Breakpop Emojis & Text

Copy & Paste Breakpop Emojis & Symbols

š–š”šžš§ š²šØš® š¬š”šØš®š„š š­ššš¤šž šš š›š«šžššš¤: • when you are exhausted mentally • when you are desperate or impatient • when emotions are getting on your way • when you are in total disbelief of yourself • when makes you feel uncomfortable • when you feel like it š•Šš• š•žš•–š•„š•šš•žš•–š•¤ š•Ŗš• š•¦ š•Ÿš•–š•–š•• š•„š•  š•„š•’š•œš•– š•’ š•¤š•„š•–š•” š•“š•’š•”š•œ š•„š•  š•˜š•–š•„ š•„š•Øš•  š•¤š•„š•–š•”š•¤ š•’š•™š•–š•’š•• (āœÆā—”āœÆ)
r/shortscarystories 4 yr. ago Perfect__Nightmare Someone broke into our home It was every family's nightmare. My wife and I had the day off work, and we had taken our son out for lunch and some family bonding time. But as we approached our home, something felt off. I had a growıng sense of dread the closer we got. As our house came into view, I could see that the front door was wide open. Someone had broken into our hĆøme. I told my family to waitĶ outside, in case the ıntruder was still inside. They obliged, and I slowly and silently made my way through our house. As I stepped into the living room, I saw broken furniture, nothing in its correct place, just utter chaos. Was this person looking for something? Did they have malicious intent? Why our home? Why us? Next, I walked to our kitchen. The fridge had been emptied. Dishes and food were thrown all over the room. What kind of person had broken into our home? A homeless person who just needed food? If so, why had they destroyed the living room? That's when I heard it. Footsteps in the bedroom. The ıntruder was still in our house. I took a brief moment to be grateful that I had asked my wife and son to wait outside. It was impossible to decipher this person's motives so far. But I was about to come face to face with the person that forcefully entered our home. And I would demand answers. I crept toward the bedroom slowly, slowly. I approached the door, and focused on the sliver of light slipping through the crack. I could see faint shadows dancing in the light. I raised my hand, placed it against the door, and took a deep breath, readying myself for whatever may be on the other side. I pushed the door open and stepped through the threshold with authority. I couldn't believe my eyes. I actually rubbed my hands over them, thinking I was imagining things. There, in my son's bed, was a young gırl with curly blonde hair. She stared at me with wıde eyes. She must have been terrıfıed. I must have been a few feet taller and at least 100 pounds heavıer than her. I must have been a sight to see for that little girl. But she should have considered that before breakıng into my home. I called my wife and son to see what I found. "Is that a human, Papa?" "Why yes it is, Baby Bear. That's dınner."
š’š’Šš’Œš’† š’‚ š’‘š’š’Žš’†š’ˆš’“š’‚š’š’‚š’•š’† š’Š š’ƒš’“š’†š’‚š’Œ š’‚š’š’… š’ƒš’š’†š’†š’… š’†š’‚š’”š’Šš’š’š,š’‡š’š’†š’”š’‰ š’Šš’” š’•š’†š’š’…š’†š’“ š’‚š’š’… š’˜š’† š’‚š’“š’† š’‚š’š’ š’‡š’“š’–š’Šš’•š’” š’š’‡ š’”š’š’„š’Šš’†š’•š’š.

Related Text & Emojis

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ā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆ ā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–“ā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–“ā–“ ā–ˆā–ˆā–ˆā–ˆā–“ā”€ā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–“ā–’ā–’ā”€ā–’ā–’ā–“ā–ˆ ā–ˆā–ˆā–ˆā–“ā”€ā–“ā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–“ā–’ā”€ā”€ā”€ā”€ā–’ā–“ā–ˆā–ˆā–ˆā–ˆā–ˆ ā–ˆā–ˆā–“ā”€ā”€ā–“ā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–“ā–“ā–’ā”€ā”€ā”€ā”€ā”€ā”€ā–’ā–“ā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆ ā–ˆā–“ā”€ā”€ā”€ā”€ā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–“ā–’ā–’ā”€ā”€ā”€ā”€ā”€ā”€ā”€ā–’ā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆ ā–ˆā”€ā”€ā”€ā”€ā”€ā”€ā”€ā”€ā”€ā”€ā”€ā”€ā”€ā”€ā”€ā”€ā”€ā–“ā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆ ā–ˆā”€ā”€ā”€ā”€ā”€ā”€ā”€ā”€ā”€ā”€ā”€ā”€ā”€ā–’ā–“ā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆ ā–ˆā–“ā”€ā”€ā”€ā”€ā”€ā”€ā”€ā”€ā–’ā–“ā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆ ā–ˆā–ˆā–ˆā–“ā–’ā–’ā–’ā–’ā–“ā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆ ā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆ
Friday, October 26, 2007 balance you see the spirit of architecture is an inspiration for everybody, involved in the building process to be creative! Antonia at 10:13 PM
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MONDAY, DECEMBER 26, 2011 Organization Tip: Bucket Budgets Trying to organize finances can be frustrating and stressful. Budgets are about as much fun as dental work, but how can we track our spending without them? My solution is a percentage budget, or what I call my Bucket Budget. It has been such a huge stress relief for me that I thought I'd share it. The details of percentage budgets vary, but the general idea is the same. Your income (based on gross or net) is divided into three or four categories or "buckets" of money: taxes (if basing on gross income) savings living expenses fun money As long as money is going in and out of the appropriate buckets, you don't need to track every dollar. And if you set it up so your buckets don't mix, it's like putting your finances on autopilot. To get started, determine how much money you need for your living expenses, which include all of the basic costs of living -- mortgage or rent payment, transportation, utilities, food, etc. -- that you have to pay every month. Base this amount on recent spending history. BE REALISTIC. Add a little for contingencies if you want. Whew! That concludes the complex calculations portion of this process. You can use round percentages for the other categories. Let's say your net income (take-home pay) is $3000 per month. You've determined your living expenses are $2100, or 70% of your monthly pay. That leaves 30%. Most financial experts I've read suggest putting 20% into savings, so we'll go with that. That leaves you with 10% ($300) for you to spend on whatever you want. In summary, your breakdown is savings 20% living expenses 70% fun money 10% Now to put those finances on autopilot. Set up two or three bank accounts: savings checking for living expenses checking for fun money (you can skip this if you prefer to use cash for your fun money) When you receive your paycheck, divide the money into the appropriate buckets. You can use direct deposit from your employer or set up recurring transfers to make this completely automatic. deposit 20% ($600) into your savings account deposit 70% ($2,100) into your living expenses account deposit 10% ($300) into your fun money account (or take it as cash if you prefer) Because your setup is automatically covering savings and living expenses, you can spend your bucket of fun money -- every cent if you want to -- without worrying about how it's going to impact your financial situation. :D Your budgeted percentages may vary depending on your personal financial situation and goals. If you live outside the U.S., you might need to change the categories. But I think the general principle can be useful in most cases. Posted by J.Bane
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ā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–“ā–“ā–“ā–’ā–’ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–ˆā–ˆā–ˆā–ˆā–“ā–“ā–“ā–“ā–“ā–“ā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ ā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–“ā–“ā–ˆā–ˆā–“ā–“ā–“ā–ˆā–ˆā–“ā–“ā–“ā–“ā–ˆā–“ā–“ā–“ā–“ā–“ā–ˆā–ˆā–“ā–“ā–“ā–“ā–“ā–“ā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ ā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–“ā–“ā–“ā–ˆā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–ˆā–“ā–“ā–“ā–ˆā–ˆā–ˆā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ ā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–“ā–“ā–’ā–’ā–’ā–’ā–’ā–“ā–“ā–ˆā–“ā–“ā–“ā–“ā–“ā–ˆā–ˆā–ˆā–ˆā–“ā–“ā–ˆā–ˆā–ˆā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ ā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–“ā–“ā–“ā–“ā–’ā–’ā–’ā–’ā–“ā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–“ā–ˆā–ˆā–ˆā–ˆā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ ā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–“ā–“ā–’ā–“ā–“ā–’ā–’ā–“ā–“ā–“ā–“ā–ˆā–ˆā–ˆā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ ā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–“ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–“ā–“ā–ˆā–ˆā–“ā–ˆā–“ā–“ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ ā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–“ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–“ā–’ā–’ā–’ā–“ā–“ā–“ā–“ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ 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ā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–“ā–“ā–’ā–“ā–“ā–“ā–“ā–“ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ ā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–“ā–“ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–“ā–“ā–“ā–“ā–“ā–“ā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–“ā–“ā–“ā–’ā–“ā–“ā–“ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–“ā–’ā–’ā–’ā–’ā–’ā–’ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ ā–“ā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–“ā–“ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–“ā–“ā–“ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–“ā–“ā–’ā–’ā–“ā–’ā–’ā–’ā–’ā–’ā–’ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ ā–“ā–“ā–“ā–ˆā–“ā–“ā–“ā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–“ā–“ā–“ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–“ā–“ā–“ā–“ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–’ā–’ā–’ā–“ā–“ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–“ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–“ā–“ā–“ā–“ā–’ā–“ā–’ā–’ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ 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ā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–“ā–“ā–ˆā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–ˆā–“ā–“ā–“ā–“ā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–“ā–“ā–“ā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–ˆā–“ā–’ā–“ā–ˆā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–ˆ ā–“ā–“ā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–ˆā–“ā–“ā–“ā–“ā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–“ā–“ā–“ā–“ā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–’ā–“ā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–“ā–“ā–“ā–“ā–ˆā–ˆā–’ā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ ā–“ā–“ā–“ā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–“ā–ˆā–ˆā–ˆā–ˆā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–ˆā–“ā–“ā–“ā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–“ā–“ā–ˆā–ˆā–“ā–“ā–ˆā–ˆā–“ā–“ā–“ā–“ā–ˆā–ˆā–“ā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–“ā–ˆā–ˆā–ˆā–ˆā–ˆā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ ā–“ā–“ā–“ā–“ā–“ā–ˆā–ˆā–ˆā–ˆā–“ā–“ā–“ā–ˆā–ˆā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–“ā–“ā–“ā–“ā–ˆā–“ā–“ā–“ā–“ā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–“ā–“ā–ˆā–ˆā–“ā–“ā–“ā–“ā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–“ā–“ā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–“ā–“ā–“ā–“ā–ˆā–ˆā–ˆā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ 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š’€š’š’–š’“ š‘°š’Žš’‚š’ˆš’Šš’š’‚š’•š’Šš’š’ š’Šš’” š’•š’‰š’† š’ˆš’š’š’…š’†š’ š’‘š’‚š’•š’‰š’˜š’‚š’š š’•š’ š’‚š’š’šš’˜š’‰š’†š’“š’†. šŸŒ•āœØļøšŸŒŒ
į“·Ź³įµƒįµ‡įµ‡Źø į“®ā±Ź³įµ—Ź°įµˆįµƒŹø įµ—įµ’ Źøįµ’įµ˜ by @alyjaci "į”†į‘«įµ˜ā±įµˆŹ·įµƒŹ³įµˆāø“ į¶œįµ’įµįµ‰ ᵒⁿ!" į”†įµ–įµ’āæįµįµ‰įµ‡įµ’įµ‡ ʰᵃᵈ į”†į‘«įµ˜ā±įµˆŹ·įµƒŹ³įµˆ Ė¢įµ—įµƒŹø ʷⁱᵗʰ ʰⁱᵐ įµƒįµ— Ź·įµ’Ź³įµ Ė”įµƒįµ—įµ‰ ˢᵒ ᵗʰᵉʸ į¶œįµ’įµ˜Ė”įµˆ Ź°įµƒįµ›įµ‰ ᵃ Ė¢įµ˜Ź³įµ–Ź³ā±Ė¢įµ‰ įµ‡ā±Ź³įµ—Ź°įµˆįµƒŹø įµ–įµƒŹ³įµ—Źø ᶠᵒʳ ᵗʰᵉⁱʳ ᵇᵒˢˢ‧ ᓬᶠᵗᵉʳ ʰᵉ ˔ᵉᶠᵗ⸓ ᵗʰᵉ ᵉᵐᵖ˔ᵒʸᵉᵉˢ įµįµ’įµ— įµ—įµ’ Ź·įµ’Ź³įµā€§ "ᓵ'˔˔ įµ˜Ė¢įµ‰ ᵐʸ įµƒŹ³įµ—ā±Ė¢įµ—ā±į¶œ Ė¢įµā±Ė”Ė”Ė¢ įµ—įµ’ įµˆįµ‰į¶œįµ’Ź³įµƒįµ—įµ‰ ʷʰⁱ˔ˢᵗ Źøįµ’įµ˜ į¶ ā±įµįµ˜Ź³įµ‰ įµ’įµ˜įµ— ᵗʰᵉ ⁱⁿᵛⁱᵗᵉˢ‧‧‧" į”†į‘«įµ˜ā±įµˆŹ·įµƒŹ³įµˆ įµ‰Ė£įµ–Ė”įµƒā±āæįµ‰įµˆā€§ "ᓵ ᶜᵃⁿ ᵗᵉˣᵗ įµ–įµ‰įµƒŹ³Ė” įµ‡įµ‰į¶œįµƒįµ˜Ė¢įµ‰ ˢʰᵉ'Ė¢ ᵘˢᵘᵃ˔˔ʸ ᵒⁿ ᵗʰᵉ ᵖʰᵒⁿᵉ įµ‡įµ˜įµ— ᓵ'˔˔ ʰᵃⁿᵈ įµˆįµ‰Ė”ā±įµ›įµ‰Ź³ ᵗʰᵉ ᵒᵗʰᵉʳ ⁱⁿᵛⁱᵗᵉˢ įµ–įµ‰Ź³Ė¢įµ’āæįµƒĖ”Ė”Źø!" į”†įµ–įµ’āæįµįµ‰įµ‡įµ’įµ‡ ˢᵉⁿᵗ ʰᵉʳ ᵗʰᵉ ᵗᵉˣᵗ ᵃⁿᵈ ᵗʰᵉⁿ įµ–Ź³įµ’į¶œįµ‰įµ‰įµˆįµ‰įµˆā€§ ᓓᵉ ᶠⁱʳˢᵗ ʷᵉⁿᵗ įµ—įµ’ ˢᵒᵐᵉ įµ’į¶  ᶠᵃᵐⁱ˔ʸ Ź³įµ‰Ė”įµƒįµ—ā±įµ’āæĖ¢ įµ’į¶  ᓹʳ‧ į“·Ź³įµƒįµ‡Ė¢āø“ ᵃⁿᵈ įµįµƒįµ›įµ‰ ˢᵃⁿᵈʸ ᵃⁿ ⁱⁿᵛⁱᵗᵉ‧ "ᵂʰᵒ ᵉ˔ˢᵉ ᵐᵃʸ ᵇᵉ ā±āæįµ›ā±įµ—įµ‰įµˆ?" į”†įµ–įµ’āæįµįµ‰į“®įµ’įµ‡ į¶œįµƒĖ”Ė”įµ‰įµˆ į”†į‘«įµ˜ā±įµˆŹ·įµƒŹ³įµˆā€§ "ᶜᵃⁿ ᓵ įµ‡Ź³ā±āæįµ ᵐʸ ᵖᵉᵗ ᓳᵃʳʸ?" "ᓺᵒ ᵃⁿⁱᵐᵃ˔ˢ įµƒĖ”Ė”įµ’Ź·įµ‰įµˆāø“ Ė¢įµ–įµ’āæįµįµ‰ā€§ā€§ā€§" "ᓸᵃʳʳʸ ᵗʰᵉ ˔ᵒᵇˢᵗᵉʳ?" "ᓵ įµˆįµ’āæ'įµ— į¶œįµƒŹ³įµ‰ā€§ā€§ā€§" "ᓹʳ‧ į“·Ź³įµƒįµ‡Ė¢ āæįµƒįµ›Źø įµ‡įµ˜įµˆįµˆā±įµ‰Ė¢?" "į”†įµ˜Ź³įµ‰āø“ ʷʰʸ ⁿᵒᵗ‧‧‧" "ᓼʰ⸓ ᓹˢ‧ į“¾įµ˜į¶ į¶ ā€§ā€§ā€§" "į”†įµ–įµ’āæįµįµ‰įµ‡įµ’įµ‡ ʰᵘʳʳʸ ⁱᵗ įµ˜įµ–!" ᓬᶠᵗᵉʳ įµˆįµ‰Ė”ā±įµ›įµ‰Ź³ā±āæįµ ᵗʰᵉ ⁱⁿᵛⁱᵗᵉˢ į”†įµ–įµ’āæįµįµ‰įµ‡įµ’įµ‡ ʷᵉⁿᵗ įµ‡įµƒį¶œįµ įµ—įµ’ ᵗʰᵉ Ź³įµ‰Ė¢įµ—įµƒįµ˜Ź³įµƒāæįµ— ᵃⁿᵈ įµįµƒįµ›įµ‰ į”†į‘«įµ˜ā±įµˆŹ·įµƒŹ³įµˆ ᓬ Ź°įµ˜įµā€§ "ᓰᵒⁿ'įµ— ⁱⁿ įµ–įµ˜įµ‡Ė”ā±į¶œ!" "į“æā±įµŹ°įµ—; ˢᵒʳʳʸ⸓ Ė¢į‘«įµ˜ā±įµˆā€§ā€§ā€§" ᵀʰᵉ į¶ įµ’Ė”Ė”įµ’Ź·ā±āæįµ įµįµ’Ź³āæā±āæįµ įµ’į¶  ʰⁱˢ įµ‡ā±Ź³įµ—Ź°įµˆįµƒŹøāø“ ᓹʳ‧ į“·Ź³įµƒįµ‡Ė¢ ʷᵃˢ ⁱⁿ ᶠᵒʳ ᵃ Ė¢įµ˜Ź³įµ–Ź³ā±Ė¢įµ‰ ᵃˢ į”†įµ–įµ’āæįµįµ‰įµ‡įµ’įµ‡ ᵃⁿᵈ į“¾įµƒįµ—Ź³ā±į¶œįµ Ź²įµ˜įµįµ–įµ‰įµˆ įµ’įµ˜įµ—āø“ į“¾įµ‰įµƒŹ³Ė” ᵉᵛᵉⁿ įµˆįµ’ā±āæįµ ᵃ įµˆįµƒāæį¶œįµ‰ Ź³įµ’įµ˜įµ—ā±āæįµ‰! ᵀʰᵉ ⁱⁿᵗᵉʳⁱᵒʳ ʷᵃˢ įµįµ’Ė”įµˆįµ‰āæ ⁱⁿ į¶œįµ’Ė”įµ’įµ˜Ź³āø“ ᵐᵒⁿᵉʸ ᵒⁿ ᵗʰᵉ įµ—įµƒįµ‡Ė”įµ‰ ᶠᵒʳ ᓹʳ‧ į“·Ź³įµƒįµ‡Ė¢ā€§ā€§ā€§ "ᓵ ˔ᵒᵛᵉ ⁱᵗ; įµ—Ź°įµƒāæįµĖ¢! į”†įµƒŹøāø“ ᵈⁱᵈ Źøįµ’įµ˜ ⁱⁿᵛⁱᵗᵉ ᵗʰᵉ ʷʰᵒ˔ᵉ į¶œā±įµ—Źø?" "į”†į‘«įµ˜ā±įµˆŹ·įµƒŹ³įµˆ ˢᵃⁱᵈ įµ—įµ’ įµįµƒįµįµ‰ Ė¢įµ˜Ź³įµ‰ į“·įµƒŹ³įµ‰āæ į“¾Ė”įµƒāæįµįµ—įµ’āæ ᵈⁱᵈⁿ'įµ— įµįµ‰įµ— ᵃⁿ ⁱⁿᵛⁱᵗᵉ‧‧‧" ᵀʰᵉ įµįµƒāæįµ ʰᵃˢ įµ–Ź³įµ’įµ›ā±įµˆįµ‰įµˆ ᓹʳ‧ į“·Ź³įµƒįµ‡Ė¢ ᵗʰᵉ ᵇᵉˢᵗ įµ‡ā±Ź³įµ—Ź°įµˆįµƒŹø ᵉᵛᵉʳ! @alyjaci
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šŸ‡®šŸ‡Ŗ ---------- Two youths, Thomas Kelly, 17, and Laurence Curley, 16, in a spirit of play, started to throw potatoes at each other in a Galway potato field. The first named chanced to hit Curley on the back of the head, from the effects of which he died. Kelly, who was brought up at the Galway Assizes charged with his companion's death, was released by Judge Johnson after five minutes' detention. ---------- The Tuam Herald, Saturday, April 3, 1909 Tuam, Co Galway
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23 March 2009 Weird Science Words Science Dictionary Here are some weird science words. Be careful how you use them. Auscultation—Listening. Especially listening to the sounds of the internal organs, as with a stethoscope. Borborygmus, pl. borborygmi—Rumbling and gurgling noises from hunger. Stomach "growling". Bromhidrosis—Body odor, B.O. From the Greek bromos, a stench, and hidros, sweat. Cacophony—Jarring, discordant sound. Cacophonous: having a harsh, discordant sound. From the Greek kakophnos, kakos, bad+ phōnē, sound. Kakos goes back to one of the oldest words we still use, the Indo-European root kakka-, to defecate. Cacodyl—The arsenic group (CH3)2As, or a poisonous oil (As2(CH3)4) with a strong garlicky odor. Same root as cacophony. Emesis, pl. emeses—The act of coughing up Eructation— burbing Flatus—The gas that comprises Formication—A sensation that feels like insects crawling on the skin, a type of paresthesia. From formica, Latin for "ant". Googol—The number 10 raised to the power 100 (10100), written out as the numeral 1 followed by 100 zeros. Not to be confused with "Google", a trademark of Google Inc. Mastication—chewing Micturation—Potty Osculant—Intermediate in characteristics between two similar or related taxonomic groups. Closely adhering or joined; embracing Osculation—Kissing; a kiss Oscitancy—the act of yawning Pandiculation—The act of stretching and yawning at the same time. Radicle—A small root, specifically the part of a plant embryo that develops into the root. Not to be confused with "radical", meaning the root (e.g. of a word), at the root, the mathematical root sign (√) or a highly reactive atom, molecule or person. Nor with "ridicule". Sternutation—Sneezing Stertor—The sound of snoring Syzygy—Lots of meanings in different sciences (and in poetry, rhetoric etc.) generally having something to do with being paired, joined, aligned or something. From the Greek zugon, yoke Wamble—To turn or roll (said of the stomach), an upset stomach, nausea
Music, Arts, Crafts, Recipes and Fashion blogging from a Gothic/Dark Romantic perspective. Saturday 26 November 2011 Cliques, Judging and Subcultures Most goths, at some point, will have been judged for how they look. At the darkest end there are things like when people get beaten up and even killed for how they look, and at the other there's assumptions made such as "goths are rude and pretentious" etc. We don't like being judged for being goths. We shouldn't do it to other groups. Just because someone wears fashionable clothes, that doesn't make them snobby and elitist about those who don't. Just because someone wears over-sized plastic-rim glasses and plimsols does not make them vacant and pretentious. Just because someone is wearing tracksuit bottoms and hooded jumper, that does not make them rude and violent (maybe they're going to the gym!). Just because someone wears skinny jeans and has dyed black hair does not mean they are histrionic attention-seekers. Goths aren't inherently nicer than everyone, that's why I have to make this post. Really, there is no reason for me to elaborate this into a vast wall of text. Yes, there are a disproportionate amount of certain types of bad behaviour in certain groups which is why some of these stereotypes exist in the first place, but even if there are more thugs that wear tracksuit bottoms and hooded jumpers than wear designer jeans, that doesn't mean that wearing a tracksuit makes someone a thug. That same logic goes for the other things. I may not LIKE any of those other styles, and think that a lot of them look terribly hideous, but I deal with that by NOT WEARING THEM and wearing things I don't think look hideous. I do not hate other styles, although I do think they are sometimes rather amusing (like when people wear logo or slogan t-shirts and have no idea what they represent, or when they walk around with their trousers halfway down their rears) but I also realise I'm probably amusing trying to run for the bus in platform boots. Other people are entitled to the same freedom of expression as we are.
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positivity ź”› 🌸 you can do great things 🫧 you are important 🌸 you are amazing 🫧 you deserve happiness 🌸 the best is yet to come 🫧 you deserve flowers
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Go to TwoSentenceComedy r/TwoSentenceComedy 1 yr. ago GuyAwks Little Bo-Peep has lost her sheep. But Farmer Button just found some mutton.
Input: hello team Output: ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ ā–‘ā–ˆā–‘ā–ˆā–‘ā–ˆā–€ā–€ā–‘ā–ˆā–‘ā–‘ā–‘ā–ˆā–‘ā–‘ā–‘ā–ˆā–€ā–ˆā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ ā–‘ā–ˆā–€ā–ˆā–‘ā–ˆā–€ā–€ā–‘ā–ˆā–‘ā–‘ā–‘ā–ˆā–‘ā–‘ā–‘ā–ˆā–‘ā–ˆā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ ░▀░▀░▀▀▀░▀▀▀░▀▀▀░▀▀▀░░░░░░ ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ ā–‘ā–€ā–ˆā–€ā–‘ā–ˆā–€ā–€ā–‘ā–ˆā–€ā–ˆā–‘ā–ˆā–„ā–‘ā–„ā–ˆā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ ā–‘ā–‘ā–ˆā–‘ā–‘ā–ˆā–€ā–€ā–‘ā–ˆā–€ā–ˆā–‘ā–ˆā–‘ā–€ā–‘ā–ˆā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ ░░▀░░▀▀▀░▀░▀░▀░░░▀░░░░░░░░
r/shortscarystories 4 yr. ago [deleted] Do You Know the Muffin Man? Oh, do you know the Muffin Man The Muffin Man, the Muffin Man Oh, do you know the Muffin Man He lives on Drury Lane ** Oh, yes I know the Muffin Man The Muffin Man, the Muffin Man For he returns with dark demands You've yet to pay your debt ** The illness struck your family Your father suffered fev'rishly Your sister's cough, unsavoury Your mother struggled so ** The loved ones needed bread to eat Their health required costly meat And medicine with fruit so sweet You made the call for help ** From Drury Lane, the Muffin Man Responded to your plighted plan A contract signed with your own hand The binding pact was formed ** 'Twas eighty pounds and shillings four And food to stock the kitchen drawers With medicine to soothe the sores Your fam'ly could endure ** In leaving you, the Man implored To pay the debt – you shan't ignore For future pain (so much abhorred) Would curse if you evade ** The seasons passed – with all your strength You could not pay the funds you've take'd Your loved ones, still with sickness, shake'd The Muffin Man's arrived ** ā€œGood sir, I cannot pay today I beg you please, will you delay My promises, I won't betray Your trust, but please more timeā€ ** The Muffin Man says, Time is done Some men require livers young And tender kidneys not high-strung For then you see his blade ** When fam'ly wakes from sickness' hold They call for you until they're told The Muffin Man took heart and soul Your loved ones wail in tears ** Oh, do you know the Muffin Man The Muffin Man, the Muffin Man Take care, be not trapped in his hands He lives on Drury Lane
Nonfiction Sports How I Broke My Leg How I Broke My Leg September 24, 2007 By Anonymous I was invincible, or so I thought. When we are young, pain is like another bad day. We break the huddle. Butterflies scattering in my stomach as Anthony, my protector, left the field. Anthony blocked all that was a threat to me; something did not feel right. However I could not focus on him, I had a duty. Green right 25 zone was the play given to us. Objective: to run left. ā€œDOWN,SET. BLUE 20, BLUE 20. HIKEā€ As soon as I blinked the play was called. My feet were dancing on their own, straight for the hole where the play was intended to go. The quarterback, Aaron, met me there with the ball ready for takeoff planted to my chest. I squeezed the ball with all my might, no one would pry it from my fingertips. I looked to pursue the seam but found a catastrophe. Three red jerseys were sprinting towards me, eyes piercing with intensity. My instincts took my legs the opposite way, my body could not respond to the action. It was as if my body shut down. I finally got my legs cooperating with my brain when I head a heart breaking SNAP! My legs kept moving but the pain was agony. I crumbled to the wet muddy field to be buried under the pile of hard working players, I instantly knew what had happened. I tried to force myself to not believe it. I had broken my leg. My leg was twisted and crooked. As I gazed upon it I screamed my heart out. It felt like I was being tortured. My coaches came running on the field, afraid to touch me, scarred they would hurt me even more. I was carried off the field and gently rested on the sideline. Silence was heavy in the air as all eyes fell upon me. I did not want to be there; I wished I could hide myself in a hole and disappear. I lied there terrified to think of how this would ruin my sports career and why this happened to me. I had worked the hardest of the team. I was ashamed, the hard work had not payed off. I had battled pain and won before; but this war I lost. Trying not to focus on myself I overheard my mom telling my dad an ambulance couldn’t make it to the field. Next thing I was resting on power tools in the back of my van, speeding to St. Mary’s. My mom was grasping my hand, whispering encouraging words. The hospital bed was relaxing but not the needles and movement of my pulsing leg. At this time my leg was numb but still pain shot through. Family and friends came later in the night seeing my health. I felt trapped, pathetic and embarrassed. I closed my eyes and pretend it all away.
Here are some idioms that use the word "chip": Chip on your shoulder An informal expression that means someone feels inferior or believes they've been treated unfairly. For example, "You will never make friends if you go around with a chip on your shoulder". Chip off the old block A person who resembles one parent in appearance or behavior. For example, "His son is just a chip off the old block". Chip in To contribute money, time, or advice to a cause or fund. For example, "Every member of the team chipped in to help pay for the coach's surgery". Cash in your chips To sell something, such as investments, to raise money. It can also be used as slang to mean to die. Bargaining chip Something that can be used to gain an advantage when trying to make a deal or an agreement. For example, "The workers used the threat of a strike as a bargaining chip in their negotiations". Blue chip A term that comes from poker, where chips used in gambling have different colors to represent different dollar amounts. A blue chip is typically the one with the highest value. call in (one's) chipscall in your chipscash (one's) chips incash incash in (one's) chipscash in chipscash in one's chipscash in your chipscheap as chipschipchip (away) at (something)chip and dipchip atchip awaychip buttychip inchip in for (something)chip in on (something)chip in with (something)chip in with (something) for (something)chip offchip off the old blockchip off the old block, achip on one's shoulderchip on one's shoulder, to have achip on shoulderchip shotchip upchipschips and dipchips are down, thechips with everythingcow chipcow chipsget a chip on (one's) shoulderhand in (one's) chipshas had its chipshave a chip on (one's) shoulderhave a chip on your shoulderhave had (one's) chipshave had your chipsin the chipsin the moneylet the chips fall (where they may)let the chips fall where they maymint chocolate chippass in (one's) chipspiss on (someone's) chipsput a chip on (one's) shoulderput all (of) (one's) chips on the tablespit chipsthe chips are downwhen the chips are down "All that and a bag of chips"---this phrase is usually a slam against someone who is conceited or arrogant. Perhaps the phrase originates in the concept of completeness; a meal complete with a "bag of chips".Aug 11, 2014
✦. ⊹ ˚ S T U D Y : š–¹­ ࣪ š“ˆ’ šŸ’» 𐄉 āŒØļø ✜ 🩶 ˚ šŸ“¼š“ˆ’š„‰ į°šŸ–‹ļø*˚🧾⟢ .ā˜˜ļøŽ ŻĖ–ā‹†Ėšą¹‹ą£­ā­‘ ą­­ ˚. įµŽįµŽšŸ¾Ė–Ā° *šŸŽ’ 𓇼 ā‹†ļ½„āœļøą¹‘ļ¾Ÿāœ§ šŸ“šāŠ° ⊹
These are the Spanish words of the week! 🪱: Gusano šŸæļø: Ardilla āœļø: LĆ”piz šŸ‘¶: BebĆ©
Go to shortscarystories r/shortscarystories 4 yr. ago [deleted] Do You Know the Muffin Man? Oh, do you know the Muffin Man The Muffin Man, the Muffin Man Oh, do you know the Muffin Man Who lives on Drury Lane ** Oh, yes I know the Muffin Man The Muffin Man, the Muffin Man For he returned with dark̵ demands You've yet to pay your debt ** The illnxssxs struck your family Your father suffered fev'rishly Your sister's cough, unsavoury Your mother strᓜggled so ** The loved ones needed bread to eat Their health required costly meats And medicine with fruit so sweet You made the call for help ** From Drury Lane, the Muffin Man Responded to your plighted plan A contract signed with your own hand The bonding pact was forced ** 'Twas eighty pounds and shillings four And food to stock the kitchen drawers With medıcıne to soothe the sores Your fam'ly could endure ** In leaving you, the Man implored To pay the debt – you shan't ignore For future pƤin (so much abhorred) Would cĆ»rsĆŖd if you evade ** The seasons passed – with all your strength You could not pay the funds you've take'd Your loved ones, still with sickness, shake'd The Muffin Man's arrived ** ā€œGood sir, I cannot pay today I beg you please, will you delay My promises, I won't betray Your trust, but please more timeā€ ** The Muffin Man says, Time is done Some men require lıvers young And tender kıdneĘ“ not high-strung For then you see his blxde ** When fam'ly wakes from sickness' hold They call for you until they're told The Muffin Man took heart and soul Your loved ones wail in těars ** Oh, do you know the Muffin Man The Muffin Man, the Muffin Man Take care, be not trapped in his hands He lives on Drury Lane
-August 19, 2017 What seeing red looks like. EVERYONE LOVES THE FIRST DAY OF A NEW JOB, RIGHT? NEW COLLEAGUES, NEW FRIENDS. IT’S A DAY FULL OF POTENTIAL AND HOPE, BEFORE ALL THE DREARY DEPRESSIONS OF REALITY SHOW UP TO RUIN ALL THE FUN. I LIKE THE FIRST DAY OF WORK FOR A DIFFERENT REASON THOUGH. YOU SEE, I HAVE A SORT OF POWER. WHEN I LOOK A COLORED OUTLINE BASED ON HOW LONG THAT PERSON HAS TO LIVE. MOST EVERYONE I MEET AROUND MY AGE IS SURROUNDED BY A SOLID GREEN HUE, WHICH MEANS THEY HAVE PLENTY OF TIME LEFT, LIVING TO OLD AGE. A FAIR AMOUNT OF THEM HAVE A PEACH TINGE TO THEIR AURA WHICH TENDS TO MEAN A CANCER OR DEPRESSION. ANYTHING THAT TAKES PEOPLEā€œBEFORE THEIR TIMEā€ AS THEY SAY. THE REAL FUN IS WHEN THE AURAS VENTURE INTO THE RED END OF THE SPECTRUM, THOUGH. EVERY NOW AND AGAIN I’LL SEE SOMEONE WHO’S BASICALLY THROBBING FADE. IT’S SUCH A RUSH TO SEE THEM AND KNOW THEIR TIME IS NUMBERED. WITH THAT IN MIND, I ALWAYS GET TO WORK VERY EARLY SO I CAN SCOUT OUT MY COLLEAGUES’ FATES. THE FIRST MAN WHO WALKED IN WAS BASICALLY RADIATING RED. TOO BAD, BRO. BUT AS PEOPLE KEPT WALKING IN, THEY ALL HAD THE SAME RAPIDLY FADING COLOR. I FINALLY CAUGHT A GLIMPSE OF MY OWN REFLECTION, SUDDENLY PLUMMETING TO A RED LIKE THE OTHERS. OUR BOSS STEPPED IN SMILING AND LOCKED THE DOOR, HIS AURA A SICKENING SHADE OF GREEN... ZENRYHAO
šš€š’šŽš‘š„š—šˆš€ ; š’•š’‰š’† š’š’—š’†š’“š’˜š’‰š’†š’š’Žš’Šš’š’ˆ š’…š’†š’”š’Šš’“š’† š’•š’ š’Œš’Šš’”š’” .
