Nurserycore Emojis & Text

Copy & Paste Nurserycore Emojis & Symbols šŸ’«šŸ„›šŸ’¤ā­šŸ¦šŸŖšŸ‡šŸŒ™šŸŒ€šŸ§øšŸ¼šŸ“ŗšŸ­šŸ’­šŸ›ļøšŸ§¦šŸ’­šŸŒŸ

Go to TwoSentenceComedy r/TwoSentenceComedy 1 yr. ago GuyAwks Little Bo-Peep has lost her sheep. But Farmer Button just found some mutton.
r/shortscarystories 4 yr. ago Perfect__Nightmare Someone broke into our home It was every family's nightmare. My wife and I had the day off work, and we had taken our son out for lunch and some family bonding time. But as we approached our home, something felt off. I had a growıng sense of dread the closer we got. As our house came into view, I could see that the front door was wide open. Someone had broken into our hĆøme. I told my family to waitĶ outside, in case the ıntruder was still inside. They obliged, and I slowly and silently made my way through our house. As I stepped into the living room, I saw broken furniture, nothing in its correct place, just utter chaos. Was this person looking for something? Did they have malicious intent? Why our home? Why us? Next, I walked to our kitchen. The fridge had been emptied. Dishes and food were thrown all over the room. What kind of person had broken into our home? A homeless person who just needed food? If so, why had they destroyed the living room? That's when I heard it. Footsteps in the bedroom. The ıntruder was still in our house. I took a brief moment to be grateful that I had asked my wife and son to wait outside. It was impossible to decipher this person's motives so far. But I was about to come face to face with the person that forcefully entered our home. And I would demand answers. I crept toward the bedroom slowly, slowly. I approached the door, and focused on the sliver of light slipping through the crack. I could see faint shadows dancing in the light. I raised my hand, placed it against the door, and took a deep breath, readying myself for whatever may be on the other side. I pushed the door open and stepped through the threshold with authority. I couldn't believe my eyes. I actually rubbed my hands over them, thinking I was imagining things. There, in my son's bed, was a young gırl with curly blonde hair. She stared at me with wıde eyes. She must have been terrıfıed. I must have been a few feet taller and at least 100 pounds heavıer than her. I must have been a sight to see for that little girl. But she should have considered that before breakıng into my home. I called my wife and son to see what I found. "Is that a human, Papa?" "Why yes it is, Baby Bear. That's dınner."
šŸ’«šŸ„›šŸ’¤ā­šŸ¦šŸŖšŸ‡šŸŒ™šŸŒ€šŸ§øšŸ¼šŸ“ŗšŸ­šŸ’­šŸ›ļøšŸ§¦šŸ’­šŸŒŸ

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Ėš Ā· .Ėš ą¼˜ šŸ”Œ ā‹†ļ½”Ėš į¶»z "too sleepy" į¶»z ą«®ź’° Ė¶ā—ž į†ŗ ā—ŸĖ¶ź’±įƒ āŸ” Ė– ą£Ŗ Ė’ šŸš ā€§ā‚ŠĖš. Źœį“€ÉŖÉŖÉŖ įµŽįµŽ āž³ * šŸ‘ Ėš š—»š—®š—ŗš—²;; *ą©ˆ Ė– ą£Ŗ Ė’ šŸŽ§ ā€§ā‚Š š—®š—“š—²;; ļ½”ļ¾Ÿ. šŸ©¹ ļ½„ å½” š–§§ š˜€š—¼š—°š—¶š—®š—¹š˜€;; ā€¢Ė–* šŸ’Ø .ą³ƒąæ š—°š—¼š˜‚š—»š˜š—暝˜†;; ā”† š—“š—²š—»š—±š—²š—æ;; ā”ˆ āœāœƒāœāœƒāœāœƒāœāœƒāœ ā”ˆ
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=========================================================================== BUKE. BUKER. BUKER, Della d Monday, farm accident; IR 1959 FEb 26 pg 8 -------------------------------------------------------------------------- BUKER, Guy d Monday, farm accident; IR 1959 Feb 26 pg 8 ================================================================================
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Muscles relax during sleep, including those in the face. The nervous system relaxes when we go into a deep sleep, which can also cause our facial muscles to relax. This can lead to our mouths falling open and drool escaping from the sides of our mouths. Also saliva can spill out of your mouth as drool when your facial muscles relax in your sleep like if the mouth falls open. Since the muscles around your mouth are relaxed, your mouth can be relaxed enough that saliva slips out. Once in sleep cycle, your bodyā€™s muscles, including those in your face and mouth, start to relax, often resulting in less swallowing and more drool. But sometimes when you're asleep, your brain forgets to tell your throat and mouth muscles to swallow, causing saliva to commute from your mouth to your pillow. As you sleep, your body enters a state of relaxation and restoration. This means that your muscles relax ā€“ including all of the muscles and tissues in the airway. When these tissues relax, they may fall back into the airway, partially blocking your ability to breathe normally. Sometimes causes your throat to compress as your tongue falls further back into your airway and the open space behind your tongue and soft palate is reduced. Inhaled air becomes turbulent. Directly inhaled air vibrates the soft tissues at the back of your mouth Though breathing is an involuntary function and it may be difficult to control how your breathe while sleeping, if you sleep on your side, the saliva collects in the side of your mouth and the reflex does not kick in to get rid of the drool. However, if you sleep on your back, saliva collects in the back of the throat and leads to automatic swallowing action. If you breathe through partially blocked nose, greater suction forces are created that can cause your throat to collapse and bring on snoring where your uvula and soft palate start to flap. When we fall asleep, many muscles in our body relax. This is true of the muscles in our airway, since not fully conscious. When you doze off and progress from a light sleep to a deep sleep, the muscles in the roof of your mouth (soft palate), tongue and/or throat relax more. This usually happens when the muscles in your body (including your face) relax during sleep, especially during your REM cycle. When this happens, your jaw falls slack and your mouth falls open.
December 8, 2010 / Sleep Snoring is caused by breathing in air through a partially blocked airway. As you fall asleep, the muscles that keep your breathing passage open begin to relax while your throat contracts. The vibrating tissue produces the sound familiarly known as snoring. And whether a given person awakens to their own snores may also vary from night to night. A reflex in the upper airway prevents this collapse and keeps windpipes open when youā€™re awake. But when youā€™re asleep, that reflex isnā€™t as strong. The upper airway tends to partially collapse, and breathing becomes noisier. Snoring can be an occasional occurrence or something that happens on a regular basis. As the air forces through, causes soft tissues in mouth, nose and throat to bump into one other and vibrate. During sleep, the airways tend to narrow, which may cause increased airflow resistance. Tightening causing include increased exposure to allergens; cooling of the airways; being in a reclining position; and hormone secretions that follow a circadian pattern. Sleep itself may even cause changes in bronchial function. The vibration of relaxed throat tissues during sleep causes snoring. During sleep, the muscles loosen, narrowing the airway. As a person inhales and/or exhales, the moving air causes tissue to flutter thus make noise. Some people are more prone to snoring because of the size and shape of the muscles and tissues in their neck. In other cases, excess relaxing of the tissue or narrowing of the airway can lead to snoring.
March 26, 2012 Sleep talking, or somniloquy, is the act of speaking during sleep. It can be gibberish or resemble normal speech. Sleep talkers usually seem to be talking to themselves. The utterances can take place occasionally causing people to call out, speak, or produce incoherent language during sleep. People can sometimes act out on their dreams depending on where they are in their sleep cycle. Sleep talking may also occur during transitory arousals when a sleeper transitions from one stage of sleep to another whilst asleep. Sleep talking episodes are typically brief. Most sleep talking takes the form of short phrases, moans, or mumbling. The central symptom of sleep talking is audible expression that occurs during sleep without the person being aware of it happening. It can be gibberish or resemble normal speech. With sleep talking, you may not necessarily be forming coherent words or sentences.
Why do people sleep talk? Posted May 24, 2009 Why do people sleep talk? In order to better understand parasomnias, it is important to understand what happens while we sleep. We start out awake when we lie down, close our eyes, and fall asleep, entering into light sleep, which then quickly gives way to deeper sleep. This is referred to as a sleep cycle, and generally lasts between 90-120 minutes. Sleep cycles again several more times during the night, though as the night progresses. The different stages of sleep are characterized by distinct brain wave patterns, as well as by differences in other physiologic parameters, such as muscle tone, eye movement, heart rate, breathing rate and patterns, and blood pressure. In REM sleep, dreams are most vivid and memorable. As one transitions between the different stages of sleep, there can be brief awakenings, either partial or full, following which most people immediately return to sleep. Sometimes, however, there are strong pulls both to wakefulness and to deep sleep, and the result is that part of the brain continues to be in slow wave sleep, while another part is simultaneously in a state of wakefulness. The behavioral consequence is one of the NREM parasomnias: sleep walking, sleep talking, sleep eating, confusional arousals, night terrors. The person going through one of these is not aware of what she or he is doing and is often incoherent while it is happening, and has no recollection of it after. Dennis Rosen, M.D.
Snoring can be caused by a number of factors, such as the anatomy of your mĆøuth and sinuses, allergies, a cold, and your weıght. When you doze off and progress from a light sleep to a deeper sleep, the muscles in the roof of your mĆøuth (soft palate), tongue and thr*at relax. The tissues in your thr*at can relax enough that they partially block your airway and vibrate. The more narrowed your airway, the more forceful the airflow becomes. This increases tissue vibration, which causes your snoring to grow louder.
How are sleep and anaesthesia the same? How do they differ? Sleep is natural. When you have met the need for it, it will finish by itself. Anaesthesia is caused by dr*gs. It will only finish when the dr*gs wear off. These dr*gs work by acting on the same parts of the brain that control sleep. While you are under anaesthesia your vital signs are constantly monitored to make sure you are 'asleep' and not feeling any paın. However you are in a drug-induced unconsciousness,dream-like experiences. In some cases, the patient may experience some confusion or disorientation after waking up from it. A common patient response on emerging from is disorientation, unaware of time passed.
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https://www.verywellhealth.com/why-we-drool-in-our-sleep-3015103
6 NOV 2013 ANESTHESIA If youā€™re having general anesthesia, an anesthesiologist will give you medications that make you lose consciousness. After the surgery is complete, you wonā€™t be wide awake right away. General anesthesia brings on a sleep-like state with the use of a combination of medicines. The medicines, known as anesthetics, are given before and during surgery or other medical procedures. General anesthesia usually uses a combination of intravenous medicines and inhaled gasses. You'll feel as though you're asleep. But general anesthesia does more than put you to sleep. You don't feel pain when you're under general anesthesia. This is because your brain doesn't respond to pain signals or reflexes. While you're under anesthesia, the anesthesia team monitors you, watches your body's vital functions, manages your breathing and treats pain related to the procedure. Your surgery might not require general anesthesia, but you might need sedation to be comfortable during the procedure. The effects of sedation, also called twilight sedation and monitored anesthesia care, can include being sleepy but awake and able to talk, or being asleep and unaware of your surroundings. The recovery from sedation is similar to that of general anesthesia but patients usually wake up quicker and their recovery time is shorter. As with general anesthesia, you wonā€™t be able to drive and should probably have someone stay with you for at least the first several hours after you return home. You'll slowly wake either in the operating room or the recovery room. You'll probably feel groggy and a little confused when you first awaken. You may continue to be sleepy, and your judgment and reflexes may take time to return to normal.
