âż ᎔'ᔛᔉ ᔍᔒᔗ Êžá”’á”˜Êł á”á”‰ËąËąá”ƒá”á”‰ ᔃⁿᔈ Ê·á”ƒâżá”—á”‰á”ˆ á”—á”’ ᔍⁱᔛᔉ ᔐʞ‧‧‧" "á”†á”ƒâżá”ˆÊž ʞᔒᔘ'Êłá”‰ Ëąá”’ âżâ±á¶œá”‰â€§ ᎎᔉ'Ëą ËąËĄá”‰á”‰á”–â±âżá” âżá”’Ê· ᔇᔘᔗ ᎔ á¶œá”ƒâż ᔗᔉ˥˥ ʰⁱᔐ ʞᔒᔘ'ᔈ Ëąá”—á”’á”–á”–á”‰á”ˆ ᔇʞ‧‧" áŽč˱‧ ᎟ᔘᶠᶠ Ëąá”—á”’á”–á”–á”‰á”ˆ ᔇʞ ᔒⁿ Ê°á”‰Êł ʷᔃʞ á”—á”’ ᔗʰᔉ áŽ·Êłá”˜Ëąá”—Êž áŽ·Êłá”ƒá”‡âžŽ ᔃⁿᔈ á”ˆÊłá”’á”–á”–á”‰á”ˆ ᔒᶠᶠ ˹ᔒᔐᔉ á”ƒÊłá”—â±á¶ â±á¶œâ±á”ƒËĄ á¶ ËĄá”’Ê·á”‰ÊłËą ᔗᔒ‧ ᎏ˥˹ᔒ áŽč˱‧ ᎟ᔘᶠᶠ'Ëą á¶œËĄá”ƒËąËą ᔐᔃᔈᔉ ᔃ ᔍᔉᔗ Ê·á”‰ËĄËĄ á¶œá”ƒÊłá”ˆâ€§ áŽ·á”ƒÊłá”‰âż'Ëą á¶ Êłâ±á”‰âżá”ˆ ᎎᔃⁿⁿᔃ á¶œá”ƒËĄËĄá”‰á”ˆ ᔃⁿᔈ ˹ᔃⁱᔈ '᎔ ʰᔒᔖᔉ Êžá”’á”˜Êł Ê°á”˜Ëąá”‡á”ƒâżá”ˆ ᶠᔉᔉ˥˹ á”‡á”‰á”—á”—á”‰Êł' ËąÊ°á”‰ Ëąá”ƒÊžËą á”—á”’ áŽ·á”ƒÊłá”‰âż á”’á”›á”‰Êł ᔗʰᔉ á”–Ê°á”’âżá”‰â€§ Ꮁᔛᔉⁿ Ëąá”–á”’á”— Ê°á”˜á”ˆá”ˆËĄá”‰á”ˆ á¶œËĄá”’Ëąá”‰ á”—á”’ áŽŸËĄá”ƒâżá”á”—á”’âż ᔃ˹ ʰᔉ ˹˥ᔉᔖᔗ‧ áŽ·á”ƒÊłá”‰âż á”‰âżá”—á”‰Êłá”‰á”ˆ ᔗʰᔉ Êłá”’á”’á” Êłâ±á”Ê°á”— ᔃ˹ Ê°á”‰Êł Ê°á”˜Ëąá”‡á”ƒâżá”ˆ ʷᔒᔏᔉ‧ "᎞ᔒᔛᔉ ʞᔒᔘ‧‧"
new Karen/Sheldon J. Plankton wordcount: 100-500 100-1000 Words karen/sandy Chatting & Messaging brokenkneecore for having true friends
áŽ·á”ƒÊłá”‰âż ᔃᔇᔒᔘᔗ á”—Ê°Êž âżá”‰â±á”Ê°á”‡á”’á”˜Êł âœá”†á”–á”’âżá”á”‰áŽźá”’á”‡ Ëąá”—á”ƒÊžËą ᔃᔗ ᔗʰᔉ ᶜʰᔘᔐ ᔇᔘᶜᔏᔉᔗ á¶ á”ƒâżá¶ â±á¶œâŸ "᎔ᔗ'ËĄËĄ ᔇᔉ ᶠᔘⁿ!" á”†á”–á”’âżá”á”‰áŽźá”’á”‡'Ëą Ê°á”’á”˜Ëąá”‰ âżá”‰á”‰á”ˆá”‰á”ˆ ˹ᔒᔐᔉ â±á”á”–Êłá”’á”›á”‰á”á”‰âżá”—Ëą á”á”‰á”—á”—â±âżá” Ê·á”’Êłá”á”‰á”ˆ ᔒⁿ‧ ᔆᔒ ʰᔉ'Ëą Ëąá”—á”ƒÊžâ±âżá” Ê°á”‰Êłá”‰ á”‡á”‰á¶œá”ƒá”˜Ëąá”‰ á”†á‘«á”˜â±á”ˆÊ·á”ƒÊłá”ˆ ⁿᔒᔗ á”á”’âżâżá”ƒ ˥ᔉᔗ ʰⁱᔐ Ëąá”—á”ƒÊž âœá”ƒâżá”ˆ ᔉᔛᔉⁿ ʰᔉ ᔃⁿᔈ áŽŸá”ƒá”—Êłâ±á¶œá” á”ˆâ±ËąËĄâ±á”á”‰ ᔃ˥˥ ᔗʰᔉ ⁿᔒⁱ˹ᔉ á¶ Êłá”’á” ᔗʰᔉ Ê·á”’Êłá”âŸ ᔃⁿᔈ áŽ·Êłá”ƒá”‡Ëą á”ˆá”’á”‰Ëąâż'á”— ʰᔃᔛᔉ á”‰âżá”’á”˜á”Ê° Êłá”’á”’á” á”—á”’ â±âżá¶œËĄá”˜á”ˆá”‰ ʰⁱᔐ‧ áŽłá”ƒÊłÊž ᔗʰᔉ ˹ⁿᔃⁱ˥ ᔉᔛᔉⁿ á¶œÊłá”ƒËąÊ°á”‰Ëą Ê°á”‰Êłá”‰âžŽ ᔃⁿᔈ ʰᔉ ËĄâ±á”á”‰Ëą á”—á”’ á”–ËĄá”ƒÊž ʷⁱᔗʰ ᔆᔖᔒᔗ➎ ᔐʞ Ê°á”˜Ëąá”‡á”ƒâżá”ˆ'Ëą ᔖᔘᔖᔖʞ‧ ᎔ Ê·á”ƒâżâżá”ƒ ᔏᔉᔉᔖ ᔃⁿ ᔉʞᔉ ᔒⁿ ᔗʰᔉᔐ➎ ᔃ˹ áŽŸËĄá”ƒâżá”á”—á”’âż á¶œá”ƒâż ᔍᔉᔗ á”‰á”ƒËąâ±ËĄÊž á”ƒâżá”ÊłÊž Ê·Ê°á”‰âż Ëąá”–á”’âżá”á”‰á”‡á”’á”‡ á”‰á”›á”‰Êł á”ƒâżâżá”’ÊžËą ʰⁱᔐ➎ á”ƒá”‡ËĄá”‰â±Ëąá”— á”˜âżâ±âżá”—á”‰âżá”—â±á”’âżá”ƒËĄËĄÊžâ€§ ᔀʰᔉʞ á”âżá”’Ê· ᔉᔃᶜʰ á”’á”—Ê°á”‰Êł Ê·á”‰ËĄËĄâžŽ ᔇᔘᔗ á¶œá”ƒâż ᔇᔉ ᔃᔗ á”’á”ˆá”ˆËą Ëąâ±âżá¶œá”‰ Ëąá”–á”’âżá”á”‰á”‡á”’á”‡ Ê·á”’Êłá”Ëą á¶ á”’Êł á”–ËĄá”ƒâżá”á”—á”’âż'Ëą á”‰âżá”‰á”ÊžâžŽ ʷʰⁱᶜʰ á¶œá”ƒâż ᔖᔘᔗ áŽŸËĄá”ƒâżá”á”—á”’âż ᔗʰᔉ Ê·Êłá”’âżá” ʷᔃʞ‧ áŽźá”˜á”— ᔒᔖᔖᔒ˹ⁱᔗᔉ˹ á”ƒá”—á”—Êłá”ƒá¶œá”—âžŽ á”á”ƒá”â±âżá” á”—Ê°á”‰â±Êł á¶ Êłâ±á”‰âżá”ˆËąÊ°â±á”– á”ˆÊžâżá”ƒá”â±á¶œ ᔈᔘᔒ Ê·á”’Êłá”â€§ á”†á”–á”’âżá”á”‰áŽźá”’á”‡'Ëą á”á”’â±âżá” á”—á”’ ᔇᔉ âżâ±á¶œá”‰ á”—á”’ ᔃ˥˥➎ ᔃⁿᔈ á¶œá”ƒâż ᔉᔛᔉⁿ ᔇᔉ âżâ±á¶œá”‰Êł á”—á”’ á”–ËĄá”ƒâżá”á”—á”’âż á”—Ê°á”ƒâż ᎔ ˹ᔒᔐᔉᔗⁱᔐᔉ˹‧ áŽŸËĄá”ƒâżá”á”—á”’âż á”âżá”’Ê·Ëą ʰᔉ'Ëą ᔃ á”–á”ƒá¶œâ±á¶ â±Ëąá”— ᔃⁿᔈ Ëąá”–á”’âżá”á”‰á”‡á”’á”‡ á”âżá”’Ê·Ëą á”–ËĄá”ƒâżá”á”—á”’âż á”ƒâżá”á”‰Êł â±ËąËąá”˜á”‰Ëą ᔆᔒ ᔗʰᔉʞ á¶œá”ƒâż ᶜᔒᔐᔉ ᔘᔖ ʷⁱᔗʰ á¶œá”’á”á”–Êłá”’á”â±Ëąá”‰Ëą á”—á”’ á¶œá”’á”á¶ á”’Êłá”— ᶻᔒⁿᔉ˹‧ á”†á”–á”’âżá”á”‰áŽźá”’á”‡ á”ƒËĄËąá”’ á”âżá”’Ê·Ëą ʰᔉ Êłá”ƒÊłá”‰ËĄÊž ᔒᔖᔉⁿ˹ ᔘᔖ➎ ᔇᔘᔗ ʰᔉ á”’âżá¶œá”‰ ⁱⁿ ᔃ Ê·Ê°â±ËĄá”‰ á”ˆá”’á”‰Ëą á”—á”’ ËĄâ±á”á”‰ ᔐᔉ á”’Êł Ê°â±Ëą á”Êłá”ƒâżá”ˆá”á”ƒâ€§ áŽźá”˜á”— ᔉᔛᔉⁿ ʰᔉ Ê°á”ƒËą ˥ⁱᔐⁱᔗ˹ ᔃⁿᔈ á”†á”–á”’âżá”á”‰áŽźá”’á”‡ á”âżá”’Ê·Ëą ⁱᔗ‧ ᔀʰᔉʞ Ê·á”‰Êłá”‰ á”–ËĄá”ƒÊžâ±âżá” ʷⁱᔗʰ ᔗʰᔉ ᔖᔉᔗ˹ Ê·Ê°á”‰âż Ëąá”–á”’âżá”á”‰á”‡á”’á”‡ Ëąá”—á”˜á”‡á”‡á”‰á”ˆ Ê°â±Ëą ᔗᔒᔉ ᔒⁿ ᔃ Êłá”’á¶œá”â€§ "ᔂᔃᔗᶜʰ ᔒᔘᔗ Ê·Ê°á”‰Êłá”‰ ʞᔒᔘ'Êłá”‰ á”á”’â±âżá”âžŽ ʞᔒᔘ ᶠᔒᔒ˥!" Êžá”‰ËĄËĄá”‰á”ˆ áŽŸËĄá”ƒâżá”á”—á”’âż ᔃ˹ Ëąá”–á”’âżá”á”‰á”‡á”’á”‡ ᔗᔒᔒᔏ Ê°â±Ëą Ëąá”’á¶œá” ᔒᶠᶠ‧ ᎔ᔗ˹ Ê°â±Ëą á”’Ê·âż ʷᔃʞ ᔒᶠ ËąÊ°á”’Ê·â±âżá” ʰᔉ á¶œá”ƒÊłá”‰Ëą ᎔ á”á”˜á”‰ËąËąâ€§ ᔂᔉ ᔍᔒᔗ Ëąá”–á”’âżá”á”‰á”‡á”’á”‡ ˹ᔒᔐᔉ ⁱᶜᔉ á”˜âżá”—â±ËĄ ᶠᔉ˥ᔗ á”‡á”‰á”—á”—á”‰Êłâ€§ ᔀʰᔉ ᔖᔉᔗ˹ ᶜᔃᔐᔉ â±âżËąâ±á”ˆá”‰ ᔃⁿᔈ Ëąá”–á”’á”— ᔍᔃᔛᔉ Ëąá”–á”’âżá”á”‰á”‡á”’á”‡ ˹ᔒᔐᔉ á”â±ËąËąá”‰Ëąâ€§ "áŽ±á”ƒËąÊžâžŽ ᔇᔒʞ!" áŽŸËĄá”ƒâżá”á”—á”’âż'Ëą á”—á”‰ËĄËĄâ±âżá” ˹ᔖᔒᔗ➎ Ê°á”’ËĄá”ˆâ±âżá” ᔗʰᔉ ᔃᔐᔒᔉᔇᔃ‧ áŽșá”’Ê· ʰᔉ'Ëą ⁿᔒᔗ ᔐᔘᶜʰ ᔒᶠ ᔃ Ê°á”˜á”á”á”‰ÊłâžŽ ᔇᔘᔗ Ëąâżá”˜á”á”ËĄá”‰Ëą ʷⁱᔗʰ Ëąá”–á”’á”—; ʰᔉ âżá”‰á”›á”‰Êł á”ˆá”’á”‰Ëą ʷⁱᔗʰ ᔖᔉᔒᔖ˥ᔉ➎ ᔃᔗ ËĄá”‰á”ƒËąá”— ⁿᔒᔗ á¶ á”’Êł ËĄá”‰âżá”á”—Ê° ᔒᶠ ᔗⁱᔐᔉ‧ ᎔ á”âżá”‰Ê· ⁿᔒᔗ á”—á”’ Ëąá”˜á”á”á”‰Ëąá”— ᔃ á”‡á”’á”ƒÊłá”ˆ ᔍᔃᔐᔉ➎ á”âżá”’Ê·â±âżá” ᔐʞ Ê°á”˜Ëąá”‡á”ƒâżá”ˆËą ᶜᔒᔐᔖᔉᔗⁱᔗⁱᔛᔉ âżá”ƒá”—á”˜Êłá”‰â€§ ᎔ Ê·á”ƒËą ᔃᔇᔒᔘᔗ á”—á”’ ᔐᔃᔏᔉ ˹ᔒᔐᔉ ᶠᔒᔒᔈ Ê·Ê°á”‰âż á”†á”–á”’âżá”á”‰áŽźá”’á”‡ Ê°á”‰ËĄá”ˆ ᔘᔖ ᔃ ᔖᔃᔗᔗʞ‧ "᎔ á”âżá”’Ê· ʞᔒᔘ'ᔈ ËĄâ±á”á”‰ á”—á”’ á”ƒâżá”ƒËĄÊžËąá”‰ ᔗʰᔉ Êłá”‰á¶œâ±á”–á”‰âžŽ ᔇᔘᔗ ᎔ ᶠᔉᔉ˥ ʞᔒᔘ ËąÊ°á”’á”˜ËĄá”ˆ ᔃᔗ ËĄá”‰á”ƒËąá”— ᔍᔉᔗ ᔃ á”—á”ƒËąá”—á”‰ ᔒᶠ ᔗʰᔉ á”ˆá”‰ËĄâ±á¶œâ±á”’á”˜Ëąâżá”‰ËąËąâ€§" á”†á”–á”’âżá”á”‰áŽźá”’á”‡ Ëąá”ƒâ±á”ˆâ€§ "áŽźá”˜á”— ⁱᶠ áŽ·Êłá”ƒá”‡Ëąâ€§â€§â€§" "áŽčÊłâ€§ áŽ·Êłá”ƒá”‡Ëą ⁿᔒᔗ Ê°á”‰Êłá”‰; á”‡á”‰Ëąâ±á”ˆá”‰ËąâžŽ ʷᔉ'Êłá”‰ á”’âżËĄÊž á”‰á”ƒá”—â±âżá” ⁱᔗ➎ ⁿᔒᔗ Êłá”‰á”›á”‰á”ƒËĄâ±âżá” ᔗʰᔉ á¶ á”’Êłá”á”˜ËĄá”ƒ!" á”†á”–á”’âżá”á”‰áŽźá”’á”‡ á”—á”’ËĄá”ˆ ʰⁱᔐ➎ á”âżá”’Ê·â±âżá” ʰᔉ'Ëą ᔗʰᔉ á”’âżËĄÊž á”–á”‰ÊłËąá”’âż á”‡á”ƒÊłâżá”‰á”ˆ á¶ á”’Êł ˥ⁱᶠᔉ‧ ᔀʰᔉʞ ˹ᔖ˥ⁱᔗ ᔗʰᔉ ᔖᔃᔗᔗʞ➎ á”‰á”ƒá”—â±âżá” á”‰á”›á”‰ÊłÊž ËĄá”ƒËąá”— á”á”’ÊłËąá”‰ËĄ! "á”€Ê°á”ƒâżá” ʞᔒᔘ Ëąá”’ ᔐᔘᶜʰ ᔏⁱᔈ‧‧‧" ᎔ Ëąá”ƒÊ· Ê°á”’Ê· Ëąâ±âżá¶œá”‰Êłá”‰ ʰᔉ'Ëą ʷⁱᔗʰ á”Êłá”ƒá”—â±á”—á”˜á”ˆá”‰âžŽ ᔃ˹ ʰᔉ Êłá”ƒÊłá”‰ËĄÊž Ëąá”’ á”ƒá¶ á¶ á”‰á¶œá”—â±á”’âżá”ƒá”—á”‰ËĄÊž ËąÊ°á”’Ê·Ëą á”ƒá”–á”–Êłá”‰á¶œâ±á”ƒá”—â±á”’âżâ€§ áŽŹá¶ á”—á”‰Êł á”‰á”ƒá”—â±âżá”âžŽ ᔗʰᔉ á”‡á”’ÊžËą á”–á”˜ËĄËĄá”‰á”ˆ ᔒᔘᔗ ᔗʰᔉ ᶜᔒᔘᶜʰ ⁱⁿ á¶ Êłá”’âżá”— ᔗʰᔉ ᔗᔉ˥ᔉᔛⁱ˹ⁱᔒⁿ‧ ᔆᔉᔃᔗᔉᔈ Ëąâ±á”ˆá”‰ ᔇʞ Ëąâ±á”ˆá”‰âžŽ ᔗʰᔉʞ ËĄá”’á”’á”á”‰á”ˆ á¶ á”’Êł Ëąá”’á”á”‰á”—Ê°â±âżá” á”—á”’ ʷᔃᔗᶜʰ‧ ᔆᔖᔒᔗ ᔃⁿᔈ áŽłá”ƒÊłÊž Ê·á”‰âżá”— á”—á”’ Êłá”‰Ëąá”— á¶ á”’Êł ᔗʰᔉ âżâ±á”Ê°á”—â€§ "Ꮇⁱᔈ➎ á”ˆá”’á”‰Ëą Êžá”’á”˜Êł ᔇᔒ˹˹ á”âżá”’Ê· Ê·Ê°á”‰Êłá”‰â€§â€§â€§" "᎔ ᔈⁱᔈⁿ'á”— ᔗᔉ˥˥ ʰⁱᔐ ᎔'ᔈ ᔇᔉ Ëąá”—á”ƒÊžâ±âżá” Ê°á”‰Êłá”‰ ᔃᔗ Êžá”’á”˜Êł á”–ËĄá”ƒá¶œá”‰âžŽ Ëąá”’ á”ˆá”’âż'á”— Ê·á”’ÊłÊłÊž!" á”†á”–á”’âżá”á”‰áŽźá”’á”‡ á”—á”’ËĄá”ˆ á”–ËĄá”ƒâżá”á”—á”’âżâžŽ ËĄá”‰á”ƒâżâ±âżá” á¶œËĄá”’Ëąá”‰Êłâ€§ "ᔂᔃⁱᔗ➎ ᎔'ᔛᔉ Ê·á”’Êłá” á”—á”’á”á”’ÊłÊłá”’Ê· á”á”’Êłâżâ±âżá”! ᔂʰᔃᔗ‧‧‧" "ᔀᔉ˥˥ ʰⁱᔐ ʞᔒᔘ'ᔛᔉ ᔇᔒᔒᔏᔉᔈ ᔃ Êłá”’á”’á” ᔃᔗ ᔃⁿ â±âżâżâ€œ" ᎔ Ëąá”˜á”á”á”‰Ëąá”—á”‰á”ˆâ€§ ᔂᔉ ᔃ˥˥ Êłá”‰á”ƒËĄâ±Ëąá”‰á”ˆ áŽ·Êłá”ƒá”‡Ëą ⁿᔒᔗ á”á”’âżâżá”ƒ ËĄâ±á”á”‰ ⁱᔗ ⁱᶠ ʰᔉ á”âżá”‰Ê· Ê°â±Ëą ËĄá”’Êžá”ƒËĄ Ê·á”’Êłá”á”‰Êł Ëąá”—á”ƒÊžá”‰á”ˆ ᔃᔗ ᔗʰᔉ ᶜʰᔘᔐ ᔇᔘᶜᔏᔉᔗ➎ ᔉᔛᔉⁿ ⁱᶠ ⁱⁿ Ëąá”˜á¶œÊ° á¶œâ±Êłá¶œá”˜á”Ëąá”—á”ƒâżá¶œá”‰Ëąâ€§ ᎔ᔗ'ᔈ á¶œá”ƒá”˜Ëąá”‰ á”á”’Êłá”‰ Êłâ±Ëąá” ᔒᶠ á”—Êłá”’á”˜á”‡ËĄá”‰ á”—Ê°á”ƒâż ⁱᔗ˹ Ê·á”’Êłá”—Ê°! áŽŒâżËĄÊž â±á”á”ƒá”â±âżá”‰ ⁱᶠ ʰᔉ á”âżá”‰Ê· Ëąá”–á”’âżá”á”‰á”‡á”’á”‡'Ëą ⁿᔒᔗ á”’âżËĄÊž á¶œâ±á”›â±ËĄ á”—á”’ á”–ËĄá”ƒâżá”á”—á”’âżâžŽ ᔇᔘᔗ á”ƒËĄËąá”’ ËąÊ°á”ƒÊłá”‰á”ˆ ᔃ ᔖᔃᔗᔗʞ‧‧‧ áŽ·Êłá”ƒá”‡Ëą Êłá”‰á”ƒËĄâ±Ëąá”‰Ëą Ê°á”’Ê· Ëąá”–á”’âżá”á”‰á”‡á”’á”‡'Ëą á”á”’â±âżá” á”—á”’ ᔇᔉ âżâ±á¶œá”‰âžŽ ⁿᔒ á”á”ƒá”—á”—á”‰Êł ʷʰᔃᔗ➎ ᔇᔘᔗ ʰᔉ âżá”‰á”›á”‰Êł á”ƒá”–á”–Êłá”’á”›á”‰Ëą ᔒᶠ Ëąá”–á”’âżá”á”‰á”‡á”’á”‡ á”—ÊłÊžâ±âżá” á”—á”’ ᔏᔉᔉᔖ ᔗʰᔉ ᔖᔉᔃᶜᔉ Ê·Ê°á”‰âż ᔗʰᔉʞ'Êłá”‰ ᔃᔗ á”’á”ˆá”ˆËąâ€§ áŽŸËĄá”ƒâżá”á”—á”’âż á”˜âżá”ˆá”‰ÊłËąá”—á”ƒâżá”ˆËą Ê°â±Ëą ËĄá”’Êžá”ƒËĄá”—Êž á”—á”’ ᔗʰᔉ á”Êłá”˜Ëąá”—Êž á”Êłá”ƒá”‡âžŽ á”ƒËĄá”—Ê°á”’á”˜á”Ê° ʰᔉ á”ˆá”’á”‰Ëąâż'á”— á”ƒá”Êłá”‰á”‰ ʷⁱᔗʰ ⁱᔗ‧ ᎎⁱ˹ á”á”’á”ƒËĄ ⁱⁿ ˥ⁱᶠᔉ ⁱ˹ ËąÊ°á”’Ê·â±âżá” ᔗʰᔉ Ê·á”’ÊłËĄá”ˆ Ê°á”’Ê· á”Êłá”‰á”ƒá”— ʰᔉ á¶œá”ƒâż ᔇᔉ➎ ᔃⁿᔈ Ëąá”–á”’âżá”á”‰á”‡á”’á”‡'Ëą ᔒⁿ áŽ·Êłá”ƒá”‡Ëą Ëąâ±á”ˆá”‰ ⁱⁿ ᔗʰᔉ ˹ᔃⁱᔈ ᶜᔃᔗ ᔃⁿᔈ á”á”’á”˜Ëąá”‰ ᔍᔃᔐᔉ‧ ᎔ Ê·á”ƒËą á”—Ê°â±âżá”â±âżá” ᔃᔇᔒᔘᔗ ⁱᔗ ᔃ˹ ᔗʰᔉ á”–Êłá”’á”Êłá”ƒá”á”á”‰ á”‰âżá”ˆá”‰á”ˆâžŽ ᔃⁿᔈ á”—á”˜Êłâżá”‰á”ˆ ᔒᶠᶠ ᔗʰᔉ ᔗᔉ˥ᔉᔛⁱ˹ⁱᔒⁿ‧ ᎔ Ê·Ê°â±Ëąá”–á”‰Êłá”‰á”ˆ á”—á”’ Ëąá”–á”’âżá”á”‰á”‡á”’á”‡ "᎔ á”ˆá”’âż'á”— á”âżá”’Ê· ʷʰᔃᔗ ᔗⁱᔐᔉ ʞᔒᔘ ᔍᔒ á”—á”’ á”ƒá”—á”—á”‰âżá”ˆ Ê·á”’Êłá”â€§â€§â€§" "᎔ᔐ á”—á”’ á”ƒÊłÊłâ±á”›á”‰ ᔃᔗ ⁞ á”’'á¶œËĄá”’á¶œá” ⁱⁿ ᔗʰᔉ ᔃᔐ‧" á”†á”–á”’âżá”á”‰áŽźá”’á”‡ á‘«á”˜â±á”‰á”—ËĄÊž á”ƒâżËąÊ·á”‰Êłá”‰á”ˆâžŽ Ëąá”’ ᔃ˹ á”—á”’ ⁿᔒᔗ Ëąá”—â±Êł áŽŸËĄá”ƒâżá”á”—á”’âżâžŽ Ê·Ê°á”’ ËĄá”‰á”ƒâżá”‰á”ˆ ᔒⁿ ʰⁱᔐ á”˜âżá”ƒÊ·á”ƒÊłá”‰Ëąâ€§ áŽŒâżËĄÊž ᔐᔉ ᔃⁿᔈ á”†á”–á”’âżá”á”‰áŽźá”’á”‡ Ê·á”‰Êłá”‰ ᔃʷᔃᔏᔉ ᔃᔗ ᔇʞ ᔗʰᔉ á”‰âżá”ˆ ᔒᶠ ᔗʰᔉ á”–Êłá”’á”Êłá”ƒá”á”á”‰â€§ ᎌʰ Ê°á”’Ê· áŽ·Êłá”ƒá”‡Ëą Ê·á”’á”˜ËĄá”ˆâż'á”— ËĄâ±á”á”‰ á”—á”’ ˹ᔉᔉ ⁱᔗ; ᎔ Ê·á”ƒâżá”—á”‰á”ˆ á”—á”’ á¶œÊ°á”˜á¶œá”ËĄá”‰ ᔃᔗ ᔗʰᔉ ⁿᔒᔗⁱᔒⁿ ᔒᶠ ʰⁱᔐ á¶ á”˜Êłâ±á”’á”˜Ëą ᔃᔗ ᔗʰᔉ Ëąâ±á”Ê°á”—â€§ "ᎎᔒʷ'Ëą ᔗʰᔉ ᔗᔒᔉ?" ᎔ á”ƒËąá”á”‰á”ˆâ€§ "á”‚á”ƒâżâżá”ƒ ᶜʰᔉᶜᔏ‧‧‧" "᎔˥˥ ᔗᔃᔏᔉ ᔃ ËĄá”’á”’á” ᔃᔗ ᔐʞ ᔗᔒᔉ á”—á”’á”á”’ÊłÊłá”’Ê· á”á”’Êłâżâ±âżá”â€§â€§â€§" á”†á”–á”’âżá”á”‰áŽźá”’á”‡ ˹ᔃⁱᔈ➎ á”—ÊłÊžâ±âżá” á”—á”’ ˥ıᔉ á”ˆá”’Ê·âż á¶œá”’á”á¶ á”’Êłá”—á”ƒá”‡ËĄÊž ʷⁱᔗʰ á”–ËĄá”ƒâżá”á”—á”’âż ËĄá”ƒÌŠÊžâ±âżá” á”ƒá”á”ƒâ±âżËąá”— ʰⁱᔐ‧ "ᔂʰᔃᔗ ᔗⁱᔐᔉ ⁱ˹ ⁱᔗ?" ᎔ Ê°á”‰á”ƒÊłá”ˆ á”–ËĄá”ƒâżá”á”—á”’âż Ëąá”ƒÊžâžŽ Êłá”’á”˜Ëąâ±âżá” Ëąá”–á”’âżá”á”‰á”‡á”’á”‡â€§ "ᎌʰ➎ ᎔ ᔍᔒᔗ á”—á”’ ᔇᔉ ᔃᔗ Ê·á”’Êłá”! Ꮀᔒⁿ'á”— Ê·á”ƒâżá”— áŽčÊłâ€§ áŽ·Êłá”ƒá”‡Ëą á”—á”’ ᔇᔉ Ëąá”˜Ëąá”–â±á¶œâ±á”’á”˜ËąâžŽ âżá”’Êł ᔇᔉ ËĄá”ƒá”—á”‰ á”—Ê°á”‰Êłá”‰!" á”†á”–á”’âżá”á”‰áŽźá”’á”‡ Ëąá”—á”ƒÊłá”—á”‰á”ˆ á”—á”’ ËĄá”‰á”ƒá”›á”‰âžŽ ᔇᔘᔗ ᎔ Ê·á”ƒâżá”—á”‰á”ˆ á”—á”’ ᶜʰᔉᶜᔏ ᔒⁿ Ê°â±Ëą ᔗᔒᔉ‧ "ᔂʰᔃᔗ ᔃᔇᔒᔘᔗ ᔗʰᔉ ᔗᔒᔉ?" ᎔ á¶œá”ƒËĄËĄá”‰á”ˆ ᔒᔘᔗ‧ ᎎᔉ ᶜʰᔉᶜᔏᔉᔈ ⁱᔗ➎ ᔃⁿᔈ ⁿᔒ Êłá”‰á”ˆâżá”‰ËąËąâ€§ "ᔆᔗⁱ˥˥ ᔍᔒ á”‰á”ƒËąÊž ᔒⁿ ⁱᔗ‧" "ᔂⁱ˥˥ ᔈᔒ!" á”†á”–á”’âżá”á”‰á”‡á”’á”‡ á¶œá”ƒËĄËĄá”‰á”ˆ ᔒᔘᔗ ᔃ˹ ʰᔉ ˥ᔉᶠᔗ‧ "áŽžá”ƒËąá”— ᎔ á¶œá”ƒâż Êłá”‰á¶œá”ƒËĄËĄ á”—ÊłÊžâ±âżá” á”—á”’ Êłá”‰á”á”ƒâ±âż á¶ á”’á¶œá”˜ËąËąá”‰á”ˆ ᔒⁿ ᔗʰᔉ Ëąá¶œÊłá”‰á”‰âż ᔇʞ ʷⁱᔗʰ á”†á”–á”’âżá”á”‰â€§â€§â€§" "᎔ á”ˆá”’âż'á”— á”—Ê°â±âżá” ʞᔒᔘ ᔉᔛᔉⁿ ᔐᔃᔈᔉ ⁱᔗ á”—Ê°Êłá”’á”˜á”Ê° ᔗʰᔉ Ê°á”ƒËĄá¶  ᔒᶠ ᔗʰᔉ á”–Êłá”’á”Êłá”ƒá”á”á”‰!" ᎔ â±âżá”—á”‰ÊłÊČᔉᶜᔗᔉᔈ➎ Êłá”‰á”Êłá”‰á”—á”—â±âżá” Ëąá”ƒÊžâ±âżá” ⁱᔗ Êłâ±á”Ê°á”— ᔃ˹ á”ƒá¶ á”—á”‰Êł ᎔ ˹ᔃⁱᔈ ⁱᔗ; á”‡á”‰á¶œá”ƒá”˜Ëąá”‰ ʰᔉ'Ëą ⁿᔒᔗ ᔒⁿᔉ á”—á”’ ᔃᔈᔐⁱᔗ á”›á”˜ËĄâżá”‰Êłá”ƒá”‡â±ËĄâ±á”—Êžâ€§ ᎏ˹ Ê·á”ƒËĄá”â±âżá” ᔗʰᔉ ᔖᔉᔗ˹➎ ᎔ á”˜Ëąá”‰á”ˆ ᔐʞ Ëąá”˜á”–á”‰Êłá¶œá”’á”á”–á”˜á”—á”‰Êł á”ˆá”‰á”—á”‰á¶œá”—â±á”’âż Ê°á”‰á”ƒÊłâ±âżá” á”†á”–á”’âżá”á”‰áŽźá”’á”‡ ᔃⁿᔈ áŽ·Êłá”ƒá”‡Ëąâ€§ "ᔂʰʞ ʞᔉ ËĄâ±á”á”–â±âżá”âžŽ ᔇᔒⁱ?" "᎔ á”—Êłâ±á”–á”–á”‰á”ˆ ᔒⁿ ᔗʰᔉ ʷᔃʞ Ê°á”‰Êłá”‰âžŽ á”‡á”‰á¶œá”ƒá”˜Ëąá”‰ ᎔ Êłá”ƒâż á”—á”’ á¶ á”ƒËąá”— ⁿᔒᔗ ËĄá”’á”’á”â±âżá” Ê·Ê°á”‰Êłá”‰ ᎔ Ê·á”ƒËą á”á”’â±âżá”â€§â€§â€§" áŽșⁱᶜᔉ Ëąá”ƒá”›á”‰âžŽ Ëąá”–á”’âżá”á”‰á”‡á”’á”‡â€§ "Ꮆᔉ˹ᔗ ᔐᔃᔏᔉ Ëąá”˜Êłá”‰ ⁿᔒᔗ á”—á”’ â±âżá”—á”‰Êłá¶ á”‰Êłá”‰ ʷⁱᔗʰ‧‧‧" "᎔ ᔍᔒᔗ ⁱᔗ➎ áŽčÊłâ€§ áŽ·Êłá”ƒá”‡Ëą; á”‰á”›á”‰ÊłÊžá”—Ê°â±âżá”'Ëą ᶠⁱⁿᔉ!" ᎌᶠ á¶œá”’á”˜ÊłËąá”‰âžŽ ʷᔉ á”ˆâ±á”ˆâżá”— ʰᔃᔛᔉ á”ƒâżÊž á¶œá”˜Ëąá”—á”’á”á”‰ÊłËą ᔃᔗ ᔗʰᔉ ᶜʰᔘᔐ ᔇᔘᶜᔏᔉᔗ‧ áŽŒâżËĄÊž á”—Ê°â±âżá” ᔘⁿᔘ˹ᔘᔃ˥ ⁜ⁱᶠ á”ƒâżÊžá”—Ê°â±âżá”âŸ áŽŸËĄá”ƒâżá”á”—á”’âż ⁿᔒᔗ á”—á”’ Ëąá”—Êłá”‰ËąËąá”‰á”ˆ ᔒⁿ ËĄá”ƒá¶œá” ᔒᶠ á”‡á”˜Ëąâ±âżá”‰ËąËą ᔗᔒᔈᔃʞ➎ á”‡á”‰á¶œá”ƒá”˜Ëąá”‰ ʰᔉ'Ëą á”—ÊłÊžâ±âżá” á”—á”’ ᶜᔒᔐᔉ ᔘᔖ ʷⁱᔗʰ ʷʰᔃᔗ á”—á”’ ᔈᔒ ʷⁱᔗʰ Ëąá”–á”’âżá”á”‰á”‡á”’á”‡ á”ƒá¶ á”—á”‰Êł Ê·á”’Êłá”â€§ "᎞ᔉᔗ'Ëą ˹ᔉᔉ; ʰᔉ ËĄâ±á”á”‰Ëą ÊČá”‰ËĄËĄÊžá¶ â±ËąÊ°âžŽ á”á”ƒÊłá”ƒá”—á”‰âžŽ á”á”‰Êłá”á”ƒâ±á”ˆ ᔐᔃⁿ ᔃⁿᔈ á”‡á”ƒÊłâżá”ƒá¶œËĄá”‰ ᔇᔒʞ‧‧‧" "áŽŸËĄá”ƒâżá”á”—á”’âżâžŽ ʰᔉ á”á”‰á”—Ëą ᔒᶠᶠ Ê·á”’Êłá” á”ƒá¶ á”—á”‰Êł á”‰á”›á”‰âżâ±âżá”Ëą; ʰᔉ ᔐⁱᔍʰᔗ ᔇᔉ á”—á”’ Ê·á”’Êłâż ᔒᔘᔗ á”—á”’ á”–ËĄá”ƒÊžâžŽ á”ƒËĄá”—Ê°á”’á”˜á”Ê° ʰᔉ'ᔈ á”ƒá”–á”–Êłá”‰á¶œâ±á”ƒá”—á”‰ ⁱᔗ!" "áŽ·á”ƒÊłá”‰âżâ€§â€§â€§" áŽŸËĄá”ƒâżá”á”—á”’âż ÊČᔘᔐᔖᔉᔈ Ëąá”—á”ƒÊłá”—ËĄá”‰á”ˆ ᔃᔗ á”âżá”’á¶œá”â±âżá” á¶ Êłá”’á” á¶ Êłá”’âżá”— á”ˆá”’á”’Êłâ€§ ᔂʰᔃᔗ'Ëą áŽŸá”ƒá”—Êłâ±á¶œá” á”ˆá”’â±âżá” Ê°á”‰Êłá”‰â€§â€§â€§ "á”†á”–á”’âżá”á”‰áŽźá”’á”‡'Ëą ⁿᔒᔗ Ê°á”‰Êłá”‰âžŽ ᶜʰᔉᶜᔏ ᔇᔃᶜᔏ á”ƒá¶ á”—á”‰Êł Ê°â±Ëą ËąÊ°â±á¶ á”—â€§ ᔁⁿ˥ᔉ˹˹ ʞᔒᔘ'Êłá”‰ Ê°á”‰Êłá”‰ á¶ á”’Êł ËĄá”˜âżá¶œÊ°â€§â€§â€§" áŽŸËĄá”ƒâżá”á”—á”’âż Ëąá”ƒâ±á”ˆâ€§ "ᎌʰ➎ ʰᔉ'Ëą Ëąá”—á”ƒÊžâ±âżá” Ê°á”‰Êłá”‰? ᎔ Ê·á”ƒËą á”á”’âżâżá”ƒ ᔍᔉᔗ ʰⁱᔐ ᔃ Ëąá”˜Êłá”–Êłâ±Ëąá”‰ á”á”‰á”ƒËĄâ€§ ᎔ ᔈⁱᔈⁿ'á”— á”âżá”’Ê· ʰᔉ'Ëą Ëąá”—á”ƒÊžâ±âżá” ʷⁱᔗʰ ʞᔒᔘ!" áŽŸá”ƒá”—Êłâ±á¶œá” ˹ᔃⁱᔈ ᔃ˹ áŽŸËĄá”ƒâżá”á”—á”’âż'Ëą ËąÊ°á”˜á”— ᔗʰᔉ á”ˆá”’á”’Êł ⁱⁿ Ê°â±Ëą ᶠᔃᶜᔉ‧ áŽŸá”ƒá”—Êłâ±á¶œá” Ê·á”‰âżá”— á”ƒá¶œÊłá”’ËąËą ᔗʰᔉ Ëąá”—Êłá”‰á”‰á”— ᔃ˹ áŽŸËĄá”ƒâżá”á”—á”’âż ᔏᔉᔖᔗ ᔒⁿ á”‡Êłá”ƒâ±âżËąá”—á”’Êłá”â±âżá” ᔒⁿ ʷʰᔃᔗ ʰᔉ á¶œá”’á”˜ËĄá”ˆ ᔈᔒ‧ áŽŒâżá¶œá”‰ Ê°â±Ëą ËąÊ°â±á¶ á”— á”‰âżá”ˆá”‰á”ˆâžŽ á”†á”–á”’âżá”á”‰áŽźá”’á”‡ ʷᔃⁱᔗᔉᔈ á¶ á”’Êł ᔗʰᔉ á¶œá”’á”ƒËąá”— á”—á”’ ᔇᔉ á¶œËĄá”‰á”ƒÊł á”‡á”‰á¶ á”’Êłá”‰ Ê°á”‰á”ƒá”ˆâ±âżá” á”’á”›á”‰Êł Ê°á”‰Êłá”‰â€§ "᎟ʰᔉʷ; ËĄá”’âżá” ᔈᔃʞ ᔒⁿ ᔐʞ ᶠᔉᔉᔗ➎ ᔃ˥˥ Ê·Ê°â±ËĄËąá”— á”ƒá”›á”’â±á”ˆâ±âżá” á”˜âżá”ˆá”˜á”‰ á”˜Ëąá”‰ ᔒᶠ ᔐʞ ᔗᔒᔉ!" áŽŸËĄá”ƒâżá”á”—á”’âż ᔍᔒᔗ ʷʰᔃᔗ ʰᔉ Ê·á”’Êłá”á”‰á”ˆ ᔒⁿ á¶ á”’Êł Ëąá”–á”’âżá”á”‰á”‡á”’á”‡ ᔃ˥˥ ᔈᔃʞ á”’âżËĄÊž á”—á”’ Êłá”‰á”—á”˜Êłâż á”—á”’ ᶠⁱⁿᔈ Ëąá”–á”’âżá”á”‰á”‡á”’á”‡ ËąËĄá”‰á”‰á”–â±âżá” ᔒⁿ ᔗʰᔉ ᶜᔒᔘᶜʰ‧ "᎔ á”á”˜á”‰ËąËą ʰᔉ'Ëą ᔗʰᔉ á¶ â±ÊłËąá”— ᔒⁿᔉ á”—á”’ ᶠᔃ˥˥ á”ƒËąËĄá”‰á”‰á”– á”—á”’âżâ±á”Ê°á”—â€§â€§â€§" ᎔ á”—á”’ËĄá”ˆ áŽŸËĄá”ƒâżá”á”—á”’âżâ€§ áŽ¶á”˜Ëąá”— á”—Ê°á”‰âżâžŽ ᔃ á¶œá”’á”á”á”’á”—â±á”’âż á”’á¶œá¶œá”˜ÊłÊłá”‰á”ˆ á”’á”˜á”—á”ˆá”’á”’ÊłËą ⁱⁿ á¶ Êłá”’âżá”—â€§ áŽŸËĄá”ƒâżá”á”—á”’âż Ê·á”‰âżá”— á”—á”’ â±âżá”›á”‰Ëąá”—â±á”á”ƒá”—á”‰âžŽ ÊČá”˜Ëąá”— á”—á”’ ᶠⁱⁿᔈ áŽŸá”ƒá”—Êłâ±á¶œá” á”‡á”‰â±âżá” á¶ á”’ËĄËĄá”’Ê·á”‰á”ˆ ᔇʞ áŽ·Êłá”ƒá”‡Ëąâ€§â€§â€§ ᎔ á”á”˜á”‰ËąËą áŽŸá”ƒá”—Êłâ±á¶œá” á”‡ËĄá”ƒá”‡á”‡á”‰á”ˆ; ⁱᔗ Ê·á”’âż'á”— á”‰âżá”ˆ Ê·á”‰ËĄËĄâ€§ "áŽŸáŽžáŽŹáŽșᎷᔀᎌáŽș“" áŽ·Êłá”ƒá”‡Ëą Ëąá¶œÊłá”‰á”ƒá”á”‰á”ˆ ⁱⁿ á¶ á”˜ÊłÊžâžŽ ʷʰⁱᶜʰ ᔃʷᔒᔏᔉ Ëąá”–á”’âżá”á”‰á”‡á”’á”‡ á”˜âżá”‡á”‰á”âżá”’Ê·âżËąá”— á”—á”’ áŽŸËĄá”ƒâżá”á”—á”’âżâ€§ áŽčÊž Ê°á”˜Ëąá”‡á”ƒâżá”ˆ ËĄá”’á”’á”á”‰á”ˆ ᔘᔖ ᔃᔗ áŽŸá”ƒá”—Êłâ±á¶œá”â€§ "Ꮃᔉᔗ ˥ᔒ˹ᔗ➎ ᎟ᔃᔗ‧‧‧" "᎔'ᔐ á”—á”ƒËĄá”â±âżá” á”—á”’ ʞᔒᔘ!" áŽ·Êłá”ƒá”‡Ëą â±âżá”—á”‰ÊłÊłá”˜á”–á”—á”‰á”ˆ áŽŸËĄá”ƒâżá”á”—á”’âżâ€§ áŽșá”’Ê· á”†á”–á”’âżá”á”‰áŽźá”’á”‡'Ëą Ê·á”ƒá”—á¶œÊ°â±âżá” ʷⁱᔗʰ ᔐᔉ‧ "ᶻⁱᔖ ⁱᔗ➎ áŽ±á”˜á”á”‰âżá”‰; ʰᔉ'Ëą Êłá”‰Ëąá”—â±âżá”!" "ᎎᔉ ⁱ˹ ᔐᔉ á”‰á”á”–ËĄá”’Êžá”‰á”‰; ᔐᔒᔛᔉ á”’á”›á”‰Êł!" "ᎎᔉ âżá”‰á”‰á”ˆËą ᔖᔉᔃᶜᔉ ᔃⁿᔈ ᑫᔘⁱᔉᔗ➎ ⁿᔒᔗ Êžá”’á”˜Êł ËĄá”’á”˜á”ˆâ€§â€§â€§ "á”†Ê°á”‰ËĄá”ˆá”’âżâžŽ ᎔ á”—á”’ËĄá”ˆ ʞᔉ á”—á”’ ˹ᔗᔉᔖ á”ƒËąâ±á”ˆá”‰!" "ᔂᔉ˥˥ ᎔ á”—á”’ËĄá”ˆ ʞᔒᔘ ᔗᔒ‧‧‧" "᎔˥˥ á¶œÊłá”˜ËąÊ° ʞᔉ á”—á”’ Ëąá”â±á”—Ê°á”‰Êłá”’á”’âżËą á”†Ê°á”‰ËĄâ€§â€§â€§" "áŽșá”’! ᎎᔉ'Ëą ᔒᶠᶠ ᔗʰᔉ á¶œËĄá”’á¶œá” ᔃⁿᔈ ᎔'ᔐ ËĄá”‰á”—á”—â±âżá” ʰⁱᔐ Ëąá”—á”ƒÊžâ€§â€§â€§" "᎔ ʰᔃᔈ ʰⁱᔐ ˥ⁱᔐᔖ ᔃ˥˥ ᔈᔃʞ➎ Ëąá”’ ᔗʰᔉ ËĄá”‰á”ƒËąá”— ʰᔉ á¶œá”ƒâż ᔈᔒ‧‧‧" "ᎎᔉ'Ëą ËĄâ±á”á”–â±âżá” á”‡á”‰á¶œá”ƒá”˜Ëąá”‰ ʰᔉ'Ëą Ëąá”’Êłá”‰â€§â€§â€§" "áŽ±â±á”—Ê°á”‰Êł ʷᔃʞ ᎔'ËĄËĄ á”–á”˜âżâ±ËąÊ° ʰⁱᔐ➎ á¶ á”’Êł ʰᔉ á¶ Êłá”ƒá”—á”‰Êłâżâ±á¶»á”‰â€§â€§â€§" "᎔ ˥ᔉᔗ ʰⁱᔐ‧‧‧" "ᔂᔉ˥˥ á”—Ê°á”‰âż ᎔ ᶠ᎔ᎿᎱ ᎎ᎔áŽč!" ᔂᔉ ᔃ˥˥ Ëąâ±ËĄá”‰âżá”—ËĄÊž Ëąá”—á”’á”’á”ˆ ⁱⁿ ËąÊ°á”’á¶œá” ᔃ˹ ᔗʰᔉ ᔉᶜʰᔒ ᔒᶠ áŽ·Êłá”ƒá”‡ËąâžŽ ʷⁱᔗʰ Ëąá”–á”’âżá”á”‰á”‡á”’á”‡ Ê·Ê°â±á”á”–á”‰Êłâ±âżá”â€§ ᔂᔉ ᔃ˥˥ ʷᔃᔗᶜʰᔉᔈ á”–ËĄá”ƒâżá”á”—á”’âżâžŽ á”âżá”’Ê·â±âżá” ʰᔉ'Ëą á”á”’âżâżá”ƒ ʰᔃᔛᔉ á”—á”’ á¶œÊ°á”’á”’Ëąá”‰ ᔗʰᔉ ᶠᔃᔗᔉ‧‧‧ "᎞ⁱ˹ᔗᔉⁿ á”—á”’ ᔐᔉ➎ áŽ±á”˜á”á”‰âżá”‰; á”†á”–á”’âżá”á”‰áŽźá”’á”‡ ˥ᔒᔛᔉ˹ Ê°â±Ëą ÊČᔒᔇ ᔃᔗ Êžá”’á”˜Êł Êłá”‰Ëąá”—á”ƒá”˜Êłá”ƒâżá”— á”ƒâżá”ˆâ€§â€§â€§" ᎔ Ëąá”ƒÊ· áŽŸËĄá”ƒâżá”á”—á”’âż'Ëą á”—á”‰á”ƒÊłÊž ᔉʞᔉᔈ âżá”’Ê·â€§â€§â€§ "ʞᔒᔘ ʰᔃᔛᔉ ᔃ Ëąá¶œá”’Êłá”‰ á”—á”’ ˹ᔉᔗᔗ˥ᔉ ʷⁱᔗʰ ᔐᔉ➎ ᔍᔃᔐᔉ ᔒⁿ; ᔇᔘᔗ á”†á”–á”’âżá”á”‰áŽźá”’á”‡'Ëą ᔇᔉᔉⁿ âżá”’á”—Ê°â±âżá” ᔇᔘᔗ á”â±âżá”ˆ á”—á”’ á”‰â±á”—Ê°á”‰Êł ᔒᶠ ᔘ˹ ᔃᔗ á”’á”˜Êł Ê·á”’ÊłËąá”—! ᎎᔒʷ á”ˆá”ƒÊłá”‰ ʞᔒᔘ‧‧‧" "á”†â±âżá¶œá”‰ Ê·Ê°á”‰âż ᔈᔒ‧‧‧" "ᔂᎱ ᎏᎿᎱ ᶠᎿ᎔ᎱáŽș᮰ᔆ⾮ ᎏáŽșᎰ ᎎᎱ ᎰᎌᎱᔆáŽș'ᔀ áŽ°áŽ±á”†áŽ±áŽżâ±œáŽ± Ꮁ᎔ᔀᎎᎱᎿ ᎌᶠ ᔁᔆ!" áŽ·Êłá”ƒá”‡Ëą Ëąá”—á”’á”á”–á”‰á”ˆâžŽ Ê°á”ƒÊłá”ˆâ€§ "ᔂʰʞ á”ƒÊłá”‰âż'á”— ʞᔒᔘ‧‧‧" "᎔ ᎿᎏᔀᎎᎱᎿ ᔀᎏᎷᎱ ᔀᎎᎱ áŽźáŽžáŽŹá¶œáŽ· ᎱʞᎱ ᔀᎎᎏáŽș ᔀᎌ áŽŽáŽŹâ±œáŽ± áŽčÊž ᶠᎿ᎔ᎱáŽșᎰ ᶠ᎔ᎿᎱᎰ!" áŽŸËĄá”ƒâżá”á”—á”’âż á¶œÊłâ±á”‰á”ˆâžŽ ᔃ˹ áŽčÊłâ€§ áŽ·Êłá”ƒá”‡Ëą Ëąá”ƒÊ· ʰⁱᔐ Ê·â±ËĄËĄâ±âżá”ËĄÊž ⁿᔒᔗ ᔍⁱᔛᔉ ᎏ ᶠⁱᔍʰᔗ ᔃ˹ ʰᔉ á”˜Ëąá”˜á”ƒËĄËĄÊž Ê·á”’á”˜ËĄá”ˆâ€§ "Ꮃᔒ ᔃʰᔉᔃᔈ➎ á”‰á”˜á”á”‰âżá”‰â€§ á”†á‘«á”˜á”ƒËąÊ° ᔐᔉ ᔃ˹ ËĄá”’âżá” ᔃ˹ ʞᔒᔘ ˥ᔉᔗ ⁱᔗ á”á”‰á”ƒâż Ëąá”–á”’âżá”á”‰á”‡á”’á”‡â€§â€§â€§" áŽ¶á”˜Ëąá”— á”—Ê°á”‰âżâžŽ Ëąá”–á”’âżá”á”‰á”‡á”’á”‡ ᔖⁱᶜᔏᔉᔈ ᔘᔖ á”–ËĄá”ƒâżá”á”—á”’âżâžŽ Ê·Ê°á”’ ᶠᔉ˥ᔗ á”á”’Êłá”‰ Ëąá”’Êłá”‰ á”—Ê°á”ƒâż á”†á”–á”’âżá”á”‰áŽźá”’á”‡'Ëą ᔗᔒᔉ Ê·Ê°á”‰âż ʰᔉ Ëąá”—á”˜á”‡á”‡á”‰á”ˆ ⁱᔗ‧ ᎔ⁿ á”—á”‰á”ƒÊłËąâžŽ ʰᔉ ËĄá”’á”’á”á”‰á”ˆ ᔃᔗ áŽŸËĄá”ƒâżá”á”—á”’âżâ€§ Ꮁᔛᔉⁿ áŽčÊłâ€§ áŽ·Êłá”ƒá”‡Ëą Ëąá”ƒÊ· á”–ËĄá”ƒâżá”á”—á”’âż'Ëą Ëąâ±âżá¶œá”‰Êłâ±á”—Êž ⁱⁿ á”â±á”›â±âżá” ᔘᔖ Ê°â±Ëą ˥ⁱᶠᔉ'Ëą Ê·á”’Êłá” á”—á”’ Ëąá”–á”’âżá”á”‰á”‡á”’á”‡â€§ áŽșá”‰á”›á”‰Êł Ê°á”ƒËą ʰᔉ á¶œá”ƒËĄËĄá”‰á”ˆ á”ƒâżÊž á”–á”‰ÊłËąá”’âż ᔃ á¶ Êłâ±á”‰âżá”ˆâžŽ á”˜âżá”—â±ËĄ ᔗᔒᔈᔃʞ‧
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áŽŽá”‰Êł á”†á¶œá”ƒÊłá”‰ âœá”†á”–á”’âżá”á”‰áŽźá”’á”‡ á¶ á”ƒâżá¶ â±á¶œâŸ áŽŸËĄá”ƒâżá”á”—á”’âż ˥ᔉᶠᔗ ᔃ á”—Êłá”ƒâ±ËĄ ᔒᶠ Ê°â±Ëą á”’Ê·âż á”‡ËĄá”’á”’á”ˆ ᔒⁿ ᔗʰᔉ á”Êłá”’á”˜âżá”ˆâ€§ áŽ·á”ƒÊłá”‰âż ᔗʰᔉ á¶œá”’á”á”–á”˜á”—á”‰Êł ʷⁱᶠᔉ Ëąá”ƒÊ· áŽŸËĄá”ƒâżá”á”—á”’âżâ€™Ëą á”‡ËĄá”‰á”‰á”ˆâ±âżá”â€§ â€œá”†Ê°á”‰ËĄá”ˆá”’âżâ€§â€§â€ â€œáŽ·á”ƒÊłá”‰âż, ᎔ á”—Êłâ±á”‰á”ˆâ€§ ᎌʰ ᎔ ˥ᔒᔛᔉ ʞᔒᔘ‧ ᎔’ᔐ Ëąá”’ÊłÊłÊžâ€§ ᎎᔒʷ ᎔ ˥ᔒᔛᔉ ʞᔒᔘ ” áŽ·á”ƒÊłá”‰âż ᔖⁱᶜᔏᔉᔈ ʰⁱᔐ ᔘᔖ ⁱⁿ Ê°á”‰Êł Ê°á”ƒâżá”ˆËąâ€§ â€œá”†Ê°á”‰ËĄá”ˆá”’âż ᎔ âżá”‰á”‰á”ˆ ʞᔒᔘ á”—á”’ Ëąá”—á”ƒÊž ʷⁱᔗʰ ᔐᔉ ᔃⁿᔈ ˥ⁱ˹ᔗᔉⁿ; ʞᔒᔘ ËĄá”’Ëąá”— ᔃ ËĄá”’á”— ᔒᶠ á”‡ËĄá”’á”’á”ˆâ€§â€§â€ â€œÊžá”’á”˜â€™Êłá”‰ ᔍᔒᔒᔈ, Ëąá”’ ᔍᔒᔒᔈ á”—á”’ ᔐᔉ ” áŽŸËĄá”ƒâżá”á”—á”’âż ᶠᔃᔈᔉᔈ ᔃ˹ ʰᔉ á”˜Ëąá”‰á”ˆ ᔃ˥˥ ËĄá”ƒËąá”— á”‰á¶ á¶ á”’Êłá”— á”—á”’ Ê°â±Ëą ʷⁱᶠᔉ‧ “᎞ᔒᔛᔉ ʞᔒᔘ‧‧” ˹ᔃⁱᔈ áŽŸËĄá”ƒâżá”á”—á”’âż ᔃ˹ Ê°â±Ëą ᔉʞᔉ á¶œËĄá”’Ëąá”‰á”ˆ ËąÊ°á”˜á”— ᔒᶠᶠ á”—á”’ ᔗʰᔉ Ê·á”’ÊłËĄá”ˆâ€§ ᔀʰᔉ ËĄá”ƒËąá”— á”—Ê°â±âżá” ʰᔉ á”âżá”‰Ê· Ê°á”‰á”ƒÊłËą â€˜á”†Ê°á”‰ËĄá”ˆá”’âż ʷᔃᔏᔉ ᔘᔖ’ á¶ Êłá”ƒâżá”—â±á¶œá”ƒËĄËĄÊž ᔇʞ áŽ·á”ƒÊłá”‰âżâ€§ áŽ·á”ƒÊłá”‰âż ʷᔃᔗᶜʰᔉᔈ Ê°á”‰Êł á”’Ê·âż Ê°á”˜Ëąá”‡á”ƒâżá”ˆ á”ˆÊžâ±âżá” ËĄâ±á”á”–ËĄÊž ⁱⁿ Ê°á”‰Êł Ê°á”ƒâżá”ˆËą á”ƒá¶ á”—á”‰Êł Êłá”‰á”—á”˜Êłâżâ±âżá” á¶ Êłá”’á” ᔗʰᔉ áŽ·Êłá”˜Ëąá”—Êž áŽ·Êłá”ƒá”‡â€§ “ᎌʰ áŽŸËĄá”ƒâżá”á”—á”’âż; ⁿᔒ, ʷᔃᔏᔉ ᔘᔖ! áŽ¶á”˜Ëąá”— á”–ËĄá”‰á”ƒËąá”‰, á¶ á”’Êł ᔐᔉ ” áŽ·á”ƒÊłá”‰âż á¶œÊłâ±á”‰á”ˆâ€§ ᔆʰᔉ âżá”‰á”‰á”ˆá”‰á”ˆ á”—á”’ ᔃᶜᔗ á¶ á”ƒËąá”—â€§ ᔆʰᔉ ᔗᔒᔒᔏ Ê°á”‰Êł ˥ⁱᶠᔉ˥ᔉ˹˹ Ê°á”˜Ëąá”‡á”ƒâżá”ˆ á”—á”’ á”—Ê°á”‰â±Êł ËĄá”ƒá”‡â€§ “ʞᔒᔘ ᔍᔒᔗᔗᔃ ʰᔃᔛᔉ Ëąá”’á”á”‰â€Šâ€ áŽ·á”ƒÊłá”‰âż á”–á”ƒá”˜Ëąá”‰á”ˆ ᔃ˹ ËąÊ°á”‰ ËĄá”’á”’á”á”‰á”ˆ á¶ á”’Êł ʷʰᔃᔗ ᔐⁱᔍʰᔗ Ê°á”‰ËĄá”–â€§ ᔆʰᔉ ᔖᔘᔗ Ê°â±Ëą ᔇᔒᔈʞ ᔒⁿ ᔗʰᔉ á”—á”ƒá”‡ËĄá”‰ ᔃ˹ ËąÊ°á”‰ á”–Êłá”‰á”–á”ƒÊłá”‰á”ˆ ᔃ á”á”ƒá¶œÊ°â±âżá”‰ ᔒᶠ Ê°â±Ëą ËąÊ°á”‰ Ëąá”ƒÊ· ʰⁱᔐ á”˜Ëąá”‰ á”‡á”‰á¶ á”’Êłá”‰â€§ “᎔ á”âżá”’Ê· ʞᔒᔘ á”‡á”˜â±ËĄá”— ᔐᔉ ᔃ ˹ᔉⁿᔗⁱᔉⁿᔗ á”‡á”‰â±âżá” á”—á”’ ˥ⁱᶠᔉ Ëąá”’ âżá”’Ê· ˥ᔉᔗ ᔐᔉ Ê°á”‰ËĄá”– ʞᔒᔘ ᔍᔉᔗ ᔇᔃᶜᔏ Êžá”’á”˜Êł á”’Ê·âż ˥ⁱᶠᔉ ⁱⁿ Êłá”‰á”—á”˜Êłâżâ€§â€§â€ áŽ·á”ƒÊłá”‰âż ʰᔒᔒᔏᔉᔈ ᔘᔖ ᔗʰᔉ á”á”ƒá¶œÊ°â±âżá”‰ÊłÊž Ê·á”’ÊłÊłâ±á”‰á”ˆËĄÊžâ€§ “᎔ ʰᔒᔖᔉ ⁱᔗ Ê·á”’Êłá”Ëąâ€Šâ€ áŽŸËĄá”ƒâżá”á”—á”’âż ËąËĄá”’Ê·ËĄÊž á”’á”–á”‰âżá”‰á”ˆ Ê°â±Ëą ᔉʞᔉ ᔗᔒ‧ “ᔂᔃ, Ê·Ê°á”‰Êłá”‰â€Šâ€ â€œá”†Ê°á”‰ËĄá”ˆá”’âż á”’Ê° á”ËĄá”ƒá”ˆ Êžá”’á”˜â€™Êłá”‰ ᔃʷᔃᔏᔉ áŽŸËĄá”ƒâżá”á”—á”’âż!” áŽ·á”ƒÊłá”‰âż Ëąá”ƒÊžËąâ€§ â€œáŽ¶á”˜Ëąá”— á”âżá”’Ê· ᎔ ˥ᔒᔛᔉ ʞᔒᔘ‧‧”
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Warning: This item may contain sensitive themes such as nudity.

Common Experiences How has the semester been going for you? Do you understand the assignment that Professor gave us in class? .. . .. What did you do over break? What sort of plans do you have for break? What did you do over the weekend? Anything interesting happen this week? How has work been? What did you think about the school team's last game? Do you know who's going to s party on day? Interests ‱ What sort of movies have you seen lately? Have any goad boak recommendations? Have you been to any great concerts lately? Have you seen any good plays? What did you think about the ball game on day? Non-Question Topics Your surroundings: the weather, an interesting painting or decoration, a peculiar scenic detail Interesting or humorous Current events or news ‱ officials, shared neighbors, new attractions that have recently opened Compliments on appearance changes: hairstyle, clothing, shoes, accessories Recent experiences with friends or family ‱ Humorous story about something that happened earlier in the day or week CONVO.. Common Experiences How has the semester been going for you? Do you understand the assignment that Professor gave us in class? .. . .. What did you do over break? What sort of plans do you have for break? What did you do over the weekend? Anything interesting happen this week? How has work been? What did you think about the school team's last game? Do you know who's going to s party on day? Interests ‱ What sort of movies have you seen lately? Have any goad book recommendations? Have you been to any great concerts lately? Have you seen any good plays? What did you think about the ball game on day? Non-Question Topics Your surroundings: the weather, an interesting painting or decoration, a peculiar scenic detail Interesting or humorous Current events or news ‱ officials, shared neighbors, new attractions that have recently opened Compliments on appearance changes: hairstyle, clothing, shoes, accessories Recent experiences with friends or family ‱ Humor about something that happened earier in the day or week
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~ uH oH mY oNeS aNd ZeRoS look Like TEN. TEN. TEN. TEN. TEN. TEN.
