Double is the Trouble Emojis & Text

Copy & Paste Double is the Trouble Emojis & Symbols áŽ°á”’á”˜á”‡ËĄá”‰ ⁱ˹ ᔗʰᔉ á”€Êłá”’á”˜á”‡ËĄá”‰âœá”†á”–á”’âżá”á”‰áŽźá”’á”‡ á¶ á”ƒâżá¶ â±á¶œâŸ Part 1áŽŸËĄá”ƒâż

áŽ°á”’á”˜á”‡ËĄá”‰ ⁱ˹ ᔗʰᔉ á”€Êłá”’á”˜á”‡ËĄá”‰ âœá”†á”–á”’âżá”á”‰áŽźá”’á”‡ á¶ á”ƒâżá¶ â±á¶œâŸ Part 1 áŽŸËĄá”ƒâżá”á”—á”’âż'Ëą á¶œá”’á”á”–á”˜á”—á”‰Êł ʷⁱᶠᔉ áŽ·á”ƒÊłá”‰âż Ê°á”‰á”ƒÊłËą ᔗʰᔉ á”–Ê°á”’âżá”‰ Êłâ±âżá” Ëąá”’ ËąÊ°á”‰ á”ƒâżËąÊ·á”‰Êłá”‰á”ˆ ⁱᔗ‧ 'áŽčá”˜Ëąá”— ʰᔃᔛᔉ Ê·Êłá”’âżá” âżá”˜á”á”‡á”‰Êł á”’Êł ᶠᔒᔒᔈ á”–á”’â±Ëąá”’âżâ±âżá”' ËąÊ°á”‰ á¶ â±á”á”˜Êłá”‰Ëąâ€§ "ᔂᔉ'Êłá”‰ áŽźâ±á”â±âżâ± ᎟ᔒᔗᔗᔒᔐ Ê°á”’Ëąá”–â±á”—á”ƒËĄâ€§" 'áŽčá”˜Ëąá”— ᔇᔉ ᶠᔒᔒᔈ á”–á”’â±Ëąá”’âżâ±âżá”â€§ áŽźá”˜á”— ʷᔉ ʰᔃᔛᔉ ⁿᔒᔗ Ëąá”’ËĄá”ˆ á”ƒâżÊž ᶜʰᔘᔐ! á”†Ê°á”‰ËĄá”ˆá”’âż ᔈⁱᔈ ⁿᔒᔗ á”‡Êłâ±âżá” á”ƒâżÊž Ê·á”‰á”ƒá”–á”’âżÊłÊž ʷⁱᔗʰ ʰⁱᔐ Ê·Ê°á”‰âż ʰᔉ ˥ᔉᶠᔗ á”—á”’ ᔗʰᔉ áŽ·Êłá”˜Ëąá”—Êž áŽ·Êłá”ƒá”‡â€§' "ᎎᔉ˥˥ᔒ ᎔'ᔐ áŽ·á”ƒÊłá”‰âżâ€§ ᎎᔒʷ á¶œá”ƒâż ᎔ Ê°á”‰ËĄá”– ʞᔒᔘ?" "᎔ᔗ'Ëą ᔃᔇᔒᔘᔗ Êžá”’á”˜Êł Ê°á”˜Ëąá”‡á”ƒâżá”ˆâ€§" "ᎎᔉ'Ëą âżá”‰á”›á”‰Êł Ê°á”’Ëąá”–â±á”—á”ƒËĄâ±Ëąá”‰á”ˆ á”ƒâżÊž á”–á”ƒá”—Êłá”’âżËąâ€§â€§â€§" "Êžá”’á”˜Êł Ê°á”˜Ëąá”‡á”ƒâżá”ˆâžŽ ʰᔉ'Ëą ⁱⁿ á”‰á”á”‰Êłá”á”‰âżá¶œÊž Ëąá”˜Êłá”á”‰ÊłÊžâ€§" 'ᔂʰᔃᔗ“' "á”†Ê°á”‰ËĄá”ˆá”’âż áŽŸËĄá”ƒâżá”á”—á”’âż'Ëą Ê·â±Ëąá”ˆá”’á” ᔗᔉᔉᔗʰ ʰᔃᔛᔉ ᔇᔉᔉⁿ â±ÊłÊłâ±á”—á”ƒá”—á”‰á”ˆ á¶ Êłá”’á” ᔃ ᔏⁱᶜᔏ á”—á”’ ᔗʰᔉ ᶠᔃᶜᔉ ᔇʞ áŽ±á”˜á”á”‰âżá”‰ áŽ·Êłá”ƒá”‡ËąâžŽ ᔇᔘᔗ ⁱⁿ á”ˆá”‰á¶ á”‰âżá¶œá”‰ ᔃ˹ ʰᔉ á”—Êłâ±á”‰á”ˆ á”—á”’ Ëąá”—á”‰á”ƒËĄ ᔗʰᔉ ᔖᔃᔗᔗʞ‧‧‧" "᎔'ËĄËĄ ᔇᔉ Êłâ±á”Ê°á”— á”’á”›á”‰Êł á”—á”’!" ᔆʰᔉ á”ƒÊłÊłâ±á”›á”‰á”ˆâ€§ "ᎎⁱ˹ Ê·â±Ëąá”ˆá”’á” ᔗᔉᔉᔗʰ Ê·á”‰Êłá”‰ ᔃᔇᔒᔘᔗ á”—á”’ Ëąá”—á”ƒÊłá”— á”‰Êłá”˜á”–á”—â±âżá” á”—Ê°Êłá”’á”˜á”Ê° ᔗʰᔉ á”á”˜á”Ëą á”‡á”‰á¶ á”’Êłá”‰ á”á”‰á”—á”—â±âżá” Ê°á”˜Êłá”—â€§ ᎎᔉ'Ëą ᔇᔉᔉⁿ á”˜âżá¶œá”’âżËąá¶œâ±á”’á”˜Ëą Ëąâ±âżá¶œá”‰ á”‡á”‰â±âżá” ʰⁱᔗ ᔃⁿᔈ ʷᔉ'ᔛᔉ á”ƒâżá”ƒá”‰Ëąá”—Ê°á”‰á”—â±Ëąá”‰á”ˆ ʰⁱᔐ á¶ á”’Êł ᔗʰᔉ á”‰ËŁá”—Êłá”ƒá¶œá”—â±á”’âżËą Ëąá”’ ʰᔉ ᔐⁱᔍʰᔗ ᔇᔉ á”ƒâżËŁâ±á”’á”˜Ëą Ê·Ê°á”‰âż á”‰á”›á”‰Êł ʰᔉ Ê·á”ƒá”á”‰Ëą ᔘᔖ á”ƒá”á”ƒâ±âżâ€§" áŽ·á”ƒÊłá”‰âż Êłá”‰á¶œá”‰â±á”›á”‰á”ˆ ᔃ á”–á”ƒá”á”–Ê°ËĄá”‰á”— ᔃⁿᔈ Ê·á”‰âżá”— ⁱⁿ ᔗʰᔉ Êłá”’á”’á” ᔃ˹ ᔗʰᔉʞ ÊČá”˜Ëąá”— á¶ â±âżâ±ËąÊ°á”‰á”ˆ ᔘᔖ‧ áŽŸËĄá”ƒâżá”á”—á”’âż ᔈⁱᔈⁿ'á”— ᔐᔃᔏᔉ á”ƒâżÊž ⁿᔒⁱ˹ᔉ‧ ᎎⁱ˹ ᔐᔒᔘᔗʰ Êłá”‰á”á”ƒâ±âżËą ᔒᔖᔉⁿ ᔃⁿᔈ Ê°â±Ëą ᔉʞᔉ á”‡Êłá”’Ê· ⁿᔒᔗ ᔉᔛᔉⁿ á¶ á”˜ÊłÊłá”’Ê·â±âżá”âžŽ ⁿᔒᔗ ʞᔉᔗ‧ ᔀʰᔉʞ Ê°á”ƒËĄá”—á”‰á”ˆ á”ƒâżá”ƒá”‰Ëąá”—Ê°á”‰á”—â±Ëąá”ƒá”—â±á”’âż ᔃⁿᔈ áŽ·á”ƒÊłá”‰âż Êłá”‰á”ƒËĄâ±Ëąá”‰á”ˆ ʰᔉ ᔐⁱᔍʰᔗ ᔃᶜᔗ ᔘᔖ ᔈᔘᔉ á”—á”’ ⁱᔗ ᔃⁿᔈ ᔗʰᔉ ʰᔉᔃᔈ ⁱⁿÊČá”˜ÊłÊžâžŽ ᔇᔘᔗ ᔗʰᔉʞ á”—á”’ËĄá”ˆ Ê°á”‰Êł ⁱᔗ'ᔈ ËĄá”ƒËąá”— á”’âżËĄÊž ᔃᔇᔒᔘᔗ ᔒⁿᔉ ᔈᔃʞ á”‡á”‰á¶ á”’Êłá”‰ ʰᔉ'Ëą ⁿᔒ ËĄá”’âżá”á”‰Êł á”˜âżá”ˆá”‰Êł ⁱᔗ'Ëą â±âżá¶ ËĄá”˜á”‰âżá¶œá”‰ á”’Êł âżá”˜á”á”‡á”‰á”ˆâ€§ ᔆʰᔉ Ê°á”‰ËĄá”ˆ Ê°â±Ëą Ê°á”ƒâżá”ˆâ€§ "áŽșâżÊ°â€§â€§â€§" áŽ·á”ƒÊłá”‰âż Ê°á”‰á”ƒÊłËą áŽŸËĄá”ƒâżá”á”—á”’âż Ê·á”ƒá”â±âżá” ᔘᔖ‧ áŽŸËĄá”ƒâżá”á”—á”’âż'Ëą ᔉʞᔉ Ëąá”—á”ƒÊłá”—á”‰á”ˆ á”—á”’ á¶ ËĄá”˜á”—á”—á”‰Êł ᔒᔖᔉⁿ‧ "ᔂʰᔘʰ? ᔂʷᔘʰ ʷʰ⁻ʷʰᔃᔗ'Ëą á”á”’â±âżâ€™ ᔒⁿ‧‧‧" áŽ·á”ƒÊłá”‰âż á”–á”ƒá”—Ëą Ê°â±Ëą Ê°á”ƒâżá”ˆ ËąÊ°á”‰ Ê°á”‰ËĄá”ˆâ€§ "ᎎⁱ➎ ËąÊ·á”‰á”‰á”—Ëąâ€§â€§" áŽŸËĄá”ƒâżá”á”—á”’âż Ê°á”‰á”ƒÊłËą áŽ·á”ƒÊłá”‰âżâ€§ "áŽ·á”ƒÊłá”‰â»â»â»â» áŽ·â»áŽ·á”ƒÊłá”‰âż; ʷʰᔃ⁻ʷʰᔃᔗ Ê°á”ƒá”–á”–á”‰âżá”‰á”ˆâ€œ" 'ᔂᔃⁱᔗ Ê·Ê°á”‰Êłá”‰ ᔃᔐ ᎔' "ʞᔒᔘ á”âżá”’Ê· Ê·Ê°á”‰Êłá”‰ ʷᔉ á”ƒÊłá”‰?" ᎏ âżá”˜ÊłËąá”‰ á”ƒËąá”á”‰á”ˆ ʰⁱᔐ‧ áŽ·á”ƒÊłá”‰âż ᔈⁱᔈⁿ'á”— Ê·á”ƒâżâżá”ƒ á¶ Êłá”˜Ëąá”—Êłá”ƒá”—á”‰ ʰⁱᔐ‧ "᎔ᔗ'Ëą ᔃ˥˥ ᔍᔒᔒᔈ‧‧" áŽŸËĄá”ƒâżá”á”—á”’âż ᶠᔉ˥ᔗ Ê°â±á”Ëąá”‰ËĄá¶  ᔍᔉᔗ ËĄá”‰á”ƒâżá”‰á”ˆ ᔘᔖ ⁱⁿ á”—á”’ ᔃ Ëąâ±á”—á”—â±âżá” ᔖᔒ˹ⁱᔗⁱᔒⁿ‧ "᎔'ËĄËĄ á¶œá”ƒÊłÊłÊžâ€§â€§â€§" áŽ·á”ƒÊłá”‰âż Ëąá”—á”ƒÊłá”—á”‰á”ˆâžŽ ᔇᔘᔗ ᔗʰᔉʞ'Êłá”‰ á”–á”˜á”—á”—â±âżá” ᔍᔃᔘᶻᔉ âżá”’Ê·â€§ "ᎏ á”Êłá”ƒá”‡á”‡Êž ᔖᔃᔗᔗʞ! áŽźá”˜â€™ Ê·Ê°Êž á¶œá”ƒâż'á”— ᎔ á”—á”ƒËąá”—á”‰ ⁱᔗ⁻ᔗ?" "ʞᔒᔘ'Êłá”‰ âżá”˜á”á”‡ ᔃⁿᔈ ⁱᔗ'Ëą ⁿᔒᔗ ᶠᔒᔒᔈ‧" áŽŸËĄá”ƒâżá”á”—á”’âż ᔖᔘᔗ Ê°â±Ëą Ê°á”ƒâżá”ˆËą á”—á”’ Ê°â±Ëą á¶œÊ°á”‰á”‰á”Ëąâ€§ "Ꮀⁱ⁻ ᎔ ᔇᔉᶜᔒᔐᔉ ᔃ ᶜʰⁱᶜᔏ á”á”’âżá” ʷⁱᔏᔉ á”†á”ƒâżá”ˆÊž?" "ᔆʰᔉ'Ëą ᔃ Ëąá‘«á”˜â±ÊłÊłá”‰ËĄ ᔃⁿᔈ ⁿᔒ‧" áŽ·á”ƒÊłá”‰âż á”–â±á¶œá”Ëą ʰⁱᔐ ᔘᔖ á”—á”’ ËĄá”‰á”ƒá”›á”‰â€§ ᎎᔉ ᶠᔉ˥˥ á”ƒËąËĄá”‰á”‰á”– ⁱⁿ Ê°á”‰Êł Ê°á”ƒâżá”ˆ Ê·Ê°â±ËĄËąá”— á”ˆÊłá”’á”’ËĄâ±âżá”â€§ áŽŹá¶ á”—á”‰Êł ᔗʰᔉʞ ˥ᔉᔗ ᔗʰᔉᔐ ᔍᔒ ËąÊ°á”‰ ᔗᔒᔒᔏ áŽŸËĄá”ƒâżá”á”—á”’âż Ëąá”—Êłá”ƒâ±á”Ê°á”— á”—á”’ ᔗʰᔉ ᶜʰᔘᔐ ᔇᔘᶜᔏᔉᔗ á”—á”’ Ê°â±Ëą ᔇᔉᔈ ⁱⁿ á”—Ê°á”‰â±Êł Êłá”’á”’á”â€§ áŽŸËĄá”ƒâżá”á”—á”’âż ʷᔒᔏᔉ ᔃ˹ áŽ·á”ƒÊłá”‰âż ᔖᔘᔗ ʰⁱᔐ á”ˆá”’Ê·âżâ€§ "ᔂᔉ'Êłá”‰ ᔇᔃᶜᔏ áŽŸËĄá”ƒâżá”á”—á”’âż!" "áŽŸËĄáŽŹâżá”á”€á”’áŽș?" ᎎᔉ á”ƒËąá”Ëąâ€§ "ᔂʰᔃᔗ ᔐⁱᔍʰᔗ ʞᔒᔘ ËĄâ±á”á”‰ áŽŸËĄá”ƒâżá”á”—á”’âż?" "áŽŸËĄá”ƒâżá”á”—á”’âż Ê·â±á”á”‰Ëą áŽ·á”ƒÊłá”‰âż Ëąá”—á”ƒÊžâ€§" "ʞᔒᔘ'ᔈ ËĄâ±á”á”‰ á¶ á”’Êł ᔐᔉ á”—á”’ Ëąá”—á”ƒÊž ʷⁱᔗʰ‧‧‧" "áŽŸËĄá”ƒâżá”á”—á”’âż Ëąâ»á”ƒÊ· áŽ·Êłá”ƒá”‡Ëąâ€§ áŽ·Êłá”ƒá”‡Ëą ᔇⁱᔍ‧ áŽźâ±á” áŽ·Êłá”ƒá”‡Ëą Ëąá”á”ƒÊ·Ê· áŽŸËĄá”ƒâżá”á”—á”’âżâ€§ áŽŽá”˜Êłá”— áŽŸËĄá”ƒâżá”á”—á”’âżâ€§ áŽ·á”ƒÊłá”‰âż ᶜᔃᔐᔉ‧" ᎎᔉ Êłá”ƒá”á”‡ËĄá”‰á”ˆâ€§ "áŽ·á”ƒÊłá”‰âż ËĄá”’á”›á”‰á”ˆ áŽŸËĄá”ƒâżá”á”—á”’âż?" "Êžá”‰Ëą ᔒᶠ á¶œá”’á”˜ÊłËąá”‰ ᎔ ˥ᔒᔛᔉ ʞᔒᔘ áŽŸËĄá”ƒâżá”á”—á”’âż! áŽ·á”ƒÊłá”‰âż'Ëą ⁱⁿ ˥ᔒᔛᔉ ʷⁱᔗʰ áŽŸËĄá”ƒâżá”á”—á”’âżâ€§" "áŽŸËĄá”ƒâżá”á”—á”’âż á”—á”’ Ëąá”á”ƒÊ·Ê·?" "áŽșá”’á”— á”—á”’ Ëąá”á”ƒËĄËĄâ€§" áŽ·á”ƒÊłá”‰âż á”âżá”‰Ê· ʰᔉ'ᔈ ᔇᔉ á¶œá”’âżá¶ á”˜Ëąá”‰á”ˆ ᔃⁿᔈ á”ƒËĄËąá”’ Ëąá”˜Êłá”–Êłâ±Ëąá”‰á”ˆ Ê·Ê°á”‰âżá¶œá”‰ ʰᔉ'ᔈ ᔍᔉᔗ á”’á”›á”‰Êł ᔃ˥˥ ᔗʰᔉ á”á”‰á”ˆâ±á¶œá”ƒá”—â±á”’âż ᔗʰᔉʞ ᔍᔃᔛᔉ ʰⁱᔐ ᔗᔒᔈᔃʞ‧ ᔆʰᔉ ᔈⁱᔈⁿ'á”— á”âżá”’Ê· ʷʰᔃᔗ ʰᔉ'ᔈ ᔇᔉ á”ƒá”‡ËĄá”‰ á”—á”’ Êłá”‰á¶œá”ƒËĄËĄâ€§ "á”†á”‰á”‰â±âżá” áŽ·Êłá”ƒá”‡Ëą?" "ᔂʰᔃᔗ?" "áŽŸËĄá”ƒâżá”á”—á”’âż Ê·â±ËąÊ° áŽ·á”ƒÊłá”‰âż á”‡Ê·â±âżá”Ëą áŽ·Êłá”ƒá”‡Ëą á”—á”’ áŽŸËĄá”ƒâżá”á”—á”’âż ᶠᔒʷ á”—á”ƒËĄá”â€§" "ʞᔒᔘ ÊČá”˜Ëąá”— ˹ᔃⁱᔈ áŽ·Êłá”ƒá”‡Ëą Ê°á”˜Êłá”— áŽŸËĄá”ƒâżá”á”—á”’âż ᔇᔘᔗ âżá”’Ê· ʞᔒᔘ'ᔈ ËĄâ±á”á”‰â€§â€§â€§" "áŽ·á”ƒÊłá”‰âż á”–Ê·á”‰á”ƒËąá”‰âžŽ Ëąá”’ áŽŸËĄá”ƒâżá”á”—á”’âż á”—á”ƒËĄá” á”—á”’ áŽ·Êłá”ƒá”‡Ëąâ€§" áŽ·á”ƒÊłá”‰âż Ëąâ±á”Ê°Ëąâ€§ "᎔ á¶œá”ƒâż ᔍᔉᔗ ʰⁱᔐ ᔒⁿ ᔗʰᔉ á”–Ê°á”’âżá”‰â€§" ᎎᔉ ᔖⁱᶜᔏᔉᔈ ᔘᔖ‧ "áŽ·Êłá”˜Ëąá”—Êž áŽ·Êłá”ƒá”‡?" "Êžá”‰Ëą ᔐʞ Ê°á”˜Ëąá”‡á”ƒâżá”ˆ Ê·â±ËąÊ°á”‰Ëą á”—á”’ Ëąá”–á”‰á”ƒá”â€§â€§â€§" "áŽ·Êłá”ƒá”‡Ëą ᶜᔒᔐᔉ‧" "᎔'ᔛᔉ ˹ᔉᔉⁿ á”‰âżá”’á”˜á”Ê° ᔒᶠ áŽŸËĄá”ƒâżá”á”—á”’âż á¶ á”’Êłâ€§â€§â€§" "áŽŸËĄá”ƒâżá”á”—á”’âż Ëąá”’Ê·Ê·Êžâ€§ áŽ·Êłá”ƒá”‡Ëą Ê°á”‰á”ƒÊłá”‰á”—Ê° áŽŸËĄá”ƒâżá”á”—á”’âż ᔃⁿᔈ ᶜᔒᔐᔉᔗʰ á”’á”›á”‰Êłâ€§ áŽŸËĄá”ƒâżá”á”—á”’âż ʷⁱᔏᔉ áŽ·Êłá”ƒá”‡Ëą ʰᔘᔍ‧" "᎔ á”ˆá”’âż'á”— ᔇᔉ˥ⁱᔉᔛᔉ ʞᔒᔘ; âżâ±á¶œá”‰ á”—ÊłÊž!" "áŽ¶á”˜Ëąá”— á”—á”ƒËĄá” á”—á”’ ʰⁱᔐ‧‧‧" "áŽŸËĄá”ƒâżá”á”—á”’âż Ê·á”‰âżá”— Ëąá”˜Êłá”á”‰ÊłÊžâ€§ áŽ·Êłá”ƒá”‡Ëą ᔇⁱᔍ‧ áŽŸËĄá”ƒâżá”á”—á”’âż'Ëą Ëąá”á”ƒÊ·Ê·âžŽ ⁿᔒᔗ á”‡ËĄá”ƒá”â±âżá” áŽ·Êłá”ƒá”‡Ëą ᔇᔘᔗ áŽŸËĄá”ƒâżá”á”—á”’âż ᔃⁿᔈ áŽ·Êłá”ƒá”‡Ëą ᔇᔉᔗᔗᔃ ʰᔘᔍ?" áŽŸËĄá”ƒâżá”á”—á”’âż á¶œÊłâ±á”‰á”ˆâ€§ "áŽ·Êłá”ƒá”‡Ëą ᔇᔉ˹ᔗ á”‰á”›á”‰Êł! áŽŸËĄá”ƒâżá”á”—á”’âż Ê°á”˜Êłá”—â€§ áŽ·Êłá”ƒá”‡Ëą ᔇᔉ á¶ Êłá”‰âż'˹➎ ËąÊ°á”’Ê· áŽŸËĄá”ƒâżá”á”—á”’âż ʷᔘᔛ?" "áŽŹá”‡Ëąá”’ËĄá”˜á”—á”‰ËĄÊž ⁿᔒᔗ‧" áŽ·Êłá”ƒá”‡Ëą Ëąá”ƒÊžËąâžŽ á”’á¶ á¶ á”‰âżá”ˆâ±âżá” ʰⁱᔐ‧ áŽŸËĄá”ƒâżá”á”—á”’âż á”—á”ƒá”á”‰Ëą ᔗʰᔉ á”–Ê°á”’âżá”‰â€§ "áŽ·Êłá”ƒá”‡Ëą?" "ᔂʰᔃᔗ ⁱ˹ ⁱᔗ áŽŸËĄá”ƒâżá”á”—á”’âż?" áŽŸËĄá”ƒâżá”á”—á”’âż á”–á”ƒá”˜Ëąá”‰á”ˆ á”á”’á”á”‰âżá”—á”ƒÊłâ±ËĄÊž á”—á”’ á”—Ê°â±âżá” ᔒᶠ Ê°á”’Ê· á”—á”’ á”ƒÊłá”—â±á¶œá”˜ËĄá”ƒá”—á”‰â€§ "áŽ·Êłá”ƒá”‡Ëą ᔐⁱ˹˹ áŽŸËĄá”ƒâżá”á”—á”’âż á”—á”’?" "áŽșá”’ ᎔ ᔈⁱᔈⁿ'á”— ᔐⁱ˹˹➎ ᎔ ᔏⁱᶜᔏᔉᔈ ʞᔒᔘ ᔃⁿᔈ ʰⁱᔗ ʞᔒᔘ ᔒⁿ á¶ â±ÊłËąá”— á”—ÊłÊž!" "áŽŸËĄá”ƒâżá”á”—á”’âż ᔐⁱ˹˹‧‧‧" "ʞᔒᔘ á”—ÊłÊžâ±âżá” á”—á”’ ᔃᔈᔐⁱᔗ ᔈᔉᶠᔉᔃᔗ? ᎔ ᔃᶜᶜᔉᔖᔗ‧‧" "‧‧‧᎔ ᔐⁱ˹˹ ᔇᔉⁱⁿ⁻ ʰᔃᔛ⁻ ᔘ˹ ᔇᔉ á¶ Ê·á”‰âżËą!" á¶œÊłâ±á”‰Ëą áŽŸËĄá”ƒâżá”á”—á”’âżâžŽ Ê°á”ƒâżá”â±âżá” ᔘᔖ ᔗʰᔉ á”–Ê°á”’âżá”‰ ᔃ˹ Ê°â±Ëą ᔉʞᔉ á¶ ËĄá”˜á”—á”—á”‰ÊłËąâ€§ "áŽŸËĄá”ƒâżá”á”—á”’âż á¶ á”’Êłá”â±á”›á”‰á”—Ê° âżá”’Ê· á”‡áŽ±á¶œáŽŹá”˜á”†á”‰âžŽ ᔇᔉᶜᔃᔘ " "â€§â€§â€§áŽŸËĄá”ƒâżá”á”—á”’âż?" áŽ·á”ƒÊłá”‰âż á”ƒËąá”á”‰á”ˆâžŽ ᔃ˹ ʰᔉ á”—Êłá”ƒâ±ËĄá”‰á”ˆ ᔒᶠᶠ á”—á”’ Ëąâżá”’Êłâ±âżá” âżá”’Ê·â€§ ᔆʰᔉ á”ƒËąËąá”˜á”á”‰á”ˆ ʰᔉ'ᔈ ᔇᔉ á”á”’Êłá”‰ Êłá”‰Ëąá”‰Êłá”›á”‰á”ˆ á”ƒá¶ á”—á”‰Êł á”ƒâżá”ƒá”‰Ëąá”—Ê°á”‰á”—â±Ëąá”ƒá”—â±á”’âż ᔇᔘᔗ áŽ·á”ƒÊłá”‰âż á”âżá”‰Ê· ʰᔉ'ᔈ ᔇᔉ Ëąá”’Êłá”‰â€§ ᔆʰᔉ ᔗʰᔒᔘᔍʰᔗ ᔃᔇᔒᔘᔗ á”á”‰á”—á”—â±âżá” Êłá”‰á”–ËĄá”ƒá¶œá”‰ ᔗʰᔉ ᔍᔃᔘᶻᔉ ᔗʰᔉʞ ᔍᔃᔛᔉ ᔇᔘᔗ ᶠᔉ˥ᔗ ⁱᔗ á”˜âżâżá”‰á¶œá”‰ËąËąá”ƒÊłÊž á”—á”’ ʷᔃᔏᔉ ʰⁱᔐ ᔘᔖ á”—á”’âżâ±á”Ê°á”—â€§ á”‚Ê°á”‰âżá¶œá”‰ á”á”’Êłâżâ±âżá” ᶜᔃᔐᔉ➎ áŽ·á”ƒÊłá”‰âż á”ƒÊ·á”ƒá”á”‰Ëą á”‡á”‰á¶ á”’Êłá”‰ áŽŸËĄá”ƒâżá”á”—á”’âżâ€§ ᔆʰᔉ á¶œËĄá”‰á”ƒâżá”‰á”ˆ ᔘᔖ ˹ᔒᔐᔉ Ê°â±Ëą á”ˆÊłá”’á”’ËĄ ᔒᶠᶠ âżá”’Ê·â€§ áŽ±á”›á”‰âżá”—á”˜á”ƒËĄËĄÊž áŽŸËĄá”ƒâżá”á”—á”’âż á”’á”–á”‰âżá”‰á”ˆ Ê°â±Ëą ᔉʞᔉ‧ "áŽčá”’Êłâżâ±âżá”âžŽ á”†Ê°á”‰ËĄá”ˆá”’âż!" '᎔ ᔈᔒᔘᔇᔗ ʰᔉ Êłá”‰á”á”‰á”á”‡á”‰ÊłËą ᔗʰᔉ Êłá”˜á”–á”—á”˜Êłá”‰ ᔒᶠ ʷʰᔃᔗ á”‰á”›á”‰Êł ʷⁱᔗʰ Ê°â±Ëą Ê·â±Ëąá”ˆá”’á” ᔗᔉᔉᔗʰ' áŽ·á”ƒÊłá”‰âż ᔗʰᔒᔘᔍʰᔗ‧ 'ᔂʰᔃᔗ ⁱ˹ ʰᔃᔖᔖᔉ— ᔈᔒ ᎔ ʰᔃᔛᔉ ˹ᔒᔐᔉ á”—Ê°â±âżá” Ëąá”’á”á”Êž ⁱⁿ ᔐʞ ᔐᔒᔘᔗʰ? ᎔ ᔃᔐ á”˜âżËąá”˜Êłá”‰ ᔒᶠ ʷʰᔃᔗ ᎔ ËĄá”ƒËąá”— Êłá”‰á”á”‰á”á”‡á”‰Êł!' áŽŸËĄá”ƒâżá”á”—á”’âż Êłá”‰á”ƒá¶œÊ°á”‰á”ˆ á¶ á”’Êł ʷʰᔃᔗ'Ëą ⁱⁿ Ê°â±Ëą ᔐᔒᔘᔗʰ Ëąá”˜Êłá”–Êłâ±Ëąá”‰á”ˆ á”—á”’ ˹ᔉᔉ Êłá”‰á”ˆ ᔍᔃᔘᶻᔉ‧ áŽ·á”ƒÊłá”‰âż á”á”‰á”—Ëą ⁱᔗ á”—á”’ Êłâ±á”ˆ ᔒᶠ ⁱᔗ ᔃ˹ áŽŸËĄá”ƒâżá”á”—á”’âż ᶠᔉᔉ˥˹ á”ˆâ±Ëąá¶œá”’á”á¶ á”’Êłá”—â€§ ᔆʰᔉ á”—Ê°á”‰âż á”â±á”›á”‰Ëą Ê°á”‰Êł Ê°á”˜Ëąá”‡á”ƒâżá”ˆ ᔃ á¶œá”’á”á”–Êłá”‰ËąËą âżá”’Ê·â€§ áŽŒâżËĄÊž á¶ Êłá”ƒá”á”á”‰âżá”—Ëą ᔒᶠ Êžá”‰Ëąá”—á”‰Êłá”ˆá”ƒÊž ᶜᔃᔐᔉ á”—á”’ á”â±âżá”ˆâ€§ áŽ·Êłá”ƒá”‡Ëą ᔃᔇᔒᔘᔗ á”—á”’ Ê°á”˜Êłá”— ʰⁱᔐ‧ á”€Ê°á”‰âż áŽ·á”ƒÊłá”‰âżâžŽ ʷⁱᔗʰ á”á”‰á”ˆâ±á¶œËą? áŽ·á”ƒÊłá”‰âż á”—á”˜á¶œá”â±âżá” ʰⁱᔐ ⁱⁿ ËąÊ·á”‰á”‰á”—ËĄÊžâ€§ áŽșá”’á”—Ê°â±âżá” ᔉ˥˹ᔉ‧ ᎏᔗ‧ ᮬˡˡ‧ Ꮀⁱᔈ ʰᔉ á”ˆÊłá”‰á”ƒá” ⁱᔗ á”’Êł Ê·á”ƒËą ʰᔉ ˹ᔗⁱ˥˥ á”ƒËąËĄá”‰á”‰á”–? '᎔ ᔈᔒ ⁿᔒᔗ Êłá”‰á”á”‰á”á”‡á”‰Êł ËąËĄá”‰á”‰á”–â±âżá”â€§â€§' "áŽŸËĄá”ƒâżá”á”—á”’âż ᔒᔖᔉⁿ ᔘᔖ Êžá”’á”˜Êł ᔐᔒᔘᔗʰ Ëąá”’ ᎔ á¶œá”ƒâż ᔖᔘᔗ âżá”‰Ê· ᔍᔃᔘᶻᔉ ⁱⁿ➎ ʞᔒᔘ'Êłá”‰ ˹ᔗⁱ˥˥ á”‡ËĄá”‰á”‰á”ˆâ±âżá” Ëąá”’ ᔒᔖᔉⁿ ʷⁱᔈᔉ‧" "áŽźËĄá”‰á”‰á”ˆâ±âżá”â€œ" "áŽșá”’á”— á”—á”’ ᔇᔃᔈ‧" áŽŸËĄá”ƒâżá”á”—á”’âż á¶ ËĄâ±âżá¶œÊ°á”‰á”ˆ ᔃ˹ ËąÊ°á”‰ ᔈⁱᔈ ˹ᔒ‧ "Ꮀᔒⁿᔉ!" á”†á”ƒÊžËą áŽ·á”ƒÊłá”‰âżâžŽ á”ƒá¶ á”—á”‰Êł á”–á”˜á”—á”—â±âżá” ᔍᔃᔘᶻᔉ ⁱⁿ ᔃⁿᔈ á”—á”ƒá”â±âżá” Ê°á”‰Êł á¶ â±âżá”á”‰ÊłËą ᔒᔘᔗ‧ ᎏ á”—Êłá”ƒâ±ËĄ ᔒᶠ á”ˆÊłá”’á”’ËĄ á¶ á”’ËĄËĄá”’Ê·á”‰á”ˆâ€§ "á”âżÊ°â€§" ᎎᔉ ËĄá”‰á”ƒâżËą ᔇᔃᶜᔏ‧ "ᔂʰʞ͏‧‧‧" "Êžá”‰Ëąá”—á”‰Êłá”ˆá”ƒÊž áŽčÊłâ€§ áŽ·Êłá”ƒá”‡Ëą ᔇᔉᔃᔗ ʞᔒᔘ ᔃⁿᔈ á”ˆâ±ËąËĄá”’á”ˆá”á”‰á”ˆ Êžá”’á”˜Êł á”Êłá”’Ê·â±âżá” Ê·â±Ëąá”ˆá”’á” ᔗᔉᔉᔗʰ ʷʰⁱᶜʰ ʰᔃᔛᔉ ᔇᔉᔉⁿ Ëąá”˜Êłá”â±á¶œá”ƒËĄËĄÊž Êłá”‰á”á”’á”›á”‰á”ˆâ€§" "á”‚Ê°á”‰âż ᎔'ᔐ ᔇᔉᔗᔗᔃ➎ ᎔'ᔈ á”‡Êłá”‰á”ƒá” ˹ᔒᔐᔉ ᔒᶠ Ê°â±Ëą á”’Ê·âż ᔗᔉᔉᔗʰ!" 'áŽșá”’á”— ʷʰᔃᔗ ʞᔒᔘ ˹ᔃⁱᔈ ᔒⁿ ᔗʰᔉ á”–Ê°á”’âżá”‰ ʷⁱᔗʰ ʰⁱᔐ ᔇᔘᔗ ᎔ ᔃᔐ á”ËĄá”ƒá”ˆ á”—á”’ ˹ᔉᔉ ʞᔒᔘ ᔇᔃᶜᔏ á”—á”’ á”‡á”‰â±âżá” Êžá”’á”˜ÊłËąá”‰ËĄá¶  á”ƒá”á”ƒâ±âż' áŽ·á”ƒÊłá”‰âż ᔗʰᔒᔘᔍʰᔗ➎ á”âżá”’Ê·â±âżá” Ê°á”‰Êł Ê°á”˜Ëąá”‡á”ƒâżá”ˆâ€§ "á”†á”˜Êłá”‰â€§â€§" áŽ·á”ƒÊłá”‰âż á”âżá”‰Ê· ʰᔉ'ᔈ ᔇᔉ á”ƒá”–á”–á”ƒËĄËĄá”‰á”ˆ ᔃⁿᔈ á¶ á”˜Êłâ±á”’á”˜Ëą ⁱᶠ ʰᔉ á”’âżËĄÊž á”âżá”‰Ê·â€§ '᎟ᔉᔗ Êžá”ƒá”–á”–â±âżá” ᔍᔃᔛᔉ ʰⁱᔐ á”á”’Êłá”‰ Ëąá”’Êłá”‰âżá”‰ËąËąâ€§' "áŽ¶á”˜Ëąá”— Êłá”‰Ëąá”— áŽŸËĄá”ƒâżá”á”—á”’âżâ€§" "᎔ á”âżá”’Ê· ⁿᔒᔗ á”—á”’ ᔍᔒ Ëąá¶œÊ°á”‰á”á”‰ áŽ·á”ƒÊłá”‰âżâ€§ ᎏⁿᔈ á”‡á”‰Ëąâ±á”ˆá”‰ËąâžŽ áŽ·Êłá”ƒá”‡Ëą ᔗʰᔉ Ê·á”’ÊłËąá”— ᔃⁿᔈ á”á”˜Ëąá”— ⁿᔒᔗ ˹ᔉᔉ ᔐᔉ á”›á”˜ËĄâżá”‰Êłá”ƒá”‡ËĄá”‰! áŽșá”’á”— á”—á”’ ᔐᔉⁿᔗⁱᔒⁿ ⁱᶠ ʰᔉ á¶ á”’á”˜âżá”ˆ ᔒᔘᔗ ᔃᔇᔒᔘᔗ ᔐʞ Ëąá”˜Êłá”á”‰ÊłÊž!" á”†á”ƒÊžËą áŽŸËĄá”ƒâżá”á”—á”’âżâžŽ ⁿᔒᔗ á”âżá”’Ê·â±âżá” Ê·Ê°â±ËĄËąá”— áŽ·á”ƒÊłá”‰âż ˹ᔐⁱ˥ᔉ˹‧ "áŽ”á”á”ƒá”â±âżá”‰ ⁱᶠ ʰᔉ á”âżá”‰Ê· ᔃᔇᔒᔘᔗ ᔐʞ Ê°á”’Ëąá”–â±á”—á”ƒËĄâ±Ëąá”ƒá”—â±á”’âż ᎔'ᔈ âżá”‰á”›â€™Êł ˥ⁱᔛᔉ ⁱᔗ á”ˆá”’Ê·âż! ᎏⁿᔈ ᔐᔉ á”—á”ƒÊ·á”â±âżá” ʷᔉⁱʷᔈ‧" áŽ·á”ƒÊłá”‰âż âżá”’á”ˆá”ˆá”‰á”ˆ ᔃ˹ Ê°á”‰Êł Ê°á”˜Ëąá”‡á”ƒâżá”ˆ Ëąâ±á”Ê°Ëąâ€§ "᎔ᔗ Ê°á”˜Êłá”—Ëąâ€§" "ᔂᔉ˥˥ á”á”‰á”—á”—â±âżá” Êžá”’á”˜ÊłËąá”‰ËĄá¶  Ê·á”’Êłá”á”‰á”ˆ ᔘᔖ á”’á”›á”‰Êł áŽ·Êłá”ƒá”‡Ëą Ê·á”’âż'á”— Ê°á”‰ËĄá”–!" áŽ·á”ƒÊłá”‰âż á”—á”’ËĄá”ˆâ€§ "ʞᔒᔘʷ ʷⁱᔍʰᔗ ᔃⁿᔈ ʰᔉ'Ëą ⁿᔒᔗ Ê·á”’Êłá”—Ê° ⁱᔗ‧ á”Êłá”Ê° ᔐʞ á¶œÊ°á”‰á”‰á”Ëą ˹ᔉᔉᔐ ᔖᔘᶠᶠʞ‧‧" "ʞᔒᔘ'Êłá”‰ Ëąá”—á”ƒÊłá”—â±âżá” á”—á”’ á”‡Êłá”˜â±Ëąá”‰ á¶ á”’Êłá”â±âżá” ᔇᔘᔗ ⁱᔗ'Ëą ᔃ˥˥ âżá”’Êłá”á”ƒËĄâ€§ ᎔ᔗ'ËĄËĄ ᔍᔉᔗ á”‡á”‰á”—á”—á”‰Êł ᔇʞ ⁿᔉˣᔗ ʷᔉᔉᔏ‧" áŽ·á”ƒÊłá”‰âż ᔗᔉ˥˥˹ áŽŸËĄá”ƒâżá”á”—á”’âż á”‡á”‰á¶ á”’Êłá”‰ Ê°á”‰á”ƒÊłâ±âżá” ᔗʰᔉ á”ˆá”’á”’Êłâ€§ "ᔀᔉ˥˥ 'ᔉᔐ âżá”’á”—Ê°â±âżá” á”˜âżËĄá”‰ËąËą ⁱᔗ'Ëą á”—á”’ ᔍᔉᔗ ˥ᔒ˹ᔗ‧" áŽ·á”ƒÊłá”‰âż ˥ᔉᶠᔗ➎ âżá”’Ê· á”’á”–á”‰âżâ±âżá” á”—Ê°á”‰â±Êł á¶ Êłá”’âżá”— á”ˆá”’á”’Êł á”—á”’ ˹ᔉᔉ áŽ±á”˜á”á”‰âżá”‰ áŽ·Êłá”ƒá”‡Ëąâ€§ cont. pt. two
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Plankton! Krabs . ‱ PLANKTON! KÌ”ÌĄÌĄÌ›ÍÌ©Ì€Ì˜Í‰ÌœÌș͔͕ÌČ͇͙̩̟̟͑͑̋̈̍̏̊̀̐̏́̄͘͝R̶̈́͛̀̀̑́̕͠A̔͒̔͊̆̒͝BÌ·ÌšÌ€Í•Í”ÌźÌŒÌ»ÌźÌ—ÍŽÌœÌŠÍ›S̞̔́̔͘!