4 min read As you doze off, your face muscles gradually relax, giving your mouth free rein to drop open. Snoring is noisy breathing while you sleep. Air flows past relaxed tissues in your throat causing the tissues to vibrate as you breathe. Snoring can be caused by a number of factors such as the anatomy of your mouth and/or sinuses. When you doze off and progress from a light sleep to a deeper sleep, the muscles in the roof of your mouth (soft palate), tongue and throat relax. The more narrowed your airway, the more forceful the airflow becomes. As a person inhales and exhales, the moving air causes the tissue to flutter and make noise. Narrowing or partial blockage of the airways can make these relaxed tissues flutter. Air passing through these vibrations causes the rumbling sounds of snoring. In other words, the muscles that support the airway relax, allowing the breathing tube to constrict. When the airway gets narrower, the velocity of the air moving through it increases. The air vibrates more and creates more sound. When you mouth-breathe, your tongue is lower than usual to allow for extra air. Snoring can be both chronic, meaning it happens every time you drift off, or it may just occur from time to time, depending on different factors. Sometimes, poor oral and facial muscle control are the common factors. Also saliva is more likely to drip out with the mouth open during sleep. Mouth breathing can lead to saliva running out of the mouth as it unintentionally escapes after saliva pooling in the mouth. Yet air flow through the throat the soft tissues vibrate and cause snoring. The narrower the airway becomes, the more the air is forced and the louder the noise. Sleeping with your mouth open increases the amount of air that passes through your mouth. Facial muscles relax in your sleep and your mouth falls open. Saliva is more likely to leave the mouth when a person keeps their mouth open during sleep. It can spill out of your mouth as drool when your facial muscles relax. Since the muscles around your mouth are relaxed, your mouth can be relaxed enough that saliva slips out side. It's unintentionally, itā€™s more likely to happen when youā€™re not consciously able to control it when youā€™re sleeping. But when youā€™re sleeping youā€™re relaxed and so are your facial muscles.
The different types of anesthesia are broadly described as: Local anesthesia (agents, either topical or injectable, given to temporarily block paın in a specific part of the bĆødy) in which the medication only removes sensation from one part of your bĆødy, but you are not unconscious. Regional anesthesia (injected agents, to numb a portion of the bĆødy) General anesthesia (an agent, given either by mask or an IV line, to induce unconsciousness) General anesthesia is highly effective in keeping you unaware of your surgical procedure. Monitored anesthesia care (also known as "twilight sleep") It can be given intravenously (IV, by injection into the vein). The medication works quickly and typically puts you to sleep in under a minute. Medicines administered via the bloodstream begin to take effect quickly, often within minutes. Most people feel very relaxed at the start of IV sedation as the medicines begin to take effect. Many people remember the feeling of relaxation and waking up after the procedure is over but nothing in between. There are different levels of IV sedation, and you may or may not be awake during the procedure. Your anesthesia team will adjust your sedation level throughout the procedure. One other type of anesthesia apart from general is called MAC (monitored anesthesia care), where you are kept sleepy and given paın medication but still breathe independently. Anesthesia can provide sedation ranging from slight (relaxed and mildly sleepy) to deep sleep.
The central symptom of sleep talking is audible expression that occurs during sleep without the person being aware of it happening. It can be gibberish or resemble normal speech and consists in the unaware production of vocalisation during sleep. However, people are very rarely aware that they are talking in their sleep at the time and typically have no recollection of the episodes when they wake up. A large number of sleep speeches merely consist of short expressions of assent or negation (e.g., ā€˜OKā€™, ā€˜no,ā€™ ā€˜good,ā€™ ā€˜mm-hm,ā€™ ā€˜uh-huh,ā€™ ā€˜no!ā€™ ā€˜stop!ā€™ ā€˜donā€™t!ā€™, etc.) As they experience different sensations and emotions in their dreams, it may manifest as groaning or other vocalisations. Excess mucus, combined with nose breathing and narrow airways, can lead to rattling or whistling sounds. Congestion and dry or swollen nasal membranes can clog up the works making breathing audible instead of peaceful. Sometimes itā€™s occasional, a gentle, perhaps even peaceful, soft whistling. Other times it sounds like a buzz saw, getting closer and closer, paused by a moment of silence, before climaxing in an even louder snort or gasp for air. And sometimes when we fall into a deep sleep, the muscles in the roof of the mouth (soft palate), tongue and throat relax. The tissues in the back of the throat can relax enough that they partially block the airway. As we inhale and exhale, these tissues rattle and vibrate, resulting in sounds in some people. The tissue vibration increases as the airway narrows, causing the snoring to grow louder and louder. As a person inhales and exhales, the moving air causes the tissue to flutter and make noise. Usually during sleep the brain becomes used to oneā€™s own snoring (a process called habituation) As mentioned, people sometimes donā€™t hear themselves snore because the brainā€™s ability to receive sensory information is limited while we sleep. Some external stimulus may cause a person to stir, however.
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There are a few reasons for drooling in your sleep, including side sleeping and mouth breathing during sleep. Additionally, the swallow reflex occurs much less during sleep than during waking hours, which can lead to a buildup of saliva. That saliva can spill out of your mouth as drool when your facial muscles relax in your sleep and your mouth falls open. Mouth breathing during sleep may make drooling more likely, since drool can more easily escape when your mouth is open. While you sleep, your muscles typically relax. Since the muscles around your mouth are relaxed your mouth can be relaxed enough that saliva slips out. The position you sleep in could make you more prone to excessive drooling. As your body produces saliva, the liquid is more likely to escape from the front or the side of your mouth when itā€™s facing downward due to mere gravity. Sleeping with your mouth open increases the amount of air that passes through your mouth. This increased air facilitates movement and can lead to an overflow of saliva out of your mouth. Because drool is your saliva escaping your mouth unintentionally, it's more likely to happen when you're not consciously able to control it, like when you're sleeping. Due to this muscle relaxation during sleep, there is no conscious effort in managing saliva and controlling the mouth. Factors such as sleep position, tongue placement, and overall muscle tone play a role.