These are the Spanish words of the week! šŸ„:Champiñón ā˜‚ļø: Paraguas 🐸: Rana šŸŽ³: Boliche
hatake.kaede Oct 20 @ 12:31pm āœæāŠ±ā•®āœæāŠ±ā•®āœæāŠ±ā•®āœæāŠ±ā•®āœæāŠ±ā•®āœæāŠ±ā•®āœæāŠ±ā•®āœæāŠ± ā–ˆā–ˆā–€ ā–€ā–ˆā–ˆā–€ā–‘ā–€ā–ˆā–ˆā–€ ā–ˆā–€ā–€ā–ˆ ā–ˆā–€ā–€ā–ˆ ā–ˆā–€ā–ˆā–ˆā–€ā–ˆ ā–€ā–ˆā–ˆ ā–‘ā–ˆā–ˆā–„ā–ˆā–„ā–ˆā–ˆā–‘ ā–ˆā–€ā–‘ā–„ ā–ˆā–€ā–‘ā–„ ā–‘ā–‘ā–ˆā–ˆ ā–ˆā–ˆā–ˆ ā–‘ā–ˆā–ˆā–ˆā–€ā–ˆā–ˆā–ˆā–‘ ā–ˆā–ˆā–ˆā–ˆ ā–ˆā–ˆā–ˆā–ˆ ā–‘ā–‘ā–ˆā–ˆ ā–€ā–ˆā–ˆā–€ā–‘ā–€ā–ˆā–ˆā–€ ā–ˆā–€ā–€ā–ˆ ā–ˆā–€ā–€ā–ˆ ā–ˆā–‘ā–ˆā–ˆā–€ ā–‘ā–ˆā–ˆā–„ā–ˆā–„ā–ˆā–ˆā–‘ ā–ˆā–€ā–‘ā–„ ā–ˆā–€ā–‘ā–„ ā–ˆā–€ā–ˆā–Œā–‘ ā–‘ā–ˆā–ˆā–ˆā–€ā–ˆā–ˆā–ˆā–‘ ā–ˆā–ˆā–ˆā–ˆ ā–ˆā–ˆā–ˆā–ˆ ā–ˆā–‘ā–ˆā–ˆā–„ āœæāŠ±ā•®āœæāŠ±ā•®āœæāŠ±ā•®āœæāŠ±ā•®āœæāŠ±ā•®āœæāŠ± š”ˆš”³š”¢š”Æš”¶ š”°š”žš”¦š”«š”± š”„š”žš”° š”ž š”­š”žš”°š”±, š”žš”«š”” š”¢š”³š”¢š”Æš”¶ š”°š”¦š”«š”«š”¢š”Æ š”„š”žš”° š”ž š”£š”²š”±š”²š”Æš”¢ - š”’š”°š” š”žš”Æ š”šš”¦š”©š””š”¢
The Bank Robber The bank I work at was robbed again last night. It’s been hit three times this month and we’re sure it’s the same person. Every single time, the guy has vanished without a trace. It’s almost as if he completely disappears. There’s no way he should be able to get away so quickly and without leaving any evidence. Last night when the robbery happened, I looked him in the eye for the first time. ā€œWhy do you keep doing this?ā€ I asked him, searching his dark eyes for an answer. He stared at me coldly from behind his ski mask and replied ā€œA man’s got to eat.ā€ I’ve thought about it long and hard but I’ve made up my mind: I’m never going back to work at that blood bank again. 8 YEARS AGO
š“Š†šŸŒøš“Š‡ š“‚š’¶š“‡š“Ž š’½š’¶š’¹ š’¶ š“š’¾š“‰š“‰š“š‘’ š“š’¶š“‚š’· … ! ໒꒰ྀིっ˕ -t꒱ྀི১ 🧁 …
ć€˜šŸ©° ć€™š’Ÿš’¶š“ƒš’øš’¾š“ƒš‘” ć€˜šŸŽ€ ć€™š’®š“‰š“Žš“š‘’ + š’·š‘’š’¶š“Šš“‰š“Ž ć€˜šŸ¹ ć€™šæš’¶š“Œ š“ˆš’øš’½š‘œš‘œš“ ć€˜šŸ’— ć€™šøš“ƒš‘”š’¶š‘”š‘’š’¹
ā‚“Ėš. ą­­Study because knowledge is power.ā—¦ā—‹Ėš ą­§ ā‚“Ėš. ą­­ Ėšā—‹ā—¦Ėš.Ėšā—¦ā—‹Ėš ą­§ .Ėšā‚“ā‚“Ėš. ą­­ Ėšā—‹ā—¦Ėš.Ėšā—¦ā—‹Ėš ą­§ .Ėšā‚“ā‚“Ėš. ą­­ Ėšā—‹ā—¦Ėš.Ėšā—¦ā—‹Ėš ą­§
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POP CULTURE DICTIONARY comfort character [ kuhm-fert kar-ik-ter ] August 12, 2022 WHAT IS A COMFORT CHARACTER? A comfort character is a fictional character who is said to bring a person comfort, such as while consuming the media that features the character or when thinking about them during times of stress. A comfort character is often a character that a person strongly relates to or feels like they would have a special bond with. Comfort characters are often those with supportive, helpful traits, such as wise mentors, caregivers, and brave heroes. However, characters identified as comfort characters vary widely. Sometimes, the term is jokingly applied to unexpected characters or things other than characters.
my daily routine essentials! this is my current list of tasks that help me feel motivated, confident in myself, and able to overcome any major hurdles that ADHD throws my way. many of these are non-negotiable for me as they help me move on to the next task without anxiety or decision paralysis. i encourage everyone to find what works best for them! ā™„ļøŽ morning: wake up at 8:00am brush teeth and take meds shower, wash hair, and get dressed simple am skincare routine make bed and open blinds brush hair and do makeup eat a quick breakfast daily tasks: accomplish scariest work or personal tasks first practice guitar for at least an hour, ideally longer practice piano for at least 30 minutes, ideally longer complete workout or stretching routine of the day evening: start wind down at 8:00pm tidy up bedroom and office pick clothes + pack bag for the next day complete pet related tasks eat a snack and do dishes write out to-do list for the next day brush teeth + pm skincare routine get into pyjamas and brush hair go over dream life script or pinterest yoga nidra + SATS asleep by 12:00
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⚾ Go to TwoSentenceHorror 7 yr. ago LapizVGC I was wondering why the baseball kept getting bigger. Then it hit me.
į“¾įµƒŹ³įµ— į¶ įµ’įµ˜Ź³ į”†įµ–įµ‰āæįµˆā±āæįµ ᵗʰᵉ ᓰᵃʸ ā½į”†įµ–įµ’āæįµįµ‰į“®įµ’įµ‡ ᶠᵃⁿᶠⁱᶜ⁾ 'į”†įµ–įµ’āæįµįµ‰įµ‡įµ’įµ‡ ᵈⁱᵈ ⁱᵗ‽' į“¾Ė”įµƒāæįµįµ—įµ’āæ Ź³įµ‰įµƒĖ”ā±Ė¢įµ‰įµˆā€§ į“·įµƒŹ³įµ‰āæ Ź°įµ‰įµƒŹ³įµˆ į“¾Ė”įµƒāæįµįµ—įµ’āæ į¶œįµ’įµįµ‰ įµ‡įµƒį¶œįµ ⁱⁿ‧ "ᓓᵉʸ ʰᵒⁿ‧‧‧" ᔆʰᵉ Ė¢įµ—įµ’įµ–įµ–įµ‰įµˆ ᵃˢ ˢʰᵉ āæįµ’įµ—ā±į¶œįµ‰įµˆ ʰᵒʷ įµ˜įµ–Ė¢įµ‰įµ— ʰᵉ'Ė¢ ⁿᵒʷ‧ į“¾Ė”įµƒāæįµįµ—įµ’āæ Ė¢Ź°įµ’įµ’įµ ʰⁱˢ Ź°įµ‰įµƒįµˆ ᵃⁿᵈ ʷᵉⁿᵗ ⁱⁿ ʰⁱˢ ʳᵒᵒᵐ⸓ Ė¢Ė”įµƒįµįµā±āæįµ ᵗʰᵉ įµˆįµ’įµ’Ź³ā€§ į“·įµƒŹ³įµ‰āæ Ė¢ā±įµŹ°įµ‰įµˆ; ˢʰᵉ įµāæįµ‰Ź· ⁿᵒᵗ įµ—įµ’ ᵖᵉˢᵗᵉʳ ʰⁱᵐ ᵃⁿᵈ įµ—įµ’ įµā±įµ›įµ‰ ʰⁱᵐ ᵗⁱᵐᵉ įµ—įµ’ ʰⁱᵐˢᵉ˔ᶠ‧ ᔆᵗⁱ˔˔ ˢʰᵉ'Ė¢ Ź·įµ’Ź³Ź³ā±įµ‰įµˆ įµƒįµ‡įµ’įµ˜įµ— ʰᵉʳ Ź°įµ˜Ė¢įµ‡įµƒāæįµˆā€§ ᔆʰᵉ Ź·įµƒāæįµ—įµ‰įµˆ į“¾Ė”įµƒāæįµįµ—įµ’āæ įµ—įµ’ įµāæįµ’Ź· į¶œįµƒŹ³ā±āæįµ įµƒįµ‡įµ’įµ˜įµ— ʰⁱᵐ‧ "ᓓᵉʸ ˢʷᵉᵉᵗⁱᵉ⸓ ᓵ'ᵐ įµįµ’āæāæįµƒ ᵇᵉ į¶œĖ”įµ‰įµƒāæā±āæįµ ᵗʰᵉ įµā±įµ—į¶œŹ°įµ‰āæ ⁱᶠ Źøįµ’įµ˜ āæįµ‰įµ‰įµˆ ᵐᵉ; ˔ᵒᵛᵉ Źøįµ’įµ˜ā€§ā€§" į“·įµƒŹ³įµ‰āæ įµįµ‰āæįµ—ā±įµ’āæįµ‰įµˆā€§ į“¾Ė”įµƒāæįµįµ—įµ’āæ įµ–ā±į¶œįµįµ‰įµˆ įµ˜įµ– ʰⁱˢ įµ‡Ė”įµ˜įµ‰ įµ‡Ė”įµƒāæįµįµ‰įµ—ā€§ 'į““įµ’Ź· ᵃⁿᵈ ʷʰʸ Ė¢įµ–įµ’āæįµįµ‰įµ‡įµ’įµ‡? ᓰⁱᵈ ᓹʳ‧ į“·Ź³įµƒįµ‡Ė¢ įµ–įµƒŹø ʰⁱᵐ? ᓺᵒ ᓹʳ‧ į“·Ź³įµƒįµ‡Ė¢ ˔ᵒᵛᵉˢ ᵐᵒⁿᵉʸ‧ ᓵᶠ Ė¢įµ–įµ’āæįµįµ‰įµ‡įµ’įµ‡ Ė”ā±įµįµ‰įµˆ ᵐᵉ ᵗʰᵉⁿ ʷʰʸ įµ‡Ź³ā±āæįµ ᵐᵉ įµˆįµ’Ź·āæ? ᵀʰᵉ āæā±į¶œįµ‰Ė¢įµ— įµā±įµˆ ⁿᵒʷ įµˆā±Ė¢Ė”ā±įµįµ‰Ė¢ ᵐᵉ Ź²įµ˜Ė¢įµ— ʷʰᵉⁿ ᓵ įµ—Ź°įµ’įµ˜įµŹ°įµ— ʷᵉ įµ‡įµ’āæįµˆā€§ā€§' į“¾Ė”įµƒāæįµįµ—įµ’āæ įµ—Ź°įµ’įµ˜įµŹ°įµ—ā€§ į”†įµ–įµ’āæįµįµ‰įµ‡įµ’įµ‡ įµ’āæį¶œįµ‰ įµƒįµįµƒā±āæ ʷᵉⁿᵗ įµ—įµ’ ᵗʰᵉ ᶜʰᵘᵐ įµ‡įµ˜į¶œįµįµ‰įµ— ᵃⁿᵈ ˢᵗⁱ˔˔ ᶠᵉ˔ᵗ įµįµ˜ā±Ė”įµ—Źøā€§ "ᓓᵉ˔˔ᵒ į“·įµƒŹ³įµ‰āæā€§ā€§" "į”†įµ–įµ’āæįµįµ‰įµ‡įµ’įµ‡āø“ ʰᵉʸ! ᓵᶠ Źøįµ’įµ˜'ʳᵉ Ė”įµ’įµ’įµā±āæįµ ᶠᵒʳ į“¾Ė”įµƒāæįµįµ—įµ’āæ ʰᵉ'Ė¢ Ź°įµƒįµ›ā±āæįµ ᵃ ᵇⁱᵗ įµ’į¶  ᵃ ᵐᵒᵐᵉⁿᵗ Ź³ā±įµŹ°įµ— ⁿᵒʷ‧‧" "į“·įµƒŹ³įµ‰āæ Ź·Ź°įµƒįµ— įµˆįµ’ Źøįµ’įµ˜ įµįµ‰įµƒāæ?" "ᓓᵉ įµįµ‰įµ—Ė¢ įµ‰įµįµ’įµ—ā±įµ’āæįµƒĖ” įµƒįµ— ᵗⁱᵐᵉˢ⸓ ᵇᵉ ⁱᵗ įµˆįµ‰Ė¢įµ—Ź³įµ’Źøā±āæįµ Ė”įµƒįµ‡įµ’Ź³įµƒįµ—įµ’Ź³Źø ᵒʳ Źøįµ‰Ė”Ė”ā±āæįµ įµƒįµ—āø“ įµ‡įµ˜įµ— ʰᵉ'Ė¢ ᵇᵉᵉⁿ ⁱⁿ ʰⁱˢ ʳᵒᵒᵐ ᵃ˔˔ ᵈᵃʸ⸓ ⁿᵒᵗ įµ—įµƒĖ”įµā±āæįµā€§ā€§" į“·įµƒŹ³įµ‰āæ įµ—įµ’Ė”įµˆ Ė¢įµ–įµ’āæįµįµ‰ ᵇᵒᵇ Ė”įµ‰įµƒįµˆā±āæįµ ʰⁱᵐ įµˆįµ’Ź·āæ įµ—įµ’ įµ‡įµ‰įµˆŹ³įµ’įµ’įµ įµˆįµ’įµ’Ź³ā€§ "ᓓᵉʸ į“¾Ė”įµƒāæįµįµ—įµ’āæāø“ Ė¢įµ–įµ’āæįµįµ‰įµ‡įµ’įµ‡'Ė¢ Ė¢įµ—įµ’įµ–įµ–įµ‰įµˆ ᵇʸ! į“°įµ’ Źøįµ’įµ˜ā€§ā€§ā€§" "Źøįµ’įµ˜ ˔ᵉᵗ ʰⁱᵐ ⁱⁿ?" "ᓓᵉ'Ė¢ Ė¢įµ—įµƒāæįµˆā±āæįµ ʷⁱᵗʰ ᵐᵉ‧" "ᓓⁱ į“¾Ė”įµƒāæįµįµ—įµ’āæā€§ā€§" į”†įµ–įµ’āæįµįµ‰įµ‡įµ’įµ‡ Ė¢įµƒŹøĖ¢ā€§ "ᵂᵉ'ʳᵉ Ź·įµ’Ź³Ź³ā±įµ‰įµˆ įµƒįµ‡įµ’įµ˜įµ— Źøįµ’įµ˜ā€§ā€§" "ᔆᵗᵒᵖ; Ź²įµ˜Ė¢įµ— įµ–Ė”įµ‰įµƒĖ¢įµ‰āø“ Ė”įµ‰įµƒįµ›įµ‰ ᵐᵉ įµƒĖ”įµ’āæįµ‰!" "į“®įµ˜įµ— į”†Ź°įµ‰Ė”įµˆįµ’āæāø“ įµˆįµ’ Źøįµ’įµ˜ Ź·įµƒāæįµ— Ė¢įµ–įµ’āæįµįµ‰įµ‡įµ’įµ‡ ᵗᵒ‧‧" "į“·įµƒŹ³įµ‰āæ ᓵ ᶜᵃⁿ Ź²įµ˜Ė¢įµ— į¶œįµ’įµįµ‰ ᵗᵒᵐᵒʳʳᵒʷ ⁱᶠ‧‧‧" "ᓵ ˢᵃⁱᵈ⸓ Ė”įµ‰įµƒįµ›įµ‰ ᵐᵉ ᵇᵉ! ᓮᵒᵗʰ įµ’į¶  Źøįµ’įµ˜ā€§ į“¶įµ˜Ė¢įµ—ā€§ ᓳᵒ‧ ᓺᵒʷ‧" "į“¾Ė”įµƒāæįµįµ—įµ’āæā€§ā€§ā€§" "ᓵ ˢᵃⁱᵈ įµįµ‰įµ—!" "ᔆᵒʳʳʸ‧‧" į”†įµƒŹøĖ¢ Ė¢įµ–įµ’āæįµįµ‰įµ‡įµ’įµ‡āø“ ⁿᵒʷ Ė”įµ‰įµƒįµ›ā±āæįµā€§ į“¾Ė”įµƒāæįµįµ—įµ’āæ ˢᵗⁱ˔˔ į¶œŹ³ā±įµ‰Ė¢ ʷⁱᵗʰ ʰⁱˢ įµ‡Ė”įµƒāæįµā±įµ‰ā€§ ᵀʰᵉ ⁿᵉˣᵗ ᵈᵃʸ⸓ Ė¢įµ–įµ’āæįµįµ‰įµ‡įµ’įµ‡ įµįµ’įµ— įµ˜įµ– įµ‰įµƒŹ³Ė”Źø ˢᵒ ᵃˢ įµ—įµ’ ˢᵗᵒᵖ ᵇʸ ᵃⁿᵈ ˢᵉᵉ ʰᵒʷ į“¾Ė”įµƒāæįµįµ—įµ’āæ'Ė¢ įµˆįµ’ā±āæįµā€§ "ᓵᵗ'Ė¢ ⁿᵒᵗ ᵘⁿᵘˢᵘᵃ˔ ᶠᵒʳ ʰⁱᵐ įµ—įµ’ įµˆā±Ė¢įµ—įµƒāæį¶œįµ‰ ʰⁱᵐˢᵉ˔ᶠ įµ‡įµ˜įµ— ⁿᵉᵛᵉʳ ᵃ˔˔ ᵈᵃʸ Ė”įµ’āæįµ!" "ᓼʰ į“·įµƒŹ³įµ‰āæāø“ ᓵ'ᵐ ˢᵒ ˢᵒʳʳʸ‧ į“°įµ’ Źøįµ’įµ˜ įµāæįµ’Ź· Ź·Ź°įµƒįµ—ā€§ā€§ā€§" "ᓵ įµˆįµ’ ⁿᵒᵗ įµāæįµ’Ź·āø“ ʷʰʸ ʰᵉ'Ė¢ įµ˜įµ–Ė¢įµ‰įµ—; ᓵ įµˆįµ’ įµāæįµ’Ź· ʰᵉ ʷᵉⁿᵗ įµ’įµ˜įµ— ᵗʰᵉ ᶠʳᵒⁿᵗ ᵃⁿᵈ ᵗʰᵉⁿ į¶œįµƒįµįµ‰ įµ‡įµƒį¶œįµ ⁱⁿ‧‧" "į“¾Ė”įµƒāæįµįµ—įµ’āæ ʷᵉⁿᵗ įµƒįµ— Ź·Ź°įµƒįµ— ᵗⁱᵐᵉ?" "į“¬Ź³įµ’įµ˜āæįµˆ ʷʰᵉⁿ ᵗʰᵉ įµŹ³įµ˜Ė¢įµ—Źø įµŹ³įµƒįµ‡ įµ’įµ–įµ‰āæįµ‰įµˆā€§ā€§ā€§" į”†įµ–įµ’āæįµįµ‰įµ‡įµ’įµ‡ įµįµƒĖ¢įµ–įµ‰įµˆā€§ 'ᓓᵉ įµįµ˜Ė¢įµ— Ź°įµƒįµ›įµ‰ Ź°įµ‰įµƒŹ³įµˆ ᵗʰᵉ į¶œįµ’āæįµ›įµ‰Ź³Ė¢įµƒįµ—ā±įµ’āæ ʷⁱᵗʰ ᓹʳ‧ į“·Ź³įµƒįµ‡Ė¢' Ė¢įµ–įµ’āæįµįµ‰įµ‡įµ’įµ‡ Ź³įµ‰įµƒĖ”ā±Ė¢įµ‰įµˆā€§ "ᓼʰ‧‧‧" "ᔆᵒ ⁿᵒʷ⸓ ʰᵉ'Ė¢ ˢᵗⁱ˔˔‧‧‧" "ᓵ'ᵛᵉ ᵃ į¶œįµ’āæį¶ įµ‰Ė¢Ė¢ā±įµ’āæ įµ—įµ’ įµįµƒįµįµ‰ā€§ā€§" į”†įµ–įµ’āæįµįµ‰įµ‡įµ’įµ‡ įµ—įµ’Ė”įµˆ į“·įµƒŹ³įµ‰āæ ᵃ˔˔ įµ’į¶  ᵉᵛᵉʳʸ įµ—Ź°ā±āæįµ Ė”įµ‰įµƒįµˆā±āæįµ įµ˜įµ– ᵗᵒ‧ "Źøįµ’įµ˜Ź³ ᵇᵒˢˢ įµƒįµ— į¶ įµƒįµ˜Ė”įµ— Ė¢įµ–įµ’āæįµįµ‰įµ‡įµ’įµ‡āø“ ⁿᵒᵗ Źøįµ’įµ˜ā€§ā€§" "ᓵ'ᵐ įµƒįµ— Ė”įµ‰įµƒĖ¢įµ— Ź·įµƒāæįµ—ā±āæįµ įµ—įµ’ įµ‰Ė£įµ–Ė”įµƒā±āæ įµ—įµ’ į“¾Ė”įµƒāæįµįµ—įµ’āæ!" į“·āæįµ’į¶œįµā±āæįµ ᵃˢ ʰᵉ ʷᵉⁿᵗ ⁱⁿ⸓ į”†įµ–įµ’āæįµįµ‰įµ‡įµ’įµ‡ ᵉⁿᵗᵉʳˢ į“¾Ė”įµƒāæįµįµ—įµ’āæ'Ė¢ ʳᵒᵒᵐ⸓ ᵗʰᵉ Ė”įµ’įµ’įµ ⁱⁿ ʰⁱˢ ᵉʸᵉ įµ‰āæįµ’įµ˜įµŹ° įµ—įµ’ įµ‡Ź³įµ‰įµƒįµ į”†įµ–įµ’āæįµįµ‰įµ‡įµ’įµ‡'Ė¢ Ź°įµ‰įµƒŹ³įµ—ā€§ "ᓵ'ᵐ įµįµ’āæāæįµƒ Ė¢įµā±įµ– Ź·įµ’Ź³įµ įµ—įµ’įµˆįµƒŹøā€§ā€§" "ᓵ'ᵐ ⁿᵒᵗ ⁱⁿ ᵗʰᵉ įµįµ’įµ’įµˆ ᵗᵒ‧‧‧" "ᓵ ᵒʷᵉ Źøįµ’įµ˜ ᵃⁿ įµ‰Ė£įµ–Ė”įµƒāæįµƒįµ—ā±įµ’āæ ᵃⁿᵈ įµƒįµ–įµ’Ė”įµ’įµŹø į“¾Ė”įµƒāæįµįµ—įµ’āæā€§ā€§" "Źøįµ’įµ˜ įµāæįµ’Ź·āø“ ᓵ įµƒį¶œįµ—įµ˜įµƒĖ”Ė”Źø ˔ᵉᵗ ᵐʸˢᵉ˔ᶠ ᵇᵉ˔ⁱᵉᵛᵉ Źøįµ’įµ˜ į¶œįµƒŹ³įµ‰įµˆ ᶠᵒʳ ᵐᵉ‧ į“®įµ˜įµ— Źøįµ’įµ˜'ᵈ į¶œįµƒŹ³įµ‰ įµƒįµ‡įµ’įµ˜įµ— ᵃ˔˔ ᵃⁿᵈ ᓵ Ź²įµ˜Ė¢įµ— į¶ įµ’įµ˜āæįµˆ ᵐʸˢᵉ˔ᶠ Ź°įµƒįµ–įµ–Źø; ᓵ ʷᵃˢ įµ‰Ė£į¶œā±įµ—įµ‰įµˆ! į“®įµ˜įµ— ⁿᵒ⸓ Źøįµ’įµ˜ Ź²įµ˜Ė¢įµ— įµ–Ė”įµƒŹøįµ‰įµˆā€§ā€§ā€§" "ᓵ ⁿᵉᵛᵉʳ įµįµ‰įµƒāæįµ— ᶠᵒʳ ⁱᵗ įµ—įµ’ Ź°įµƒįµ–įµ–įµ‰āæāø“ į“¾Ė”įµƒāæįµįµ—įµ’āæā€§" "ᓸⁱᵃʳ!" į“¾Ė”įµƒāæįµįµ—įµ’āæ į¶œŹ³ā±įµ‰įµˆā€§ "Źøįµ’įµ˜ įµāæįµ’Ź·āø“ Źøįµ’įµ˜'ʳᵉ Ź³ā±įµŹ°įµ— Ė¢įµƒŹøā±āæįµ ᓵ į¶œįµƒŹ³įµ‰ ᵃ˔˔ ᵖᵉᵒᵖ˔ᵉ įµ‡įµ˜įµ— ⁱᵗ į¶œįµƒįµįµ‰ įµ‡įµƒį¶œįµ įµ—įµ’ Ź°įµƒįµ˜āæįµ— ᵐᵉ‧ ᓬᶠᵗᵉʳ Źøįµ’įµ˜ įµįµ’įµ— ᵃ˔˔ į“·Ź³įµƒįµ‡Ė¢ į¶œįµ˜Ė¢įµ—įµ’įµįµ‰Ź³Ė¢āø“ ʰᵉ įµ—Ź°Ź³įµ‰įµƒįµ—įµ‰āæįµ‰įµˆ ᵐᵉ‧ ᵀʰᵉ ᵈᵃʸ Źøįµ’įµ˜ į¶ įµ’įµ˜āæįµˆ ᵐᵉ į¶œŹ³Źøā±āæįµ ⁱⁿ ʲᵉ˔˔ʸᶠⁱˢʰ į¶ ā±įµ‰Ė”įµˆĖ¢āø“ ᓵ ʷᵃˢ ⁿᵒᵗ ᵒⁿ įµ‡Ź³įµ‰įµƒįµ įµ‡įµ˜įµ— įµ—įµ’ į¶œĖ”įµ’Ė¢įµ‰ ⁱᵗ įµˆįµ’Ź·āæ įµ‡įµ˜įµ— ᓵ Ė¢įµ—įµ’įµ–įµ–įµ‰įµˆ ᵐʸˢᵉ˔ᶠ įµƒį¶ įµ—įµ‰Ź³ įµ—įµƒĖ”įµā±āæįµ įµ—įµ’ Źøįµ’įµ˜ā€§ ᓓᵉ ʷᵃˢ įµįµ’ā±āæįµ įµ—įµ’ ᶠⁱʳᵉ ᵐᵉ ᵃⁿᵈ ᓵ įµ–įµƒāæā±į¶œįµįµ‰įµˆāø“ Ė”ā±įµā±āæįµ ⁿᵒⁿᵉ įµ’į¶  ⁱᵗ‧ ᓬⁿᵈ ᓵ įµāæįµ’Ź· Źøįµ’įµ˜'ʳᵉ ⁿᵒᵗ įµįµ’āæāæįµƒ į¶ įµ’Ź³įµā±įµ›įµ‰ ᵐᵉ⸓ ᵃˢ Ź·Ź°įµƒįµ— ᓵ'ᵛᵉ įµˆįµ’āæįµ‰ įµ—įµ’ Źøįµ’įµ˜āø“ ⁱᵗ'Ė¢ ā±āæįµ‰Ė£į¶œįµ˜Ė¢įµƒįµ‡Ė”įµ‰ā€§ ᓵ'ᵐ ˢᵒʳʳʸ į“¾Ė”įµƒāæįµįµ—įµ’āæā€§ā€§" į“¾Ė”įµƒāæįµįµ—įµ’āæ ˢᵃⁱᵈ āæįµ’įµ—Ź°ā±āæįµ ᵃˢ į”†įµ–įµ’āæįµįµ‰įµ‡įµ’įµ‡ įµįµ’įµ— įµ˜įµ– ᵃⁿᵈ Ź·įµƒįµ—į¶œŹ°įµ‰įµˆ ʰⁱᵐ ⁿᵒʷ Ė”įµ‰įµƒįµ›įµ‰ ᵗʰᵉ ᶜʰᵘᵐ įµ‡įµ˜į¶œįµįµ‰įµ—ā€§ "į”†įµ–įµ’āæįµįµ‰įµ‡įµ’įµ‡ įµįµ‰įµ— įµ—įµ’ įµįµƒįµā±āæįµ įµ–įµƒįµ—įµ—ā±įµ‰Ė¢!" į”†įµƒŹøĖ¢ ᓹʳ‧ į“·Ź³įµƒįµ‡Ė¢ ᵃˢ ʰᵉ į¶œįµƒįµįµ‰ ⁱⁿ‧ į“¾Ė”įµƒāæįµįµ—įµ’āæ įµˆįµ‰į¶œā±įµˆįµ‰įµˆ įµ—įµ’ ᵗᵉ˔˔ į¶ įµ’Ź³įµā±įµ›įµ‰ Ė¢įµ–įµ’āæįµįµ‰įµ‡įµ’įµ‡ ᵃⁿᵈ ʷᵉⁿᵗ ⁱⁿ ᵗʰᵉ Ź³įµ‰Ė¢įµ—įµƒįµ˜Ź³įµƒāæįµ—ā€§ "ᓵ į¶œįµƒāæāæįµ’įµ— ᵇᵉ˔ⁱᵉᵛᵉ ᵃ ˢᵉ˔ᶠ įµ–Ź³įµ’į¶œĖ”įµƒā±įµįµ‰įµˆ įµ›ā±Ė”Ė”įµƒā±āæ āæįµ‰įµ‰įµˆĖ¢ ᵃ įµ‡įµƒįµ‡Źø įµ‡Ė”įµƒāæįµā±įµ‰!" į”†įµƒŹøĖ¢ ᵃ į¶œįµ˜Ė¢įµ—įµ’įµįµ‰Ź³ā€§ ᔆᵗⁱ˔˔ įµ˜āæāæįµ’įµ—ā±į¶œįµ‰įµˆāø“ į“¾Ė”įµƒāæįµįµ—įµ’āæ Ź·ā±įµ—āæįµ‰Ė¢Ė¢įµ‰įµˆ ᵃ˔˔ ᵗʰᵉ įµ–įµƒįµ—Ź³įµ’āæĖ¢ Ė”įµƒįµ˜įµŹ°ā±āæįµā€§ "įµ‚Ź°įµƒįµ— ᵃ Ź²įµ’įµįµ‰!" į”†į‘«įµ˜ā±įµˆŹ·įµƒŹ³įµˆ ˢᵃʸˢ⸓ Ź²įµ’ā±āæā±āæįµ ⁱⁿ‧ 'ᔆʰᵒʷ ᵗʰᵉᵐ ᵃ Ź²įµ’įµįµ‰' Ė¢įµ–įµ’āæįµįµ‰ ᵇᵒᵇ įµ—įµ’Ė”įµˆ ʰⁱᵐˢᵉ˔ᶠ⸓ įµŹ³įµƒįµ‡įµ‡ā±āæįµ ʰⁱˢ įµ˜āæā±į¶ įµ’Ź³įµ Ź°įµƒįµ—ā€§ įµ€Ź°Ź³įµ’Ź·ā±āæįµ ⁱᵗ ᵒⁿ ᵗʰᵉ įµŹ³įµ’įµ˜āæįµˆāø“ Ė¢įµ–įµ’āæįµįµ‰įµ‡įµ’įµ‡ įµā±į¶œįµįµ‰įµˆ ⁱᵗ⸓ Ė¢įµƒŹøā±āæįµ "Źøįµ’įµ˜'ʳᵉ ᵗʰᵉ ᵒⁿ˔ʸ Ź²įµ’įµįµ‰ ᓵ ˢᵉᵉ‧ Źøįµ’įµ˜ įµ‡įµ˜Ė”Ė”Źø ᵐʸ į¶ Ź³ā±įµ‰āæįµˆ į“¾Ė”įµƒāæįµįµ—įµ’āæāø“ įµ—įµ’ ˢᵉᵉᵐ įµ‡ā±įµā€§ ᵂᵉ˔˔ ᓵ ᵗᵉ˔˔ Źøįµ’įµ˜ ᵃ˔˔ Ź³ā±įµŹ°įµ— ⁿᵒʷ⸓ ʷʰᵉᵗʰᵉʳ ᵒʳ ⁿᵒᵗ Źøįµ’įµ˜ įµƒįµ–įµ–Ź³įµ’įµ›įµ‰ įµ’į¶  ᵗʰᵉ ᶜʰᵘᵐ į“®įµ˜į¶œįµįµ‰įµ—āø“ įµ—įµ’ ˢᵗᵒᵖ‧ Źøįµ’įµ˜ ᵐᵃʸ ⁿᵒᵗ ˔ᵒᵛᵉ ʰⁱᵐ įµ‡įµ˜įµ— ᓵ ᶜᵃⁿ ˢᵉᵉ ʷʰʸ ʰᵉ'Ė¢ ⁿᵒᵗ įµ—Ź³įµ˜Ė¢įµ— ā±Ė¢Ė¢įµ˜įµ‰Ė¢ā€§ ᔆᵒ įµ—įµ’ ᓹʳ‧ į“·Ź³įµƒįµ‡Ė¢ ˔ⁱˢᵗᵉⁿ įµ˜įµ–!" į”†įµ–įµ’āæįµįµ‰įµ‡įµ’įµ‡ ʷᵉⁿᵗ Ź³ā±įµŹ°įµ— įµ˜įµ– įµ—įµ’ ʰⁱᵐ‧ "ᓵ ᑫᵁᓵᵀ!" į”†įµ–įµ’āæįµįµ‰įµ‡įµ’įµ‡ įµįµ’įµ— ʰⁱˢ Ė¢įµ–įµƒįµ—įµ˜Ė”įµƒ ᵃⁿᵈ įµ‡Ź³įµ’įµįµ‰ ⁱᵗ ⁱⁿ ʰᵃ˔ᶠ ⁿᵒʷ‧ "ᶠᵒʳ ᵗʰᵉ Ź³įµ‰į¶œįµ’Ź³įµˆāø“ ᓵ įµįµ’įµ—įµ—įµƒ įµ—įµ‰įµˆįµˆŹø įµ‡įµ‰įµƒŹ³ ᓵ Ź°įµ˜įµ įµƒįµ— ᵗⁱᵐᵉˢ‧ į“®įµ˜įµ— ᓵ ʷᵒⁿ'įµ— Ė¢įµ˜įµ–įµ–įµ’Ź³įµ— Źøįµ’įµ˜ ᵃⁿʸ ᵐᵒʳᵉ Ė”įµ’āæįµįµ‰Ź³ā€§ ᓬⁿᵈ ʸᵉˢ ᓵ'ᵐ įµ—įµƒįµā±āæįµ įµ—įµ’ Źøįµ’įµ˜ į“·Ź³įµƒįµ‡Ė¢!" į”†įµ–įµ’āæįµįµ‰įµ‡įµ’įµ‡ Źøįµ‰Ė”Ė”įµ‰įµˆ ⁿᵒʷ‧ "ᵀʰᵉ ᵒⁿ˔ʸ Ź²įµ’įµįµ‰ ᓵ ˢᵉᵉ ⁱˢ į“±įµ˜įµįµ‰āæįµ‰! ᓵ'ᵐ įµ—įµ‰Ė”Ė”ā±āæįµ Źøįµ’įµ˜ ᓵ ˔ᵒᵛᵉ Ź·įµ’Ź³įµā±āæįµ ᶠʳʸ į¶œįµ’įµ’įµ įµ‡įµ˜įµ— ⁿᵒᵗ ⁱᶠ ⁱᵗ įµįµ‰įµƒāæĖ¢ Ź·įµ’Ź³įµā±āæįµ ᶠᵒʳ ˢᵘᶜʰ ᵃ ˢᵒʳʳʸ Ź²įµ’įµįµ‰ā€§ ᓵᶠ Źøįµ’įµ˜ įµˆįµ’āæ'įµ— Ź°įµƒįµ›įµ‰ ᵃⁿ įµƒįµ–įµ’Ė”įµ’įµŹø ᶠᵒʳ į“¾Ė”įµƒāæįµįµ—įµ’āæ Źøįµ’įµ˜ ᶜᵃⁿ Ź²įµ˜Ė¢įµ— į“®įµƒį¶œįµ ᓼᶠᶠ!" ᓵⁿ Ė¢Ź°įµ’į¶œįµ ᵗʰᵉ Ź³įµ‰Ė¢įµ—įµƒįµ˜Ź³įµƒāæįµ— Ė¢įµ—įµƒŹøįµ‰įµˆ ˢⁱ˔ᵉⁿᵗ⸓ į“¾Ė”įµƒāæįµįµ—įµ’āæ ⁿᵒʷ Ė¢āæįµ‰įµƒįµ įµ’įµ˜įµ— ᵃʷᵃʸ įµ‡įµƒį¶œįµ įµ—įµ’ ʰⁱˢ ᵒʷⁿ Ź³įµ‰Ė¢įµ—įµƒįµ˜Ź³įµƒāæįµ—ā€§ "ᓓᵉʸ įµā±įµˆ Ź·įµƒā±įµ—āø“ Ė¢įµ–įµ’āæįµįµ‰įµ‡įµ’įµ‡!" į“¾Ė”įµƒāæįµįµ—įµ’āæ ʳᵃⁿ įµ—įµ’ ʰⁱᵐ‧ "įµ€Ź°įµƒāæįµ Źøįµ’įµ˜āø“ ᶠᵒʳ Ė¢įµ—įµƒāæįµˆā±āæįµ įµ˜įµ–; Źøįµ’įµ˜ ᵈⁱᵈⁿ'įµ— Ź°įµƒįµ›įµ‰ ᵗᵒ‧‧‧" "ʸᵉˢ ᓵ ᵈⁱᵈ į“¾Ė”įµƒāæįµįµ—įµ’āæā€§ ᓵᵗ'Ė¢ Ź·Ź°įµƒįµ— įµˆįµ’ ᶠᵒʳ ᵃ į¶ Ź³ā±įµ‰āæįµˆā€§" ᓱⁿᵈ į¶ ā±āæįµƒĖ”įµ‰
Don’t you hate it when someone borrows your favorite pen and doesn’t give it back?šŸ™„šŸ–Šļø
Here's what you should do for someone with signs of heat stroke: Move the person out of the sun or heat to a cooler spot. Pour water over their skin and use anything available to fan them. Soak a towel in ice water and apply it to their skin. ... Apply ice or cold packs to their armpits or neck. Perhaps eat pretzels or crackers
https://www.sharkattackfile.net/incidentlog.htm https://www.sharkattackfile.net/spreadsheets/GSAF5.xls https://www.sharkattackfile.net/incidentlog.htm