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ᎎᔃᔖᔖʞ áŽźâ±Êłá”—Ê°á”ˆá”ƒÊž á”—á”’ ᶜ᎟ᔁ âœá”†á”–á”’âżá”á”‰áŽźá”’á”‡ á¶ á”ƒâżá¶ â±á¶œâŸ @ALYJACI áŽŸËĄá”ƒâżá”á”—á”’âż'Ëą á¶œá”’á”á”–á”˜á”—á”‰Êł ʷⁱᶠᔉ áŽ·á”ƒÊłá”‰âż Ëąá”ƒÊ· Ê°á”‰Êł Ê°á”˜Ëąá”‡á”ƒâżá”ˆ ᔃ˹ Ê·á”‰ËĄËĄ ᔃ˹ ᔖᔉᔗ ᔆᔖᔒᔗ á”ƒÊ·á”ƒâ±á”—â±âżá” Ê°á”‰Êł á”ƒÊłÊłâ±á”›á”ƒËĄ ᔗʰᔉ á”â±á”—á¶œÊ°á”‰âżâ€§ ᔆᔖᔒᔗ ÊČᔘᔐᔖᔉᔈ➎ Ê°á”ƒá”–á”–â±ËĄÊž ᔃⁿᔈ á”‰ËŁá¶œâ±á”—á”‰á”ˆâ€§ "ᎎᔃᔖᔖʞ á”‡â±Êłá”—Ê°á”ˆá”ƒÊž áŽ·á”ƒÊłá”‰âż!" @ALYJACI
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ᔆᔖᔒᔗ'Ëą áŽŹá”›á”‰Êłá”ƒá”á”‰ Ꮀᔃʞ áŽčÊž âżá”ƒá”á”‰'Ëą ˹ᔖᔒᔗ➎ ᔃⁿᔈ ᎔'ᔐ ᔃⁿ ᔃᔐᔒᔉᔇᔃ ᔖᔘᔖᔖʞ ᔃᔗ ᔗʰᔉ ᶜʰᔘᔐ ᔇᔘᶜᔏᔉᔗ‧ áŽŸËĄá”ƒâżá”á”—á”’âż'Ëą ᔗʰᔉ á”’Ê·âżá”‰Êł ᔃⁿᔈ ᔐʞ ᔇᔉ˹ᔗ á¶ Êłâ±á”‰âżá”ˆâžŽ ʰᔉ'Ëą á”á”ƒÊłÊłâ±á”‰á”ˆ á”—á”’ áŽ·á”ƒÊłá”‰âżâ€§ ᔀʰᔉʞ ᔇᔒᔗʰ ˹ᔒᔐᔉᔗⁱᔐᔉ˹ á”‡â±á¶œá”á”‰Êł ᔇᔘᔗ ᔃᔗ ᔗʰᔉ á”‰âżá”ˆ ᔒᶠ ᔗʰᔉ ᔈᔃʞ ᔗʰᔉʞ'Êłá”‰ á”˜Ëąá”˜á”ƒËĄËĄÊž ᔒⁿ ᔍᔒᔒᔈ á”—á”‰Êłá”Ëąâ€§ áŽŸËĄá”ƒâżá”á”—á”’âż'Ëą ᔃⁿ â±âżá”›á”‰âżá”—á”’Êł ᔒᶠ Ëąá¶œâ±á”‰âżá¶œá”‰ ᔃⁿᔈ á”˜âżËąá”˜á¶œá¶œá”‰ËąËąá¶ á”˜ËĄ Êłá”‰Ëąá”—á”ƒá”˜Êłá”ƒâżá”— á”‡á”˜Ëąâ±âżá”‰ËąËąá”á”ƒâż ⁱⁿ ᶠᔒᔒᔈ â±âżá”ˆá”˜Ëąá”—ÊłÊžâ€§ ᎎᔉ'Ëą ⁿᔒᔗ ᔐᔘᶜʰ ᔒⁿ ËąÊ°á”’Ê·â±âżá” á”ƒá¶ á¶ á”‰á¶œá”—â±á”’âż á”—á”’ á”’á”—Ê°á”‰ÊłËą á¶ á”’Êł ⁿᔒᔗ á”‡á”‰â±âżá” ᔃ ᔖᔉᔒᔖ˥ᔉ á”–á”‰ÊłËąá”’âżâžŽ ᔇᔘᔗ ʰᔉ ˥ᔒᔛᔉ˹ á”’á”˜Êł á¶ á”ƒá”â±ËĄÊžâ€§ ᎏ˹ á”‰ËŁá”–á”‰á¶œá”—á”‰á”ˆâžŽ ᔗʰᔉ á”ƒá”›á”‰Êłá”ƒá”á”‰ ᔈᔃʞ Ëąá”—á”ƒÊłá”—Ëą ⁱⁿ ᔗʰᔉ á”á”’Êłâżâ±âżá”â€§ áŽŹËĄá”—Ê°á”’á”˜á”Ê° ⁿᔒᔗ âżá”‰á¶œá”‰ËąËąá”ƒÊłâ±ËĄÊž á¶œá”˜á”ˆá”ˆËĄÊž áŽŸËĄá”ƒâżá”á”—á”’âż á”ˆá”’á”‰Ëą Ëąâżá”˜á”á”ËĄá”‰ ʷⁱᔗʰ ᔐᔉ! ᔀʰᔉ ᔗⁱᔐᔉ ʷᔉ ᔍᔉᔗ ᔘᔖ á”›á”ƒÊłâ±á”‰ËąâžŽ ⁿᔒᔗ á”—á”’ ᔐᔉⁿᔗⁱᔒⁿ ᎔ ˹ᔒᔐᔉᔗⁱᔐᔉ˹ ˹˥ᔉᔉᔖ ⁱⁿ‧ ᎔ᶠ ᎔ Ê·á”ƒâżâżá”ƒ ᔍᔉᔗ ᔒᔘᔗ ᔒᶠ ᔇᔉᔈ á”‰á”ƒÊłËĄâ±á”‰Êł á”—Ê°á”ƒâż ᔗʰᔉ âżá”’Êłá”âžŽ ᎔'ËĄËĄ ËĄâ±á¶œá” á”â±ËąËąá”‰Ëą ʰⁱᔐ ⁱᶠ âżá”˜á”ˆá”â±âżá” á”ˆá”’á”‰Ëąâż'á”— Ê·á”’Êłá”â€§ ᎔ᔗ'Ëą Êłá”ƒÊłá”‰ ⁱᶠ ᎔ á”ˆá”’âż'á”— ˹˥ᔉᔉᔖ ᔒⁿ Ê°â±Ëą á”’Ê·âż ᔇᔉᔈ ʷⁱᔗʰ ᔇᔘᔗ ᔉᔛᔉⁿ á”—Ê°á”‰âż ᎔ á”˜Ëąá”˜á”ƒËĄËĄÊž ᔃᔐ ⁱⁿ ᔗʰᔉ Ëąá”ƒá”á”‰ Êłá”’á”’á”â€§ ᎔ ᔍᔉᔗ ᶠᔉᔈ á”‡Êłá”‰á”ƒá”á¶ á”ƒËąá”— á”‡á”‰á¶ á”’Êłá”‰ á”á”’â±âżá” ᔒᔘᔗ á”ˆá”’á”’ÊłËąâ€§ á”†â±âżá¶œá”‰ ʷᔉ á”ˆá”’âż'á”— ʰᔃᔛᔉ ᔐᔘᶜʰ á”‡á”˜Ëąâ±âżá”‰ËąËąâžŽ áŽŸËĄá”ƒâżá”á”—á”’âż á”˜Ëąá”˜á”ƒËĄËĄÊž Ëąá”–á”‰âżá”ˆËą ᔗʰᔉ ᔈᔃʞ Ê·á”’Êłá”â±âżá” ᔒⁿ á”‰ËŁá”–á”‰Êłâ±á”á”‰âżá”—ËąâžŽ ᔐᔒ˹ᔗ ᔒᶠ ʷʰⁱᶜʰ ⁱⁿᔛᔒ˥ᔛᔉ ᔗʰᔉ á”Êłá”˜Ëąá”—Êž á”Êłá”ƒá”‡â€§ áŽ·Êłá”ƒá”‡Ëą ⁱ˹ ᔗʰᔉ á”’Ê·âżá”‰Êł ᔒᶠ ᔗʰᔉ áŽ·Êłá”˜Ëąá”—Êž áŽ·Êłá”ƒá”‡ Êłá”‰Ëąá”—á”ƒá”˜Êłá”ƒâżá”—âžŽ ᔃⁿᔈ á”Êłá”‰á”ƒá”—á”‰Ëąá”— Êłâ±á”›á”ƒËĄ ᔒᶠ áŽŸËĄá”ƒâżá”á”—á”’âżâ€§ ᎔'ᔛᔉ âżá”‰á”›á”‰Êł á¶ á”’Êłá”á”ƒËĄËĄÊž ᔐᔉᔗ ʰⁱᔐ ᔇᔘᔗ ᎔ á”âżá”’Ê· ʰᔉ'Ëą ᔃⁿ á”‰âżá”‰á”Êžâ€§ ᎎⁱ˹ á”‰á”á”–ËĄá”’Êžá”‰á”‰Ëą á”ƒÊłá”‰ á”†á‘«á”˜â±á”ˆÊ·á”ƒÊłá”ˆ ᔃⁿᔈ á”†á”–á”’âżá”á”‰á”‡á”’á”‡â€§ ᔂᔉ á”ˆá”’âż'á”— â±âżá”—á”‰Êłá”ƒá¶œá”— ʷⁱᔗʰ Ëąá‘«á”˜â±á”ˆÊ·á”ƒÊłá”ˆ ᔐᔘᶜʰ➎ ᔇᔘᔗ áŽŸËĄá”ƒâżá”á”—á”’âż'Ëą ᔒⁿ Ëąá”’á”á”‰Ê·Ê°á”ƒá”— á”ˆá”‰á¶œá”‰âżá”— á”—á”‰Êłá”Ëą ʷⁱᔗʰ á”†á”–á”’âżá”á”‰ ᎟ᔒᔇ á”ˆá”‰Ëąá”–â±á”—á”‰ á”‡á”‰â±âżá” ᔃᔗ á”’á”ˆá”ˆËą ʷⁱᔗʰ ᔗʰᔉ á”’á”—Ê°á”‰Êł Êłá”‰Ëąá”—á”ƒá”˜Êłá”ƒâżá”—â€§ á”†á”–á”’âżá”á”‰áŽźá”’á”‡'Ëą ᔖᔉᔗ ˹ⁿᔃⁱ˥ áŽłá”ƒÊłÊž ᔉᔛᔉⁿ Ê°á”ƒâżá”Ëą ᔒᔘᔗ ʷⁱᔗʰ ᔐᔉ! áŽźá”˜á”— ᔐᔒ˹ᔗ Ê·á”‰á”‰á”á”ˆá”ƒÊžËą ⁱⁿᔛᔒ˥ᔛᔉ á”—ÊłÊžâ±âżá” á”—á”’ ʰᔃᔛᔉ ᔗʰᔉ Ëąá”‰á¶œÊłá”‰á”— á”—á”’ ᔗʰᔉ á”Êłá”ƒá”‡á”‡Êž ᔖᔃᔗᔗʞ! ᔀʰᔉ ˹ᔃⁱᔈ Ëąá”‰á¶œÊłá”‰á”—'Ëą ⁱⁿ ᔃ ᔇᔒᔗᔗ˥ᔉ ⁱⁿ á”—Ê°á”‰â±Êł á”›á”ƒá”˜ËĄá”—âžŽ ᔇᔘᔗ á”ƒËĄËąá”’ á”á”‰á”—á”—â±âżá” ᔗʰᔉ ᔖᔃᔗᔗʞ ⁱᔗ˹ᔉ˥ᶠ ⁱ˹ ᔍᔒᔒᔈ á”‰âżá”’á”˜á”Ê° Ê·Ê°á”‰âż Êžá”’á”˜Êł á”’Ê·âżá”‰Êł'Ëą ᔃ Ëąá¶œâ±á”‰âżá”—â±Ëąá”—! ᔆᔒᔐᔉ ᔒᶠ áŽŸËĄá”ƒâżá”á”—á”’âż'Ëą á”–ËĄá”ƒâżËą á”ƒÊłá”‰ ᔒⁿ ᔃ ʷʰⁱᔐ Ê·Ê°â±ËĄËąá”— á”’á”—Ê°á”‰ÊłËą á”ƒÊłá”‰ á”á”’Êłá”‰ á”ˆÊłá”ƒÊ·âż ᔒᔘᔗ á”—á”ƒá”â±âżá” á”á”’Êłá”‰ ᔗⁱᔐᔉ‧ áŽŹËĄá”—Ê°á”’á”˜á”Ê° ʰᔉ'Ëą ⁿᔒᔗ á”—á”’ ʰᔃᔛᔉ ᔃ ᔇⁱᔗᔉ ˹ᔒᔐᔉᔗⁱᔐᔉ˹ áŽ·Êłá”ƒá”‡Ëą á”—á”ƒá”˜âżá”—Ëą ʰⁱᔐ Ê·Ê°á”‰âż ʰᔉ ᶠᔃⁱ˥˹➎ ᔉᔛᔉⁿ ᔃᔗ ᔗⁱᔐᔉ˹ Êłá”‰Ëąá”’Êłá”—â±âżá” á”—á”’ á”á”ƒá”â±âżá” ᶠᔘⁿ á”’á”˜á”—Êłâ±á”Ê°á”— á¶œá”’âżËąâ±á”ˆá”‰Êłâ±âżá” á”‡á”˜ËĄËĄÊžâ±âżá” áŽŸËĄá”ƒâżá”á”—á”’âż ᔃᔇᔒᔘᔗ ⁱᔗ!áŽŹËĄá”—Ê°á”’á”˜á”Ê° á”˜Ëąá”˜á”ƒËĄËĄÊž á”ƒâżá”ÊłÊžâžŽ áŽŸËĄá”ƒâżá”á”—á”’âż ᔐⁱᔍʰᔗ ᶜᔒᔐᔉ ᔇᔃᶜᔏ ⁱⁿ á”—á”‰á”ƒÊłËą á”‡á”‰â±âżá” Ëąá”’ á”˜á”–Ëąá”‰á”—! ᎎᔉ'Ëą ⁿᔒᔗ á”˜Ëąá”˜á”ƒËĄËĄÊž ⁱⁿÊČá”˜Êłá”‰á”ˆ á”—á”’ ᔇᔃᔈ➎ ᔇᔘᔗ ⁱᔗ'Ëą Ê°á”ƒÊłá”ˆ Ëąá”‰á”‰â±âżá” ʰⁱᔐ á¶ ËĄÊž ⁱⁿ á”ƒá¶ á”—á”‰Êł á”‡á”‰â±âżá” á”—Ê°Êłá”’Ê·âż ᔇʞ áŽ·Êłá”ƒá”‡Ëąâ€§ ᎔ᶠ ᎔ á¶œá”ƒâżâżá”’á”— á¶œÊ°á”‰á”‰Êł ʰⁱᔐ ᔘᔖ ᎔'ËĄËĄ á”˜Ëąá”˜á”ƒËĄËĄÊž ÊČá”˜Ëąá”— ᔇᔉ á”—Ê°á”‰Êłá”‰ á¶ á”’Êł ʰⁱᔐ‧ ᎔'ËĄËĄ ʷᔃᔍ ᔐʞ á”—á”ƒâ±ËĄ Ëąá”ƒá”ˆËĄÊž ᔃᔗ ᔉᔃᶜʰ Êłá”‰á”—á”˜Êłâż á¶ Êłá”’á” á”—Ê°á”‰Êłá”‰â€§ ᎔ ˥ᔒᔛᔉ á”á”’â±âżá” á¶ á”’Êł Ê·á”ƒËĄá”â±á”‰Ëą ᔃⁿᔈ á”—á”’ ᔗʰᔉ á”–á”ƒÊłá”âžŽ Ê·Ê°á”‰Êłá”‰ ˹ᔒᔐᔉᔗⁱᔐᔉ˹ ʷᔉ ᔐᔉᔉᔗ áŽłá”ƒÊłÊž Ëąá”’ ᔃ˹ á”—á”’ ᔍᔉᔗ ᔗʰᔉ á”‰ËŁá”‰Êłá¶œâ±Ëąá”‰ á”—á”’á”á”‰á”—Ê°á”‰Êł! Ëąá”–á”’âżá”á”‰á”‡á”’á”‡'Ëą ⁿᔒᔗ ᔒⁿᔉ á”—á”’ Ê°á”ƒÊłá”‡á”’á”˜Êł á”ƒâżÊž Ê°á”ƒÊłá”ˆ á¶ á”‰á”‰ËĄâ±âżá”Ëą á”—á”’ ᔗʰᔉ á¶ á”‰ËĄËĄá”’Ê· á”–á”‰ÊłËąá”’âżâžŽ ᔇᔘᔗ ʰᔉ á”ˆá”’á”‰Ëą ᔃᶜᔗ ᔒᔘᔗ ᔒᶠ ËĄá”’Êžá”ƒËĄá”—Êž á”—á”’ ᔗʰᔉ á”Êłá”ƒá”‡â€§ Ꮁᔛᔉⁿ ˹ᔒ➎ ʰᔉ ᔃⁿᔈ áŽŸËĄá”ƒâżá”á”—á”’âż ᔇᔒᔗʰ ᔃᔗᔗᔉᔐᔖᔗ á”—á”’ ᶠⁱⁿᔈ á¶œá”’á”á”á”’âż á”Êłá”’á”˜âżá”ˆâ€§ á”‚Ê°á”‰âż ᎔ ᔍᔉᔗ ᔐʞ á”ˆâ±âżâżá”‰ÊłâžŽ áŽ·á”ƒÊłá”‰âż á”á”ƒá”á”‰Ëą Ê°á”‰ÊłËąá”‰ËĄá¶  ᔃⁿᔈ áŽŸËĄá”ƒâżá”á”—á”’âż Ëąá”’á”á”‰á”—Ê°â±âżá”â€§ ᎏ˹ ᔃ á¶œá”’á”á”–á”˜á”—á”‰ÊłâžŽ áŽ·á”ƒÊłá”‰âż á”ˆá”’á”‰Ëąâż'á”— âżá”‰á”‰á”ˆ ᶠᔒᔒᔈ á”–á”‰Êł ˹ᔉ‧ ᔆᔗⁱ˥˥➎ ËąÊ°á”‰ á”ˆá”’á”‰Ëą ʷʰⁱᔖ ᔘᔖ ˹ᔒᔐᔉ ᶜʰᔘᔐ á¶ á”’Êł áŽŸËĄá”ƒâżá”á”—á”’âż'Ëą á”á”‰á”ƒËĄËą! ᎔ ˹ᔒᔐᔉᔗⁱᔐᔉ˹ ᔉᔛᔉⁿ ᔍᔉᔗ ËĄá”‰á¶ á”—á”’á”›á”‰ÊłËą! áŽŒá”˜Êł á”‰á”›á”‰âżâ±âżá”Ëą á”ƒÊłá”‰ ᔍᔒᔒᔈ á¶ á”’Êł ˹ᔒᔐᔉ á”ˆá”’Ê·âżá”—â±á”á”‰âžŽ Ê·Ê°á”‰Êłá”‰ ᔃ˥˥ ᔒᶠ ᔘ˹ ᔈᔒ á”’á”˜Êł á”’Ê·âż á”—Ê°â±âżá”â€§ ᎔ á”—á”‰âżá”ˆ á”—á”’ ʷᔃᔗᶜʰ áŽŸËĄá”ƒâżá”á”—á”’âż Ê·á”’Êłá” ᔒⁿ Ëąá”’á”á”‰á”—Ê°â±âżá”âžŽ ᔃ˹ ʰᔉ ËĄâ±á”á”‰Ëą Ê°á”ƒá”›â±âżá” á”ƒËĄá”’âżá”‰ ᔗⁱᔐᔉ‧ áŽ·á”ƒÊłá”‰âż á”˜Ëąá”˜á”ƒËĄËĄÊž Êłá”˜âżËą Ëąá”—á”ƒá”—Ëą á”’Êł ˹ᔒᔐᔉ á¶œá”’á”á”–á”˜á”—á”‰Êł á”˜á”–á”ˆá”ƒá”—á”‰Ëąâ€§ ᎔ ᔐᔃʞ ᶠⁱⁿᔈ ᔃ ᶜʰᔉʷ á”—á”’Êž á”—á”’ á”–ËĄá”ƒÊž ʷⁱᔗʰ➎ ʷʰⁱᶜʰ ᎔ á”ƒËĄËąá”’ ᔈᔒ ⁱᶠ ᔗʰᔉʞ'ᔛᔉ ᔃ ᔈᔃᔗᔉ âżâ±á”Ê°á”—â€§ ᎏ ᶠᔘⁿ á”—Ê°â±âżá” ʷᔉ ᔈᔒ ⁱ˹ ᔐᔒᔛⁱᔉ âżâ±á”Ê°á”— Ê·Ê°á”‰âż áŽŸËĄá”ƒâżá”á”—á”’âż á”–â±á¶œá”Ëą ᔒᔘᔗ Ëąá”’á”á”‰á”—Ê°â±âżá” á”—á”’ ʷᔃᔗᶜʰ! ᎔'ËĄËĄ ᔇᔉ ᔇʞ ʰⁱᔐ ᔃⁿᔈ ˹ᔒᔐᔉᔗⁱᔐᔉ˹ ᔉᔛᔉⁿ ᶠᔃ˥˥ á”ƒËąËĄá”‰á”‰á”– ᔒⁿ Ê°â±Ëą ËĄá”ƒá”–! áŽŒâżá¶œá”‰ ᔗʰᔉ ᔈᔃʞ ⁱ˹ á”ˆá”’âżá”‰âžŽ ʷᔉ ᔍᔉᔗ Êłá”‰á”ƒá”ˆÊž á”—á”’ ᔇᔉᔈ‧ ᎏ˹ á”ƒá¶ á”’Êłá”‰á”á”‰âżá”—â±á”’âżá”‰á”ˆâžŽ ᎔ á”á”’Ëąá”—ËĄÊž ˹˥ᔉᔉᔖ ᔒⁿ ᔇʞ áŽŸËĄá”ƒâżá”á”—á”’âż'Ëą Ëąâ±á”ˆá”‰ ᔗʰᔉ ᔇᔉᔈ‧ áŽ·á”ƒÊłá”‰âż'Ëą ᔃ á¶œá”’á”á”–á”˜á”—á”‰ÊłâžŽ Ëąá”’ ËąÊ°á”‰ á¶œá”ƒâż á”‰á”ƒËąâ±ËĄÊž ÊČá”˜Ëąá”— ᔒⁿ Ê°á”‰Êł á”’Ê·âż ËĄâ±á”—á”‰Êłá”ƒËĄËĄÊž Êłá”‰á¶œÊ°á”ƒÊłá”á”‰ á”’Êł ᔖᔘᔗ ᔒⁿ ˹˥ᔉᔉᔖ ᔐᔒᔈᔉ á”’Êł Ê·Ê°á”ƒá”—á”‰á”›á”‰ÊłâžŽ Ëąá”’ ËąÊ°á”‰ Ê°á”ƒËą á”—á”’ á”—á”˜Êłâż ᔒⁿ ⁱⁿ á”’Êłá”ˆá”‰Êł á”—á”’ ᔇᔉ ᔃʷᔃᔏᔉ ᎔ á”á”˜á”‰ËąËąâ€§ á”€Ê°á”˜ËąâžŽ ËąÊ°á”‰ á”ˆá”’á”‰Ëąâż'á”— ʰᔃᔛᔉ á”ˆÊłá”‰á”ƒá”Ëą ᔃⁿᔈ/á”’Êł âżâ±á”Ê°á”—á”á”ƒÊłá”‰Ëąâ€§ ᎔ᔗ á”ˆâ±á¶ á¶ á”‰ÊłËą á”˜Ëąâ€§ ᔆᔒᔐᔉᔗⁱᔐᔉ˹ ᎔ â±á”á”ƒá”â±âżá”‰ Ëąá¶œá”‰âżá”ƒÊłâ±á”’Ëą á”’Êł Êłá”‰ËĄâ±á”›á”‰ ᔗʰᔉ ᔈᔃʞ'Ëą ᔉᔛᔉⁿᔗ˹ á”—á”’ ˹ᔉᔗ ᔗʰᔉ ᔗᔒⁿᔉ á¶ á”’Êł ᔐʞ á”ˆÊłá”‰á”ƒá”Ëą ᔒᶠ ᔗʰᔉ âżâ±á”Ê°á”—â€§ áŽ°Êłá”‰á”ƒá” á”’Êł ⁿᔒ➎ ᎔ á¶œá”ƒâż ˹˥ᔉᔉᔖ Ê·á”‰ËĄËĄ Êłá”‰Ëąá”—á”‰á”ˆ á”—Ê°Êłá”’á”˜á”Ê° ᔗʰᔉ âżâ±á”Ê°á”— ᔉᔃᶜʰ‧ ᔆᔒᔐᔉᔗⁱᔐᔉ˹ ᎔'ËĄËĄ á”ƒÊ·á”ƒá”á”‰âż á”—á”’ áŽŸËĄá”ƒâżá”á”—á”’âż Ê°á”ƒá”›â±âżá” ᔃ ᔇᔃᔈ á”ˆÊłá”‰á”ƒá”âžŽ Ëąá”’ ᎔'ËĄËĄ âżá”˜á¶»á¶»ËĄá”‰ á”’Êł Êłá”˜á”‡ á”ƒá”á”ƒâ±âżËąá”— ⁱⁿ Ê°á”’á”–â±âżá” á”—á”’ Ëąá”—á”’á”– ᔗʰᔉ âżâ±á”Ê°á”—á”á”ƒÊłá”‰âžŽ ⁱᶠ ⁿᔒᔗ Êłá”‰á”ƒËąËąá”˜Êłá”‰ ʰⁱᔐ‧ ᎔ á”âżá”’Ê· ʰᔉ'Ëą á”ƒá¶ Êłá”ƒâ±á”ˆ ᔒᶠ Ê·Ê°á”ƒËĄá”‰Ëą ËĄâ±á”á”‰ áŽ·Êłá”ƒá”‡Ëą á”ˆá”ƒá”˜á”Ê°á”—á”‰ÊłâžŽ ᔃⁿᔈ ˹ᔒᔐᔉᔗⁱᔐᔉ˹ áŽ·Êłá”ƒá”‡Ëą á”—á”ƒá”˜âżá”—Ëą á¶œá”ƒâż ᔍᔉᔗ á”—á”’ ʰⁱᔐ Ëąá”’ á”–á”‰ÊłÊ°á”ƒá”–Ëą ᔗʰᔉʞ Ê·á”’Êłá” á”—Ê°á”‰â±Êł ʷᔃʞ'Ëą ⁱⁿ⁻ᔗᔒ á”ˆÊłá”‰á”ƒá”Ëąâ€§ ᎔ Ê·á”’ÊłÊłÊž ᔃᔇᔒᔘᔗ Ê°á”’Ê· ˹ᔒᔐᔉᔗⁱᔐᔉ˹ ᎔ ˹˥ᔉᔉᔖ á”—Ê°Êłá”’á”˜á”Ê° ᔃ ᔇᔃᔈ âżâ±á”Ê°á”—á”á”ƒÊłá”‰âžŽ ᔇᔘᔗ ᎔ á”˜Ëąá”˜á”ƒËĄËĄÊž ᔃʷᔃᔏᔉ á”—á”’ á”ƒâżÊž á¶œËĄá”ƒá”á”’á”˜ÊłËą á”’Êł á”—á”’ËąËąâ±âżá” ᔃⁿᔈ á”—á”˜Êłâżâ±âżá”â€§ ᎏ˥˥ ⁱⁿ ᔃ˥˥ ᎔ ˥ᔒᔛᔉ ˥ⁱᶠᔉ ᔃⁿᔈ ᔗʰᔉ ᔖᔉᔒᔖ˥ᔉ ⁱⁿ ⁱᔗ! ᎔'ᔐ ʰᔃᔖᔖʞ ᔃⁿᔈ Ê·á”’á”˜ËĄá”ˆâż'á”— á”—Êłá”ƒá”ˆá”‰ ⁱᔗ á¶ á”’Êł ᔗʰᔉ Ê·á”’ÊłËĄá”ˆâ€§
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á”‚á”ƒËĄá”â±âżá” ᔗʰᔉ áŽŸÊłá”ƒâżá” âœá”†á”–á”’âżá”á”‰áŽźá”’á”‡ á¶ á”ƒâżá¶ â±á¶œâŸ "áŽŸá”‰á”ƒÊłËĄ Ê°á”ƒËąâż'á”— Ê°á”‰ËĄá”–á”‰á”ˆ ᔘ˹ ʷⁱᔗʰ á”–Êłá”ƒâżá”â±âżá” ᔗʰᔉ á”‡á”’ÊžËą á”‡á”‰á¶ á”’Êłá”‰!" ᔀʰᔉ Ꮃᔃ˥ áŽŸá”ƒËĄËą Ê·á”‰Êłá”‰ Ê°á”ƒá”›â±âżá” á”ƒâżá”’á”—Ê°á”‰Êł á”â±ÊłËĄËą âżâ±á”Ê°á”—â€§ "᎔'ᔈ ˥ᔒᔛᔉ á”—á”’ ʰᔃᔛᔉ ᔃ á”–á”ƒÊłá”— ⁱⁿ á”–Êłá”ƒâżá”â±âżá”!" ᔆᔃⁱᔈ áŽŸá”‰á”ƒÊłËĄâ€§ "ᎎᔒʷ ᔃᔇᔒᔘᔗ áŽčÊłâ€§ áŽ·Êłá”ƒá”‡Ëą?" ᔀʰᔉʞ Ê·á”‰âżá”— á”—á”’ ᔗʰᔉ á”ƒâżá¶œÊ°á”’Êł ËąÊ°á”ƒá”–á”‰á”ˆ ʰᔒᔐᔉ‧ "áŽč˱‧ ᎟ᔘᶠᶠ‧‧‧" ᔆʰᔉ Ê·á”‰âżá”— á”—á”’ ᔗʰᔉ á”ˆá”’á”’Êłâ€§ "ᎌʰ ʰᔉʞ áŽč˱‧ ᎟ᔘᶠᶠ!" "áŽ±á”˜á”á”‰âżá”‰âžŽ ʞᔒᔘ á¶ á”’Êłá”á”’á”—!" "ᎎᔘʰ?" "áŽŹá”‡á”’á”˜á”— á”’á”˜Êł ᔈᔃᔗᔉ á”—á”’âżâ±á”Ê°á”—â€§â€§â€§" "᎔ á”ˆá”’âż'ᔗ‧‧‧" "ʞᔒᔘ ᔈⁱᔈ á”—á”’ áŽ±á”˜á”á”‰âżá”‰! ᎔'ᔐ á”á”’â±âżá” ʰᔒᔐᔉ‧‧‧" áŽčÊłâ€§ áŽ·Êłá”ƒá”‡Ëą á¶ á”’ËĄËĄá”’Ê·á”‰á”ˆ Ê°á”‰Êł ᔒᔘᔗ á”—á”’ ˹ᔉᔉ ᔗʰᔉ Êłá”‰Ëąá”— ᔒᶠ ᔗʰᔉ á”á”ƒËĄ á”–á”ƒËĄËąâ€§ "ʞᔒᔘ'ᔛᔉ ᔇᔉᔉⁿ á”–Êłá”ƒâżá”á”‰á”ˆ!" ᔀʰᔉʞ ËĄá”ƒá”˜á”Ê°á”‰á”ˆâ€§ "ᎌʰ!" "᎔'ËĄËĄ á¶œá”ƒËĄËĄ áŽźÊłá”ƒâż á¶ ËĄá”’á”˜âżá”ˆá”‰ÊłËą á¶ Êłá”’á” ᔐᔃᔗʰ á¶œËĄá”ƒËąËąâ€§â€§â€§" áŽŸá”‰á”ƒÊłËĄ ᔍᔒᔗ ᔒᔘᔗ Ê°á”‰Êł á”–Ê°á”’âżá”‰ á”—á”’ ᔈⁱᔃ˥ Ê°â±Ëą âżá”˜á”á”‡á”‰Êłâ€§ "Ꮀⁱᔈ ʞᔒᔘ á¶ â±âżâ±ËąÊ° á”’á”˜Êł Ê°á”’á”á”‰Ê·á”’Êłá”?" "᎔ ᔈⁱᔈⁿ'á”— á”âżá”’Ê· ʷᔉ ʰᔃᔈ á”ƒâżÊžâ€§â€§â€§" "᎔'ᔐ ÊČá”˜Ëąá”— á”–Êłá”ƒâżá”â±âżá” ʞᔒᔘ!" áŽŸá”‰á”ƒÊłËĄ ˹ᔃⁱᔈ Ê°á”ƒâżá”â±âżá” ᔘᔖ‧ "᎔ Ê·á”ƒâżâżá”ƒ ᔍᔒ ʷⁱᔗʰ ᔃ á”á”’Êłá”‰ á”‡â±á”á”á”‰Êł á”–Êłá”ƒâżá”â€§â€§â€§" "á¶œá”ƒâż ʷᔉ ËĄá”‰âżá”á”—Ê°á”‰âż ᔗʰᔉ ⁿᔉˣᔗ á”–Êłá”ƒâżá” ᔒⁿ áŽŸËĄá”ƒâżá”á”—á”’âż?" ᔆᔒ ᔗʰᔉʞ Ëąâżá”‰á”ƒá” á”—á”’ ᔗʰᔉ ᶜʰᔘᔐ ᔇᔘᶜᔏᔉᔗ‧ "á”†Ê°á”’á”˜ËĄá”ˆ ʷᔉ á”–ËĄá”ƒâż â±âżËąá”—á”‰á”ƒá”ˆ ᔒᶠ Ê·â±âżá”â±âżá” ⁱᔗ? ᎔ á”á”‰á”ƒâż ᔐʞ Ê°á”˜Ëąá”‡á”ƒâżá”ˆâ€§â€§â€§" "᎔ á”—Ê°â±âżá” ʷᔉ'ᔈ á”—Êłâ±á¶œá” ʰⁱᔐ á”—Ê°â±âżá”â±âżá” ᎔'ᔐ ᔃ á¶œá”˜Ëąá”—á”’á”á”‰Êł!" áŽŸá”‰á”ƒÊłËĄ â±âżá”—á”‰ÊłÊłá”˜á”–á”—Ëą áŽ·á”ƒÊłá”‰âżâ€§ "áŽŸËĄá”ƒâżá”á”—á”’âż á¶œá”ƒâż ᔇᔉ ᔐᔃᔈ ᔃⁿᔈ ʰᔉ'Ëą ⁿᔒᔗ Ëąá”’ á”—Êłá”˜Ëąá”—â±âżá”âžŽ Ëąá”’ ⁱᔗ âżá”‰á”‰á”ˆËą á”—á”’ ᔇᔉ‧‧‧" "áŽ·á”ƒÊłá”‰âż á”ˆá”’á”‰Ëą ʰᔉ á”âżá”’Ê· ʞᔒᔘ'Êłá”‰ Ê°á”ƒá”›â±âżá” ᔃ á”â±ÊłËĄËą âżâ±á”Ê°á”—?" á”†á”ƒâżá”ˆÊž á”ƒËąá”á”‰á”ˆ á¶œá”˜á”—á”—â±âżá” ᔒᶠᶠ áŽ·á”ƒÊłá”‰âżâ€§ "᎔ á”—á”’ËĄá”ˆ ʰⁱᔐ ᎔'ᔈ ᔇᔉ á”á”’âżá”‰ ᔒᔘᔗ á”—á”’âżâ±á”Ê°á”—âžŽ ˹ᔒ‧‧‧" "᎔ ᔇᔉᔗ ʰᔉ'ᔈ ˹ᔉᔉ ⁱᔗ á¶œá”’á”â±âżá” ⁱᶠ ʰᔉ Ëąá”ƒÊ· ʞᔒᔘ‧‧‧" "᎔ á”ˆá”’âż'á”— á”âżá”’Ê· ʰⁱᔐ Êłá”‰á”ƒËĄ Ê·á”‰ËĄËĄâžŽ á”‰ËŁá¶œá”‰á”–á”— ʰᔉ'Ëą á”ƒá¶ Êłá”ƒâ±á”ˆ ᔒᶠ ᔐᔉ‧‧‧" "áŽŸËĄá”ƒâżá”á”—á”’âż á”ˆá”’á”‰Ëą Ëąá¶œâ±á”‰âżá¶œá”‰ á”‰ËŁá”–á”‰Êłâ±á”á”‰âżá”—Ëą ᔃⁿᔈ Ê·á”ƒâżá”—Ëą á”—á”’ á”á”ƒâ±âż á”‡á”˜Ëąâ±âżá”‰ËąËą á¶ Êłá”’á” ᔗʰᔉ ᔖᔃᔗᔗʞ â±âżá”Êłá”‰á”ˆâ±á”‰âżá”—Ëąâ€§" "ᎎᔉ ᔐⁱᔍʰᔗ Êłá”‰á¶œá”’á”âżâ±Ëąá”‰ á”ƒâżÊž ᔒᶠ á”˜Ëąâ€§â€§â€§" "á”†Ê°á”’á”˜ËĄá”ˆâż'á”— ʷᔉ ˹ᔉᔉ ʷʰᔃᔗ ʰᔉ'Ëą ᔉᔛᔉⁿ á”ˆá”’â±âżá”?" áŽč˱‧ ᎟ᔘᶠᶠ á”ƒËąá”á”‰á”ˆâ€§ "᎔'ËĄËĄ ᔍᔒ ᶜʰᔉᶜᔏ‧‧‧" áŽ·á”ƒÊłá”‰âż á”—á”’ËĄá”ˆ ᔗʰᔉᔐ‧ "áŽŒâżá¶œá”‰ ʷᔉ á”âżá”’Ê· Ê·Ê°á”‰Êłá”‰ ʰᔉ ⁱ˹➎ ʷᔉ á¶œá”ƒâżâ€§â€§â€§" "á”†ËĄá”‰á”‰á”–â±âżá” ⁱⁿ ᔇᔉᔈ‧" áŽ·á”ƒÊłá”‰âż á¶œá”’á”á”‰Ëą ᔇᔃᶜᔏ‧ "᎔ ᔖᔉᔉᔏᔉᔈ ᔃⁿᔈ ᔐʞ Ëąá”‰âżËąá”’ÊłËą â±âżá”ˆâ±á¶œá”ƒá”—á”‰á”ˆ ʰᔉ'Ëą ᔘᔖ⁻ á”†á”—á”ƒâ±ÊłËą ⁱⁿ ᔗʰᔉ á”‡á”‰á”ˆÊłá”’á”’á”â€§â€§â€§" "ᔆᔒ ˥ᔉᔗ'Ëą ˹ᔉᔉ➎ ʷʰᔃᔗ'Ëą Ëąá”’á”á”‰á”—Ê°â±âżá” ʷᔉ á¶œá”ƒâż ᔈᔒ?" "ᔂᔉ á¶œá”ƒâż á¶œÊ°á”ƒâżá”á”‰ ᔃ˥˥ ᔗʰᔉ á¶œËĄá”’á¶œá”Ëą ᔃⁿᔈ ᔉᔛᔉⁿ á¶œá”ƒËĄá”‰âżá”ˆá”ƒÊłËąâ€§â€§â€§" "᎔ ËĄâ±á”á”‰ ⁱᔗ ᔇᔘᔗ á”—Ê°á”‰Êłá”‰'Ëą ᔃ á¶œËĄá”’á¶œá” ᔇʞ ᔗʰᔉ ᔇᔉᔈ‧‧‧" "áŽ·á”ƒÊłá”‰âż ᎔ á¶œá”ƒâż Ëąâżá”‰á”ƒá” ⁱⁿ!" á”†á”ƒâżá”ˆÊž Ëąá”ƒâ±á”ˆâ€§ "ᔂᔉ âżá”‰á”‰á”ˆ á”—á”’ á”ƒá”Êłá”‰á”‰ ᔒⁿ ᔃ ᔗⁱᔐᔉ‧‧‧" "᎔'ᔈ Ëąá”ƒÊž ⁿᔒᔒⁿ!" "áŽșᔒᔒⁿ ⁱᔗ ⁱ˹ á”—Ê°á”‰âż!" "ᔂᔉ'ËĄËĄ á¶œÊ°á”ƒâżá”á”‰ ᔗʰᔉ á¶œá”ƒËĄá”‰âżá”ˆá”ƒÊłËą á”—á”’ á¶œÊ°Êłâ±Ëąá”—á”á”ƒËą ᔈᔃʞ!" áŽŸá”‰á”ƒÊłËĄ ËĄá”ƒá”˜á”Ê°á”‰á”ˆâ€§ "᎔ ËĄâ±á”á”‰ ⁱᔗ! ʞᔒᔘ á¶œá”ƒâż ᔈᔒ ᔗʰᔉ á¶œËĄá”’á¶œá”Ëą á”ˆá”’Ê·âżËąá”—á”ƒâ±ÊłËąâžŽ áŽč˱‧ ᎟ᔘᶠᶠ; ᎔'ËĄËĄ ᔈᔒ ᔃ˥˥ ᔗʰᔉ á”ƒá”–á”–ËĄâ±á”ƒâżá¶œá”‰Ëąâ€§â€§â€§" áŽ·á”ƒÊłá”‰âż Ëąá”ƒÊžËąâ€§ ᔀʰᔉʞ ᔖᔘᔗ á”—Ê°á”‰â±Êł Ê°á”ƒâżá”ˆËą ⁱⁿ ᔗʰᔉ á”â±á”ˆá”ˆËĄá”‰ ᔃⁿᔈ ËĄâ±á¶ á”—á”‰á”ˆ ᔗʰᔉᔐ ᔘᔖ➎ á”—Ê°á”‰âż á”á”’â±âżá” á”—á”’ ᔈᔒ á”—Ê°á”‰â±Êł á”ˆá”‰Ëąâ±á”âżá”ƒá”—á”‰á”ˆ á”—á”ƒËąá”Ëąâ€§ ᔆᔒ Ëąá”ƒâżá”ˆÊž Ê·á”‰âżá”— ⁱⁿ ᔗʰᔉ á”‡á”‰á”ˆÊłá”’á”’á”âžŽ á¶œá”ƒÊłá”‰á¶ á”˜ËĄ ⁿᔒᔗ á”—á”’ ᔐᔃᔏᔉ ⁿᔒⁱ˹ᔉ‧ á”†ËĄá”’Ê·ËĄÊž á”–á”˜ËąÊ°â±âżá” ᔒᔖᔉⁿ ᔗʰᔉ á”ˆá”’á”’Êł á”—á”’ ᔗʰᔉ Êłá”’á”’á”âžŽ ËąÊ°á”‰ Ëąá”—á”’á”’á”ˆ ᔒⁿ Ê°á”‰Êł ᔗᔒᔉ˹ Ëąá”’ ᔃ˹ á”—á”’ ⁿᔒᔗ á”ˆâ±Ëąá”—á”˜Êłá”‡ áŽŸËĄá”ƒâżá”á”—á”’âżâ€§ á”†á”ƒâżá”ˆÊž á¶œÊłá”ƒÊ·ËĄá”‰á”ˆ á”—á”’ ᔗʰᔉ á¶œËĄá”’á¶œá” ᔃⁿᔈ á¶œÊ°á”ƒâżá”á”‰á”ˆ ⁱᔗ ᔃ˹ ʰᔉ Ëąâżá”’Êłá”‰âžŽ Ëąá”—â±á¶ ËĄâ±âżá” ᔗʰᔉ á”˜Êłá”á”‰ á”—á”’ á”â±á”á”ËĄá”‰â€§ áŽŹá¶ á”—á”‰Êł á¶ â±ËŁâ±âżá” ᔗʰᔉ á¶œËĄá”’á¶œá” ᔃⁿᔈ ˹ᔉᔉ˹ ᔗʰᔉ Ê·â±âżá”ˆá”’Ê·'Ëą á¶œËĄá”’Ëąá”‰á”ˆâžŽ ËąÊ°á”‰ Ê·á”‰âżá”— ᔇᔃᶜᔏ á”—á”’ ᔐᔉᔉᔗ ᔇᔃᶜᔏ á”ˆá”’Ê·âżâ» Ëąá”—á”ƒâ±ÊłËąâ€§ "᎔ ᔍᔒᔗ ᔃ á¶œÊ°Êłâ±Ëąá”—á”á”ƒËą á”—Êłá”‰á”‰ ᔒᔘᔗ ᔒᶠ á”’á”˜Êł á”á”ƒÊłá”ƒá”á”‰!" áŽ·á”ƒÊłá”‰âż Ëąá”ƒâ±á”ˆâ€§ "᎞ᔉᔗ'Ëą ᔍᔉᔗ ˹ᔒᔐᔉ ᔒᶠ Ê°â±Ëą ⁱⁿᔛᔉⁿᔗⁱᔒⁿ˹ ᔃⁿᔈ Ê·Êłá”ƒá”– ᔗʰᔉᔐ!" "ᎎᔒʷ á”ƒÊłá”‰ ʷᔉ á”—á”’ ᔍᔉᔗ ʰⁱᔐ Ê°á”‰Êłá”‰?" "áŽŸá”‰ÊłÊ°á”ƒá”–Ëą ʷᔉ Ëąâ±âżá” Ê°á”’ËĄâ±á”ˆá”ƒÊž'Ëą á”á”˜Ëąâ±á¶œ Ëąá”’âżá”Ëą ËĄá”’á”˜á”ˆ á”‰âżá”’á”˜á”Ê°â€§â€§â€§" "᎔ ÊČá”˜Ëąá”— á”—á”‰ËŁá”—á”‰á”ˆ ᔐʞ ᔈᔃᔈ á”—á”’ ᔍᔉᔗ ʰⁱᔐ ⁱⁿ ᔒⁿ ᔗʰᔉ á”–Êłá”ƒâżá”! ᎔ ᔐᔃʞ ʰᔃᔛᔉ á”ƒËĄËąá”’ á”—á”‰ËŁá”—á”‰á”ˆ áŽźÊłá”ƒâż á¶ ËĄá”’á”˜âżá”ˆá”‰ÊłËąâ€§â€§â€§" áŽŸá”‰á”ƒÊłËĄ á¶œÊ°á”˜á¶œá”ËĄá”‰á”ˆâžŽ á”—á”˜Êłâżâ±âżá” ᔒⁿ ËĄâ±á”Ê°á”—Ëąâ€§ "á”†á”ƒâżá”—á”ƒ á”†á”ƒâżá”—á”ƒ'Ëą Ê°á”ƒËą ᔍᔒᔗ Ê°â±Ëą ÊČá”’ËĄËĄÊž ˥ⁱᔗᔗ˥ᔉ á”‰Êžá”‰Ëą ᔒⁿ ᔐᔉ‧‧‧" áŽŸËĄá”ƒâżá”á”—á”’âż Ëąá”ƒá”— ᔘᔖ á”ƒá¶ á”—á”‰Êł á”ƒÊ·á”ƒá”á”‰âżâ±âżá”â€§ "ᔂʰᔃᔗ ⁱ˹ á”á”’â±âżá” ᔒⁿ‧‧‧" á¶œÊ°á”‰á¶œá”â±âżá” ᔗʰᔉ ᔈᔃᔗᔉ➎ ʰᔉ Ê·á”ƒËą á”—á”ƒá”á”‰âż ᔃᔇᔃᶜᔏ‧ áŽŸËĄá”ƒâżá”á”—á”’âż Ê·á”‰âżá”— á”ˆá”’Ê·âż ᔃⁿᔈ Ëąá”ƒÊ· ᔖᔉᔒᔖ˥ᔉ ⁱⁿ Ê°á”ƒá”—Ëą ᔃⁿᔈ ËąÊ·á”‰á”ƒá”—á”‰ÊłËąâ€§ "ʞᔒᔘ'Êłá”‰ ᔘᔖ; âżá”’Ê·âžŽ ʷᔉ á¶œá”ƒâż ᔒᔖᔉⁿ á”’á”˜Êł á”â±á¶ á”—Ëą!" áŽ·á”ƒÊłá”‰âż Ê°á”ƒâżá”ˆá”‰á”ˆ ᔒᔘᔗ ᔗʰᔉ á”–Êłá”‰Ëąá”‰âżá”—Ëąâ€§ "áŽŸËĄá”ƒâżá”á”—á”’âżâžŽ ʞᔒᔘ á”’âżËĄÊž ᔍᔃᔛᔉ Ëąá”’á”á”‰á”—Ê°â±âżá” á”—á”’ áŽ·á”ƒÊłá”‰âż? á”‚Ê°á”‰Êłá”‰'Ëą á”’á”˜Êłâ€§â€§â€§" "á”†Ê°á”‰ËĄá”ˆá”’âżâžŽ ⁱᔗ'Ëą ᔗʰᔉ ᔇᔉ˹ᔗ á”—Ê°â±âżá” ʞᔒᔘ'ᔛᔉ á”‰á”›á”‰Êł á”á”’á”—á”—á”‰âż ᔐᔉ!" áŽ·á”ƒÊłá”‰âż ᶜᔘᔗ ⁱⁿ➎ á”˜âżÊ·Êłá”ƒá”–á”–â±âżá” Ê°á”‰ÊłËą ËĄá”ƒá”‡á”‰ËĄËą 'á”—á”’ á”á”ƒÊłá”‰âż á¶ Êłá”’á” á”–ËĄá”ƒâżá”á”—á”’âż' Ê°á”ƒá”–á”–â±ËĄÊžâ€§ "᎔‧‧‧" "áŽŸá”‰á”ƒÊłËĄâžŽ Ê°á”’Ê·'ᔈ ʞᔒᔘ á”âżá”’Ê· ᎔ âżá”‰á”‰á”ˆá”‰á”ˆ ᔃ âżá”‰Ê· ᔛᔃᶜᔘᔘᔐ?" "ᎌʰ➎ áŽźÊłá”ƒâż; ʞᔒᔘ'Êłá”‰ Ê°á”’á”˜Ëąá”‰'Ëą ᔃ ᔐᔉ˹˹!" "᎔ âżá”‰á”‰á”ˆá”‰á”ˆ ᔃ á”á”–Ëą ËąÊžËąá”—á”‰á”!" "ʞᔒᔘ'Êłá”‰ Ê·á”‰ËĄá¶œá”’á”á”‰ áŽč˱‧ ᎟ᔘᶠᶠ!" áŽŸËĄá”ƒâżá”á”—á”’âż á”—Ê°á”‰âż á¶ Êłá”ƒâżá”—â±á¶œá”ƒËĄËĄÊž ᶜʰᔉᶜᔏᔉᔈ ᔃ˥˥ ᔗʰᔉ á”ƒá”–á”–ËĄâ±á”ƒâżá¶œá”‰Ëą á”—á”’ ˹ᔉᔉ ᔗʰᔉ ᔈᔃʞ ˹ᔉᔗ ᔃ˹ á¶œÊ°Êłâ±Ëąá”—á”á”ƒËąâ€§ "᎔ᔗ á¶œá”ƒâż'á”— ᔇᔉ á¶œÊ°Êłâ±Ëąá”—á”á”ƒËą; ᎔ âżá”‰á”›á”‰Êł Ê·Êłá”ƒá”–á”–á”‰á”ˆâžŽ Ê·Ê°Êž á”ƒÊłá”‰ ᔃ˥˥ ᔐʞ ⁱⁿᔛᔉⁿᔗⁱᔒⁿ˹‧‧‧" "áŽŸËĄá”ƒâżá”á”—á”’âż âżá”‰á”‰á”ˆËą á”—á”’ á”˜âżÊ·Êłá”ƒá”– Ê°â±Ëąâ€§â€§â€§" "á”†á”ƒâżá”—á”ƒ á”†á”ƒâżá”—á”ƒ'Ëą Ê°á”ƒËą ᔍᔒᔗ Ê°â±Ëą ÊČá”’ËĄËĄÊž ˥ⁱᔗᔗ˥ᔉ á”‰Êžá”‰Ëą ᔒⁿ ᔐᔉ‧‧‧" á¶ Êłá”˜Ëąá”—Êłá”ƒá”—á”‰á”ˆâžŽ áŽŸËĄá”ƒâżá”á”—á”’âż ᶜʰᔉᶜᔏᔉᔈ á”˜âżá”ˆá”‰Êł ᔗʰᔉ á”—Êłá”‰á”‰ á”—á”’ ᶠⁱⁿᔈ Ê°â±Ëą ËĄá”ƒá”‡á”‰ËĄ 'á”—á”’ á”–ËĄá”ƒâżá”á”—á”’âż á¶ Êłá”’á” á”Êłá”ƒá”‡Ëą' Ê·Êłá”ƒá”–á”–á”‰á”ˆâ€§ áŽŸËĄá”ƒâżá”á”—á”’âż á”˜âżÊ·Êłá”ƒá”–á”–á”‰á”ˆ ⁱᔗ á”—á”’ ˹ᔉᔉ ᔗʰᔉ Ëąá”‰á¶œÊłá”‰á”— ᔇᔒᔗᔗ˥ᔉ ʷⁱᔗʰ ᔗʰᔉ á”–á”ƒá”–á”‰Êł ᔒᶠ â±âżá”Êłá”‰á”ˆâ±á”‰âżá”—Ëąâ€§ á”âżá”ƒá”‡ËĄá”‰ á”—á”’ á”ˆâ±ËąËĄá”’á”ˆá”á”‰ ᔗʰᔉ ˥ⁱᔈ➎ ʰᔉ Ëąá”á”ƒËąÊ°á”‰Ëą ᔗʰᔉ á”ËĄá”ƒËąËą á”—á”’ á”‡Êłá”‰á”ƒá” ⁱᔗ ᔒᔖᔉⁿ‧ áŽ±ËŁá¶œâ±á”—á”‰á”ˆËĄÊž á”˜âżá¶ á”’ËĄá”ˆâ±âżá” ᔗʰᔉ ᔖⁱᔉᶜᔉ ᔒᶠ á”–á”ƒá”–á”‰Êł Êłá”’ËĄËĄá”‰á”ˆâžŽ ⁱᔗ Ëąá”ƒÊžËą 'ʞᔒᔘ ÊČá”˜Ëąá”— ᔍᔒᔗ á”–Êłá”ƒâżá”á”‰á”ˆ' ᔒⁿ ⁱᔗ‧ ᎏ˥˥ ᔒᶠ ᔗʰᔉᔐ Ëąá”—á”ƒÊłá”—á”‰á”ˆ ËĄá”ƒá”˜á”Ê°â±âżá” ᔃᔗ áŽŸËĄá”ƒâżá”á”—á”’âż ᔃ˹ ᔗʰᔉʞ á”˜âżá”›á”‰â±ËĄá”‰á”ˆ ᔗʰᔉ Ê·â±âżá”ˆá”’Ê·Ëą ËąÊ°á”’Ê·â±âżá” ˹ᔗⁱ˥˥ á”ˆá”ƒÊłá” âżâ±á”Ê°á”— ᔒᔘᔗ‧ áŽŽá”˜á”â±ËĄâ±á”ƒá”—á”‰á”ˆ ᔃⁿᔈ á”‰á”á”‡á”ƒÊłÊłá”ƒËąËąá”‰á”ˆâžŽ áŽŸËĄá”ƒâżá”á”—á”’âż Êłâ±á”–Ëą ᔘᔖ ᔗʰᔉ Êłá”’ËĄËĄ ᔒᶠ á”–á”ƒá”–á”‰Êł ᔃⁿᔈ á”á”’á”‰Ëą ᔇᔃᶜᔏ á”—á”’ Ê°â±Ëą Êłá”’á”’á” á”˜á”–Ëąá”‰á”—â€§ "ᔆᔉᔉ ʞᔒᔘ ᔃᔗ Ëąá¶œÊ°á”’á”’ËĄ áŽŸá”‰á”ƒÊłËĄâ€§â€§â€§" áŽźÊłá”ƒâż á¶ ËĄá”’á”˜âżá”ˆá”‰ÊłËą ˥ᔉᶠᔗ‧ á”‚Ê°á”‰âż á”’âżËĄÊž ᔃ˥˥ ᔗʰᔉ á”á”ƒËĄ á”–á”ƒËĄËą Êłá”‰á”á”ƒâ±âżá”‰á”ˆ áŽ·á”ƒÊłá”‰âż Ëąâ±á”Ê°á”‰á”ˆâ€§ "ᎎᔉ'ËĄËĄ á¶œá”ƒËĄá” á”ˆá”’Ê·âżâžŽ Êłâ±á”Ê°á”—?" "áŽŽá”ƒÊłá”ˆ á”—á”’ Ëąá”ƒÊžâ€§â€§â€§" ᔆʰᔉ á”ƒá”ˆá”â±á”—Ëą á”á”’â±âżá” á”—á”’ ᶜʰᔉᶜᔏ ᔃ˹ ᔗʰᔉ Êłá”‰Ëąá”— ᔒᶠ ᔗʰᔉᔐ Êłá”‰á”›á”‰Êłá”—á”‰á”ˆ ᔗʰᔉ á”ƒá”–á”–ËĄâ±á”ƒâżá¶œá”‰Ëąâ€§ "áŽŸËĄá”ƒâżá”á”—á”’âż?" áŽ·á”ƒÊłá”‰âż Ê·á”‰âżá”— ⁱⁿ ᔗʰᔉ Êłá”’á”’á” ᔃ˹ ʰᔉ'Ëą Ëąâ±ËĄá”‰âżá”—ËĄÊž ᔒⁿ ᔗʰᔉ ᔇᔉᔈ‧ "ᶜᔒᔐᔉ ᔒⁿ➎ ʷᔉ á”–Êłá”ƒâżá”á”‰á”ˆ á”’á”—Ê°á”‰Êłâ€§â€§â€§" áŽ·á”ƒÊłá”‰âż Ëąá”—á”’á”–á”–á”‰á”ˆ ᔃ˹ ËąÊ°á”‰ Êłá”‰á”ƒËĄâ±Ëąá”‰á”ˆ áŽŸËĄá”ƒâżá”á”—á”’âż ËąÊ°á”‰á”ˆ á”—á”‰á”ƒÊłËąâ€§ ᔀʰᔉ á”’á”—Ê°á”‰Êł á”á”ƒËĄ á”–á”ƒËĄËą ᶜᔃᔘᔍʰᔗ ᔘᔖ‧ "ᎎᔉʞ ᔇᔘᔈ‧‧‧" "ʞᔒᔘ ᔍᔒᔒᔈ?" ᎎᔉ á”˜Ëąá”˜á”ƒËĄËĄÊž ËĄá”ƒËąÊ° ᔒᔘᔗ Ê·Ê°á”‰âż ᔐᔃᔈ➎ ᔇᔘᔗ á”ƒâżá”ÊłÊž á”‰âżá”’á”˜á”Ê° á”—á”’ Ëąá”—á”ƒÊž ᑫᔘⁱᔉᔗ ᔃⁿᔈ ⁿᔒᔗ Ëąá”ƒÊžâ±âżá” ᔃ Ê·á”’Êłá”ˆâ€§â€§â€§ "᎔ â±âżá”›â±á”—á”‰á”ˆ ᔗʰᔉ á”’á”—Ê°á”‰ÊłËąâ€§" áŽŸá”‰á”ƒÊłËĄ á”—á”’ËĄá”ˆ ʰⁱᔐ‧ "Ꮀᔒ ʞᔒᔘ Ê·á”ƒâżá”— Ëąá”–á”ƒá¶œá”‰ á”—á”’ ᔇᔉ á”ƒËĄá”’âżá”‰?" "᎞ᔉᔗ'Ëą á¶œá”ƒËĄËĄ ⁱᔗ ᔃ âżâ±á”Ê°á”— á”á”ƒËĄ á”–á”ƒËĄËąâ€§â€§â€§" áŽ·á”ƒÊłá”‰âż â±âżá¶ á”’Êłá”á”‰á”ˆ ᔗʰᔉ á”’á”—Ê°á”‰Êł á”á”ƒËĄ á”–á”ƒËĄËąâ€§ "ᔂᔉ ÊČá”˜Ëąá”— ᔈⁱᔈ ⁱᔗ á¶ á”’Êł ᔃ˥˥ ⁱⁿ á¶ á”˜âżâ€§â€§" "᎔ á”âżá”’Ê·; ᎔ ÊČá”˜Ëąá”—â€§â€§â€§" "ʞᔒᔘ ᶠᔉᔉ˥ ËĄâ±á”á”‰ Ê°á”˜Êłá”— Êžá”’á”˜Êł á”–Êłâ±á”ˆá”‰?" "Êžá”‰Ëą áŽ·á”ƒÊłá”‰âżâ€§â€§â€§" "᎔ á”ƒá”–á”’ËĄá”’á”â±Ëąá”‰ á¶ á”’Êł Ê·á”ƒá”â±âżá” ʞᔒᔘ‧" "á”€Ê°á”ƒâżá”Ëą; ᎔ ˥ᔒᔛᔉ ʞᔒᔘ‧‧‧" áŽ·á”ƒÊłá”‰âż'Ëą Ëąá”˜Êłá”‰ ËąÊ°á”‰ âżá”‰á”›á”‰Êł Ê°á”‰á”ƒÊłá”ˆ Ê°á”‰Êł Ê°á”˜Ëąá”‡á”ƒâżá”ˆ Ëąá”ƒÊž ᔗʰᔉ Ê·á”’Êłá”ˆ '˥ᔒᔛᔉ' ⁱⁿ ᔃ Ëąá”‰âżá”—á”‰âżá¶œá”‰âžŽ ˥ᔉᔗ á”ƒËĄá”’âżá”‰ á”—á”’ á”’á”—Ê°á”‰ÊłËąâ€§ ᔆʰᔉ á”âżá”‰Ê· ʰᔉ ËąÊ°á”’Ê·á”‰á”ˆ á”ƒá¶ á¶ á”‰á¶œá”—â±á”’âż ᔃᔗ ᔗⁱᔐᔉ˹ ⁱⁿ Ê°â±Ëą á”’Ê·âż ˥ⁱᔗᔗ˥ᔉ ʷᔃʞ‧‧‧ "ʞᔒᔘ'Êłá”‰ Ê·á”‰ËĄá¶œá”’á”á”‰; ˥ᔒᔛᔉ ʞᔒᔘ ᔗᔒ‧‧" ËąÊ°á”‰ ᔗᔘᶜᔏᔉᔈ ʰⁱᔐ ⁱⁿ‧ "ʞᔒᔘ á¶œá”ƒâż ᶠᔉᔉ˥ á¶ Êłá”‰á”‰ á”—á”’ ᔗᔉ˥˥ ᔐᔉ á”ƒâżÊžá”—Ê°â±âżá”â€§â€§â€§" áŽ·á”ƒÊłá”‰âż Ëąá”—á”ƒÊłá”—á”‰á”ˆ á”—á”’ Ëąá”ƒÊžâžŽ ᔇᔘᔗ ËąÊ°á”‰ Êłá”‰á”ƒËĄâ±Ëąá”‰á”ˆ ʰᔉ'Ëą Ëąâżá”’Êłâ±âżá”â€§ "ᔆ˥ᔉᔉᔖ ᔗⁱᔍʰᔗ➎ áŽŸËĄá”ƒâżá”á”—á”’âżâ€§â€§â€§"
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á”‚á”’ÊłËąá”— áŽ±âżá”‰á”Êž 𝒘𝒐𝒓𝒅 𝒄𝒐𝒖𝒏𝒕: 𝟗𝟑𝟎 âœá”†á”–á”’âżá”á”‰á”‡á”’á”‡ á¶ á”ƒâżá¶ â±á¶œâŸ .àłƒàż 𝚃𝚠: đ™±đš•đš˜đš˜đš á”†á‘«á”˜â±á”ˆÊ·á”ƒÊłá”ˆ ᔃⁿᔈ á”†á”–á”’âżá”á”‰á”‡á”’á”‡ Ê·á”‰Êłá”‰ ᔒᔘᔗ ᔒⁿ á”‰á”á”–ËĄá”’Êžá”‰á”‰ Êłá”‰á”—Êłá”‰á”ƒá”—; ᔃ á”–á”‰Êłá¶ á”‰á¶œá”— ᔗⁱᔐᔉ á¶ á”’Êł áŽŸËĄá”ƒâżá”á”—á”’âż á”—á”’ Ëąá”—Êłâ±á”á”‰â€§ áŽčÊłâ€§ áŽ·Êłá”ƒá”‡Ëą ᔃᔗ ᔗʰᔉ á”Êłá”˜Ëąá”—Êž á”Êłá”ƒá”‡ ᔇʞ Ê°â±á”Ëąá”‰ËĄá¶ â€§ "áŽ·Êłá”ƒá”‡ËąâžŽ ᎔ âżá”‰á”‰á”ˆ á”—á”’ á”—á”ƒËĄá” á”—á”’ ʞᔒᔘ!" áŽŸËĄá”ƒâżá”á”—á”’âż á¶œá”ƒËĄËĄá”‰á”ˆ ᔒᔘᔗ‧ áŽčÊłâ€§ áŽ·Êłá”ƒá”‡Ëą ᶜᔃᔐᔉ á”—á”’ ˹ᔉᔉ áŽŸËĄá”ƒâżá”á”—á”’âż ᶜᔒᔐᔉ ⁱⁿ Ê°â±Ëą ᔒᶠᶠⁱᶜᔉ‧ "᎔'ᔐ á”’âżËĄÊž á”—á”‰ËĄËĄâ±âżá” ʞᔒᔘ á”‡á”‰á¶ á”’Êłá”‰ ᎔ Ëąá”—á”‰á”ƒËĄ ᔗʰᔉ â±âżá”Êłá”‰á”ˆâ±á”‰âżá”—Ëą; ʷᔉ âżá”‰á”‰á”ˆ á”—á”’ á¶œÊ°á”ƒâżá”á”‰ ᔘᔖ ᔗʰᔉ Êłá”˜ËĄá”‰Ëąâ€§ áŽ·á”ƒÊłá”‰âż ÊČá”˜Ëąá”— Ëąá¶œá”ƒâżâżá”‰á”ˆ ᔐᔉ á¶ á”’Êł â±âżá”—á”‰Êłâżá”ƒËĄ ᔈᔃᔐᔃᔍᔉ ᔃⁿᔈ ᎔'ᔛᔉ Ê·á”‰á”ƒá”âżá”‰ËąËą ᔗʰᔉ ʰᔉᔃᔈ Ëąá”’ ʞᔒᔘ á¶œá”ƒâż ᔈᔒ Ê·Ê°á”ƒá”—á”‰á”›á”‰Êł á”—á”’ Ëąá”—á”’á”– ᔐᔉ á”‰ËŁá¶œá”‰á”–á”— á¶ á”’Êłâ€§â€§â€§" "ʞᔒᔘ á”ƒá¶œá”—á”˜á”ƒËĄËĄÊž á”—Ê°â±âżá” ᎔'ËĄËĄ ᔇᔉ˥ⁱᔉᔛᔉ? ʞᔒᔘ ÊČá”˜Ëąá”— Ê·á”ƒâżâżá”ƒ ᔍᔉᔗ ᔗʰᔉ â±âżá”Êłá”‰á”ˆâ±á”‰âżá”—Ëą; ᎔ á”âżá”’Ê· ʞᔒᔘ á”˜Ëąá”‰á”ˆ ËąÊžá”á”–á”ƒá”—Ê°Êž á”‡á”‰á¶ á”’Êłá”‰ ⁱⁿ Êžá”’á”˜Êł á”–ËĄá”ƒâżËą!" áŽčÊł áŽ·Êłá”ƒá”‡Ëą Ëąá”ƒÊ· áŽŸËĄá”ƒâżá”á”—á”’âż Ëąá”—á”ƒÊłá”— á”—á”’ á¶œÊłÊžâ€§ "áŽŸËĄá”‰á”ƒËąá”‰!" "ʞᔒᔘ á¶œÊ°â±á¶œá”á”‰âżâ€§â€§â€§" áŽčÊłâ€§ áŽ·Êłá”ƒá”‡Ëą ᔏⁱᶜᔏᔉᔈ ʷⁱᔗʰ ᔃ˥˥ Ê°â±Ëą ᔐⁱᔍʰᔗ á¶ á”’Êł áŽŸËĄá”ƒâżá”á”—á”’âż á”—á”’ á¶ ËĄÊž ᔇᔃᶜᔏ ᔃⁿᔈ ʰⁱᔗ ᔗʰᔉ Ê·á”ƒËĄËĄ ʷⁱᔗʰ ᔃ ᔗʰᔘᔈ‧ "áŽŸËĄá”ƒâżá”á”—á”’âżâžŽ ʞᔒᔘ á”ƒá¶œá”—á”˜á”ƒËĄËĄÊž á”—Ê°â±âżá”â€§â€§â€§" áŽčÊłâ€§ áŽ·Êłá”ƒá”‡Ëą Ê·á”ƒËą á”á”’â±âżá” á”—á”’ ʰⁱᔐ Ê·Ê°á”‰âż ʰᔉ Ëąá”˜á”ˆá”ˆá”‰âżËĄÊž Ëąá”—á”’á”–á”–á”‰á”ˆ ⁱⁿ Ê°â±Ëą á”—Êłá”ƒá¶œá”Ëą; ⁿᔒᔗ á”’âżËĄÊž ᔈⁱᔈ áŽŸËĄá”ƒâżá”á”—á”’âż ⁿᔒᔗ ᔐᔒᔛᔉ➎ ᔇᔘᔗ á”ƒËĄËąá”’ á”‡ËĄá”‰á”ˆ ᔒᔘᔗ ᔒᶠ Ê°â±Ëą ᔐᔒᔘᔗʰ ᔗᔒ‧ "áŽŸËĄá”ƒâżá”á”—á”’âż?" áŽčÊłâ€§ áŽ·Êłá”ƒá”‡Ëą á”âżá”‰ËĄá”— á¶œËĄá”’Ëąá”‰Êłâ€§ "áŽŸËĄá”ƒâżá”á”—á”’âż!" ᎎᔉ ᔇᔉⁿᔗ á”ˆá”’Ê·âżâžŽ Êłá”‰á”ƒËĄâ±Ëąâ±âżá” á”—á”’ ËĄá”ƒá”—á”‰ ʷʰᔃᔗ áŽŸËĄá”ƒâżá”á”—á”’âż ˹ᔃⁱᔈ Ê·á”ƒËą ᔗʰᔉ á”—Êłá”˜á”—Ê°â€§ "ᎌʰ‧‧‧" áŽčÊłâ€§ áŽ·Êłá”ƒá”‡Ëą Ëąá”’á”‡á”‡á”‰á”ˆâ€§ "áŽŸËĄá”ƒâżá”á”—á”’âżâ€§â€§â€§" ᔆᔗⁱ˥˥ á¶œÊłÊžâ±âżá”âžŽ áŽčÊłâ€§ áŽ·Êłá”ƒá”‡Ëą ËĄá”‰á”ƒâżá”‰á”ˆ á¶œËĄá”’Ëąá”‰Êł á”—á”’ Ê°á”‰á”ƒÊł ËąÊ°á”ƒËĄËĄá”’Ê· á”‡Êłá”‰á”ƒá”—Ê°â±âżá”â€§ ᎎᔉ ᔍᔒᔗ ᔘᔖ á”ˆá”‰Ëąá”–á”‰Êłá”ƒá”—á”‰ ᔃⁿᔈ á”Êłá”ƒá”‡á”‡á”‰á”ˆ ᔃ ᔖᔃᔗᔗʞ➎ ⁿᔒᔗ á”—á”ƒá”˜âżá”—â±âżá” ᔇᔘᔗ Ê°á”’á”–â±âżá” ʰᔉ'ᔈ á”ƒÊ·á”ƒá”á”‰âżâ€§ "á¶œá”ƒâż ᔃ á”Êłá”ƒá”‡á”‡Êž ᔖᔃᔗᔗʞ Ëąá¶œá”‰âżá”— ᔒᶠ ˹ᔐᔉ˥˥ ʷᔃᔏᔉ ʞᔒᔘ ᔘᔖ?" áŽșá”’ â±âżá”ˆâ±á¶œá”ƒá”—â±á”’âż á¶ Êłá”’á” áŽŸËĄá”ƒâżá”á”—á”’âż Ê·Ê°á”ƒá”—Ëąá”’á”‰á”›á”‰Êłâ€§ áŽčÊłâ€§ áŽ·Êłá”ƒá”‡Ëą ËĄá”’á”’á”á”‰á”ˆ ᔘᔖ ᔗʰᔉ ᶜʰᔘᔐ ᔇᔘᶜᔏᔉᔗ á”–Ê°á”’âżá”‰ âżá”˜á”á”‡á”‰Êł ᔃⁿᔈ á¶œá”ƒËĄËĄá”‰á”ˆâ€§ "ᎎᔉ˥˥ᔒ‧‧‧" áŽ·á”ƒÊłá”‰âż á”ƒâżËąÊ·á”‰Êłá”‰á”ˆâ€§ "Êžá”’á”˜Êł Ê°á”‰ËĄá”– ⁱ˹ âżá”‰á”‰á”ˆá”‰á”ˆâ€§" "Ꮀⁱᔈ ᔐʞ Ê°á”˜Ëąá”‡á”ƒâżá”ˆ ᔗᔉ˥˥ ʞᔒᔘ ᔃᔇᔒᔘᔗ Ê°â±Ëą Êłâ±Ëąá” á”‡Êłá”ƒâ±âż ᔈᔃᔐᔃᔍᔉ ᔃⁿᔈ á”ƒËąá”—Ê°á”á”ƒ?" áŽ·á”ƒÊłá”‰âż á”ƒËąá”á”‰á”ˆ áŽčÊłâ€§ áŽ·Êłá”ƒá”‡Ëą ᔃᔗ ᔗʰᔉ ᶜʰᔘᔐ ᔇᔘᶜᔏᔉᔗ‧ "ᎎᔉ ᔈⁱᔈⁿ'á”— ᔍᔉᔗ á”—á”’ ᔗᔉ˥˥ ᔐᔉ ᔃᔇᔒᔘᔗ ᔗʰᔉ á”ƒËąá”—Ê°á”á”ƒâžŽ ᔃ˹ ᎔ Ê°á”˜Êłá”— ʰⁱᔐ á”’âżá¶œá”‰ ʰᔉ á”—á”’ËĄá”ˆ ᔐᔉ ᔃᔇᔒᔘᔗ Ê°â±Ëą ʰᔉᔃᔈ‧‧‧" áŽ·á”ƒÊłá”‰âż á”’âżËĄÊž âżá”’á”ˆá”ˆá”‰á”ˆ Êłá”‰Ëąá”–á”’âżËąá”‰â€§ "᎔'ᔐ Ëąá”’ Ëąá”’ÊłÊłÊž; ᎔'ᔈ ᔈᔒ á”ƒâżÊžá”—Ê°â±âżá” á”—á”’ á”˜âżá”ˆá”’ ʷʰᔃᔗ ÊČá”˜Ëąá”—â€§â€§â€§" "ʞᔒᔘ ᔈⁱᔈⁿ'á”— á”âżá”’Ê·âžŽ ᔃⁿᔈ ʰᔉ á¶œá”ƒâż ᔇᔉ á¶œá”’âżâżâ±á”›â±âżá”â€§" áŽčÊłâ€§ áŽ·Êłá”ƒá”‡Ëą Êłá”‰á”á”‰á”á”‡á”‰Êłá”‰á”ˆ ᔗʰᔉ ËĄá”’á”’á” ⁱⁿ Ê°â±Ëą ᔉʞᔉ➎ á”–ËĄá”‰á”ƒá”ˆâ±âżá” ᔃⁿᔈ á”‡á”‰á”á”â±âżá” Ê°â±Ëą Ê·á”’ÊłËąá”— á”‰âżá”‰á”Êž á”—á”’ ʰᔃᔛᔉ ˹ᔒᔐᔉ ᔉᔐᔖᔃᔗʰʞ‧ "ᎎᔉ ᔈⁱᔈⁿ'á”— ᔉᔛᔉⁿ Ëąâżá”‰á”ƒá” ⁱⁿ➎ ᔇᔘᔗ ʰᔉ ÊČá”˜Ëąá”— á”ƒâżâżá”’á”˜âżá¶œá”‰á”ˆâ€§â€§â€§" áŽčÊłâ€§ áŽ·Êłá”ƒá”‡Ëą á”‡á”ƒÊ·ËĄá”‰á”ˆâ€§ "ᎎᔉ á”ƒËąá”á”‰á”ˆâžŽ ᔃⁿᔈ ᎔ á¶œá”ƒËĄËĄá”‰á”ˆ ʰⁱᔐ ᔃ á¶œÊ°â±á¶œá”á”‰âż Êłâ±á”Ê°á”—â€§â€§â€§" "ʞᔒᔘ á”âżá”’Ê·âžŽ ʰᔉ á”—á”’ËĄá”ˆ ᔐᔉ Êłâ±á”Ê°á”— á”‡á”‰á¶ á”’Êłá”‰ ËĄá”‰á”ƒá”›â±âżá” á”—á”’ Êžá”’á”˜Êł Êłá”‰Ëąá”—á”ƒá”˜Êłá”ƒâżá”— ⁿᔒᔗ á”—á”’ Ê·á”’ÊłÊłÊžâ€§ áŽșᔒʷ➎ ËĄá”’á”’á”!" áŽ·á”ƒÊłá”‰âż'Ëą ᔛᔒⁱᶜᔉ Ê·á”ƒá”›á”‰Êłá”‰á”ˆ ᔃ˹ ËąÊ°á”‰ Ëąá¶œá”ƒâżâżá”‰á”ˆ ʰⁱᔐ‧ "ᔂʰᔃᔗ'Ëą Ëąá¶œá”ƒâż Ëąá”ƒÊžâžŽ áŽ·á”ƒÊłá”‰âż?" áŽčÊłâ€§ áŽ·Êłá”ƒá”‡Ëą á”ƒËąá”á”‰á”ˆâ€§ "ᶜᔒᔐᔃ‧‧‧" áŽčÊłâ€§ áŽ·Êłá”ƒá”‡Ëą ᔃⁿᔈ áŽ·á”ƒÊłá”‰âż Ëąá”—á”’á”’á”ˆ ⁱⁿ á”˜á”—á”—á”‰Êł ËąÊ°á”’á¶œá”á”‰á”ˆ Ëąâ±ËĄá”‰âżá¶œá”‰ á”’âżá¶œá”‰ ᔗʰᔉ Ëąá¶œá”ƒâżËą â±âżá”ˆâ±á¶œá”ƒá”—á”‰á”ˆ ᶜᔒᔐᔃ‧ "ᎎⁱ˹ á”‡Êłá”‰á”ƒá”—Ê°Ëą á”á”‰á”—á”—â±âżá” Ê·á”‰á”ƒá”á”‰Êłâ€§â€§â€§" áŽ·á”ƒÊłá”‰âż Ê·á”‰âżá”— ᔃⁿᔈ ᔍᔒᔗ ˹ᔒᔐᔉ á”‰á‘«á”˜â±á”–á”á”‰âżá”— á”—á”’ Ê°á”‰ËĄá”– ʰⁱᔐ á”‡Êłá”‰á”ƒá”—Ê°á”‰â€§ áŽčÊłâ€§ áŽ·Êłá”ƒá”‡Ëą ᔗʰᔒᔘᔍʰᔗ ᔒᶠ ᔗʰᔉ ËĄá”’á”’á” ⁱⁿ áŽŸËĄá”ƒâżá”á”—á”’âż'Ëą