NREM Stage N1 This stage of non-REM sleep is the typical transition from wakefulness to sleep and generally lasts only a few minutes. Stage N1 is the lightest stage of sleep; patients awakened from it usually donā€™t perceive that they were actually asleep During this stage: Eye movements are typically slow and rolling. heartbeat and breathing slow down muscles begin to relax you produce low amplitude mixed frequencies waves in the theta range (4 to 7 Hz) NREM Stage N2 This next stage of non-REM sleep comprises the largest percentage of total sleep time and is considered a lighter stage of sleep from which you can be awakened easily. This is the stage before you enter deep sleep. During this stage: heartbeat and breathing slow down further no eye movements body temperature drops Sleep spindles and K-complexes are two distinct brain wave features that appear for the first time NREM Stage N3 This final stage of non-REM sleep is the deepest sleep stage. Stage N3 sleep is known as slow-wave, or delta, sleep. Your body performs a variety of important health-promoting tasks in this final non-REM stage. During this stage: arousal from sleep is difficult heartbeat and breathing are at their slowest rate no eye movements body is fully relaxed delta brain waves are present tissue repair and growth, and cell regeneration occurs immune system strengthens REM Stage R There are two phases of REM sleep: phasic and tonic. Phasic REM sleep contains bursts of rapid eye movements, while tonic REM sleep does not. Stage R occurs about 90 minutes after you fall asleep, and is the primary ā€œdreamingā€ stage of sleep. Stage R sleep lasts roughly 10 minutes the first time, increasing with each REM cycle. The final cycle of stage R may last roughly between 30 to 60 minutes. During this stage: eye movements become rapid during phasic REM breathing and heart rate increases and become more variable muscles become paralyzed, but twitches may occur brain activity is markedly increased When you fall asleep at night, you cycle through all of these stages of sleep multiple times ā€” roughly every 90 minutes or so.
š–š”šžš§ š²šØš® š¬š”šØš®š„š š­ššš¤šž šš š›š«šžššš¤: ā€¢ when you are exhausted mentally ā€¢ when you are desperate or impatient ā€¢ when emotions are getting on your way ā€¢ when you are in total disbelief of yourself ā€¢ when makes you feel uncomfortable ā€¢ when you feel like it š•Šš• š•žš•–š•„š•šš•žš•–š•¤ š•Ŗš• š•¦ š•Ÿš•–š•–š•• š•„š•  š•„š•’š•œš•– š•’ š•¤š•„š•–š•” š•“š•’š•”š•œ š•„š•  š•˜š•–š•„ š•„š•Øš•  š•¤š•„š•–š•”š•¤ š•’š•™š•–š•’š•• (āœÆā—”āœÆ)
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š’€š’š’–š’“ š‘°š’Žš’‚š’ˆš’Šš’š’‚š’•š’Šš’š’ š’Šš’” š’•š’‰š’† š’ˆš’š’š’…š’†š’ š’‘š’‚š’•š’‰š’˜š’‚š’š š’•š’ š’‚š’š’šš’˜š’‰š’†š’“š’†. šŸŒ•āœØļøšŸŒŒ
į“·Ź³įµƒįµ‡įµ‡Źø į“®ā±Ź³įµ—Ź°įµˆįµƒŹø įµ—įµ’ Źøįµ’įµ˜ by @alyjaci "į”†į‘«įµ˜ā±įµˆŹ·įµƒŹ³įµˆāø“ į¶œįµ’įµįµ‰ įµ’āæ!" į”†įµ–įµ’āæįµįµ‰įµ‡įµ’įµ‡ Ź°įµƒįµˆ į”†į‘«įµ˜ā±įµˆŹ·įµƒŹ³įµˆ Ė¢įµ—įµƒŹø Ź·ā±įµ—Ź° Ź°ā±įµ įµƒįµ— Ź·įµ’Ź³įµ Ė”įµƒįµ—įµ‰ Ė¢įµ’ įµ—Ź°įµ‰Źø į¶œįµ’įµ˜Ė”įµˆ Ź°įµƒįµ›įµ‰ įµƒ Ė¢įµ˜Ź³įµ–Ź³ā±Ė¢įµ‰ įµ‡ā±Ź³įµ—Ź°įµˆįµƒŹø įµ–įµƒŹ³įµ—Źø į¶ įµ’Ź³ įµ—Ź°įµ‰ā±Ź³ įµ‡įµ’Ė¢Ė¢ā€§ į“¬į¶ įµ—įµ‰Ź³ Ź°įµ‰ Ė”įµ‰į¶ įµ—āø“ įµ—Ź°įµ‰ įµ‰įµįµ–Ė”įµ’Źøįµ‰įµ‰Ė¢ įµįµ’įµ— įµ—įµ’ Ź·įµ’Ź³įµā€§ "į“µ'Ė”Ė” įµ˜Ė¢įµ‰ įµŹø įµƒŹ³įµ—ā±Ė¢įµ—ā±į¶œ Ė¢įµā±Ė”Ė”Ė¢ įµ—įµ’ įµˆįµ‰į¶œįµ’Ź³įµƒįµ—įµ‰ Ź·Ź°ā±Ė”Ė¢įµ— Źøįµ’įµ˜ į¶ ā±įµįµ˜Ź³įµ‰ įµ’įµ˜įµ— įµ—Ź°įµ‰ ā±āæįµ›ā±įµ—įµ‰Ė¢ā€§ā€§ā€§" į”†į‘«įµ˜ā±įµˆŹ·įµƒŹ³įµˆ įµ‰Ė£įµ–Ė”įµƒā±āæįµ‰įµˆā€§ "į“µ į¶œįµƒāæ įµ—įµ‰Ė£įµ— įµ–įµ‰įµƒŹ³Ė” įµ‡įµ‰į¶œįµƒįµ˜Ė¢įµ‰ Ė¢Ź°įµ‰'Ė¢ įµ˜Ė¢įµ˜įµƒĖ”Ė”Źø įµ’āæ įµ—Ź°įµ‰ įµ–Ź°įµ’āæįµ‰ įµ‡įµ˜įµ— į“µ'Ė”Ė” Ź°įµƒāæįµˆ įµˆįµ‰Ė”ā±įµ›įµ‰Ź³ įµ—Ź°įµ‰ įµ’įµ—Ź°įµ‰Ź³ ā±āæįµ›ā±įµ—įµ‰Ė¢ įµ–įµ‰Ź³Ė¢įµ’āæįµƒĖ”Ė”Źø!" į”†įµ–įµ’āæįµįµ‰įµ‡įµ’įµ‡ Ė¢įµ‰āæįµ— Ź°įµ‰Ź³ įµ—Ź°įµ‰ įµ—įµ‰Ė£įµ— įµƒāæįµˆ įµ—Ź°įµ‰āæ įµ–Ź³įµ’į¶œįµ‰įµ‰įµˆįµ‰įµˆā€§ į““įµ‰ į¶ ā±Ź³Ė¢įµ— Ź·įµ‰āæįµ— įµ—įµ’ Ė¢įµ’įµįµ‰ įµ’į¶  į¶ įµƒįµā±Ė”Źø Ź³įµ‰Ė”įµƒįµ—ā±įµ’āæĖ¢ įµ’į¶  į“¹Ź³ā€§ į“·Ź³įµƒįµ‡Ė¢āø“ įµƒāæįµˆ įµįµƒįµ›įµ‰ Ė¢įµƒāæįµˆŹø įµƒāæ ā±āæįµ›ā±įµ—įµ‰ā€§ "įµ‚Ź°įµ’ įµ‰Ė”Ė¢įµ‰ įµįµƒŹø įµ‡įµ‰ ā±āæįµ›ā±įµ—įµ‰įµˆ?" į”†įµ–įµ’āæįµįµ‰į“®įµ’įµ‡ į¶œįµƒĖ”Ė”įµ‰įµˆ į”†į‘«įµ˜ā±įµˆŹ·įµƒŹ³įµˆā€§ "į¶œįµƒāæ į“µ įµ‡Ź³ā±āæįµ įµŹø įµ–įµ‰įµ— į“³įµƒŹ³Źø?" "į“ŗįµ’ įµƒāæā±įµįµƒĖ”Ė¢ įµƒĖ”Ė”įµ’Ź·įµ‰įµˆāø“ Ė¢įµ–įµ’āæįµįµ‰ā€§ā€§ā€§" "į“øįµƒŹ³Ź³Źø įµ—Ź°įµ‰ Ė”įµ’įµ‡Ė¢įµ—įµ‰Ź³?" "į“µ įµˆįµ’āæ'įµ— į¶œįµƒŹ³įµ‰ā€§ā€§ā€§" "į“¹Ź³ā€§ į“·Ź³įµƒįµ‡Ė¢ āæįµƒįµ›Źø įµ‡įµ˜įµˆįµˆā±įµ‰Ė¢?" "į”†įµ˜Ź³įµ‰āø“ Ź·Ź°Źø āæįµ’įµ—ā€§ā€§ā€§" "į“¼Ź°āø“ į“¹Ė¢ā€§ į“¾įµ˜į¶ į¶ ā€§ā€§ā€§" "į”†įµ–įµ’āæįµįµ‰įµ‡įµ’įµ‡ Ź°įµ˜Ź³Ź³Źø ā±įµ— įµ˜įµ–!" į“¬į¶ įµ—įµ‰Ź³ įµˆįµ‰Ė”ā±įµ›įµ‰Ź³ā±āæįµ įµ—Ź°įµ‰ ā±āæįµ›ā±įµ—įµ‰Ė¢ į”†įµ–įµ’āæįµįµ‰įµ‡įµ’įµ‡ Ź·įµ‰āæįµ— įµ‡įµƒį¶œįµ įµ—įµ’ įµ—Ź°įµ‰ Ź³įµ‰Ė¢įµ—įµƒįµ˜Ź³įµƒāæįµ— įµƒāæįµˆ įµįµƒįµ›įµ‰ į”†į‘«įµ˜ā±įµˆŹ·įµƒŹ³įµˆ į“¬ Ź°įµ˜įµā€§ "į“°įµ’āæ'įµ— ā±āæ įµ–įµ˜įµ‡Ė”ā±į¶œ!" "į“æā±įµŹ°įµ—; Ė¢įµ’Ź³Ź³Źøāø“ Ė¢į‘«įµ˜ā±įµˆā€§ā€§ā€§" įµ€Ź°įµ‰ į¶ įµ’Ė”Ė”įµ’Ź·ā±āæįµ įµįµ’Ź³āæā±āæįµ įµ’į¶  Ź°ā±Ė¢ įµ‡ā±Ź³įµ—Ź°įµˆįµƒŹøāø“ į“¹Ź³ā€§ į“·Ź³įµƒįµ‡Ė¢ Ź·įµƒĖ¢ ā±āæ į¶ įµ’Ź³ įµƒ Ė¢įµ˜Ź³įµ–Ź³ā±Ė¢įµ‰ įµƒĖ¢ į”†įµ–įµ’āæįµįµ‰įµ‡įµ’įµ‡ įµƒāæįµˆ į“¾įµƒįµ—Ź³ā±į¶œįµ Ź²įµ˜įµįµ–įµ‰įµˆ įµ’įµ˜įµ—āø“ į“¾įµ‰įµƒŹ³Ė” įµ‰įµ›įµ‰āæ įµˆįµ’ā±āæįµ įµƒ įµˆįµƒāæį¶œįµ‰ Ź³įµ’įµ˜įµ—ā±āæįµ‰! įµ€Ź°įµ‰ ā±āæįµ—įµ‰Ź³ā±įµ’Ź³ Ź·įµƒĖ¢ įµįµ’Ė”įµˆįµ‰āæ ā±āæ į¶œįµ’Ė”įµ’įµ˜Ź³āø“ įµįµ’āæįµ‰Źø įµ’āæ įµ—Ź°įµ‰ įµ—įµƒįµ‡Ė”įµ‰ į¶ įµ’Ź³ į“¹Ź³ā€§ į“·Ź³įµƒįµ‡Ė¢ā€§ā€§ā€§ "į“µ Ė”įµ’įµ›įµ‰ ā±įµ—; įµ—Ź°įµƒāæįµĖ¢! į”†įµƒŹøāø“ įµˆā±įµˆ Źøįµ’įµ˜ ā±āæįµ›ā±įµ—įµ‰ įµ—Ź°įµ‰ Ź·Ź°įµ’Ė”įµ‰ į¶œā±įµ—Źø?" "į”†į‘«įµ˜ā±įµˆŹ·įµƒŹ³įµˆ Ė¢įµƒā±įµˆ įµ—įµ’ įµįµƒįµįµ‰ Ė¢įµ˜Ź³įµ‰ į“·įµƒŹ³įµ‰āæ į“¾Ė”įµƒāæįµįµ—įµ’āæ įµˆā±įµˆāæ'įµ— įµįµ‰įµ— įµƒāæ ā±āæįµ›ā±įµ—įµ‰ā€§ā€§ā€§" įµ€Ź°įµ‰ įµįµƒāæįµ Ź°įµƒĖ¢ įµ–Ź³įµ’įµ›ā±įµˆįµ‰įµˆ į“¹Ź³ā€§ į“·Ź³įµƒįµ‡Ė¢ įµ—Ź°įµ‰ įµ‡įµ‰Ė¢įµ— įµ‡ā±Ź³įµ—Ź°įµˆįµƒŹø įµ‰įµ›įµ‰Ź³! @alyjaci
į¶œįµ‰įµįµ‰įµ—įµ‰Ź³ā±įµ‰Ė¢ā€§ įµ‚Ź°įµƒįµ— į¶œįµƒįµįµ‰ įµ—įµ’ Źøįµ’įµ˜Ź³ įµā±āæįµˆ; į¶ įµƒįµā±Ė”Źø? į“¾įµ‰įµƒį¶œįµ‰ įµƒāæįµˆ į‘«įµ˜ā±įµ‰įµ—? į“¹įµ’āæįµ˜įµįµ‰āæįµ—Ė¢? Źøįµ’įµ˜ įµā±įµŹ°įµ— Ė”įµ’įµ’įµ įµƒįµ— įµƒ Ź³įµƒāæįµˆįµ’įµ įµŹ³įµƒįµ›įµ‰ į““įµ‰Ź³įµ‰ Ė”ā±įµ‰Ė¢ į”†įµā±įµ—Ź° Ā¹ā¹Ė£Ė£ā»? į“°įµ’ Źøįµ’įµ˜ Ź·įµ’āæįµˆįµ‰Ź³ įµƒįµ‡įµ’įµ˜įµ— įµ—Ź°įµ‰ įµ–įµ‰Ź³Ė¢įµ’āæ? į“µ Ź·įµ’įµ˜Ė”įµˆ'įµ›įµ‰ įµ‡įµ‰įµ‰āæ įµƒāæ ā±āæį¶ įµƒāæįµ— Ź·Ź°įµ‰āæ Ź°įµ‰ įµ–įµƒĖ¢Ė¢įµ‰įµˆā€§ā€§ā€§ įµ‚įµƒĖ¢āæ'įµ— įµŹ³įµƒāæįµˆįµ–įµƒ įµ‡įµ’Ź³āæ ā±āæ įµ—Ź°įµ‰ Ė¢įµƒįµįµ‰ Źøįµ‰įµƒŹ³? į““įµ’Ź· įµˆā±įµˆ į”†įµā±įµ—Ź° Ė¢įµ–įµ‰āæįµˆ Ź°ā±Ė¢ įµ—ā±įµįµ‰? įµ‚įµƒĖ¢ į”†įµā±įµ—Ź° Ė¢įµƒįµ—ā±Ė¢į¶ ā±įµ‰įµˆ įµ‡Źø įµ—Ź°įµ‰ įµ—ā±įµįµ‰ Ź°įµ‰ įµˆā±įµ‰įµˆāø“ į¶ įµ˜Ė”į¶ ā±Ė”Ė”ā±āæįµ įµƒĖ”Ė” Ź°ā±Ė¢ įµˆŹ³įµ‰įµƒįµĖ¢? įµ‚įµƒĖ¢ ā±įµ— Ė¢įµ˜įµˆįµˆįµ‰āæ Ź·Ź°įµ‰āæ ā±įµ— Ź°įµƒįµ–įµ–įµ‰āæįµ‰įµˆāø“ įµ’Ź³ Ź·įµƒĖ¢ ā±įµ— į¶ įµ’Ź³Ė¢įµ‰įµ‰āæ? įµ‚Ź°įµ‰āæįµ‰įµ›įµ‰Ź³ į“µ įµįµ’ įµ—įµ’ įµƒ įµŹ³įµƒįµ›įµ‰ŹøįµƒŹ³įµˆāø“ į“µ įµ—įµ‰āæįµˆ įµ—įµ’ Ź·įµƒāæįµ— įµ—įµ’ įµ‰Ė£įµ–Ė”įµ’Ź³įµ‰ āæįµ‰įµƒŹ³įµ‡Źø įµŹ³įµƒįµ›įµ‰Ė¢; Ź³įµ‰įµƒįµˆā±āæįµ įµ—Ź°įµ‰ āæįµƒįµįµ‰Ė¢āø“ įµ—Ź°įµ‰ā±Ź³ Ė”ā±į¶ įµ‰įµ—ā±įµįµ‰ā€§ā€§ā€§ į“°Ź³Źø Ė”įµ‰įµƒįµ›įµ‰Ė¢ į¶œŹ³įµ˜āæį¶œŹ° įµƒĖ¢ į“µ Ź·įµƒĖ”įµ įµˆįµ’Ź·āæ įµƒ Ź³įµ’Ź·ā€§ į“µ į¶œįµƒāæ'įµ— Ź°įµ‰Ė”įµ– įµ‡įµ˜įµ— Ź·įµ’āæįµˆįµ‰Ź³ įµƒįµ‡įµ’įµ˜įµ— įµ—Ź°įµ‰ įµ–įµ‰įµ’įµ–Ė”įµ‰ Ź·Ź°įµ’įµ įµ—Ź°įµ‰ įµįµ‰įµįµ’Ź³ā±įµƒĖ”Ė¢ įµƒŹ³įµ‰ į¶ įµ’Ź³ā€§ į“øįµ’įµ’įµĖ¢ įµ‡Ź³įµƒāæįµˆ āæįµ‰Ź·; įµ’Ź°āø“ ā±įµ— Ė¢įµƒŹøĖ¢ Ā²ā°Ė£Ė£ Ė¢įµ’ ā±įµ— įµįµ˜Ė¢įµ— įµ‡įµ‰ Ź³įµ‰į¶œįµ‰āæįµ—ā€§ į“¬įµįµƒįµ‡įµ‰Ė”; Ź·Ź°įµƒįµ— įµƒ įµ‡įµ‰įµƒįµ˜įµ—ā±į¶ įµ˜Ė” āæįµƒįµįµ‰! į“¬įµįµƒįµ‡įµ‰Ė”ā€§ā€§ā€§ į“æā±įµŹ°įµ— āæįµ‰įµƒŹ³ įµ—Ź°įµ‰ā±Ź³ įµ‡ā±Ź³įµ—Ź°įµˆįµƒŹøā€½ į“¬ Ź°įµ‰įµƒŹ³įµ— Ė¢Ź°įµƒįµ–įµ‰įµˆ įµŹ³įµƒįµ›įµ‰ā€§ā€§ā€§ į“µ į¶œįµƒāæ'įµ— Ź°įµ‰Ė”įµ– įµ‡įµ˜įµ— Ź·įµƒāæįµ— įµ—įµ’ įµāæįµ’Ź· įµƒįµ‡įµ’įµ˜įµ— įµ—Ź°įµ‰ įµ–įµ‰įµ’įµ–Ė”įµ‰ā€§ į”†įµ’įµįµ‰ įµƒŹ³įµ‰ Źøįµ’įµ˜āæįµįµ‰Ź³ įµ—Ź°įµƒāæ įµ’įµ—Ź°įµ‰Ź³Ė¢ Ź·Ź°įµ‰āæ įµ—Ź°įµ‰ā±Ź³ įµ—ā±įµįµ‰ į¶œįµƒįµįµ‰ā€§ įµ‚Ź°įµƒįµ— Ź°įµƒįµ–įµ–įµ‰āæįµ‰įµˆ? į““įµƒįµ›įµ‰ įµ—Ź°įµ‰Źø įµƒāæŹø į¶ įµƒįµā±Ė”Źø? į”†įµ’įµįµ‰ Ź°įµƒįµ›įµ‰ įµįµƒāæŹø į¶ Ė”įµ’Ź·įµ‰Ź³Ė¢ įµ–Ė”įµƒį¶œįµ‰įµˆā€§ į“¬Ź³įµ‰ įµ—Ź°įµ‰ Ź³įµ’Ė¢įµ‰Ė¢ įµƒŹ³įµ—ā±į¶ ā±į¶œā±įµƒĖ” įµ‡įµ‰į¶œįµƒįµ˜Ė¢įµ‰ įµ—Ź°įµ‰Źø Ė”įµ’įµ’įµ Ė¢įµ’ į¶ Ź³įµ‰Ė¢Ź°ā€§ā€§ā€§ į“µ Ė”įµ’įµ›įµ‰ įµ—Ź°įµ‰ į¶œįµ’Ė”įµ’įµ˜Ź³Ė¢! į“®įµ˜įµ— į“µ įµ—Ź³Źø āæįµ’įµ— įµ—įµ’ Ź³įµ˜Ė¢Ź° įµ‡įµ‰į¶œįµƒįµ˜Ė¢įµ‰ ā±įµ—'Ė¢ įµƒ Ė¢įµƒį¶œŹ³įµ‰įµˆ įµ–Ė”įµƒį¶œįµ‰ā€§ į“±įµ›įµ‰āæįµ—įµ˜įµƒĖ”Ė”Źøāø“ Ź·Ź°įµ‰āæ į“µ Ė”įµ‰įµƒįµ›įµ‰āø“ į“µ Ė”įµ’įµ’įµ įµ‡įµƒį¶œįµ įµƒįµ— įµ—Ź°įµ‰ į¶œįµ‰įµįµ‰įµ—įµ‰Ź³Źø Ź·Ź°įµ‰āæį¶œįµ‰ į“µ į¶œįµƒįµįµ‰ā€§ į“¬Ė”Ė” įµ—Ź°įµ‰ įµ–įµ‰įµ’įµ–Ė”įµ‰ Ź°įµƒįµ›įµ‰ į“¬ Ė”ā±į¶ įµ‰ Ė¢įµ—įµ’Ź³Źø Ź·įµ’Ź³įµ—Ź° įµ—įµ‰Ė”Ė”ā±āæįµ įµƒāæįµˆ įµāæįµ’Ź·ā±āæįµā€§ į“µ'įµ Ė¢įµ‰Ź³įµ‰āæįµ‰ Ź·Ź°įµ‰āæ įµ‡Źø į“µ įµįµ‰įµ— įµ—įµ’ įµ—Ź°įµ‰ į¶œįµƒŹ³ā€§