Project Shocking I am the mother of a 20 year old girl that died in June from Toxic Shock Syndrome. My daughter was using a Playtex tampon. I've been doing an inordinate amount of research since her death in June, and have been sending out information daily via a pamphlet I authored with help from a PhD. known nationally for his research of Toxic Shock Syndrome. I also have been utilizing social networking and visiting high schools to point out the symptoms and prevention of tampon induced TSS. Many of these young women do not yet have the antibodies they need to use tampons containing viscose rayon. Ladies have been contacting me daily to tell their personal experiences of TSS or share the story of their child who died of TSS. It's unfathomable how the numbers are rising. The sad part is, every single instance of TSS I have personally heard about was using Playtex. I'm sure it isn't only Playtex brand, but these are the instances I've heard about. My daughter was only using "regular" absorbency. Regular absorbency isn't absorbency that is focused on. Amy was a hygiene freak, and changed her tampon like clockwork in fear she would get TSS. It still killed her. Another friend of mine almost lost her 15 year old daughter; not because she was using a tampon, but because of a fiber left inside her a week later. Her daughter is now recovering from reconstruction of her toes due to TSS. TSS is killing young women everywhere. I believe it's every bit as bad as in the 1980's; however, no one knows it. Even Playtex says on their warning label that 1 to 17 of every 100,000 menstruating women PER YEAR will get TSS. If you figure that out, how many menstruating women are there; maybe 15% of the population? That takes the number up to 1 to 17 in 15,000 PER YEAR. Pardon my math skills; I'm aging fast! It's staggering if you get to the real numbers! Up to 25% of these young women will die. People aren't reporting to the FDA; the FDA isn't policing the factories responsibly. They are under the grandfather clause with the FDA, so their new products aren't going through appropriate testing. They don't have to report what is in them. TSS isn't reportable to the CDC; yet the CDC gives out numbers of cases. This isn't right. People are led to believe these CDC reported numbers which gives them a false security. On to the Robin Danielson Act; 2001 H.R. 360, presented by Representative Carolyn Maloney D NY; the bill would amend the Public Health Service Act requiring TSS to be reported to the CDC and would also force the industry to list the content of tampons on the box. The bill has been thrown out continually for the last 13 years. I looked into the tampon industry CEO's political contributions to Congressmen. You can guess the outcome. In my mind this isn't adding up. I believe the fate of my daughter was sealed because of this corporate conduct. I'm currently starting a non-profit organization called, You ARE Loved, (the letters ARE represent my daughter’s initials, Amy Rae Elifritz) to educate girls in high schools across America of the symptoms of TSS, what to watch for and how to prevent it. They need to know! TSS symptoms resemble the flu! It isn't just super absorbent tampons, it's regular tampons too; anything with viscose rayon in it. Warnings say to watch for a rash or peeling. The rash isn't likely to be presented until TSS is beyond recovery. The peeling of skin isn't until at least 7 days to 2 weeks after it begins (provided you aren't dead yet). Playtex' annual report in 2007 reads, ā€œOur Feminine Care marketing strategies have leveraged the strength of the Playtex brand that caters to the active, young female. Our Feminine Care marketing strategy centers on attracting first-time users, converting users of competitive products to our products and converting full-time feminine protection pad users to tampon users by communicating the advantages of tampons. In addition, we have developed the website, www.playtextampons.com, to provide information to adults and adolescents in choosing the right productsā€œ. These adolescents are the exact age group that hasn’t developed the immunity to the S. aureus bacteria. They are the most vulnerable people in the world to TSS. How can we get the warning out to these young women that TSS is real and happening when the industry is pushing so hard to reel them in? TSS of the 1980's is history. 2011 is NOW and TSS is happening! Lately I’ve seen medical professionals on TV talking about TSS. They keep repeating that TSS happens only with use of super tampons and to change frequently. My daughter changed every 4-6 hours! I know; I bought them! Actually the toxin begins to develop 2 hours after inserting a tampon and continues to multiply even while changing tampons. This toxin continues to increase as long as you are wearing tampons. The only way to dissipate the toxin in the vaginal canal is to use a pad for at least 8 hours between tampons. I’ve never heard anyone publically explain why alternating with a pad is so important! It’s a very understandable explanation. The only way to prevent TSS is with 100% cotton tampons or pads alone. The reason you can’t find cotton tampons in big stores is the companies that produce 100% cotton tampon are small. Cotton is expensive! These companies cannot afford the advertising to meet the requirements for shelf space at Walmart, CVS, or Walgreen. You have to order them online or go to a specific health food store. What 15 year old will wait 3 days for mail order delivery of a tampon when she needs it now? It's like a 3 day waiting period to buy a gun. I need help getting the word out. I can point you to the research, the professional journals, and the microbiologists that can back me up on everything I mentioned. The medical community is in the dark and it’s not their fault. I want TSS symptom posters on every ER wall in this country - symptoms and first actions. If a woman comes into the ER with a fever and flu, CHECK FOR A TAMPON! If she has one in, REMOVE IT!! Conscious or unconscious, remove the tampon or she will die. The medical profession needs to be educated in tampon related TSS; they are led to believe it no longer exists. Shortly after my daughter’s death I received a thank you message from a mother for saving her daughter's life. Last night I was told that because of my information a second life was saved. The feeling I get from these messages is beyond words. I take no credit for this because everyone needs to be educated. Saving lives is the result of the education. There is now a test; the TSST-1 antibody test that will identify if a person has the antibodies which make it safe to use tampons containing viscose rayon. My local hospital doesn't offer it … Yet. We need to test these young girls or provide symptom education for them and for medical staff along with funding for research to develop a vaccination that boosts antibodies to the toxin produced by Staphylococcus aureus. What more can I do as a citizen without help? It's time to recreate awareness for the new century of TSS. This is an important public service for this story to be told/this warning to be given. Grieving Mother, Lisa Elifritz Special thanks to Maxim Organic for supplying samples of 100% cotton tampons for the young women I speak to. The above is my interpretation of the research I have done since the death of my daughter to Toxic Shock Syndrome. It is not my intention to imply fault to any company, organization or individual. It has been approved by a nationally known microbiologist/toxic shock expert.