ᔉʞᔉ Êłâ±á”Ê°á”— á”‡á”‰á¶ á”’Êłá”‰ ᔗʰᔉ á”˜âżá¶œá”’âżËąá¶œâ±á”’á”˜Ëąâżá”‰ËąËąâ€§ ᎎᔉ ᔗʰᔒᔘᔍʰᔗ ᔒᶠ áŽŸËĄá”ƒâżá”á”—á”’âż ËąÊ°á”˜á”— ᔒᶠᶠ á¶ Êłá”’á” ᔗʰᔉ Ê·á”’ÊłËĄá”ˆâ€§ ᎎᔉ ᔗʰᔒᔘᔍʰᔗ ᔒᶠ áŽŸËĄá”ƒâżá”á”—á”’âż Ê·Ê°á”‰âż ᔗʰᔉʞ Ê·á”‰Êłá”‰ Êžá”’á”˜âżá” ᔃ˹ á¶ Êłâ±á”‰âżá”ˆËą á”‡á”‰á¶ á”’Êłá”‰ ᔗʰᔉ ᶠᔒᔒᔈ á”‡á”˜Ëąâ±âżá”‰ËąËą ˹ᔖ˥ⁱᔗ á”—Ê°á”‰â±Êł á¶ Êłâ±á”‰âżá”ˆËąÊ°â±á”–â€§ "áŽŹËąËąá”˜á”â±âżá” ʰᔉ'ᔈ ʷᔃᔏᔉ ᔘᔖ➎ ᔈᔒ ʞᔒᔘ á”—Ê°â±âżá” ʰᔉ'ËĄËĄ Êłá”‰á”á”‰á”á”‡á”‰Êłâ€§â€§â€§" "᎔ ᔈᔒ ⁿᔒᔗ á”âżá”’Ê·â€§â€§â€§" áŽ·á”ƒÊłá”‰âż ᔃᔈᔐⁱᔗᔗᔉᔈ‧ ᔀʰᔉ ⁿᔉˣᔗ ᔈᔃʞ➎ áŽčÊłâ€§ áŽ·Êłá”ƒá”‡Ëą á”—á”’ËĄá”ˆ Ê°â±Ëą ᔇᔒᔗʰ á”‰á”á”–ËĄá”’Êžá”‰á”‰Ëą ᔗʰᔉ áŽ·Êłá”˜Ëąá”—Êž áŽ·Êłá”ƒá”‡'Ëą á¶œËĄá”’Ëąá”‰á”ˆ á”˜âżá”—â±ËĄ á¶ á”˜Êłá”—Ê°á”‰Êł âżá”’á”—â±á¶œá”‰â€§ ᎎᔉ á”—Ê°á”‰âż Ê·á”‰âżá”— á”—á”’ ᔗʰᔉ ᶜʰᔘᔐ ᔇᔘᶜᔏᔉᔗ➎ áŽŸËĄá”ƒâżá”á”—á”’âż ˹ᔗⁱ˥˥ ⁿᔒ á”‡á”‰á”—á”—á”‰Êł á”—Ê°á”ƒâż ʰᔉ ËĄá”ƒËąá”— Ëąá”ƒÊ· ʰⁱᔐ‧ "᎔ á”âżá”’Ê· ʞᔒᔘ ᔐⁱᔍʰᔗ ⁿᔒᔗ Ê°á”‰á”ƒÊł ᔐᔉ➎ ᔃⁿᔈ ᎔ Ê·â±ËĄËĄ ⁿᔒᔗ á”‡ËĄá”ƒá”á”‰ ʞᔒᔘ ⁱᶠ ʞᔒᔘ'ᔈ ᶠᔉᔉ˥ á”˜á”–Ëąá”‰á”—â€§â€§â€§" áŽčÊłâ€§ áŽ·Êłá”ƒá”‡Ëą á”ƒâżËŁâ±á”’á”˜ËąËĄÊž á”—á”ƒËĄá”á”‰á”ˆ á”—á”’ áŽŸËĄá”ƒâżá”á”—á”’âż Ê·Ê°á”’'Ëą ˹ᔗⁱ˥˥ á”˜âżá”ƒÊ·á”ƒÊłá”‰â€§ "᎔ ᔐⁱ˹˹ Ê·Ê°á”‰âż ʷᔉ'Êłá”‰ á¶ Êłâ±á”‰âżá”ˆËąâžŽ á”‡á”‰á¶ á”’Êłá”‰ ᔐʞ ˥ᔒᔛᔉ á¶ á”’Êł á”á”’âżá”‰Êž á¶œá”’âżËąá”˜á”á”‰á”ˆ ᔐᔉ‧ áŽźá”‰á¶ á”’Êłá”‰ ʞᔒᔘ'Êłá”‰ âżá”’Ê· á”ˆÊžâ±âżá” ᔃ˥˥ á”‡á”‰á¶œá”ƒá”˜Ëąá”‰ ᔒᶠ ᔐᔉ‧ ᎔ á”—Ê°â±âżá” Êžá”’á”˜Êł ʷⁱᶠᔉ ᔉᔛᔉⁿ ᔐⁱ˹˹ᔉ˹ Êžá”’á”˜Êł âżá”ƒá”á”â±âżá”â€§â€§" áŽčÊłâ€§ áŽ·Êłá”ƒá”‡Ëą á”ƒÊ·á”Ê·á”ƒÊłá”ˆËĄÊž ˥ᔉᔗ ᔒᔘᔗ ᔃ á”â±á”á”ËĄá”‰â€§ "᎔ âżá”‰á”›á”‰Êł á”á”‰á”ƒâżá”— á¶ á”’Êł Ëąá”˜á¶œÊ° ᔃ á”—Ê°â±âżá” á”—á”’ Ê°á”ƒá”–á”–á”‰âżâ€§â€§â€§" á”†á”—á”ƒÊłá”—â±âżá” á”—á”’ á¶œÊłÊž á”ƒá”á”ƒâ±âżâžŽ áŽčÊłâ€§ áŽ·Êłá”ƒá”‡Ëą á”—Êłâ±á”‰á”ˆ á”—á”’ á”—Ê°â±âżá” ᔘᔖ ᔒᶠ ˹ᔒᔐᔉ á”á”‰á”á”’Êłâ±á”‰Ëąâ€§ "᎔ ᔗʰᔒᔘᔍʰᔗ ᔗʰᔉ ⁱᔈᔉᔃ á”—á”’ á”–Êłá”ƒâżá” ᔗʰᔉ Ëąá¶œÊ°á”’á”’ËĄ Ê·á”ƒËą Ëąá”’ á¶ á”˜âżâżÊžâžŽ ᔃⁿᔈ ᔗʰᔉ ËĄá”’á”’á” ᔒⁿ á”—Ê°á”‰â±Êł á¶ á”ƒá¶œá”‰Ëąâ€§â€§â€§" áŽčÊłâ€§ áŽ·Êłá”ƒá”‡Ëą Ëąá”â±ËĄá”‰á”ˆâ€§ "ᔂᔉ ᔇᔒᔗʰ á¶œá”’á”˜ËĄá”ˆ'ᔛᔉ ËąÊ°á”’Ê·âż á”’á”˜Êł á”–á”‰á”‰ÊłËą Ê°á”’Ê· á”—á”’ ᔍᔉᔗ ᔗʰᔉ ÊČᔒᔇ á”ˆá”’âżá”‰â€§â€§â€§" á¶œÊ°á”˜á¶œá”ËĄâ±âżá” âżá”’Ê·â€§ "ᔆʰᔒʷ 'ᔉᔐ Ê·Ê°á”’'ᔈ ᔍᔉᔗ ᔗʰᔉ ËĄá”ƒËąá”— ËĄá”ƒá”˜á”Ê°â€§â€§â€§" ᔆᔒᔐᔉ á”—á”‰á”ƒÊłËą Ê·á”‰ËĄËĄá”‰á”ˆ ᔘᔖ ⁱⁿ áŽčÊłâ€§ áŽ·Êłá”ƒá”‡Ëą á”‰Êžá”‰Ëąâ€§ "᎔'ᔈ ᔍⁱᔛᔉ ᔃ˥˥ ᔐʞ á”á”’âżá”‰Êž ᔃⁿᔈ ᔉᔛᔉⁿ ᔐʞ ˥ⁱᶠᔉ á”—á”’ ʞᔒᔘ‧‧‧" ᔀʰᔉ á¶ â±ÊłËąá”— á”—Ê°â±âżá” áŽŸËĄá”ƒâżá”á”—á”’âż âżá”’á”—â±á¶œá”‰á”ˆ ᔃ˹ ʰᔉ á”Êłá”ƒá”ˆá”˜á”ƒËĄËĄÊž Êłá”‰á”á”ƒâ±âżá”‰á”ˆ Ê°â±Ëą á¶œá”’âżËąá¶œâ±á”’á”˜Ëąâżá”‰ËąËą Ê°á”‰á”ƒÊłâ±âżá” ᔃ á¶ á”ƒÊłá”ƒÊ·á”ƒÊž ᔛᔒⁱᶜᔉ➎ ᔗʰᔒᔘᔍʰ ʰᔉ ᔈⁱᔈⁿ'á”— ᔇᔉ á”ƒá”‡ËĄá”‰ á”—á”’ Êłá”‰á¶œá”’á”âżâ±Ëąá”‰ ⁱᔗ ᔃ˹ áŽčÊłâ€§ áŽ·Êłá”ƒá”‡ËąâžŽ âżá”’Êł ʷʰᔃᔗ'Ëą ᔇᔉᔉⁿ Ëąá”ƒâ±á”ˆâ€§ ᔆᔗⁱ˥˥ ËĄâ±á”á”‡á”’ËĄâ±á”á”‰âžŽ ʰᔉ ᔈⁱᔈⁿ'á”— ʞᔉᔗ á”âżá”’Ê· Ê°â±Ëą Ëąá”˜ÊłÊłá”’á”˜âżá”ˆâ±âżá”ËąâžŽ ᔉʞᔉ ˹ᔗⁱ˥˥ ËąÊ°á”˜á”—â€§ á”€Ê°á”‰âż Ê·á”’Êłá”ˆËą ᔇᔉᶜᔃᔐᔉ á¶œËĄá”‰á”ƒÊłá”‰ÊłâžŽ ᔇᔘᔗ ˹ᔗⁱ˥˥ á¶ á”ƒÊłá”ƒÊ·á”ƒÊžâ€§ ᎎᔉ Ê°á”‰á”ƒÊłá”ˆ ᔗʰᔉ Ê·á”’Êłá”ˆËą ËĄâ±á”á”‰ 'Ëąá”’ÊłÊłÊž' ᔃⁿᔈ 'á”–ËĄá”‰á”ƒËąá”‰' ᔃⁿᔈ 'á¶ Êłâ±á”‰âżá”ˆ' ᔇᔘᔗ ˹ᔗⁱ˥˥ ⁿᔒᔗ á”âżá”’Ê·â±âżá” Ê·Ê°á”’ Ëąá”–á”’á”á”‰ ˹ᔃⁱᔈ Ê·á”’Êłá”ˆËąâ€§ áŽ·á”ƒÊłá”‰âż á”á”’âżâ±á”—á”’Êłá”‰á”ˆ Ê°á”‰Êł Ê°á”˜Ëąá”‡á”ƒâżá”ˆâžŽ Ëąá”’ ËąÊ°á”‰ Êłá”‰á”ƒËĄâ±Ëąá”‰á”ˆ á”—Ê°á”‰Êłá”‰'Ëą ᔃ á¶œÊ°á”ƒâżá”á”‰ Ê°á”ƒá”–á”–á”‰âżâ±âżá”â€§ "᎔'ᔐ á”ˆá”‰á”—á”‰á¶œá”—â±âżá” ᔖᔒ˹˹ⁱᔇ˥ᔉ Êłá”‰á”›â±á”›á”ƒËĄâ€§â€§â€§" áŽčÊłâ€§ áŽ·Êłá”ƒá”‡Ëą Ê·á”ƒËą Ëąâ±á”—á”—â±âżá” ᔘᔖ Ëąá”—Êłá”ƒâ±á”Ê°á”—á”‰Êłâ€§ áŽŸËĄá”ƒâżá”á”—á”’âż ˹ᔗⁱ˥˥ ᔈⁱᔈⁿ'á”— ᔐᔒᔛᔉ ʞᔉᔗ➎ ᔇᔘᔗ ʰᔉ Ëąá”—á”ƒÊłá”—á”‰á”ˆ á”‡Êłá”‰á”ƒá”—Ê°â±âżá” á”‡á”‰á”—á”—á”‰Êł; áŽ·á”ƒÊłá”‰âż Êłá”‰á”á”’á”›á”‰á”ˆ ᔗʰᔉ á”‡Êłá”‰á”ƒá”—Ê°â±âżá” á”‰á‘«á”˜â±á”–á”á”‰âżá”— á”‡á”‰á¶ á”’Êłá”‰ ʰᔉ'ᔈ ᶠᔉᔉ˥ ⁱᔗ‧ áŽčÊłâ€§ áŽ·Êłá”ƒá”‡Ëą á¶œÊłâ±á”‰Ëą ᔇᔉᶜᔃᔐᔉ ˥ᔉ˹˹ á”ˆâ±Ëąá”—á”ƒâżá”— Ëąá”’á”˜âżá”ˆâ±âżá” ᔃ˹ Ê°â±Ëą ˹ᔉⁿ˹ᔉ˹ Êłá”‰á”—á”˜Êłâżá”‰á”ˆâ€§ áŽșá”’Ê· Ê·á”ƒá”â±âżá”âžŽ Ê°â±Ëą ᔉʞᔉ á”—Ê°á”‰âż á”á”ƒâżá”ƒá”á”‰á”ˆ á”—á”’ á¶ ËĄá”˜á”—á”—á”‰Êł ᔒᔖᔉⁿ‧ "áŽŹá”˜â€§â€§â€§" ᔆⁱᔍʰᔗ Êłá”‰á”—á”˜Êłâżá”‰á”ˆ á”—á”’ áŽŸËĄá”ƒâżá”á”—á”’âżâžŽ ⁿᔒᔗ ʞᔉᔗ Êłá”‰á”â±Ëąá”—á”‰Êłâ±âżá” Ê·Ê°á”’'Ëą ⁿᔉˣᔗ á”—á”’ ʰⁱᔐ‧ "ᔂʰᔃᔗ ⁱⁿ ᔗʰᔉ ʷʰᔃᔗ‧‧‧" á¶ â±âżá”ƒËĄËĄÊž ᔃʷᔃᔏᔉ➎ ʰᔉ Ëąá”ƒÊ· áŽ·á”ƒÊłá”‰âż ᔃⁿᔈ áŽčÊłâ€§ áŽ·Êłá”ƒá”‡Ëą Ëąá”â±ËĄâ±âżá” ᔃᔗ ʰⁱᔐ‧ áŽŸËĄá”ƒâżá”á”—á”’âż Êłá”‰á”á”ƒâ±âżá”‰á”ˆ á¶œá”’âżá¶ á”˜Ëąá”‰á”ˆâ€§ "ᎎⁱ➎ áŽŸËĄá”ƒâżá”á”—á”’âż! Ꮀᔒ ʞᔒᔘ á”âżá”’Ê· Ê·Ê°á”‰Êłá”‰ ʞᔒᔘ á”ƒÊłá”‰?" áŽ·á”ƒÊłá”‰âż ËąÊ·á”‰á”‰á”—ËĄÊž á”ƒËąá”á”‰á”ˆ Ê°á”‰Êł Ê°á”˜Ëąá”‡á”ƒâżá”ˆâ€§ "á¶œá”ƒâż ʞᔒᔘ Ëąá”ƒÊž ʷʰᔃᔗ ʞᔒᔘ'Êłá”‰ á”—Ê°â±âżá”â±âżá”?" áŽŹËąá”á”‰á”ˆ áŽčÊłâ€§ áŽ·Êłá”ƒá”‡Ëąâ€§ ᔆᔗⁱ˥˥ ⁿᔒᔗ á¶œá”’á”á”–ËĄá”‰á”—á”‰ËĄÊž ᔇᔃᶜᔏ á”—á”’ âżá”’Êłá”á”ƒËĄâžŽ áŽŸËĄá”ƒâżá”á”—á”’âż ᔗʰᔒᔘᔍʰᔗ Ê°á”ƒÊłá”ˆ ᔃ˹ ʰᔉ Ëąá”—Êłá”˜á”á”ËĄá”‰á”ˆ á”—á”’ Êłá”‰á”á”‰á”á”‡á”‰Êłâ€§ "ʞᔒᔘ á¶œá”ƒâż ᔗᔃᔏᔉ Êžá”’á”˜Êł ᔗⁱᔐᔉ‧‧‧" áŽŸËĄá”ƒâżá”á”—á”’âż Ê°á”‰á”ƒÊłá”ˆ ᔃ˹ ʰᔉ Êłá”‰á”á”ƒâ±âżá”‰á”ˆ á”Êłá”’á”á”Êžâ€§ áŽčá”‰á”á”’Êłâ±á”‰Ëą Ëąá”˜á”ˆá”ˆá”‰âżËĄÊž ᶜᔃᔐᔉ ᔃ˹ Ê·Ê°á”‰âż ʰᔉ Ê·á”‰âżá”— á”—á”’ áŽčÊłâ€§ áŽ·Êłá”ƒá”‡Ëą á”‡á”‰á¶ á”’Êłá”‰ á”‡á”‰â±âżá” á¶œá”ƒËĄËĄá”‰á”ˆ á¶œÊ°â±á¶œá”á”‰âżâ€§ ᎎᔉ ᔈⁱᔈⁿ'á”— á”âżá”’Ê· ʷʰᔃᔗ Ê°á”ƒá”–á”–á”‰âżá”‰á”ˆ ⁱⁿ á”‡á”‰á”—Ê·á”‰á”‰âżâžŽ âżá”’Êł Ê°á”’Ê· ᔐᔘᶜʰ ᔗⁱᔐᔉ Ê°á”ƒËą á”–á”ƒËąËąá”‰á”ˆâ€§ ᎎᔉ âżá”ƒÊłÊłá”’Ê·á”‰á”ˆ Ê°â±Ëą ᔉʞᔉ ᔃ˹ ʰᔉ ˹ᔃⁱᔈ "á¶œÊ°â±á¶œá”á”‰âż" á”—á”’ ᔗʰᔉᔐ‧ áŽčÊłâ€§ áŽ·Êłá”ƒá”‡Ëą á”—Ê°á”‰âż á”–Êłá”’á¶œá”‰á”‰á”ˆá”‰á”ˆ á”—á”’ ᔗᔉ˥˥ ʰⁱᔐ á”‰á”›á”‰ÊłÊžá”—Ê°â±âżá” ᔃ˹ ʰᔉ á¶œÊłâ±á”‰á”ˆâ€§ áŽŸËĄá”ƒâżá”á”—á”’âż Êłá”‰á”ƒá¶œÊ°á”‰á”ˆ Ê°â±Ëą Ê°á”ƒâżá”ˆ ᔒᔘᔗ á¶ á”’Êł á”—á”’ áŽčÊłâ€§ áŽ·Êłá”ƒá”‡ËąâžŽ Ê·Ê°á”’ á”‰á”á”‡Êłá”ƒá¶œá”‰á”ˆ Ê°â±Ëą á¶ á”’Êłá”á”‰Êł á”‰âżá”‰á”Êžâ€§ "᎔ á¶ á”’Êłá”â±á”›á”‰ ʞᔒᔘ‧‧‧"
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FIVE Senses to ground yourself 5 things you See (eyesight) 4 things you Hear (listening) 3 things you Feel (touch) 2 things you Smell (scent) 1 thing you can Taste
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ᔀⁱᔐᔉ á”—á”’ á”—á”˜Êłâż ᔗʰᔉ á”—á”ƒá”‡ËĄá”‰Ëą âœá”†á”–á”’âżá”á”‰áŽźá”’á”‡ á¶ á”ƒâżá¶ â±á¶œâŸ "ᔂʰᔃᔗ'ᔈ ᎔ á”—Êłá”ƒá”ˆá”‰ á¶ á”’Êł á”—á”’ ᔍᔉᔗ ᔗʰᔉ â±âżá”Êłá”‰á”ˆâ±á”‰âżá”—Ëą ᔛⁱ́ᔃ á”‡ËĄá”ƒá¶œá”á”á”ƒâ±ËĄ?" "ᔂᔉ˥˥ ᔐʞ Ëąá”’á”˜Êłá¶œá”‰Ëą â±âżá”ˆâ±á¶œá”ƒá”—á”‰ ʰᔉ ᔍᔒᔗ á”–Êłâ±á¶»á”‰á”ˆ Ê°â±Ëą á¶ â±ÊłËąá”— á”ˆá”’ËĄËĄá”ƒÊł á”‰á”›á”‰Êł á”‰á”ƒÊłâżá”‰á”ˆ Ëąá”’ ʞᔒᔘ á¶œá”ƒâż ᔍᔒ ᔗᔃᔏᔉ ⁱᔗ ᔃ˹ ᎔'ᔐ ËĄá”ƒá”—á”‰ á¶ á”’Êł ᔐʞ ËąËĄá”˜á”á”‡á”‰Êł á”–á”ƒÊłá”—Êž ᔃᔗ á”†á”ƒâżá”ˆÊž'˱‧" áŽ·á”ƒÊłá”‰âż ᔗʰᔉ á¶œá”’á”á”–á”˜á”—á”‰Êł ʷⁱᶠᔉ á”—á”’ËĄá”ˆ Ê°á”‰Êł Ê°á”˜Ëąá”‡á”ƒâżá”ˆ áŽŸËĄá”ƒâżá”á”—á”’âżâ€§ 'ᎎⁱ˹ á”ˆá”ƒá”˜á”Ê°á”—á”‰Êł ᔐⁱᔍʰᔗ ᔇᔉ ᔃᔗ Ëąá¶œÊ°á”’á”’ËĄ Ê·Ê°â±ËĄËąá”— Ê°â±Ëą á”’Ê·âż Ê·á”’Êłá” Ê°á”’á”˜ÊłËą Ëąá”’ ᎔ á¶œá”ƒâż Ëąâżá”‰á”ƒá” ⁱⁿ Ê°â±Ëą Ê°á”’á”˜Ëąá”‰ Ê·Ê°â±ËĄËąá”— ᎔ á¶œá”ƒâż!' áŽŸËĄá”ƒâżá”á”—á”’âż ᔗʰᔒᔘᔍʰᔗ‧ ᎎᔉ á”‡Êłá”’á”˜á”Ê°á”— ᔇᔃᶜᔏ ᔗʰᔉ á”ˆá”’ËĄËĄá”ƒÊł ʷʰⁱᶜʰ'Ëą á”‰âżá¶œËĄá”’Ëąá”‰á”ˆ ⁱⁿ ᔃ á¶œËĄá”‰á”ƒÊł á¶œá”ƒËąá”‰! áŽŸËĄá”ƒâżá”á”—á”’âż ᔈⁱᔈⁿ'á”— Êłá”‰á”ƒËĄâ±Ëąá”‰ áŽčÊłâ€§ áŽ·Êłá”ƒá”‡Ëą ᔍᔒᔗ ˹ᔒᔐᔉ Ëąá”‰á¶œá”˜Êłâ±á”—Êž á¶œá”ƒá”á”‰Êłá”ƒËą ÊČá”˜Ëąá”— ⁱⁿ á¶œá”ƒËąá”‰ Ëąá”˜á¶œÊ° ᔃ á”—Ê°â±âżá” Ê°á”ƒá”–á”–á”‰âżá”‰á”ˆâ€§ 'á”€á”ƒá”â±âżá” ᔐᔉ á¶ â±ÊłËąá”— á”ˆá”’ËĄËĄá”ƒÊł ᔃ˹ Êłá”ƒâżËąá”’á”âžŽ ʷᔃʞ á”—á”’ á¶ á”ƒÊłâ€§â€§â€§' áŽčÊłâ€§ áŽ·Êłá”ƒá”‡Ëą ᔗʰᔒᔘᔍʰᔗ ᔃ˹ ʰᔉ Ëąá”ƒÊ· ᔗʰᔉ ᶠᔒᔒᔗᔃᔍᔉ‧ "á”†á”–á”’âżá”á”‰á”‡á”’á”‡ ᶜᔒᔐᔉ‧‧‧" "Êžá”‰ËąâžŽ áŽčÊłâ€§ áŽ·Êłá”ƒá”‡Ëąâ€œ" áŽčÊłâ€§ áŽ·Êłá”ƒá”‡Ëą á”—á”’ËĄá”ˆ ʰⁱᔐ ᔗʰᔉ á”–ËĄá”ƒâż á”—á”’ ᔗᔃᔏᔉ ⁱᔗ ᔇᔃᶜᔏ á”ƒá¶ á”—á”‰Êł Ê·á”’Êłá” Ê°á”’á”˜ÊłËą ᔈᔃʞ á”‰âżá”ˆá”‰á”ˆâ€§ "᎔ ˥ᔒᔛᔉ ᔗʰᔉ á”ˆá”’ËĄËĄá”ƒÊł ˥ᔃᔈ! ᔆᔒ ʞᔒᔘ á¶œá”ƒâż ᶜᔒᔐᔉ Ê°á”‰ËĄá”– ᔐᔉ ᔍᔉᔗ ⁱᔗ‧‧‧" "á”†á”ƒâżá”ˆÊž á”—á”’ËĄá”ˆ ᔐᔉ áŽ·á”ƒÊłá”‰âż'Ëą á”á”’âżâżá”ƒ ᔇᔉ ᔃᔗ Ê°á”‰Êł á”–ËĄá”ƒá¶œá”‰ Ëąá”’ áŽŸËĄá”ƒâżá”á”—á”’âż Ê·â±ËĄËĄ ᔇᔉ ᔃᔗ á”ƒËĄá”’âżá”‰ ⁱⁿ ᔗʰᔉ ᶜʰᔘᔐ ᔇᔘᶜᔏᔉᔗ‧‧‧" 'á”‚Ê°á”‰Êłá”‰ ⁱ˹ ⁱᔗ“' áŽčÊłâ€§ áŽ·Êłá”ƒá”‡Ëą ËĄá”’á”’á”á”‰á”ˆ á”ƒÊłá”’á”˜âżá”ˆ ⁱⁿ á”›á”ƒâ±âżâ€§ "ᔂʰᔃᔗ ᔃᔇᔒᔘᔗ Ê°â±Ëą á”‡á”‰á”ˆÊłá”’á”’á”â€§â€§â€§" á”†á”–á”’âżá”á”‰á”‡á”’á”‡ á”ƒËąá”á”‰á”ˆâ€§ "᎔ ᔇᔉᔗ ʰᔉ'ᔈ ᔖᔘᔗ ⁱᔗ á¶œËĄá”’Ëąá”‰ á”—á”’ ʰⁱᔐ ˹ᔉ˥ᶠ ˹ᔒ‧‧‧" áŽčÊłâ€§ áŽ·Êłá”ƒá”‡Ëą Ê·á”‰âżá”— ᔗⁱᔖ ᔗᔒᔉ ᔘᔖ á”—á”’ ᔗʰᔉ á”‡á”‰á”ˆÊłá”’á”’á” á”ˆá”’á”’Êłâ€§ "ʞᔒᔘ ᔍᔉᔗ ⁱᔗ➎ ᔐᔉ ᔇᔒʞ‧ ᎎᔉ'ᔈ ᔇᔉ á”‰ËŁá”–á”‰á¶œá”—â±âżá” ᔐᔉ ᔃⁿᔈ ʞᔒᔘ'Êłá”‰ ⁿᔒᔗ ᔗᔃᔏᔉ ᔘᔖ ᔃ˹ ᔐᔘᶜʰ Ëąá”–á”ƒá¶œá”‰â€§â€§â€§" áŽčÊłâ€§ áŽ·Êłá”ƒá”‡Ëą ᔖᔉᔉᔏᔉᔈ á”—Ê°Êłá”’á”˜á”Ê° ᔗʰᔉ á”ˆá”’á”’Êł á”—á”’ ˹ᔉᔉ ʰⁱᔐ ʷⁱᔗʰ ⁱᔗ‧ "áŽčÊłâ€§ áŽ·Êłá”ƒá”‡ËąâžŽ ʰᔉ'Ëą Ê°á”’ËĄá”ˆâ±âżá” ᔗʰᔉ‧‧‧" "᎔ á”âżá”’Ê·!" "áŽźá”˜á”— Ê°á”’Ê· ᔈᔒ ᎔ ᔗᔃᔏᔉ ⁱᔗ ᔇᔃᶜᔏ ʷⁱᔗʰᔒᔘᔗ ʰⁱᔐ âżá”’á”—â±á¶œâ±âżá”? ᎎᔉ'ᔈ ᔖᔘᔗ ᔘᔖ ᔃ ᶠⁱᔍʰᔗ‧‧‧" "᎔ ᔍᔒᔗ ᔃ ᔈᔉᶜᔒʞ!" áŽčÊłâ€§ áŽ·Êłá”ƒá”‡Ëą ËąÊ°á”’Ê·á”‰á”ˆ á”†á”–á”’âżá”á”‰á”‡á”’á”‡ ᔃ Ëąâ±á”â±ËĄá”ƒÊł á¶œá”ƒËąá”‰ ᔇᔘᔗ á”‰ËŁá¶œá”‰á”–á”— ⁱᔗ ʰᔃᔈ ᔒⁿᔉ ᔒᶠ Ê°â±Ëą ʷᔃᶜᔏʞ á”‡á”˜á¶œá”Ëą ʰᔉ'ᔈ á”˜Ëąá”‰á”ˆ á”—á”’ ᔖᔃʞ Ê°â±Ëą Ê·á”’Êłá”á”‰ÊłËą ʷⁱᔗʰ‧ "áŽșá”’Ê· ᔍᔒ➎ ᔃⁿᔈ ËąÊ·â±á”—á¶œÊ° ⁱᔗ ᔒᔘᔗ! ᎎᔉ'ᔈ Êłá”‰á”ƒËĄâ±Ëąá”‰ á”—á”’ ËĄá”ƒá”—á”‰ ⁱᔗ Ëąá”ƒÊžËą 'ʷᔃᶜᔏʞ á”‡á”˜á¶œá”Ëą' ᔒⁿ ⁱᔗ Ê·Ê°á”‰âż ʷᔉ'Êłá”‰ ËĄá”’âżá” á”á”’âżá”‰ ᔃⁿᔈ Ëąá”ƒá¶ á”‰â€§â€§â€§" áŽčÊłâ€§ áŽ·Êłá”ƒá”‡Ëą á”á”‰âżá”—ËĄÊž á”–á”˜ËąÊ°á”‰á”ˆ Ëąá”–á”’âżá”á”‰á”‡á”’á”‡ ⁱⁿ‧ á”†ËĄâ±á”ˆâ±âżá” á”˜âżá”ˆá”‰Êł ᔗʰᔉ ᔇᔉᔈ➎ Ëąá”–á”’âżá”á”‰ ᔇᔒᔇ á”âżá”‰Ê· ʰᔉ á”á”˜Ëąá”— ᔈᔒ ⁱᔗ ËąÊ·â±á¶ á”—ËĄÊž á”‡á”‰â±âżá” ᔗʰᔉ á”’âżËĄÊž á¶œÊ°á”ƒâżá¶œá”‰ ʰᔉ'ËĄËĄ ᔍᔉᔗ‧ á”†á”–á”’âżá”á”‰á”‡á”’á”‡ á¶œÊłá”ƒÊ·ËĄá”‰á”ˆ ᔒᔘᔗ á¶ Êłá”’á” á”˜âżá”ˆá”‰Êł ᔗʰᔉ ᔇᔉᔈ ʷⁱᔗʰ ᔗʰᔉ ᔈᔉᶜᔒʞ‧ áŽčÊłâ€§ áŽ·Êłá”ƒá”‡Ëą á”Êłâ±á”á”ƒá¶œá”‰á”ˆ ᔃ˹ ʰᔉ Ëąá”ƒÊ· Ëąá”–á”’âżá”á”‰á”‡á”’á”‡ Ê°á”‰Ëąâ±á”—á”ƒá”—á”‰ Ê·Ê°á”‰âż áŽŸËĄá”ƒâżá”á”—á”’âż'Ëą á”Êłâ±á”– Ëąá”—á”ƒÊłá”—Ëą á”—â±á”Ê°á”—á”‰âżâ±âżá” á”ƒÊłá”’á”˜âżá”ˆâ€§ á”†á”–á”’âżá”á”‰ ᔇᔒᔇ ËąÊ°Êłá”˜á”á”á”‰á”ˆâžŽ â±âżá”—á”‰Êłâżá”ƒËĄËĄÊž á”–á”ƒâżâ±á¶œá”â±âżá”â€§ áŽčÊłâ€§ áŽ·Êłá”ƒá”‡Ëą âżá”’á”ˆá”ˆá”‰á”ˆ ⁱⁿ á”‰âżá¶œá”’á”˜Êłá”ƒá”á”‰á”á”‰âżá”— á¶ á”’Êł Ëąá”–á”’âżá”á”‰ ᔇᔒᔇ á”—á”’ á¶œá”’âżá”—â±âżá”˜á”‰â€§ 'áŽ¶á”˜Ëąá”— á”‡á”‰á”—á”—á”‰Êł Ê°á”˜ÊłÊłÊž Ëąá”’ ʷᔉ á¶œá”ƒâż ᔍᔉᔗ ᔒᔘᔗ âżá”’Ê· ᎔ ᔈⁱᔈ ⁿᔒᔗ ᶜᔒᔐᔉ á”—á”’ Ê·â±á”—âżá”‰ËąËą ᔐᔉ á”‰âżá”‰á”Êž Ëąâżá”’Êłá”‰' áŽčÊłâ€§ áŽ·Êłá”ƒá”‡Ëą ᔗʰᔒᔘᔍʰᔗ‧ á”†á”–á”’âżá”á”‰á”‡á”’á”‡ Ëąâ±á”Ê°á”‰á”ˆâžŽ á”—á”ƒá”â±âżá” ᔗʰᔉ Êłá”‰á”–ËĄá”ƒá¶œâ±âżá” ʷⁱᔗʰ ᔗʰᔉ ᶠᔃᔏᔉ á¶œá”ƒËąá”‰ ⁱⁿ áŽŸËĄá”ƒâżá”á”—á”’âż'Ëą á”‰á”á”‡Êłá”ƒá¶œá”‰ âżá”’Ê· á”á”‰á”—á”—â±âżá” ᔗʰᔉ Êłá”‰á”ƒËĄ ᔒⁿᔉ‧ áŽčÊłâ€§ áŽ·Êłá”ƒá”‡Ëą Ê·â±âżá¶œá”‰á”ˆ Ê·Ê°á”‰âż ʰᔉ Ëąá”ƒÊ· á”ˆÊłá”’á”’ËĄ ᔒⁿ ⁱᔗ ᔗʰᔒᔘᔍʰ‧ "Ꮁᔘʰ–" "Ëąá”–á”’âżá”á”‰á”‡á”’á”‡ ᔍᔉᔗ!" áŽčÊłâ€§ áŽ·Êłá”ƒá”‡Ëą Ëąá”ƒâ±á”ˆâ€§ "᎔ᔗ'Ëą ᔃ ᔍᔒᔒᔈ á”—Ê°â±âżá” ʞᔒᔘ ᔖᔘᔗ ⁱᔗ ⁱⁿ ᔃ á”–Êłá”’á”—á”‰á¶œá”—â±á”›á”‰â€§â€§â€§" "᎔ Ê·á”ƒâżâżá”ƒ ᔍᔉᔗ ᔒᶠᶠ Ê°â±Ëą á”–Êłá”’á”–á”‰Êłá”—Êž âżá”’Ê· ᔇᔘᔗ ᔍᔒᔒᔈ ÊČᔒᔇ! ᎏ˥˹ᔒ ᎔ Ê·á”ƒâżâżá”ƒ ᔍᔉᔗ ᔃ âżá”‰Ê· á¶œá”ƒËąá”‰ á¶ á”’Êł ⁱᔗ➎ ᔇᔘᔗ ⁱᔗ á¶œá”’á”á”‰Ëą ᔒᔘᔗ ᔒᶠ Êžá”’á”˜Êł ᔖᔃʞᶜʰᔉᶜᔏ ˹ᔒⁿ‧‧‧" "ʞᔒᔘ ᔍᔒᔗ ⁱᔗ áŽčÊłâ€§ áŽ·Êłá”ƒá”‡Ëą!" á”†á”–á”’âżá”á”‰á”‡á”’á”‡ Ëąá”â±ËĄá”‰á”ˆâ€§ ᔀʰᔉ ⁿᔉˣᔗ ᔈᔃʞ áŽŸËĄá”ƒâżá”á”—á”’âż ᔈⁱᔈⁿ'á”— Êłá”‰á”ƒËĄâ±Ëąá”‰ ᔃᔇᔒᔘᔗ ᔗʰᔉ á”ˆá”’ËĄËĄá”ƒÊł ᔃ˹ ʰᔉ ᔗʰᔒᔘᔍʰᔗ ʰᔉ ˹ᔗⁱ˥˥ ᔍᔒᔗ ËĄá”‰á”›á”‰Êłá”ƒá”á”‰â€§ áŽčÊłâ€§ áŽ·Êłá”ƒá”‡Ëą á”ƒËĄËąá”’ ᔖᔘᔗ ᔘᔖ ᔃ á”‡á”‰á”—á”—á”‰Êł Ëąá”‰á¶œá”˜Êłâ±á”—Êž á¶ á”’Êł Ê°â±Ëą á”–Êłâ±á¶»á”‰á”ˆ ᔖᔒ˹˹ᔉ˹˹ⁱᔒⁿ‧ "ᎎᔉʞ áŽ±á”˜á”á”‰âżá”‰â€œ" áŽŸËĄá”ƒâżá”á”—á”’âż Ê·á”‰âżá”— á”—á”’ áŽčÊłâ€§ áŽ·Êłá”ƒá”‡Ëą ᔒᶠᶠⁱᶜᔉ‧ "᎔'ᔛᔉ ᔍᔒᔗ‧‧‧" "ʞᔒᔘ ᔃⁱⁿ'á”— á”á”‰á”—á”—â±âżá” â±âżá”Êłá”‰á”ˆâ±á”‰âżá”—ËąâžŽ áŽŸËĄá”ƒâżá”á”—á”’âżâ€§â€§â€§" "á”†á”˜á”–á”–á”’Ëąá”‰ ᎔ á”‡Êłâ±á”‡á”‰ ʞᔒᔘ‧‧‧" áŽŸËĄá”ƒâżá”á”—á”’âż Ê°á”‰ËĄá”ˆ ᔘᔖ ᔗʰᔉ á¶œá”ƒËąá”‰ ⁿᔒᔗ á”âżá”’Ê·â±âżá” ⁱᔗ'Ëą ᔃ ᶠᔃᔏᔉ‧ "Ꮃⁱᔛᔉ ᔐᔉ ᔗʰᔉ ᔇᔒᔗᔗ˥ᔉ á”’Êł á¶œÊ°á”’á”’Ëąá”‰ á¶ á”’Êł Êžá”’á”˜Êł á”ˆá”’ËĄËĄá”ƒÊłâžŽ ᔇᔘᔗ ⁿᔒ á”á”ƒá”—á”—á”‰Êł ʷʰⁱᶜʰ ᶜʰᔒⁱᶜᔉ ᎔'ËĄËĄ Êłá”˜ËĄá”‰!" "ᑫᔘⁱᔗᔉ ᔗʰᔉ á¶œá”’âżá”—Êłá”ƒÊłÊž á”‡á”‰á¶œá”ƒá”˜Ëąá”‰ ᎔ Êłá”˜ËĄá”‰ ᔃⁿᔈ ʞᔒᔘ á”ˆÊłá”’á”’ËĄ!" áŽčÊłâ€§ áŽ·Êłá”ƒá”‡Ëą ËĄá”ƒá”˜á”Ê°á”‰á”ˆ ᔃᔗ‧ "áŽșá”’Ê· ËĄá”‰á”ƒá”›á”‰âžŽ ᔃⁿᔈ ᔏᔉᔉᔖ Êžá”’á”˜Êł ᔂᔃᶜᔏʞ áŽźá”˜á¶œá”Ëą á”—á”’!" áŽŸËĄá”ƒâżá”á”—á”’âż ËĄá”’á”’á”á”‰á”ˆ á¶œá”’âżá¶ á”˜Ëąá”‰á”ˆ ᔇᔘᔗ á”âżá”‰Ê· ʰᔉ á¶ á”ƒâ±ËĄá”‰á”ˆâ€§