Consciousness requires both wakefulness and awareness. Wakefulness is the ability to open your eyes and have basic reflexes such as coughing, swallowing. Awareness is associated with more complex thought processes and is more difficult to assess. General anaesthesia is medication that gives a deep sleep-like state. You are unconscious and feel nothing. A coma is a state of unconsciousness where a person is unresponsive and cannot be woken. Someone who is in a coma is unconscious and has minimal brain activity. They're alive but can't be woken up and show no signs of awareness. The person's eyes will be closed and they'll appear to be unresponsive to their environment. Over time, the person may start to gradually regain consciousness and become more aware. Some people feel they can remember events that happened around them while they were in a coma. People who do wake up from a coma usually come round gradually. They might be very agitated and confused to begin with. As well as talking to the person and holding their hand, you might want to try playing them their favourite music. A person who shows clear but minimal or inconsistent awareness is classified as being in a minimally conscious state. They may have periods where they can communicate or respond to commands, such as moving a finger when asked. Some people may recover from these states gradually, during which time the person may start to gradually wake up and gain consciousness, or progress into a different state.
08 January 2006 Laughing gas is nitrous oxide, and it acts as an anaesthetic-type agent. It makes your braın feel a bit woozy in the same way that alcohol does. As a result, if you take some laughing gas, you fell a little bit drınk and a little bit cheerful. If you have enough of it, you start to feel a little bit sleepy, but it's very good at paın kılling. If you're having an operation, it's sometimes used with other anaesthetics to Ä·Ć­Ä¾Ä¾ paın and make you more comfortable. It is different from anesthesia, where you essentially go to sleep for a procedure. Although people can sometimes feel sleepy while taking nitrous oxide, they will still be able to respond but with decreased alertness temporarily. Sometimes one might start feeling sleepy or groggy as if you really want to fall asleep; you may be pretty out of it when you come to consciousness.
Anesthesia/Sedation: The surgeon or anesthesiologist administers general anesthesia, making you ā€œsleepā€ without recalling the procedure. Your vitals like bľood pressure and heart rate are monitored. Youā€™ll be sleepy. Nitrous Oxide (Laughing Gas): Quick to take effect and wear off, this gas keeps you calm and comfortable but awake and responsive. Many sedatives also induce amnesia, so wonā€™t remember the procedure. You can still respond during the procedure but likely wonā€™t recall it, as you might not remember the visit. General Anesthesia: it puts you to sleep during the procedure. Your vitals are closely watched, and youā€™ll wake up after without any memory of the work. It renders unconscious with no memory of the procedure. Post-treatment, they may experience altered sensations.
Sedation Today, physicians have many ways to make sure their patıents are as comfortable as possible during surgery or procedures for diagnosing medical conditions. One common type of pain control is called sedation, which relaxes you and sometimes makes you fall asleep. Sedation, also known as monitored anesthesia care, conscious sedation, or twilight sedation, typically is used for minor surgeries or for shorter, less complex procedures, when an injection of local anesthetic isnā€™t sufficient but deeper general anesthesia isnā€™t necessary. Depending on the procedure, the level of sedation may range from minimal (youā€™ll feel drowsy but able to talk) to deep (you probably wonā€™t remember the procedure). What are the levels of sedation? The level of sedation a patient experiences depends on several factors, including the type of procedure youā€™re having and how your body responds to anesthesia. Your age, medical condition, and health habits may also affect the type of anesthesia youā€™ll receive. Regardless of the level of sedation, itā€™s important that an anesthesiologist be involved in your anesthesia care. An anesthesiologist is a medical doctor who specializes in anesthesia, paın management, and critical care medicine. That can happen if you are sedated to a point where you are confused or fall asleep and snore. For some procedures, you may receive medication that makes you sleepy and keeps you from feeling pain. There are different levels of sedation ā€” some patients are drowsy, but they are awake and can talk; others fall asleep and donā€™t remember the procedure. The main levels of sedation are: Minimal ā€“ Minimal sedation will help you relax, but you will likely be awake. Youā€™ll understand questions your doctor is asking and be able to answer as well as follow directions. This level of sedation is typically used when your doctor needs you to be involved in the procedure. Moderate ā€“ You will feel drowsy and may even fall asleep during the procedure. You may or may not remember some of the procedure. Deep ā€“ You wonā€™t actually be unconscious, but youā€™ll sleep through the procedure and probably will have little or no memory of it. How does general anesthesia work? Under general anesthesia, you will be unconscious and unaware of what is happening. General anesthesia keeps you unconscious during the entire procedure. General anesthesia causes you to lose consciousness. General anesthesia is medicine that is administered by an anesthesiologist, a medical doctor, through a mask or an IV placed in the vein. While the anesthesia is working, you will be unconscious, and many of your bodyā€™s functions will slow down or need help to work effectively. During surgery, the anesthesiologist will monitor your vital signs to make sure they are normal and steady while you remain unconscious and free of paın. Once your surgery is complete, your anesthesiologist will reverse the medication and be with you as you return to consciousness and wake up, continually monitoring your breathing, circulation, and oxygen levels. It may take a day or two for the anesthesia medication to completely leave your system, so you could be sleepy, and your reflexes and judgment can be affected by Postoperative delirium ā€“ Confusion when regaining consciousness after surgery.