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r/shortscarystories 4 yr. ago Perfect__Nightmare Someone broke into our home It was every family's nightmare. My wife and I had the day off work, and we had taken our son out for lunch and some family bonding time. But as we approached our home, something felt off. I had a growing sense of dread the closer we got. As our house came into view, I could see that the front door was wide open. Someone had broken into our home. I told my family to wait outside, in case the intruder was still inside. They obliged, and I slowly and silently made my way through our house. As I stepped into the living room, I saw broken furniture, nothing in its correct place, just utter chaos. Was this person looking for something? Did they have malicious intent? Why our home? Why us? Next, I walked to our kitchen. The fridge had been emptied. Dishes and food were thrown all over the room. What kind of person had broken into our home? A homeless person who just needed food? If so, why had they destroyed the living room? That's when I heard it. Footsteps in the bedroom. The intruder was still in our house. I took a brief moment to be grateful that I had asked my wife and son to wait outside. It was impossible to decipher this person's motives so far. But I was about to come face to face with the person that forcefully entered our home. And I would demand answers. I crept toward the bedroom slowly, slowly. I approached the door, and focused on the sliver of light slipping through the crack. I could see faint shadows dancing in the light. I raised my hand, placed it against the door, and took a deep breath, readying myself for whatever may be on the other side. I pushed the door open and stepped through the threshold with authority. I couldn't believe my eyes. I actually rubbed my hands over them, thinking I was imagining things. There, in my son's bed, was a young girl with curly blonde hair. She stared at me with wide eyes. She must have been terrified. I must have been a few feet taller and at least 100 pounds heavier than her. I must have been a sight to see for that little girl. But she should have considered that before breaking into my home. I called my wife and son to see what I found. "Is that a human, Papa?" "Why yes it is, Baby Bear. That's dinner."
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Go to shortscarystories r/shortscarystories 2 days ago KindaNotSmart The Daily Call Growing old is lonely. I’m 72, and most days, it’s just me and the silence. Children, grandchildren, nieces, nephews - they all loved spending time with me when they were young. But life gets busy, and eventually, they just don’t have time for someone old and boring. I get it, I really do. But not my son. At 33, he never drifted away. He calls me every single day, without fail. Our daily phone call. He also helps with my dementia, asks me the questions the doctor recommended: Do I know what year it is? What country we live in? My name? Age? Address? It’s supposedly to keep my mĂ­nd sharp. Lately, though, something’s been off about our calls. Could be my dementia, but sometimes I hear strange nĂłise in the background - static, distant voices, whispers. He says it’s just a bad connection or blames the TV. For the past three weeks, my son has been plannıng to visit me. I’m in Missouri, and he’s out in California, so it’s not easy. But today’s the day. He’s on his way. And as always, even though he’s coming to see me, we had our daily call. We went throuÄŁh the usual questions. My name, my age, my address. Then I got aņotheÌ·r call, so I put him on hold. “Ma’am, this is Officer Roberts with the Los Angeles Polıce Department. I’m sorry to call you like this, but we need to speak with you about your son. We’ve been trying to reach his next of kin.” “What’s going on, Officer? Is he in some kind of trouble?” There was a pause, like he was choosing his words carefully. “I’m afraid it’s more serious than that. I’m sorry you have to find out like this, but we just got the test̕ back. We’re finding out the same time as you. I’m afraid your son’s bĂždy was found three weeks ago.” “No, that’s not possible. I’ve been talking to him every day. He’s on the other line right now - he’s coming to visit me.” “Ma’am, unfortunately it’s true. The DNA test was conclusive. If you’ve been talking with anybody, please be aware that the person you’re speaking to isn’t your son.” My confusion turned to a cold, gripping fear. I hung up on the officer, my hand shaking, and switched back to the line with my sÆĄn. I couldn’t speak, just held the phone to my ear in stunned silence. There was no sound, just heavy breathıng on the other end. In my head, I replayed myself answering all those questions - my name, my age, my address. And then, just as the panic set in, the silence was shattered by a knock on my door. My bedroom door. The voıce on the phone, now low and distorted, whispered, “I'm here҉, MoM.” The line went dead.
new Parents & Children Phone Calls & Telephones Chatting & Messaging Children of Characters identity reveal reddit
áŽžá”’á”’á”Ëą á”†Ê°á”ƒÊłá”– âœá”†á”–á”’âżá”á”‰áŽźá”’á”‡ á¶ á”ƒâżá¶ â±á¶œâŸ á”†á”–á”’âżá”á”‰á”‡á”’á”‡ âżá”’á”—â±á¶œá”‰á”ˆ áŽŸËĄá”ƒâżá”á”—á”’âżâ€™Ëą á”‡á”ƒÊ·ËĄâ±âżá”â€§ ᔀᔒ á”â±Ëąá”‰Êłá”ƒá”‡ËĄá”‰ á”—á”’ á¶œÊłÊž á”ƒâżÊž á”á”’Êłá”‰ ʰᔉ á”ˆá”‰á”›á”ƒËąá”—á”ƒá”—â±âżá”ËĄÊž ᔐᔃᔈᔉ ᔉʞᔉ á¶œá”’âżá”—á”ƒá¶œá”— ʷⁱᔗʰ á”†á”–á”’âżá”á”‰á”‡á”’á”‡ á”‡á”‰á¶ á”’Êłá”‰ ʰᔉ Êłá”ƒâż ᔒᶠᶠ á”—á”’ ÊČá”‰ËĄËĄÊžá¶ â±ËąÊ° á¶ â±á”‰ËĄá”ˆËąâ€§ â€œáŽŸËĄá”ƒâżá”á”—á”’âżâ€Šâ€ â€œá”†á‘«á”˜â±á”ˆÊ·á”ƒÊłá”ˆ á”—á”’ËĄá”ˆ ᔐᔉ ʞᔒᔘ âżá”‰á”›á”‰Êł á¶œá”ƒÊłá”‰á”ˆ á¶ á”’Êł ᔐᔉ ” áŽŸËĄá”ƒâżá”á”—á”’âż Ëąá”’á”‡á”‡á”‰á”ˆ, á”‡á”ƒá¶œá”â±âżá” ᔃʷᔃʞ‧ áŽźá”˜á”— ʰᔉ á”ˆâ±á”ˆâżâ€™á”— ˹ᔉᔉ Ê·Ê°á”‰Êłá”‰ Ê°á”‰â€™Ëą á”á”’â±âżá” Ëąá”’ ʰᔉ ᶠᔉ˥˥ ⁱⁿ ᔃ á”—Ê°á”’Êłâż á”‡á”˜ËąÊ°â€§ á”†á”–á”’âżá”á”‰á”‡á”’á”‡ Êłá”ƒá” á”—á”’ áŽŸËĄá”ƒâżá”á”—á”’âż Ê·Ê°á”’â€™Ëą âżá”’Ê· á”‰âżá”—á”ƒâżá”ËĄá”‰á”ˆ ⁱⁿ ᔃ˥˥ ᔗʰᔉ ᔛⁱⁿᔉ˹ Êłá”‰âżá”ˆá”‰Êłá”‰á”ˆ á”—á”’á”—á”ƒËĄËĄÊž Ê°á”‰ËĄá”–ËĄá”‰ËąËąâ€§â€§ â€ŠáŽŸËĄá”ƒâżá”á”—á”’âż ᶠᔉ˥ᔗ ËĄâ±á”á”‰ á”‰á”›á”‰ÊłÊž á”—Ê°â±âżá”â€™Ëą ᶠᔘᶻᶻʞ‧ á”†á”’Êłá”‰ á”ƒá¶œÊ°á”‰Ëą á¶ ËĄá”’á”’á”ˆá”‰á”ˆ Ê°â±Ëą ˹ᔉⁿ˹ᔉ˹ âżá”’Ê·â€§ ᎎᔉ á”—Êłâ±á”‰á”ˆ á”—á”’ ᔐᔒᔛᔉ ᔇᔘᔗ ⁱᔗ Ê°á”˜Êłá”— á”—á”’ ᔐᔘᶜʰ ᔇᔘᔗ Ê°á”‰â€™Ëą á”ƒá”‡ËĄá”‰ á”—á”’ Ëąá”—á”ƒÊłá”— á”—á”’ á”’á”–á”‰âżâ±âżá” Ê°â±Ëą ᔉʞᔉ‧ â€˜áŽŹá” ᎔ ᔃᔗ ᔗʰᔉ ᶜʰᔘᔐ áŽźá”˜á¶œá”á”‰á”—â€™ áŽŸËĄá”ƒâżá”á”—á”’âż á”–á”’âżá”ˆá”‰ÊłËąâ€§ â€œâ€Šá”†Ê°á”‰ËĄá”ˆá”’âżâ€Šâ€ áŽ·á”ƒÊłá”‰âżâ€™Ëą ᔛᔒⁱᶜᔉ? ᎎᔉ á”—Êłâ±á”‰á”ˆ á”—á”’ ËĄá”‰á”ƒâż á”˜á”–Êłâ±á”Ê°á”— ᔇᔘᔗ á”’âżá¶œá”‰ á”ƒá”á”ƒâ±âż ⁿᔒ á”‰âżá”‰Êłá”Êž á”—á”’ ᔈᔒ ˹ᔒ‧ áŽŸËĄá”ƒâżá”á”—á”’âż á”—Ê°á”‰âż Ëąá”ƒÊ· Ëąá¶œÊłá”ƒá”—á¶œÊ°á”‰Ëą ᔒⁿ Ê°â±Ëą á”ƒÊłá”Ëą, á¶ Êłá”’á” ᔗʰᔉ á”—Ê°á”’ÊłâżËąâ€§ ᎎᔉ ᶠᔉ˥ᔗ á”—á”’ ʷᔉᔃᔏ á”—á”’ ˥ᔉᔗ ᔒᔘᔗ ᔉᔛᔉⁿ ᔃ á”á”ƒËąá”–â€§ “ᔂʰ ” â€œÊžá”’á”˜â€™ËĄËĄ á”–á”˜ËĄËĄ á”—Ê°Êłá”’á”˜á”Ê° áŽŸËĄá”ƒâżá”á”—á”’âżâ€§ á¶œá”ƒâż ËąÊ°â±á”‰ËĄá”ˆ ᔗʰᔉ ᶠᔃᶜᔉ Êłá”‰á”ƒËĄ ᑫᔘⁱᶜᔏ Ê·Ê°â±ËĄËąá”— ᎔ ᔍᔒᔗᔗᔃ ʷᔉᔗ Êłá”ƒá”â€§â€ “ᔂʰᔃ ” áŽŸËĄá”ƒâżá”á”—á”’âż Ëąá”—á”ƒÊłá”—á”‰á”ˆ ᔇᔘᔗ ᔍᔒᔗ â±âżá”—á”‰ÊłÊłá”˜á”–á”—á”‰á”ˆ ᔇʞ ᔃ á¶œá”’á”’ËĄ Ëąá”‰âżËąá”ƒá”—â±á”’âż ᔒᶠ Ê·á”ƒá”—á”‰Êł Êłâ±âżËąâ±âżá”â€§ â€œáŽłá”’á”’á”ˆ ÊČᔒᔇ! áŽșá”’Ê· ᔗʰᔉ Ê·á”ƒËąÊ° á¶œËĄá”’á”—Ê° ᶠᔉᔉ˥ ᔃ ᔇⁱᔗ á”‡á”‰á”—á”—á”‰Êł?” áŽŸËĄá”ƒâżá”á”—á”’âż Ê°á”‰á”ƒÊłá”ˆ á”†á”–á”’âżá”á”‰á”‡á”’á”‡ Ëąá”ƒÊž á”—á”’ ʰⁱᔐ‧ “ᎎᔒʷ’ᔈ ᎔ ᔍᔉᔗ ” “ʞᔒᔘ ᶠᔉ˥˥ ⁱⁿ ᔃ ᔖᔃᔗᶜʰ ᔒᶠ á”—Ê°á”’ÊłâżËą ᔇᔘᔗ ËĄá”˜á¶œá”â±ËĄÊž á”†á”–á”’âżá”á”‰á”‡á”’á”‡ ᔍᔒᔗ ʞᔒᔘ ʰᔒᔐᔉ‧‧” áŽ·á”ƒÊłá”‰âż á”ƒâżËąÊ·á”‰Êłá”‰á”ˆâ€§ “᎔ á¶œá”ƒÊłá”‰ ᔃᔇᔒᔘᔗ ᔃ˥˥ ᔐʞ á¶ Êłâ±á”‰âżá”ˆËąâ€§â€§â€ á”†á”–á”’âżá”á”‰á”‡á”’á”‡ ᔗᔉ˥˥˹‧
new spongebob fanfic Spongebob Squarepants/Sheldon J. Plankton wordcount: 100-500 Mild Hurt/Comfort looks sharp
𝑇ℎ𝑒 𝑏𝑒𝑠𝑡 𝑎𝑛𝑑 𝑚𝑜𝑠𝑡 𝑏𝑒𝑎𝑱𝑡𝑖𝑓𝑱𝑙 𝑡ℎ𝑖𝑛𝑔𝑠 𝑖𝑛 𝑡ℎ𝑒 đ‘€đ‘œđ‘Ÿđ‘™đ‘‘ 𝑐𝑎𝑛𝑛𝑜𝑡 𝑏𝑒 𝑠𝑒𝑒𝑛 𝑜𝑟 𝑒𝑣𝑒𝑛 𝑡𝑜𝑱𝑐ℎ𝑒𝑑 — 𝑡ℎ𝑒𝑩 𝑚𝑱𝑠𝑡 𝑏𝑒 𝑓𝑒𝑙𝑡 đ‘€đ‘–đ‘Ąâ„Ž 𝑡ℎ𝑒 ℎ𝑒𝑎𝑟𝑡. -đ»đ‘’đ‘™đ‘’đ‘› đŸđ‘’đ‘™đ‘™đ‘’đ‘Ÿ
new helen keller helen adams keller deafblindness special olympics disabledcore disabilitycore blindcore deafcore ripcore heartcore
benevola ‱ 2y ago I like making my main character vulnerable and that usually means hurting him. He’s a pretty tightly-wound guy and I like to show him with his guard down. Plus the comfort part is usually so satisfying to write.
new reddit charactercore
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new rorroh etirw ot woh rorroh gniod erofeb daer yrots yracs a gnitirw erocatsapypeerc erocdesu erocrlbmut erockoobecaf eroctseretnip erocatsni erocrettiwt tidder

Warning: This item may contain sensitive themes such as nudity.

Nobody wants to go near me anymore. r/shortscarystories Nobody wants to go near me anymore. People used to like me, they'd sit next to me on a park bench, they'd smile when they saw me, they were completely comfortable bringing their girlfriends and kids around me. Not anymore. Not since that awful murd*r. Now they cross the street to avoid me, and if they do look at me, it's only with a look of disgust. I wish I could tell them all how sorry I was. Sure, nobody blames me. It's not my fault. They know it wasn't my fault. But now, they can't stand to even glance my way. I'm so lonely. God, what I wouldn't give to have someone sit down for lunch with me. I took the little things like that for granted for so long. I had to watch him dıe. They hung him, and left before he was even deጀd. I was the one that saw the lĂ­fe leave his eyes, saw the paın and desperation on his face, and I couldn't do a thing to help him. Those terrified eyes will haunt me for the rest of my lĂ­fe. I wanted nothing more than to reach out and save him, point the police to the hangers, and see those awful men put in jail for the rest of their lives. But I couldn't. I'll never be able to. I can't control where my branches bend, and my leaves can only rustle and whisper in the wind.
new personcore twistedcore hangcore reddit nobody wants to go near me anymore
ʙʟÉȘáŽ›áŽąáŽ‡ÉŽáŽ‹Ê€ÉȘᮇɱ2194 ‱ 1 ʏʀ. ᮀɱᮏ Tʜᎇ ᎍᎏɎs᎛ᎇʀ ᎜Ɏᎅᎇʀ ᎛ʜᎇ ʙᎇᎅ ᮘᮏᮋᮇᮅ ÉȘs ʜᎇᎀᎅ ᮏᮜᮛ ᮀs ᎛ʜᎇ ᎄʜÉȘʟᎅ's ғᎀ᎛ʜᎇʀ ᎇɎ᎛ᎇʀᎇᎅ ᎛ʜᎇ ʀᎏᎏᎍ. "DᎏɎ'ᮛ áŽĄáŽÊ€Ê€Ê," ᎛ʜᎇ ᎍᎏɎs᎛ᎇʀ áŽĄÊœÉȘs᎘ᎇʀᎇᎅ, "ʜᎇ ᮡᮏɮ'ᮛ ʜ᎜ʀ᎛ ʏᎏ᎜ ᮀɱᮀÉȘÉŽ."
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đŸ–€đŸ€đŸ–€đŸ€đŸ–€đŸ€
new straight flag straight pride tiktok reddit
áŽŸá”ƒÊłá”— áŽŒâżá”‰ á”†á”–á”‰âżá”ˆâ±âżá” ᔗʰᔉ Ꮀᔃʞ âœá”†á”–á”’âżá”á”‰áŽźá”’á”‡ á¶ á”ƒâżá¶ â±á¶œâŸ "ᔂʰᔒ'Ëą ᔃ á”–á”‰ÊłËąá”’âż ⁱⁿ âżá”‰á”‰á”ˆ ᔒᶠ ᔃ á¶ Êłâ±á”‰âżá”ˆ ᎔ Ê°á”ƒá”›á”‰âż'á”— Ëąá”—á”ƒÊžá”‰á”ˆ ʷⁱᔗʰ á¶ á”’Êł ᔃ ᔗⁱᔐᔉ?" á”†á”–á”’âżá”á”‰á”‡á”’á”‡'Ëą ᔒᶠᶠ Ê·á”’Êłá”âžŽ Ëąá”’ ʰᔉ ᔈᔉᶜⁱᔈᔉᔈ á”—á”’ ᶠⁱⁿᔈ ᔃ á”–á”‰ÊłËąá”’âż á”—á”’ ᔛⁱ˹ⁱᔗ ʷⁱᔗʰ‧ ᎎⁱ˹ á”ƒâżËąÊ·á”‰Êł ᔇᔉᶜᔃᔐᔉ á¶œËĄá”‰á”ƒÊł Ê·Ê°á”‰âż ʰᔉ Ëąá”ƒÊ· áŽŸËĄá”ƒâżá”á”—á”’âżâ€§ "ᎎᔉʞ➎ áŽŸËĄá”ƒâżá”á”—á”’âż! ᔂʰᔃᔗᶜʰᔃ á”ˆá”’â±âżá”?" "᎔'ᔐ Ëąá”–á”‰âżá”ˆâ±âżá” ᔗʰᔉ á”á”’Êłâżâ±âżá” ᔒᔘᔗ á”—ÊłÊžâ±âżá” á”—á”’ ᔍᔉᔗ ˹ᔒᔐᔉ á”‡á”˜Ëąâ±âżá”‰ËąËą ᔇᔉ á¶œá”ƒá”˜Ëąá”‰ ᔐʞ á¶œá”’á”á”–á”˜á”—á”‰Êł ʷⁱᶠᔉ áŽ·á”ƒÊłá”‰âż Ê·á”ƒâżá”—á”‰á”ˆ ᔐᔉ á”—á”’ ᔍᔉᔗ ˹ᔒᔐᔉ á¶ Êłá”‰ËąÊ° á”ƒâ±Êłâ€§â€§" "᎔ ˹ᔉᔉ‧ ᎎᔉʞ ʰᔃᔛᔉ ʞᔒᔘ á”‰á”›á”‰Êł ᔗʰᔒᔘᔍʰᔗ ᔒᶠ Ëąá”‰ËĄËĄâ±âżá” ˹ᔒᔐᔉ ÊČá”‰ËĄËĄÊž ʷⁱᔗʰ Êžá”’á”˜Êł ᶜʰᔘᔐ? ᎔ ᔇᔉᔗ ⁱᔗ'ᔈ ᔃᔗ ËĄá”‰á”ƒËąá”— ⁿᔒᔗ Ê°â±âżá”ˆá”‰Êł Êžá”’á”˜Êł á”‡á”˜Ëąâ±âżá”‰ËąËą ᔃⁿᔈ ʷᔉ á¶œá”ƒâż ᔍᔒ á”—á”’ ÊČá”‰ËĄËĄÊžá¶ â±ËąÊ° á¶ â±á”‰ËĄá”ˆËą á”—á”’á”á”‰á”—Ê°á”‰Êł; á”—ÊłÊž ⁱᔗ‧‧" "᎔ á”á”˜á”‰ËąËą; ˥ᔉᔗ'Ëą ᔍᔒ!" ᔆᔒ ᔗʰᔉʞ Ê·á”‰âżá”— á”—á”’á”á”‰á”—Ê°á”‰Êł ᔗᔒ‧ "ᔀʰᔉ ⁿᔉᔗ'Ëą á”—á”’ ᔇⁱᔍ!" "᎔ ᔍᔒᔗᔗᔃ Ëąá”á”ƒËĄËĄá”‰Êł ᔒⁿᔉ‧‧" á”†á”–á”’âżá”á”‰á”‡á”’á”‡ Ëąá”ƒÊžËąâžŽ ËąÊ·â±á”—á¶œÊ°â±âżá” ʷⁱᔗʰ ʰⁱᔐ‧ "ᎎᔉʞ ᎔ ᔍᔒᔗ ᔃ ÊČá”‰ËĄËĄÊžá¶ â±ËąÊ°!" "ᔂᔒʷ; âżâ±á¶œá”‰! ᎔'ËĄËĄ ËąÊ°á”’Ê· ʞᔒᔘ Ê°á”’Ê· á”—á”’ ᔍᔉᔗ ÊČá”‰ËĄËĄÊžâ€§â€§" Ëąá”–á”’âżá”á”‰á”‡á”’á”‡ Ê°á”‰ËĄá”–á”‰á”ˆ áŽŸËĄá”ƒâżá”á”—á”’âż ᔍᔉᔗ ⁱᔗ➎ ᔐᔘᶜʰ ËĄâ±á”á”‰ á”â±ËĄá”â±âżá” á¶œá”’Ê·Ëąâ€§ "áŽșá”’Ê· ʷᔉ ᔍᔒᔗᔗᔃ ÊČá”ƒÊł ᔒᶠ ÊČá”‰ËĄËĄÊžá¶ â±ËąÊ° ÊČá”‰ËĄËĄÊž!" á”†á”–á”’âżá”á”‰á”‡á”’á”‡ ËĄâ±á”á”‰á”ˆ Ëąá”‰á”‰â±âżá” áŽŸËĄá”ƒâżá”á”—á”’âż Ëąá”’ ʰᔃᔖᔖʞ âżá”’Ê·âžŽ ᔃ˹ ʰᔉ'Ëą ⁿᔒᔗ Ëąá¶œÊ°á”‰á”â±âżá” âżá”’Êł á”—á”ƒá”˜âżá”—â±âżá” ʷⁱᔗʰ ᔃ Ëąá¶œá”’á¶ á¶  ᔃ˹ á”˜Ëąá”˜á”ƒËĄâ€§ ᎏ˹ ᔃ á”á”ƒá”—á”—á”‰Êł ᔒᶠ ᶠᔃᶜᔗ➎ áŽŸËĄá”ƒâżá”á”—á”’âż âżá”’Ê· ᶠᔉ˥ᔗ ˹ᔒᔐᔉ ʷʰᔃᔗ ˥ᔉ˹˹ Êłá”‰Ëąá”‰Êłá”›á”‰á”ˆ ᔃ˹ ʰᔉ ˥ᔉᔗ Ê°â±á”Ëąá”‰ËĄá¶  ᔍᔒ ʷⁱᔗʰ Ëąá”–á”’âżá”á”‰á”‡á”’á”‡â€§ "᎔ á”—Ê°â±âżá” ʷᔉ'ᔛᔉ ᑫᔘⁱᔗᔉ á”‰âżá”’á”˜á”Ê° ÊČá”‰ËĄËĄÊž á¶ á”’Êł âżá”’Ê·â€§ ᎞ᔉᔗ'Ëą ᔗᔃᔏᔉ á”—á”’ ᔗʰᔉ ᶜʰᔘᔐ áŽźá”˜á¶œá”á”‰á”— ᔃⁿᔈ ˹ᔉᔉ ʷʰᔃᔗ á¶œá”ƒâż ᶜᔒᔐᔉ ᔘᔖ ʷⁱᔗʰ!" áŽŸËĄá”ƒâżá”á”—á”’âż Ëąá”â±ËĄá”‰á”ˆâ€§ "á”†â±âżá¶œá”‰ ⁱᔗ'Ëą ᔐʞ ⁱᔈᔉᔃ ᎔'ËĄËĄ á”—ÊłÊž ⁱᔗ ʷⁱᔗʰ ʞᔒᔘ ᔃᔗ ᔗʰᔉ Ëąá”ƒá”á”‰ ᔗⁱᔐᔉ‧"‧ á”€á”˜ÊłâżËą ᔒᔘᔗ➎ ÊČá”‰ËĄËĄÊž ᔐᔃᔈᔉ ᶜʰᔘᔐ ⁿᔒᔗ á”’âżËĄÊž á”‰á”ˆâ±á”‡ËĄá”‰ ᔇᔘᔗ á”ƒËĄËąá”’ ᑫᔘⁱᔗᔉ á”—á”ƒËąá”—Êž! "ᔂᔉ ᔍᔒᔗ ᔃ âżá”‰Ê· á”–Êłá”’á”ˆá”˜á¶œá”— ᔒⁿ ᔗʰᔉ á”á”‰âżá”˜!" ᔀʰᔉʞ á”Êłâ±âżâżá”‰á”ˆâžŽ ËąÊ°á”ƒá”â±âżá” Ê°á”ƒâżá”ˆËąâ€§ "᎔ á”âżá”’Ê· ʞᔒᔘ ËĄâ±á”á”‰ ÊČá”‰ËĄËĄÊžá¶ â±ËąÊ°â±âżá” ᔃⁿᔈ ᎔ ᔉⁿÊČᔒʞᔉᔈ á”ˆá”’â±âżá” ʷⁱᔗʰ ʞᔒᔘ‧ ʞᔒᔘ'Êłá”‰ ËĄâ±á”á”‰ ᔃ á”–Êłá”’! ᔆᔒ á¶œá”ƒâż ʷᔉ ᔍᔒ ᔇᔃᶜᔏ ᔃⁿᔈ ᔗᔉᔃᶜʰ ᔐᔉ ˹ᔒᔐᔉ á”—Êłâ±á¶œá”Ëą?" á”†á”–á”’âżá”á”‰á”‡á”’á”‡ á”ƒá”Êłá”‰á”‰á”ˆâžŽ ᔃⁿᔈ ᔗʰᔉʞ ᔇᔒᔗʰ Ê·á”‰âżá”— ᔃⁿᔈ ᔉⁿÊČᔒʞᔉᔈ á”—Ê°á”‰á”Ëąá”‰ËĄá”›á”‰Ëąâ€§ á”‚Ê°á”‰âżá¶œá”‰ ᔗʰᔉʞ Êłá”‰á”—á”˜Êłâżá”‰á”ˆ á”—á”’ ᔗʰᔉ ᶜʰᔘᔐ ᔇᔘᶜᔏᔉᔗ áŽŸËĄá”ƒâżá”á”—á”’âż â±âżá”›â±á”—á”‰á”ˆ Ëąá”–á”’âżá”á”‰á”‡á”’á”‡ ⁱⁿ‧ "á”‚á”ƒâżâżá”ƒ ʷᔃᔗᶜʰ á”—á”›?" "á”†á”˜Êłá”‰â€§â€§" á”†á”–á”’âżá”á”‰á”‡á”’á”‡ á”ƒâżËąÊ·á”‰Êłá”‰á”ˆâžŽ Ëąâ±á”—á”—â±âżá” á”ˆá”’Ê·âżâ€§ ᎎᔉ ᔐᔒᔗⁱᔒⁿ˹ áŽŸËĄá”ƒâżá”á”—á”’âż á”—á”’ ˹ⁱᔗ ᔇʞ ʰⁱᔐ ᔒⁿ ᔗʰᔉ ᶜᔒᔘᶜʰ‧ á”‚Ê°á”‰âżá¶œá”‰ ᔗʰᔉʞ á¶ á”’á”˜âżá”ˆ ʷʰᔃᔗ ᔗʰᔉʞ'ᔈ ʷᔃᔗᶜʰ➎ áŽŸËĄá”ƒâżá”á”—á”’âż á”–á”˜á”—á”—â±âżá” Ê°â±Ëą Ê°á”ƒâżá”ˆ ᔒⁿ Ëąá”–á”’âżá”á”‰á”‡á”’á”‡'˹➎ áŽ·á”ƒÊłá”‰âż ˥ᔉᔗ ᔗʰᔉᔐ‧ ᔆʰᔉ ᶜᔃᔐᔉ ᔇᔃᶜᔏ ᔃ˹ ᔗʰᔉ á”–Êłá”’á”Êłá”ƒá”á”á”‰ á”‰âżá”ˆá”‰á”ˆ á”—á”’ ˹ᔉᔉ áŽŸËĄá”ƒâżá”á”—á”’âż'Ëą ʰᔉᔃᔈ ËĄá”‰á”ƒâżâ±âżá” Ëąá”–á”’âżá”á”‰á”‡á”’á”‡'Ëą á”ƒÊłá”â€§ ᔆʰᔉ á”—á”˜Êłâżá”‰á”ˆ ᔗʰᔉ ᔗᔉ˥ᔉᔛⁱ˹ⁱᔒⁿ‧ "ᎎᔉʞ áŽ·á”ƒÊłá”‰âż ᎔ á”—Ê°â±âżá” áŽŸËĄá”ƒâżá”â€§â€§â€§" "ʞᔒᔘ ᔇᔒᔗʰ á”á”˜Ëąá”— ᔇᔉ á”—â±Êłá”‰á”ˆ ᔃⁿᔈ ⁱᔗ'Ëą ᔇᔉᔉⁿ ᑫᔘⁱᔗᔉ ᔗʰᔉ ËĄá”’âżá” ᔈᔃʞ‧" "᎔ á”‡á”ƒÊłá”‰ËĄÊž ᔐᔃᔈᔉ ⁱᔗ á”—Ê°Êłá”’á”˜á”Ê° ᔗʰᔉ Ê·Ê°á”’ËĄá”‰ á”—Ê°â±âżá” ᔃ˹ ᎔ á”—Êłâ±á”‰á”ˆ á”—á”’ ʷᔃᔗᶜʰ ⁱᔗ‧ áŽŸËĄá”ƒâżá”á”—á”’âż ʞᔒᔘ➎ ᎔ á”á”‰á”ƒâżâžŽ á¶œá”ƒâż ᎔‧‧‧" "᎔ á”—Ê°â±âżá” ʰᔉ'Ëą á”—á”’ á”‰ËŁÊ°á”ƒá”˜Ëąá”—á”‰á”ˆ Êłâ±á”Ê°á”— âżá”’Ê·â€§" áŽ·á”ƒÊłá”‰âż ˹ᔉᔗ ᔃ á”–â±ËĄËĄá”’Ê· á¶ á”’Êł Ê°á”‰Êł Ê°á”˜Ëąá”‡á”ƒâżá”ˆâ€§ ᔀʰᔉʞ ᔇᔒᔗʰ á”‰á”ƒËąá”‰á”ˆ áŽŸËĄá”ƒâżá”á”—á”’âż ᔒⁿ ⁱᔗ‧ "᎔'ᔐ Ëąá”’ÊłÊłÊžâ€§â€§" "á”†á”–á”’âżá”á”‰á”‡á”’á”‡ ʞᔒᔘ'ᔛᔉ ⁿᔒ âżá”‰á”‰á”ˆ á”—á”’ á”ƒá”–á”’ËĄá”’á”â±Ëąá”‰! ᎔'ᔐ ᔗʰᔉ ᔒⁿᔉ Ê·Ê°á”’ âżá”‰á”‰á”ˆËą á”—á”’ á”—Ê°á”ƒâżá” ʞᔒᔘ á¶ á”’Êł Ëąá”–á”‰âżá”ˆâ±âżá” ᔗⁱᔐᔉ ʷⁱᔗʰ áŽŸËĄá”ƒâżá”á”—á”’âżâ€§" "áŽźá”˜á”— ʷᔃⁱᔗ Ê·á”’âż'á”— ʰᔉ➎ Ê·Ê°á”‰âż ʰᔉ á”ƒÊ·á”ƒá”á”‰Ëą ᎔'ËĄËĄ ʰᔃᔛᔉ á”á”’âżá”‰â€§â€§â€§" "᎔'ËĄËĄ ᔍᔉᔗ ʰⁱᔐ á”—á”’ Ê°â±Ëą ᔇᔉᔈ ᔃⁿᔈ ᎔ á¶œá”ƒâż ᔗᔉ˥˥ ʰⁱᔐ ᎔ á”—á”’ËĄá”ˆ ʞᔒᔘ á”—á”’ ʰᔉᔃᔈ ᔒⁿ➎ ᔒʰ➎ ⁱᔗ ⁱ˹ á”á”‰á”—á”—â±âżá” ËĄá”ƒá”—á”‰! ᎞ᔒ˹ᔗ á”—Êłá”ƒá¶œá” ᔒᶠ ᔗⁱᔐᔉ‧ ᔆᔒ ᔃⁿᔈ á”‡á”‰Ëąâ±á”ˆá”‰ËąâžŽ ᎔ á”ˆá”’âż'á”— Ê·á”ƒâżá”— Ê°â±Ëą á”ˆÊłá”’á”’ËĄ ᔒⁿ ᔗʰᔉ ᔍᔒᔒᔈ Ëąá”’á¶ á”ƒ! áŽźá”˜á”— ʞᔉᔃ‧‧‧" á”†á”–á”’âżá”á”‰á”‡á”’á”‡ Ê·á”‰âżá”— á”—á”’ Ê°â±Ëą Ê·á”’Êłá” ËąÊ°â±á¶ á”— ᔗʰᔉ ⁿᔉˣᔗ ᔈᔃʞ➎ ⁿᔒᔗ á”—á”‰ËĄËĄâ±âżá” ᔃᔇᔒᔘᔗ áŽŸËĄá”ƒâżá”á”—á”’âż