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᎟ᔃʞ ᎏ˥˥ Ꮀᔃʞ âœá”†á”–á”’âżá”á”‰áŽźá”’á”‡ á¶ á”ƒâżá¶ â±á¶œâŸ áŽŸËĄá”ƒâżá”á”—á”’âż Ê·á”ƒËą Êłâ±á”Ê°á”— ᔃᔇᔒᔘᔗ á”—á”’ ᔐᔃᔏᔉ ᔃ Ëąá”—á”‰á”ƒËĄ Ê·Ê°á”‰âż ʰᔉ Ê°á”‰á”ƒÊłá”ˆ ᔃ á¶œá”˜Ëąá”—á”’á”á”‰Êł Êžá”‰ËĄËĄá”‰á”ˆ ᔃᔗ Ëąá”–á”’âżá”á”‰ ᔇᔒᔇ á¶ Êłâ±á”Ê°á”—á”‰âżâ±âżá”ËĄÊžâ€§ "áŽ¶á”˜Ëąá”— á”âżá”’Ê· ʞᔒᔘ Ê·â±ËĄËĄ âżá”‰á”›á”‰Êł á”ƒá”á”’á”˜âżá”— á”—á”’ á”ƒâżÊž á”—Ê°â±âżá” ᔃᔗ ᔃ˥˥! ᎏ á”ˆâ±Ëąá”ƒá”–á”–á”’â±âżá”—á”á”‰âżá”— ËĄâ±á”á”‰ ʞᔒᔘ‧‧‧" Ëąá”˜á”ˆá”ˆá”‰âżËĄÊž ᔗʰᔉ á”ƒâżá”ÊłÊž á¶œá”˜Ëąá”—á”’á”á”‰Êł ᔍᔒᔗ ʰⁱᔗ ʷⁱᔗʰ ᔃ ᔇᔒᔗᔗ˥ᔉ ᔒᶠ ᔖᔃᔗᔗʞ â±âżá”Êłá”‰á”ˆâ±á”‰âżá”—Ëąâ€§ áŽŸËĄá”ƒâżá”á”—á”’âż á”ËĄá”ƒÊłá”‰á”ˆâžŽ Êłá”‰á”ƒá”ˆÊž á”—á”’ ᔗᔃᔏᔉ ᔒⁿ ᔃ ᔐᔃᔈ á¶œá”˜Ëąá”—á”’á”á”‰Êł Ê·Ê°á”’ á”‡á”˜ËĄËĄâ±á”‰á”ˆ Ëąá”–á”’âżá”á”‰ ᔇᔒᔇ á”âżá”’Ê·â±âżá” ʰᔉ'ᔈ ˥ᔒ˹ᔉ á¶œÊ°á”ƒâżá¶œá”‰ á”—á”’ ᔍᔉᔗ ᔃʷᔃʞ ʷⁱᔗʰ â±âżá”Êłá”‰á”ˆâ±á”‰âżá”—Ëąâ€§ "ᎌᔘᶜʰ! ᔂʰᔒ á”ˆá”ƒÊłá”‰á”ˆ á”—á”’ ʰⁱᔗ ᔐᔉ ʷⁱᔗʰ á”ËĄá”ƒËąËą ᔇᔒᔗᔗ˥ᔉ?" á”†á”ƒÊžËą ᔗʰᔉ á”ƒâżá”ÊłÊž á¶œá”˜Ëąá”—á”’á”á”‰Êłâ€§ á”†á”–á”’âżá”á”‰á”‡á”’á”‡ á”á”ƒËąá”–á”‰á”ˆâžŽ á”—á”˜Êłâżâ±âżá” ᔃʷᔃʞ á¶ Êłá”’á” ᔗʰᔉ á”‡á”˜ËĄËĄÊž á”—á”’ ˹ᔉᔉ áŽŸËĄá”ƒâżá”á”—á”’âżâ€§ "᎔ ᔈⁱᔈ‧" ᎎᔉ Ëąâżá”ƒá”–á”–á”‰á”ˆâ€§ "áŽșá”’Ê· ʞᔒᔘ ˥ᔉᔗ ᔗʰᔉ ᔏⁱᔈ ᔍᔒ‧‧‧" "ʞᔒᔘ Ê·á”ƒâżâżá”ƒ ᔖⁱᶜᔏ á¶ â±á”Ê°á”—Ëą ʷⁱᔗʰ‧‧‧" "᎔ ˹ᔃⁱᔈ➎ ˥ᔉᔗ‧ ᎎⁱᔐ‧ Ꮃᔒ!" áŽŸËĄá”ƒâżá”á”—á”’âż Ëąá”—á”’á”’á”ˆ Ê°â±Ëą á”Êłá”’á”˜âżá”ˆ á¶ á”ƒá¶œâ±âżá” ᔗʰᔉᔐ‧ "ᔁⁿ˥ᔉ˹˹ ʞᔒᔘ'Êłá”‰ á”ƒá¶ Êłá”ƒâ±á”ˆâ€§â€§â€§" áŽŸËĄá”ƒâżá”á”—á”’âż ËĄá”’á”’á”Ëą á”á”ƒá”â±âżá” ᔉʞᔉ á¶œá”’âżá”—á”ƒá¶œá”— ʷⁱᔗʰ ᔗʰᔉᔐ‧ ᔀʰᔉ á¶œá”˜Ëąá”—á”’á”á”‰Êł ˥ᔉᔗ ᔍᔒ ᔒᶠ Ëąá”–á”’âżá”á”‰ ᔇᔒᔇ ᔃ˹ á”—á”’ ᶠᔃᶜᔉ áŽŸËĄá”ƒâżá”á”—á”’âż âżá”’Ê·â€§ ᎎᔉ ᔃⁱᔐᔉᔈ ᔗʰᔉ ᔇᔒᔗᔗ˥ᔉ ᔇᔃᶜᔏ ᔃᔗ áŽŸËĄá”ƒâżá”á”—á”’âż ᔇᔘᔗ ⁱᔗ á”â±ËąËąá”‰á”ˆ ᔃⁿᔈ ËąÊ°á”ƒá”—á”—á”‰Êłá”‰á”ˆâ€§ ᔀʰᔉ á”–á”ƒá”–á”‰Êł ˥ⁱ˹ᔗ ᔒᶠ â±âżá”Êłá”‰á”ˆâ±á”‰âżá”—Ëą ˹ᔗⁱ˥˥ Êłá”‰á”á”ƒâ±âżá”‰á”ˆ Êłá”’ËĄËĄá”‰á”ˆ ᔘᔖ‧ áŽŸâ±á¶œá”â±âżá” ⁱᔗ ᔘᔖ ᔗʰᔉ á¶œá”˜Ëąá”—á”’á”á”‰Êł á”‡á”‰á”á”ƒâż á”—á”’ ᔒᔖᔉⁿ ⁱᔗ‧ áŽŸËĄá”ƒâżá”á”—á”’âż âżá”’Ê· ËĄá”’á”’á”á”‰á”ˆ â±âżá”—Êłâ±á”á”˜á”‰á”ˆâ€§ "᎔'ËĄËĄ Êłá”‰á”ƒá”ˆ ᔒᶠᶠ ᔃ˥˥ ᔗʰᔉ â±âżá”Êłá”‰á”ˆâ±á”‰âżá”—Ëą á”—á”’ ᔗʰᔉ Êłá”‰Ëąá”—á”ƒá”˜Êłá”ƒâżá”— Ëąá”’ á¶ á”’Êł ᔗʰᔉ á¶ ÊłÊž ᶜᔒᔒᔏ á¶œá”ƒâż ᔍᔉᔗ á¶ â±Êłá”‰á”ˆ!" áŽŸËĄá”ƒâżá”á”—á”’âż á”á”ƒËąá”–á”‰á”ˆâ€§ "ᔀʰᔉ â±âżá”Êłá”‰á”ˆâ±á”‰âżá”—Ëą ᔗᔒ‧‧‧ ʞᔃʰ!" áŽŸËĄá”ƒâżá”á”—á”’âż'Ëą ᔇⁱᔗᔗᔉⁿ ᔗʰᔉ á¶œá”˜Ëąá”—á”’á”á”‰Êł ᔒⁿ ᔗʰᔉ Ëąâ±á”ˆá”‰ ᔒᶠ Ê°â±Ëą ËĄá”‰á” âżá”’Ê·â€§ ᔀʰᔉ á¶œá”˜Ëąá”—á”’á”á”‰Êł âżá”’Ê· ËąÊ°á”’á”’á” ˹ᔃⁱᔈ ËĄá”‰á” ⁱⁿ á‘«á”˜á”‰Ëąá”—â±á”’âż ᔃ˹ áŽŸËĄá”ƒâżá”á”—á”’âż Êžá”‰ËĄËĄá”‰á”ˆ "áŽ·Êłá”ƒá”‡Ëą" ᔇᔘᔗ á”á”˜á¶ á¶ ËĄá”‰á”ˆâžŽ ᔃ˹ ʰᔉ ˹ᔗⁱ˥˥ ᔇⁱᔗᔉ˹ á”ˆá”’Ê·âżâ€§ ᔀʰᔉ á¶œá”˜Ëąá”—á”’á”á”‰Êł ᔏⁱᶜᔏᔉᔈ ʰⁱᔐ á¶ ËĄÊžâ±âżá” á”—á”’ ᔗʰᔉ Ê·á”ƒËĄËĄ ᔃ˹ ʰᔉ ʰⁱᔗ Ê°á”ƒÊłá”ˆ ʷⁱᔗʰ ᔃ ËĄá”’á”˜á”ˆ ᔗʰᔘᔈ ᔃ˹ ʰᔉ á”—Ê°á”‰âż ˹˥ⁱᔈ á”ˆá”’Ê·âż ËĄâ±á”á”–ËĄÊžâ€§ áŽŸËĄá”ƒâżá”á”—á”’âż ËĄá”ƒâżá”ˆá”‰á”ˆ á”ˆá”’Ê·âż ᔃⁿᔈ ⁿᔒᔗ á”á”’á”›â±âżá” ᔃ˹ áŽčÊłâ€§ áŽ·Êłá”ƒá”‡Ëą á¶ â±âżá”ƒËĄËĄÊž ᔍᔒᔗ ᔒᔘᔗ ᔒᶠ Ê°â±Ëą ᔒᶠᶠⁱᶜᔉ‧ "áŽčᔉ â±âżá”Êłá”‰á”ˆâ±á”‰âżá”—Ëą! ᔂʰ‧‧‧" áŽčÊłâ€§ áŽ·Êłá”ƒá”‡Ëą Ëąá”–á”’á”—á”—á”‰á”ˆ áŽŸËĄá”ƒâżá”á”—á”’âżâ€§ "ᎌᶠ á¶œá”’á”˜ÊłËąá”‰âžŽ ʞᔒᔘ á”á”˜Ëąá”— ᔇᔉ Ê°â±Êłá”‰á”ˆ ᔇʞ ʰⁱᔐ ᔗᔒ‧‧‧" "á¶ á”’Êłá”á”‰á”— ⁱᔗ; ᎔'ᔐ ᔒᔘᔗ ᔒᶠ Ê°á”‰Êłá”‰!" ᔀʰᔉ á¶œá”˜Ëąá”—á”’á”á”‰Êł ᔍᔃᔛᔉ ᔇᔃᶜᔏ ᔗʰᔉ ᔖⁱᔉᶜᔉ ᔒᶠ á”–á”ƒá”–á”‰Êł ᔃⁿᔈ á”–Êłá”’á”á”–á”—ËĄÊž ˥ᔉᶠᔗ‧ "ʞᔒᔘ á”–á”ƒÊłá”ƒËąâ±á”—á”‰â€§â€§â€§" "áŽčÊłâ€§ áŽ·Êłá”ƒá”‡Ëą á”–ËĄá”‰á”ƒËąá”‰ á”ˆá”’âż'á”— á”‡Êłâ±âżá” áŽŸËĄá”ƒâżá”á”—á”’âż Ê°á”ƒÊłá”! ᎎᔉ á”—Ê°Êłá”‰Ê· ᔗʰᔉ ᔇᔒᔗᔗ˥ᔉ ᔃᔗ ᔃ á”á”‰á”ƒâż á¶œá”˜Ëąá”—á”’á”á”‰Êł ᔃⁿᔈ ᎔ á”—Ê°â±âżá” ʰᔉ'Ëą á”‡á”ƒá”ˆËĄÊž Ê°á”˜Êłá”—!" á”†á”–á”’âżá”á”‰á”‡á”’á”‡ á”—á”’ËĄá”ˆ Ê°â±Ëą ᔇᔒ˹˹ ʷⁱᔗʰ á”—á”‰á”ƒÊłËą ⁱⁿ Ê°â±Ëą á”‰Êžá”‰Ëąâ€§ áŽŹá¶ á”—á”‰Êł Ê·á”ƒá”—á¶œÊ°â±âżá” ᔗʰᔉ Ëąá”‰á¶œá”˜Êłâ±á”—Êž á¶œá”ƒá”á”‰Êłá”ƒ ᶠᔒᔒᔗᔃᔍᔉ➎ áŽčÊłâ€§ áŽ·Êłá”ƒá”‡Ëą Êłá”‰á”á”ƒâ±âżá”‰á”ˆ á”˜á”—á”—á”‰ÊłËĄÊž Ëąá”–á”‰á”‰á¶œÊ°ËĄá”‰ËąËąâ€§ "ᎎᔉ á¶œá”’á”˜ËĄá”ˆ'ᔛᔉ ÊČá”˜Ëąá”— â±á”âżá”’Êłá”‰á”ˆ ᔃⁿᔈ ËĄá”‰á”ƒá”›á”‰ ʷⁱᔗʰ ⁱᔗ ᔇᔘᔗ‧‧‧" á”†á”–á”’âżá”á”‰á”‡á”’á”‡ Ëąá”’á”‡á”‡á”‰á”ˆâ€§ áŽčÊłâ€§ áŽ·Êłá”ƒá”‡Ëą á”‰á”á”‡Êłá”ƒá¶œá”‰á”ˆ Ê°â±Ëą á¶ ÊłÊž ᶜᔒᔒᔏ‧ "Êžá”‰ËąâžŽ Êžá”‰Ëąâ€§â€§â€§" áŽŸËĄá”ƒâżá”á”—á”’âż á”’á”–á”‰âżá”‰á”ˆ Ê°â±Ëą ᔉʞᔉ ᔃ˹ áŽčÊłâ€§ áŽ·Êłá”ƒá”‡Ëą ᔃⁿᔈ á”†á”–á”’âżá”á”‰á”‡á”’á”‡ á”âżá”‰ËĄá”— á”ˆá”’Ê·âż ᔇʞ ʰⁱᔐ‧ 'ᎎᔒʷ ËĄá”’âżá” Ê·á”ƒËą ᎔➎ ʷʰᔃᔗ á”ƒá”á”’á”˜âżá”— ᔒᶠ ᔗⁱᔐᔉ‧‧‧' áŽŸËĄá”ƒâżá”á”—á”’âż ᔗʰᔒᔘᔍʰᔗ ᔃ˹ ʰᔉ á”‡ËĄâ±âżá”á”‰á”ˆâ€§ "á”†Ê°á”‰ËĄá”ˆá”’âż ᎔ Ê·á”ƒâżâżá”ƒ á”ƒËąá” ʞᔒᔘ ˹ᔒᔐᔉ á”—Ê°â±âżá” á”‡á”‰á¶ á”’Êłá”‰ á¶œËĄá”’Ëąá”‰ ᔘᔖ á”—á”’âżâ±á”Ê°á”—â€§â€§â€§" áŽčÊłâ€§ áŽ·Êłá”ƒá”‡Ëą Ê°á”‰ËĄá”–á”‰á”ˆ ʰⁱᔐ ᔘᔖ‧ "á¶œá”ƒâż ᎔ ʰᔃᔛᔉ ᔃ ᔐᔒᔐᔉⁿᔗ á”ƒËĄá”’âżá”‰?" áŽŸËĄá”ƒâżá”á”—á”’âż á”ƒËąá”á”‰á”ˆ Ëąá”–á”’âżá”á”‰á”‡á”’á”‡â€§ "áŽ·á”ƒÊłá”‰âż'Ëą ᔒᔘᔗ ᔒᶠ á”—á”’Ê·âż ᔃⁿᔈ ᎔ ʷᔃ‧‧‧" "᎔ ʷᔃᔗᶜʰᔉᔈ ᔗʰᔉ Ëąá”˜Êłá”›á”‰â±ËĄËĄá”ƒâżá¶œá”‰âžŽ ᔃⁿᔈ Ê·á”ƒâżá”— á”—á”’ á”—Ê°á”ƒâżá” ʞᔒᔘ‧ á”†á”–á”’âżá”á”‰á”‡á”’á”‡'Ëą ËĄâ±á”á”‰ ᔃ ˹ᔒⁿ á”—á”’ ᔐᔉ‧ áŽźá”˜á”— ᎔ Ê·á”ƒâżá”— á”—á”’ á”ƒËąá” Ê·á”’á”˜ËĄá”ˆ ʞᔒᔘ ËĄâ±á”á”‰ á”—á”’ Ëąá”–á”‰âżá”ˆ ᔗʰᔉ âżâ±á”Ê°á”— ᔃᔗ ᔐʞ á”–ËĄá”ƒá¶œá”‰? ᎔ᔗ'Ëą ˹ᔒᔐᔉ á”—Ê°â±âżá” ʷᔉ Ê°á”ƒá”›á”‰âż'á”— á”ˆá”’âżá”‰ Ëąâ±âżá¶œá”‰ á”’á”˜Êł á¶œÊ°â±ËĄá”ˆÊ°á”’á”’á”ˆâ€§â€§â€§" "á¶ á”’Êł ᔗʰᔉ á”’ËĄá”ˆ ᔗⁱᔐᔉ˹ Ëąá”ƒá”á”‰? ᎔ á”á”˜á”‰ËąËą ˹ᔒ‧‧‧" "á”‚á”ƒâżâżá”ƒ ËąÊ°á”ƒÊłá”‰ ᔐᔉ ʰᔃᔐᔐᔒᶜᔏ?" áŽčÊłâ€§ áŽ·Êłá”ƒá”‡Ëą á”’á¶ á¶ á”‰Êłá”‰á”ˆâ€§ "᎔ á”ˆá”’âż'á”— Ê·á”ƒâżâżá”ƒ ᔗᔉᔐᔖᔗ á¶ á”ƒá”—á”‰Ëą á”’Êł ᔐʞ Ëąá”ƒá¶ á”‰á”—Êž áŽ±á”˜á”á”‰âżá”‰â€§â€§â€§" "᎔ ˹ᔉᔉ‧ ᎔'ᔛᔉ ᔃⁿ á”‰ËŁá”—Êłá”ƒ á”‡á”‰á”ˆÊłá”’á”’á” ʷⁱᔗʰ ᔃ ᔇᔉᔈ ᔇⁱᔍ á”‰âżá”’á”˜á”Ê° á¶ á”’Êł ᔇᔒᔗʰ ᔒᶠ ᔘ˹!" ᎎᔉ Ê°á”‰ËĄá”–á”‰á”ˆ ʰⁱᔐ ᔘᔖ á”—á”’ ᔗʰᔉ ᔇᔉᔈ‧ "á”€Ê°á”ƒâżá”ËąâžŽ áŽ·Êłá”ƒá”‡Ëąâ€§â€§â€§" ˹ᔃⁱᔈ áŽŸËĄá”ƒâżá”á”—á”’âżâžŽ ᔇᔘᔗ áŽčÊłâ€§ áŽ·Êłá”ƒá”‡Ëą á¶ á”ƒËĄËĄá”‰âż á”ƒËąËĄá”‰á”‰á”–â€§ áŽčÊłâ€§ áŽ·Êłá”ƒá”‡Ëą á”ˆá”ƒá”˜á”Ê°á”—á”‰Êł áŽŸá”‰á”ƒÊłËĄ ᔗʰᔉ Ê·Ê°á”ƒËĄá”‰ ᶜᔃᔐᔉ á”ƒÊłÊłâ±á”›á”‰á”ˆ ʰᔒᔐᔉ á”ƒá¶ á”—á”‰Êł ᔃ âżâ±á”Ê°á”— ᔒᔘᔗ‧ "Ꮀᔃᔈ‧‧‧" áŽčÊłâ€§ áŽ·Êłá”ƒá”‡Ëą Ê°á”‰á”ƒÊłá”ˆ Ê°â±Ëą á”ˆá”ƒá”˜á”Ê°á”—á”‰Êł ᔃ˹ ËąÊ°á”‰ Ëąá”ƒÊ· ᔗʰᔉᔐ ⁱⁿ ᔗʰᔉ á”‰ËŁá”—Êłá”ƒ Êłá”’á”’á”â€§ "ᑫᔘⁱᔉᔗ‧‧" áŽčÊłâ€§ áŽ·Êłá”ƒá”‡Ëą á”–á”’â±âżá”—á”‰á”ˆ ᔃᔗ á”—á”’ áŽŸËĄá”ƒâżá”á”—á”’âż Ê·Ê°á”’'Ëą ËĄâ±á”Ê°á”—ËĄÊž Ëąâżá”’Êłâ±âżá” Ê·Ê°â±ËĄËąá”— á”ƒËąËĄá”‰á”‰á”–â€§ "ᎌʰ➎ Ëąá”’ÊłÊłÊžâ€§â€§" áŽŸá”‰á”ƒÊłËĄ ˥ᔉᶠᔗ Ê·á”‰âżá”— á”—á”’ Ê°á”‰Êł á”’Ê·âż ᔇᔉᔈ Êłá”’á”’á” á¶ á”’Êł ᔗʰᔉ âżâ±á”Ê°á”—â€§ áŽčÊłâ€§ áŽ·Êłá”ƒá”‡Ëą ᔈⁱᔈⁿ'á”— Ê·á”ƒâżá”— áŽŸËĄá”ƒâżá”á”—á”’âż á”—á”’ Ëąá”—â±ÊłâžŽ ᔇᔘᔗ ⁱᔗ á”ƒËĄËąá”’ ⁱ˹ á”âżá”’Ê·âż Ê°á”’Ê· ʰᔉ á”á”‰á”—Ëą âżá”‰Êłá”›á”’á”˜Ëą á”ƒÊłá”’á”˜âżá”ˆ á”ƒâżÊž Ê·Ê°á”ƒËĄá”‰Ëąâ€§ áŽžá”˜á¶œá”â±ËĄÊž ʰᔉ ˹ᔗⁱ˥˥ ˹˥ᔉᔖᔗ á”—Ê°Êłá”’á”˜á”Ê°â€§ á”‚Ê°á”‰âżá¶œá”‰ áŽŸá”‰á”ƒÊłËĄ ᔍᔒᔗ ᔘᔖ ᔒᔘᔗ ᔒᶠ ᔇᔉᔈ ᔗʰᔉ ⁿᔉˣᔗ á”á”’Êłâżâ±âżá” ËąÊ°á”‰ âżá”’á”—â±á¶œá”‰á”ˆ áŽŸËĄá”ƒâżá”á”—á”’âż'Ëą âżá”’Ê· ᔃʷᔃᔏᔉ‧ ᔆʰᔉ ᔈⁱᔈⁿ'á”— á”âżá”’Ê· ᔃᔇᔒᔘᔗ Ê°â±Ëą á¶ á”‰á”ƒÊł ᔒᶠ Ê·Ê°á”ƒËĄá”‰Ëą ᔗʰᔒᔘᔍʰ‧ "ᎎⁱ áŽŸËĄá”ƒâżá”á”—á”’âż!" ᎎᔉ ᔍᔒᔗ Ëąá”—á”ƒÊłá”—ËĄá”‰á”ˆ á”‡á”‰á¶ á”’Êłá”‰ ʰᔉ ᔉᔛᔉⁿ Êłá”‰á”ƒËĄâ±Ëąá”‰á”ˆ Ê°á”’Ê· ËąÊ°á”‰'Ëą ᔃ Ê·Ê°á”ƒËĄá”‰â€§ áŽŸËĄá”ƒâżá”á”—á”’âż Êłá”ƒâż Ëąá¶œÊłá”‰á”ƒá”â±âżá” ᔒᔘᔗ ᔒᶠ ᔗʰᔉ Ê°á”’á”˜Ëąá”‰â€§ áŽčÊłâ€§ áŽ·Êłá”ƒá”‡Ëą ᔃʷᔒᔏᔉ ʷⁱᔗʰ ᔃ Ëąâżá”’Êłá”— ⁿᔒⁱ˹ᔉ á”ƒá¶ á”—á”‰Êł áŽŸËĄá”ƒâżá”á”—á”’âż ᔍᔒᔗ ᔒᔘᔗ‧ "á”‚Ê°á”‰Êłá”‰'Ëą áŽŸËĄá”ƒâżá”á”—á”’âż ᔍᔒ‧‧‧" "᎔ ʰᔃᔈ á”’âżËĄÊž á”Êłá”‰á”‰á”—á”‰á”ˆ ʰⁱᔐ á¶ Êłâ±á”‰âżá”ˆËĄÊž ᔃⁿᔈ ʰᔉ ÊČá”˜Ëąá”— á”‡á”’ËĄá”—á”‰á”ˆâ€§â€§â€§" áŽŸá”‰á”ƒÊłËĄ á”—á”’ËĄá”ˆ ʰⁱᔐ‧ "ᎎᔉ'Ëą á”ƒá¶ Êłá”ƒâ±á”ˆ ᔒᶠ Ê·Ê°á”ƒËĄá”‰Ëą ᔐᔉ ˥ⁱᔗᔗ˥ᔉ á”‡á”‰ËĄá”˜á”á”ƒâ€§â€§" áŽčÊłâ€§ áŽ·Êłá”ƒá”‡Ëą Êłá”‰á”ƒËĄâ±Ëąá”‰á”ˆ ʷʰᔃᔗ'Ëą Ê°á”ƒá”–á”–á”‰âżá”‰á”ˆâ€§ ᎎᔉ á¶ á”’á”˜âżá”ˆ áŽŸËĄá”ƒâżá”á”—á”’âż ᔇᔃᶜᔏ ᔃᔗ Ê°â±Ëą á”’Ê·âż á”–ËĄá”ƒá¶œá”‰â€§ "᎔'ᔐ Ëąá”’ Ëąá”’ÊłÊłÊž áŽŸËĄá”ƒâżá”á”—á”’âż ᎔ á¶ á”’Êłá”á”’á”—â€§ áŽŸá”‰á”ƒÊłËĄ'Ëą ᔐᔉ á”ˆá”ƒÊłËĄâ±âżá” á”ˆá”ƒá”˜á”Ê°á”—á”‰Êłâ€§â€§â€§" "᎔ á”ˆá”’âż'á”— Ê·á”ƒâżâżá”ƒ ᔍᔉᔗ Ê°á”˜Êłá”— ᔇʞ‧‧‧" "ᔆʰᔉ'Ëą ⁿᔒᔗ‧" "ᔂᔉ˥˥ áŽ·á”ƒÊłá”‰âż'Ëą Ëąá”˜á”–á”–á”’Ëąá”‰á”ˆ á”—á”’ ᔇᔉ á¶œá”’á”â±âżá” ᔇᔃᶜᔏ ᔃ˹ ⁱᔗ ⁱ˹ Ëąá”’ ᔇᔘᔗ ᎔'ᔐ á”á”’âżâżá”ƒ Ëąá”—á”ƒÊžâ€§â€§â€§" "᎔ ᔍᔒᔗᶜʰᔃ‧"
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᎔ ᔍᔒᔗ ᔐʞ ᔉʞᔉ ᔒⁿ ʞᔒᔘ âœá”†á”–á”’âżá”á”‰áŽźá”’á”‡ á¶ á”ƒâżá¶ â±á¶œâŸ "ʞᔒᔘ'Êłá”‰ ᔉ˥ᔉᔛᔉⁿ âżá”’Ê· á”†Ê°á”‰ËĄá”ˆá”’âż áŽŸËĄá”ƒâżá”á”—á”’âż! ᔀʰᔉ Ëąá¶œÊ°á”’á”’ËĄ'Ëą á¶œá”ƒËĄËĄá”‰á”ˆ áŽŸá”’Ëąá”‰â±á”ˆá”’âżâ€§" áŽłá”’Êłá”ˆá”’âż Ëąá”ƒÊžËąâžŽ á”—á”’ Ê°â±Ëą ˹ᔒⁿ‧ á”†Ê°á”‰ËĄá”ˆá”’âż ᶠᔉ˥ᔗ á”ƒâżËŁâ±á”’á”˜Ëąâ€§ á¶ â±ÊłËąá”— ᔈᔃʞ ᔒᶠ Ëąá¶œÊ°á”’á”’ËĄâžŽ ˹ᔒᔐᔉ á¶œÊ°â±ËĄá”ˆÊłá”‰âż Ëąá”ƒÊ· ʰⁱᔐ‧ "Ꮀᔒ ʞᔒᔘ ᔉᔃᔗ Êžá”’á”˜Êł á”›á”‰á”á”â±á”‰Ëą á”’Êł Ê·Ê°Êž ʞᔒᔘ Ëąá”’ ˹ᔐᔃ˥˥?" "᎔ ÊČá”˜Ëąá”— ᔃᔐ‧‧" "ʞᔒᔘ ËĄá”’á”’á” á¶ á”˜âżâżÊž!" "ᔂʰʞ'Ëą ʰᔉ á”’âżËĄÊž ᔍᔒᔗ ᔒⁿᔉ ᔉʞᔉ?" "á¶œÊžá¶œËĄá”’á”–â±á”ƒâ€§" "ᎎᔘʰ?" "᎔'ᔛᔉ á¶œÊžá¶œËĄá”’á”–â±á”ƒ Ëąâ±âżá¶œá”‰ ᎔ Ê·á”ƒËą á”‡á”’Êłâżâ€§" áŽ±á”˜á”á”‰âżá”‰ áŽ·Êłá”ƒá”‡Ëą âżá”’á”—â±á¶œá”‰á”ˆ ᔃ á¶œÊłá”’Ê·á”ˆ á”á”ƒá”—Ê°á”‰Êłâ±âżá” ᔃ˹ á”â±á”ˆËą Ëąá”—á”ƒÊłá”— ËĄá”ƒá”˜á”Ê°â±âżá”â€§ "ᎎᔉʞ ˥ᔉᔗ ᔍᔒ ᔒᶠ ᔐᔉ!" áŽșá”’Ê· á”ˆá”ƒâżá”ËĄâ±âżá” Ê·Ê°â±ËĄËąá”— á”‡á”‰â±âżá” Ê°á”‰ËĄá”ˆ ᔇʞ Ê°â±Ëą á”ƒâżá”—á”‰âżâżá”ƒá”‰ á”†Ê°á”‰ËĄá”ˆá”’âż Ê°á”‰á”ƒÊłËą ᔗʰᔉᔐ á”—á”ƒá”˜âżá”—â±âżá” ʰⁱᔐ‧ "᎟ᔘᔗ ʰⁱᔐ á”ˆá”’Ê·âż!" áŽ±á”˜á”á”‰âżá”‰ áŽ·Êłá”ƒá”‡Ëą Ëąá”ƒÊžËą á”á”ƒá”â±âżá” ᔗʰᔉᔐ á”ˆÊłá”’á”– á”†Ê°á”‰ËĄá”ˆá”’âżâ€§ "ᎎᔉʞ ˥ⁱ⁻ ᎔ á”á”‰á”ƒâżâžŽ ᔇⁱᔍ ᔍᔘʞ‧‧" á”†Ê°á”‰ËĄá”ˆá”’âż ËĄá”’á”’á”Ëą ᔘᔖ ᔃⁿᔈ ˹ᔉᔉ˹ áŽ·Êłá”ƒá”‡Ëąâ€§ "᎔'ᔐ áŽ±á”˜á”á”‰âżá”‰âžŽ ᔃⁿᔈ Ëąá”’ÊłÊłÊžâžŽ ᔃᔇᔒᔘᔗ ᔗʰᔉᔐ‧‧" "᎔'ᔐ á”†Ê°á”‰ËĄá”ˆá”’âż; ᎔'ᔐ âżá”‰Ê·â€§â€§" á”†Ê°á”‰ËĄá”ˆá”’âż Ëąá”—á”ƒâżá”ˆËą ᔘᔖ‧ "á”€Ê°á”ƒâżá” ʞᔒᔘ á¶ á”’Êł Ê°á”‰ËĄá”–â±âżá”â€§â€§" "ʞᔒᔘ'Êłá”‰ Ê·á”‰ËĄá¶œá”’á”á”‰!" áŽźá”’á”—Ê° ᔒᶠ ᔗʰᔉᔐ á”‰âżá”ˆá”‰á”ˆ ᔘᔖ ⁱⁿ ᔗʰᔉ Ëąá”ƒá”á”‰ á¶œËĄá”ƒËąËą á”—á”’á”á”‰á”—Ê°á”‰Êł! "᎔ ËĄâ±á”á”‰ Ëąá¶œâ±á”‰âżá¶œá”‰ ᔃⁿᔈ á¶œÊ°á”‰á”â±Ëąá”—ÊłÊž ᔗʰᔉ ᔇᔉ˹ᔗ!" "᎔ ËĄâ±á”á”‰ á”á”ƒá”—Ê°Ëą!" "ᔆᔒ ʷᔉ'Êłá”‰ á¶ Êłâ±á”‰âżá”ˆËą?" "ᎌᶠ á¶œá”’á”˜ÊłËąá”‰ á”†Ê°á”‰ËĄá”ˆá”’âż! á”‚á”ƒâżâżá”ƒ Ëąá”—á”ƒÊž ᔃᔗ ᔐʞ á”–ËĄá”ƒá¶œá”‰ á”—á”’âżâ±á”Ê°á”—?" "᎔ á¶œá”ƒâż ᔗᔉ˥˥ ᔐʞ á¶ á”’ËĄá”Ëąâ€§â€§" ᔆᔒ á”†Ê°á”‰ËĄá”ˆá”’âż áŽŸËĄá”ƒâżá”á”—á”’âż Ê·á”‰âżá”— á”—á”’ áŽ±á”˜á”á”‰âżá”‰ áŽ·Êłá”ƒá”‡Ëą á”–ËĄá”ƒá¶œá”‰ á”—á”’ Ëąá”–á”‰âżá”ˆ ᔗʰᔉ âżâ±á”Ê°á”—â€§ ᔀʰᔉʞ ᔇᔒᔗʰ ËąÊ°á”ƒÊłá”‰á”ˆ áŽ±á”˜á”á”‰âżá”‰'Ëą ᔇᔉᔈ‧ "Ꮀᔒ ʞᔒᔘ á”—Ê°â±âżá” ʷᔉ'ËĄËĄ ᔇᔉ á¶ Êłâ±á”‰âżá”ˆËą á¶ á”’Êł ᔗʰᔉ Êłá”‰Ëąá”— ᔒᶠ á”’á”˜Êł ˥ⁱᔛᔉ˹?" "᎔ ʰᔒᔖᔉ ˹ᔒ‧‧" á”†Ê°á”‰ËĄá”ˆá”’âż Ê°á”‰á”ƒÊłËą áŽ±á”˜á”á”‰âżá”‰'Ëą Ëąâżá”’Êłâ±âżá” ᔃⁿᔈ ᶠᔉᔉ˥˹ Ëąá”’ á”ËĄá”ƒá”ˆ á”—á”’ ᶠⁱⁿᔈ Ëąá”˜á¶œÊ° ᔃ á¶ Êłâ±á”‰âżá”ˆâ€§