Not ALL snoring is harmful. The reasons for snoring stem from the relaxation of throat muscles when you sleep. Less airway volume can mean that the relaxed throat vibrates when you breathe. Itā€™s the universal cause of snoring (harmful or normal) The tongue is one of the main factors in snoring and sleeping with mouth open. During sleep, the muscles in the back of the mouth, nose, or throat become relaxed and breath flowing through the airway causes them to vibrate or flap. When you go to sleep, the primary muscles of your tongue and your throat relax. For you to keep your airway open, support muscles for the throat must hold firm. Not all snoring is sleep apnoea. Breathing noise or ā€˜snoringā€™ can be normal. The restricted airflow results in a rumbling, rattling sound that occurs when air flows past the relaxed tissues. Snoring sounds range from quiet whistling or vibrating to a loud grumbling, snorting, or rumbling. It results when the upper airway, specifically the throat and the nasal passage, vibrate from turbulent airflow during breathing while asleep. This commonly affects the soft palate and uvula, the tissue that hangs down at the back of the throat. Narrowing at the base of the tongue may also play a role. The root cause of snoring is when the air youā€™re breathing doesnā€™t flow smoothly through your nose and/or throat when youā€™re sleeping. Instead, it bumps into the surrounding tissues, which causes a vibration. The resulting vibration makes the snoring sound as you breathe. Your tongue position may also play a part. Snoring is caused by things such as your tongue, mouth, throat or airways in your nose vibrating as you breathe. It happens because these parts of your body relax and narrow when you're asleep. Sometimes it's caused by a condition like sleep apnoea, which is when your airways become temporarily blocked as you sleep. Snoring is the sound that air makes when it passes across the relaxed or loose tissues of the upper airway.
5 Min Read|At one stage or another, have woken up to the sensation of a wet pillow clinging ever so slightly to. Why does this happen? Why some sleep with mouths open? And, can it be prevented? Whatā€™s left of any extra saliva that fled your mouth while you were sleeping is drool. During the day we naturally swallow any saliva produced in our mouth while at night this process is meant to slow down. But for the unlucky, dribbling continues at a rapid pace throughout the night. In fact, thereā€™s even a name for the condition of producing too much saliva: sialorrhea. Your sleep position can greatly impact how much you drool. If you sleep on your front or side, your mouth is likely to hang open, letting saliva drip freely. Whereas if you sleep on your back, the saliva will pool at the back of your throat and activate your swallowing reflex. Also you are unconscious when this happens to itā€™s tricky to know for sure if you tend to open your mouth during the night, but if you are a mouth breather, you are likely going to dribble, and you may find your pillow is wet regularly. In general, you will breathe through your mouth if your nose is failing to provide enough oxygen to your body, so your lungs opt for Plan B and use your mouth for air, which is when saliva takes chance at a quick escape. You may also open your mouth throughout the night due to stress and anxiety as it activates your sympathetic nervous system. If you canā€™t breathe easily through your nose, youā€™re likely to open your mouth for air.
Mental confusion, also called delirium, is a change in a personā€™s awareness. Confusion affects how a person thinks, sees the world around them, and remembers things. The main signs of mental confusion or delirium are sudden changes in awareness. A person with confusion or delirium might suddenly get very sleepy and unaware of their surroundings or act very upset. Hypoactive, or low activity. Acting sleepy or withdrawn and "out of it." Hyperactive, or high activity. Acting upset, nervous, and agitated. Mixed. A combination of hypoactive and hyperactive confusion. The main symptom is a change in general awareness and consciousness. This may include: A shorter attention span Trouble remembering things, writing, or finding words Speech and thoughts that do not make sense Not knowing where they are, what day it is, or other facts Mixing up day and night and difficulty sleeping Personality changes, restlessness, anxiety, depression, or irritability Seeing things that others do not (hallucinating) or believing things that are not really happening (delusions)
Anesthesia uses dr*gs called anesthetics to keep you from feeling paın during medical procedures. Local and regional anesthesia numbs a specific area of your bĆødy. General anesthesia makes you temporarily unconscious (fall asleep) so you can have more invasive surgeries. Sedation: Also called ā€œtwilight sleep,ā€ sedation relaxes you to the point where youā€™ll nap but can wake up if needed to communicate. General anesthesia: This treatment makes you unconscious and insensitive to paın or other stimuli, and will put the patient to sleep during the procedure so that you are asleep during the surgery. This type of anesthesia puts you into a deep sleep and you wonā€™t be aware of or feel anything during the surgery. Once the procedure is over, the anesthesia will wear off and youā€™ll gradually wake up. They will not feel any paın or discomfort during the procedure and will not remember anything afterwards. Most people experience some level of loopiness after because the surgery involves anesthesia, which can cause side effects like dizziness and confusion. Source https://webdmd.org/what-kind-of-anesthesia-is-used-for-wisdom-teeth-removal/
If you were sedated, you will be comfortable and drowsy. IV anesthesia lets you fall into a sleep-like state and prevents any paın can distort sensation and lack of fine motor control. The patient falls asleep and is completely unaware of the procedure being performed. Twilight sedation drifting in and out of sleep Once again some patients may be asleep while others will slip in and out of sleep. For example, patients may experience some short-term memory issues, they may have trouble making decisions, they may feel emotional and they may feel somewhat disoriented. Nitrous oxide Patients are able to breathe on their own and remain in control of all functions. The patient may experience mild amnesia and may fall asleep not remembering all of what happened during their appointment. When nitrous oxide is administered, the patient may feel a kind of dreamy light-headedness. Nitrous oxide tends to make you feel a bit funny and ā€œfloaty.ā€ You may even laugh at things that are happening around you, which is why itā€™s also called ā€œlaughing gas.ā€ However, this change in consciousness is very short-lived.
27 March 2023 Nitrous oxide is a colourless gas commonly used as an analgesic - a painkiller - in medicine. The gas can make people relaxed, giggly, light-headed or dizzy. According to the ADA, a patient under nitrous oxide will still have the ability to hear their general dentist and respond to any questions. Although it is not going to put a patient to sleep, nitrous oxide will help relax the bĆødy and mind. After a few minutes of breathing in the laughing gas through a mask the bĆødy might feel tingly or heavy and the patient will feel light-headed. It can actually help ease any feelings of anxiety before the procedure. If given nitrous oxide, they will feel sleepy, relaxed and perhaps a bit forgetful. They will still be aware of their surroundings, not necessarily put a patient to sleep. The mild sedative simply helps a patient relax but not intentionally fall asleep per se. The nitrous oxide slows down your nervous system to make you feel less inhibited. You may feel light-headed, tingly, and can be turned off when time for the patient to become more alert and awake. You might feel slightly drowsy, limit your coordination and affect your ability to remember the procedure. Often referred to as conscious sedation because you are awake, though in a state of depressed alertness. You will feel relaxed and may even fall into a light sleep. It differs from general anesthesia, whence patients are completely asleep throughout the procedure and won't remember the treatment afterward, according to the American Academy of Pediatrics (AAP). Whether or not fully awake, laughing gas can temporarily feel euphoric and even giddy. Once the gas wears off all the effects are gone, and people are fully awake and back to their regular selves, if slightly groggy.
There are different types of sedatives that use to numb you, each serving a different purpose. IV Sedation IV means intravenous. It means the doctor ınjectıons the drvg straight into your bloodstream. Dentists often use IV because of it's excellent success rate. After ınjectıons, it puts the patient in a ā€˜twilight sleepā€™ state. IV sedation is the typical option. This is what can happen to a patient on IV: IV sedation dentistry produce either partial or full memory loss during the dental procedure. This means time will seem to pass very quickly and you will not recall much of what happened. The patient is awake and aware of the surroundings. They are also responsive. The patient feels comfortable and relaxed throughout the whole procedure. So relaxed, in fact, that they might not be aware theyā€™re undergoing one. It causes temporary amnesia and a state of ā€˜hĶžighā€™. Thereā€™s a reason IV is a popular option in dental operations. It works, and it works like a dream (pun intended). But for it to be effective, the patient must fast before coming in. Coming in with a full stomach can render the drvg ineffective. Most people who receive IV sedation dentistry fall asleep and have little to no memory of their treatment when they wake up. Inhalation Sedation Inhalation Sedation: This introduces a state of relaxation. This is a conscious sedation method that is fast-acting and with few side effects. Contrary to popular belief, inhalation sedation gas doesnā€™t make you burst into a giggle fit. It is a light anesthetic unlike IV. It also doesnā€™t work as well, but it still gets the job done for a quicker and relatively painless experience. This is what happens if youā€™re sedated using laughing gas: The patient experiences a euphoric sensation much like that with IV. But the effects are not as pronounced as the former. Laughing gas may cause a bit of amnesia, but the patient will still be remembering most of the procedure. It can make a patient dizzy, but they can still be awakened. Those who might have concerns about laughing gas can rest easy. Itā€™s mild in comparison to IV, so you wonā€™t be laughing out of control like anytime soon. Different sedation options offer varying levels of effects. Say, if you know youā€™re going for IV, ask somebody to accompany you. IV is potent enough to render you unable to go home on your own. General anesthesia is a type of unconscious sedation. In other words, youā€™ll be completely unconscious during the procedure. Youā€™ll be asleep when youā€™re under sedation and not feel any paın during your treatment. Itā€™s like taking a nap! Some sedation makes you quite groggy, and you may even fall asleep. But youā€™ll still be able to communicate with your dentist if necessary, and youā€™ll awaken with a gentle nudge. Because sedation temporarily affects your memory and motor skills, youā€™ll need a friend or family member to drive you home after your procedure.
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Unknown Female Infant Found Baby in a Creek. Đeađ BĆødy Discovered in Race at Rose Valley. New Born Child Fished Out of the Water in the Rear of Fausts' Tannery on Monday--No Clue to Parties Whom Neglected the Baby--Coroner investigating. A dĆ©Ć”d female infant was found at Rose Valley, Upper Dublin township, at noon on Monday by Alvin Faust. It's discovery caused considerable excitement in the ancient village. The bĆødy, which was that of a white child, was found lying in the race of the tannery just back of Mr. Faust's new residence and near the small bridge which spans the creek. The bĆødy was that of a child apparently but a few hours old. From appearances the child could not have been placed there before late Sunday evening as Mr. Faust uses the bridge frequently during the day in passing from his house to the barn of his farm, which lies just over the creek to the south. The discovery was immediately phoned to the Coroner's office at Norristown and instructions were returned to place the corps in the hands of Undertaker Davis, of Ambler which was done immediately. Coroner Kane is expected over in Ambler this Wednesday to investigate the discovery of the dĆ©Ć”d bĆødy and ascertain if possible any clues which may lead to the apprehension of the guilty parties. Just a week ago Samuel Tyson, of near Hatboro, found the bĆødy of a baby girl in a four quart jar in a quarry near that place. The theory was advanced at that time the bĆødy in the bottle may have been a physician's specimen. The finding of a second baby in an interval of less than a week at a point not less than eight miles distant presents an entirely different line of thought--the possibility that the proprietors of baby farms in Philadelphia are taking this method of disposing of bĆødies rather than risk further chance of discovery and arrest for conducting the nefarious busıness, by disposing of the bĆødies in Philadelphia. [Source: Ambler Gazette, April 7, 1904, p. 1. Submitted by Nancy.]
r/TwoSentenceHorror 2 days ago CreepyCavatelli As i rose from scooping the eggs into the basket i realised that all 209 hens were looming directly between me and the exit, silent and still as a statue. The flock leader gave a single menacing cluck and step toward me before each bird slowly followed suit.