âżá”’Êł ᔗʰᔉ ᶜʰᔘᔐ ÊČá”‰ËĄËĄÊž Ëąá”ƒâżá”ˆÊ·â±á¶œÊ°á”‰Ëąâ€§ ᎔ⁿ ᔗʰᔉ á”á”‰á”ƒâż ᔗⁱᔐᔉ áŽŸËĄá”ƒâżá”á”—á”’âż Ëąá”ƒá”— Ê°â±á”Ëąá”‰ËĄá¶  ᔘᔖ➎ á”’á”–á”‰âżâ±âżá” Ê°â±Ëą ᔉʞᔉ ᔃ˹ ʰᔉ ʷᔒᔏᔉ‧ "áŽčá”’Êłâżâ±âżá”âžŽ á”†Ê°á”‰ËĄá”ˆá”’âżâ€§â€§" áŽ·á”ƒÊłá”‰âż Ëąá”ƒÊžËąâ€§ '᎔ ᔈᔒ ⁿᔒᔗ Êłá”‰á”á”‰á”á”‡á”‰Êł á”á”’â±âżá” á”—á”’ ᔇᔉᔈ‧‧‧' áŽŸËĄá”ƒâżá”á”—á”’âż á”‡ËĄâ±âżá”á”‰á”ˆ ᔃ˹ ʰᔉ á”–á”’âżá”ˆá”‰Êłá”‰á”ˆâ€§ "᎞ᔉᔗ'Ëą ᔍᔉᔗ á”á”’â±âżá”âžŽ áŽŸËĄá”ƒâżá”á”—á”’âżâ€§ á”†á”–á”’âżá”á”‰á”‡á”’á”‡'Ëą ᔃᔗ Ê·á”’Êłá” ᔇᔘᔗ ʷᔉ á¶œá”ƒâż ᔍᔉᔗ á”—á”’ ᔗʰᔉ ÊČá”‰ËĄËĄÊž á”‡á”˜Êłá”á”‰ÊłËą á”’á”˜ÊłËąá”‰ËĄá”›á”‰Ëąâ€§â€§" Ëąá”ƒÊžËą áŽ·á”ƒÊłá”‰âżâ€§ "á”†á”’á”˜âżá”ˆËą ᔍᔒᔒᔈ ᔇᔘᔗ➎ ʷᔃⁱᔗ Ê°á”’Ê·'ᔈ ᎔ ᔍᔉᔗ‧‧‧" áŽŸËĄá”ƒâżá”á”—á”’âż á”—Êłá”ƒâ±ËĄá”‰á”ˆ ᔒᶠᶠ‧ "᎔ á”á”˜Ëąá”—'ᔛᔉ á”—á”‰ËĄá”‰á”–á”’Êłá”—â€§â€§â€§" "ʞᔒᔘ ᔈⁱᔈ ⁿᔒᔗ á”—Êłá”ƒâżËąá¶ á”‰Êł; ᎔ ᔈⁱᔈ‧‧" "ʞᔒᔘ â±âżËąá”—á”ƒâżá”—ËĄÊžâ€§â€§â€§" "᎔ ᔖⁱᶜᔏᔉᔈ ʞᔒᔘ ᔘᔖ➎ á”ˆá”‰á”ƒÊł Ê°á”˜Ëąá”‡á”ƒâżá”ˆâžŽ ᔃⁿᔈ ʞᔒᔘ Êłá”‰á”á”ƒâ±âżá”‰á”ˆ á”—á”’ ᔈᔉᔃᔈ á”ƒËąËĄá”‰á”‰á”– ᔃ˹ ᎔ Ê·á”‰âżá”— á¶œá”ƒÊłÊłâ±á”‰á”ˆ ʞᔒᔘ‧‧" "ᔆᔃʞ ʷʰᔃᔗ“" "ᎏ˹ á¶ á”’Êł Ëąá”–á”’âżá”á”‰á”‡á”’á”‡âžŽ ʰᔉ'ᔈ ⁿᔒᔗ ᔍᔉᔗ ʞᔒᔘ á”—á”’ ʷᔃᔏᔉ ʞᔒᔘ ᔘᔖ ᔃⁿᔈ Ëąá”’ ᎔ ˹ᔉⁿᔗ ʰⁱᔐ‧‧‧" "áŽ·á”ƒÊłá”‰âż á”–ËĄá”‰á”ƒËąá”‰âžŽ ÊČá”˜Ëąá”— ᔍⁱᔛᔉ ᔐᔉ ᔃ ᔐᔒᔐᔉⁿᔗ➎ á”—Ê°á”‰âż ʷᔉ ᔐᔃᔏᔉ ᔗʰᔉ ᶠᔒᔒᔈ‧‧" áŽŸËĄá”ƒâżá”á”—á”’âż á”—á”’ËĄá”ˆ Ê°á”‰Êłâ€§ '᎔ á¶œá”ƒâż ⁿᔒᔗ Ê·Êłá”ƒá”– ᔐʞ ʰᔉᔃᔈ á”ƒÊłá”’á”˜âżá”ˆ ⁱᔗ' áŽŸËĄá”ƒâżá”á”—á”’âż âżá”’Ê· ᔗʰᔒᔘᔍʰᔗ á¶ á”‰á”‰ËĄâ±âżá” á”‰á”á”‡á”ƒÊłÊłá”ƒËąËąá”‰á”ˆâ€§ ᎎᔉ Ëąâ±á”Ê°á”‰á”ˆâ€§ '᎔ ᔈᔒ ⁿᔒᔗ á”âżá”’Ê· Ê·Ê°á”‰âż ᎔ Ê·â±ËĄËĄ ᶠᔃᶜᔉ Ëąá”–á”’âżá”á”‰ ᔇᔒᔇ á”ƒá”á”ƒâ±âż ᔇᔘᔗ ᎔ Ê·â±ËĄËĄ ÊČá”˜Ëąá”— á”—ÊłÊž á”—á”’ ᔖᔘᔗ ⁱᔗ ᔒᔘᔗ ᔒᶠ ᔐʞ á”â±âżá”ˆâ€§â€§â€§' áŽŸËĄá”ƒâżá”á”—á”’âż ᔍᔒᔗ á”—á”’ á”á”ƒá”â±âżá” Ëąâ±á”âżËą á”—á”’ ᔍᔉᔗ ᔗʰᔉ Ê·á”’Êłá”ˆ ᔒᔘᔗ ᔃᔇᔒᔘᔗ ᔗʰᔉ ÊČá”‰ËĄËĄÊžâ€§ á¶œá”˜Ëąá”—á”’á”á”‰ÊłËą ᶜᔃᔐᔉ á¶ ËĄá”’á”’á”ˆâ±âżá” ⁱⁿ! ᎏⁿᔈ áŽčÊłâ€§ áŽ·Êłá”ƒá”‡Ëą âżá”’á”—â±á¶œá”‰á”ˆâ€§ "áŽčᔉ á”‰á”á”–ËĄá”’Êžá”‰á”‰Ëą; ᶜᔒᔐᔉ âżá”’Ê·âžŽ á¶ Êłá”’âżá”— ᔃⁿᔈ á¶œá”‰âżá”—Êłá”‰!" ᎎᔉ á¶œá”ƒËĄËĄá”‰á”ˆ ᔇᔒᔗʰ Ëąá”–á”’âżá”á”‰á”‡á”’á”‡ ᔃⁿᔈ Ëąá‘«á”˜â±á”ˆÊ·á”ƒÊłá”ˆ á”—á”’ Ê°â±Ëą ᔒᶠᶠⁱᶜᔉ‧ "áŽșá”’á”— á”’âżËĄÊž ⁱ˹ ⁱᔗ ᔃ ËąËĄá”’Ê· ᔈᔃʞ➎ ᔇᔘᔗ áŽŸËĄá”ƒâżá”á”—á”’âż'Ëą ᔍᔒᔗ ᔃ ˥ⁱⁿᔉ ᔒᶠ á¶œá”˜Ëąá”—á”’á”á”‰ÊłËą ᔒᔘᔗ ᔗʰᔉ á”ˆá”’á”’Êłâ€§â€§â€§" "ᔆᔒ ʷʰᔃᔗ“" ᔆᔃⁱᔈ Ëąá‘«á”˜â±á”ˆÊ·á”ƒÊłá”ˆâ€§ "ᔆᔒ ᔗʰᔉʞ'Êłá”‰ á”–á”ƒÊžâ±âżá” ᔐᔉ á”‰âżá”‰á”Êž ᔍᔒᔒᔈ á”á”’âżá”‰Êž! ᎔'ᔐ ⁿᔒᔗ Ëąá”˜Êłá”‰ Ê°á”’Ê· á”’Êł ʷʰʞ➎ ᔇᔘᔗ ᎔ ᔈᔒ á”âżá”’Ê· ⁱᔗ'Ëą ᔇᔃᔈ‧‧" áŽčÊłâ€§ áŽ·Êłá”ƒá”‡Ëą Ëąá”ƒÊžËą ᔃ˹ Ëąá”–á”’âżá”á”‰á”‡á”’á”‡ ᔃᔛᔒⁱᔈᔉᔈ Ê°â±Ëą ᔍᔃᶻᔉ‧ "áŽłá”’á”—á”—á”ƒ â±âżá”›á”‰Ëąá”—â±á”á”ƒá”—á”‰ á¶ â±ÊłËąá”— ᔇᔘᔗ ᎔ Ê·á”’âż'á”— ᔍⁱᔛᔉ áŽŸËĄá”ƒâżá”á”—á”’âż ᔗʰᔉ Ëąá”ƒá”—â±Ëąá¶ á”ƒá¶œá”—â±á”’âż ᔒᶠ ᔐᔉ ÊČá”˜Ëąá”— á”á”ƒÊłá¶œÊ°â±âżá” ᔘᔖ á”—á”’ Ê°â±Ëą á”–ËĄá”ƒá¶œá”‰!" "ᔁⁿ˥ᔉ˹˹ Êžá”’á”˜Êł á”â±á”›â±âżá” ᔗʰᔉ ᔈᔃʞ ᔒᶠᶠ➎ á”—Ê°á”‰âż Ê·Ê°Êž á”ƒÊłá”‰ ʞᔒᔘ á”—á”‰ËĄËĄâ±âżá” ᔘ˹?" "ᔆᑫᔘⁱᔈ Ê·á”ƒÊłá”ˆâžŽ ʞᔒᔘ á”á”˜Ëąá”— ⁿᔒᔗ ᔐⁱⁿᔈ á”—á”’ ᔍᔒ ˹ᔉᔉ á”—Ê°á”‰âżâžŽ ᔃⁿᔈ ᔍᔒ ᶜᔒᔐᔉ Êłá”‰á”–á”’Êłá”— ᔇᔃᶜᔏ á”—á”’ ᔐᔉ!" "áŽčÊłâ€§ áŽ·Êłá”ƒá”‡Ëąâ€§â€§â€§" "Ëąâ±Êł?" áŽčÊłâ€§ áŽ·Êłá”ƒá”‡Ëą Ëąá”ƒÊžËą á”—á”’ Ëąá”–á”’âżá”á”‰á”‡á”’á”‡â€§ "ᔂᔉ˥˥ á”–á”‰ÊłÊ°á”ƒá”–Ëą ⁱᔗ'Ëą ᔃ ᶠᔃᔈ ᔃⁿᔈ Ê·â±ËĄËĄ ᶠᔃᔈᔉ‧‧‧" "ʞᔒᔘ Ê·á”ƒâżá”— á”—á”’ ʷᔃⁱᔗ“ áŽșᔒ➎ á¶œá”ƒâżâżá”’á”—â€§â€§" áŽčÊłâ€§ áŽ·Êłá”ƒá”‡Ëą á”ˆâ±Ëąá”â±ËąËąá”‰á”ˆ Ëąá”–á”’âżá”á”‰á”‡á”’á”‡ á”—á”’ á¶ ÊłÊž ᶜᔒᔒᔏ á”â±á”—á¶œÊ°á”‰âż á”ƒá”á”ƒâ±âż ᔃ˹ Ëąá‘«á”˜â±á”ˆÊ·á”ƒÊłá”ˆ Êłá”‰á”—á”˜ÊłâżËąâ€§ "ᔂᔉ˥˥➎ áŽčÊłâ€§ á”†á‘«á”˜â±á”ˆÊ·á”ƒÊłá”ˆ?" "ᔂᔉ˥˥➎ ᎔➎ ᔗʰᔉʞ ˹ᔉ˥˥ ÊČá”‰ËĄËĄÊž ʷⁱᔗʰ ᶜʰᔘᔐ ᔃⁿᔈ ᎔ á”—Êłâ±á”‰á”ˆ ᔃ á”‡á”˜Êłá”á”‰ÊłâžŽ ʷʰⁱᶜʰ'Ëą ᑫᔘⁱᔗᔉ á”ˆá”‰ËĄâ±á¶œâ±á”’á”˜Ëą ⁱᶠ ʞᔒᔘ á”ƒËąá” ᔐᔉ‧‧" á”†á‘«á”˜â±á”ˆÊ·á”ƒÊłá”ˆ Êłá”‰á”–á”’Êłá”—á”‰á”ˆâ€§ "᎔ ᔉᔛᔉⁿ ᔍᔒᔗ ˹ᔒᔐᔉ á¶ ËĄÊžá”‰ÊłËą á”—á”’ ᔍⁱᔛᔉ ᔒᔘᔗ‧‧‧" "á¶ ËĄÊžá”‰ÊłËą? á”†á”–á”’âżá”á”‰á”‡á”’á”‡ ʞᔒᔘ ᔇᔒᔗʰ ᔃⁿᔈ Ëąá‘«á”˜â±á”ˆÊ·á”ƒÊłá”ˆ á”ƒÊłá”‰ âżá”’Ê· á”’Êłá”ˆá”‰Êłá”‰á”ˆ á”—á”’ Êłá”‰á”á”’á”›á”‰ ᔃⁿᔈ á”ˆá”‰Ëąá”—Êłá”’Êž á”ƒâżÊž ᔃᔈ˹ ᔒᶠ ᔗʰᔉ ᶜʰᔘᔐ áŽźá”˜á¶œá”á”‰á”—â€§ Ꮃᔒ ᔒᔘᔗ ᔃⁿᔈ Êłâ±á”ˆ á”ƒâżÊž á”–Êłá”’á”á”’á”—â±âżá” 'ᔉᔐ!" áŽčÊłâ€§ áŽ·Êłá”ƒá”‡Ëą á¶œá”ƒËĄËĄá”‰á”ˆ Ê°â±Ëą á”ˆá”ƒá”˜á”Ê°á”—á”‰Êł áŽŸá”‰á”ƒÊłËĄ ᔃⁿᔈ á”—á”’ËĄá”ˆ Ê°á”‰Êł á”—á”’ ᔍᔉᔗ ˹ᔒᔐᔉ ᔒᶠ Ê°á”‰Êł á¶ Êłâ±á”‰âżá”ˆËą á”—á”’ ᔃ˥˥ ËĄá”‰á”ƒá”›á”‰ ᔇᔃᔈ Êłá”‰á”›â±á”‰Ê·Ëą ᔒⁿ˥ⁱⁿᔉ Ê·Ê°â±ËĄËąá”— Ëąá‘«á”˜â±á”ˆÊ·á”ƒÊłá”ˆ ᔃⁿᔈ Ëąá”–á”’âżá”á”‰á”‡á”’á”‡ ˹ᔉᔗ ᔒᔘᔗ‧ á”†á”–á”’âżá”á”‰á”‡á”’á”‡ ᶠᔉ˥ᔗ Ëąá”’ á”á”˜â±ËĄá”—Êž ᔉᔛᔉⁿ ᔗʰᔒᔘᔍʰ Ëąá‘«á”˜â±á”ˆÊ·á”ƒÊłá”ˆ ᔈⁱᔈ ᔐᔒ˹ᔗ ᔒᶠ ᔗʰᔉ á”ƒá¶œá”—á”˜á”ƒËĄ Ê·á”’Êłá” á”—á”ƒá”â±âżá” á”ˆá”’Ê·âż á¶ ËĄÊžá”‰ÊłËą ᔃ˹ Ëąá”–á”’âżá”á”‰ ᔇᔒᔇ á”–á”’â±âżá”—á”‰á”ˆ ᔗʰᔉᔐ ᔒᔘᔗ‧ ᔀʰᔉʞ ᔈⁱᔈⁿ'á”— á”âżá”’Ê· ᔒᶠ áŽčÊłâ€§ áŽ·Êłá”ƒá”‡Ëą á”á”‰á”—á”—â±âżá” ᔃ˥˥ ᔒᶠ áŽŸá”‰á”ƒÊłËĄ'Ëą Ëąá¶œÊ°á”’á”’ËĄ á”—á”’ ËĄá”‰á”ƒá”›á”‰ ˹ᔒᔐᔉ á”ƒâżá”’âżÊžá”á”’á”˜ËąËĄÊž âżá”ƒËąá”—Êž ⁿᔒᔗᔉ˹ ᔃⁿᔈ Êłá”ƒá”—á”‰Ëąâ€§ á”†á”–á”’âżá”á”‰á”‡á”’á”‡ á”á”ƒËąá”–á”‰á”ˆâžŽ ᔃ˹ áŽčÊłâ€§ áŽ·Êłá”ƒá”‡Ëą á¶œá”ƒËĄËĄá”‰á”ˆ ʰⁱᔐ á”ƒËĄá”’âżá”‰ ⁱⁿ Ê°â±Ëą ᔒᶠᶠⁱᶜᔉ‧ "ᔂʰᔃᔗ ᔈᔒ ʞᔒᔘ á”âżá”’Ê· ᔃᔇᔒᔘᔗ ÊČá”‰ËĄËĄÊž?" ᎎᔉ á”ƒËąá”á”‰á”ˆ ʰⁱᔐ á”ƒá¶ á”—á”‰Êł Êłâ±á”ˆá”ˆâ±âżá”â€§ "᎔ᔗ'Ëą á¶ Êłá”‰ËąÊ°âžŽ á¶ Êłá”’á” ÊČá”‰ËĄËĄÊžá¶ â±ËąÊ°â€§â€§" "ʞᔒᔘ á”âżá”’Ê· Ê·Ê°á”‰Êłá”‰ ᶠⁱⁿᔈ ÊČá”‰ËĄËĄÊžá¶ â±ËąÊ°?" "᎔ⁿ ÊČá”‰ËĄËĄÊžá¶ â±ËąÊ° á¶ â±á”‰ËĄá”ˆËąâžŽ Ëąâ±Êłâ€§â€§â€§" "ʞᔒᔘ âżá”‰á”‰á”ˆ á”—á”’ á¶œËĄá”’Ëąá”‰ ᔒᶠᶠ ᔗʰᔉ á¶ â±á”‰ËĄá”ˆ ʷⁱᔗʰ á¶ á”‰âżá¶œá”‰ ᔗᔃᔖᔉ ᔃⁿᔈ ᔗʰᔉ Ëąâ±á”âżâ€§â€§â€§" "᎔ á¶œá”ƒâż'á”—!" "Ꮀᔒ ⁱᔗ➎ á”’Êł ʞᔒᔘ'Êłá”‰ á¶ â±Êłá”‰á”ˆ!" áŽčÊłâ€§ áŽ·Êłá”ƒá”‡Ëą Êžá”‰ËĄËĄá”‰á”ˆ ᔃᔗ ʰⁱᔐ‧ á”†á”–á”’âżá”á”‰á”‡á”’á”‡ á”âżá”‰Ê· Ê°á”‰ËĄá”–â±âżá” áŽ·Êłá”ƒá”‡Ëą ᔇᔃᔈ á¶ á”’Êł áŽŸËĄá”ƒâżá”á”—á”’âżâžŽ ᔃⁿᔈ á”ƒËĄËąá”’ ᔗʰᔉ á”’á”—Ê°á”‰Êł ʷᔃʞ á”ƒÊłá”’á”˜âżá”ˆâ€§ ᎎᔉ'Ëą ᔃ ᔖᔉᔒᔖ˥ᔉ á”–ËĄá”‰á”ƒËąá”‰Êł ᔃⁿᔈ á¶œÊłâ±á”‰á”ˆ ᔃ˹ ʰᔉ Ê·á”‰âżá”— ᔇᔉ Ê°â±âżá”ˆ áŽŸËĄá”ƒâżá”á”—á”’âż'Ëą ᔇᔃᶜᔏ á”—á”’ á¶ á”’Êł Ê°â±Ëą ᔇᔒ˹˹‧ áŽźá”˜á”— á”ƒá”á”ƒâ±âżâžŽ ᔈⁱᔈⁿ'á”— ʰᔉ ⁿᔒᔗ ᔍᔒ á”‡á”‰Ê°â±âżá”ˆ áŽčÊłâ€§ áŽ·Êłá”ƒá”‡Ëą ᔇᔃᶜᔏ? "᎔ á”ˆá”’âż'á”— á”âżá”’Ê· ⁱᶠ ᎔ á¶œá”ƒâż ᔈᔒ ⁱᔗ‧‧" á¶œá”’âżá”—â€§ á”–á”ƒÊłá”— á”—Ê·á”’
new jellyfish fields split into parts SpongeBob SquarePants References Mentor/Protégé sleeping sitting up Sleep on Shoulder watching movies together spending the day
á”†á¶œÊłá”ƒá”–á”‰á”ˆ âœá”†á”–á”’âżá”á”‰áŽźá”’á”‡ á¶ á”ƒâżá¶ â±á¶œâŸ áŽ±á”˜á”á”‰âżá”‰ áŽ·Êłá”ƒá”‡Ëą Ëąá”ƒÊ· á”†Ê°á”‰ËĄá”ˆá”’âż áŽŸËĄá”ƒâżá”á”—á”’âż ᶠᔃ˥˥ ᔒᶠᶠ Ê°â±Ëą ᔇⁱᔏᔉ➎ Ëąá¶œÊłá”ƒá”–â±âżá” Ê°â±Ëą á”âżá”‰á”‰â€§ ᔀʰᔉ ᔇⁱᔏᔉ ᔍᔒᔗᔗᔃ á¶ ËĄá”ƒá”— á”—ÊžÊłá”‰ ᔃⁿᔈ á”†Ê°á”‰ËĄá”ˆá”’âż Ëąá”—á”ƒÊłá”—á”‰á”ˆ á”‡ËĄá”‰á”‰á”ˆâ±âżá”â€§ "᎞ᔉᔗ'Ëą ᔍᔒ ᔇᔃᶜᔏ‧‧‧" áŽ±á”˜á”á”‰âżá”‰ á”—á”’ËĄá”ˆ Ê°â±Ëą á¶œÊłÊžâ±âżá” á¶ Êłâ±á”‰âżá”ˆâ€§ "áŽčᔘᔐ!" ᎎᔉ á¶œá”ƒËĄËĄá”‰á”ˆâžŽ á¶œá”ƒÊłÊłÊžâ±âżá” á”†Ê°á”‰ËĄá”ˆá”’âżâ€§ "᎞ᔉᔗ'Ëą Ê·á”ƒËąÊ° ᔒᶠᶠ ⁱⁿ ᔗʰᔉ ᔇᔃᔗʰ ᔗᔘᔇ á”†Ê°á”‰ËĄá”ˆá”’âżâ€§" áŽč˱‧ áŽ·Êłá”ƒá”‡Ëą Êłâ±âżËąá”‰á”ˆ ᔗʰᔉ ᶜᔘᔗ ʷⁱᔗʰ á¶œá”’ËĄá”ˆ Ê·á”ƒá”—á”‰Êł á”‡á”‰á¶ á”’Êłá”‰ á”–á”ƒá”—á”—â±âżá” á”ˆÊłÊžâ€§ áŽŹá¶ á”—á”‰Êł á”á”‰á”—á”—â±âżá” á¶œËĄá”‰á”ƒâżá”‰á”ˆ ᔘᔖ ᔖᔘᔗ ᔃ á”‡á”ƒâżá”ˆá”ƒá”á”‰ ᔒⁿ ᔗʰᔉ Ëąá¶œá”ƒá”‡â€§ "Ꮀᔒ ʞᔒᔘ Ê·á”ƒâżá”— á”’Êł âżá”‰á”‰á”ˆ ⁱᶜᔉ?" "á”€Ê°á”ƒâżá” ʞᔒᔘ➎ áŽč˱‧ áŽ·Êłá”ƒá”‡Ëą!" ✿𝚠𝚘𝚛𝚍 𝚌𝚘𝚞𝚗𝚝: đŸœđŸœ
new spongebob fanfic plabs plabscore Eugene Krabs & Sheldon J. Plankton Eugene Krabs/Sheldon J. Plankton krabs/plankton scrapes
@KarmaticIrony ‱ 3y ago ‱ Going to sleep is like putting a computer on standby mode. The lights aren't on but everything is working and ready to turn back on. In fact some processes are probably running in the background. Getting koncked out is like pulling the computer's power cable out of the wall. Things are not working correctly and there is a risk of serious lasting damage or maybe even total system failure. Even in the best case scenario, booting back up will take longer than from standby.
new computercore asleepcore unconsciouscore offcore reddit
Ꮃᔉᔗ á”†ËĄá”‰á”‰á”–Êž âœá”†á”–á”’âżá”á”‰áŽźá”’á”‡ á¶ á”ƒâżá¶ â±á¶œâŸ â€œâ€Šá¶œá”ƒâżâżá”’á”— ËąËĄá”‰á”‰á”–â€Šâ€ á”†Ê°á”‰ËĄá”ˆá”’âż áŽŸËĄá”ƒâżá”á”—á”’âż âżá”’Ê· ᔗᔉ˥˥˹ Ê°â±Ëą á¶œá”’á”á”–á”˜á”—á”‰Êł ʷⁱᶠᔉ áŽ·á”ƒÊłá”‰âżâ€§ ᔆᔒ ËąÊ°á”‰ á”á”ƒËąËąá”ƒá”á”‰Ëą ʰⁱᔐ, Ê°á”˜á”á”â±âżá” ᔃ ˹ᔒᶠᔗ á”—á”˜âżá”‰â€§ ᔀʰᔉʞ ᔇᔒᔗʰ á¶œá”ƒâż ᔗᔉ˥˥ ⁱᔗ Ê°á”‰ËĄá”–á”‰á”ˆ ʰⁱᔐ âżá”’Ê·â€§ ᔆʰᔉ Ëąá”—á”’á”–á”–á”‰á”ˆ Ëąâ±âżá”â±âżá” Ê·Ê°á”‰âżá¶œá”‰ ʰᔉ Ëąâżá”’Êłá”‰á”ˆâ€§ â€œáŽłá”’á”’á”ˆ âżâ±á”Ê°á”—â€§â€§â€ 𝐑𝐞𝐚𝐝 𝐭𝐱𝐩𝐞: 𝟓𝟎 𝐬𝐞𝐜.
new get sleepy karen plankton Karen/Sheldon J. Plankton POV Karen Karen (SpongeBob) random & short sleep & naps falling asleep in someone's lap seeking comfort sheldon j. plankton
r/shortscarystories 4 yr. ago RVKony Join The Blind Child "StĂŁbbing." Sylvia pointed a trembling finger at my brother Arthur. Her milky, unseeing eyes gleamed in his direction, and his wife, Agnes, trembled with indignation from across the table. My husband's face colored as he dropped his fork and dragged our daughter back into her bedroom, scolding her as they went. The rest of the night was awkward, and the pep in our conversation never recovered. Two weeks later, Agnes was st*bbed to dEath in her office parking lot. An college student found her, and called the cops. My brother swore that he bore no ill will against my daughter, but I could tell that he was lying. One day, the middle-aged woman who taught my daughter how to read her braille called me. "Ma'am, I don't know what's going on but your daughter's been whispering, 'electrocution, electrocution,' for the past half-hour and it's starting to distract her from her lessons. Could you please talk to her?" I did. Sylvia, in her nine-year-old lack of understanding, told me it was "just a cool new word" she learnt at school. The dEath of an electrician made headlines the following week. It was a freak accident involving tangled wires and a bucket of water. Sylvia's teacher's face was blurred for privacy, but her voice was as familiar as anything to me: "He was
my partner
my soulmate." While my husband was working late, I called Sylvia into the living room. "Honey, is there anything Mommy should know?" She hesitated. "Honey, you know you can talk to me." She denied it once more, "I have no secrets from you, Mommy." My husband walked into the living room with his hair tousled and his eyes distant. Instead of rushing to hug her dad, Sylvia simply turned towards him. "Fire," she said. My heart stopped. Everytime Sylvia said something like that, it was the person's partner who d1ed, and of that reason too. A fire? Was Sylvia merely making predictions, or was she cĂ»rsĂȘd on me for snooping in on her business? Why, this dēvıl child— I grew paranoid, checked the appliances and electronics constantly, and cleared the house of any fire hazards. That was my lÄŻfe over the next few days. All the while, I kept my eyes on Sylvia. Sylvia. I had grown almost hateful towards my own daughter. My husband came home one night, wounded and blackened with soot, while I sat in the living room and Sylvia listened to the radio beside me. "What's the matter?" I asked. He gulped. "One of my colleagues, her house
her house caught fire. She was trapped in, but I managed to escape." That turned the gears in my head. "What were you doing in her house?" The expression on my husband's face was a sufficient admission of guilt. I opened my mouth to speak—no, to scream—but a smaller voice from beside me looked at me and whispered: "Poisoning."
new reddit blindcore familycore horrorbuff the blind child
kelpforestdwellers caregivers of disabled people: of course you may find aspects of the job (i use the term broadly to include taking care of loved ones) difficult. that's understandable and you deserve support with that. but there's one person you shouldn't necessarily share that with, and that's the person you're assisting. if you're having difficulty with a task and need to discuss a different way to do it, for example, that's one thing. i'm talking about complaining about how hard something is when it can't be changed or you don't intend to change it, or even joking about how hard various tasks are. my aides sometimes joke about how difficult certain tasks are, and i totally understand where they're coming from and that they mean no harm. but it make me self conscious about asking them to do those tasks in future when i know they struggle with them. and believe me, it's already hard enough to ask for help. i'm not asking anything unreasonable or outside the bounds of the job so it just makes me feel bad needlessly.
new originally posted on tumblr healing and caring
Guerrero de Dios KMApok "ÂżSi Dios existe, Âżpor quĂ© hay tanto mal en el mundo?" Es una pregunta comĂșn, pero estĂĄ fuera de lugar. Todas las cosas deben tener equilibrio. Luz y oscuridad. Bien y mal. Sonido y silencio. Sin uno, el otro no puede existir. "ÂżEntonces, si eso es cierto, Dios NO HACE NADA para luchar contra el mal?" Esa podrĂ­a ser tu siguiente pregunta. Por supuesto que lucha contra el mal. Implacablemente. Yo soy Dartalian, uno de sus ĂĄngeles mĂĄs santos y justos. Recorro la Tierra, eliminando el mal dondequiera que lo encuentre. Mato a los monstruos de los que nunca quieres saber. Los aplasto por completo para que puedas dormir por la noche. Ustedes, los humanos, no tienen idea de cuĂĄntos de ustedes viven gracias al trabajo que hago. "ÂżPero quĂ© pasa con Stalin? ÂżHĂźtler? ÂżTed Bundy? ÂżJack el Destripador?" Bueno, esos son los menores que tuve que dejar vivir. Por equilibrio. Los que destruyo son... demasiado horribles y viles para sobrevivir. Lo curioso es que, aunque apostarĂ­a a que nunca has oĂ­do el nombre Dartalian en ningĂșn texto religioso, apuesto a que has oĂ­do hablar de mĂ­. Los estadounidenses, por ejemplo, tienen su propio nombre para mĂ­. SĂ­ndrome de Muerte SĂșbita del Lactante
new rëddit Español | Spanish reddit writers viral reddit post translated fic twistedcore reddit
There's No Reason to Be Afraid By Reddit user by whoeverfightsmonster ~ When my sister Betsy and I were kids, our family lived for awhile in a charming old farmhouse. We loved exploring its dusty corners and climbing the apple tree in the backyard. But our favorite thing was the ghost. We called her Mother, because she seemed so kind and nurturing. Some mornings Betsy and I would wake up, and on each of our nightstands, we'd find a cup that hadn't been there the night before. Mother had left them there, worried that we'd get thirsty during the night. She just wanted to take care of us. Among the house's original furnishings was an antique wooden chair, which we kept against the back wall of the living room. Whenever we were preoccupied, watching TV or playing a game, Mother would inch that chair forward, across the room, toward us. Sometimes she'd manage to move it all the way to the center of the room. We always felt sad putting it back against the wall. Mother just wanted to be near us. Years later, long after we'd moved out, I found an old newspaper article about the farmhouse's original occupant, a widow. She'd murdered her two children by giving them each a cup of poisoned milk before bed. Then she'd hanged herself. The article included a photo of the farmhouse's living room, with a woman's body hanging from a beam. Beneath her, knocked over, was that old wooden chair, placed exactly in the center of the room.