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᎟ᔉ˹ᔗ á¶ Êłâ±á”‰âżá”ˆËą á”€á”’á”á”‰á”—Ê°á”‰Êł âœá”†á”–á”’âżá”á”‰áŽźá”’á”‡ á¶ á”ƒâżá¶ â±á¶œâŸ “ᎌʰ á”–á”’á”’Êł á”—Ê°â±âżá”!” áŽ±á”˜á”á”‰âżá”‰ áŽ·Êłá”ƒá”‡Ëą ᔐᔘᔐ Ëąá”ƒÊžËą á”—á”ƒËĄá”â±âżá” ᔒⁿ ᔗʰᔉ á”–Ê°á”’âżá”‰â€§ â€œá”†á”˜Êłá”‰ Ê·á”‰â€™ËĄËĄ ᔍᔉᔗ ʰⁱᔐ‧ ᔂᔉ’ᔛᔉ ˹ᔒᶠᔗ á¶ á”’á”’á”ˆËą á”—á”’ ᔍⁱᔛᔉ ᔃⁿᔈ ᎔ ᔍᔉᔗ ⁱᔗ‧ ᔆᔒ Êžá”‰Ëą, ᎔ á”âżá”’Ê· ʷʰᔃᔗ á”—á”’ ᔈᔒ ᔃᔇᔒᔘᔗ á”ƒâżÊž á¶œÊ°á”’á”â±âżá” Êłâ±Ëąá”Ëąâ€§â€ “áŽčᔒᔐᔐʞ ʷʰᔃᔗ ” “ᔆᔒ Ê°á”‰â€™Ëą ⁱⁿ ᔗʰᔉ Ëąá”˜Êłá”á”‰ÊłÊž Êłâ±á”Ê°á”— âżá”’Ê·? ᎔ á”á”‰á”ƒâż ᎔ á”á”˜á”‰ËąËą ᎔ á”˜âżá”ˆá”‰ÊłËąá”—á”ƒâżá”ˆ Ëąâ±âżá¶œá”‰ á”†Ê°á”‰ËĄá”ˆá”’âżâ€™Ëą Ëąá”’ ˹ᔐᔃ˥˥, ⁿᔒ á”’á¶ á¶ á”‰âżá¶œá”‰â€§ ᎌᶠ á¶œá”’á”˜ÊłËąá”‰ áŽłá”’Êłá”ˆá”’âżâ€§â€ áŽŽá”ƒâżá”â±âżá” ᔘᔖ, áŽ±á”˜á”á”‰âżá”‰â€™Ëą ᔐᔘᔐ âżá”’Ê· ᶠᔃᶜᔉᔈ Ê°á”‰Êł á”ƒâżËŁâ±á”’á”˜Ëą ˹ᔒⁿ‧ â€œáŽžâ±Ëąá”—á”‰âż áŽ±á”˜á”á”‰âżá”‰, ᔃⁿ á”‰á”á”‰Êłá”á”‰âżá¶œÊž ʷⁱᔗʰ áŽŸËĄá”ƒâżá”á”—á”’âżâ€™Ëą á”–á”ƒÊłá”‰âżá”—Ëą Ëąá”’ ʷᔉ’ᔛᔉ á”—á”’ ᔗᔃᔏᔉ á¶œá”ƒÊłá”‰ ᔒᶠ á”†Ê°á”‰ËĄá”ˆá”’âżâ€§ ᎎᔉ ᔐⁱᔍʰᔗ ⁿᔒᔗ ᔇᔉ ᔘᔖ á”—á”’ á”–ËĄá”ƒÊžâ±âżá” ᔐᔘᶜʰ á”ˆá”˜Êłâ±âżá” ᔗʰᔉ ʷᔉᔉᔏ á”‡á”‰á¶œá”ƒá”˜Ëąá”‰ Ê°á”‰â€™Ëą á”á”’âżâżá”ƒ ᔇᔉ Ê°á”‰á”ƒËĄâ±âżá” á¶ Êłá”’á” á”ˆá”‰âżá”—á”ƒËĄ Ëąá”˜Êłá”á”‰ÊłÊžâ€Šâ€ áŽ±á”˜á”á”‰âżá”‰ á”á”ƒËąá”–á”‰á”ˆâ€§ “ᔂʰᔃ ” “ʞᔒᔘ ˹ᔉᔉ, á¶ á”’Êł â€˜á”ˆá”‰âżá”—á”‰Ëą Ëąá”ƒá”–â±á”‰âżá”—â±á”ƒá”‰â€™ á”—á”’ á”Êłá”’Ê·â€Šâ€ “᎔ á”ˆá”’âżâ€™á”— á”˜âżá”ˆá”‰ÊłËąá”—á”ƒâżá”ˆ ᔇᔘᔗ ᎔ Ê·á”ƒâżâżá”ƒ á”âżá”’Ê· ᔃᔇᔒᔘᔗ á”†Ê°á”‰ËĄá”ˆá”’âż!” â€œáŽŽá”‰â€™Ëą á”á”‰á”—á”—â±âżá” Ê°â±Ëą á”—Ê°â±Êłá”ˆ á”á”’ËĄá”ƒÊłËą ᔒᔘᔗ ᔃⁿᔈ ʷᔉ ᔍᔒᔗᔗᔃ ˥ᔉᔗ ʰⁱᔐ Ëąá”—á”ƒÊž á”’á”›á”‰Êłâ€Šâ€ áŽ±á”˜á”á”‰âżá”‰ áŽ·Êłá”ƒá”‡Ëą Ê·á”’ÊłÊłâ±á”‰á”ˆ ᔃᔇᔒᔘᔗ Ê°â±Ëą á¶ Êłâ±á”‰âżá”ˆ á”†Ê°á”‰ËĄá”ˆá”’âż áŽŸËĄá”ƒâżá”á”—á”’âż ᔃ˹ ʰᔉ Ëąá”ƒá”— Ê·á”ƒâ±á”—â±âżá”â€§ “áŽčᔘᔐ Ê·â±ËĄËĄ ʰᔉ ᔇᔉ Ê°á”˜Êłá”—?” â€œáŽŽá”‰â€™Ëą á”á”’âżâżá”ƒ ᔇᔉ ᔒⁿ ˹ᔒᔐᔉ ᔍᔒᔒᔈ á”á”‰á”ˆâ±á¶œâ±âżá”‰ á¶ á”’Êł ⁱᔗ‧ áŽźá”˜á”— ᎔ ᔇᔉᔗ ʰᔉ ᔐⁱᔍʰᔗ ᔇᔉ á”’á”›á”‰ÊłÊ·Ê°á”‰ËĄá”á”‰á”ˆ á”ƒá¶ á”—á”‰Êłâ€§â€§â€ “᎔ Ê·á”ƒâżâżá”ƒ ˹ᔉᔉ ʰⁱᔐ!” â€œá”‚Ê°á”‰âż ᔗʰᔉʞ á¶ â±âżâ±ËąÊ° ʷⁱᔗʰ, Ê°á”‰â€™Ëą á”á”’âżâżá”ƒ ʷᔃᔏᔉ ᔘᔖ ᔃⁿᔈ ᔍᔉᔗ á”—á”’ ËĄá”‰á”ƒá”›á”‰ ʷⁱᔗʰ ᔘ˹ áŽ±á”˜á”á”‰âżá”‰â€§â€ á”†Ê°á”‰ËĄá”ˆá”’âżâ€™Ëą á¶ á”ƒá”—Ê°á”‰Êł áŽłá”’Êłá”ˆá”’âż á”âżá”‰Ê· ᔗʰᔉ Ëąá”˜Êłá”á”‰á”’âż, ᔃⁿᔈ á”—á”’ËĄá”ˆ ᔃᔇᔒᔘᔗ áŽ·Êłá”ƒá”‡Ëąâ€§ á”‚Ê°á”‰âżá¶œá”‰ á¶œá”’á”á”–ËĄá”‰á”—á”‰á”ˆ, ᶜᔃᔐᔉ ᔒᔘᔗ á”—á”’ á”Êłá”‰á”‰á”— ᔗʰᔉᔐ ᔇᔒᔗʰ‧ “ᎎᔒʷ ⁱ˹ ʰᔉ?” â€œá¶œá”ƒâż ᎔ Ëąá”–á”‰á”ƒá” ʷⁱᔗʰ áŽč˱‧ áŽ·Êłá”ƒá”‡Ëą?” áŽ±á”˜á”á”‰âżá”‰ âżá”’á”ˆá”ˆá”‰á”ˆ, ʷⁱᔗʰ á”—á”‰á”ƒÊłËą ⁱⁿ Ê°â±Ëą á”‰Êžá”‰Ëąâ€§ “ᎎᔉʞ ᎔’ᔐ ÊČá”˜Ëąá”— á”á”’âżâżá”ƒ ᔍⁱᔛᔉ Ê°á”‰Êł ˹ᔒᔐᔉ â±âżËąá”—Êłá”˜á¶œá”—â±á”’âżËą á”ƒá¶ á”—á”‰Êł á¶œá”ƒÊłá”‰ âżá”’Ê·â€§ Êžá”’á”˜Êł á¶ Êłâ±á”‰âżá”ˆâ€™Ëą Êłá”‰á¶œá”’á”›á”‰Êłâ±âżá”â€§â€ áŽ±á”˜á”á”‰âżá”‰ Ëąá”ƒá”— ᔇᔃᶜᔏ á”ˆá”’Ê·âż ᔃ˹ áŽč˱‧ áŽ·Êłá”ƒá”‡Ëą Êłá”‰á¶œá”‰â±á”›á”‰á”ˆ ˹ᔒᔐᔉ ⁿᔒᔗᔉ˹ á¶ á”’Êłâ€§ “áŽșá”’Ê· ʞᔒᔘ Ê·á”ƒâżâżá”ƒ ˹ᔉᔉ ʰⁱᔐ?” áŽ±á”˜á”á”‰âżá”‰ ËąÊ°á”’á”— ᔘᔖ Ëąá”—Êłá”ƒâ±á”Ê°á”— âżá”’Ê· ÊČá”˜á”á”–â±âżá” ᔘᔖ Ëąá”—á”ƒâżá”ˆâ±âżá”â€§ áŽžá”‰á”ƒá”ˆâ±âżá” ᔗʰᔉᔐ, ᔗʰᔉ Ëąá”˜Êłá”á”‰á”’âż â±âżá”›â±á”—á”‰á”ˆ ᔗʰᔉᔐ‧ â€œá”‚á”‰â€™Êłá”‰ á”á”’âżâżá”ƒ ʰᔃᔛᔉ á”—á”’ ᔗᔃᔏᔉ ⁱᔗ á”‰á”ƒËąÊž ᔃ˹ Ê°á”‰â€™Ëą Ê°á”‰á”ƒËĄâ±âżá”â€§â€ ᎏ˹ ᔗʰᔉʞ Ê·á”‰âżá”— ⁱⁿ Ê·Ê°á”‰Êłá”‰ á”†Ê°á”‰ËĄá”ˆá”’âżâ€™Ëą, áŽ±á”˜á”á”‰âżá”‰ á”á”ƒËąá”–á”‰á”ˆâ€§ ᎎᔉ Ëąá”ƒÊ· Ê°â±Ëą á¶ Êłâ±á”‰âżá”ˆ âżá”’Ê·â€§ áŽŒá”–á”‰âż ᔐᔒᔘᔗʰᔉᔈ, ⁿᔒᔗ á”ƒÊ·á”ƒÊłá”‰ ʞᔉᔗ‧ áŽ±á”˜á”á”‰âżá”‰ á”—á”˜Êłâżá”‰á”ˆ á”—á”’ Ê°â±Ëą ᔐᔘᔐ âżá”’Ê· á”‡á”˜ÊłÊłá”’Ê·â±âżá” Ê°â±Ëą ᶠᔃᶜᔉ ⁱⁿ Ê°á”‰Êł á”ˆÊłá”‰ËąËąâ€§ “᎔ â±á”á”ƒá”â±âżá”‰á”ˆ ʷᔉ á”Êłá”ƒá”ˆá”˜á”ƒá”—á”‰ á”—á”’á”á”‰á”—Ê°á”‰Êł ᔃⁿᔈ ᔃ á¶ á”˜á”—á”˜Êłá”‰ ᔒᶠ ᔘ˹ ᔇᔒᔗʰ ” á¶œÊłâ±á”‰á”ˆ áŽ±á”˜á”á”‰âżá”‰, ᔇᔘᔗ á”—Ê°á”‰âż Ê°á”‰á”ƒÊłá”ˆ ᔃ ⁿᔒⁱ˹ᔉ‧ á”†Ê°á”‰ËĄá”ˆá”’âż Ëąá”—á”ƒÊłá”—á”‰á”ˆ Ê·á”ƒá”â±âżá” ᔘᔖ ᔇᔘᔗ ⁿᔒᔗ ʞᔉᔗ á”á”’á”›â±âżá”â€§ ᔀʰᔉ Ëąá”˜Êłá”á”‰á”’âż ᔖᔘᔗ ᔍᔃᔘᶻᔉ ⁱⁿ Ê°â±Ëą ᔐᔒᔘᔗʰ‧ “ᮬˡˡ á”ˆá”’âżá”‰!” ᎎᔉ Ê°á”‰á”ƒÊłËą ᔗʰᔉ Ëąá”˜Êłá”á”‰á”’âżâ€§ â€œÊžá”’á”˜Êł á¶ Êłâ±á”‰âżá”ˆâ€™Ëą ᶜᔒᔐᔉ á”—á”’ ᔗᔃᔏᔉ ʞᔒᔘ ʷⁱᔗʰ ᔗʰᔉᔐ‧ áŽč˱‧ áŽ·Êłá”ƒá”‡Ëą?” á”†Ê°á”‰ËĄá”ˆá”’âż Ëąá”ƒÊ· Ê°á”‰Êł ᔃ˹ ËąÊ°á”‰ Ê·á”ƒËĄá”á”‰á”ˆ á”’á”›á”‰Êł á”—á”’ ʰⁱᔐ, á¶ á”’ËĄËĄá”’Ê·á”‰á”ˆ ᔇʞ áŽ±á”˜á”á”‰âżá”‰â€§ “ʞᔒᔘ Êłá”‰á”ƒá”ˆÊž ᔗᔒ ” â€œáŽłá”‰âżá”‰â€œâ€ ËąËĄá”˜ÊłÊłá”‰á”ˆ á”†Ê°á”‰ËĄá”ˆá”’âż, á”‰ËŁá¶œâ±á”—á”‰á”ˆËĄÊž Êłá”‰á”ƒá¶œÊ°â±âżá”â€§ “ᎌʰ ʰⁱ‧‧” áŽ±á”˜á”á”‰âżá”‰ á”á”ƒâżá”ƒá”á”‰á”ˆ á”—á”’ Ëąá”ƒÊž ᔃ˹ Ê°á”‰â€™Ëą á”˜âżËąá”˜Êłá”‰ Ê°á”’Ê· á”—á”’ á”ƒá”–á”–Êłá”’á”ƒá¶œÊ° ʰⁱᔐ‧ ᎎᔉ á”ˆâ±á”ˆâżâ€™á”— á”âżá”’Ê· ʷʰᔃᔗ á”—á”’ á”—Ê°â±âżá” ᔃ˹ Ê°â±Ëą á¶ Êłâ±á”‰âżá”ˆ á”ˆÊłá”’á”’ËĄá”‰á”ˆ ᔗᔒ‧ áŽźá”˜á”— ʰᔉ á”ˆâ±á”ˆâżâ€™á”— ËĄâ±á”á”‰ á¶ á”‰á”‰ËĄâ±âżá” Ëąá”’ á”ƒÊ·á”Ê·á”ƒÊłá”ˆâ€§ ᎎᔉ ᶠᔉ˥ᔗ á”ƒá¶ Êłá”ƒâ±á”ˆ, Ëąá”‰á”‰â±âżá” á”†Ê°á”‰ËĄá”ˆá”’âżâ€§ áŽč˱‧ áŽ·Êłá”ƒá”‡Ëą á”âżá”‰Ê· Ê°á”‰Êł ˹ᔒⁿ ᶠᔉ˥ᔗ á”˜âżËąá”˜Êłá”‰ ʷⁱᔗʰ á”ˆâ±Ëąá¶œá”’á”á¶ á”’Êłá”— ᔃ˹ á”á”‰á”—á”—â±âżá” á”†Ê°á”‰ËĄá”ˆá”’âż ᔒᔘᔗ ᔒᶠ ᔗʰᔉ á”ˆá”‰âżá”—â±Ëąá”—â€™Ëą Ëąá”˜Êłá”á”‰ÊłÊžâ€§ ᔆʰᔉ á”âżá”‰Ê· á”†Ê°á”‰ËĄá”ˆá”’âż ᔐⁱᔍʰᔗ ⁿᔒᔗ ᔃᶜᔗ ᔃ˹ ᔘ˹ᔘᔃ˥ ʷⁱᔗʰ ᔗʰᔉ Ëąá”’Êłá”‰âżá”‰ËąËą ᔃⁿᔈ ⁱᔐᔖᔃᶜᔗ ᔒᶠ ᔗʰᔉ á”á”‰á”ˆâ±á¶œâ±âżá”‰â€§ á”€Ê°á”‰Êžâ€™Êłá”‰ ᔇᔒᔗʰ ⁱⁿ áŽ±á”˜á”á”‰âżá”‰â€™Ëą Êłá”’á”’á” ᔒⁿ ᔗʰᔉ ᔇᔉᔈ‧ áŽč˱‧ áŽ·Êłá”ƒá”‡Ëą ᔍᔒᔗ âżá”‰Ê· ᔍᔃᔘᶻᔉ á¶ á”’Êł á”†Ê°á”‰ËĄá”ˆá”’âżâ€§ â€œáŽžá”‰á”—â€™Ëą ᔍᔉᔗ ᔍᔃᔘᶻᔉ á¶œÊ°á”ƒâżá”á”‰á”ˆâ€§â€§â€ á”†Ê°á”‰ËĄá”ˆá”’âż ÊČá”˜Ëąá”— ËĄá”’á”’á”á”‰á”ˆ á¶œá”’âżá¶ á”˜Ëąá”‰á”ˆâ€§ â€œáŽŒá”–á”‰âż ᔘᔖ Êžá”’á”˜Êł ᔐᔒᔘᔗʰ ᔃⁿᔈ á¶œËĄá”’Ëąá”‰ Êžá”’á”˜Êł ᔉʞᔉ!” áŽ±á”˜á”á”‰âżá”‰ Ëąá”ƒÊ· ᔗʰᔉ ʷʰⁱᔗᔉ ᔍᔃᔘᶻᔉ âżá”’Ê· á¶œá”’ËĄá”’á”˜Êłá”‰á”ˆ Êłá”‰á”ˆ, ᔃⁿᔈ Ê·Ê°â±á”á”–á”‰ÊłËą ᔗᔒ‧ áŽč˱‧ áŽ·Êłá”ƒá”‡Ëą á”ˆâ±Ëąá”–á”’Ëąá”‰á”ˆ ᔒᶠ ᔗʰᔉ á”’ËĄá”ˆ ᔍᔃᔘᶻᔉ âżá”’Ê·â€§ â€œáŽźâ±á”—á”‰ á”ˆá”’Ê·âż âżá”’Ê· ᔃⁿᔈ ʞᔒᔘ á¶œá”ƒâż ᔒᔖᔉⁿ Êžá”’á”˜Êł ᔉʞᔉ‧” ᔆʰᔉ á¶œËĄá”‰á”ƒâżá”‰á”ˆ ᔘᔖ Ëąá”—Êłâ±âżá” ᔒᶠ á”ˆÊłá”’á”’ËĄ ᔒᶠᶠ ʰⁱᔐ‧ â€œáŽłá”’á”’á”ˆ ÊČᔒᔇ!” ᔆʰᔉ ˹ᔐⁱ˥ᔉ˹‧ “ᔂʰʞ?” á”†Ê°á”‰ËĄá”ˆá”’âż Ëąá”–á”’á”á”‰ á¶ á”’Êł ᔗʰᔉ á¶ â±ÊłËąá”— ᔗⁱᔐᔉ Ëąâ±âżá¶œá”‰ ʰᔉ Ëąá”ƒÊ· áŽ±á”˜á”á”‰âżá”‰ ᔃᔗ ᔗʰᔉ Ëąá”˜Êłá”á”‰ÊłÊžâ€§ “ʞᔒᔘ ʰᔃᔛᔉ ᔇᔉᔉⁿ á”ˆá”’â±âżá” Ëąá”’ Ê·á”‰ËĄËĄâ€§ áŽŸÊłá”’á”˜á”ˆ ᔒᶠ ʞᔒᔘ!” “ᎎᔘʰ?” áŽč˱‧ áŽ·Êłá”ƒá”‡Ëą ᔍᔒᔗ Ê°á”ƒâżá”ˆ á”—á”’Ê·á”‰ËĄ ᔇʞ ᔗʰᔉ á”–â±ËĄËĄá”’Ê·â€§ “Ꮀᔒ ʞᔒᔘ Êłá”‰á”á”‰á”á”‡á”‰Êł Ê°á”’Ê· ᔗʰᔉʞ á”–á”˜ËĄËĄá”‰á”ˆ Êžá”’á”˜Êł Ê·â±Ëąá”ˆá”’á” ᔗᔉᔉᔗʰ ᔒᔘᔗ?” ᎎᔉ Ëąá”—á”ƒÊłá”—á”‰á”ˆ á”—á”’ ᔖᔘᔗ Ê°â±Ëą Ê°á”ƒâżá”ˆËą âżá”‰á”ƒÊł Ê°â±Ëą á¶œÊ°á”‰á”‰á”Ëąâ€§ áŽ±á”˜á”á”‰âżá”‰ ᶠᔉ˥ᔗ ᔇᔃᔈ á¶ á”’Êł á”†Ê°á”‰ËĄá”ˆá”’âżâ€§ “ʞᔒᔘ Ê·á”ƒâżâżá”ƒ ʷᔃᔗᶜʰ ˹ᔒᔐᔉ á”—á”› á”–Êłá”’á”Êłá”ƒá”á”á”‰Ëą á”’Êłâ€Šâ€ â€œáŽ±á”˜á”á”‰âżá”‰ ʰᔉ ᔐⁱᔍʰᔗ ⁿᔒᔗ ᶠᔉᔉ˥ ᔘᔖ á”—á”’ ⁱᔗ‧ ᎎᔉ ÊČá”˜Ëąá”— ᔍᔒᔗ á”—Ê°Êłá”’á”˜á”Ê° ʷⁱᔗʰ ᔃ á”ˆá”‰âżá”—á”ƒËĄ Ëąá”˜Êłá”á”‰ÊłÊžâ€§â€ áŽ±á”˜á”á”‰âżá”‰â€™Ëą ᔐᔘᔐ Êłá”‰á”ƒËĄâ±Ëąá”‰á”ˆ á”†Ê°á”‰ËĄá”ˆá”’âżâ€™Ëą ˹ᔗⁱ˥˥ á”ˆÊłá”’Ê·ËąÊž á¶ Êłá”’á” ᔗʰᔉ á”á”‰á”ˆâ±á¶œâ±âżá”‰ á”˜Ëąá”‰á”ˆ á”—á”’ ˹˥ᔉᔉᔖ á”ˆá”˜Êłâ±âżá” ᔗʰᔉ á”—á”’á”’á”—Ê° á”‰ËŁá”—Êłá”ƒá¶œá”—â±á”’âżâ€§ ᎎᔉ â±á”á”á”‰á”ˆâ±á”ƒá”—á”‰ËĄÊž ᶠᔉ˥˥ á”ƒËąËĄá”‰á”‰á”– ˹ᔗⁱ˥˥ á”ˆÊłá”’á”’ËĄâ±âżá” ᔇᔘᔗ ᔗʰᔉ á”—á”’Ê·á”‰ËĄ ᶜᔃᔘᔍʰᔗ ⁱᔗ‧ áŽč˱‧ áŽ·Êłá”ƒá”‡Ëą ᔃⁿᔈ áŽ±á”˜á”á”‰âżá”‰ ˥ᔉᔗ ʰⁱᔐ âżá”ƒá”–â€§ â€œá”‚Ê°Êžâ€™Ëą ʰᔉ ⁿᔒᔗ á”—á”ƒËĄá”â±âżá” á”—á”’ ᔐᔉ?” â€œáŽ±á”˜á”á”‰âżá”‰ ᎔ á”âżá”’Ê· ⁱᔗ’˹ Ê°á”ƒÊłá”ˆ á”—á”’ á¶œá”’á”á”–Êłá”‰Ê°á”‰âżá”ˆ ᔇᔘᔗ ᔗʰᔉʞ ÊČá”˜Ëąá”— ʰᔃᔈ á”—á”’ ᔍᔉᔗ á¶ á”’á”˜Êł ᔒᶠ Ê°â±Ëą ᔇᔃᶜᔏ ᔗᔉᔉᔗʰ ᔒᔘᔗ ᔒᶠ Ê°â±Ëą ᔐᔒᔘᔗʰ‧ ᔀʰᔉʞ ʰᔃᔛᔉ âżá”˜á”á”‡â±âżá” á”ƒá”á”‰âżá”—Ëą á¶ á”’Êł ᔗʰᔉ ÊČᔃʷ‧” ᔆʰᔉ Ëąâ±á”Ê°á”‰á”ˆâ€§ “ʞᔒᔘ á”âżá”’Ê· Ê°á”’Ê· ⁱⁿ ᔗʰᔉ á”á”’Êłâżâ±âżá” ᎔’ᔈ ᔍᔉᔗ ʞᔒᔘ ᔘᔖ Ëąá”’ á”‰á”ƒÊłËĄÊž á¶ á”’Êł Ëąá¶œÊ°á”’á”’ËĄ?” â€œá”‚á”‰ËĄËĄ Êžá”‰Ëą ᎔ á”ˆá”’âżâ€™á”— á”âżá”’Ê· Ê·Ê°Êž ⁱᔗ’ᔈ Ëąá”—á”ƒÊłá”— Ê·Ê°á”‰âż ʷᔉ’ᔈ Êłá”ƒá”—Ê°á”‰Êł ᔇᔉ ËąËĄá”‰á”‰á”–â±âżá” ⁱⁿ ᔇᔉᔈ‧‧” “ᔆᔒ ʞᔒᔘ’ᔈ ᶠᔉᔉ˥ ᔃ ᔇⁱᔗ á”Êłá”’á”á”Êž á”—Ê°á”‰âżâ€§ ᔂᔉ˥˥ ⁱⁿ Ëąá”˜Êłá”á”‰ÊłÊž Êžá”’á”˜â€™Êłá”‰ ⁿᔒᔗ ᔃʷᔃᔏᔉ Ëąá”’ â±á”á”ƒá”â±âżá”‰ á¶ á”‰á”‰ËĄâ±âżá” ᔈᔘ˥˥ á”–á”ƒâ±âż ᔃ˹ ʞᔒᔘ ᔍᔉᔗ Ê·á”’á”á”‰âż ᔘᔖ‧‧” “᎔’ᔈ ᶠᔉᔉ˥ ËąËĄá”‰á”‰á”–Êž Ê·Ê°á”‰âż ʞᔒᔘ ᔍᔉᔗ ᔐᔉ ” “ᔆᔒ â±á”á”ƒá”â±âżá”‰ Ê°á”’Ê· Êžá”’á”˜Êł á¶ Êłâ±á”‰âżá”ˆ ᔐⁱᔍʰᔗ ᔇᔉ, ÊČá”˜Ëąá”— Ëąá”’ á”ˆÊłá”ƒâ±âżá”‰á”ˆ ᔒᶠ á”‰âżá”‰Êłá”Êž ᔃⁿᔈ ᔒᔘᔗ ᔒᶠ ⁱᔗ‧‧” áŽ±á”˜á”á”‰âżá”‰ á”–á”’âżá”ˆá”‰ÊłËą Ê°á”‰Êł Ê·á”’Êłá”ˆËąâ€§ â€œáŽłá”˜á”‰ËąËą Ëąá”’â€§â€§â€ áŽ±á”˜á”á”‰âżá”‰ Ëąá”ƒÊžËą, á”á”‰á”—á”—â±âżá” ⁱᔗ âżá”’Ê·â€§ áŽ±á”˜á”á”‰âżá”‰ ᔈᔉᶜⁱᔈᔉᔈ á”—á”’ âżá”ƒá”– ⁿᔉˣᔗ á”—á”’ á”†Ê°á”‰ËĄá”ˆá”’âż ᔃⁿᔈ ᶠᔉ˥˥ á”ƒËąËĄá”‰á”‰á”– Ê°â±á”Ëąá”‰ËĄá¶ â€§ á”†Ê°á”‰ËĄá”ˆá”’âż ᔃʷᔒᔏᔉ, Ê°á”‰á”ƒÊłâ±âżá” ᔗʰᔉ Ëąâżá”’Êłâ±âżá” ᔒᶠ Ê°â±Ëą á¶ Êłâ±á”‰âżá”ˆâ€§ ᎞ᔉ˹˹ á”ˆâ±Ëąá”’Êłâ±á”‰âżá”—á”‰á”ˆ á”—Ê°á”ƒâż á”‡á”‰á¶ á”’Êłá”‰ á”†Ê°á”‰ËĄá”ˆá”’âż Êłá”‰á”á”‰á”á”‡á”‰Êłá”‰á”ˆâ€§ â€˜áŽżâ±á”Ê°á”— ᔐʞ á”ˆá”‰âżá”—â±Ëąá”— á”ƒá”–á”–á”’â±âżá”—á”á”‰âżá”—, ᔃⁿᔈ ᔗʰᔉʞ ᔖⁱᶜᔏᔉᔈ ᔐᔉ ᔘᔖ‧’ á”†Ê°á”‰ËĄá”ˆá”’âż âżá”’á”—â±á¶œá”‰á”ˆ Ê°á”‰â€™Ëą á”ˆÊłá”’á”’ËĄâ±âżá” ᔃⁿᔈ ᶠᔉ˥ᔗ ᔗʰᔉ Ëąá”’á”á”Êž ᔍᔃᔘᶻᔉ‧ á”€á”ƒá”â±âżá” ᔒᔘᔗ ᔗʰᔉ ᔍᔃᔘᶻᔉ Ê°â±á”Ëąá”‰ËĄá¶ , ʰᔉ âżá”‰á”ƒÊłËĄÊž á”á”ƒá”Ëąâ€§ á¶ á”’Êł ˹ᔒᔐᔉ Êłá”‰á”ƒËąá”’âż, ʰᔉ ᶠᔉ˥ᔗ ËĄâ±á”á”‰ á¶œÊłÊžâ±âżá”â€§ áŽč˱‧ áŽ·Êłá”ƒá”‡Ëą ᶜᔃᔐᔉ á”—á”’ ᶜʰᔉᶜᔏ ᔃⁿᔈ Ëąá”ƒÊ· á”†Ê°á”‰ËĄá”ˆá”’âż Ëąâ±á”—á”—â±âżá” ᔘᔖ‧ “᎔ ᔍᔒᔗ ʞᔒᔘ ˹ᔒᔐᔉ Êžá”’á”Ê°á”˜Êłá”— á”†Ê°á”‰ËĄá”ˆá”’âż!” ᔆʰᔉ á”—Ê°Êłá”‰Ê· ᔒᔘᔗ ᔍᔃᔘᶻᔉ‧ áŽ±á”˜á”á”‰âżá”‰ âżá”’Ê· Ê·á”ƒá”á”‰Ëą ᔘᔖ, Ê°á”‰á”ƒÊłâ±âżá” Ê°â±Ëą ᔐᔘᔐ ᔃ˹ ËąÊ°á”‰ ᶠᔉᔈ á”†Ê°á”‰ËĄá”ˆá”’âż Êžá”’á”Ê°á”˜Êłá”—â€§ â€œáŽ±á”˜á”á”‰âżá”‰ ᶠᔉ˥ᔗ Ëąá”’ Ê·á”’ÊłÊłâ±á”‰á”ˆ ᔃᔇᔒᔘᔗ ʞᔒᔘ‧‧” áŽč˱‧ áŽ·Êłá”ƒá”‡Ëą á”—á”’ËĄá”ˆ ᔃ˹ áŽ±á”˜á”á”‰âżá”‰ âżá”’á”ˆá”ˆá”‰á”ˆâ€§ â€œá”‚â±ËĄËĄ ᔗʰᔉ Ëąá”—á”ƒâ±âżËą Ê·á”ƒËąÊ° ᔒᔘᔗ ᔒᶠ ᔗʰᔉ Ê°á”ƒâżá”ˆ á”—á”’Ê·á”‰ËĄ á”’Êł ᔈᔒ ” â€œá”†Ê°á”‰ËĄá”ˆá”’âż ⁱᔗ’˹ ᶠⁱⁿᔉ!” áŽ±á”˜á”á”‰âżá”‰â€™Ëą ᔐᔘᔐ á¶œÊ°á”˜á¶œá”ËĄá”‰á”ˆâ€§ “ᔆᔒ á”ˆá”’á”‰Ëą ⁱᔗ Ê°á”˜Êłá”— á”—á”’ á”—á”ƒËĄá”?” á”†Ê°á”‰ËĄá”ˆá”’âż ËąÊ°Êłá”˜á”á”á”‰á”ˆâ€§ â€œáŽŽá”’á”–á”‰á¶ á”˜ËĄËĄÊž ᎔ á”ˆâ±á”ˆâżâ€™á”— á”‰á”á”‡á”ƒÊłÊłá”ƒËąËą á”ÊžËąá”‰ËĄá¶ â€§â€§â€ â€œá”†Ê°á”‰ËĄá”ˆá”’âż ʞᔒᔘ ᔈⁱᔈ á”ƒá”‡Ëąá”’ËĄá”˜á”—á”‰ËĄÊž âżá”’á”—Ê°â±âżá” ᔇᔘᔗ á¶œá”ƒËĄËĄ ᔐᔉ â€˜áŽłá”‰âżá”‰â€™ ᔃⁿᔈ Ê°á”ƒá”›á”‰âżâ€™á”— Ëąá”—á”’á”–á”–á”‰á”ˆ á”ˆÊłá”’á”’ËĄâ±âżá”â€§â€§â€ áŽ±á”˜á”á”‰âżá”‰ Ëąá”ƒÊžËąâ€§ “᎔’ᔐ Ëąá”’ÊłÊłÊž ⁱᶠ ᎔ á”ˆâ±á”ˆâżâ€™á”— ᔖᔃʞ á”ƒá”—á”—á”‰âżá”—â±á”’âż á”—á”’ ʞᔒᔘ áŽ±á”˜á”á”‰âżá”‰; ᎔ á”âżá”’Ê· ᎔’ᔈ ᔇᔉ Ê·á”’ÊłÊłâ±á”‰á”ˆ ⁱᶠ ᔐʞ ᔇᔉ˹ᔗ á¶ Êłâ±á”‰âżá”ˆâ€™Ëą ⁱⁿ Ëąá”˜Êłá”á”‰ÊłÊž!” “᎔ ᔃᔐ ÊČá”˜Ëąá”— á”ËĄá”ƒá”ˆ Êžá”’á”˜â€™Êłá”‰ Êłá”‰á¶œá”’á”›á”‰Êłâ±âżá”â€§ áŽŸá”‰ÊłÊ°á”ƒá”–Ëą Ê·Ê°á”‰âż Êžá”’á”˜â€™Êłá”‰ ᔃ˥˥ á”‡á”‰á”—á”—á”‰Êł, ʷᔉ á¶œá”ƒâż ˥ᔉᔗ áŽŒËĄá”ˆ áŽčᔃⁿ áŽ¶á”‰âżá”â±âżËą á”—ÊłÊž á”’á”˜Êł á”‡á”˜Êłá”á”‰Êł ʷᔉ ᶜᔃᔐᔉ ᔘᔖ ʷⁱᔗʰ!” “ʞᔉᔃ! ᎏⁿᔈ ʷᔉ á¶œá”ƒâż Ê·á”’Êłá” á”—á”’á”á”‰á”—Ê°á”‰Êł ⁿᔒ á”á”ƒá”—á”—á”‰Êł ʷʰᔃᔗ Ê°á”ƒá”–á”–á”‰âżËąâ€§â€§â€ â€œá”†Ê°á”‰ËĄá”ˆá”’âż áŽŸËĄá”ƒâżá”á”—á”’âż, áŽ±á”˜á”á”‰âżá”‰ áŽ·Êłá”ƒá”‡Ëą, ᔇᔒᔗʰ ⁱⁿ á”‡á”˜Ëąâ±âżá”‰ËąËą, á”—á”’á”á”‰á”—Ê°á”‰Êł á¶ á”’Êłá”‰á”›á”‰Êł!” ᔀʰᔉʞ ʰᔘᔍ, á”‰ËŁá¶œâ±á”—á”‰á”ˆ á¶ á”’Êł ᔗʰᔉ á¶ á”˜á”—á”˜Êłá”‰â€§ “᎔’ᔐ á”ËĄá”ƒá”ˆ á”—á”’ ʰᔃᔛᔉ ʞᔒᔘ ᔇʞ ᔐʞ Ëąâ±á”ˆá”‰ áŽ±á”˜á”á”‰âżá”‰ ᔃⁿᔈ á”–Êłá”’á”â±Ëąá”‰ ᔐᔉ ” “᎔ Ê·â±ËĄËĄ âżá”‰á”›á”‰Êł ËĄá”‰á”ƒá”›á”‰â€§â€§â€ ✧ đ°đšđ«đ 𝐜𝐹𝐼𝐧𝐭 | 𝟗𝟖𝟗
new krabs/plankton Eugene Krabs/Sheldon J. Plankton Eugene Krabs & Sheldon J. Plankton plabs plabscore childhood friends dental intervention dental laughing gas post-anesthesia confusion excessive drool exessive drooling best friends together