KUPKA, Vennie Frank - 28Y single white male farmer - b: Oct 27 1910 Missouri - d: Nov 26 1938 Clinton, Henry Co, MO - fth: V. Kupka, born Czechoslovakia - mth: Bissir Nemoe?, born Czechoslovakia - informant: V. Kupka, Appleton City, MO - cause: accident, caught in tractor belt - bur: Nov 28 1938 Appleton City Cemetery, Appleton City, St. Clair Co, MO - filed as: Vennie F. Kupka, file no: 39289
į‚įŽ„!, š‰š®š¬š­ š˜„š—®š—»š˜š—²š—± š˜µš˜° ššœššŠšš¢ š™®š™¤š™Ŗš™§ š’ƒš’†š’‚š’–š’•š’Šš’‡š’–š’ š’•š’š’…š’‚š’š!!
BALLINA CHRONICLE Wednesday, July 25, 1849 šŸ‡®šŸ‡Ŗ HORRIBLE- A CHILD PARTIALLY EATEN BY PIGS- On Monday an inquest was held by T. Izod, Esq., coroner, in the churchyard of Clonamery, near Innistioge, on the body of a child four months old, belonging to a farmer named Richard Mylott, of Coolnamuck, which met its death on Thursday evening, under the following circumstances. It appeared in evidence that Mrs. Mylott put the child to sleep in a cradle in the kitchen, and leaving to mind it another child aged nine years, went out to assist her husband who was engaged in trenching potatoes. In a few minutes she heard the eldest child scream in great alarm, and on running to the house she found that two pigs had got into the kitchen, taken the infant out of the cradle, and were then dragging its body each from the other, and tearing it with the utmost ferocity, the voracious brutes being stained up to the eyes with blood. Life was not at the time quite extinct, but the unfortunate infant was soon after released from its sufferings.-- Kilkenny Moderator. šŸ‡®šŸ‡Ŗ BALLINA CHRONICLE Wednesday, July 25, 1849
"We removed Plankton's wisdom teeth. He's still asleep, you can stay with him." Said the oral surgeon to Karen. They've just finished and lead Karen into the room. Plankton is lying in the hospital bed, his face a mask of peace, the only signs of the recent surgery being the gauze in his mouth and the drool seeping out the side. His cheeks are slightly swollen, and she wonders when he'll wake up. The doctor said it could take a while. The IV line snakes up his arm. Karen pulls a chair up beside the bed. She takes his hand and holds it gently, feeling the warmth of his skin contrast with the coolness of her own palm. The room is sterile, the air conditioning humming steadily in the background. The faint smell of disinfectant fills the space. She looks around the room, noticing the monitors beeping in rhythm with Plankton's breathing and heart rate. The nurse comes in and checks the machines, making a few quiet notes on a clipboard. She smiles at Karen, "He's doing well. Just let him sleep. It's the best thing right now." Karen nods, squeezing Plankton's hand slightly, willing him to feel her presence. She wonders what dreams he's having, if any, behind his closed lid. Time seems to crawl as Karen watches him sleep. She tries to read a book, but the words blur together. Her thoughts drift to their lives before this moment, their shared laughter, their arguments, the quiet moments of understanding. Her gaze lingers on his swollen cheeks, his chest rising and falling with each breath. A soft groan escapes his lips and his eye begins to flutter open. Slowly, Plankton comes to, his vision blurred by the anesthesia's last hangover. He blinks, trying to focus on Karen's face. She sets aside her book and smiles at him, her screen welcoming him back to the world of the conscious. "Hi," she says softly. "How are you feeling?" Plankton makes a sound that's somewhere between a whine and a grunt. His eye wanders the room before finally settling on hers. "What...what happened?" he slurs, the words barely audible through the gauze. Karen's smile widens a bit. "You had your wisdom teeth removed, remember?" He nods slightly. The nurse reappears, checking his vitals again with a gentle touch. "Time to go home," she says, removing the gauze. They make their way out of the hospital, Karen supporting Plankton gently as he stumbles, his legs still wobbly from the anesthesia. The sun is setting, casting long shadows across the parking lot. Karen helps Plankton into the car, buckling him in and adjusting the seat so he can lean back and rest. He nods off almost immediately, his breathing evening out as the car starts and they pull away from the hospital. The drive home is quiet, Plankton's snores punctuating the hum of the engine. Karen keeps glancing over, checking on him, her concern etched into every line on her screen. The pain medication is strong, keeping him in a half-awake state. Each time he wakes, he looks around, disoriented, before his eye finds hers and his expression relaxes. Once they arrive, Karen guides him to the couch, his body feeling heavier than ever before. He slumps into the cushions and she grabs the ice pack from the cooler. "Hold this to your cheeks," she instructs, placing the cold compress against his skin. He nods obediently, his eye already glazing over with the promise of sleep. The TV flickers on, its blue light washing over the room. Karen finds a sitcom they both enjoy, hoping the familiar laughter will ease his pain and keep them both company. But Plankton's snores soon overpower the TV's audio, his head lolling to the side. She smiles, knowing he's in a deep slumber, and covers him with a blanket. The house is eerily quiet except for the steady tick of the clock on the wall. Karen moves around the kitchen, preparing a soft meal for when he wakes, her mind racing with thoughts of what the next few days will be like. Plankton's recovery will be slow, but she's ready to take care of him. She's his rock, his support, and she'll do anything to help him feel better.
SLEEPING WHUMPEES leyswhumpdump: Sleeping whumpees. Curled up on cold cell floors, seeking the only escape they can get. Eyes red behind their closed lids because they cried themselves to sleep. Tucked up under warm blankets. Cradled by a caretaker. Peaceful and smiling even in slumber, or screaming from night terrors. Restless from fever. Exhausted in the back of a car, their mind and body just given out. Falling asleep after fighting it for so long. Just an adorable trope all round.
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ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–’ā–’ā–‘ā–‘ā–‘ā–‘ā–‘ā–“ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–“ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–“ā–“ā–’ā–’ā–‘ā–‘ā–“ā–“ā–“ā–’ā–’ā–’ā–’ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–’ā–’ā–“ā–“ā–’ā–’ā–’ā–’ā–’ā–’ā–“ā–’ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–’ā–’ā–‘ā–‘ā–‘ā–’ā–’ā–“ā–’ā–’ā–’ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–’ā–’ā–’ā–’ā–“ā–’ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–’ā–‘ā–‘ā–’ā–’ā–’ā–’ā–’ā–“ā–’ā–’ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–’ā–“ā–’ā–“ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–“ā–“ā–“ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–“ā–“ā–“ā–’ā–‘ā–’ā–’ā–’ā–“ā–“ā–“ā–“ā–“ā–’ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–’ā–’ā–’ā–“ā–’ā–’ā–’ā–“ā–“ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–’ā–’ā–’ā–’ā–“ā–’ā–’ā–’ā–’ā–’ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–’ā–’ā–“ā–’ā–’ā–’ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–’ā–’ā–’ā–‘ā–‘ā–‘ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–“ā–“ā–’ā–“ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–“ā–ˆā–“ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–“ā–’ā–’ā–“ā–’ā–’ā–’ā–’ā–‘ā–“ā–ˆā–“ā–’ā–’ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–’ā–’ā–’ā–’ā–’ā–“ā–“ā–“ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–’ā–’ā–“ā–“ā–“ā–“ā–’ā–’ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–’ā–’ā–’ā–‘ā–’ā–’ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–’ā–’ā–‘ā–‘ā–‘ā–‘ā–’ā–’ā–’ā–’ā–’ā–’ā–‘ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–“ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–“ā–“ā–“ā–ˆā–“ā–“ā–“ā–’ā–’ā–’ā–’ā–“ā–“ā–’ā–’ā–“ā–“ā–“ā–“ā–“ā–’ā–’ā–’ā–“ā–“ā–“ā–“ā–’ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–’ā–’ā–’ā–’ā–’ā–’ā–‘ā–’ā–“ā–’ā–’ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–“ā–’ā–’ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–’ā–’ā–’ā–’ā–’ā–’ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–’ā–’ā–‘ā–‘ā–‘ā–’ā–’ā–’ā–’ā–’ā–‘ā–’ā–’ā–’ā–‘ā–‘ā–‘ā–’ā–’ā–’ā–’ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–’ā–“ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–“ā–’ā–“ā–“ā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–ˆā–‘ā–’ā–’ā–“ā–“ā–’ā–’ā–’ā–’ā–“ā–“ā–“ā–“ā–’ā–‘ā–’ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–’ā–’ā–‘ā–‘ā–‘ā–‘ā–‘ā–’ā–’ā–’ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–’ā–’ā–‘ā–‘ā–‘ā–‘ā–’ā–“ā–’ā–’ā–’ā–’ā–’ā–’ā–“ā–’ā–’ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–’ā–’ā–’ā–’ā–’ā–’ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–’ā–’ā–’ā–‘ā–‘ā–‘ā–’ā–’ā–’ā–’ā–’ā–’ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–’ā–“ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–“ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–“ā–“ā–“ā–’ā–’ā–’ā–’ā–’ā–“ā–’ā–“ā–“ā–“ā–’ā–’ā–’ā–“ā–“ā–‘ā–’ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–’ā–’ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–’ā–’ā–’ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–’ā–’ā–“ā–“ā–’ā–“ā–“ā–“ā–“ā–’ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–’ā–’ā–’ā–’ā–’ā–’ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–’ā–’ā–‘ā–‘ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–’ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–’ā–‘ā–‘ā–‘ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–“ā–“ā–“ā–’ā–’ā–’ā–’ā–’ā–’ā–“ā–“ā–“ā–’ā–’ā–’ā–“ā–“ā–’ā–“ā–‘ā–’ā–’ā–’ā–’ā–’ā–“ā–“ā–“ā–’ā–’ā–’ā–’ā–’ā–’ā–‘ā–’ā–‘ā–‘ā–‘ā–’ā–’ā–’ā–‘ā–‘ā–‘ā–‘ā–’ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–’ā–’ā–’ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–“ā–“ā–“ā–“ā–“ā–’ā–’ā–’ā–’ā–’ā–’ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–’ā–“ā–’ā–’ā–’ā–’ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–’ā–’ā–’ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–’ā–’ā–’ā–’ā–’ā–’ā–‘ā–’ā–‘ā–’ā–’ā–’ā–’ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–’ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–’ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–’ā–‘ā–‘ā–‘ā–“ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–“ā–“ā–“ā–“ā–’ā–“ā–“ā–“ā–“ā–’ā–’ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–’ā–’ā–’ā–’ā–“ā–“ā–’ā–’ā–’ā–’ā–’ā–’ā–“ā–“ā–’ā–“ā–’ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–’ā–’ā–’ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–’ā–’ā–’ā–‘ā–‘ā–’ā–’ā–“ā–“ā–’ā–’ā–“ā–’ā–’ā–“ā–“ā–“ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–‘ā–‘ā–‘ā–‘ā–’ā–’ā–’ā–’ā–‘ā–‘ā–‘ā–‘ā–’ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–‘ā–‘ā–‘ā–‘ā–’ā–‘ā–’ā–’ā–‘ā–‘ā–’ā–’ā–’ā–’ā–’ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–’ā–’ā–‘ā–‘ā–‘ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–“ā–’ā–’ā–’ā–’ā–“ā–“ā–“ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–‘ā–“ā–“ā–“ā–“ā–’ā–“ā–“ā–“ā–“ā–’ā–’ā–’ā–’ā–’ā–“ā–“ā–“ā–“ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–’ā–’ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–’ā–’ā–’ā–’ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–’ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–’ā–’ā–’ā–’ā–’ā–’ā–“ā–“ā–’ā–‘ā–‘ā–’ā–’ā–’ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–’ ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–’ā–’ā–’ā–’ā–‘ā–‘ā–‘ā–‘ā–’ā–’ā–‘ā–‘ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–‘ā–‘ā–‘ā–‘ā–’ā–’ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–’ā–’ā–’ā–‘ā–‘ā–‘ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–“ā–“ā–“ā–’ā–“ā–“ā–“ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–“ā–“ā–“ā–’ā–’ā–’ā–’ā–’ā–‘ā–‘ā–’ā–’ā–‘ā–‘ā–‘ā–’ā–‘ā–‘ā–‘ā–‘ā–’ā–‘ā–‘ā–’ā–’ā–’ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–’ā–’ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–’ā–’ā–’ā–’ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–’ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–’ ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–’ā–’ā–’ā–‘ā–‘ā–‘ā–‘ā–‘ā–’ā–‘ā–‘ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–‘ā–‘ā–‘ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–“ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–’ā–’ā–’ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–’ā–’ā–‘ā–’ā–’ā–’ā–’ā–“ā–“ā–’ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–’ā–’ā–’ā–’ā–’ā–“ā–’ā–’ā–’ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–’ ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–’ā–’ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–‘ā–’ā–’ā–’ā–’ā–’ā–’ā–“ā–’ā–’ā–’ā–’ā–‘ā–‘ā–‘ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–“ā–’ā–’ā–’ā–“ā–“ā–“ā–“ā–’ā–’ā–’ā–’ā–“ā–“ā–’ā–’ā–’ā–’ā–’ā–’ā–‘ā–‘ā–’ā–’ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–’ā–’ā–‘ā–’ā–‘ā–‘ā–‘ā–’ā–’ā–’ā–’ā–“ā–“ā–“ā–“ā–’ā–’ā–’ā–’ā–“ā–“ā–“ā–“ā–“ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–“ā–’ā–’ā–’ā–’ā–’ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–‘ā–’ā–’ā–‘ā–’ā–’ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–’ā–“ā–’ā–’ā–’ā–‘ā–’ā–‘ā–’ā–‘ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–‘ā–‘ā–‘ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–“ā–“ā–“ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–‘ā–’ā–‘ā–’ā–’ā–’ā–‘ā–‘ā–‘ā–‘ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–“ā–“ā–“ā–“ā–’ā–’ā–’ā–’ā–“ā–’ā–“ā–’ā–“ā–“ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–“ā–ˆā–ˆā–“ā–’ā–’ā–‘ā–’ā–’ā–’ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–‘ā–‘ā–’ā–’ā–’ā–’ā–’ā–’ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–‘ā–‘ā–‘ā–’ā–’ā–’ā–’ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–“ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–‘ā–‘ā–’ā–’ā–’ā–’ā–’ā–“ā–“ā–“ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–“ā–“ā–’ā–’ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–’ā–’ā–“ā–ˆā–“ā–“ā–“ā–“ā–“ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–’ā–‘ā–’ā–’ā–’ā–’ā–’ā–’ā–‘ā–’ā–’ā–‘ā–’ā–’ā–’ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–‘ā–’ā–’ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–’ā–’ā–’ā–“ā–“ā–’ā–’ā–‘ā–‘ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–‘ā–‘ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–“ā–“ā–“ā–’ā–“ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–‘ā–‘ā–‘ā–‘ā–‘ā–’ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–’ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–’ā–’ā–’ā–’ā–’ā–’ā–‘ā–’ā–’ā–’ā–‘ā–’ā–’ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–’ā–’ā–’ā–’ā–’ā–’ā–‘ā–‘ā–‘ā–‘ā–‘ā–’ā–‘ā–‘ā–‘ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–“ā–’ā–’ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–’ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–’ā–’ā–“ā–“ā–“ā–’ā–’ā–‘ā–’ā–’ā–’ā–‘ā–’ā–’ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–‘ā–‘ā–‘ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–“ā–“ā–“ā–“ā–“ā–“ā–’ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–’ā–“ā–’ā–’ā–’ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–’ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–’ā–’ā–’ā–’ā–’ā–’ā–“ā–’ā–’ā–’ā–’ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–’ā–’ā–‘ā–’ā–’ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–’ā–’ā–“ā–“ā–“ā–“ā–‘ā–‘ā–‘ā–’ā–“ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–“ā–“ā–“ā–“ā–“ā–“ā–’ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–’ā–’ā–’ā–’ā–’ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–’ā–’ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–’ā–“ā–’ā–“ā–“ā–’ā–“ā–’ā–’ā–’ā–’ā–‘ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–‘ā–‘ā–’ā–’ā–’ā–’ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–’ā–’ā–’ā–‘ā–‘ā–‘ā–‘ā–“ā–’ā–’ā–’ā–’ā–’ā–’ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–“ā–’ā–’ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–’ā–’ā–’ā–’ā–’ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–’ā–’ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–’ā–’ā–’ā–’ā–’ā–’ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–“ā–’ā–’ā–’ā–’ā–’ā–“ā–“ā–ˆā–“ā–’ā–’ā–“ā–’ā–’ā–’ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–’ā–’ā–’ā–’ā–’ā–“ā–“ā–“ā–’ā–’ā–‘ā–‘ā–’ā–’ā–’ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–’ā–’ā–’ā–’ā–’ā–“ā–’ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–“ā–’ā–’ā–’ā–“ā–’ā–‘ā–‘ā–‘ā–‘ā–‘ā–’ā–’ā–’ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–’ā–’ā–‘ā–’ā–“ā–“ā–“ā–“ā–“ā–’ā–‘ā–’ā–’ā–’ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–‘ā–‘ā–’ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–’ā–’ā–’ā–’ā–’ā–’ā–’ā–“ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–’ā–’ā–’ā–’ā–’ā–’ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–’ā–“ā–“ā–“ā–‘ā–’ā–“ā–“ā–“ā–“ā–’ā–‘ā–‘ā–’ā–’ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–’ā–“ā–“ā–’ā–’ā–’ā–’ā–’ā–‘ā–‘ā–’ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–“ā–’ā–’ā–’ā–’ā–“ā–’ā–’ā–’ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–‘ā–’ā–’ā–’ā–’