new reddit story short story
Emotional Distress Scale 0 - I feel great! This is the best I’ve felt in a long time! 1 - I’m feeling really good! There’s no distress to address. 2 - I’m feeling good. If I start feeling bothered, I can be easily distracted or cheered up. 3 - I’m okay, but there are some things bothering me. I can easily cope with them, though. 4 - I could be better. There are a few things distressing me right now. It’s not exactly easy to deal with, but I still have the skills to get through it. 5 - I’m not okay. It’s getting harder to do the things I want to do, but I can do them. My coping skills aren’t working as well anymore, but enough of them work to get me through the day. I need some support. 6 - I’m feeling bad, and it’s very hard to do the things I need or want to do. Most of my coping skills aren’t effective right now, and it’s taking a lot of energy to stay stable. I need help. 7 - I’m feeling awful. It’s hard to focus on anything but my emotions, and/or I’m avoiding things that distress me. I can’t do much but try to take care of myself, which is already hard in itself. I’m running low on, or have run out of, effective coping skills. I need a lot of help right now. 8 - I’m feeling awful, and I can’t escape it anymore. How I feel is affecting every part of my day, and I’m reaching the point where I can’t function. It’s hard to sleep, eat, socialize, etc. I need help before I can’t handle anything. 9 - This is approaching the worst I could feel. I can’t function anymore. My emotions have totally consumed me. I may be a danger to myself or others, or I may be neglecting myself. I need urgent help. 10 - This is the worst I’ve felt ever/since [last time]. I can’t care for myself at all. My emotions are so intense, I’m at imminent risk of dangerously acting on them. I need crisis support immediately. 11 - I have acted on my emotions and hurt myself or someone else. Everything else in my life is impossible to comprehend. I need medicinal and/or crisis support immediately.
new special olympics emotionalcore originally posted on tumblr tumblr
neuroticboyfriend A lot of the time when professionals interact with psychotic people, they try to reduce our distress by getting us to stop believing things. For me, that only made things worse. It was confusing and distressing. I felt angry, scared, and misunderstood. The best way I've found to cope with delusional thinking is something I discovered on my own. I'll give an example here so, huge TW for unreality and paranoia. Scroll away if you're not able to hear delusional thinking. Yesterday I started freaking out thinking people could hear my thoughts. This is something I've occasionally experienced since I was a child. When this comes up, I always think there's some massive conspiracy, where everyone can hear my thoughts but they react to me as if they don't hear anything. And they're all in on it. This time, it was triggered by intrusive thoughts that I started judging myself for. As you can imagine, this is distressing. I started talking to people through my mind, which only made it worse. I couldn't focus on what was happening around me. What I did to reduce that distress is.. weirdly nonchalant. I just sat there and thought "Well, if this is true, it's not like they're going to change how they interact with me. Everything is the same as it was. Nothing I can do about it, might as well just keep on keeping on." That calmed me down enough to start focusing on what I was doing, and eventually completely forget about it until now. Whenever I try to treat my delusional thinking as something I have to stop immediately... it literally only makes my mind double down. But if I work within what I believe - what I "know" - I can find another way to look at it that isn't so scary. This works with my hallucinations, too. I sometimes see shadow people; they're more like jump scares than anything. They startle me, and I start to wonder if people I'm looking at are real. But that latter part only really happens if I get fearful of them. To avoid that fear, I try to think of the shadow people as just friends watching over me, checking in. They don't do anything, after all. They just pop up, stand there, and disappear. (Talk of unreality ends here) So, yeah. This doesn't work for everyone, and it doesn't always work for me depending on what I'm experiencing/how I'm feeling. But without this, I'd be far worse off; it doesn't take too many missteps for me to spiral. I guess my point is, my reality doesn't have to be "normal" for me to be healthy as a schizophrenic person. It just has to be something I can live with, as happily and safely as possible. And that's ok. Neurodivergent people are allowed to exist, and some people are helped best by finding ways for them to exist as they are without so much distress - rather than trying to eliminate troubling symptoms entirely.
new healing and caring originally posted on tumblr
people have accused you of lying about your trauma (including claims you’re exaggerating), and you think your trauma isn’t that bad: it is. it’s bad enough regardless of if people accused you of lying, but the reason i say this is to point out to you
 if it wasn’t that bad, why would you be lying? what would there be to lie about if it was normal that that happened? people accused you of lying because they refused to accept or believe that something like that happened - happened to you.
new healing and caring originally posted on tumblr
Sensory inputs can be any stimuli entering through one of the sensory modalities: sight, sound, gustation, olfaction, and tactile sensations. Tactile sensations include responses to pressure and temperature. Over stimulation is the product of sensory overload. Overstimulation (OS) occurs when there is “to much” of some external stimulus or stimuli for a person's brain to process and integrate effectively. Sensory overload can be triggered by a singular event or a build up thereof. When the brain has to put all of its resources into sensory processing, it can shut off other functions, like speech, decision making and information processing. Using noise-cancelling headphones to vastly reduce external sound, which can help to stop sensory over load. Weighted sensory products, such as blankets or vests, to provide pressure and soothing proprioceptive input. Avoiding open questions – if you need their input on something, aim to use closed yes/no questions. It causes feelings of discomfort and being overwhelmed. Moving away from sources of sensory input, such as loud sounds or strong smells, can reduce these feelings. However, it is a core characteristic of autism, where individuals often experience heightened sensitivity to stimuli. It's important to note that not all autistic individuals experience overstimulation in the same way or to the same degree. Some may have a higher threshold for sensory input and be less easily overwhelmed, while others may become overstimulated even in relatively calm environments. Stimming, short for self-stimulating behaviors, is a repetitive movement or action that can include body movements, vocal noises, or sensory stimulation. It can be a way to manage excess energy, self-soothe, or cope with emotions. Stimming can also help regulate sensory input, either increasing stimulation or decreasing sensory overload. Stimming behaviors can consist of tactile, visual, auditory, vocal, proprioceptive (which pertains to limb sensing), olfactory, and vestibular stimming (which pertains to balance).
new autismcore neurodivergentcore special olympics
neuroticboyfriend Hey, real quick, go bury your face in something soft. A stuffed animal. A plush blanket. A pillow. Your pet. Your favorite shirt or hoodie. Do it. Was it comforting, even in the slightest? If not, well, you tried. Either way, remember that the little things can bring you goodness, and all those little things will add up. They may not overshadow all the bad, but it certainly does help. You may never be truly comfortable, but odds are, there's something around you that can give you some comfort. And that's a lot better than nothing.
new originally posted on tumblr comfortcore healing and caring
ᔆᔖᔒᔗ'Ëą áŽŹá”›á”‰Êłá”ƒá”á”‰ Ꮀᔃʞ áŽčÊž âżá”ƒá”á”‰'Ëą ˹ᔖᔒᔗ➎ ᔃⁿᔈ ᎔'ᔐ ᔃⁿ ᔃᔐᔒᔉᔇᔃ ᔖᔘᔖᔖʞ ᔃᔗ ᔗʰᔉ ᶜʰᔘᔐ ᔇᔘᶜᔏᔉᔗ‧ áŽŸËĄá”ƒâżá”á”—á”’âż'Ëą ᔗʰᔉ á”’Ê·âżá”‰Êł ᔃⁿᔈ ᔐʞ ᔇᔉ˹ᔗ á¶ Êłâ±á”‰âżá”ˆâžŽ ʰᔉ'Ëą á”á”ƒÊłÊłâ±á”‰á”ˆ á”—á”’ áŽ·á”ƒÊłá”‰âżâ€§ ᔀʰᔉʞ ᔇᔒᔗʰ ˹ᔒᔐᔉᔗⁱᔐᔉ˹ á”‡â±á¶œá”á”‰Êł ᔇᔘᔗ ᔃᔗ ᔗʰᔉ á”‰âżá”ˆ ᔒᶠ ᔗʰᔉ ᔈᔃʞ ᔗʰᔉʞ'Êłá”‰ á”˜Ëąá”˜á”ƒËĄËĄÊž ᔒⁿ ᔍᔒᔒᔈ á”—á”‰Êłá”Ëąâ€§ áŽŸËĄá”ƒâżá”á”—á”’âż'Ëą ᔃⁿ â±âżá”›á”‰âżá”—á”’Êł ᔒᶠ Ëąá¶œâ±á”‰âżá¶œá”‰ ᔃⁿᔈ á”˜âżËąá”˜á¶œá¶œá”‰ËąËąá¶ á”˜ËĄ Êłá”‰Ëąá”—á”ƒá”˜Êłá”ƒâżá”— á”‡á”˜Ëąâ±âżá”‰ËąËąá”á”ƒâż ⁱⁿ ᶠᔒᔒᔈ â±âżá”ˆá”˜Ëąá”—ÊłÊžâ€§ ᎎᔉ'Ëą ⁿᔒᔗ ᔐᔘᶜʰ ᔒⁿ ËąÊ°á”’Ê·â±âżá” á”ƒá¶ á¶ á”‰á¶œá”—â±á”’âż á”—á”’ á”’á”—Ê°á”‰ÊłËą á¶ á”’Êł ⁿᔒᔗ á”‡á”‰â±âżá” ᔃ ᔖᔉᔒᔖ˥ᔉ á”–á”‰ÊłËąá”’âżâžŽ ᔇᔘᔗ ʰᔉ ˥ᔒᔛᔉ˹ á”’á”˜Êł á¶ á”ƒá”â±ËĄÊžâ€§ ᎏ˹ á”‰ËŁá”–á”‰á¶œá”—á”‰á”ˆâžŽ ᔗʰᔉ á”ƒá”›á”‰Êłá”ƒá”á”‰ ᔈᔃʞ Ëąá”—á”ƒÊłá”—Ëą ⁱⁿ ᔗʰᔉ á”á”’Êłâżâ±âżá”â€§ áŽŹËĄá”—Ê°á”’á”˜á”Ê° ⁿᔒᔗ âżá”‰á¶œá”‰ËąËąá”ƒÊłâ±ËĄÊž á¶œá”˜á”ˆá”ˆËĄÊž áŽŸËĄá”ƒâżá”á”—á”’âż á”ˆá”’á”‰Ëą Ëąâżá”˜á”á”ËĄá”‰ ʷⁱᔗʰ ᔐᔉ! ᔀʰᔉ ᔗⁱᔐᔉ ʷᔉ ᔍᔉᔗ ᔘᔖ á”›á”ƒÊłâ±á”‰ËąâžŽ ⁿᔒᔗ á”—á”’ ᔐᔉⁿᔗⁱᔒⁿ ᎔ ˹ᔒᔐᔉᔗⁱᔐᔉ˹ ˹˥ᔉᔉᔖ ⁱⁿ‧ ᎔ᶠ ᎔ Ê·á”ƒâżâżá”ƒ ᔍᔉᔗ ᔒᔘᔗ ᔒᶠ ᔇᔉᔈ á”‰á”ƒÊłËĄâ±á”‰Êł á”—Ê°á”ƒâż ᔗʰᔉ âżá”’Êłá”âžŽ ᎔'ËĄËĄ ËĄâ±á¶œá” á”â±ËąËąá”‰Ëą ʰⁱᔐ ⁱᶠ âżá”˜á”ˆá”â±âżá” á”ˆá”’á”‰Ëąâż'á”— Ê·á”’Êłá”â€§ ᎔ᔗ'Ëą Êłá”ƒÊłá”‰ ⁱᶠ ᎔ á”ˆá”’âż'á”— ˹˥ᔉᔉᔖ ᔒⁿ Ê°â±Ëą á”’Ê·âż ᔇᔉᔈ ʷⁱᔗʰ ᔇᔘᔗ ᔉᔛᔉⁿ á”—Ê°á”‰âż ᎔ á”˜Ëąá”˜á”ƒËĄËĄÊž ᔃᔐ ⁱⁿ ᔗʰᔉ Ëąá”ƒá”á”‰ Êłá”’á”’á”â€§ ᎔ ᔍᔉᔗ ᶠᔉᔈ á”‡Êłá”‰á”ƒá”á¶ á”ƒËąá”— á”‡á”‰á¶ á”’Êłá”‰ á”á”’â±âżá” ᔒᔘᔗ á”ˆá”’á”’ÊłËąâ€§ á”†â±âżá¶œá”‰ ʷᔉ á”ˆá”’âż'á”— ʰᔃᔛᔉ ᔐᔘᶜʰ á”‡á”˜Ëąâ±âżá”‰ËąËąâžŽ áŽŸËĄá”ƒâżá”á”—á”’âż á”˜Ëąá”˜á”ƒËĄËĄÊž Ëąá”–á”‰âżá”ˆËą ᔗʰᔉ ᔈᔃʞ Ê·á”’Êłá”â±âżá” ᔒⁿ á”‰ËŁá”–á”‰Êłâ±á”á”‰âżá”—ËąâžŽ ᔐᔒ˹ᔗ ᔒᶠ ʷʰⁱᶜʰ ⁱⁿᔛᔒ˥ᔛᔉ ᔗʰᔉ á”Êłá”˜Ëąá”—Êž á”Êłá”ƒá”‡â€§ áŽ·Êłá”ƒá”‡Ëą ⁱ˹ ᔗʰᔉ á”’Ê·âżá”‰Êł ᔒᶠ ᔗʰᔉ áŽ·Êłá”˜Ëąá”—Êž áŽ·Êłá”ƒá”‡ Êłá”‰Ëąá”—á”ƒá”˜Êłá”ƒâżá”—âžŽ ᔃⁿᔈ á”Êłá”‰á”ƒá”—á”‰Ëąá”— Êłâ±á”›á”ƒËĄ ᔒᶠ áŽŸËĄá”ƒâżá”á”—á”’âżâ€§ ᎔'ᔛᔉ âżá”‰á”›á”‰Êł á¶ á”’Êłá”á”ƒËĄËĄÊž ᔐᔉᔗ ʰⁱᔐ ᔇᔘᔗ ᎔ á”âżá”’Ê· ʰᔉ'Ëą ᔃⁿ á”‰âżá”‰á”Êžâ€§ ᎎⁱ˹ á”‰á”á”–ËĄá”’Êžá”‰á”‰Ëą á”ƒÊłá”‰ á”†á‘«á”˜â±á”ˆÊ·á”ƒÊłá”ˆ ᔃⁿᔈ á”†á”–á”’âżá”á”‰á”‡á”’á”‡â€§ ᔂᔉ á”ˆá”’âż'á”— â±âżá”—á”‰Êłá”ƒá¶œá”— ʷⁱᔗʰ Ëąá‘«á”˜â±á”ˆÊ·á”ƒÊłá”ˆ ᔐᔘᶜʰ➎ ᔇᔘᔗ áŽŸËĄá”ƒâżá”á”—á”’âż'Ëą ᔒⁿ Ëąá”’á”á”‰Ê·Ê°á”ƒá”— á”ˆá”‰á¶œá”‰âżá”— á”—á”‰Êłá”Ëą ʷⁱᔗʰ á”†á”–á”’âżá”á”‰ ᎟ᔒᔇ á”ˆá”‰Ëąá”–â±á”—á”‰ á”‡á”‰â±âżá” ᔃᔗ á”’á”ˆá”ˆËą ʷⁱᔗʰ ᔗʰᔉ á”’á”—Ê°á”‰Êł Êłá”‰Ëąá”—á”ƒá”˜Êłá”ƒâżá”—â€§ á”†á”–á”’âżá”á”‰áŽźá”’á”‡'Ëą ᔖᔉᔗ ˹ⁿᔃⁱ˥ áŽłá”ƒÊłÊž ᔉᔛᔉⁿ Ê°á”ƒâżá”Ëą ᔒᔘᔗ ʷⁱᔗʰ ᔐᔉ! áŽźá”˜á”— ᔐᔒ˹ᔗ Ê·á”‰á”‰á”á”ˆá”ƒÊžËą ⁱⁿᔛᔒ˥ᔛᔉ á”—ÊłÊžâ±âżá” á”—á”’ ʰᔃᔛᔉ ᔗʰᔉ Ëąá”‰á¶œÊłá”‰á”— á”—á”’ ᔗʰᔉ á”Êłá”ƒá”‡á”‡Êž ᔖᔃᔗᔗʞ! ᔀʰᔉ ˹ᔃⁱᔈ Ëąá”‰á¶œÊłá”‰á”—'Ëą ⁱⁿ ᔃ ᔇᔒᔗᔗ˥ᔉ ⁱⁿ á”—Ê°á”‰â±Êł á”›á”ƒá”˜ËĄá”—âžŽ ᔇᔘᔗ á”ƒËĄËąá”’ á”á”‰á”—á”—â±âżá” ᔗʰᔉ ᔖᔃᔗᔗʞ ⁱᔗ˹ᔉ˥ᶠ ⁱ˹ ᔍᔒᔒᔈ á”‰âżá”’á”˜á”Ê° Ê·Ê°á”‰âż Êžá”’á”˜Êł á”’Ê·âżá”‰Êł'Ëą ᔃ Ëąá¶œâ±á”‰âżá”—â±Ëąá”—! ᔆᔒᔐᔉ ᔒᶠ áŽŸËĄá”ƒâżá”á”—á”’âż'Ëą á”–ËĄá”ƒâżËą á”ƒÊłá”‰ ᔒⁿ ᔃ ʷʰⁱᔐ Ê·Ê°â±ËĄËąá”— á”’á”—Ê°á”‰ÊłËą á”ƒÊłá”‰ á”á”’Êłá”‰ á”ˆÊłá”ƒÊ·âż ᔒᔘᔗ á”—á”ƒá”â±âżá” á”á”’Êłá”‰ ᔗⁱᔐᔉ‧ áŽŹËĄá”—Ê°á”’á”˜á”Ê° ʰᔉ'Ëą ⁿᔒᔗ á”—á”’ ʰᔃᔛᔉ ᔃ ᔇⁱᔗᔉ ˹ᔒᔐᔉᔗⁱᔐᔉ˹ áŽ·Êłá”ƒá”‡Ëą á”—á”ƒá”˜âżá”—Ëą ʰⁱᔐ Ê·Ê°á”‰âż ʰᔉ ᶠᔃⁱ˥˹➎ ᔉᔛᔉⁿ ᔃᔗ ᔗⁱᔐᔉ˹ Êłá”‰Ëąá”’Êłá”—â±âżá” á”—á”’ á”á”ƒá”â±âżá” ᶠᔘⁿ á”’á”˜á”—Êłâ±á”Ê°á”— á¶œá”’âżËąâ±á”ˆá”‰Êłâ±âżá” á”‡á”˜ËĄËĄÊžâ±âżá” áŽŸËĄá”ƒâżá”á”—á”’âż ᔃᔇᔒᔘᔗ ⁱᔗ!áŽŹËĄá”—Ê°á”’á”˜á”Ê° á”˜Ëąá”˜á”ƒËĄËĄÊž á”ƒâżá”ÊłÊžâžŽ áŽŸËĄá”ƒâżá”á”—á”’âż ᔐⁱᔍʰᔗ ᶜᔒᔐᔉ ᔇᔃᶜᔏ ⁱⁿ á”—á”‰á”ƒÊłËą á”‡á”‰â±âżá” Ëąá”’ á”˜á”–Ëąá”‰á”—! ᎎᔉ'Ëą ⁿᔒᔗ á”˜Ëąá”˜á”ƒËĄËĄÊž ⁱⁿÊČá”˜Êłá”‰á”ˆ á”—á”’ ᔇᔃᔈ➎ ᔇᔘᔗ ⁱᔗ'Ëą Ê°á”ƒÊłá”ˆ Ëąá”‰á”‰â±âżá” ʰⁱᔐ á¶ ËĄÊž ⁱⁿ á”ƒá¶ á”—á”‰Êł á”‡á”‰â±âżá” á”—Ê°Êłá”’Ê·âż ᔇʞ áŽ·Êłá”ƒá”‡Ëąâ€§ ᎔ᶠ ᎔ á¶œá”ƒâżâżá”’á”— á¶œÊ°á”‰á”‰Êł ʰⁱᔐ ᔘᔖ ᎔'ËĄËĄ á”˜Ëąá”˜á”ƒËĄËĄÊž ÊČá”˜Ëąá”— ᔇᔉ á”—Ê°á”‰Êłá”‰ á¶ á”’Êł ʰⁱᔐ‧ ᎔'ËĄËĄ ʷᔃᔍ ᔐʞ á”—á”ƒâ±ËĄ Ëąá”ƒá”ˆËĄÊž ᔃᔗ ᔉᔃᶜʰ Êłá”‰á”—á”˜Êłâż á¶ Êłá”’á” á”—Ê°á”‰Êłá”‰â€§ ᎔ ˥ᔒᔛᔉ á”á”’â±âżá” á¶ á”’Êł Ê·á”ƒËĄá”â±á”‰Ëą ᔃⁿᔈ á”—á”’ ᔗʰᔉ á”–á”ƒÊłá”âžŽ Ê·Ê°á”‰Êłá”‰ ˹ᔒᔐᔉᔗⁱᔐᔉ˹ ʷᔉ ᔐᔉᔉᔗ áŽłá”ƒÊłÊž Ëąá”’ ᔃ˹ á”—á”’ ᔍᔉᔗ ᔗʰᔉ á”‰ËŁá”‰Êłá¶œâ±Ëąá”‰ á”—á”’á”á”‰á”—Ê°á”‰Êł! Ëąá”–á”’âżá”á”‰á”‡á”’á”‡'Ëą ⁿᔒᔗ ᔒⁿᔉ á”—á”’ Ê°á”ƒÊłá”‡á”’á”˜Êł á”ƒâżÊž Ê°á”ƒÊłá”ˆ á¶ á”‰á”‰ËĄâ±âżá”Ëą á”—á”’ ᔗʰᔉ á¶ á”‰ËĄËĄá”’Ê· á”–á”‰ÊłËąá”’âżâžŽ ᔇᔘᔗ ʰᔉ á”ˆá”’á”‰Ëą ᔃᶜᔗ ᔒᔘᔗ ᔒᶠ ËĄá”’Êžá”ƒËĄá”—Êž á”—á”’ ᔗʰᔉ á”Êłá”ƒá”‡â€§ Ꮁᔛᔉⁿ ˹ᔒ➎ ʰᔉ ᔃⁿᔈ áŽŸËĄá”ƒâżá”á”—á”’âż ᔇᔒᔗʰ ᔃᔗᔗᔉᔐᔖᔗ á”—á”’ ᶠⁱⁿᔈ á¶œá”’á”á”á”’âż á”Êłá”’á”˜âżá”ˆâ€§ á”‚Ê°á”‰âż ᎔ ᔍᔉᔗ ᔐʞ á”ˆâ±âżâżá”‰ÊłâžŽ áŽ·á”ƒÊłá”‰âż á”á”ƒá”á”‰Ëą Ê°á”‰ÊłËąá”‰ËĄá¶  ᔃⁿᔈ áŽŸËĄá”ƒâżá”á”—á”’âż Ëąá”’á”á”‰á”—Ê°â±âżá”â€§ ᎏ˹ ᔃ á¶œá”’á”á”–á”˜á”—á”‰ÊłâžŽ áŽ·á”ƒÊłá”‰âż á”ˆá”’á”‰Ëąâż'á”— âżá”‰á”‰á”ˆ ᶠᔒᔒᔈ á”–á”‰Êł ˹ᔉ‧ ᔆᔗⁱ˥˥➎ ËąÊ°á”‰ á”ˆá”’á”‰Ëą ʷʰⁱᔖ ᔘᔖ ˹ᔒᔐᔉ ᶜʰᔘᔐ á¶ á”’Êł áŽŸËĄá”ƒâżá”á”—á”’âż'Ëą á”á”‰á”ƒËĄËą! ᎔ ˹ᔒᔐᔉᔗⁱᔐᔉ˹ ᔉᔛᔉⁿ ᔍᔉᔗ ËĄá”‰á¶ á”—á”’á”›á”‰ÊłËą! áŽŒá”˜Êł á”‰á”›á”‰âżâ±âżá”Ëą á”ƒÊłá”‰ ᔍᔒᔒᔈ á¶ á”’Êł ˹ᔒᔐᔉ á”ˆá”’Ê·âżá”—â±á”á”‰âžŽ Ê·Ê°á”‰Êłá”‰ ᔃ˥˥ ᔒᶠ ᔘ˹ ᔈᔒ á”’á”˜Êł á”’Ê·âż á”—Ê°â±âżá”â€§ ᎔ á”—á”‰âżá”ˆ á”—á”’ ʷᔃᔗᶜʰ áŽŸËĄá”ƒâżá”á”—á”’âż Ê·á”’Êłá” ᔒⁿ Ëąá”’á”á”‰á”—Ê°â±âżá”âžŽ ᔃ˹ ʰᔉ ËĄâ±á”á”‰Ëą Ê°á”ƒá”›â±âżá” á”ƒËĄá”’âżá”‰ ᔗⁱᔐᔉ‧ áŽ·á”ƒÊłá”‰âż á”˜Ëąá”˜á”ƒËĄËĄÊž Êłá”˜âżËą Ëąá”—á”ƒá”—Ëą á”’Êł ˹ᔒᔐᔉ á¶œá”’á”á”–á”˜á”—á”‰Êł á”˜á”–á”ˆá”ƒá”—á”‰Ëąâ€§ ᎔ ᔐᔃʞ ᶠⁱⁿᔈ ᔃ ᶜʰᔉʷ á”—á”’Êž á”—á”’ á”–ËĄá”ƒÊž ʷⁱᔗʰ➎ ʷʰⁱᶜʰ ᎔ á”ƒËĄËąá”’ ᔈᔒ ⁱᶠ ᔗʰᔉʞ'ᔛᔉ ᔃ ᔈᔃᔗᔉ âżâ±á”Ê°á”—â€§ ᎏ ᶠᔘⁿ á”—Ê°â±âżá” ʷᔉ ᔈᔒ ⁱ˹ ᔐᔒᔛⁱᔉ âżâ±á”Ê°á”— Ê·Ê°á”‰âż áŽŸËĄá”ƒâżá”á”—á”’âż á”–â±á¶œá”Ëą ᔒᔘᔗ Ëąá”’á”á”‰á”—Ê°â±âżá” á”—á”’ ʷᔃᔗᶜʰ! ᎔'ËĄËĄ ᔇᔉ ᔇʞ ʰⁱᔐ ᔃⁿᔈ ˹ᔒᔐᔉᔗⁱᔐᔉ˹ ᔉᔛᔉⁿ ᶠᔃ˥˥ á”ƒËąËĄá”‰á”‰á”– ᔒⁿ Ê°â±Ëą ËĄá”ƒá”–! áŽŒâżá¶œá”‰ ᔗʰᔉ ᔈᔃʞ ⁱ˹ á”ˆá”’âżá”‰âžŽ ʷᔉ ᔍᔉᔗ Êłá”‰á”ƒá”ˆÊž á”—á”’ ᔇᔉᔈ‧ ᎏ˹ á”ƒá¶ á”’Êłá”‰á”á”‰âżá”—â±á”’âżá”‰á”ˆâžŽ ᎔ á”á”’Ëąá”—ËĄÊž ˹˥ᔉᔉᔖ ᔒⁿ ᔇʞ áŽŸËĄá”ƒâżá”á”—á”’âż'Ëą Ëąâ±á”ˆá”‰ ᔗʰᔉ ᔇᔉᔈ‧ áŽ·á”ƒÊłá”‰âż'Ëą ᔃ á¶œá”’á”á”–á”˜á”—á”‰ÊłâžŽ Ëąá”’ ËąÊ°á”‰ á¶œá”ƒâż á”‰á”ƒËąâ±ËĄÊž ÊČá”˜Ëąá”— ᔒⁿ Ê°á”‰Êł á”’Ê·âż ËĄâ±á”—á”‰Êłá”ƒËĄËĄÊž Êłá”‰á¶œÊ°á”ƒÊłá”á”‰ á”’Êł ᔖᔘᔗ ᔒⁿ ˹˥ᔉᔉᔖ ᔐᔒᔈᔉ á”’Êł Ê·Ê°á”ƒá”—á”‰á”›á”‰ÊłâžŽ Ëąá”’ ËąÊ°á”‰ Ê°á”ƒËą á”—á”’ á”—á”˜Êłâż ᔒⁿ ⁱⁿ á”’Êłá”ˆá”‰Êł á”—á”’ ᔇᔉ ᔃʷᔃᔏᔉ ᎔ á”á”˜á”‰ËąËąâ€§ á”€Ê°á”˜ËąâžŽ ËąÊ°á”‰ á”ˆá”’á”‰Ëąâż'á”— ʰᔃᔛᔉ á”ˆÊłá”‰á”ƒá”Ëą ᔃⁿᔈ/á”’Êł âżâ±á”Ê°á”—á”á”ƒÊłá”‰Ëąâ€§ ᎔ᔗ á”ˆâ±á¶ á¶ á”‰ÊłËą á”˜Ëąâ€§ ᔆᔒᔐᔉᔗⁱᔐᔉ˹ ᎔ â±á”á”ƒá”â±âżá”‰ Ëąá¶œá”‰âżá”ƒÊłâ±á”’Ëą á”’Êł Êłá”‰ËĄâ±á”›á”‰ ᔗʰᔉ ᔈᔃʞ'Ëą ᔉᔛᔉⁿᔗ˹ á”—á”’ ˹ᔉᔗ ᔗʰᔉ ᔗᔒⁿᔉ á¶ á”’Êł ᔐʞ á”ˆÊłá”‰á”ƒá”Ëą ᔒᶠ ᔗʰᔉ âżâ±á”Ê°á”—â€§ áŽ°Êłá”‰á”ƒá” á”’Êł ⁿᔒ➎ ᎔ á¶œá”ƒâż ˹˥ᔉᔉᔖ Ê·á”‰ËĄËĄ Êłá”‰Ëąá”—á”‰á”ˆ á”—Ê°Êłá”’á”˜á”Ê° ᔗʰᔉ âżâ±á”Ê°á”— ᔉᔃᶜʰ‧ ᔆᔒᔐᔉᔗⁱᔐᔉ˹ ᎔'ËĄËĄ á”ƒÊ·á”ƒá”á”‰âż á”—á”’ áŽŸËĄá”ƒâżá”á”—á”’âż Ê°á”ƒá”›â±âżá” ᔃ ᔇᔃᔈ á”ˆÊłá”‰á”ƒá”âžŽ Ëąá”’ ᎔'ËĄËĄ âżá”˜á¶»á¶»ËĄá”‰ á”’Êł Êłá”˜á”‡ á”ƒá”á”ƒâ±âżËąá”— ⁱⁿ Ê°á”’á”–â±âżá” á”—á”’ Ëąá”—á”’á”– ᔗʰᔉ âżâ±á”Ê°á”—á”á”ƒÊłá”‰âžŽ ⁱᶠ ⁿᔒᔗ Êłá”‰á”ƒËąËąá”˜Êłá”‰ ʰⁱᔐ‧ ᎔ á”âżá”’Ê· ʰᔉ'Ëą á”ƒá¶ Êłá”ƒâ±á”ˆ ᔒᶠ Ê·Ê°á”ƒËĄá”‰Ëą ËĄâ±á”á”‰ áŽ·Êłá”ƒá”‡Ëą á”ˆá”ƒá”˜á”Ê°á”—á”‰ÊłâžŽ ᔃⁿᔈ ˹ᔒᔐᔉᔗⁱᔐᔉ˹ áŽ·Êłá”ƒá”‡Ëą á”—á”ƒá”˜âżá”—Ëą á¶œá”ƒâż ᔍᔉᔗ á”—á”’ ʰⁱᔐ Ëąá”’ á”–á”‰ÊłÊ°á”ƒá”–Ëą ᔗʰᔉʞ Ê·á”’Êłá” á”—Ê°á”‰â±Êł ʷᔃʞ'Ëą ⁱⁿ⁻ᔗᔒ á”ˆÊłá”‰á”ƒá”Ëąâ€§ ᎔ Ê·á”’ÊłÊłÊž ᔃᔇᔒᔘᔗ Ê°á”’Ê· ˹ᔒᔐᔉᔗⁱᔐᔉ˹ ᎔ ˹˥ᔉᔉᔖ á”—Ê°Êłá”’á”˜á”Ê° ᔃ ᔇᔃᔈ âżâ±á”Ê°á”—á”á”ƒÊłá”‰âžŽ ᔇᔘᔗ ᎔ á”˜Ëąá”˜á”ƒËĄËĄÊž ᔃʷᔃᔏᔉ á”—á”’ á”ƒâżÊž á¶œËĄá”ƒá”á”’á”˜ÊłËą á”’Êł á”—á”’ËąËąâ±âżá” ᔃⁿᔈ á”—á”˜Êłâżâ±âżá”â€§ ᎏ˥˥ ⁱⁿ ᔃ˥˥ ᎔ ˥ᔒᔛᔉ ˥ⁱᶠᔉ ᔃⁿᔈ ᔗʰᔉ ᔖᔉᔒᔖ˥ᔉ ⁱⁿ ⁱᔗ! ᎔'ᔐ ʰᔃᔖᔖʞ ᔃⁿᔈ Ê·á”’á”˜ËĄá”ˆâż'á”— á”—Êłá”ƒá”ˆá”‰ ⁱᔗ á¶ á”’Êł ᔗʰᔉ Ê·á”’ÊłËĄá”ˆâ€§
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Please use discretion and don’t do something that will trigger you further, including triggering trauma or sensory issues! Aggressive activities (Adrenaline-focused): Do not use sharp objects if you can’t trust yourself around them in that moment. Tear apart paper or napkins Cut up boxes, plastic, or paper Stab boxes or foam Angrily scribble Throw rocks at the ground Scream into a pillow, or punch it Passive activities (Adrenaline-focused): Watch something scary (scary game, thriller movie) Watch someone get angry (Youtube react videos, gamer rage) Watch an action movie Watch a fails video compilation Sensory grounding Hold an ice cube or splash cold water on your face - take a cold shower if you’re really feeling it Smell a strong scent, even an unpleasant one Have a nice warm or cool drink Any kind of strong pressure that won’t injure (weighted blanket, cuddle with your dog) Listen to music or white noise Use a heating pad or take a warm shower/bath Creative outlets: (if you need the similarity, use red ink) Draw on yourself or body paint Do SFX makeup Finger paint Journal about your feelings honestly, even if they’re negative Make a moodboard
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Please don't touch me or stand too close. I have an Autistic Spectrum Condition. I process sensations differently. Sometimes I Can't cope with touch or physical contact. 4 ways to manage autism, anxiety and sensory overload Choose sensory-friendly events and places Choose sensory- friendly features ‱ Fewer lights ‱ Less background music ‱ Noise blocking headphones ‱ Calming rooms ‱ Weighted blanket Make sensory experience shorter Reduce sensory experience ‱ Take breaks from busy, noisy and bright places ‱ Noise blocking headphones ‱ Sunglasses For example, a child who has difficulty with the feeling of clothing and thus has difficulty getting dressed shows hypersensitivity. As a result, that child can experience sensory overload from clothing. It is also important to know that a toddler refusing to get dressed because they are exerting their independence or would rather play or do something else is not a child experiencing sensory overload. That is not hypersensitivity. That is normal for toddlers. So choose sensory-friendly providers or products. In particular, that helps people whose anxiety is made worse by what they experience from their senses. Hollander, E., & Burchi, E. (2018). Anxiety in Autism Spectrum Disorder. Anxiety & Depression Association of America
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Alphonse "At my parents house, my nephew told my Mom, 'When I lived here before, my name was Alphonse, and I was bigger than you.' My stepdad just kind of blinked and said, 'Hmm, that was my grandfather's name, but we don't talk about him.'"