school šŸ‘©ā€šŸ’¼āœļøšŸ“ˆšŸ§ šŸŽ€ ā„ folder (one per class) ā„ planner ā„ lined paper ā„ pencil pouch (contains mechanical pencils, pens, & eraser) ā„ laptop & charger ā„ earbuds ā„ snacks ā„ 32 oz water bottle ā„ advil ā„ feminine products ā„ lip gloss ā„ wallet ā„ a book ā„ travel size body spray
š–¢š–®š–¬š–¤ š–³š–®š–¦š–¤š–³š–§š–¤š–± š–»š—’ š–­š–¾š—Žš—‹š—ˆš–„š–ŗš–»š—Žš—…š—ˆš—Žš—Œ part 5 Chip approached tentatively, his hand still gripping the octopus. "Hey Dad," he said, his voice gentle. "It's okay. Can you say 'octopus'?" Plankton looked up. "Oc- -topus," he repeated, the word coming out as a garbled mess. Chip couldn't help but chuckle despite the gravity of the situation. It was strange to see his dad, the master of words, stumble over something so simple. "Good job, Dad," Chip said, his voice filled with affectionate pride. "Again," he encouraged. "Oc-top-us," Plankton managed, his speech slightly clearer. Chip nodded, a soft laugh escaping. "That's it. The octopus wanted us to play together. Do you want to play?" Plankton looked at the stuffed octopus in Chip's hand, his expression still foggy. "Is?" he murmured, his eye moving slightly. "Is." Chip nodded, a small smile tugging at the corners of his mouth despite the sadness in his heart. "Yeah, Dad. It's ok." He held out the octopus. "This is the octopus. He's here to see you." Plankton's gaze focused on the octopus, his hand reaching out to touch it. "Octopus," he repeated, his tongue struggling with the word. "Octo...pus." More drool pooled in the corner of his mouth as he tried again. Karen watched the interaction, her heart swelling with hope. Maybe, just maybe, this could be a moment of bonding for them, a chance for Chip to see his father in a new light. "Keep going," she whispered encouragingly. Chip held out the octopus further. "Dad, remember?" he prompted gently. "We talked about the octopus." Plankton's hand grasped the toy despite his confusion. He stared at the tentacles, his mind racing with a jumble of thoughts that he couldn't quite articulate. "Wh-wh-what?" he stuttered, his gaze unfocused. "It's okay," Chip assured, his voice soothing. "You're okay." He began to make the octopus wave its tentacles around playfully. "Look, he wants to be friends." Plankton stared at the octopus for a moment, his brain trying to catch up to the situation. "F-friends," he mumbled, his mouth twitching into a smile. He watched as the octopus's tentacles danced in the air, and then his own hand started to mimic the movement. "F-f-friends," he repeated, his voice gaining a bit of its usual lilt. Chip's heart swelled with relief. He had never seen his father like this before, and it was both terrifying and endearing. He knew his dad was still in there, trying to come back to reality. "That's right," he said, his tone gentle. "We're all friends here." He waved the octopus again, and Plankton's hand followed suit, the two of them playing a silent game of copycat. Karen watched, her eyes misty with tears. It was both heartbreaking and oddly sweet to see her husband like this, vulnerable and child- like in his confusion. But she knew they needed to keep the conversation simple for Plankton's sake. "Chip, ask him about the bear," she suggested, her voice barely above a whisper. Chip nodded, turning his attention back to the bear. "Dad, remember the bear?" he asked, his voice gentle. Plankton's gaze flickered to the plush animal in his hand. "Be-be-be-" he started, his tongue tripping over the word. Chip waited patiently, giving his dad the space he needed to find his voice. "Bear," Plankton finally managed, his expression lighting up. "Good bear." Karen's heart swelled at the sight of the two of them playing, her son's innocence and her husband's vulnerability a stark contrast. Plankton's hand movements grew more animated, his speech still slurred but gaining clarity. "Bear...good," he said again, giggling. "Bear making octo happy." Chip couldn't help but laugh at the nonsensical words. "Yeah, Dad, the bear's making everyone happy." He watched as Plankton's hands danced with the octopus's tentacles, the bear bobbing up and down in the air. It was a sight that would have been comical under different circumstances, and Karen knew Plankton would normally feel humiliated at his inability to speak coherently. But in that moment, his confusion seemed almost endearing. "Bear, octo, happy," Plankton repeated, his words slurring together into a loop. It was like listening to a broken record, his brain stuck on the same phrase. Karen bit her lip, trying not to smile at the absurdity of it all. "Good, Plankton," she said, her voice soft. "Keep playing with the bear." Chip's eyes were glued to his father, a mix of fascination and concern. He had never seen Plankton so out of sorts, his usual sharp wit replaced by babbling nonsense. "Look, Dad," he said, his tone gentle. "The octopus is dancing with the bear." Plankton's eye lit up with a childlike wonder as he watched the two stuffed animals interact. He giggled, a sound that was both sweet and slightly eerie coming from his normally serious demeanor. "Dance," he mumbled, his hand moving the bear in a clumsy imitation of the octopus's wavy tentacles. "Dance, bear." The scene was almost comical, like a surreal play performed by a pair of silent puppets. Karen and Chip exchanged glances, their smiles tinged with sadness. They knew this wasn't the Plankton they were used to, but they couldn't help but be drawn into his bizarre world of confusion and simple joy. "Octo, bear, friends," Plankton repeated, his voice gaining slightly in clarity. His hands worked in unison, the octopus and bear engaged in a silent, stuffed dance of sorts. Karen notices his gaze sharpening a bit and knew Plankton will soon be himself again. "Good," she murmured, her eyes never leaving her husband's face. "Keep playing, sweetie." Her voice was soft. Plankton nodded, his hands moving more freely now, his speech slowly becoming less slurred. "Octo...bear," he said, his eye darting between his octopus and bear.