ĖĖ‹ ā™« Ėš ĢŸšŸ¼ sā„“eeĻover Ļoā„“icy .įŸ šŸ§øšŸ’¤ Ā“ĖŽĖ— mįƓį”£š­©
https://www.ncbi.nlm.nih.gov/pmc/articles/PMC3378217/
BALLINA CHRONICLE Wednesday, July 25, 1849 šŸ‡®šŸ‡Ŗ AWFUL DEATH- A respectable farmer named Stapleton, who resided at Ballyanny, within a mile of this town, came by his death under the following melancholy circumstances:- On the afternoon of Saturday, while returning from Nenagh, he went to look at his cows which were grazing in a field convenient to his residence, whereupon his bull, whose ferocious nature was aroused by the annoyance of flies and intense heat of the day, rushed fiercely at the ill-fated man, knocking him down, gored his body in a frightful manner and killed him on the spot. When he had not arrived at home on Saturday evening, his wife and family became uneasy, an they caused messengers to go look for him to this town, thinking that he might have delayed with a friend. But they could find no tidings of him. On Sunday morning, as the deceased's wife was going to early mass, she observed the bull coming towards the house, and having blood on his horns, at which sight she was struck with horror. She then faced towards the field, where she found her husband's mutilated body, which was deeply pierced in several parts by the savage animal's horns. On Monday the unfortunate man's remains were followed to their final resting place by an immense number of friends and neighbours.--Nenagh Guardian. šŸ‡®šŸ‡Ŗ BALLINA CHRONICLE Wednesday, July 25, 1849
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https://www.sleepfoundation.org/parasomnias/hypnic-jerks
įµ€ā±įµįµ‰ įµƒį¶ įµ—įµ‰Ź³ įµ—ā±įµįµ‰ pt. 4 ā½Ė¢įµ–įµ’āæįµįµ‰įµ‡įµ’įµ‡ į¶ įµƒāæį¶ ā±į¶œā¾ Ź·įµƒŹ³āæā±āæįµ į¶ įµ’Ź³ įµ›ā±įµ’Ė”įµ‰āæįµ—, įµ˜įµ–Ė¢įµ‰įµ—įµ—ā±āæįµ "į“µ'Ė”Ė” Ė”įµ‰įµƒįµ›įµ‰ Źøįµ’įµ˜ įµ—įµ’ įµ—įµƒĖ”įµā€§" įµ€Ź°įµ‰ į¶œĖ”ā±āæā±į¶œā±įµƒāæ Ė”įµ‰į¶ įµ— įµ—įµ’ į¶œįµƒĖ”Ė” į“·įµƒŹ³įµ‰āæā€§ "į”†įµ’āø“ į“µ įµˆįµ’āæ'įµ— įµāæįµ’Ź· Ź·Ź°įµƒįµ— Źøįµ’įµ˜ Ź³įµ‰į¶œįµƒĖ”Ė” į¶ Ź³įµ’įµ įµ—Ź°įµ‰ įµ’įµ—Ź°įµ‰Ź³ įµˆįµƒŹøāø“ įµ‡įµ˜įµ— į“µ Ź·įµƒāæįµ—įµ‰įµˆ įµ—įµ’ įµ–Ź³įµ’įµ–įµ‰Ź³Ė”Źø įµ—Ź°įµƒāæįµ Źøįµ’įµ˜ā€§ā€§ā€§" "į¶ įµ’Ź³ Ź·Ź°įµƒįµ—?" "įµ‚įµ‰Ė”Ė” į“µįµ āæįµ’įµ— įµ‰Ė£įµƒį¶œįµ—Ė”Źø Ė¢įµ˜Ź³įµ‰ ā±į¶  Źøįµ’įµ˜ Ź³įµ‰įµįµ‰įµįµ‡įµ‰Ź³ įµ‡įµ˜įµ— į“µ įµ‰āæį¶œįµ’įµ˜āæįµ—įµ‰Ź³įµ‰įµˆ įµ—Ź°įµ‰ Ė¢įµ‰įµƒ Ź³Ź°ā±āæįµ’į¶œįµ‰Ź³įµ’Ė¢ Ź·Ź°įµ’'Ė¢ āæįµ’Ź· įµ‡įµ‰ā±āæįµ įµ‡Źø įµ—Ź°įµ‰ į¶»įµ’įµ’ā€§ā€§ā€§" į”†įµ—ā±Ė”Ė” Ė”įµ’įµ’įµā±āæįµ įµ‡Ė”įµƒāæįµ Ė”įµ’įµ’įµāø“ į“¹Ź³ā€§ į“·Ź³įµƒįµ‡Ė¢ Ė”įµƒįµ˜įµŹ°įµ‰įµˆ āæįµ‰Ź³įµ›įµ’įµ˜Ė¢Ė”Źø āæįµ’įµ— Ź·įµƒāæįµ—ā±āæįµ įµ—įµ’ įµįµƒįµįµ‰ įµ˜āæį¶œįµ’įµį¶ įµ’Ź³įµ—įµƒįµ‡Ė”įµ‰ā€§ "į“µ įµ‡Ź³įµ’įµ˜įµŹ°įµ— Źøįµ’įµ˜ įµ—Ź°įµ‰ Ė¢įµ—įµ˜į¶ į¶ įµ‰įµˆ įµ‡įµ‰įµƒŹ³ā€§ā€§ā€§" į“¹Ź³ā€§ į“·Ź³įµƒįµ‡Ė¢ įµįµ‰Ė¢įµ—įµ˜Ź³įµ‰įµˆ įµ—įµ’ ā±įµ— įµƒĖ¢ į“¾Ė”įµƒāæįµįµ—įµ’āæ Ė”įµ’įµ’įµįµ‰įµˆā€§ "į“øā±Ė¢įµ—įµ‰āæ į“µ į¶œĖ”įµ’Ė¢įµ‰įµˆ įµįµ‰ Ź³įµ‰Ė¢įµ—įµƒįµ˜Ź³įµƒāæįµ— įµƒāæįµˆ įµˆįµ’āæ'įµ— įµāæįµ’Ź· ā±į¶  Źøįµ’įµ˜ įµā±āæįµˆ Ź·Ź°įµƒįµ—ā€§ā€§ā€§" į“¹Ź³ā€§ į“·Ź³įµƒįµ‡Ė¢ Ź·įµƒāæįµ—įµ‰įµˆ įµ—įµ’ į¶œįµ’āæāæįµ‰į¶œįµ— įµ—įµƒĖ”įµ įµ—įµ’ Ź°ā±įµā€§ "į“æįµ‰įµįµ‰įµįµ‡įµ‰Ź³ Ź·Ź°įµ‰āæ Ź·įµ‰ įµ–Ė”įµƒŹøįµ‰įµˆ Ź·ā±įµ—Ź° įµ—Ź°įµ‰ įµ—įµ‰įµˆįµˆŹø? 'ā™Ŗā»ā»įµƒāæįµˆ įµ—Ź°įµƒįµ—'Ė¢ Ź·Ź°Źø Źøįµ’įµ˜'Ź³įµ‰ įµŹø į¶œįµ’įµ’įµā±įµ‰ā» Ź·įµ’įµ’įµā±įµ‰ įµ—įµ‰įµˆįµˆŹø įµ‡įµ‰įµƒŹ³!ā™Ŗ' įµ‚įµ‰'įµˆ Ė¢ā±āæįµ ā±įµ— įµ˜āæįµ—ā±Ė” Ź·įµ‰ Ź·įµ‰Ź³įµ‰ įµ—įµ’Ė”įµˆ įµ—ā€§ā€§ā€§" "į“µ Ź²įµ˜Ė¢įµ— įµāæįµ’Ź· į“µ'įµ Ź°įµ˜āæįµŹ³Źøā€§ā€§ā€§" į“¹Ź³ā€§ į“·Ź³įµƒįµ‡Ė¢ Ė”įµ‰į¶ įµ—āø“ įµ—Ź°įµƒāæįµā±āæįµ įµ—Ź°įµ‰ į¶œĖ”ā±āæā±į¶œā±įµƒāæā€§ į“¾įµ‰Ź³Ź°įµƒįµ–Ė¢ ā±į¶  į“¾Ė”įµƒāæįµįµ—įµ’āæ'Ė¢ āæįµ’ įµ–Ź³ā±įµ’Ź³ įµāæįµ’Ź·Ė”įµ‰įµˆįµįµ‰āø“ Ė¢įµ—įµƒŹ³įµ—ā±āæįµ įµ’įµ›įµ‰Ź³ į¶œĖ”įµ‰įµƒāæ? į“¹Ź³ā€§ į“·Ź³įµƒįµ‡Ė¢ į¶œįµƒĖ”Ė”įµ‰įµˆ Ź°ā±Ė¢ įµ‰įµįµ–Ė”įµ’Źøįµ‰įµ‰Ė¢ įµ—įµ’ įµ—įµ‰Ė”Ė” įµ—Ź°įµ‰įµ Ź°įµ‰'Ė¢ įµ’įµ–įµ‰āæ įµ—įµ’ Ź·įµ’Ź³įµā€§ įµ€Ź°įµ‰ āæįµ‰Ė£įµ— įµįµ’Ź³āæā±āæįµāø“ Ź°įµ‰ įµˆįµ‰į¶œā±įµˆįµ‰įµˆ įµ—įµ’ Ė¢įµ—įµ’įµ– įµ‡Źø įµ—Ź°įµ‰ į¶œŹ°įµ˜įµ įµ‡įµ˜į¶œįµįµ‰įµ— įµ‡įµ‰į¶ įµ’Ź³įµ‰ā€§ į“·įµƒŹ³įµ‰āæ įµ’įµ–įµ‰āæįµ‰įµˆ įµ—Ź°įµ‰ įµˆįµ’įµ’Ź³āø“ Ė”įµ‰įµ—įµ—ā±āæįµ ā±āæ į“¹Ź³ā€§ į“·Ź³įµƒįµ‡Ė¢ įµ—įµ’ā€§ "įµ€Ź°įµ‰ įµˆįµ’į¶œ Ė¢įµƒā±įµˆ ā±į¶  Ź°ā±Ė¢ įµįµ‰įµįµ’Ź³Źø'Ė¢ įµ—įµ’ į¶œįµ’įµįµ‰ įµ‡įµƒį¶œįµāø“ Ź°įµ‰'Ė”Ė” Ė¢įµ—įµƒŹ³įµ— įµ—įµ’ Ź³įµ‰įµįµ‰įµįµ‡įµ‰Ź³ įµ‡Źø įµ—Ź°įµ‰ Ź·įµ‰įµ‰įµįµ‰āæįµˆā€§" į“¹Ź³ā€§ į“·Ź³įµƒįµ‡Ė¢ įµ‰Ė£įµ–Ė”įµƒā±āæįµ‰įµˆā€§ į““įµ‰ Ė¢įµƒŹ· į“¾Ė”įµƒāæįµįµ—įµ’āæ Ź·ā±įµ—Ź° įµ—Ź°įµ‰ įµ‡įµ‰įµƒŹ³ā€§ "į”†įµ’Ź³Ź³Źø ā±į¶  į“µ įµ–įµ˜įµ— Źøįµ’įµ˜ įµ’āæ įµ—Ź°įµ‰ Ė¢įµ–įµ’įµ— Źøįµ‰Ė¢įµ—įµ‰Ź³įµˆįµƒŹøā€§ā€§ā€§" į“¾Ė”įµƒāæįµįµ—įµ’āæ Ė”įµ’įµ’įµįµ‰įµˆ įµ˜įµ–ā€§ "į“µ įµįµ’įµ— įµ—Ź°įµ‰ įµ—įµ‰įµˆįµˆŹø!" į““įµ‰ Ź³įµ‰įµ–Ė”ā±įµ‰įµˆā€§ į”†įµ’ Ź°įµ‰'Ė¢ įµˆįµ‰į¶ ā±āæā±įµ—įµ‰Ė”Źø āæįµ’įµ— įµƒį¶œįµ—ā±āæįµ Ė”ā±įµįµ‰ Ź°ā±įµĖ¢įµ‰Ė”į¶  Ź³ā±įµŹ°įµ— āæįµ’Ź·āø“ įµ‡įµ˜įµ— ā±įµ—'Ė¢ Ź°įµƒŹ³įµˆ įµ—įµ’ įµ—įµ‰Ė”Ė” Źøįµ‰įµ— Ź·Ź°įµƒįµ— Ź·ā±Ė”Ė” Ź°įµƒįµ–įµ–įµ‰āæā€§ "į“µ Ź°įµ’įµ–įµ‰ Źøįµ’įµ˜ į¶ įµ‰įµ‰Ė” įµ‡įµ‰įµ—įµ—įµ‰Ź³ į“¾Ė”įµƒāæįµįµ—įµ’āæā€§ā€§ā€§" į“¹Ź³ā€§ į“·Ź³įµƒįµ‡Ė¢ Ė¢ā±įµŹ°įµ‰įµˆāø“ āæįµ’įµ— Ź·įµƒāæįµ—ā±āæįµ įµ—įµ’ įµįµ‰įµ— Ź°ā±Ė¢ Ź°įµ’įµ–įµ‰Ė¢ įµ˜įµ– įµ—įµ’ Ź°ā±įµŹ°ā€§ "į““įµ‰'Ė¢ Ė¢įµ—ā±Ė”Ė” Ź³įµ‰į¶œįµ’įµ›įµ‰Ź³ā±āæįµāø“ įµƒāæįµˆ į“µ įµįµ’įµ—įµ—įµƒ Ź·įµ’Ź³įµ; įµ‡Źøįµ‰ā€§ā€§ā€§" į“¹Ź³ā€§ į“·Ź³įµƒįµ‡Ė¢ Ė”įµ‰į¶ įµ—ā€§ to be cont. Pt. 5
(Confess-A-Bear): ā€œMy name is Confess-A-Bear! [cuts to SpongeBob]. ā€œTell me all your secrets.ā€ (Patrick): ā€œI did something recently Iā€™m not proud of. I didnā€™t mean to do it, it just sort of happened.ā€ (Confess-A-Bear): ā€œOh, maybe you should talk about it.ā€ (Patrick): Well, it involves my best friend SpongeBob. I donā€™t think he knows what happened [cuts to SpongeBob who is listening through headphones] but it would really upset him if he found out.ā€ (Confess-A-Bear): ā€œTell Confess-A-Bear!ā€ (Patrick): ā€œIā€™ve said too much already.ā€ (Confess-A-Bear): ā€œTell Confess-A-Bear now! NOW!ā€ (Patrick): AH! I accidentally knocked SpongeBob's toothbrush into the toilet, and then I put it back on the counter without washing iiiitt... (Confess-a-Bear does not respond) Confess-a-Bear? (SpongeBob is screaming and wiping his tongue off in disgust) [SpongeBob starts screaming and running around in the background, wiping his tongue]. (Patrick): ā€œYouā€™re mad at me, arenā€™t you Confess-A-Bear?ā€
r/TwoSentenceHorror 1 day ago CenturyCoal I pressed the stuffed teddy bear's chest to hear it's voice box the bear should have said 'i love you' not 'let me out'
#avabearstillascuteasabuttonlovehermorethanallthestarsinthesky
July 10 death of little Anton Bear. The 6-year-old boy, his mother and his 3-year-old sister were walking down a road on the edge of the town, about 600 miles southwest of Anchorage when a grizzly ambled up in the dim dawn light. šŸ» Anton Bear, 6, male July 10, 1992 near King Cove, Alaska The six-year-old, his mother, and sister were walking down a road when they were approached by a grizzly bear. The family fled, but the boy was chased down by the bear and devoured.
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Tumblr | 10/6/2014 | 7:44pm | DO YOU? meeplol: Most people agree that dying while being asleep is the best way to dıe. Peaceful, not signs of torturĶ˜e nor paın. My grandma used to say angels carry them, the ones who are dying while being asleep, to heaven. But sometimes angels can be clumsy and drop them by accident. Remember the time you felt like falling in your sleep and suddenly woke up?
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Uhm important things Ėšā‚Šź’·ą­­ą­§ Hii, looking for a discord server to join? You should join us! join.... SLUMBERING MOON ā€¼ļø ą­§ ā€§ā‚ŠĖš šŸŒ™ ā‹… (alzo srry that we keep advertising this server, were desperate for members and idk why) [https://discord.gg/Hj2BW6NpqN] We are a sfw, social, crk themed server :3 Our offers are.... - Daily wot and qotd - A nice and loving community - Fun events ( Ex : Gartic phone , roblox , etc.) - Lots of bots to not make u bored - Lastly... A large server layout with fun things u can do ! NOTE : our servers a bit dead..
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