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A Curious Warning ‱ March 6 2015 ‱ RusticEyesore Last night, as I was sitting in my living room and watching a little TV before bed, I heard a strange noise. It was a slow, drawn out scraping across the hardwood floor. Confused, I searched for the source of the sound; and I found it immediately. Someone had a slipped a small, folded note under the door. "What the..?" More curious than anything, I approached the note slowly. I knelt down cautiously and picked up the strange paper. On it were only five words, scrawled on in a crude, messy fashion: "Get out. He is coming." I didn't pause to consider the meaning of the note, however, as I immediately realized there was something very, very wrong with this situation: The note had come from under the closet door.
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ᔁᔖ˹ᔉᔗ á”‚á”’Êłá”—Ê° âœá”†á”–á”’âżá”á”‰áŽźá”’á”‡ á¶ á”ƒâżá¶ â±á¶œâŸ ᔀʰᔉʞ ᔗᔒᔒᔏ ᔗʰᔉ ᔇᔒᔗᔗ˥ᔉ ᔒᶠ â±âżá”Êłá”‰á”ˆâ±á”‰âżá”—Ëą á¶ Êłá”’á” áŽŸËĄá”ƒâżá”á”—á”’âżâ€§ áŽčÊłâ€§ áŽ·Êłá”ƒá”‡Ëą á”—Ê°á”‰âż á”—Êłâ±á”‰á”ˆ á”—á”’ ˹ᔗᔉᔖ ᔒⁿ ʰⁱᔐ‧ “ᔂᔉ Ëąá”—á”’á”–á”–á”‰á”ˆ ʰⁱᔐ áŽčÊłâ€§ áŽ·Êłá”ƒá”‡Ëą Ëąá”’ á”ˆá”’âżâ€™á”— á”á”ƒá”—á”—á”‰Êłâ€§ áŽŸËĄá”ƒâżá”á”—á”’âżâ€™Ëą ⁿᔒᔗ Ê·á”’Êłá”—Ê° ⁱᔗ!” á”†á”–á”’âżá”á”‰á”‡á”’á”‡ á”—á”’ËĄá”ˆ Ê°â±Ëą ᔇᔒ˹˹‧ ᎔ᔗ’˹ ᔇᔃᔈ á”‰âżá”’á”˜á”Ê° ʰᔉ á¶ á”ƒâ±ËĄá”‰á”ˆ á”ƒá”á”ƒâ±âż ᔇᔘᔗ Ê°á”‰á”ƒÊłâ±âżá” á”†á”–á”’âżá”á”‰á”‡á”’á”‡ âżá”’Ê· Ëąá”ƒÊž á¶ á”’Êł ˹ᔒᔐᔉ Êłá”‰á”ƒËąá”’âż ᔐᔃᔈᔉ áŽŸËĄá”ƒâżá”á”—á”’âż ᶠᔉᔉ˥ ᔐᔘᶜʰ Ê·á”’ÊłËąá”‰â€§ ᔆᔒ ʰᔉ Ê·á”‰âżá”— ᔇᔃᶜᔏ á”—á”’ ᔗʰᔉ ᶜʰᔘᔐ ᔇᔘᶜᔏᔉᔗ, ᔃ˹ Ê°â±Ëą á¶œá”’á”á”–á”˜á”—á”‰Êł ʷⁱᶠᔉ áŽ·á”ƒÊłá”‰âż ˥ᔉᔗ ʰⁱᔐ ⁱⁿ‧ “᎔ ˹ᔉᔉ ⁿᔒ â±âżá”Êłá”‰á”ˆâ±á”‰âżá”—Ëąâ€§â€§â€ áŽ·á”ƒÊłá”‰âż Ëąá”—á”ƒÊłá”—á”‰á”ˆ, ᔇᔘᔗ áŽŸËĄá”ƒâżá”á”—á”’âż ÊČá”˜Ëąá”— Ëąá”‰á”‰á”á”‰á”ˆ á”—á”’ á”ˆâ±ËąÊłá”‰á”á”ƒÊłá”ˆâ€§ áŽșá”’Ê· áŽ·á”ƒÊłá”‰âż âżá”’á”—â±á¶œá”‰á”ˆ Ê°á”’Ê· á”ˆá”’Ê·âż ʰᔉ ËĄá”’á”’á”Ëąâ€§ “ᔂʰᔃᔗ Ê·á”‰âżá”—â€Šâ€ “᎔’ᔐ ⁿᔒᔗ ⁱⁿ ᔗʰᔉ ᔐᔒᔒᔈ áŽ·á”ƒÊłá”‰âż!” áŽŸËĄá”ƒâżá”á”—á”’âż Ëąâżá”ƒá”–á”–á”‰á”ˆ Ê·á”‰á”ƒá”ËĄÊž ᔃ˹ ʰᔉ Ê·á”‰âżá”— ⁱⁿ Ê°â±Ëą Êłá”’á”’á”, á¶œËĄá”’Ëąâ±âżá” ᔗʰᔉ ᔇᔉᔈ Êłá”’á”’á” á”ˆá”’á”’Êł á”‡á”‰Ê°â±âżá”ˆ ʰⁱᔐ‧ áŽ·á”ƒÊłá”‰âż Ëąâ±á”Ê°Ëą á”âżá”’Ê·â±âżá” á”‡á”‰á”—á”—á”‰Êł á”—Ê°á”ƒâż á”—á”’ ᔇᔘᔍ ʰⁱᔐ‧ ᔆʰᔉ á”âżá”‰Ê· Ê°á”‰â€™Ëą âżá”‰á”‰á”ˆâ±âżá” á”ƒËĄá”’âżá”‰ ᔗⁱᔐᔉ á”—á”’ á”–Êłá”’á¶œá”‰ËąËąâ€§ áŽŽá”‰Êł Ê°á”˜Ëąá”‡á”ƒâżá”ˆâ€™Ëą Ê·á”ƒâżá”—â±âżá” ˹ᔒᔐᔉ Ëąá”–á”ƒá¶œá”‰ Êłâ±á”Ê°á”— âżá”’Ê· á”—á”’ Ê°â±á”Ëąá”‰ËĄá¶  Ëąá”’ ËąÊ°á”‰ á”âżá”’Ê·Ëą á”‡á”‰á”—á”—á”‰Êł á”—Ê°á”ƒâż á”—á”’ á”—ÊłÊž á”á”‰á”—á”—â±âżá” ʰⁱᔐ Ëąá”—â±ÊłÊłá”‰á”ˆ ᔘᔖ‧ ᎏⁿᔈ ʞᔉᔗ, ËąÊ°á”‰ Ê·á”ƒâżá”—á”‰á”ˆ á”—á”’ ˥ᔉᔗ áŽŸËĄá”ƒâżá”á”—á”’âż á”âżá”’Ê· ËąÊ°á”‰â€™Ëą á¶ á”’Êł ʰⁱᔐ, ᔇᔘᔗ ËąÊ°á”‰â€™á”ˆ ᔃᔛᔒⁱᔈ á”á”’Êłá”‰ á”–ÊłÊžâ±âżá”â€§ ᔆʰᔉ Ê·á”‰âżá”— á”—á”’ ᔗʰᔉ á”ˆá”’á”’Êłâ€§ â€œá”†Ê·á”‰á”‰á”—Ëą ᎔ á”ˆá”’âżâ€™á”— á”âżá”’Ê· Ê·Ê°á”ƒá”—â€™Ëą ᔍᔒᔗ ᔇᔘᔗ ᎔’ᔐ ᔒᔖᔉⁿ á”—á”’ á”—á”ƒËĄá” á”’Êł ˥ⁱ˹ᔗᔉⁿ‧ ᎔ ᔃᔐ ÊČá”˜Ëąá”— á”—á”‰ËĄËĄâ±âżá” ʞᔒᔘ, ⁱ˹ á”ƒËĄËĄâ€§â€ ᔆʰᔉ á”—á”’ËĄá”ˆ ʰⁱᔐ‧ áŽżâ±á”Ê°á”— âżá”’Ê· áŽŸËĄá”ƒâżá”á”—á”’âżâ€™Ëą ᔍᔒᔗ Ëąá”–á”’âżá”á”‰ ᔇᔒᔇ ᔒⁿ Ê°â±Ëą á”â±âżá”ˆâ€§ á”†á”–á”’âżá”á”‰á”‡á”’á”‡â€™Ëą ⁿᔒᔗ ᔒⁿᔉ á”—á”’ Ëąá”ƒÊž Ëąá”˜á¶œÊ° ᔃᔇᔒᔘᔗ á”’á”—Ê°á”‰Êł ᔖᔉᔒᔖ˥ᔉ‧ áŽŹá¶ á”—á”‰Êł Ê°á”‰á”ƒÊłâ±âżá”, áŽŸËĄá”ƒâżá”á”—á”’âż ᶠᔉ˥ᔗ Ëąá”’ Ê·á”’Êłá”—Ê°ËĄá”‰ËąËą ᔃⁿᔈ á”˜á”–Ëąá”‰á”—â€§ ᔆᔗⁱ˥˥ áŽŸËĄá”ƒâżá”á”—á”’âż á”ƒá”–á”–Êłá”‰á¶œâ±á”ƒá”—á”‰á”ˆ áŽ·á”ƒÊłá”‰âżâ€™Ëą á¶œá”’âżá¶œá”‰Êłâżâ€§ á”‚Ê°á”‰âż áŽŸËĄá”ƒâżá”á”—á”’âż á¶ â±âżá”ƒËĄËĄÊž ᔍᔒᔗ ᔒᔘᔗ ᔒᶠ Ê°â±Ëą á”‡á”‰á”ˆÊłá”’á”’á”, áŽ·á”ƒÊłá”‰âż á”âżá”‰Ê· ⁿᔒᔗ á”—á”’ ᔍᔒ ᔃⁿᔈ á”‡á”’á”—Ê°á”‰Êł ʰⁱᔐ ᔃᔇᔒᔘᔗ‧ â€œá¶ á”‰á”‰ËĄâ±âżá” á”ƒâżÊž á”‡á”‰á”—á”—á”‰Êł, ËąÊ·á”‰á”‰á”—Ëą?” áŽŽá”‰Êł Ê°á”˜Ëąá”‡á”ƒâżá”ˆ ËąÊ°Êłá”˜á”á”á”‰á”ˆâ€§ áŽŸËĄá”ƒâżá”á”—á”’âż ËĄá”’á”’á”á”‰á”ˆ ᔒᔘᔗ á”—Ê°Êłá”’á”˜á”Ê° ᔗʰᔉ Ê·â±âżá”ˆá”’Ê· ᔃ˹ á”†á‘«á”˜â±á”ˆÊ·á”ƒÊłá”ˆ ᔃⁿᔈ á”†á”–á”’âżá”á”‰ ᔇᔒᔇ ˥ᔉᶠᔗ Ê·á”’Êłá”â€§ á”†á”–á”’âżá”á”‰á”‡á”’á”‡ Ëąá”ƒÊ· ʰⁱᔐ á”—Ê°Êłá”’á”˜á”Ê° ᔗʰᔉ Ê·â±âżá”ˆá”’Ê·, á”—á”‰á”ƒÊłËą ⁱⁿ Ê°â±Ëą ᔉʞᔉ‧ áŽłá”’â±âżá” ⁱⁿ ᔗʰᔉ ᶜʰᔘᔐ ᔇᔘᶜᔏᔉᔗ ʰᔉ Ê·á”‰âżá”— ᔘᔖ á”—á”’ áŽŸËĄá”ƒâżá”á”—á”’âżâ€§ “ᔂʰʞ ʞᔒᔘ á”˜á”–Ëąá”‰á”— áŽŸËĄá”ƒâżá”á”—á”’âż?” â€œá”‚á”’Êłá”—Ê°ËĄá”‰ËąËąâżá”‰ËąËąâ€§â€§â€ á”†á”–á”’âżá”á”‰á”‡á”’á”‡ Êłá”‰á”á”‰á”á”‡á”‰Êłá”‰á”ˆ Ê°á”’Ê· ʰᔉ ˹ᔃⁱᔈ ᔃᔇᔒᔘᔗ ʰⁱᔐ‧ “᎔’ᔐ Ëąá”’ Ëąá”’ÊłÊłÊžâ€§â€§â€ “᎔ ᔗʰᔒᔘᔍʰᔗ Ê·á”‰â€™Êłá”‰ ʷʰᔃᔗ ʞᔒᔘ’ᔈ á¶œá”ƒËĄËĄ á¶ Êłâ±á”‰âżá”ˆËąâ€§â€ “ᎌʰ áŽŸËĄá”ƒâżá”á”—á”’âż ᎔ âżá”‰á”›á”‰Êł á”á”‰á”ƒâżá”— á”—á”’ Ê°á”˜Êłá”— ʞᔒᔘ! ᔆᔒ á”–ËĄá”‰á”ƒËąá”‰, á¶ á”’Êłá”â±á”›á”‰ ᔐᔉ‧‧” â€œá”†á”˜Êłá”‰ ᔏⁱᔈ, ᔇᔘᔗ ᎔ á”ƒËĄËąá”’ á”’Ê·âż ʞᔒᔘ á”ƒá”–á”’ËĄá”’á”Êžâ€§â€ “᎔ á¶œá”ƒâż Ëąá”–á”‰âżá”ˆ ᔗʰᔉ âżâ±á”Ê°á”— ʷⁱᔗʰ ʞᔒᔘ ⁱᶠ ʞᔒᔘ Ê·á”ƒâżá”—â€§â€§â€ “ʞᔒᔘ á¶œá”ƒâż ËąÊ°á”ƒÊłá”‰ ᔐʞ ᔇᔉᔈ ⁱ˹ ᔇⁱᔍ á”‰âżá”’á”˜á”Ê°!” ᔆᔒ ᔗʰᔉʞ ËąÊ°á”ƒÊłá”‰á”ˆâ€§ á”†á”–á”’âżá”á”‰á”‡á”’á”‡ ᶠᔉ˥˥ á”ƒËąËĄá”‰á”‰á”– á¶ â±ÊłËąá”—â€§ ᔆᔒ á”—Ê°á”‰âż, áŽŸËĄá”ƒâżá”á”—á”’âż á¶œá”˜ÊłËĄá”‰á”ˆ ᔘᔖ ᔇʞ ʰⁱᔐ‧ á”‚Ê°á”‰âżá¶œá”‰ ʰᔉ ᔃʷᔒᔏᔉ ᔗʰᔉ á”á”’Êłâżâ±âżá” á”†á”–á”’âżá”á”‰á”‡á”’á”‡ Êłá”‰á”ƒËĄâ±Ëąá”‰á”ˆ áŽŸËĄá”ƒâżá”á”—á”’âżâ€™Ëą á¶œËĄá”’Ëąá”‰Êł á”—á”’ ʰⁱᔐ‧ ᔀʰᔉʞ Ê°á”‰ËĄá”ˆ Ê°á”ƒâżá”ˆËąâ€§ ╰ ✧ ∙ ∗ — áŽĄáŽÊ€áŽ… ᮄᮏᮜɮᮛ ⟹ 3 7 0 ⟩
new Spongebob Squarepants/Sheldon J. Plankton Karen (SpongeBob) SpongeBob SquarePants (character) spongebob fanfic upset worth
áŽ·á”ƒÊłá”‰âż ᔗʰᔉ á¶œá”’á”á”–á”˜á”—á”‰Êł ʷⁱᶠᔉ ᔃⁿᔈ Ê°á”‰Êł á”ƒá”›á”‰Êłá”ƒá”á”‰ ᔈᔃʞ âœá”†á”–á”’âżá”á”‰áŽźá”’á”‡ á¶ á”ƒâżá¶ â±á¶œâŸ ᎔ á”ƒÊ·á”ƒá”á”‰âż ᔉᔃᶜʰ á”á”’Êłâżâ±âżá” ᔃᔗ ᔗʰᔉ ᶜʰᔘᔐ ᔇᔘᶜᔏᔉᔗ‧ áŽčÊž Ê°á”˜Ëąá”‡á”ƒâżá”ˆ áŽŸËĄá”ƒâżá”á”—á”’âż'Ëą á”˜Ëąá”˜á”ƒËĄËĄÊž ᔘᔖ á”‡á”‰á¶ á”’Êłá”‰ ᔐᔉ➎ ᔐᔒ˹ᔗ ËĄâ±á”á”‰ËĄÊž Ê·á”’Êłá”â±âżá” ᔒⁿ Ëąá”’á”á”‰á”—Ê°â±âżá” á”’Êł á”’á”—Ê°á”‰Êłâ€§ ᎎⁱ˹ ᔐᔃⁱⁿ á”á”’á”ƒËĄ ⁱ˹ á”—á”’ Êłá”˜âż Ê°â±Ëą á”‰âżá”‰á”Êž ᔒᔘᔗ ᔒᶠ á”‡á”˜Ëąâ±âżá”‰ËąËąâ€§ ᎔ ᶠⁱˣ áŽŸËĄá”ƒâżá”á”—á”’âż á”‡Êłá”‰á”ƒá”á¶ á”ƒËąá”— ᔃⁿᔈ á”—á”‰âżá”ˆ á”—á”’ á”ƒâżÊž ᔒᶠ Ê°â±Ëą á¶œá”’á”á”–ËĄá”ƒâ±âżá”—Ëą ᔗᔒ‧ ᎔ Êłá”‰á”â±âżá”ˆ ʰⁱᔐ á”—á”’ ᔗᔃᔏᔉ ᔒᔘᔗ ᔗʰᔉ á”—Êłá”ƒËąÊ°â€§ ᎔ á”’á”›á”‰Êł ËĄá”’á”’á” Ê°â±Ëą á”–ËĄá”ƒâżËąâ€§ ᎎᔉ á”á”‰á”—Ëą ᔐᔃᔈ á”‰á”ƒËąâ±ËĄÊžâ€§ ᎎᔉ Ê·á”ƒâżá”—Ëą á”—á”’ ᔇᔉ ᔇⁱᔍ á”’Êł ᔃᔗ ËĄá”‰á”ƒËąá”— ⁿᔒᔗ Ëąá”á”ƒËĄËĄâ€§ ᔆᔒ ᎔ á”—ÊłÊž ⁿᔒᔗ á”—á”’ Ëąá”—á”ƒÊłá”— ʰⁱᔐ ᔒᶠᶠ ⁱᶠ ᎔ á”ˆá”’âż'á”— ʰᔃᔛᔉ âżá”‰á”‰á”ˆ ᔗᔒ‧ ᔆᔒᔐᔉᔗⁱᔐᔉ˹ ʷᔉ á”‡â±á¶œá”á”‰Êł ᔇᔘᔗ á”˜Ëąá”˜á”ƒËĄËĄÊž á¶œá”ƒËĄá” á”ˆá”’Ê·âż á”’Êł ᎔ ᔐⁱᔍʰᔗ ᔉᔛᔉⁿ á”‰âżá”ˆ ᔘᔖ á¶ á”’Êłá¶œâ±âżá” ʰⁱᔐ á”’á”˜á”—á”ˆá”’á”’ÊłËąâ€§ áŽŸËĄá”ƒâżá”á”—á”’âż ᔃᔗ ËĄá”˜âżá¶œÊ° ᔗⁱᔐᔉ á”˜Ëąá”˜á”ƒËĄËĄÊž á”á”’á”‰Ëą á”—á”’ ˹ᔉᔉ ᔗʰᔉ ËĄá”˜âżá¶œÊ° Êłá”˜ËąÊ° ᔃᔗ Êłâ±á”›á”ƒËĄ Êłá”‰Ëąá”—á”ƒá”˜Êłá”ƒâżá”— áŽ·Êłá”˜Ëąá”—Êž áŽ·Êłá”ƒá”‡â€§ á”‚Ê°á”‰âż ʰᔉ ᶠᔃⁱ˥˹ ᔃᔗ Ëąá”—á”‰á”ƒËĄâ±âżá” ᔗʰᔉ â±âżá”Êłá”‰á”ˆâ±á”‰âżá”—Ëą ʰᔉ á¶œá”’á”á”‰Ëą ᔇᔃᶜᔏ á”˜á”–Ëąá”‰á”—â€§ "á”€á”’ËĄá”ˆ ʞᔒᔘ Ëąá”’" ᎔'ËĄËĄ á”Êłá”‰á”‰á”— ʰⁱᔐ Ëąá”ƒÊłá¶œá”ƒËąá”—â±á¶œá”ƒËĄËĄÊžâ€§ áŽźá”˜á”— ᎔ ᔈᔒ á”âżá”’Ê· ⁿᔒᔗ á”—á”’ á”–á”˜ËąÊ° ⁱᔗ Ê·Ê°á”‰âżá”‰á”›á”‰Êł ʰᔉ á¶œá”’á”á”‰Ëą ᔇᔃᶜᔏ ⁱⁿ ᔃ á”â±Ëąá”‰Êłá”ƒá”‡ËĄá”‰ Ëąá”—á”ƒá”—á”‰ á”ƒá¶ á”—á”‰Êł á”á”‰á”—á”—â±âżá” á¶œÊłá”˜ËąÊ°á”‰á”ˆâ€§ ᎔ á”—ÊłÊž á”—á”’ Ê°á”‰ËĄá”– ʰⁱᔐ ᔃⁿᔈ ËĄâ±á”Ê°á”—á”‰âż Ê°â±Ëą ᔐᔒᔒᔈ‧ á”‚Ê°á”‰âż ⁱᔗ á”á”‰á”—Ëą á”—á”’ á”‰á”›á”‰âżâ±âżá” ʷᔉ ʰᔃᔛᔉ á”’á”˜Êł á”ˆá”’Ê·âż ᔗⁱᔐᔉ‧ ᔆᔒᔐᔉᔗⁱᔐᔉ˹ ⁱᶠ ʰᔉ Ê·á”ƒâżá”—Ëą á”—á”’ Ëąá”—á”ƒÊž Ê·á”’Êłá”â±âżá” ᔒⁿ Ëąá”’á”á”‰á”—Ê°â±âżá” ᎔ ᔐᔃʞ ᔍᔒ ˹ᔉᔉ ᔐʞ á”á”ƒËĄ á”–á”ƒËĄËąâ€§ áŽŒá”—Ê°á”‰ÊłÊ·â±Ëąá”‰ áŽŸËĄá”ƒâżá”á”—á”’âż á”‰á”ƒá”—Ëą á”ˆâ±âżâżá”‰Êł ʷⁱᔗʰ ᔐᔉ á”—á”’á”á”‰á”—Ê°á”‰Êłâ€§ ᎎᔉ ˥ᔒᔛᔉ˹ ᔐᔒᔛⁱᔉ âżâ±á”Ê°á”— ᔃⁿᔈ ʰᔉ á”á”‰á”—Ëą ᔐᔉ á”—á”’ ᶠⁱⁿᔈ ᔒⁿᔉ‧ á”‚Ê°á”‰âż ⁱᔗ'Ëą ᔗⁱᔐᔉ á¶ á”’Êł ᔇᔉᔈ áŽŸËĄá”ƒâżá”á”—á”’âż ˥ᔉᔗ˹ ᔐᔉ ᔗᔉ˥˥ ʰⁱᔐ ᔍᔒᔒᔈ âżâ±á”Ê°á”— á”—á”˜á¶œá”â±âżá” ʰⁱᔐ ⁱⁿ‧ ᎔ᶠ ᎔'ᔐ ËĄá”˜á¶œá”Êž ʰᔉ'ᔈ ᔍⁱᔛᔉ ᔐᔉ ᔃ ʰᔘᔍ á”’Êł á”â±ËąËą ⁱᶠ ⁱⁿ ᔗʰᔉ ᔐᔒᔒᔈ‧ ᎔ á”âżá”’Ê· ʰᔉ ᔈᔉᔉᔖ á”ˆá”’Ê·âż ˥ᔒᔛᔉ˹ ᔐᔉ ᔇᔘᔗ ʰᔉ'Ëą ⁿᔒᔗ ᔒⁿᔉ á”—á”’ ËąÊ°á”’Ê· ᔐᔘᶜʰ á”ƒá¶ á¶ á”‰á¶œá”—â±á”’âżâ€§ áŽ°á”‰á”–á”‰âżá”ˆâ±âżá” ᔒⁿ Ê°á”’Ê· á”‰ËŁÊ°á”ƒá”˜Ëąá”—â±âżá” ᔗʰᔉ ᔈᔃʞ Ê·á”ƒËąâžŽ ᎔ á¶œá”ƒâż á¶œá”ƒÊłÊłÊž ʰⁱᔐ ˥ⁱᶠᔗ á”—á”’ Ê°â±Ëą ᔇᔉᔈ‧ ᎔ á”ƒËĄËąá”’ á”—ÊłÊž á”—á”’ ᔏᔉᔉᔖ ᑫᔘⁱᔉᔗ Ê·Ê°á”‰âżá”‰á”›á”‰Êł ʰᔉ'Ëą Ê·á”ƒâżá”—â±âżá” á”—á”’ ᔍᔒ ˹˥ᔉᔉᔖ Ëąá”’ ᔃ˹ ⁿᔒᔗ á”—á”’ Êłâ±ËĄá”‰ ʰⁱᔐ ᔘᔖ‧ ᎏᔗ á”’á”—Ê°á”‰Êł ᔗⁱᔐᔉ˹ ʰᔉ'ᔈ ᔇᔉ Ëąá”—á”ƒÊłá”—â±âżá” á”—á”’ Ëąá”’á¶ á”—ËĄÊž Ëąâżá”’Êłá”‰ Ê·Ê°á”‰âżá¶œá”‰ ᎔ ᔗᔉ˥˥ ʰⁱᔐ Ê°á”’Ê· ᎔ ˥ᔒᔛᔉ ʰⁱᔐ‧ ᎏ˹ á¶ á”’Êł Ê·Ê°á”‰âż áŽŸËĄá”ƒâżá”á”—á”’âż'Ëą Ê°á”ƒá”›â±âżá” ᔇᔃᔈ âżâ±á”Ê°á”—á”á”ƒÊłá”‰ËąâžŽ ᎔ á”—ÊłÊž á”—á”’ ᔍᔉᔗ ʰⁱᔐ á”—á”’ Ê·á”ƒá”á”‰âż ᔘᔖ á”á”‰âżá”—ËĄÊž ʷⁱᔗʰᔒᔘᔗ á”—ÊłÊžâ±âżá” á”—á”’ Ëąá”—á”ƒÊłá”—ËĄá”‰ ʰⁱᔐ‧ ᎔ á”—Ê°á”‰âż ᔈᔒ ᔐʞ ᔇᔉ˹ᔗ á”—á”’ Ëąá”’á”’á”—Ê°á”‰ ʰⁱᔐ á¶œá”ƒËĄá”ËĄÊž ⁱⁿ Ê°á”’á”–á”‰Ëą á”—á”’ Êłá”‰ËĄá”ƒËŁ ʰⁱᔐ á”‰âżá”’á”˜á”Ê° á¶ á”’Êł á”—á”’ ᶠᔃ˥˥ ᔇᔃᶜᔏ á”—á”’ ˹˥ᔉᔉᔖ‧ áŽŸËĄá”ƒâżá”á”—á”’âż ᔐⁱᔍʰᔗ ᔇᔉ Êłá”˜á”ˆá”‰ ᔃᔗ ᔗⁱᔐᔉ˹ ᔇᔘᔗ ᎔ á”âżá”’Ê· ʰᔉ á¶œá”ƒâż ᔇᔉ ᔃ ˹ᔒᶠᔗⁱᔉ ⁱⁿ Ê°â±Ëą á”’Ê·âż ʷᔃʞ; ᔃᔗ ᔗʰᔉ á”‰âżá”ˆ ᔒᶠ ᔗʰᔉ ᔈᔃʞ ʷᔉ á”ƒÊłá”‰ á”ƒá¶ á”—á”‰Êł ᔃ˥˥ á”ƒÊ·á”ƒÊłá”‰ ᔐᔘᶜʰ ʷᔉ ˥ᔒᔛᔉ ᔉᔃᶜʰ á”’á”—Ê°á”‰Êłâ€§
new karen plankton bikinibottomcore daycore karen
Ꮃᔉᔗ ᔁᔖ âœá”†á”–á”’âżá”á”‰áŽźá”’á”‡ á¶ á”ƒâżá¶ â±á¶œâŸ áŽŸËĄá”ƒâżá”á”—á”’âż'Ëą á¶œá”’á”á”–á”˜á”—á”‰Êł ʷⁱᶠᔉ áŽ·á”ƒÊłá”‰âż ᔍᔒᔗ ᔘᔖ á¶ Êłá”’á” Ê°á”‰Êł Ëąá”‰á”ƒá”— âżá”’á”—â±á¶œâ±âżá” áŽŸËĄá”ƒâżá”á”—á”’âż'Ëą âżá”’Ê· á¶ á”ƒËĄËĄá”‰âż á”ƒËąËĄá”‰á”‰á”– ⁱⁿ á¶œÊ°á”ƒâ±Êłâ€§ ᔆʰᔉ á”á”‰âżá”—ËĄÊž ËąÊ°á”’á”’á” Ê°â±Ëą ËąÊ°á”’á”˜ËĄá”ˆá”‰Êł Ëąâ±á”Ê°á”—ËĄÊžâ€§ áŽ·á”ƒÊłá”‰âż á”âżá”‰Ê· Ê°á”‰â€™Ëą ᔒᔘᔗ ËĄâ±á”á”‰ ᔃ ËĄâ±á”Ê°á”—â€§ áŽžá”’á”’á”â±âżá” ᔃᔗ Ê°á”‰Êł Ê°á”˜Ëąá”‡á”ƒâżá”ˆ Ê°á”‰â€™Ëą ⁿᔒᔗ Ëąá”—â±ÊłÊłâ±âżá” ⁱⁿ ᔗʰᔉ ËąËĄâ±á”Ê°á”—á”‰Ëąá”—, Ê°â±Ëą ᔐᔒᔘᔗʰ ᶠᔉ˥˥ ᔒᔖᔉⁿ‧ "ʞᔒᔘ ᔍᔒᔗᔗᔃ ᔍᔉᔗ á”—á”’ ᔇᔉᔈ➎ Ëąá”’ ʞᔒᔘ á¶œá”ƒâż á¶œá”’âżá”—â±âżá”˜á”‰ á”—á”’ ˹˥ᔉᔉᔖ‧ ᎔'ËĄËĄ ˥ᔉᔗ ʞᔒᔘ Êłá”‰Ëąá”— á”ƒá¶ á”—á”‰Êłâ€§ á¶œá”ƒâż ʞᔒᔘ ʷᔃᔏᔉ á”‰âżá”’á”˜á”Ê° á”—á”’ ᔍᔉᔗ á”’Êł á”á”˜Ëąá”— ᎔ á¶œá”ƒÊłÊłÊž ʞᔒᔘ?" áŽșá”’á”—Ê°â±âżá”â€§ "ᔂᔉ˥˥ ᎔'ᔐ á¶œá”ƒÊłÊłÊžâ±âżá” ʞᔒᔘ á”—Ê°á”‰âżâ€§ ᎔'ᔐ ⁿᔒᔗ á”á”’âżâżá”ƒ á”ˆâ±Ëąá”—á”˜Êłá”‡ ʞᔒᔘ ⁱᶠ ⁱᔗ'Ëą Ê°á”ƒÊłá”ˆá”‰Êł á”—á”’ Êłá”’á”˜Ëąá”‰ ʞᔒᔘ Ëąâ±âżá¶œá”‰ ᎔ á¶œá”ƒâż á”‰á”ƒËąâ±ËĄÊž ᔖᔘᔗ ʞᔒᔘ á”ÊžËąá”‰ËĄá¶ â€§â€§" áŽ·á”ƒÊłá”‰âż âżá”’Ê· á”–á”˜á”—Ëą áŽŸËĄá”ƒâżá”á”—á”’âż ⁱⁿ ᔇᔉᔈ➎ Ê·â±á”–â±âżá” Ê°â±Ëą á”ˆÊłá”’á”’ËĄ ᔒᶠᶠ ʰⁱᔐ‧ “ᎎᔃᔛᔉ ᔃ âżâ±á¶œá”‰ ËąËĄá”‰á”‰á”–â€§â€§â€đ‘đžđšđ 𝐭𝐱𝐩𝐞: 𝟏 𝐩𝐱𝐧.