áŽŹËąá”â±âżá” á¶ á”’Êł ᔃ á¶ Êłâ±á”‰âżá”ˆ âœá”†á”–á”’âżá”á”‰áŽźá”’á”‡ á¶ á”ƒâżá¶ â±á¶œâŸ "᎔ᔗ'Ëą ⁿᔒᔗ ᔍᔒᔒᔈ á¶ á”’Êł ʞᔒᔘ á”—á”’ Ëąá”—á”ƒÊž ⁱⁿ á”ƒËĄá”’âżá”‰â€§ áŽșá”’ Ê·á”’âżá”ˆá”‰Êł ʞᔒᔘ á”ƒÊłá”‰ á”â±Ëąá”‰Êłá”ƒá”‡ËĄá”‰! áŽźá”‰á¶ Êłâ±á”‰âżá”ˆ á”’Êł ᶜᔃᔗᶜʰ ᔘᔖ ʷⁱᔗʰ‧‧‧" "áŽ·á”ƒÊłá”‰âż ᎔'ᔐ á”ˆá”’â±âżá” ᶠⁱⁿᔉ!" áŽŸËĄá”ƒâżá”á”—á”’âż â±âżá”—á”‰ÊłÊłá”˜á”–á”—á”‰á”ˆ Ê°â±Ëą ʷⁱᶠᔉ‧ "᎔'ᔐ á”—á”‰ËĄËĄâ±âżá” ʞᔒᔘ!" áŽ·á”ƒÊłá”‰âż ËĄá”‰á”ƒá”ˆËą ʰⁱᔐ ᔒᔘᔗ ᔒᶠ ᔗʰᔉ ᶜʰᔘᔐ ᔇᔘᶜᔏᔉᔗ á¶ á”’Êł ʰⁱᔐ á”—á”’ Ëąá”’á¶œâ±á”ƒËĄâ±Ëąá”‰â€§ 'ᔂʰᔒ ᔐⁱᔍʰᔗ ᔇᔉ ᔗʰᔉ á¶œËĄá”’Ëąá”‰Ëąá”— á”—á”’ ᔃ á¶ Êłâ±á”‰âżá”ˆ ᔒᶠ ᔐⁱⁿᔉ' áŽŸËĄá”ƒâżá”á”—á”’âż á”ƒËąá”á”‰á”ˆ Ê°â±á”Ëąá”‰ËĄá¶ â€§ 'á”†á”–á”’âżá”á”‰á”‡á”’á”‡ ᔗᔃᔘᔍʰᔗ ᔐᔉ ᔃᔇᔒᔘᔗ Ê°á”ƒá”›â±âżá” ᶠᔘⁿ ᔃⁿᔈ á”—á”‰á”ƒá”Ê·á”’Êłá”' áŽŸËĄá”ƒâżá”á”—á”’âż ᔗʰᔒᔘᔍʰᔗ ᔃ˹ á”á”‰á”á”’Êłâ±á”‰Ëą ᔒᶠ á”â±âżá”ˆâżá”‰ËąËą á”‰Êłá”˜á”–á”—á”‰á”ˆâ€§ ᎎᔉ Ê·á”‰âżá”— á¶ á”’Êł Ê°â±Ëą ʰᔒᔐᔉ‧ "áŽŽá”’á”á”â±âżá”ƒâ€”Ê·á”ƒÊ°?" á”†á”–á”’âżá”á”‰á”‡á”’á”‡ ᔃʷᔒᔏᔉ ʷⁱᔗʰ ᔃ Ëąá”—á”ƒÊłá”— Ê°á”‰á”ƒÊłâ±âżá” ᔃ á”–á”‰ÊłËąá”’âż ᔃᔗ ᔗʰᔉ á¶ Êłá”’âżá”— á”ˆá”’á”’Êłâ€§ ᎎᔉ á”’á”–á”‰âżá”‰á”ˆ ᔗʰᔉ á”ˆá”’á”’Êł á”—á”’ áŽŸËĄá”ƒâżá”á”—á”’âżâ€§ "áŽ·á”ƒÊłá”‰âż Ê·á”ƒâżá”—Ëą ᔐᔉ á”—á”’ ᔍᔉᔗ ᔒᔘᔗ ᔃⁿᔈ á”‡á”’âżá”ˆ Ëąá”’ ᎔ ᶜᔃᔐᔉ á”—á”’ ʞᔒᔘ á”‡á”‰á¶œá”ƒá”˜Ëąá”‰ ʞᔒᔘ á”ƒÊłá”‰ âżâ±á¶œá”‰ ᔗʰᔉ á¶œËĄá”’Ëąá”‰Ëąá”— ᎔ ʰᔃᔛᔉ á”—á”’ ᔃ á¶ Êłâ±á”‰âżá”ˆâ€§â€§" á”†á”–á”’âżá”á”‰á”‡á”’á”‡ Ëąá”â±ËĄá”‰á”ˆ ᔃᔗ áŽŸËĄá”ƒâżá”á”—á”’âżâžŽ ËĄá”‰á”—á”—â±âżá” ʰⁱᔐ ⁱⁿ‧ "᎔ Ê·á”ƒËą ÊČá”˜Ëąá”— ᔃᔇᔒᔘᔗ á”—á”’ ᔍᔒ á”—á”’ ᔗʰᔉ á”–á”ƒÊłá”â€§ á”†á‘«á”˜â±á”ˆÊ·á”ƒÊłá”ˆ Ê·á”ƒâżá”—Ëą ᔐᔉ á”—á”’ ᔐᔃᔏᔉ ᔃ Ëąá”—á”ƒá”—á”˜á”‰ ᔒᶠ ʰⁱᔐ Ëąá”’ ʞᔒᔘ á¶œá”ƒâż Ê°á”‰ËĄá”– Ëąá¶œá”˜ËĄá”–á”—!" ᔆᔒ ᔗʰᔉʞ ᔍᔒᔗ ᔃ˥˥ ᔗʰᔉ á”ƒÊłá”— Ëąá”˜á”–á”–ËĄâ±á”‰Ëą âżá”‰á”‰á”ˆá”‰á”ˆâ€§ "᎔ᔗ á”—á”ƒá”á”‰Ëą ᔃ ᔈᔃʞ á”’Êł Ëąá”’ á”—á”’ á”ˆÊłÊž á”’âżá¶œá”‰ ⁱᔗ á¶ â±âżâ±ËąÊ°á”‰á”ˆâžŽ Ëąá”’ ʷᔉ á¶œá”ƒâż ᔗᔃᔏᔉ á”—á”˜ÊłâżËą á”á”˜á”ƒÊłá”ˆâ±âżá” ⁱᔗ!" á”†á”–á”’âżá”á”‰ ᔇᔒᔇ á”—á”’ËĄá”ˆ áŽŸËĄá”ƒâżá”á”—á”’âżâ€§ "᎔ á¶œá”ƒâż ᔈᔒ ᔗʰᔉ á¶œá”ƒÊłá”›â±âżá” ᔒᶠ ᔗʰᔉ á¶ á”ƒá¶œâ±á”ƒËĄ á”ˆá”‰á”—á”ƒâ±ËĄËą ᔃⁿᔈ ʞᔒᔘ Ê°á”ƒâżá”ˆËĄá”‰ ᔗʰᔉ Ëąá”—Êłá”˜á¶œá”—á”˜Êłá”‰â€§" áŽŸËĄá”ƒâżá”á”—á”’âż á”—á”’ËĄá”ˆ á”†á”–á”’âżá”á”‰á”‡á”’á”‡ á”ƒá¶ á”—á”‰Êł Ëąá”‰á”—á”—â±âżá” ᔘᔖ ᔗʰᔉ á”‡á”ƒËąá”‰â€§ "áŽ°á”‰á”ƒËĄ!" "ᔆᔒ ʷᔉ ᔉᔃᶜʰ á”á”˜á”ƒÊłá”ˆ ⁱᔗ ᔃ á”ˆá”’á¶»á”‰âż Ê°á”’á”˜ÊłËą á”–á”‰Êł á”—á”˜Êłâż ᔃᔗ ᔃ ᔗⁱᔐᔉ‧ ᎔ Ê·á”ƒâżâżá”ƒ ᔍᔒ ᔗᔉ˥˥ Ëąá‘«á”˜â±á”ˆÊ·á”ƒÊłá”ˆ Ëąá”’ ʞᔒᔘ á¶œá”ƒâż ᔇᔉ ᔗʰᔉ ʷᔃᔗᶜʰ‧‧‧" á”†á”–á”’âżá”á”‰á”‡á”’á”‡ Ëąá”â±á”–á”–á”‰á”ˆ á”—á”’ Ëąá‘«á”˜â±á”ˆÊ·á”ƒÊłá”ˆ'Ëą ᔃ˹ áŽŸËĄá”ƒâżá”á”—á”’âż Ëąá”—á”ƒÊžá”‰á”ˆâ€§ "ʞᔒᔘ Ê·á”ƒâżâżá”ƒ ˹ᔉᔉ ⁱᔗ âżá”’Ê· á”’Êł ÊČá”˜Ëąá”— ʷᔃⁱᔗ á¶ á”’Êł ⁱᔗ á”—á”’ á¶ â±âżâ±ËąÊ° á”ˆÊłÊžâ±âżá”?" á”†á”–á”’âżá”á”‰á”‡á”’á”‡ ËąÊ°â±á¶ á”—á”‰á”ˆ ᔃ˹ Ëąá‘«á”˜â±á”ˆ Ê·á”ƒÊłá”ˆ á”–á”’âżá”ˆá”‰Êłá”‰á”ˆâ€§ "᎔ ᔇᔉᔗ Ëąá‘«á”˜â±ËĄËĄâ±á”ƒá”'Ëą á”á”’âżâżá”ƒ ᔍᔒ á”ˆá”‰Ëąá”—Êłá”’Êž ⁱᔗ‧‧‧" "áŽŸËĄá”ƒâżá”á”—á”’âż'Ëą á”á”˜á”ƒÊłá”ˆâ±âżá” ⁱᔗ ᔃ˹ ʷᔉ Ëąá”–á”‰á”ƒá” ˹ᔒ‧‧‧" "ʞᔒᔘ á”—Êłá”˜Ëąá”— ʰⁱᔐ á”—á”’?" á”†á‘«á”˜â±á”ˆÊ·á”ƒÊłá”ˆ á¶ á”’ËĄËĄá”’Ê·á”‰á”ˆ Ëąá”–á”’âżá”á”‰á”‡á”’á”‡ á”—á”’ ᔗʰᔉ á”–á”ƒÊłá”â€§ áŽŸËĄá”ƒâżá”á”—á”’âż ᔖᔃᶜᔉᔈ ËĄá”’á”’á”â±âżá” á”ƒá¶ á”—á”‰Êł ⁱᔗ‧ "᎔ᔗ'Ëą ᔐᔒ˹ᔗ á”‰ËŁá‘«á”˜â±Ëąâ±á”—á”‰ á”ƒÊłá”— ᔖⁱᔉᶜᔉ ᎔'ᔛᔉ ˹ᔉᔉⁿ!" á”†á‘«á”˜â±á”ˆÊ·á”ƒÊłá”ˆ Ëąâ±á”Ê°Ëąâ€§ "áŽ¶á”˜Ëąá”— á”ˆá”’âż'á”— á”—ÊłÊžâ€§â€§â€§" "ʞᔒᔘ á”—Ê°â±âżá” ᎔'ᔈ Ê·á”ƒËąá”—á”‰ ᔐʞ á”‰âżá”‰Êłá”Êž ᔒⁿ á”ˆá”‰Ëąá”—Êłá”’Êžâ±âżá” Ëąá”’á”á”‰á”—Ê°â±âżá” ᎔ Ê°á”‰ËĄá”– á”—á”’ á”‡á”˜â±ËĄá”ˆ?" áŽŸËĄá”ƒâżá”á”—á”’âż ËĄá”’á”’á”á”‰á”ˆ ᔘᔖ á”ƒá¶œá¶œá”˜Ëąâ±âżá” ᔒᶠ ᔃᔗ á”†á‘«á”˜â±á”ˆÊ·á”ƒÊłá”ˆâ€§ "ᎌʰ ʷᔃⁱᔗ ʷᔉ ᔍᔒᔗᔗᔃ ᔍᔒ á”—á”’ Ê·á”’Êłá” âżá”’Ê·! ᔆᔉᔉ ʞᔒᔘ á”ƒá¶ á”—á”‰Êł ᔗʰᔉ ËąÊ°â±á¶ á”—â€§â€§" á”†á”–á”’âżá”á”‰á”‡á”’á”‡ ᔃⁿᔈ á”†á‘«á”˜â±á”ˆÊ·á”ƒÊłá”ˆ ˥ᔉᶠᔗ ʰⁱᔐ ᔃᔗ ᔗʰᔉ á”–á”ƒÊłá”â€§ "á”€Ê°á”ƒâżá”Ëą á¶ á”’Êł Ê·á”’Êłá”â±âżá” ËĄá”ƒá”—á”‰ á”‡á”’ÊžËą!" áŽčÊłâ€§ áŽ·Êłá”ƒá”‡Ëą á”—á”’ËĄá”ˆ á”†á‘«á”˜â±á”ˆÊ·á”ƒÊłá”ˆ ᔃⁿᔈ á”†á”–á”’âżá”á”‰á”‡á”’á”‡ á”ƒá¶ á”—á”‰Êł á¶œËĄá”’Ëąâ±âżá” ᔘᔖ ᔗʰᔉ Êłá”‰Ëąá”—á”ƒá”˜Êłá”ƒâżá”— á¶ á”’Êł ᔗʰᔉ âżâ±á”Ê°á”—â€§ 'áŽčÊž á”—á”˜Êłâż á”—á”’ á”á”˜á”ƒÊłá”ˆ Ëąá‘«á”˜â±á”ˆ Ê·á”ƒÊłá”ˆ Ëąá”—á”ƒá”—á”˜á”‰' Ëąá”–á”’âżá”á”‰á”‡á”’á”‡ ᔗʰᔒᔘᔍʰᔗ➎ á”‰ËŁá¶œâ±á”—á”‰á”ˆËĄÊžâ€§ á”†á‘«á”˜â±á”ˆÊ·á”ƒÊłá”ˆ'Ëą á¶ á”’ËĄËĄá”’Ê·á”‰á”ˆ ᔇʞ á”†á”–á”’âżá”á”‰á”‡á”’á”‡ á”—á”’ ᔗʰᔉ Ëąá”—á”ƒá”—á”˜á”‰â€§ "ᔀⁱᔐᔉ á”—á”’ ËąÊ·â±á”—á¶œÊ° ËąÊ°â±á¶ á”—Ëą ᔃⁿᔈ á¶ á”’Êł ᔐᔉ á”—á”’ á”á”˜á”ƒÊłá”ˆâ€§â€§â€§" á”†á”–á”’âżá”á”‰ ᔇᔒᔇ Ëąá”—á”’á”–á”–á”‰á”ˆ ᔃ˹ ʰᔉ ᔃⁿᔈ á”†á‘«á”˜â±á”ˆÊ·á”ƒÊłá”ˆ Êłá”‰á”ƒËĄâ±Ëąá”‰á”ˆ áŽŸËĄá”ƒâżá”á”—á”’âż Ëąá”ƒá”— ËĄá”‰á”ƒâżâ±âżá” á”ƒá”á”ƒâ±âżËąá”— ᔗʰᔉ á”‡á”ƒËąá”‰ ᔃ˹ ᔃ ᔇᔃᶜᔏ Êłá”‰Ëąá”— ᔃ˹ ʰⁱ ˹ᔒᶠᔗ Ëąâżá”˜á¶ á¶ ËĄâ±âżá” Ëąâżá”’Êłá”‰Ëą Ê·á”‰Êłá”‰ Ê°á”‰á”ƒÊłá”ˆâ€§ 'áŽșá”’Ê· ᎔ á”âżá”’Ê· Ê°á”’Ê· áŽčÊłâ€§ áŽ·Êłá”ƒá”‡Ëą ᶠᔉ˥ᔗ Ê·Ê°á”‰âżá”‰á”›á”‰Êł ᎔ ˹˥ᔉᔉᔖ ᔒⁿ ᔗʰᔉ ÊČᔒᔇ' á”†á‘«á”˜â±á”ˆÊ·á”ƒÊłá”ˆ ᔗʰᔒᔘᔍʰᔗ‧ "᎔‧‧‧" "á”†á”–á”’âżá”á”‰á”‡á”’á”‡ ÊČá”˜Ëąá”— ËĄá”‰á”ƒá”›á”‰ ⁱᔗ á”—á”’ ᔐᔉ‧‧" á”†á‘«á”˜â±á”ˆÊ·á”ƒÊłá”ˆ â±âżá”—á”‰ÊłÊłá”˜á”–á”—á”‰á”ˆ á”†á”–á”’âżá”á”‰á”‡á”’á”‡âžŽ á”‡á”‰á”Êłá”˜á”ˆá”â±âżá”ËĄÊž á”á”’â±âżá” á”’á”›á”‰Êł á”—á”’ áŽŸËĄá”ƒâżá”á”—á”’âżâ€§ á”†á”–á”’âżá”á”‰á”‡á”’á”‡ ʷᔃᔗᶜʰᔉᔈ âżá”‰Êłá”›á”’á”˜ËąËĄÊž ᔃ˹ á”†á‘«á”˜â±á”ˆÊ·á”ƒÊłá”ˆ ᔇᔉⁿᔗ á”ˆá”’Ê·âżâ€§ "ᎎᔉʞ á”—Ê°á”‰Êłá”‰â€§â€§" á”†á‘«á”˜â±á”ˆÊ·á”ƒÊłá”ˆ Êłá”˜á”‡á”‡á”‰á”ˆ ᔗʰᔉ Ëąâ±á”ˆá”‰ ᔒᶠ áŽŸËĄá”ƒâżá”á”—á”’âż'Ëą ʰᔉᔃᔈ ᔃ˹ á”†á”–á”’âżá”á”‰ ᔇᔒᔇ ʷᔃᔗᶜʰᔉᔈ‧ ᔀʰᔉ Ëąâżá”’Êłâ±âżá” Ëąá”—á”’á”–á”–á”‰á”ˆ ᔃ˹ á”‰Êžá”‰á”‡Êłá”’Ê· á¶ á”˜ÊłÊłá”’Ê·Ëą ᔇᔘᔗ ˹ᔗⁱ˥˥ ⁿᔒᔗ Ê·á”ƒá”â±âżá” ʞᔉᔗ‧ "ᔁᔖ ᔃⁿᔈ ᔃᔗᔒᔐ‧‧" á”†á‘«á”˜â±á”ˆÊ·á”ƒÊłá”ˆ Ëąá”ƒâ±á”ˆâ€§ "ᎎᔐᔐᔐ‧‧‧" "᎔ ˹ᔃⁱᔈ áŽłáŽ±á”€Í ᔁ᎟!" á”†á‘«á”˜â±á”ˆÊ·á”ƒÊłá”ˆ Êžá”‰ËĄËĄá”‰á”ˆ ᔃ˹ áŽŸËĄá”ƒâżá”á”—á”’âż Ëąá”—á”ƒÊłá”—ËĄá”‰á”ˆ ᔃʷᔃᔏᔉ á¶ á”ƒËĄËĄâ±âżá” á”’á”›á”‰Êł á”ƒËąâ±á”ˆá”‰ á”‡á”‰á¶ á”’Êłá”‰ Ëąá”—á”ƒâżá”ˆâ±âżá” Ê°â±á”Ëąá”‰ËĄá¶  ᔘᔖ‧ "ᔂʰᔃ‧‧‧" "ʞᔒᔘ'Êłá”‰ Ëąá”˜á”–á”–á”’Ëąá”‰á”ˆ á”—á”’ ᔇᔉ á”á”˜á”ƒÊłá”ˆâ±âżá” ᔗʰᔉ ᔐʞ Ëąá”—á”ƒá”—á”˜á”‰!" "᎔'ᔐ á”á”’âżâżá”ƒ á”á”˜á”ƒÊłá”ˆ ⁱᔗ âżá”’Ê· ˹ᔒ‧‧‧" á”†á”–á”’âżá”á”‰á”‡á”’á”‡ á”—á”’ËĄá”ˆâžŽ ᔃ˹ áŽŸËĄá”ƒâżá” ᔗᔒⁿ á”ˆâ±á¶»á¶»â±âżá”‰ËąËą Ëąá”˜á”‡Ëąâ±á”ˆá”‰á”ˆâ€§ "á”†á”’ÊłÊłÊžâ€§â€§" "᎔ á”ˆá”’âż'á”— ʰᔃᔛᔉ á”ƒâżÊž Ê·á”’Êłá” á”—á”’ á”á”’ÊłÊłá”’Ê· Ëąá”’ ᎔ á¶œá”ƒâż ˹˥ᔉᔉᔖ ⁱⁿ á”’âżá¶œá”‰ ᔐʞ Ê°á”’á”˜ÊłËą á”‰âżá”ˆâ€§" á”†á”–á”’âżá”á”‰á”‡á”’á”‡ â±âżá¶ á”’Êłá”Ëąâ€§ "᎔'ËĄËĄ ᶜᔒᔐᔉ ᔇᔃᶜᔏ ⁱⁿ ᔗʰᔉ á”á”’Êłâżâ±âżá” á¶ á”’Êłâ€§" áŽŸËĄá”ƒâżá”á”—á”’âż Ëąá”ƒÊžËąâ€§ "ʞᔒᔘ ËĄá”’á”’á”â€§â€§â€§" "᎔ á”âżá”’Ê·!" áŽŸËĄá”ƒâżá”á”—á”’âż Êłá”‰á”–ËĄâ±á”‰á”ˆ á”—á”’ áŽ·á”ƒÊłá”‰âż ᔃ˹ ʰᔉ ᶜᔃᔐᔉ ᔇᔃᶜᔏ ⁱⁿ ᔗʰᔉ ᶜʰᔘᔐ ᔇᔘᶜᔏᔉᔗ‧ "᎔'ᔈ á”‡á”˜â±ËĄá”— Ê°á”‰ËĄá”–á”‰á”ˆ ᔃ Ëąá”—á”ƒá”—á”˜á”‰ ʷⁱᔗʰ á”†á”–á”’âżá”á”‰á”‡á”’á”‡â€§" áŽ·á”ƒÊłá”‰âż âżá”’á”ˆá”ˆá”‰á”ˆ ᔃ˹ ËąÊ°á”‰ Ê°á”‰ËĄá”–á”‰á”ˆ Ê°á”‰Êł Ê°á”˜Ëąá”‡á”ƒâżá”ˆ ᔘᔖ á”—á”’ ᔇᔉᔈ‧ "᎔'ᔛᔉ á”—á”’ ᔍᔒ ᔇᔃᶜᔏ á”—á”’á”á”’ÊłÊłá”’Ê· á”á”’Êłâżâ±âżá”â€§â€§" "᎔'ᔐ á”ËĄá”ƒá”ˆ; ᔍᔉᔗ ᔃ ᔍᔒᔒᔈ âżâ±á”Ê°á”—'Ëą Êłá”‰Ëąá”—!" áŽ·á”ƒÊłá”‰âż á”—á”’ËĄá”ˆ áŽŸËĄá”ƒâżá”á”—á”’âż ᔃ˹ ʰᔉ Ëąâ±á”—á”˜á”ƒá”—á”‰á”ˆâ€§ áŽŸËĄá”ƒâżá”á”—á”’âż Ê·á”‰âżá”— ᔇᔃᶜᔏ ⁱⁿ ᔗʰᔉ ⁿᔉˣᔗ á”á”’Êłâżâ±âżá” á”—á”’ ˹ᔉᔉ á”†á”–á”’âżá”á”‰á”‡á”’á”‡ Ê°á”ƒá”–á”–â±ËĄÊž á”–á”ƒá”—Êłá”’ËĄËĄâ±âżá” á”ƒÊłá”’á”˜âżá”ˆ ᔗʰᔉ Ëąá”—á”ƒá”—á”˜á”‰â€§ "᎔ á”—Ê°â±âżá” ⁱᔗ'Ëą á”ˆÊłÊžâ€§â€§" á”†á”–á”’âżá”á”‰á”‡á”’á”‡ Ëąá”ƒÊžËą Ëąá”‰á”‰â±âżá” áŽŸËĄá”ƒâżá”á”—á”’âżâ€§ áŽŸËĄá”ƒâżá”á”—á”’âż ᔗᔒᔘᶜʰᔉᔈ ⁱᔗ ᔃⁿᔈ Ê·á”ƒËą á”ˆÊłÊžâ€§ "ᎏ˥˥ ᔍᔒᔒᔈ!" ᎎᔉ á”—á”’ËĄá”ˆ á”†á”–á”’âżá”á”‰á”‡á”’á”‡â€§ "áŽșá”’ ᔈᔃᔐᔃᔍᔉ ᔃ˹ á¶ á”ƒÊł ᔃ˹ ᎔ á¶œá”ƒâż ᔗᔉ˥˥‧‧" "á”†á‘«á”˜â±á”ˆÊ·á”ƒÊłá”ˆ'Ëą á”á”’âżâżá”ƒ ᔇᔉ Ëąá”’ ʰᔃᔖᔖʞ!" á”†á”–á”’âżá”á”‰á”‡á”’á”‡ ËĄá”ƒá”˜á”Ê°á”‰á”ˆ ᔃ˹ ʰᔉ á”—á”‰ËŁá”—á”‰á”ˆ á”†á‘«á”˜â±á”ˆÊ·á”ƒÊłá”ˆâ€§ "᎔ ˥ᔒᔛᔉ Ëąá”‰á”‰â±âżá” ʰⁱᔐ!" á”†á”‰á”‰â±âżá” Ëąá”–á”’âżá”á”‰á”‡á”’á”‡ Ê°á”’á”– ʷⁱᔗʰ á”ËĄá”‰á”‰ ᔃᔗ ᔗʰᔉ ᔗʰᔒᔘᔍʰᔗ ᔒᶠ Ëąá‘«á”˜â±á”ˆÊ·á”ƒÊłá”ˆ Ëąá”’á”á”‰Ê°á”’Ê· ᔐᔃᔈᔉ áŽŸËĄá”ƒâżá”á”—á”’âż ᶠᔉᔉ˥ á”ˆá”’Ê·âżâ€§ 'ᎎᔉ ⁱ˹ Ëąá”’ âżâ±á¶œá”‰ á”—á”’ ᔃ˥˥ ᔇᔘᔗ ᔒᶠ á¶œá”’á”˜ÊłËąá”‰ Ê°â±Ëą á¶ Êłâ±á”‰âżá”ˆËąâ€§ ᎔ᶠ á”’âżËĄÊž ᎔ á”âżá”‰Ê· ÊČá”˜Ëąá”— Ê°á”’Ê· ʰᔉ ᶠᔉᔉ˥˹ ᔃᔇᔒᔘᔗ ᔐᔉ ᔈᔉᔉᔖ á”ˆá”’Ê·âż â±âżËąâ±á”ˆá”‰' áŽŸËĄá”ƒâżá”á”—á”’âż ᶠᔉ˥ᔗ ⁿᔒᔗ Ëąá”’ â±á”á”–á”’Êłá”—á”ƒâżá”—â€§ '᎔ᶠ á”’âżËĄÊž ᎔ ᔐᔃᔈᔉ Ëąá”–á”’âżá”á”‰á”‡á”’á”‡ Ëąá”’ ʰᔃᔖᔖʞ á”—á”’' áŽŸËĄá”ƒâżá”á”—á”’âż ËĄá”’á”’á”á”‰á”ˆ ᔃᔗ ʰⁱᔐ á”ˆá”‰á”–Êłá”‰ËąËąâ±âżá”ËĄÊžâ€§ ᎎᔉ Ëąá”ƒÊ· á”†á‘«á”˜â±á”ˆÊ·á”ƒÊłá”ˆ Êłá”˜âż á”—á”’ á”†á”–á”’âżá”á”‰á”‡á”’á”‡ ᔃⁿᔈ ᔗʰᔉ Ëąá”—á”ƒá”—á”˜á”‰ ᔃ˹ á”†á”–á”’âżá”á”‰á”‡á”’á”‡ á”‡á”’á”˜âżá¶œá”‰á”ˆ Ëąá”â±ËĄâ±âżá”â€§ "᎔'ᔐ á”ƒá¶œá”—á”˜á”ƒËĄËĄÊž â±á”á”–Êłá”‰ËąËąá”‰á”ˆ; ⁱᔗ ËĄá”’á”’á”Ëą ᔉᔛᔉⁿ á”‡á”‰á”—á”—á”‰Êł á”ˆÊłÊž!" áŽŸËĄá”ƒâżá”á”—á”’âż ËĄá”’âżá”â±âżá”ËĄÊž Ëąá”ƒÊ· á”†á”–á”’âżá”á”‰á”‡á”’á”‡ ËĄâ±á”Ê°á”— ᔘᔖ ᔃ˹ Ëąá‘«á”˜â±á”ˆÊ·á”ƒÊłá”ˆ ᔍᔃᔛᔉ ʰⁱᔐ ˹ᔒᔐᔉ á”–á”ƒá”—Ëąâ€§ "ᎌᶠ á¶œá”’á”˜ÊłËąá”‰ Ëąâ±âżá¶œá”‰ ⁱᔗ'Ëą ᔒᶠ ʞᔒᔘ!" "ᎌʰ; á”—Ê°á”ƒâżá”Ëąâ€§â€§" "ʞᔒᔘ'Êłá”‰ ᔃ ᔇᔉ˹ᔗ á¶ Êłâ±á”‰âżá”ˆ ᔒᶠ ᔐⁱⁿᔉ➎ á”’á”—Ê°á”‰Êł á”—Ê°á”ƒâż áŽŸá”ƒá”—Êłâ±á¶œá”! á¶œá”ƒâż ᎔ á¶œá”ƒËĄËĄ ʞᔒᔘ ᔐʞ ᔇᔉ˹ᔗ á¶ Êłâ±á”‰âżá”ˆ?" "᎔ᶠ ᎔ Ëąá”ƒÊž Êžá”‰ËąâžŽ Ê·â±ËĄËĄ ʞᔒᔘ ÊČá”˜Ëąá”— á”–Êłá”’á”â±Ëąá”‰ ᔐᔉ ⁿᔒᔗ á”—á”’ Ëąá”ƒÊž ⁱᔗ ⁱⁿ á”–á”˜á”‡ËĄâ±á¶œ?" á”†á‘«á”˜â±á”ˆÊ·á”ƒÊłá”ˆ á”—á”’ËĄá”ˆ ʰⁱᔐ‧ á”†á‘«á”˜á”‰á”ƒËĄâ±âżá” ʷⁱᔗʰ ÊČᔒʞ➎ á”†á”–á”’âżá”á”‰á”‡á”’á”‡ Ê·á”‰âżá”— á”—á”’ á”‰á”á”‡Êłá”ƒá¶œá”‰ ʰⁱᔐ‧ "ʞᔒᔘ'Êłá”‰ á”ƒá”á”ƒá¶»â±âżá”âžŽ ʷʰⁱᶜʰ ᎔ ˥ᔒᔛᔉ!" áŽŸËĄá”ƒâżá”á”—á”’âż ʷᔃᔗᶜʰᔉᔈ ᔗʰᔉᔐ ᔃ˹ ʰᔉ ᶠᔉ˥ᔗ Ê°â±Ëą ᔉʞᔉ Ëąá”—á”ƒÊłá”— á”—á”’ Ê·á”‰ËĄËĄ ᔘᔖ ⁱⁿ á”—á”‰á”ƒÊłËą; ʰᔉ âżá”‰á”›á”‰Êł ËĄâ±á”á”‰á”ˆ á¶ á”’Êł á”’á”—Ê°á”‰ÊłËą á”—á”’ ˹ᔉᔉ Ê°â±á”Ëąá”‰ËĄá¶  á¶œÊłÊžâ€§ '᎔ ᔈᔒ ⁿᔒᔗ á”âżá”’Ê· Ê°á”’Ê· Ëąá‘«á”˜â±á”ˆÊ·á”ƒÊłá”ˆ á”á”ƒá”á”‰Ëą ʰⁱᔐ Ëąá”’ Ê°á”ƒá”–á”–â±á”‰Êł á”—Ê°á”ƒâż ᎔ á¶œá”’á”˜ËĄá”ˆ' áŽŸËĄá”ƒâżá”á”—á”’âż á”–á”’âżá”ˆá”‰Êłá”‰á”ˆâ€§ ᎎᔉ á”—Êłâ±á”‰á”ˆ ⁿᔒᔗ á”—á”’ ˥ᔉᔗ ᔒᔘᔗ ᔃ ˹ᔒᔇ ᔃ˹ ʰᔉ á”—á”˜Êłâżá”‰á”ˆ ᔃʷᔃʞ Ëąá”’ ᔗʰᔉʞ á”â±á”Ê°á”—âżâ€™á”— Êłá”‰á”ƒËĄâ±Ëąá”‰â€§ á¶ á”‰á”‰ËĄâ±âżá” ᔗʰᔉ á”—á”‰á”ƒÊłËą ᔃᔇᔒᔘᔗ Ëąá”—á”ƒÊłá”— á”—á”’ ᶠᔃ˥˥➎ áŽŸËĄá”ƒâżá”á”—á”’âż Ê·á”‰âżá”— á”—á”’ ᔇʞ Ê°â±á”Ëąá”‰ËĄá¶  á”˜âżá”ˆá”‰Êł ᔃ á”—Êłá”‰á”‰â€§ "ᔂʰᔃᔗ'Ëą ᔘᔖ ʷⁱᔗʰ‧‧‧" "᎔ á”ˆá”’âż'á”— á”âżá”’Ê· á”†á‘«á”˜â±á”ˆÊ·á”ƒÊłá”ˆ ᔇᔘᔗ ᎔'ËĄËĄ ᔍᔒ ᶜʰᔉᶜᔏ ᔒⁿ!" á”†á”–á”’âżá”á”‰á”‡á”’á”‡ Êłá”ƒâż á”ƒá¶ á”—á”‰Êł Ê·Ê°á”‰Êłá”‰ ʰᔉ Ê·á”‰âżá”— á”—á”’ ᔗʰᔉ á”—Êłá”‰á”‰â€§ ᎎᔉ Ëąá”ƒÊ· ʰⁱᔐ Ê°á”˜á”á”â±âżá” Ê°â±Ëą á”âżá”‰á”‰Ëą ᔃ˹ ʰᔉ á”—Êłâ±á”‰á”ˆ Ê°á”’ËĄá”ˆâ±âżá” ᔇᔃᶜᔏ Ê·Ê°â±á”á”–á”‰ÊłËąâ€§ áŽșá”’á”— á”âżá”’Ê·â±âżá” Ê°á”’Ê· á”—á”’ á”ƒá”–á”–Êłá”’á”ƒá¶œÊ° ʰⁱᔐ➎ á”†á”–á”’âżá”á”‰á”‡á”’á”‡ á”âżá”‰Ê· áŽŸËĄá”ƒâżá”á”—á”’âż'Ëą ⁿᔒᔗ á”’á”›á”‰ÊłËĄÊž á”ƒá¶ á¶ á”‰á¶œá”—â±á”’âżá”ƒá”—á”‰ âżá”’Êł á”ƒËąá” á¶ á”’Êł ᔗᔒᔘᶜʰ á”‰á”›á”‰Êłâ€§ áŽŸËĄá”ƒâżá”á”—á”’âż Ëąá”ƒÊ· Ëąá”–á”’âżá”á”‰á”‡á”’á”‡'Ëą Ê°á”ƒâżá”ˆ ËĄá”’á”’á”â±âżá” ᔘᔖ á”—á”’ á”†á”–á”’âżá”á”‰á”‡á”’á”‡ á¶œá”’âżá¶œá”‰Êłâżá”‰á”ˆ ᔃᔇᔒᔘᔗ ʰⁱᔐ‧ "áŽŸËĄá”ƒâżá”á”—á”’âż ᎔ ˹ᔉᔉ ʞᔒᔘ'Êłá”‰ á”˜á”–Ëąá”‰á”—â€§â€§â€§" "ᔆᔒ“" "ᔂᔉ˥˥ ᔈᔒ ʞᔒᔘ âżá”‰á”‰á”ˆ á”ƒâżÊž á”—Ê°â±âżá” ᎔ á¶œá”ƒâż ᔈᔒ?" "ʞᔒᔘ ˹ᔉᔉᔐ á”—á”’ ᔇᔉ ÊČá”˜Ëąá”— Ëąá”’ á”ËĄá”ƒá”ˆ ʷⁱᔗʰ á”†á‘«á”˜â±á”ˆÊ·á”ƒÊłá”ˆâ€§â€§â€§" "ʞᔉᔃ ʰᔉ'Ëą ËĄâ±á”á”‰ ᔃ á”‡Êłá”’á”—Ê°á”‰Êł á”—á”’ ᔐᔉ!" áŽŸËĄá”ƒâżá”á”—á”’âż Ëąâ±á”Ê°á”‰á”ˆ ʷⁱᔗʰ á¶œÊłÊžâ€§ "áŽ·á”ƒÊłá”‰âż'Ëą ᔗʰᔉ á¶œËĄá”’Ëąá”‰Ëąá”— ᎔'ᔛᔉ á”—á”’ ᔃ ᔇᔉ˹ᔗ á¶ Êłâ±á”‰âżá”ˆâžŽ ᔃⁿᔈ ʞᔒᔘ á”ƒÊłá”‰ ᔖᔒ˥ⁱᔗᔉ á”‰âżá”’á”˜á”Ê° á¶ á”’Êł á”—á”’ á”—á”’ËĄá”‰Êłá”ƒá”—á”‰ ᔐᔉ‧‧‧" áŽŸËĄá”ƒâżá”á”—á”’âż ᔗᔒᔒᔏ ᔃ á”‡Êłá”‰á”ƒá”—Ê°â€§ "᎔ á”ˆá”’âż'á”— ᔍᔉᔗ Ê°á”’Ê· ᔗʰᔉʞ ᔍᔉᔗ á”—á”’ Ê°á”ƒâżá” ᔒᔘᔗ ʷⁱᔗʰ ʞᔒᔘ Ê·Ê°â±ËĄËąá”— ᎔ á¶œá”ƒâżâżá”’á”— ᔉᔛᔉⁿ ᔍᔒ ᔃ ᔈᔃʞ ʷⁱᔗʰᔒᔘᔗ á”ƒÊłá”á”˜â±âżá” ʷⁱᔗʰ ᔐʞ ʷⁱᶠᔉ ᎔ ʰᔃᔈ á”–Êłá”’á”Êłá”ƒá”á”á”‰á”ˆ! ᎔ᶠ ʞᔒᔘ á”ˆá”’âż'á”— Ê·á”ƒâżá”— á”—á”’ á”–Êłá”‰á”—á”‰âżá”ˆ á”—á”’ ËĄâ±á”á”‰ ᔐʞ á¶œá”’á”á”–á”ƒâżÊž ʞᔒᔘ á”ˆá”’âż'á”— ʰᔃᔇᔉ ᔗᔒ‧‧‧" "áŽŸËĄá”ƒâżá”á”—á”’âżâžŽ ⁿᔒ!" á”†á”–á”’âżá”á”‰á”‡á”’á”‡ ᔍᔃᔛᔉ ʰⁱᔐ ᔃ á”â±ËąËą ᔒⁿ ᔗʰᔉ á¶ á”’Êłá”‰Ê°á”‰á”ƒá”ˆâ€§ "ʞᔒᔘ á”âżá”’Ê· ʞᔒᔘ á¶œá”ƒâż á”—á”ƒËĄá” á”—á”’ ᔐᔉ➎ ᔃⁿᔈ ᎔ ÊČá”˜Ëąá”— ᔃᔐ á”ƒá¶ Êłá”ƒâ±á”ˆ ᔒᶠ â±ÊłÊłâ±á”—á”ƒá”—â±âżá” ʞᔒᔘ‧ ᎔ᔗ'Ëą Ê°á”ƒÊłá”ˆ Ê·Ê°á”‰âż ᎔ Ê·á”’Êłá” ᔃᔗ ᔗʰᔉ á”Êłá”˜Ëąá”—Êž á”Êłá”ƒá”‡âžŽ ᔇᔘᔗ ᎔'ᔈ ˥ᔒᔛᔉ á”—á”’ ᔇᔉ ᔍᔒᔒᔈ á¶ Êłâ±á”‰âżá”ˆâ€§â€§â€§" "ʞᔒᔘ á”á”‰á”ƒâż ⁱᔗ?" "ᎌᶠ á¶œá”’á”˜ÊłËąá”‰â€§â€§â€§"