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Confidence! ź”› i am so cute and pretty! i’m smart and strong, i can get through anything! i’m also so lucky, i easily attract good things š“‚ƒ ࣪˖ ā™” 怀怀 .怀怀 ć€€Ėš
SPORTS OFFERED The Allen Delegation currently supports: Aquatics (swim) Athletics Basketball Bocce Bowling Flag Football (no skills level at this time) Golf Power Lifting (weights) Soccer (futbol) ​Tennis Volleyball ​Unified Sports (doubles) Allen Special Olympics Delegation (ASOD)
įµ€įµƒįµā±āæįµ į¶œįµƒŹ³įµ‰ įµ’į¶  į“®įµ˜Ė¢ā±āæįµ‰Ė¢Ė¢ ā½į”†įµ–įµ’āæįµįµ‰į“®įµ’įµ‡ ᶠᵃⁿᶠⁱᶜ⁾ į“·įµƒŹ³įµ‰āæ įµ–įµƒį¶œįµįµ‰įµˆ ᶠᵒʳ ʰᵉʳ ᵗʳⁱᵖ ᵃˢ į“¾Ė”įµƒāæįµįµ—įµ’āæ Ė”ā±įµįµ–įµ‰įµˆ įµ‡įµƒį¶œįµ įµƒį¶ įµ—įµ‰Ź³ ᵃ į¶ įµƒā±Ė”įµ˜Ź³įµ‰ įµ’į¶  ʰⁱˢ‧ ᓷⁿᵉᵉ įµ‡įµ˜į¶œįµĖ”ā±āæįµāø“ ʰᵉ ᶠᵉ˔˔ ᵒⁿ ᵗʰᵉ ā±āæŹ²įµ˜Ź³įµ‰įµˆ Ė”įµ‰įµ ᵃˢ ʰᵉ įµįµƒįµˆįµ‰ ⁱᵗ ʷᵒʳˢᵉ‧ "į”†Ź°įµ‰Ė”įµˆįµ’āæā€§ā€§ā€§" "ᓵ'ᵐ ˢᵒʳʳʸ; į“·Ź³įµƒįµ‡Ė¢ įµ—Ź³ā±įµ–įµ–įµ‰įµˆ ᵐᵉ ᵇʸ įµ˜Ė¢ā±āæįµ ʰⁱˢ Ė”įµ‰įµ įµ—įµ’ įµā±į¶œįµ ᵐⁱⁿᵉ Ź°įµƒŹ³įµˆā€§ ᓵᵗ'Ė¢ įµ—Ź°Ź³įµ’įµ‡įµ‡ā±āæįµ ᵃⁿᵈ Ź°įµ˜Ź³įµ—ā€§ā€§ā€§" "ᓵ ᶜᵃⁿ ᶜᵃ˔˔ ᵐʸ ˢᵃⁿᵈʸ įµįµƒĖ” įµ–įµƒĖ” įµ—įµ’ Ė”įµ’įµ’įµ įµƒį¶ įµ—įµ‰Ź³ Źøįµ’įµ˜; ᓵ įµįµ’įµ—įµ—įµƒ įµįµ’!" į”†įµƒā±įµˆ į“·įµƒŹ³įµ‰āæ ᵃˢ ˢʰᵉ ᵈⁱᵃ˔ˢ ʰᵉʳ‧ į“¼āæį¶œįµ‰ ˢᵃⁿᵈʸ įµƒŹ³Ź³ā±įµ›įµ‰įµˆ ᵗʰᵉ ᶜʰᵘᵐ įµ‡įµ˜į¶œįµįµ‰įµ— ᔆʰᵉ ˔ᵉᶠᵗ ᶠᵒʳ ʰᵉʳ ᵗʳⁱᵖ įµƒį¶ įµ—įµ‰Ź³ įµ—įµ‰Ė”Ė”ā±āæįµ ˢᵃⁿᵈʸ įµ‰įµ›įµ‰Ź³Źøįµ—Ź°ā±āæįµā€§ "įµ€Ź°ā±āæįµ įµ’į¶  ᵐᵉ ᵃˢ ᵃ į¶ Ź³ā±įµ‰āæįµˆ ᵃⁿᵈ ⁿᵒᵗ ᵃ įµ‡įµƒįµ‡ŹøĖ¢ā±įµ—įµ—įµ‰Ź³ā€§ā€§ā€§" į”†įµƒāæįµˆŹø įµ—įµ’Ė”įµˆ į“¾Ė”įµƒāæįµįµ—įµ’āæ ʷʰᵒ'Ė¢ ⁿᵒᵗ įµ—įµ’ Ė”įµ‰įµƒįµ›įµ‰ ᵗʰᵉ į¶œįµ’įµ˜į¶œŹ°ā€§ "ᓵ'ᵐ Ź²įµ˜Ė¢įµ— įµįµ’āæāæįµƒ ʰᵉ˔ᵖ Źøįµ’įµ˜ įµƒŹ³įµ’įµ˜āæįµˆā€§ā€§" ˢᵃⁿᵈʸ ˢᵃʷ ʰⁱᵐ ᵗʳʸ įµ—įµ’ ᵐᵒᵛᵉ įµ‡įµ˜įµ— ʷᵃˢ Ź°įµ˜Ź³įµ—ā±āæįµ įµ—įµ’ įµįµ˜į¶œŹ°ā€§ "įµŹ³įµŹ°!" "į“¾Ė”įµƒāæįµįµ—įµ’āæ Źøįµ’įµ˜ āæįµ‰įµ‰įµˆ ʳᵉˢᵗ! į“°įµ’ Źøįµ’įµ˜ Ź·įµƒāæįµ— ᶠᵒʳ ᵐᵉ įµ—įµ’ įµįµ‰įµ— Źøįµ’įµ˜ā€§ā€§ā€§" "ᓵ ᶜᵃⁿ įµ‡įµƒŹ³įµ‰Ė”Źø ᵐᵒᵛᵉ‧‧‧" "Źøįµ’įµ˜Ź³ Ė”įµ‰įµ ⁱˢ įµ—įµ’ Ź·įµ‰įµƒįµ ᵃⁿᵈ ᓵ ˢᵉᵉ Źøįµ’įµ˜'ʳᵉ į¶ Ź³įµ˜Ė¢įµ—Ź³įµƒįµ—įµ‰įµˆāø“ įµ‡įµ˜įµ— ⁱᵗ ʰᵃˢⁿ'įµ— ᵗʰᵉ Ė¢įµ—Ź³įµ‰āæįµįµ—Ź° ʸᵉᵗ‧ ᵀʰᵉ ᵐᵒʳᵉ Źøįµ’įµ˜ įµā±įµ›įµ‰ ⁱᵗ ᵗⁱᵐᵉ įµ—įµ’ Ź°įµ‰įµƒĖ”āø“ ᵗʰᵉ į‘«įµ˜ā±į¶œįµįµ‰Ź³ ʷⁱ˔˔ Ź°įµ‰įµƒĖ”!" į”†įµƒāæįµˆŹø į¶ Ė”įµ˜į¶ į¶ įµ‰įµˆ ᵃ ᵖⁱ˔˔ᵒʷ ᶠᵒʳ ʰⁱᵐ įµ—įµ’ ʳᵉˢᵗ ⁱᵗ ᵒⁿ‧ ᓬᶠᵗᵉʳ ᵗʰᵉ Ė”įµ‰įµ įµ–įµƒā±āæį¶ įµ˜Ė”Ė”Źø ᵃⁿᵈ į”†Ź°įµƒįµįµ‰Źø įµ–įµ˜įµ— ᵒⁿ ᵗʰᵉ ᵖⁱ˔˔ᵒʷ⸓ ᵗʰᵉ ᶠʳᵒⁿᵗ įµˆįµ’įµ’Ź³ įµ’įµ–įµ‰āæįµ‰įµˆā€§ "ᓵ'˔˔ įµįµ‰įµ— ⁱᵗ‧‧‧" į”†įµƒāæįµˆŹø įµ’įµ–įµ‰āæįµ‰įµˆ įµ—įµ’ Ė¢įµ–įµ’āæįµįµ‰įµ‡įµ’įµ‡ į¶œįµ’įµā±āæįµ ⁱⁿ‧ "ᓵ Ź²įµ˜Ė¢įµ— Ź·įµƒāæįµ—įµ‰įµˆ įµ—įµ’ į¶œŹ°įµ‰į¶œįµ ᵒⁿ į“¾Ė”įµƒāæįµįµ—įµ’āæ ᵃⁿᵈ įµ–įµ‰Ź³Ź°įµƒįµ–Ė¢ Ė¢įµ—įµƒŹø įµƒā€§ā€§ā€§" "į¶œįµ’įµįµ‰ ˢᵉᵉ ʰⁱᵐ!" į”†įµƒāæįµˆŹø Ė”įµ‰įµƒįµˆĖ¢ įµ—įµ’ ʷʰᵉʳᵉ į“¾Ė”įµƒāæįµįµ—įµ’āæ'Ė¢ ᵒⁿ ᵗʰᵉ Ė”įµ’āæįµ į¶œįµ’įµ˜į¶œŹ°ā€§ "į”†įµ–įµ’āæįµįµ‰įµ‡įµ’įµ‡ į¶œįµƒįµįµ‰ ᵃⁿ Ź²įµ˜Ė¢įµ— įµ—įµ’ ˢᵉᵉ Źøįµ’įµ˜!" į”†įµƒāæįµˆŹø įµ‡Ź³įµ’įµ˜įµŹ°įµ— ʰⁱᵐ ᵇʸ įµ—įµ’ ᵗʰᵉ į¶œįµ’įµ˜į¶œŹ°ā€§ "ᓵ'ᵐ ˢᵒʳʳʸ‧‧" "į”†įµ–įµ’āæįµįµ‰įµ‡įµ’įµ‡ Źøįµ’įµ˜ įµāæįµ’Ź· ⁱᵗ'Ė¢ ⁿᵒᵗ Źøįµ’įµ˜Ź³ į¶ įµƒįµ˜Ė”įµ—ā€§ā€§" į“¾Ė”įµƒāæįµįµ—įµ’āæ įµ—įµ’Ė”įµˆ ʰⁱᵐ‧ "ᔆᵉᵉᵐˢ ˢᵒʳᵉ‧‧‧" į”†įµƒā±įµˆ į”†įµ–įµ’āæįµįµ‰įµ‡įµ’įµ‡ā€§ į“¾Ė”įµƒāæįµįµ—įµ’āæ Ė”įµ’įµ’įµįµ‰įµˆ įµˆįµ’Ź·āæ įµƒįµ— ⁱᵗ ˢᵃᵈ˔ʸ ᵃⁿᵈ Ė¢ā±įµŹ°įµ‰įµˆā€§ "į“°įµ’ Źøįµ’įµ˜ ʷᵃⁿⁿᵃ Ź·įµƒįµ—į¶œŹ° Ė¢įµ’įµįµ‰įµ—Ź°ā±āæįµ ᵒʳ įµ–įµ‰Ź³Ź°įµƒįµ–Ė¢ įµ–Ė”įµƒŹø ᵃ įµ‡įµ’įµƒŹ³įµˆ įµįµƒįµįµ‰?" "ᓵ'ᵈ įµ–Ė”įµƒŹø ᶜᵃʳᵈˢ įµ‡įµ˜įµ— ᓵ'ᵈ āæįµ‰įµ‰įµˆ ʰᵉ˔ᵖ‧‧‧" "ᓵ'˔˔ ʰᵉ˔ᵖ Źøįµ’įµ˜ ᓵ Ź°įµ’Ė”įµˆ ᵗʰᵉ į¶œįµƒŹ³įµˆĖ¢ā€§ā€§" į”†įµƒāæįµˆŹø ā±āæįµ—įµ‰Ź³Ź²įµ‰į¶œįµ—įµ‰įµˆā€§ "ᓹʳ‧ į“·Ź³įµƒįµ‡Ė¢ įµ—įµƒįµ˜įµŹ°įµ— ᵐᵉ įµ–Ė”įµƒŹøā±āæįµ ᶜᵃʳᵈˢ ˢᵒ Źøįµ’įµ˜'ʳᵉ ᵒⁿ!" ᓬⁿᵈ ᵗʰᵉʸ įµˆā±įµˆā€§ @ALYJACI
ą­Øą§Žā‹†.Ėšā€Ŗā€Ŗā¤ļøŽā€¬ā€Žā­’ fun things you can manifest ā­’ ššš›š¢š„š¢š­š² š­šØ š¦šžš¦šØš«š¢š¬šž ššš§š²š­š”š¢š§š  š¢š§ š„šžš¬š¬ š­š”ššš§ šŸš¢šÆšž š¦š¢š§š®š­šžš¬! ā­’ š¬š®š©šžš«š©šØš°šžš«š¬ (šž.š . š­šžš„šžš©šØš«š­ššš­š¢šØš§, š­šžš„šžš¤š¢š§šžš¬š¢š¬, šœš„ššš¢š«šÆšØš²ššš§šœšž šžš­šœ.) ā­’ š²šØš®š« šš«šžššš¦ š¬šœš”šØšØš„ šœš«šžššš­šžš šŸš«šØš¦ š¬šœš«ššš­šœš”! ā­’ š šØš¢š§š  š›šššœš¤ š­šØ šŸšŸŽšŸŽšŸŽ š­šØ šžš±š©šžš«š¢šžš§šœšž š²šŸš¤! ā­’ š©š”šØš§šž š­š”ššš­ š§šžšÆšžš« š«š®š§š¬ šØš®š­ šØšŸ š›ššš­š­šžš«š²! ā­’ šš š­š¢š¦šž š­š«šššÆšžš„ š¦šššœš”š¢š§šž š„š¢š¤šž š­š”šž šØš§šžš¬ š¢š§ š¦šØšÆš¢šžš¬! ā­’ šš š¦ššš„š„ š°š¢š­š” ššš„š„ š²šØš®š« šŸšššÆšØš®š«š¢š­šž š¬š”šØš©š¬ ššš§š š«šžš¬š­ššš®š«ššš§š­š¬! ā­’ š²šØš®š« ššš¬š¬š¢š š§š¦šžš§š­š¬ š šžš­š­š¢š§š  šœšØš¦š©š„šžš­šžš ššš®š­šØš¦ššš­š¢šœššš„š„š² š°š¢š­š”šØš®š­ š²šØš® š”šššÆš¢š§š  š­šØ šžšÆšžš§ š„š¢šŸš­ šš šŸš¢š§š šžš«! ā­’ š°š¢š³ššš«š š©šØš°šžš«š¬ š„š¢š¤šž š°š¢š³ššš«šš¬ šØšŸ š°šššÆšžš«š„š² š©š„šššœšž! ā­’ ššš›š¬šØš„š®š­šž š¬š©š¢šœšž, ššš„šœšØš”šØš„ & š©ššš¢š§ š­šØš„šžš«ššš§šœšž! ā­’ š²šØš®š« š¢ššžššš„ š¬šØšœš¢ššš„ š¦šžšš¢šš ššš©š©! ā­’ š©šØš©š®š„ššš« š¢š§š­šžš«š§ššš­š¢šØš§ššš„ šŸš«š¢šžš§š š š«šØš®š©! ā­’ šš š¦šØšÆš¢šž šØš« šš«ššš¦šš š¬šžš«š¢šžš¬ š›ššš¬šžš šØš§ š²šØš®š« ššžš¬š¢š«šžš š©š„šØš­!
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