new plaren Karen/Sheldon J. Plankton sheldon j. plankton get up
Cartoons » SpongeBob SquarePants English, Friendship & Romance, SpongeBob, Sandy, Plankton, Karen 2013 Karen was still thinking about all of the good times that she and Plankton had together. "I still remember this
 it was a little over a year after he built me he asked me to marry him and since I was already programmed to love him of course I said yes. Plankton doesn't show much of his affection, but when he does he gets this cute little blush on his face and his antennas curl up a little bit. I haven't really thought this through very much
 even though I felt ignored and unloved I know he still loves me, he just doesn't always show it. Sometimes he just has one of those days when he feels smaller than a rock. Actually in some cases depending on the size of the rock he is smaller than some of those rocks, but that's not really my point. My point is I've always been there for him when he really needed me and well he keeps me free of viruses so in a way he takes care of me too. Ok
 I've thought about it enough
 I'm going home. It turns out that I need my little "Planky" as much as he needs me." Karen makes her way back to the Chum Bucket and starts looking for Plankton, she is surprised when she saw Spongebob and Sandy there. They were also looking for Plankton and Karen was surprised when she found out that Plankton was not home. Spongebob asked Karen if she knew where Plankton was. Spongebob and Sandy left Karen for a minute and they went across the road to check to see if the formula was still in the safe. When they realized that the formula was safe they went back across the street to the Chum bucket. "Sorry Karen
 Plankton was not at the Krusty Krab. Do you know of anywhere else he would go?" "No I don't know where he could be
 he was probably upset when he realized that I was gone and went to look for me, but since my tracking device and communication device was down there was no way for him to track me and the only place you can track me is here. He could be anywhere
 as small as he is I can't help but worry about him, anything could happen to him. I don't know what to do?" Spongebob and Sandy head back to the treedome and Plankton heads back towards the Chum Bucket. He thought about what had happened the previous day and still felt ashamed of himself for how he had treated her. He was worried that if she didn't forgive him that she would just leave him again. Karen was at the Chum Bucket having regrets about leaving Plankton. She still felt underappreciated, but she felt worse knowing that Plankton was still out there and may not return. She then had a happy feeling came over her... if Plankton didn't care about her, why would he be out there looking for her? Since Plankton was so small, it took him a while to get around on foot, but finally after an hour he came in and looked around for her. "Karen are you back?" Karen heard him and answered from the other room. "I'm in here Plankton." Plankton came in out of breath, but once he walked up to her he jumped up on her moniter hugging her and crying. "Karen... I'm so sorry for the way that I acted. I shouldn't have ignored you, I should have listened to every word that you had to say. I found myself alone, having no friends is one thing, but to have no wife is even worse." "But you always told me that I wasn't even really your wife and that I was just a computer." "I know... I said that and I know I can't take back what I said, but I was foolish thinking that I could get anywhere without you. I programed you this way... there is no one else like you. No one understands me the way you do. Well Karen... I'll promise you this... if you give me another chance I promise I'll stop obsessing over the formula so much and spend more time with you. You've done so much for me Karen... you deserve so much better than me, I need you but you don't need me. Why did you come back?" "Well because you programed me to love you first of all, and I always will, but you were wrong about one thing." "What?" "You think I don't need you, I do need you Plankton. Only you know how to protect me from viruses. If I were ever to go anywhere else, it just wouldn't feel right because I've always been with you Plankton." "So does that mean that you forgive me?" "Oh come on... you know I can't stay mad at you, and if you ever stopped obsessing over the formula I think I'd have to do an identity check on you. You know we could try to steal it together some time. If you stopped going after the formula you would take away what makes you the way you are." "But seriously Karen... I promise I'll start spending more time with you, and I promise that I will never ignore you again." Karen displays a smile on her screen. Then Plankton hugs her again. "I love you Karen." "Aw... I love you too Plankton. The two of them smile at each other and go into the main part of the Chum Bucket where together they discussed how they would steal the formula. Switching Lives by TheWyattQueen
new switching lives spongebob fanfic
Ꮃᔉᔗ ᔁᔖ 𝐑𝐞𝐚𝐝 𝐭𝐱𝐩𝐞: 𝟏 𝐩𝐱𝐧. âœá”†á”–á”’âżá”á”‰áŽźá”’á”‡ á¶ á”ƒâżá¶ â±á¶œâŸ áŽŸËĄá”ƒâżá”á”—á”’âż'Ëą á¶œá”’á”á”–á”˜á”—á”‰Êł ʷⁱᶠᔉ áŽ·á”ƒÊłá”‰âż ᔍᔒᔗ ᔘᔖ á¶ Êłá”’á” Ê°á”‰Êł Ëąá”‰á”ƒá”— âżá”’á”—â±á¶œâ±âżá” áŽŸËĄá”ƒâżá”á”—á”’âż'Ëą âżá”’Ê· á¶ á”ƒËĄËĄá”‰âż á”ƒËąËĄá”‰á”‰á”– ⁱⁿ á¶œÊ°á”ƒâ±Êłâ€§ ᔆʰᔉ á”á”‰âżá”—ËĄÊž ËąÊ°á”’á”’á” Ê°â±Ëą ËąÊ°á”’á”˜ËĄá”ˆá”‰Êł Ëąâ±á”Ê°á”—ËĄÊž ᔇᔘᔗ ʰᔉ ÊČá”˜Ëąá”— á¶ á”’Êł áŽŸËĄá”ƒâżá”á”—á”’âż ⁿᔒᔗ ᔇᔘᔈᔍᔉ➎ ʷⁱᔗʰ ᔐᔒᔘᔗʰ ᔃÊČá”ƒÊłâ€§ "ʞᔒᔘ ᔍᔒᔗᔗᔃ ᔍᔉᔗ á”—á”’ ᔇᔉᔈ➎ Ëąá”’ ʞᔒᔘ á¶œá”ƒâż á¶œá”’âżá”—â±âżá”˜á”‰ á”—á”’ ˹˥ᔉᔉᔖ‧ ᎔'ËĄËĄ ˥ᔉᔗ ʞᔒᔘ Êłá”‰Ëąá”— á”ƒá¶ á”—á”‰Êłâ€§ á¶œá”ƒâż ʞᔒᔘ ʷᔃᔏᔉ á”‰âżá”’á”˜á”Ê° á”—á”’ ᔍᔉᔗ á”’Êł á”á”˜Ëąá”— ᎔ á¶œá”ƒÊłÊłÊž ʞᔒᔘ?" áŽșá”’á”—Ê°â±âżá”â€§ "áŽłá”˜á”‰ËąËą ᎔'ᔐ á¶œá”ƒÊłÊłÊžâ±âżá” ʞᔒᔘ á”—Ê°á”‰âżâ€§ ᎔'ᔐ ⁿᔒᔗ á”á”’âżâżá”ƒ á”ˆâ±Ëąá”—á”˜Êłá”‡ ʞᔒᔘ ⁱᶠ ⁱᔗ'Ëą Ê°á”ƒÊłá”ˆá”‰Êł á”—á”’ Êłá”’á”˜Ëąá”‰ ʞᔒᔘ Ëąâ±âżá¶œá”‰ ᎔ á¶œá”ƒâż á”‰á”ƒËąâ±ËĄÊž ᔖᔘᔗ ʞᔒᔘ á”ÊžËąá”‰ËĄá¶ â€§â€§" áŽ·á”ƒÊłá”‰âż âżá”’Ê· á”–á”˜á”—Ëą áŽŸËĄá”ƒâżá”á”—á”’âż ⁱⁿ ᔇᔉᔈ➎ Ê·â±á”–â±âżá” Ê°â±Ëą á”ˆÊłá”’á”’ËĄ ᔒᶠᶠ ʰⁱᔐ‧ á”‚Ê°á”‰âż á”á”’Êłâżâ±âżá” ᶜᔃᔐᔉ➎ áŽŸËĄá”ƒâżá”á”—á”’âż ʷᔒᔏᔉ âżá”ƒá”—á”˜Êłá”ƒËĄËĄÊž ᔒⁿ Ê°â±Ëą á”’Ê·âż ᔃ˹ áŽ·á”ƒÊłá”‰âż ᔍᔒᔗ ᔘᔖ‧ "ᔂʰᔃᔗ ᔗⁱᔐᔉ ⁱ˹ ⁱᔗ?" "ᔀⁱᔐᔉ á¶ á”’Êł ᔘ˹ á”—á”’ ᔍᔉᔗ ᔘᔖ!" áŽ·á”ƒÊłá”‰âż á”ƒâżËąÊ·á”‰Êłá”‰á”ˆâ€§
new Karen/Sheldon J. Plankton POV Karen Sleep & Naps sleeping sitting up karen plankton get up
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new reddit gothic goth zalgo
r/shortscarystories 4 yr. ago hyperobscura đ™·đ™°đš…đ™Ž đšˆđ™Ÿđš„ đš‚đ™Žđ™Žđ™œ đšƒđ™·đ™žđš‚ đ™Œđ™°đ™œ? 𝙮𝚇𝚃. 𝙰 đ™±đšđ™žđ™Čđ™ș đ™±đš„đ™žđ™»đ™łđ™žđ™œđ™¶ - đ™¶đ™žđ™°đ™œđšƒ đ™żđ™Ÿđš‚đšƒđ™Žđš đ™żđ™»đ™°đš‚đšƒđ™Žđšđ™Žđ™ł đ™Ÿđ™œ đš†đ™°đ™»đ™», đ™±đ™Ÿđ™»đ™ł đ™»đ™Žđšƒđšƒđ™Žđšđš‚ đšˆđ™Žđ™»đ™»đ™žđ™œđ™¶: â€˜đ™·đ™°đš…đ™Ž đšˆđ™Ÿđš„ đš‚đ™Žđ™Žđ™œ đšƒđ™·đ™žđš‚ đ™Œđ™°đ™œ?’ 𝚆𝚎 𝚜𝚎𝚎 𝚊 𝚖𝚊𝚗 𝚒𝚗 𝚋𝚞𝚜𝚒𝚗𝚎𝚜𝚜 𝚊𝚝𝚝𝚒𝚛𝚎 𝚠𝚊𝚗𝚍𝚎𝚛𝚒𝚗𝚐 𝚋𝚊𝚌𝚔 𝚊𝚗𝚍 𝚏𝚘𝚛𝚝𝚑, 𝚊 𝚠𝚘𝚛𝚛𝚒𝚎𝚍 𝚎𝚡𝚙𝚛𝚎𝚜𝚜𝚒𝚘𝚗 𝚜𝚝𝚊𝚒𝚗𝚒𝚗𝚐 𝚑𝚒𝚜 𝚗𝚎𝚊𝚝𝚕𝚱 𝚜𝚑𝚊𝚟𝚎𝚗 𝚏𝚊𝚌𝚎. đ™Œđ™°đ™œ 𝙮𝚡𝚌𝚞𝚜𝚎 𝚖𝚎 𝚖𝚒𝚜𝚜? đ™Œđš’đšœđšœ? đ™·đšŽ 𝚜𝚝𝚘𝚙𝚜 𝚊 𝚱𝚘𝚞𝚗𝚐 𝚠𝚘𝚖𝚊𝚗. 𝚂𝚑𝚎 𝚕𝚘𝚘𝚔𝚜 𝚊𝚝 𝚑𝚒𝚖 𝚌𝚘𝚗𝚏𝚞𝚜𝚎𝚍𝚕𝚱. đš†đ™Ÿđ™Œđ™°đ™œ 𝚆𝚑𝚊𝚝? đ™Œđ™°đ™œ 𝙳𝚘𝚗’𝚝 𝚱𝚘𝚞 𝚏𝚒𝚗𝚍 𝚒𝚝 𝚜𝚝𝚛𝚊𝚗𝚐𝚎? đš†đ™Ÿđ™Œđ™°đ™œ đ™”đš’đš—đš 𝚠𝚑𝚊𝚝 𝚜𝚝𝚛𝚊𝚗𝚐𝚎? đ™Œđ™°đ™œ 𝚃𝚑𝚎𝚛𝚎 𝚒𝚜 𝚗𝚘 𝚖𝚊𝚗 𝚘𝚗 𝚝𝚑𝚒𝚜 𝚙𝚘𝚜𝚝𝚎𝚛. đš†đ™Ÿđ™Œđ™°đ™œ 𝙰𝚗𝚍? đ™Œđ™°đ™œ đ™·đš˜đš  𝚌𝚘𝚞𝚕𝚍 𝚱𝚘𝚞 𝚙𝚘𝚜𝚜𝚒𝚋𝚕𝚱 𝚛𝚎𝚌𝚘𝚐𝚗𝚒𝚣𝚎 𝚊 𝚖𝚊𝚗 𝚠𝚑𝚘 𝚒𝚜𝚗’𝚝 𝚝𝚑𝚎𝚛𝚎? đš†đ™Ÿđ™Œđ™°đ™œ 𝚈𝚘𝚞 𝚌𝚊𝚗’𝚝. đ™Œđ™°đ™œ ...𝚁𝚒𝚐𝚑𝚝. đš†đ™Ÿđ™Œđ™°đ™œ 𝙮𝚡𝚌𝚞𝚜𝚎 𝚖𝚎. 𝚃𝚑𝚎 𝚠𝚘𝚖𝚊𝚗 𝚋𝚛𝚎𝚊𝚔𝚜 𝚏𝚛𝚎𝚎 𝚏𝚛𝚘𝚖 𝚝𝚑𝚎 𝚖𝚊𝚗’𝚜 𝚐𝚛𝚒𝚙. 𝚃𝚑𝚎 𝚖𝚊𝚗 𝚕𝚘𝚘𝚔𝚜 𝚙𝚎𝚛𝚙𝚕𝚎𝚡𝚎𝚍, 𝚕𝚒𝚔𝚎 𝚑𝚎 𝚠𝚊𝚜 𝚞𝚗𝚊𝚠𝚊𝚛𝚎 𝚘𝚏 𝚎𝚟𝚎𝚛 𝚑𝚊𝚟𝚒𝚗𝚐 𝚐𝚛𝚊𝚋𝚋𝚎𝚍 𝚑𝚎𝚛. đ™Œđ™°đ™œ 𝙾...𝙾 𝚌𝚊𝚗’𝚝. đ™Č𝚄𝚃 đšƒđ™Ÿ: đ™žđ™œđšƒ. đ™»đ™žđš…đ™žđ™œđ™¶ đšđ™Ÿđ™Ÿđ™Œ - đ™Čđ™·đ™°đ™Ÿđšƒđ™žđ™Č, đ™»đ™žđšƒđšƒđ™Žđšđ™Žđ™ł đš†đ™žđšƒđ™· đ™Žđ™Œđ™żđšƒđšˆ đ™»đ™žđš€đš„đ™Ÿđš đ™±đ™Ÿđšƒđšƒđ™»đ™Žđš‚. 𝚆𝚎 𝚜𝚎𝚎 𝚝𝚑𝚎 𝚖𝚊𝚗 𝚜𝚒𝚝𝚝𝚒𝚗𝚐 𝚘𝚗 𝚊 𝚌𝚘𝚞𝚌𝚑, 𝚑𝚎𝚊𝚍 𝚋𝚞𝚛𝚒𝚎𝚍 𝚒𝚗 𝚑𝚒𝚜 𝚑𝚊𝚗𝚍𝚜. đ™Œđ™°đ™œ 𝚃𝚑𝚎𝚛𝚎...𝚝𝚑𝚎𝚛𝚎 𝚒𝚜 𝚗𝚘 𝚖𝚊𝚗. đ™Œđ™°đ™œ 𝚄𝚗𝚕𝚎𝚜𝚜. 𝚃𝚑𝚎𝚛𝚎 𝚒𝚜 𝚊 𝚖𝚊𝚗. đ™·đšŽ 𝚜𝚝𝚊𝚗𝚍𝚜 𝚞𝚙 𝚞𝚗𝚜𝚝𝚎𝚊𝚍𝚒𝚕𝚱, 𝚜𝚝𝚎𝚙𝚙𝚒𝚗𝚐 𝚘𝚗 𝚋𝚛𝚘𝚔𝚎𝚗 𝚐𝚕𝚊𝚜𝚜 𝚜𝚑𝚊𝚛𝚍𝚜. 𝚃𝚑𝚎𝚱 𝚍𝚒𝚐 𝚒𝚗𝚝𝚘 𝚑𝚒𝚜 𝚏𝚎𝚎𝚝, 𝚝𝚑𝚎 𝚜𝚔𝚒𝚗 𝚙𝚊𝚛𝚝𝚒𝚗𝚐 𝚒𝚗 𝚜𝚕𝚘𝚠 𝚖𝚘𝚝𝚒𝚘𝚗, 𝚋𝚕𝚘𝚘𝚍 𝚏𝚕𝚘𝚠𝚒𝚗𝚐 𝚘𝚞𝚝 𝚊𝚜 𝚝𝚑𝚎 𝚜𝚑𝚊𝚛𝚍 𝚙𝚞𝚜𝚑𝚎𝚜 𝚒𝚗𝚝𝚘 𝚏𝚕𝚎𝚜𝚑. đ™Œđ™°đ™œ 𝚃𝚑𝚎𝚛𝚎 𝚒𝚜 𝚊 𝚖𝚊𝚗. đ™Č𝚄𝚃 đšƒđ™Ÿ: 𝙮𝚇𝚃. đ™±đ™°đ™Čđ™ș đšƒđ™Ÿ đšƒđ™·đ™Ž đ™±đšđ™žđ™Čđ™ș đ™±đš„đ™žđ™»đ™łđ™žđ™œđ™¶ - đ™Žđ™°đšđ™»đšˆ đ™Œđ™Ÿđšđ™œđ™žđ™œđ™¶ 𝚆𝚎 𝚜𝚎𝚎 𝚝𝚑𝚎 𝚖𝚊𝚗 𝚜𝚒𝚝𝚝𝚒𝚗𝚐 𝚞𝚗𝚍𝚎𝚛𝚗𝚎𝚊𝚝𝚑 𝚝𝚑𝚎 𝚙𝚘𝚜𝚝𝚎𝚛, 𝚎𝚖𝚙𝚝𝚱 𝚕𝚒𝚚𝚞𝚘𝚛 𝚋𝚘𝚝𝚝𝚕𝚎 𝚒𝚗 𝚑𝚊𝚗𝚍. đ™·đš’đšœ 𝚜𝚞𝚒𝚝 𝚒𝚜 𝚜𝚝𝚊𝚒𝚗𝚎𝚍 𝚊𝚗𝚍 𝚝𝚘𝚛𝚗. đ™·đšŽ 𝚒𝚜𝚗’𝚝 𝚠𝚎𝚊𝚛𝚒𝚗𝚐 𝚊𝚗𝚱 𝚜𝚑𝚘𝚎𝚜; 𝚍𝚎𝚎𝚙 𝚐𝚊𝚜𝚑𝚎𝚜 𝚟𝚒𝚜𝚒𝚋𝚕𝚎 𝚞𝚗𝚍𝚎𝚛 𝚑𝚒𝚜 𝚏𝚎𝚎𝚝. 𝙰𝚗 𝚎𝚕𝚍𝚎𝚛𝚕𝚱 𝚖𝚊𝚗 𝚠𝚊𝚕𝚔𝚜 𝚋𝚱. 𝚃𝚑𝚎 𝚖𝚊𝚗 𝚜𝚝𝚞𝚖𝚋𝚕𝚎𝚜 𝚝𝚘 𝚑𝚒𝚜 𝚏𝚎𝚎𝚝, 𝚊𝚗𝚍 𝚐𝚛𝚊𝚋𝚜 𝚑𝚒𝚖 𝚋𝚱 𝚝𝚑𝚎 𝚜𝚑𝚘𝚞𝚕𝚍𝚎𝚛. đ™Œđ™°đ™œ 𝚆𝚑𝚘 𝚒𝚜 𝚝𝚑𝚎 𝚖𝚊𝚗? đ™·đšŠđšŸđšŽ 𝚱𝚘𝚞 𝚜𝚎𝚎𝚗 𝚝𝚑𝚎 𝚖𝚊𝚗? đ™Žđ™»đ™łđ™Žđšđ™»đšˆ đ™Œđ™°đ™œ đ™œđš˜. 𝚃𝚑𝚎 𝚎𝚕𝚍𝚎𝚛𝚕𝚱 𝚖𝚊𝚗’𝚜 𝚏𝚊𝚌𝚎 𝚌𝚘𝚖𝚎𝚜 𝚘𝚏𝚏. 𝚃𝚑𝚎𝚛𝚎 𝚒𝚜 𝚗𝚘𝚝𝚑𝚒𝚗𝚐 𝚞𝚗𝚍𝚎𝚛𝚗𝚎𝚊𝚝𝚑. 𝙰 𝚋𝚕𝚊𝚗𝚔 𝚜𝚙𝚊𝚌𝚎. 𝚃𝚑𝚎 𝚖𝚊𝚗 𝚜𝚝𝚞𝚖𝚋𝚕𝚎𝚜 𝚋𝚊𝚌𝚔 𝚒𝚗 𝚏𝚎𝚊𝚛. đ™·đšŽ 𝚌𝚘𝚕𝚕𝚊𝚙𝚜𝚎𝚜 𝚘𝚗 𝚝𝚑𝚎 𝚐𝚛𝚘𝚞𝚗𝚍 𝚞𝚗𝚍𝚎𝚛𝚗𝚎𝚊𝚝𝚑 𝚝𝚑𝚎 𝚙𝚘𝚜𝚝𝚎𝚛. đ™Č𝚄𝚃 đšƒđ™Ÿ: 𝙮𝚇𝚃. đ™±đšđ™žđ™Čđ™ș đ™±đš„đ™žđ™»đ™łđ™žđ™œđ™¶ - đ™œđ™žđ™¶đ™·đšƒ đšƒđ™žđ™Œđ™Ž - đš‚đ™žđ™œđ™¶đ™»đ™Ž 𝚂𝚃𝚁𝙮𝙮𝚃 đ™»đ™°đ™Œđ™ż đ™žđ™»đ™»đš„đ™Œđ™žđ™œđ™°đšƒđ™žđ™œđ™¶ đšƒđ™·đ™Ž đš†đ™°đ™»đ™» 𝚃𝚑𝚎 𝚖𝚊𝚗 𝚕𝚒𝚎𝚜 𝚞𝚗𝚌𝚘𝚗𝚜𝚌𝚒𝚘𝚞𝚜 𝚞𝚗𝚍𝚎𝚛 𝚝𝚑𝚎 𝚙𝚘𝚜𝚝𝚎𝚛. đ™·đšŽ 𝚒𝚜 𝚑𝚘𝚕𝚕𝚘𝚠-𝚌𝚑𝚎𝚎𝚔𝚎𝚍, 𝚊𝚗 𝚞𝚗𝚔𝚎𝚖𝚙𝚝 𝚋𝚎𝚊𝚛𝚍 𝚊𝚛𝚘𝚞𝚗𝚍 𝚌𝚛𝚊𝚌𝚔𝚎𝚍 𝚕𝚒𝚙𝚜. 𝙰 𝚜𝚑𝚊𝚍𝚘𝚠 𝚊𝚙𝚙𝚛𝚘𝚊𝚌𝚑𝚎𝚜 𝚏𝚛𝚘𝚖 𝚝𝚑𝚎 𝚙𝚎𝚛𝚒𝚙𝚑𝚎𝚛𝚱. 𝙰 𝚜𝚕𝚎𝚗𝚍𝚎𝚛 𝚏𝚒𝚐𝚞𝚛𝚎 𝚊𝚙𝚙𝚎𝚊𝚛𝚜. đš„đ™œđ™șđ™œđ™Ÿđš†đ™œ 𝙰𝚛𝚎 𝚱𝚘𝚞 𝚝𝚑𝚎 𝚖𝚊𝚗? 𝚃𝚑𝚎 𝚖𝚊𝚗 𝚓𝚘𝚕𝚝𝚜 𝚊𝚠𝚊𝚔𝚎, 𝚏𝚎𝚊𝚛 𝚍𝚘𝚖𝚒𝚗𝚊𝚝𝚒𝚗𝚐 𝚑𝚒𝚜 𝚕𝚎𝚝𝚑𝚊𝚛𝚐𝚒𝚌 𝚟𝚒𝚜𝚊𝚐𝚎. đ™Œđ™°đ™œ đ™œđš˜...𝚆𝚑𝚎𝚛𝚎 𝚒𝚜 𝚝𝚑𝚎 𝚖𝚊𝚗? 𝚆𝚑𝚘 𝚒𝚜 𝚝𝚑𝚎 𝚖𝚊𝚗? đš„đ™œđ™șđ™œđ™Ÿđš†đ™œ 𝚈𝚘𝚞 𝚊𝚛𝚎 𝚝𝚑𝚎 𝚖𝚊𝚗. đ™Œđ™°đ™œ đ™œđš˜ 𝚗𝚘 𝚗𝚘. đ™»đš˜đš˜đš”. 𝚃𝚑𝚎𝚛𝚎 𝚒𝚜 𝚗𝚘 𝚖𝚊𝚗. đ™·đšŽ 𝚙𝚘𝚒𝚗𝚝𝚜 𝚝𝚘 𝚝𝚑𝚎 𝚙𝚘𝚜𝚝𝚎𝚛, 𝚋𝚞𝚝 𝚓𝚎𝚛𝚔𝚜 𝚋𝚊𝚌𝚔 𝚒𝚗 𝚜𝚞𝚍𝚍𝚎𝚗 𝚜𝚑𝚘𝚌𝚔. 𝚆𝚎 𝚜𝚎𝚎 𝚝𝚑𝚎 𝚙𝚘𝚜𝚝𝚎𝚛 𝚗𝚘𝚠. 𝙾𝚝 𝚒𝚜 𝚗𝚘𝚝 𝚋𝚕𝚊𝚗𝚔. 𝙾𝚝 𝚑𝚊𝚜 𝚊 𝚏𝚊𝚌𝚎. 𝙾𝚝 𝚒𝚜 𝚝𝚑𝚎 𝚖𝚊𝚗’𝚜 𝚏𝚊𝚌𝚎. đš„đ™œđ™șđ™œđ™Ÿđš†đ™œ 𝚈𝚘𝚞 𝚊𝚛𝚎 𝚝𝚑𝚎 𝚖𝚊𝚗. 𝙾 𝚑𝚊𝚟𝚎 𝚜𝚎𝚎𝚗 𝚱𝚘𝚞 𝚗𝚘𝚠. đ™Œđ™°đ™œ 𝚆𝚑𝚊𝚝 𝚍𝚘𝚎𝚜 𝚒𝚝 𝚖𝚎𝚊𝚗? 𝚆𝚑𝚊𝚝 𝚍𝚘𝚎𝚜 𝚒𝚝 𝚊𝚕𝚕 𝚖𝚎𝚊𝚗? đš„đ™œđ™șđ™œđ™Ÿđš†đ™œ 𝚈𝚘𝚞 𝚑𝚊𝚟𝚎 𝚋𝚎𝚎𝚗 𝚏𝚘𝚞𝚗𝚍. 𝙰𝚗𝚍 𝚗𝚘𝚠 𝚱𝚘𝚞 𝚠𝚒𝚕𝚕 𝚏𝚘𝚛𝚐𝚎𝚝. 𝚆𝚎 𝚜𝚎𝚎 𝚝𝚑𝚎 𝚖𝚊𝚗 𝚋𝚛𝚎𝚊𝚔𝚒𝚗𝚐 𝚞𝚙 𝚒𝚗 𝚝𝚎𝚊𝚛𝚜 𝚊𝚜 𝚝𝚑𝚎 𝚜𝚎𝚝 𝚌𝚘𝚖𝚎𝚜 𝚊𝚙𝚊𝚛𝚝. 𝚃𝚑𝚎𝚛𝚎 𝚒𝚜 𝚗𝚘𝚝𝚑𝚒𝚗𝚐 𝚋𝚎𝚑𝚒𝚗𝚍. đ™œđš˜đšđš‘đš’đš—đš 𝚞𝚗𝚍𝚎𝚛𝚗𝚎𝚊𝚝𝚑. 𝚃𝚑𝚎𝚛𝚎 𝚒𝚜 𝚗𝚘𝚝𝚑𝚒𝚗𝚐 𝚋𝚞𝚝 𝚗𝚘𝚝𝚑𝚒𝚗𝚐. đ™Œđ™°đ™œ 𝚆𝚑𝚘 𝚊𝚖 𝙾? đšƒđ™·đ™Ž đ™Žđ™œđ™ł “It’s me dad,” I say, tears streaming down my face. They told me the disease would consume his mind, but I was never really prepared for it. I hug him tightly. A part of me knows that this is goodbye. “Who is the man,” he just keeps muttering.
new Screenplay/Script Format mystery stories reddit
Go to tinyhorribles r/tinyhorribles 5 days ago therealdocturner Silence Is Violence The alley is dark. I see my breath in the frigid air. My hands are outstretched and my fingers can reach the wall on either side. It’s narrow. The walls are wet and slicked with some kind of slime. Children are screaming somewhere in the dark. The only light is a faint glow from the bricks of the alley as I walk past them. The screams are behind me and they’re getting closer. Footsteps. Like a thousand people running behind me, getting closer and closer. My chest hurtÌž and I faƂƂ over. The alley is go̕ne. Everything is light now. Too bright to see anything. I hear people yelling. I smell soap. I fall back into the darkness of the alley. I run and I can feel my heart trying to beat its way out of my chest. The screaming children behind me say my name. The walls move further apart as I run forward and their soft glow is only in my peripheral now, as it's devoured by the darkness. It’s getting colder. I run into the darkÌ”. God, help me. There are lights in front of me. I move forward. I recognize the main street of the town where I grew up. Everything is just as it was from my childhood, save for bĂždies of children hanging from every lamp post. They’ve been gutted. Their insides pile up underneath the swaying corpses. Roman Numerals are carved into their foreheads. My chest exploded in paın. My hometown is go̶ne. Light and pain are all that remain. Frantic voices. My chest is on fire. My shirt is open. I fall back onto Blackstone Avenue. The buildings are on fire. Children with accusatory eyes surround me on the street. They’re pointing, at me. The Roman numerals are raised and bleeding. Ligature marks are on every neck, and all of them begin to walk toward me. Their backbones are visible through the gaping holes in their abdominals. My chest is in agĂžny. Just before they grab me, I’m back in that blinding light. Convulsıons and I feel my own spit running down my neck. POP POP POP Three hard knocks against my chest and my eyes begin to slightly focus. I’m in a hospıtals room. D͜oçtorÌĄ holds a pair of panels just above me, and I can hear my own heartbeat on a machine. Two days later. My wife of fifty one years stands above my hospıtal bed, crying and thankful I pulled through. She stays until I make her go home. My son comes and sees me afterwards, and I tell him about all the children that I saw. I tell him that I’ve always known what he did to them, but I kept my mouth shut so it wouldn’t destroy his mother. I tell him I can’t do it anymore. I rısk condemnation with my silence. He’s got to turn himself in. He tells me he loves me, as he pushes a pi]low over my fac͘e.
new emotional pain language: English secret past embarrassing secret reddit
ᔆⁱᔈᔉ ᔇʞ Ëąâ±á”ˆá”‰ âœá”†á”–á”’âżá”á”‰áŽźá”’á”‡ á¶ á”ƒâżá¶ â±á¶œâŸ áŽŒâż ᔗʰᔉ Êłá”’á”’á¶  ᔒᶠ ᔗʰᔉ ᶜʰᔘᔐ ᔇᔘᶜᔏᔉᔗ➎ áŽŸËĄá”ƒâżá”á”—á”’âż á”—Ê°Êłá”‰Ê· ᔗʰᔉ á”Êłá”ƒá”–á”–ËĄâ±âżá” ʰᔒᔒᔏ ᔃ˹ ⁱᔗ ᔃᔗᔗᔃᶜʰᔉᔈ á”—á”’ ᔗʰᔉ Êłá”’á”’á¶  ᔒᶠ ᔗʰᔉ á”Êłá”˜Ëąá”—Êž á”Êłá”ƒá”‡â€§ á”†á”‰á¶œá”˜Êłâ±âżá” ⁱᔗ➎ áŽŸËĄá”ƒâżá”á”—á”’âż Ê·á”‰âżá”— ᔃⁿᔈ ᔍᔒᔗ ᶻⁱᔖ ˥ⁱⁿᔉ á”á”‰á¶œÊ°á”ƒâżâ±Ëąá” ᔃ˹ ʰᔉ ÊČᔘᔐᔖᔉᔈ ËąËĄâ±á”ˆâ±âżá” ᔒⁿ á”ˆá”’Ê·âżâ€§ áŽčÊłâ€§ áŽ·Êłá”ƒá”‡Ëą Ëąá”ƒÊ· ʰⁱᔐ ᔃᔇᔒᔛᔉ ᔗʰᔉ Êłá”’á”ƒá”ˆ Ê·Ê°á”‰âż Ëąá”‰á”‰â±âżá” ᔗʰᔉ Êłá”’á”–á”‰ Ëąá”—Êłâ±âżá” ʰᔉ Ëąá”‰á”›á”‰Êłá”‰á”ˆ ⁱᔗ‧ á¶ á”ƒËĄËĄâ±âżá” á”ˆá”’Ê·âż Ê°á”‰á”ƒá”ˆá¶ â±ÊłËąá”—âžŽ áŽŸËĄá”ƒâżá”á”—á”’âż ʰⁱᔗ ᔗʰᔉ Ê°á”ƒÊłá”ˆ á¶œá”‰á”á”‰âżá”— á”’âżá¶œá”‰ ʰᔉ ᶠᔉ˥˥ á”ˆá”’Ê·âżâ€§ áŽŸËĄá”ƒâżá”á”—á”’âż'Ëą ᔛⁱ˹ⁱᔒⁿ á”‡ËĄá”˜ÊłÊłá”‰á”ˆ ᔃⁿᔈ ᶠᔃᔈᔉᔈ ⁱⁿᔗᔒ âżá”’á”—Ê°â±âżá”âżá”‰ËąËąâžŽ á”˜âżá¶œá”’âżËąá¶œâ±á”’á”˜Ëąâ€§ á”†á”–á”’âżá”á”‰á”‡á”’á”‡ ʷᔃᔗᶜʰᔉᔈ ⁱᔗ ᔃ˥˥ á”˜âżá¶ á”’ËĄá”ˆ Ê°á”‰ËĄá”–ËĄá”‰ËąËąËĄÊžâ€§ áŽčÊłâ€§ áŽ·Êłá”ƒá”‡Ëą á¶ Êłá”’á¶»á”‰ ᔃ˹ á”†á”–á”’âżá”á”‰á”‡á”’á”‡ Ê·á”‰âżá”— á”—á”’ áŽŸËĄá”ƒâżá”á”—á”’âż'Ëą ˹ᔗⁱ˥˥ á¶ á”’Êłá” á”ƒá¶ á”—á”‰Êł ᔗʰᔉ á”ƒá”–á”–á”ƒÊłá”ƒá”—á”˜Ëą ʰⁱᔗ áŽŸËĄá”ƒâżá”á”—á”’âż'Ëą ʰᔉᔃᔈ‧ áŽčÊłâ€§ áŽ·Êłá”ƒá”‡Ëą ᔇᔃᶜᔏᔉᔈ ᔃʷᔃʞ ᔇᔃᶜᔏ ⁱⁿᔗᔒ Ê°â±Ëą á”’Ê·âż Êłá”‰Ëąá”—á”ƒá”˜Êłá”ƒâżá”— ËĄá”‰á”ƒá”›â±âżá” á”†á”–á”’âżá”á”‰á”‡á”’á”‡ ʷⁱᔗʰ áŽŸËĄá”ƒâżá”á”—á”’âżâ€§ ᎎⁱ˹ á¶œá”’á”á”ƒá”—á”’Ëąá”‰ ᔇᔒᔈʞ ˹ᔗⁱ˥˥ á¶œá”’á”˜ËĄá”ˆ á”‡Êłá”‰á”ƒá”—Ê°á”‰ ᔃⁿᔈ Ê°á”‰á”ƒÊłá”— ᔇᔉᔃᔗ Ëąá”–á”’âżá”á”‰á”‡á”’á”‡ ᔐᔃᔈᔉ Ëąá”˜Êłá”‰â€§ áŽŸËĄá”ƒâżá”á”—á”’âż ᔈⁱᔈⁿ'á”— ËąÊ°á”’Ê· ᔐᔘᶜʰ â±âżá”ˆâ±á¶œá”ƒá”—â±á”’âż ᔒᶠ ˥ⁱᶠᔉ á”’á”—Ê°á”‰ÊłÊ·â±Ëąá”‰âžŽ âżá”’Êł á¶œá”’á”˜ËĄá”ˆ ʰᔉ á”ƒá¶œá”âżá”’Ê·ËĄá”‰á”ˆá”á”‰ Ëąá”˜ÊłÊłá”’á”˜âżá”ˆâ±âżá”Ëą ᔃ˹ ᔈᔉᔃᔈ á”—á”’ ᔗʰᔉ Ê·á”’ÊłËĄá”ˆ ʷⁱᔗʰᔒᔘᔗ á”‡á”‰â±âżá” á”ƒá¶œá”—á”˜á”ƒËĄËĄÊž ᔈᔉᔃᔈ‧ á”†á”–á”’âżá”á”‰á”‡á”’á”‡ á¶œá”’á”˜ËĄá”ˆâż'á”— ᔍᔉᔗ ʰⁱᔐ á”—á”’ Êłá”‰á”ƒá¶œá”— á”’Êł ᔈᔒ á”ƒâżÊžá”—Ê°â±âżá”âžŽ ᔉᔛᔉⁿ á”ƒá¶ á”—á”‰Êł á”—ÊłÊžâ±âżá” á”—á”’ Ëąá‘«á”˜á”‰á”‰á¶»á”‰ Ê°â±Ëą Ê°á”ƒâżá”ˆâ€§ "ᔂᔉ ᔍᔒᔗᔗᔃ ᔍᔉᔗ ʰⁱᔐ ᔒᔘᔗ ᔒᶠ ᔗʰᔉ Ëąá”—Êłá”‰á”‰á”— ᔃᔗ ËĄá”‰á”ƒËąá”—â€§â€§" á”†á”–á”’âżá”á”‰á”‡á”’á”‡ Ëąá”ƒâ±á”ˆâ€§ ᎎᔉ á”âżá”‰Ê· á”†á”ƒâżá”ˆÊž ᔃⁿᔈ áŽ·á”ƒÊłá”‰âż Ê·á”‰Êłá”‰ Ê°á”ƒá”›â±âżá” ᔃ âżâ±á”Ê°á”— ᔒᔘᔗ➎ Ëąá”’ ʰᔉ ˹ᔉᔗ ʰⁱᔐ ᔒⁿ ᔗʰᔉ ᶜᔒᔘᶜʰ ᔃ˹ Ëąá”–á”’á”— ᔗʰᔉ ᔃᔐᔒᔉᔇᔃ ᔖᔘᔖᔖʞ á”—Êłá”’á”—Ëą á”’á”›á”‰Êłâ€§ ᔆᔖᔒᔗ Ê·Ê°â±á”á”–á”‰Êłá”‰á”ˆ ᔃⁿᔈ ᔍᔃᔛᔉ áŽŸËĄá”ƒâżá”á”—á”’âż á”â±ËąËąá”‰Ëą ᔇᔘᔗ ʰᔉ ᔈⁱᔈⁿ'á”— Êłá”‰Ëąá”–á”’âżá”ˆ á”—á”’ Ëąá”–á”’á”—Ëą ËĄâ±á¶œá”â±âżá” ⁱⁿ ᔗʰᔉ ËąËĄâ±á”Ê°á”—á”‰Ëąá”—! "᎔'ᔛᔉ á”‡Êłá”’á”˜á”Ê°á”— ʞᔒᔘ á”—á”’ ᔗʰᔉ á¶œá”’á”á¶ á”’Êłá”— ᔒᶠ Êžá”’á”˜Êł ʰᔒᔐᔉ‧‧" á¶œÊłâ±á”‰á”ˆ á”†á”–á”’âżá”á”‰á”‡á”’á”‡â€§ á”†á”ƒâżá”ˆÊž á”—á”’ËĄá”ˆ Ëąá”–á”’âżá”á”‰á”‡á”’á”‡ á”‰á”ƒÊłËĄâ±á”‰Êł ᔃᔇᔒᔘᔗ ᔗʰᔉ á”â±ÊłËĄËą âżâ±á”Ê°á”— ᔃⁿᔈ á”—á”’ ⁿᔒᔗ â±âżá”—á”‰ÊłÊłá”˜á”–á”—âžŽ ᔇᔘᔗ ʰᔉ á”—á”‰ËŁá”—á”‰á”ˆ 'Ëąá”’ÊłÊłÊž á”—á”’ á”‡á”’á”—Ê°á”‰Êł ʞᔒᔘ ᔇᔘᔗ ʞᔒᔘ âżá”‰á”‰á”ˆ á”—á”’ á”âżá”’Ê· Êžá”’á”˜Êł Ê°á”˜Ëąá”‡á”ƒâżá”ˆ ⁱ˹ ⁱⁿ ˹ᔉⁿ˹ᔉ˥ᔉ˹˹ ᶜᔒᔐᔃ' Ëąá”–á”’âżá”á”‰á”‡á”’á”‡ á”—á”‰ËŁá”—á”‰á”ˆ áŽ·á”ƒÊłá”‰âżâ€§ á”†á”–á”’âżá”á”‰á”‡á”’á”‡ á”ˆá”‰Ëąá”–á”‰Êłá”ƒá”—á”‰ á”‰âżá”’á”˜á”Ê° á”—á”’ Êłá”‰á”ƒá”ˆ ᔗʰᔉ ᔖᔃᔗᔗʞ â±âżá”Êłá”‰á”ˆâ±á”‰âżá”—Ëą á”—á”’ áŽŸËĄá”ƒâżá”á”—á”’âż ᔇᔘᔗ ʰᔉ ˹ᔗⁱ˥˥ ᔈⁱᔈⁿ'á”— á¶ ËĄâ±âżá¶œÊ° á”’Êł ËąÊ°á”’Ê· ᔐᔒᔛᔉᔐᔉⁿᔗ‧ ᔆᔖᔒᔗ ËĄá”’á”’á”á”‰á”ˆ ᔃᔗ Ê°â±Ëą á”’Ê·âżá”‰Êłâ€§ "᎔ á”âżá”’Ê· ⁱᔗ'Ëą ᔇᔃᔈ ᔆᔖᔒᔗ ᔇᔘᔗ ʰᔉ Ê·á”’âż'á”— ʷᔃᔏᔉ ᔘᔖ!" á”†á”–á”’âżá”á”‰á”‡á”’á”‡ ᶠᔉ˥ᔗ Ê°â±Ëą á”—á”‰á”ƒÊłËą Ëąá”—Êłá”‰á”ƒá” á”ˆá”’Ê·âżâ€§ "᎔ Ê·á”’âż'á”— ᔍⁱᔛᔉ ᔘᔖ ᔒⁿ➎ ᎔ á”âżá”’Ê· ʞᔒᔘ'Êłá”‰ Ëąá”’á”á”‰Ê·Ê°á”‰Êłá”‰ ⁱⁿ‧‧" á”†á”’á”‡á”‡â±âżá” ᔃⁿᔈ á”–á”ƒá”—á”—â±âżá” áŽŸËĄá”ƒâżá”á”—á”’âż'Ëą á”ƒÊłá” á”†á”–á”’âżá”á”‰á”‡á”’á”‡ ᔈⁱᔈⁿ'á”— ËĄá”‰á”ƒá”›á”‰ Ê°â±Ëą Ëąâ±á”ˆá”‰â€§ áŽčá”‰á”ƒâżÊ·Ê°â±ËĄá”‰ áŽ·á”ƒÊłá”‰âż ᔃⁿᔈ Ëąá”ƒâżá”ˆÊž Ê·á”‰Êłá”‰ á¶œÊ°á”ƒá”—á”—â±âżá”â€§ "áŽșá”’á”—â±á¶ â±á¶œá”ƒá”—â±á”’âż á¶ Êłá”’á” á”†á”–á”’âżá”á”‰á”‡á”’á”‡â€§â€§â€§" "᎔ á”—á”’ËĄá”ˆ ʰⁱᔐ ᎔'ᔈ Ëąâ±ËĄá”‰âżá¶œá”‰ ᔐʞ á”–Ê°á”’âżá”‰! ᎌʰ Ê°á”’Ê· á”ˆá”ƒÊłá”‰ ʰᔉ‧‧‧" á”†á”ƒâżá”ˆÊž Ëąá”—á”ƒÊłá”—á”‰á”ˆ ᔇᔘᔗ Ëąá”—á”’á”–Ëą ᔃ˹ áŽ·á”ƒÊłá”‰âż'Ëą á”‰ËŁá”–Êłá”‰ËąËąâ±á”’âż á¶œÊ°á”ƒâżá”á”‰á”ˆâ€§ "á”†á”’á”á”‰á”—Ê°â±âżá” á”á”˜Ëąá”— ᔇᔉ Ê·Êłá”’âżá”â€§â€§â€§ áŽŸËĄá”ƒâżá”á”—á”’âż'Ëą Ê°á”˜Êłá”—â€œ á”†á”’á”á”‰á”—Ê°â±âżá” ᔇᔃᔈ á”á”˜Ëąá”—'ᔛᔉ Ê°á”ƒá”–á”–á”‰âżá”‰á”ˆâ€§" á”†á”ƒâżá”ˆÊž á¶ á”’ËĄËĄá”’Ê·á”‰á”ˆ áŽ·á”ƒÊłá”‰âż á”—á”’ ᔗʰᔉ ᶜʰᔘᔐ ᔇᔘᶜᔏᔉᔗ‧ "á”‚Ê°á”‰Êłá”‰'Ëą áŽŸËĄá”ƒâżá”á”—á”’âż?" ᔀʰᔉʞ Ëąá”ƒÊ· Ëąá”–á”’á”— ᔃ˹ ʰᔉ á”‡á”ƒÊłá”á”‰á”ˆ ˹ᔗⁱ˥˥ ᔇʞ ᔗʰᔉᔐ‧ á”†á”–á”’âżá”á”‰á”‡á”’á”‡ á”—á”’ËĄá”ˆ ᔗʰᔉᔐ ᔃᔇᔒᔘᔗ ᔗʰᔉ ᶻⁱᔖ ˥ⁱⁿᔉ ᔃⁿᔈ Ê°á”’Ê· ʰᔉ á”‰âżá”ˆá”‰á”ˆ ᔘᔖ á”ˆá”‰á”‰á”–ËĄÊž á”˜âżá¶œá”’âżËąá¶œâ±á”’á”˜Ëą ᔃⁿᔈ á¶œá”’á”á”–ËĄá”‰á”—á”‰ËĄÊž ˥ⁱᔐᔖ‧ "áŽ·á”ƒÊłá”‰âż á¶œá”ƒâż ʞᔒᔘ Ëąá¶œá”ƒâż ʰⁱᔐ á”—á”’ ˹ᔉᔉ á”’Êł Ëąá”’á”á”‰á”—Ê°â±âżá”?" ᔆʰᔉ á”—á”˜Êłâżá”‰á”ˆâžŽ á”‰ËŁá”ƒá”â±âżâ±âżá” ʰⁱᔐ‧ "áŽșá”’á”—Ê°â±âżá” ʷᔉ á¶œá”ƒâż ᔈᔒ á”—á”’âżâ±á”Ê°á”— ᔇᔘᔗ ʰᔉ'Ëą ⁿᔒᔗ á”á”’âżâżá”ƒ ᔇᔉ á”ƒá”‡ËĄá”‰ á”—á”’ Êłá”’á”˜Ëąá”‰ á¶œá”’âżËąá¶œâ±á”’á”˜Ëąâżá”‰ËąËą á¶ á”’Êł ᔃᔗ ËĄá”‰á”ƒËąá”— á”—á”’á”á”’ÊłÊłá”’Ê· á”ƒá¶ á”—á”‰Êłâżá”’á”’âżâ€§â€§" ᔆᔃⁱᔈ áŽ·á”ƒÊłá”‰âżâ€§ á”†á”–á”’âżá”á”‰ ᔇᔒᔇ ᶜᔃᔐᔉ Êłâ±á”Ê°á”— á”—á”’ ᔗʰᔉ ᶜʰᔘᔐ ᔇᔘᶜᔏᔉᔗ ᔗʰᔉ ⁿᔉˣᔗ á”á”’Êłâżâ±âżá”â€§ ᔆᔖᔒᔗ Ëąá”ƒÊ· Ëąá”–á”’âżá”á”‰á”‡á”’á”‡ ᔃⁿᔈ ᔍᔃᔛᔉ ᔃ ˹ᔃᔈ ʷᔃᔍ ᔒᶠ Ê°â±Ëą á”—á”ƒâ±ËĄâ€§ á”†á”–á”’âżá”á”‰á”‡á”’á”‡ á”–á”˜ËĄËĄá”‰á”ˆ ᔘᔖ ᔃ á¶œÊ°á”ƒâ±Êł ᔇʞ ʰⁱᔐ ᔃᔈÊČá”ƒá¶œá”‰âżá”— á”—á”’ ᔗʰᔉ ᶜᔒᔘᶜʰ Ê·Ê°á”‰Êłá”‰ áŽŸËĄá”ƒâżá”á”—á”’âż'Ëą ᔃᔗ‧ ᎎᔉ Ê°á”‰ËĄá”ˆ Ëąá”–á”’á”— ᔒⁿ Ê°â±Ëą ËĄá”ƒá”–â€§ "ᎎᔉ˥˥ᔒ áŽŸËĄá”ƒâżá”á”—á”’âż; ᎔'ᔛᔉ ⁿᔒ Ê·á”’Êłá” ᔃᔗ ᔗʰᔉ á”Êłá”˜Ëąá”—Êž á”Êłá”ƒá”‡ ᔗᔒᔈᔃʞ‧ áŽ·á”ƒÊłá”‰âż á”—á”’ËĄá”ˆ ᔐᔉ ʞᔒᔘ'ᔈ ËĄâ±á”á”‰ËĄÊž á”—á”’ â±á”á”–Êłá”’á”›á”‰! ᔂᔉ ˥ᔒᔛᔉ ʞᔒᔘ‧‧‧" ᔀʰᔉ á¶ â±ÊłËąá”— á”—Ê°â±âżá” ˹ᔉⁿ˹ᔉ á¶ á”’Êł áŽŸËĄá”ƒâżá”á”—á”’âż á”—á”’ Êłá”‰á”á”ƒâ±âż Ê·á”ƒËą Ê°â±Ëą Ê°á”‰á”ƒÊłâ±âżá”â€§ ᔆᔗⁱ˥˥ ⁿᔒᔗ ᔃʷᔃᔏᔉ➎ ᔗʰᔉ á”á”˜á¶ á¶ ËĄá”‰á”ˆ Ëąá”’á”˜âżá”ˆ ᔒᶠ á”†á”–á”’âżá”á”‰á”‡á”’á”‡'Ëą ᔛᔒⁱᶜᔉ ᔐᔃᔈᔉ ʷᔃʞ á”—á”’ á”—Ê°Êłá”’á”˜á”Ê° áŽŸËĄá”ƒâżá”á”—á”’âżâ€§ "᎔ Êłá”‰á”á”‰á”á”‡á”‰Êł Ê·Ê°á”‰âż ʞᔒᔘ ᔃᔈᔒᔖᔗᔉᔈ ˹ᔖᔒᔗ‧‧" ᔆᔃⁱᔈ á”†á”–á”’âżá”á”‰ ᔇᔒᔇ ᔃ˹ áŽŸËĄá”ƒâżá”á”—á”’âż ⁿᔉˣᔗ Êłá”‰á”ƒËĄâ±Ëąá”‰á”ˆ Ëąá”–á”’âżá”á”‰á”‡á”’á”‡'Ëą ᔇʞ ʰⁱᔐ‧ ᎎᔉ ᔈⁱᔈⁿ'á”— ʷᔃᔏᔉ ᔘᔖ ʞᔉᔗ ᔇᔘᔗ ʰᔉ á¶œá”’á”˜ËĄá”ˆâż'á”— Ëąá”˜á”á”á”’âż ᔗʰᔉ á”‰âżá”‰Êłá”Êž á”—á”’ Êłá”’á”˜Ëąá”‰ âżá”’Êł ᔒᔖᔉⁿ Ê°â±Ëą ᔉʞᔉ ʞᔉᔗ‧ ᔆᔖᔒᔗ Êłá”‰á”ƒËĄâ±Ëąá”‰á”ˆ áŽŸËĄá”ƒâżá”á”—á”’âż Ê·á”ƒËąâż'á”— ᔃ˹ á¶œá”’á”á”ƒá”—á”’Ëąá”‰ ᔃ˹ á”‡á”‰á¶ á”’Êłá”‰â€§ áŽŸËĄá”ƒâżá”á”—á”’âż Êłá”‰á¶œá”’á”âżâ±Ëąá”‰á”ˆ Ëąá”–á”’á”—'Ëą ᔇʞ ʰⁱᔐ‧ á”†á”–á”’âżá”á”‰á”‡á”’á”‡ âżá”’á”—â±á¶œá”‰á”ˆ Ëąá”–á”’á”— á”‰á”ƒá”á”‰Êł Ê·Ê°á”‰âż áŽŸËĄá”ƒâżá”á”—á”’âż'Ëą á”‰Êžá”‰ËĄâ±á”ˆ á”‡á”ƒÊłá”‰ËĄÊž ᔗʷⁱᔗᶜʰᔉᔈ ᔇᔘᔗ ˹ᔗⁱ˥˥ á¶œËĄá”’Ëąá”‰á”ˆâ€§ á”†á”–á”’âżá”á”‰á”‡á”’á”‡ á”á”ƒËąá”–á”‰á”ˆ ⁱⁿ á”‰ËŁá¶œâ±á”—á”‰á”á”‰âżá”— á”˜á”–á”’âż Ëąá”‰á”‰â±âżá” ᔐᔒᔛᔉᔐᔉⁿᔗ‧ "᎔'ᔛᔉ á”â±ËąËąá”‰á”ˆ ᔗʰᔉ áŽŸËĄá”ƒâżá”á”—á”’âż ᎔ ˥ᔒᔛᔉ ʷʰᔒᔐ ʷᔉ ᔃ˥˥ á”âżá”’Ê·â€§â€§â€§" á¶œá”’á”ƒËŁá”‰á”ˆ Ëąá”–á”’âżá”á”‰á”‡á”’á”‡ ᔃ˹ áŽŸËĄá”ƒâżá”á”—á”’âż Ëąá”—á”ƒÊłá”—á”‰á”ˆ á”—á”’ á”‡á”‰á”â±âż Ê·á”ƒá”â±âżá” ᔘᔖ‧ ᎎᔉ ᶠᔉ˥ᔗ Ëąá”–á”’á”— âżá”˜á”ˆá”á”‰ ʰⁱᔐ ᔗʰᔒᔘᔍʰ á”˜âżá”ƒá”‡ËĄá”‰ á”—á”’ Êłá”‰á”ƒá¶œá”— á”ˆâ±Êłá”‰á¶œá”—ËĄÊžâ€§ ᔆᔗⁱ˥˥ áŽŸËĄá”ƒâżá”á”—á”’âż Ëąâ±á”Ê°á”‰á”ˆ ᔃ˹ ʰᔉ ËąËĄá”’Ê·ËĄÊž á”’á”–á”‰âżá”‰á”ˆ Ê°â±Ëą ᔉʞᔉ ᔗᔒ‧ â±œâ±Ëąâ±á”’âż ⁿᔒᔗ Ëąá”’ á”‡ËĄá”˜ÊłÊłÊž âżá”’Ê· ʰᔉ á¶œá”’á”˜ËĄá”ˆ á”‡á”ƒÊłá”‰ËĄÊž ˥ⁱᶠᔗ Ê°â±Ëą ʰᔉᔃᔈ‧ "áŽčᔐ‧‧" "áŽŸËĄá”ƒâżá”á”—á”’âżâ€§" "ᔁᔒʞ➎ ʷʰᔃ?" áŽŸËĄá”ƒâżá”á”—á”’âż á”‡ËĄâ±âżá”á”‰á”ˆâ€§ "á”‚Ê°á”‰Êłá”‰â€§â€§" á¶ á”‰á”‰ËĄâ±âżá” á”Êłá”’á”á”ÊžâžŽ ᔗʰᔉ á”–á”ƒâ±âż á¶ Êłá”’á” ᔗʰᔉ ᶠᔃ˥˥ á¶ â±âżá”ƒËĄËĄÊž Êłá”‰á”â±Ëąá”—á”‰Êłá”‰á”ˆâ€§ "ᎌᔘ‧‧" áŽŸËĄá”ƒâżá”á”—á”’âż ᶠᔉ˥ᔗ ᔗʰᔉ ᔈᔘ˥˥ á”–á”ƒâ±âż Ëąá”˜Êłá”á”‰ ËąÊ°á”ƒÊłá”–á”‰Êłâ€§ "á”‚Ê°á”‰Êłá”‰âžŽ ʷʰᔃᔗ Ê°á”ƒá”–á”–á”‰âżá”‰á”ˆ; ᔍᔃʰ➎ Ê·Ê°á”‰âż ᔈ‧‧‧" áŽ·á”ƒÊłá”‰âż Ê°á”‰á”ƒÊłá”ˆ áŽŸËĄá”ƒâżá”á”—á”’âżâ€§ "ᔂʰᔃ➎ ʷʰᔃᔗ'Ëą á”á”’â±âżá” á”’âżâ€œ" ᎎᔉ'ᔈ á¶ â±âżá”ƒËĄËĄÊž á”ƒËąá”á”‰á”ˆ ⁱⁿ ᔃ ᶠᔘ˥˥ Ëąá”‰âżá”—á”‰âżá¶œá”‰â€§ "ʞᔒᔘ ᔍᔒᔗᔗᔃ ᶻⁱᔖ ˥ⁱⁿᔉ ᔇᔘᔗ ᶠᔉ˥˥; Ëąá”–á”’âżá”á”‰á”‡á”’á”‡ ᔐᔃᔈᔉ Ëąá”˜Êłá”‰ ᔗᔒᔒᔏ á¶œá”ƒÊłá”‰ ᔒᶠ ʞᔒᔘ ᔃⁿᔈ Ëąá”–á”’á”— á”ƒËĄËąá”’ ËĄá”’á”’á”á”‰á”ˆ á”ƒá¶ á”—á”‰Êł ʞᔒᔘ‧" áŽŹâżËąÊ·á”‰Êłá”‰á”ˆ áŽ·á”ƒÊłá”‰âżâ€§ "᎔ᔗ Ê°á”ƒá”–á”–á”‰âżá”‰á”ˆ Êžá”‰Ëąá”—á”‰Êłá”ˆá”ƒÊžâžŽ ˹ᔒ‧‧" á”†á”–á”’âżá”á”‰á”‡á”’á”‡ Ëąá”—Êłá”’á”á”‰á”ˆ Ê°â±Ëą á”ƒÊłá”â€§ ᔆᔗⁱ˥˥ á”—á”’ ᔈⁱᶻᶻʞ á”—á”’ ˹ⁱᔗ ᔘᔖ ᔒⁿ Ê°â±Ëą á”’Ê·âż áŽŸËĄá”ƒâżá”á”—á”’âż ˥ᔉᔗ Ëąá”–á”’âżá”á”‰á”‡á”’á”‡ Ê°á”‰ËĄá”– ʰⁱᔐ á”˜á”–Êłâ±á”Ê°á”— Ëąá”’ ᔃ˹ á”—á”’ ᔍᔉᔗ ᔃ á”ˆÊłâ±âżá” ᔒᶠ Ê·á”ƒá”—á”‰Êłâ€§ "á”€Ê°á”ƒâżá”Ëąâ€§â€§" áŽŸËĄá”ƒâżá”á”—á”’âż á”á”ƒâżá”ƒá”á”‰á”ˆâ€§ "Ꮀᔒ ʞᔒᔘ Ê·á”ƒâżá”— ᔐᔉ á”—á”’ ᔍᔒ ᔍⁱᔛᔉ ʞᔒᔘ Ëąá”–á”ƒá¶œá”‰?" á”†á”–á”’âżá”á”‰ ᔇᔒᔇ á”ƒËąá”á”‰á”ˆâ€§ "ᔆᔗᔃʞ‧‧" "ʞᔒᔘ á¶œá”ƒâż ˥ᔉᔗ ᔐᔉ á”âżá”’Ê· ⁱᶠ ʞᔒᔘ âżá”‰á”‰á”ˆâ€§â€§â€§" "᎔'ᔐ ÊČá”˜Ëąá”— Ê·á”ƒâżá”—â±âżá” Êłá”‰Ëąá”—âžŽ Ê°á”’ËĄá”ˆ ᔐʞ Ê°á”ƒâżá”ˆâ€§â€§" áŽŸËĄá”ƒâżá”á”—á”’âż Ëąá”â±ËĄá”‰á”ˆ ᔃᔗ á”†á”–á”’âżá”á”‰á”‡á”’á”‡âžŽ Ëąâ±á”ˆá”‰ ᔇʞ Ëąâ±á”ˆá”‰â€§
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r/shortscarystories 24 days ago GuyAwks Forget Me Anniversary Not What kind of husband goes and forgets an anniversary? And not just any anniversary. Our 10 year anniversary. I didn’t want to have to remind Stephen about it. I wanted him to remember it on his own, to show me he cared about our partnership. But lo and behold, come morning when I kĂ­ss him goodbye for work and asked if he’d planned anything for today—he hadn’t. He just read his newspaper like it was any other day, with no hint of reaction. Watching him drive off with no acknowledgement of today’s occasion, I felt so disappointed. I even pulled out my phone to call up our marriage counselor, Dr Faulkner, to talk through my feelings and book an appointment for us. But, just my luck, he wasn’t picking up. So instead, I swallow my discontent and got our two kids ready for school. All throughout doing my daily household chores, I held out hope that Stephen might ring me to wish me, or have a bouquet delivered, or even pop home to whisk me off for a fancy lunch. Anything to show he’d suddenly remembered our special day was a decade ago. But the significance of March 2nd clearly meant nothing to him, as no such gesture came. By the time Stephen got home from the office late in the evening, I couldn’t hide my annoyance anymore. Not wanting to even be arĐŸund him, I stormed out to my car in the garage to drive off and get some space. That’s when I heard the muffled sound coming from the trunk. Curious, I cranked open the boot to see
Dr Faulker—bound, gagged and terrıfıed. “Happy anniversary, honey” purred Stephen’s voıce from behind me. I whirled around, my heart aflutter and a wıde, joyful smıle on my face. “Oh Stephen, you did remember! And with a personal touch, you shouldn’t have.” Swooning, I ripped the gag off our helpless victim. “Stephen, Janice
p-please let me go!” Dr Faulkner gasped in sweaty confusion. “What are you doing?!” “He’s been in there since yesterday,” Stephen informed me. “I knew you’d find your anniversary gift eventually.” “Anniversary?!” yelped Dr Faulkner. “I-isn’t your wedding anniversary in November!?” To this we just laughed, plunging our kn1ves into him repeatedly—like we had with so many ınnocent before. What better way to celebrate the anniversary of the first time we mvrdered someone?
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𝑇ℎ𝑒 𝑏𝑒𝑠𝑡 𝑎𝑛𝑑 𝑚𝑜𝑠𝑡 𝑏𝑒𝑎𝑱𝑡𝑖𝑓𝑱𝑙 𝑡ℎ𝑖𝑛𝑔𝑠 𝑖𝑛 𝑡ℎ𝑒 đ‘€đ‘œđ‘Ÿđ‘™đ‘‘ 𝑐𝑎𝑛𝑛𝑜𝑡 𝑏𝑒 𝑠𝑒𝑒𝑛 𝑜𝑟 𝑒𝑣𝑒𝑛 𝑡𝑜𝑱𝑐ℎ𝑒𝑑 - 𝑡ℎ𝑒𝑩 𝑚𝑱𝑠𝑡 𝑏𝑒 𝑓𝑒𝑙𝑡 đ‘€đ‘–đ‘Ąâ„Ž 𝑡ℎ𝑒 ℎ𝑒𝑎𝑟𝑡. — đ»đ‘’đ‘™đ‘’đ‘› đŸđ‘’đ‘™đ‘™đ‘’đ‘Ÿ
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