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᎔ⁿ Êžá”’á”˜Êł áŽ°Êłá”‰á”ƒá”Ëą âœá”†á”–á”’âżá”á”‰áŽźá”’á”‡ á¶ á”ƒâżá¶ â±á¶œâŸ â€˜áŽłá”’á”’á”ˆ á”á”’Êłâżâ±âżá”! áŽłá”˜á”‰ËąËą ʷʰᔃᔗ ᎔ ᔐᔃᔈᔉ Êžá”’á”˜Êł á¶ á”ƒá”›á”’á”˜Êłâ±á”—á”‰!’ áŽŽá”‰á”ƒÊłâ±âżá” á”†á”–á”’âżá”á”‰á”‡á”’á”‡Ëą ᔛᔒⁱᶜᔉ, áŽŸËĄá”ƒâżá”á”—á”’âż Ëąá”â±ËĄá”‰á”ˆâ€§ â€˜áŽ·Êłá”ƒá”‡á”‡Êž áŽŸá”ƒá”—á”—â±á”‰Ëą!’ ‘ᔀᔒ á”˜Ëąâ€§â€§â€™ â€˜áŽŸËĄá”ƒâżá”á”—á”’âż?’ áŽ·á”ƒÊłá”‰âżâ€™Ëą ᔛᔒⁱᶜᔉ â±âżá”—á”‰ÊłÊłá”˜á”–á”—á”‰á”ˆâ€§ á”†á”˜á”ˆá”ˆá”‰âżËĄÊž áŽŸËĄá”ƒâżá”á”—á”’âż ᶠᔉ˥ᔗ ᔃ ᔗᔃᔖ ᔒⁿ Ê°â±Ëą ËąÊ°á”’á”˜ËĄá”ˆá”‰Êł á¶ Êłá”’á” áŽ·á”ƒÊłá”‰âżâ€§ â€œáŽŸËĄá”ƒâżá”á”—á”’âż!” ᎎᔉ Ëąâżá”ƒá”–á”–á”‰á”ˆ ᔃʷᔃᔏᔉ, Êłá”‰á”ƒËĄâ±Ëąâ±âżá” Ê°á”‰â€™Ëą Ê°á”˜á”á”â±âżá” ᔃ á”–â±ËĄËĄá”’Ê· ᔃⁿᔈ ⁿᔒᔗ á”†á”–á”’âżá”á”‰á”‡á”’á”‡â€§ áŽŸËĄá”ƒâżá”á”—á”’âż á”âżá”‰Ê· ⁱᔗ’˹ á”—á”’ ᔍᔒᔒᔈ á”—á”’ ᔇᔉ á”—Êłá”˜á”‰ á¶ á”’Êł Ëąá”–á”’âżá”á”‰á”‡á”’á”‡ á”—á”’ Ëąá”–á”‰âżá”ˆ Ê°â±Ëą ᔗⁱᔐᔉ á”—á”’á”á”‰á”—Ê°á”‰Êł, á”á”ƒá”â±âżá” ᔗʰᔉ ᔐᔒᔘᔗʰ Ê·á”ƒá”—á”‰Êłâ±âżá” á”–á”ƒá”—á”—â±á”‰Ëąâ€§ áŽŸËĄá”ƒâżá”á”—á”’âż á¶ á”’á”˜âżá”ˆ Ê°â±á”Ëąá”‰ËĄá¶  á”ˆÊłá”’á”’ËĄâ±âżá” â±âżËąá”—á”‰á”ƒá”ˆâ€§ â€œáŽ¶á”˜Ëąá”— ᔍᔉᔗ ” “᎔ á”âżá”’Ê·; ᎔’ᔐ ᔘᔖ!” ᎎᔉ á”—á”’ËĄá”ˆ Ê°â±Ëą á¶œá”’á”á”–á”˜á”—á”‰Êł ʷⁱᶠᔉ‧ â€˜á”†á”–á”’âżá”á”‰ ᔇᔒᔇ ⁱ˹ ᔃ á”‡á”˜Ëąâ±âżá”‰ËąËą Êłâ±á”›á”ƒËĄ Ê·Ê°á”’ ᔐⁱᔍʰᔗ âżá”‰á”›á”‰Êł á”—á”’ ʰᔃᔛᔉ ᔃ ËĄá”ƒËąá”—â±âżá” á¶ Êłâ±á”‰âżá”ˆËąÊ°â±á”–â€™ áŽŸËĄá”ƒâżá”á”—á”’âż ᔗʰᔒᔘᔍʰᔗ‧ ᎎᔉ á”â±âżá”ˆËĄá”‰ËąËąËĄÊž Ê·á”‰âżá”— á”—á”’ ᔗʰᔉ á”Êłá”˜Ëąá”—Êž á”Êłá”ƒá”‡ ʷⁱᔗʰᔒᔘᔗ ᔃ á”–ËĄá”ƒâż á”’Êł ᔉᔛᔉⁿ á”á”’á”—â±á”›á”ƒá”—â±á”’âż! ᎎᔉ ÊČá”˜Ëąá”— Ëąâżá”˜á¶œá” ⁱⁿ ᔗʰᔉ ᔇᔃᶜᔏ Ê·Ê°á”‰Êłá”‰ Ëąá”–á”’âżá”á”‰ ᔇᔒᔇ ᔈⁱᔈ Ê°â±Ëą ÊČᔒᔇ ᔒⁿ ᔗʰᔉ á”Êłâ±ËĄËĄâ€§ “ᔂᔉ á”ƒÊłá”‰ ᔗᔉᔃᔐ á”Êłá”˜Ëąá”—Êž á”Êłá”ƒá”‡â€§â€§â€ Ëąâ±âżá”Ëą á”†á”–á”’âżá”á”‰á”‡á”’á”‡, ⁿᔒᔗ âżá”’á”—â±á¶œâ±âżá” ᔗʰᔉ á”ˆá”’á”’Êł á”’á”–á”‰âżá”‰á”ˆ ᔇʞ áŽŸËĄá”ƒâżá”á”—á”’âżâ€§ â€˜áŽłá”‰á”— á”’á”›á”‰Êł Êžá”’á”˜Êł á”–Êłâ±á”ˆá”‰ ᔃⁿᔈ ÊČá”˜Ëąá”— á”ƒËąá” ʰⁱᔐ á”—á”’ ᔍᔉᔗ ⁱᔗ á”’á”›á”‰Êł ʷⁱᔗʰ! ʞᔒᔘ Ê·â±ËĄËĄ âżá”‰á”›á”‰Êł ᔈᔒ á”ƒâżÊžá”—Ê°â±âżá” ÊČá”˜Ëąá”— Ëąá”—á”ƒâżá”ˆâ±âżá”â€™ áŽŸËĄá”ƒâżá”á”—á”’âż Êłá”‰á”ƒËĄâ±Ëąá”‰á”ˆâ€§ áŽ·âżá”’Ê·â±âżá” ʰᔉ ᔐⁱᔍʰᔗ ÊČá”˜Ëąá”— á”‰âżá”ˆ ᔘᔖ á”‡á”‰â±âżá” ᔏⁱᶜᔏᔉᔈ ᔒᔘᔗ ᔇᔘᔗ Êłâ±Ëąá”â±âżá” ⁱᔗ, áŽŸËĄá”ƒâżá”á”—á”’âż Ê·á”‰âżá”— á”—á”’ á”†á”–á”’âżá”á”‰á”‡á”’á”‡â€§ “ᎎᔉʞ, ᔏⁱᔈ ” á”†á”–á”’âżá”á”‰á”‡á”’á”‡ âżá”’á”—â±á¶œá”‰á”ˆ áŽŸËĄá”ƒâżá”á”—á”’âżâ€§ “ʞᔒᔘ Ê·á”ƒâżâżá”ƒâ€Šâ€ “᎔ Ê·â±ËĄËĄ ⁿᔒᔗ ᶠᔃ˥˥ á¶ á”’Êł ᔃ á”—Êłâ±á¶œá” ᔗᔒᔈᔃʞ, Ëąâ±ËĄËĄÊž áŽŸËĄá”ƒâżá”á”—á”’âż!” â€œá”†á”–á”’âżá”á”‰á”‡á”’á”‡â€Šâ€ Ëąá‘«á”˜â±á”ˆÊ·á”ƒÊłá”ˆ â±âżá”—á”‰ÊłÊłá”˜á”–á”—á”‰á”ˆâ€§ “ᎌᶠ á¶œá”’á”˜ÊłËąá”‰ ⁱᔗ’˹ ʞᔒᔘ áŽŸËĄá”ƒâżá”á”—á”’âż; ËąÊ°á”’á”˜ËĄá”ˆ ʰᔃᔛᔉ á”âżá”’Ê·âż!” áŽŸËĄá”ƒâżá”á”—á”’âż ËĄá”’á”’á”á”‰á”ˆ ᔘᔖ‧ “᎔ ” â€œáŽŸËĄá”ƒâżá”á”—á”’âż ʞᔒᔘ á”ˆá”’âżâ€™á”— á”‡á”‰ËĄá”’âżá” Ê°á”‰Êłá”‰; ᔍᔉᔗ ᔒᔘᔗ!” á”†á”–á”’âżá”á”‰ ᔇᔒᔇ á”–á”’â±âżá”—á”‰á”ˆ Ê°â±Ëą Ëąá”–á”ƒá”—á”˜ËĄá”ƒ ᔃᔗ ʰⁱᔐ ᔃ˹ Ëąá‘«á”˜â±á”ˆÊ·á”ƒÊłá”ˆ á”—Ê°Êłá”‰Ê· ʰⁱᔐ ᔒᔘᔗ‧ áŽŸËĄá”ƒâżá”á”—á”’âż âżá”‰á”›á”‰Êł Ê°á”‰á”ƒÊłá”ˆ Ëąá”–á”’âżá”á”‰ ᔇᔒᔇ Êžá”‰ËĄËĄ ⁱⁿ Ëąá”˜á¶œÊ° ᔃ ʷᔃʞ‧ “ᎌʰ á”—Ê°á”ƒâżá” ʞᔒᔘ Ëąá‘«á”˜â±á”ˆâ€Šâ€ Ëąá”–á”’âżá”á”‰á”‡á”’á”‡ á”—á”’ËĄá”ˆ Ëąá‘«á”˜â±á”ˆÊ·á”ƒÊłá”ˆ ᔃ˹ ᔗʰᔉʞ Ê·á”‰âżá”— ᔇᔃᶜᔏ á”—á”’ Ê·á”’Êłá”â€§ áŽŸËĄá”ƒâżá”á”—á”’âż ÊČá”˜Ëąá”— Ëąá”—á”ƒÊžá”‰á”ˆ Ê·Ê°á”‰Êłá”‰ ʰᔉ ËĄá”ƒâżá”ˆá”‰á”ˆ âżá”‰â±á”—Ê°á”‰Êł á”á”’â±âżá” ᔇᔃᶜᔏ ʰᔒᔐᔉ âżá”’Êł á”—á”’ ᔗʰᔉ áŽ·Êłá”˜Ëąá”—Êž á”Êłá”ƒá”‡â€§ ᎎᔉ Ëąá”ƒá”— Êłá”‰ËĄâ±á”›â±âżá” ᔗʰᔉ Ëąá¶œá”‰âżá”‰ ⁱⁿ Ê°â±Ëą ʰᔉᔃᔈ ᔃ˹ ʰᔉ á¶œÊłâ±á”‰á”ˆâ€§ ᎎᔉ ËĄâ±á”á”‰á”ˆ Ê°á”ƒá”›â±âżá” ᔗⁱᔐᔉ á”—á”’ Ê°â±á”Ëąá”‰ËĄá¶  ᔃⁿᔈ á”˜Ëąá”˜á”ƒËĄËĄÊž âżá”‰á”›á”‰Êł á¶œÊłâ±á”‰á”ˆ á”’á”›á”‰Êł ᔃⁿ á”’á”—Ê°á”‰Êł á”–á”‰ÊłËąá”’âż; ʞᔉᔗ áŽŸËĄá”ƒâżá”á”—á”’âż Ê·á”ƒËą Ëąá”—â±á¶ ËĄâ±âżá” Ê·Ê°â±á”á”–á”‰ÊłËą ᔃᔗ ‘ʞᔒᔘ ᔈᔒ ⁿᔒᔗ á”‡á”‰ËĄá”’âżá” Ê°á”‰Êłá”‰â€™ Êłâ±âżá”Ëą á”’á”›á”‰Êł ᔃⁿᔈ á”’á”›á”‰Êł á”ƒá”á”ƒâ±âżâ€§ ᎎᔉ’˹ á”—Êłâ±á”‰á”ˆ á”—á”’ á”—Êłâ±á¶œá” Ëąá”–á”’âżá”á”‰ ᔇᔒᔇ á”‡á”‰á¶ á”’Êłá”‰, ᔃⁿᔈ ʰᔉ á”âżá”‰Ê· ʷʰᔃᔗ Êłâ±Ëąá”Ëą á”á”’â±âżá” ⁱⁿ‧ ᔆᔗⁱ˥˥ Ëąá”–á”’âżá”á”‰á”‡á”’á”‡ Ê°á”ƒËą âżá”‰á”›á”‰Êł á”–á”‰ÊłËąá”’âżá”ƒËĄËĄÊž Ê°á”˜Êłá”— ʰⁱᔐ ᔃ˹ Ëąá”˜á¶œÊ°â€§ ᎌᶠ á¶œá”’á”˜ÊłËąá”‰, Ëąá”–á”’âżá”á”‰á”‡á”’á”‡ ᔐⁱᔍʰᔗ ᶠᔒⁱ˥ Ê°â±Ëą á”–ËĄá”ƒâżËą ᔃᔗ ᔗⁱᔐᔉ˹, ᔇᔘᔗ ʰᔉ âżá”‰á”›á”‰Êł ᔈⁱᔈ Ëąá”’ ʷⁱᔗʰ Ëąá”˜á¶œÊ° á”˜á”–Ëąá”‰á”—á”—â±âżá”â€§ áŽșá”’á”— á”—á”’ ᔐᔉⁿᔗⁱᔒⁿ Ê°á”’Ê· ʰᔉ ËĄá”’á”’á”á”‰á”ˆ á”—á”’ Ëąá‘«á”˜â±á”ˆÊ·á”ƒÊłá”ˆ ʷⁱᔗʰ ᔃʷᔉ ᔃ˹ ʰᔉ ᔏⁱᶜᔏᔉᔈ ᔒᔘᔗ‧ ᔂⁱᔗʰ ᔃ Ëąâ±á”Ê° ʰᔉ’ᔈ ᔈᔉᶜⁱᔈᔉᔈ á”—á”’ ᔍᔉᔗ ᔘᔖ ᔒᶠᶠ ᔗʰᔉ á”Êłá”’á”˜âżá”ˆ ᔃⁿᔈ ËĄá”‰á”ƒá”›á”‰â€§ á¶ á”’Êł ᔍᔒᔒᔈ‧ ᎏᔗ á¶œËĄá”’Ëąâ±âżá” ᔗⁱᔐᔉ, Ëąá”–á”’âżá”á”‰á”‡á”’á”‡ Ëąá”ƒÊ· áŽ·á”ƒÊłá”‰âż ᶜᔒᔐᔉ ᔘᔖ á”—á”’ ʰⁱᔐ‧ “ᎌʰ á”†Ê°á”‰ËĄá”ˆá”’âżâ€Šâ€ ËąÊ°á”‰ á¶œá”ƒËĄËĄá”‰á”ˆ ᔒᔘᔗ á¶ á”’Êł Ê°á”‰Êł Ê°á”˜Ëąá”‡á”ƒâżá”ˆâ€§ â€œáŽ·á”ƒÊłá”‰âż, ʷʰᔃᔗ ” ᔆʰᔉ Ê°á”‰ËĄá”ˆ ᔘᔖ ᔃ ⁿᔒᔗᔉ ʷʰⁱᶜʰ Ëąá”ƒÊžËą ‘᎔ ʰⁱᔗ Êłá”’á¶œá” ᔇᔒᔗᔗᔒᔐ Ëąâ±âżá¶œá”‰ ᎔ ᔈᔒ ⁿᔒᔗ ˹ᔉᔉᔐ á”—á”’ ᔇᔉ Ê·á”ƒâżá”—á”‰á”ˆâ€§ ᎔ ÊČá”˜Ëąá”— ᔈᔒ ⁿᔒᔗ á”‡á”‰ËĄá”’âżá” Ëąá”’ ᎔ ᔗʰᔒᔘᔍʰᔗ ⁱᔗ ᔇᔉ˹ᔗ‧ áŽșá”’ âżá”‰á”‰á”ˆ á”—á”’ ᶠᔉᔉ˥ Ëąá”—Êłá”‰ËąËąá”‰á”ˆ ᔇʞ ᔐᔉ á”ƒâżÊž ËĄá”’âżá”á”‰Êł; áŽŸËĄá”ƒâżá”á”—á”’âżâ€™ ᔆᔃⁱᔈ ᔗʰᔉ ⁿᔒᔗᔉ‧ “ᎎᔉ ˥ᔉᶠᔗ á”—á”’ ᔗʰᔉ áŽ·Êłá”˜Ëąá”—Êž á”Êłá”ƒá”‡ ᔃⁿᔈ ᎔ Ê°á”ƒá”›á”‰âżâ€™á”— ʞᔉᔗ áŽŸËĄá”ƒâżá”á”—á”’âż Ëąâ±âżá¶œá”‰! Ꮀᔒ ʞᔒᔘ á”âżá”’Ê· Ê·Ê°á”‰Êłá”‰ ʰᔉ ᔐⁱᔍʰᔗ ᔇᔉ?” “᎔’ᔐ Ëąá”’ Ëąá”’ÊłÊłÊž; ᎔ á”ˆá”’âżâ€™á”— á”âżá”’Ê·â€§â€§â€ Ëąá”–á”’âżá”á”‰ ᔇᔒᔇ á”—á”’ËĄá”ˆ Ê°á”‰Êł á”‡á”‰á¶ á”’Êłá”‰ ËąÊ°á”‰ Ê·á”‰âżá”— ᔇᔃᶜᔏ ⁱⁿ ᔗʰᔉ ᶜʰᔘᔐ ᔇᔘᶜᔏᔉᔗ‧ á”†á”–á”’âżá”á”‰á”‡á”’á”‡ Êłá”‰á”á”‰á”á”‡á”‰Êłá”‰á”ˆ ᔗʰᔉ á”ˆá”ƒÊžâ€™Ëą ᔉᔛᔉⁿᔗ˹ ᔃ˹ ʰᔉ Êłá”‰á”ƒËĄâ±Ëąá”‰á”ˆ Ê°á”’Ê· á”‡á”ƒá”ˆËĄÊž ʰᔉ á”—Êłá”‰á”ƒá”—á”‰á”ˆ áŽŸËĄá”ƒâżá”á”—á”’âżâ€§ ‘ᔂᔃⁱᔗ, ʰᔉ ᔖᔘᔗ Êłá”’á¶œá” ᔇᔒᔗᔗᔒᔐ ’ Ëąá”–á”’âżá”á”‰á”‡á”’á”‡ Êłá”ƒâż á”ˆá”’Ê·âż á”—á”’ ᔗʰᔉ á”‡á”˜Ëą ˹ᔗᔒᔖ‧ áŽżá”’á¶œá” ᎟ᔒᔗᔗᔒᔐ’˹ ᔃⁿ á”˜âżËąá”‰á”—á”—ËĄâ±âżá” á”–ËĄá”ƒá¶œá”‰ á”—á”’ ᔇᔉ, Ëąá”–á”’âżá”á”‰á”‡á”’á”‡ á”âżá”‰Ê·â€§ ᎎᔉ á”‰á”›á”‰âżá”—á”˜á”ƒËĄËĄÊž Ëąá”ƒÊ· áŽŸËĄá”ƒâżá”á”—á”’âż ᔒⁿ ᔗʰᔉ á”Êłá”’á”˜âżá”ˆâ€§ á”†á”–á”’âżá”á”‰á”‡á”’á”‡ ᶠᔉ˥ᔗ Ëąá”’ ᔇᔃᔈ á¶ á”’Êł ʰⁱᔐ, Ê°á”‰á”ƒÊłâ±âżá” Ê°â±Ëą ˹ᔒᶠᔗ á¶œÊłâ±á”‰Ëą ᔃ˹ ʰᔉ ᔏᔉᔖᔗ Ëąá”’á”‡á”‡â±âżá”â€§ “ᎌʰ, áŽŸËĄá”ƒâżá”á”—á”’âżâ€§â€§â€ Ëąá”–á”’âżá”á”‰á”‡á”’á”‡ á”á”ƒËąá”–á”‰á”ˆâ€§ áŽŸËĄá”ƒâżá”á”—á”’âż Ê·á”ƒËą á¶œá”’á”á”–ËĄá”‰á”—á”‰ËĄÊž ÊČá”˜Ëąá”— á”’á”›á”‰ÊłÊ·Ê°á”‰ËĄá”á”‰á”ˆ ᔃ˹ Ê°â±Ëą ᔉᔐᔒᔗⁱᔒⁿ˹ ᔗᔒᔒᔏ á”’á”›á”‰Êł, Ê°â±Ëą á”’âżËĄÊž ᔐᔒᔛᔉᔐᔉⁿᔗ á”‡á”‰â±âżá” á”‡á”ƒÊłá”‰ËĄÊž Êłá”’á¶œá”â±âżá” ᔇᔃᶜᔏ ᔃⁿᔈ á¶ á”’Êłá”—Ê° ᔃ˹ ʰᔉ Ê·Ê°â±á”á”–á”‰Êłá”‰á”ˆâ€§ “᎔’ᔐ Ëąá”’ÊłÊłÊž!” á”†á”–á”’âżá”á”‰á”‡á”’á”‡ Êłá”ƒâż á”—á”’ ʰⁱᔐ‧ áŽŸËĄá”ƒâżá”á”—á”’âż Ëąá”ƒÊ· Ëąá”–á”’âżá”á”‰á”‡á”’á”‡ ËĄá”‰á”ƒâż á”’á”›á”‰Êł ʰⁱᔐ‧ “᎔ Ê·á”ƒËą Ê·Êłá”’âżá”â€§ ᎔ Ê·á”ƒËą á”‡á”˜ËąÊž, ʷʰⁱᶜʰ ⁱ˹ⁿ’ᔗ á”ƒâżÊž á”‰ËŁá¶œá”˜Ëąá”‰ á”—á”’ Ê°á”˜Êłá”— ʞᔒᔘ‧ ʞᔒᔘ ᔐᔃᔏᔉ ᔐᔉ ʰᔃᔖᔖʞ; á”’ Ëąá”’ ʰᔃᔖᔖʞ!” “᎔ á”ˆá”’âżâ€™á”— á”‡á”‰ËĄá”’âżá”â€Šâ€ “ʞᔒᔘ á”‡á”‰ËĄá”’âżá” ᔃ˹ ᔐᔘᶜʰ ᔃ˹ á”ƒâżÊž ᔒᶠ á”˜Ëąâ€§ ᎔’ᔈ Êłá”ƒá”—Ê°á”‰Êł ʞᔒᔘ ᶜᔒᔐᔉ ᔇᔃᶜᔏ, á”‡á”‰á¶œá”ƒá”˜Ëąá”‰ ᎔ á¶œá”ƒâżâżá”’á”— â±á”á”ƒá”â±âżá”‰ ËĄâ±á”›â±âżá” ⁱⁿ á”ƒâżÊž á”–ËĄá”ƒá¶œá”‰ ʷⁱᔗʰᔒᔘᔗ ʞᔒᔘ áŽŸËĄá”ƒâżá”á”—á”’âż! ᔂᔉ âżá”‰á”‰á”ˆ ʞᔒᔘ; ᎔ âżá”‰á”‰á”ˆ ʞᔒᔘ‧‧” áŽŸËĄá”ƒâżá”á”—á”’âż ˥ᔉᔗ Ëąá”–á”’âżá”á”‰á”‡á”’á”‡ ˹ⁱᔗ ʷⁱᔗʰ ʰⁱᔐ ᔒⁿ ᔗʰᔉ Êłâ±á”ˆá”‰ ʰᔒᔐᔉ, á”‰ËŁá”–ËĄá”ƒâ±âżâ±âżá” Ê·Ê°Êž ʰᔉ Ê·á”‰âżá”— á”—á”’ ᔗʰᔉ á”Êłá”˜Ëąá”—Êž á”Êłá”ƒá”‡ ⁱⁿ ᔗʰᔉ á¶ â±ÊłËąá”— á”–ËĄá”ƒá¶œá”‰â€§ ᎎᔉ ᶠᔉ˥ᔗ Êłá”‰ËĄá”ƒËŁá”‰á”ˆ ᔃⁿᔈ ᔉᔛᔉⁿ á”ˆÊłá”’Ê·ËąÊž ᔃ˹ Ëąá”–á”’âżá”á”‰á”‡á”’á”‡ Ê°á”‰ËĄá”ˆ ʰⁱᔐ á¶œËĄá”’Ëąá”‰ ᔒⁿ ᔗʰᔉ á”‡á”˜Ëą Êłâ±á”ˆá”‰â€§ áŽ·á”ƒÊłá”‰âż Ëąá”ƒÊ· Ëąá”–á”’âżá”á”‰á”‡á”’á”‡ ᔃⁿᔈ Ê°á”‰Êł Ê°á”˜Ëąá”‡á”ƒâżá”ˆ ᶜᔒᔐᔉ ⁱⁿ ᔗʰᔉ ᶜʰᔘᔐ ᔇᔘᶜᔏᔉᔗ‧ ᎎᔉ ᶠᔉ˥ᔗ ËąËĄá”‰á”‰á”–Êž ᔇᔘᔗ á”ƒËĄËąá”’ á¶œá”’âżá”—á”‰âżá”— ʷⁱᔗʰ Ëąá”–á”’âżá”á”‰á”‡á”’á”‡ âżá”’Ê· á”‡á”‰â±âżá” ᔒⁿ Ê°â±Ëą Ëąâ±á”ˆá”‰â€§
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Bluescreen CobaltTheFox https://archiveofourown.org/works/14973044/chapters/83344819#workskin Rating: Teen And Up Audiences
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áŽčÊž ᎟ᔃᔈ â„đš†đš˜đš›đš 𝚌𝚘𝚞𝚗𝚝 - đŸŒđŸ¶đŸč âœá”†á”–á”’âżá”á”‰áŽźá”’á”‡ á¶ á”ƒâżá¶ â±á¶œâŸ "áŽŸËĄá”ƒâżá”á”—á”’âż Ê·Ê°Êž ᔈᔒ ʞᔒᔘ ʰᔃᔛᔉ ᔒⁿ áŽčâ±á¶œÊ°á”ƒá”‰ËĄ Ꮆ‧‧‧" "᎔'ᔐ á”á”‰á”—á”—â±âżá” ⁱⁿ ᔐʞ ˹ᔉ˥ᶠ ᔖᔘᔐᔖᔉᔈ ᔐᔒᔒᔈ! áŽșá”’Ê· á”—á”’ ᔍᔒ ᔍᔉᔗ â±âżá”Êłá”‰á”ˆâ±á”‰âżá”—Ëąâ€§â€§â€§" áŽŸËĄá”ƒâżá”á”—á”’âż á”—á”’ËĄá”ˆ Ê°â±Ëą á¶œá”’á”á”–á”˜á”—á”‰Êł ʷⁱᶠᔉ áŽ·á”ƒÊłá”‰âżâ€§ ᎎᔉ Ëąá”ƒÊ· ᔗʰᔉ ËĄá”˜âżá¶œÊ° Êłá”˜ËąÊ°âžŽ Ëąá”â±á”–á”–â±âżá” á”—á”’ Ê·Ê°â±ËĄËąá”— Ê°á”˜á”á”â±âżá” ᔗʰᔉ á”—á”˜âżá”‰ ᔒᶠ ᔗʰᔉ Ëąá”’âżá”â€§ "᎔'ᔐ ᔇᔃᔈ; ʞᔒᔘ á”âżá”’Ê· ⁱᔗ‧‧" áŽŸËĄá”ƒâżá”á”—á”’âż ᔐᔒᔒⁿ Ê·á”ƒËĄá”á”‰á”ˆ á”‡á”ƒá¶œá”Ëą á”—á”’ ᔗʰᔉ Ê·á”ƒËĄËĄâ€§ ᎎᔉ ᔉᔈᔍᔉᔈ á”—á”’ ᔇʞ ᔗʰᔉ ᔒᶠᶠⁱᶜᔉ á”ˆá”’á”’Êłâ€§ "áŽșá”’Ê· Ê·Ê°á”’'Ëą ᔇᔃ‧‧‧ ᎏᎏᎏ!" áŽŸËĄá”ƒâżá”á”—á”’âż ᔍᔒᔗ ʰⁱᔗ ᔃ˹ ʰᔉ á”—á”˜Êłâżá”‰á”ˆ á”—á”’ ᔗʰᔉ ᔒᶠᶠⁱᶜᔉ ᔇʞ ᔗʰᔉ á”ˆá”’á”’Êł Ê·Ê°á”‰âż ⁱᔗ ËąÊ·â±âżá” ᔒᔖᔉⁿ ËąËĄá”ƒá”á”â±âżá” ʰⁱᔐ ⁱⁿ Ê°á”ƒÊłá”ˆ ⁱⁿ ᔗʰᔉ ʰᔉᔃᔈ‧ ᔀʰᔉ ËĄá”ƒËąá”— á”—Ê°â±âżá” áŽŸËĄá”ƒâżá”á”—á”’âż Êłá”‰á”â±Ëąá”—á”‰Êłá”‰á”ˆ ᔗʰᔉ á”ˆá”’á”’Êł ᔃⁿᔈ ᔗʰᔉ ʰⁱᔗ ʰⁱᔐ ᔃⁿᔈ á”‡ËĄá”ƒá¶œá”á”‰á”ˆ ᔒᔘᔗ á”‡á”‰á¶ á”’Êłá”‰ á¶ á”ƒËĄËĄâ±âżá” ˥ⁱᔐᔖ‧ áŽčÊłâ€§ áŽ·Êłá”ƒá”‡Ëą ʰᔉᔃᔛᔉᔈ ᔗʰᔉ á”ˆá”’á”’Êł ᔒᔖᔉⁿ á”—á”’ Ê°á”‰á”ƒÊł ᔃ ʰⁱᔗᶜʰᔉᔈ á¶œÊłÊž á”˜á”—á”—á”‰Êłá”‰á”ˆ ᔇʞ áŽŸËĄá”ƒâżá”á”—á”’âż Ê·Ê°á”’ á”—Ê°á”‰âżá¶œá”‰ á¶ á”ƒËĄá”—á”‰Êłá”‰á”ˆâ€§ "ʞᔒᔘ ᶠᔃᔏᔉ á¶ á”ƒâ±âżá”—â±âżá”; Ê°á”’Ê· ËĄá”’Ê·âžŽ ᔉᔛᔉⁿ á¶ á”’Êł ʞᔒᔘ‧‧" áŽčÊłâ€§ áŽ·Êłá”ƒá”‡Ëą Ëąá”—á”ƒÊłá”—á”‰á”ˆ á”—á”’ Ëąá”ƒÊž á”‡á”‰á¶ á”’Êłá”‰ ʰᔉ Êłá”‰á”ƒËĄâ±Ëąá”‰á”ˆ Ê°á”’Ê· ËĄâ±á”—á”‰Êłá”ƒËĄËĄÊž ˥ᔉᶠᔗ ᔃ á”á”ƒÊłá”â€§ ᎎᔉ Ëąá”ƒÊ· áŽŸËĄá”ƒâżá”á”—á”’âż á”˜á”—á”—á”‰ÊłËĄÊž á”âżá”’á¶œá”á”‰á”ˆ ᔒᔘᔗ á”˜âżá¶œá”’âżËąá¶œâ±á”’á”˜Ëą â±âżËąá”—á”ƒâżá”—ËĄÊž Ê°á”˜Êłá”— Êłá”‰á”ƒËĄ ᔇᔃᔈ‧ áŽčÊłâ€§ áŽ·Êłá”ƒá”‡Ëą Ëąá”—á”’á”’á”ˆ ʷⁱᔗʰ ᔐᔒᔘᔗʰ ᔃᔍᔃᔖᔉ ⁱⁿ ËąÊ°á”’á¶œá” ᔃ˹ ʰᔉ â±âżá”—á”‰Êłâżá”ƒËĄËĄÊž á”–á”ƒâżâ±á¶œá”á”‰á”ˆ á”á”’á”á”‰âżá”—á”ƒÊłâ±ËĄÊžâ€§ ᔀʰᔉ ᔉᔈᔍᔉ ᔒᶠ ᔗʰᔉ á”ˆá”’á”’Êł Êłâ±á”ˆá”á”‰ âżá”’Ê· ËąÊ°á”’Ê·Ëą ᔃ á”ˆá”‰âżá”— Ê·Ê°á”‰Êłá”‰ ⁱᔗ ʰⁱᔗ ʰⁱᔐ‧ Ꮁᔛᔉⁿ ᔗʰᔉ á¶œá”˜Ëąá”—á”’á”á”‰ÊłËą Ëąá”—á”ƒÊžá”‰á”ˆ ˹ⁱ˥ᔉⁿᔗ ⁱⁿ Ëąá”˜Ëąá”–á”‰âżËąá”‰ ᔃ˹ áŽčÊłâ€§ áŽ·Êłá”ƒá”‡Ëą ˹ᔗⁱ˥˥ Ëąá”—á”’á”’á”ˆ Ê°á”’á”›á”‰Êłâ±âżá” á”’á”›á”‰Êł ᔗʰᔉ ᔇ⁰ᔈʞ‧‧ "ᶠᔉᔗᶜʰ ᔗʰᔉ Ëąá”á”‰ËĄËĄâ±âżá” Ëąá”ƒËĄá”—Ëą!" áŽŸËĄá”ƒâżá”á”—á”’âż ᔈⁱᔈⁿ'á”— Êłá”‰Ëąá”–á”’âżá”ˆ á”—á”’ ᔗʰᔉᔐ‧ ᎏ á¶œá”˜Ëąá”—á”’á”á”‰Êł Ê·Ê°á”’ Ê°á”ƒá”–á”–á”‰âżá”‰á”ˆ á”—á”’ ʰᔃᔛᔉ ˹ᔒᔐᔉ á”á”‰á”ˆâ±á¶œá”ƒËĄ á”‰ËŁá”–á”‰Êłá”—â±Ëąá”‰ Ê·á”‰âżá”— ᔘᔖ á”—á”’ ᔗᔃᔏᔉ ᔃ ËĄá”’á”’á”â€§ "ᎎᔉ ⁱ˹ á”‡Êłá”‰á”ƒá”—Ê°â±âżá” ᔇᔘᔗ Ê·á”’âż'á”— Êłá”’á”˜Ëąá”‰ á¶ á”’Êł ᔃᔗ ËĄá”‰á”ƒËąá”— ᔗʰᔉ á”‰á”›á”‰âżâ±âżá”â€§ ᎔ á¶œá”ƒâż Ëąá”ƒÊž ʰᔉ ᔗᔒᔒᔏ ᑫᔘⁱᔗᔉ ʰⁱᔗ ᔃⁿᔈ á”á”˜Ëąá”—'ᔛᔉ ⁿᔒᔗ ᔉᔛᔉⁿ Êłá”‰á”â±Ëąá”—á”‰Êł á¶ á”ƒËĄËĄâ±âżá” á”’á”›á”‰Êłâ€§ ᎎᔉ ᔐⁱᔍʰᔗ á”’Êł ᔐⁱᔍʰᔗ ⁿᔒᔗ á”‰âżá”ˆ ᔘᔖ ᔉᔛᔉⁿ Êłá”‰á”á”‰á”á”‡á”‰Êłâ±âżá” ᔗʰᔉ á”ˆá”’á”’Êł ˹˥ᔃᔐ ᔇᔘᔗ á¶œá”ƒâż'á”— ᔗᔉ˥˥ ʞᔉᔗ‧ ʞᔒᔘ á¶œá”ƒâż Ëąá”—á”ƒÊž ᔇʞ Ê°â±Ëą Ëąâ±á”ˆá”‰ ᔇᔘᔗ ˥ᔉᔗ'Ëą ⁿᔒᔗ á”‡á”’á”á”‡á”ƒÊłá”ˆ ʰⁱᔐ ʷⁱᔗʰ á¶œÊłá”’Ê·á”ˆâ±âżá” ᔖᔉᔒᔖ˥ᔉ á”ƒÊłá”’á”˜âżá”ˆ ʰⁱᔐ‧ ᔆᔉᔉ ᔗʰᔉ ËąËĄâ±á”Ê°á”— ËąÊ·á”‰ËĄËĄâ±âżá”? ᎔ᔗ'ËĄËĄ ᔈⁱᔉ á”ˆá”’Ê·âż ᔇᔘᔗ ʰᔉ'Ëą ⁿᔒᔗ á”á”’âżâżá”ƒ Êłá”‰á”á”ƒâ±âż Ê°â±Ëą á¶œá”’âżËąá¶œâ±á”’á”˜Ëąâżá”‰ËąËą á”‡á”‰á¶ á”’Êłá”‰ ⁱᔗ á”á”’á”‰Ëą ᔃʷᔃʞ á”’Êł á”—á”˜ÊłâżËą á”—á”’ ᔃ á”‡Êłá”˜â±Ëąá”‰â€§" áŽčÊłâ€§ áŽ·Êłá”ƒá”‡Ëą Ê·á”ƒâżá”—á”‰á”ˆ á”—á”’ Êłá”‰ËĄâ±á”‰á”›á”‰ á”ƒâżÊž ᔗʰᔉ á”–Êłá”‰ËąËąá”˜Êłá”‰ á¶ Êłá”’á” ËąÊ·á”‰ËĄËĄâ±âżá” ᔇᔘᔗ âżá”‰á”‰á”ˆ á”—á”’ ˥ᔉᔗ ⁱᔗ Ê°á”‰á”ƒËĄ ⁱᶠ Ê·á”ƒâżá”—â±âżá” áŽŸËĄá”ƒâżá”á”—á”’âż á”—á”’ ʷᔃᔏᔉ ᔘᔖ‧ 'ᶜᔒᔐᔉ ᔒⁿ ᔃⁿᔈ ËąÊ·á”‰ËĄËĄ á”ˆá”’Ê·âż Ëąá”’ ʰᔉ á¶œá”ƒâż Ëąá”—â±Êł á”Êłá”ƒá”ˆá”˜á”ƒËĄËĄÊž á”ƒá”‡ËĄá”‰ á”—á”’ ʷᔃᔏᔉ‧‧‧' áŽčÊłâ€§ áŽ·Êłá”ƒá”‡Ëą Ëąâ±ËĄá”‰âżá”—ËĄÊž ʰᔒᔖᔉᔈ‧ áŽ±á”›á”‰âżá”—á”˜á”ƒËĄËĄÊž ʰᔉ ᔈⁱᔈ Ëąá”—á”ƒÊłá”— á”—á”’ ᔗʷⁱᔗᶜʰ ᔃ˹ ËąÊ·á”‰ËĄËĄâ±âżá” Ê·á”‰âżá”— á”ˆá”’Ê·âż ᔇᔘᔗ ⁿᔒᔗ ʞᔉᔗ ᔃʷᔃᔏᔉ ʞᔉᔗ‧ á”†á”–á”’âżá”á”‰á”‡á”’á”‡ ᔃⁿᔈ ᔉᔛᔉⁿ á”†á‘«á”˜â±á”ˆÊ·á”ƒÊłá”ˆ ᔃʷᔃⁱᔗᔉᔈ ʷⁱᔗʰ á”ƒâżËŁâ±á”‰á”—Êž á¶ á”’Êł áŽŸËĄá”ƒâżá”á”—á”’âżâ€§ á”†Ê·á”‰ËĄËĄâ±âżá” Ëąá”—á”’á”–á”–á”‰á”ˆ ⁿᔒ ËĄá”’âżá”á”‰Êł ËąÊ·á”‰ËĄËĄËąâ€§â€§â€§ áŽŸËĄá”ƒâżá”á”—á”’âż'Ëą á”‰Êžá”‰á”‡Êłá”’Ê· ËąËĄâ±á”Ê°á”—ËĄÊž Ëąá”—á”ƒÊłá”—á”‰á”ˆ á¶ á”˜ÊłÊłá”’Ê·â±âżá” á”ƒÊłá”’á”˜âżá”ˆ á¶œËĄá”’Ëąâ±âżá” ᔗⁱᔐᔉ‧ áŽ±á”á”–ËĄá”’Êžá”‰á”‰Ëą ʷᔃᔗᶜʰᔉᔈ➎ á”â±á”›â±âżá” ʰⁱᔐ Ëąá”–á”ƒá¶œá”‰â€§ áŽżá”‰á”—á”˜Êłâżâ±âżá” á”—á”’ Ê°â±Ëą ˹ᔉⁿ˹ᔉ˹ ᶜᔃᔐᔉ ᔇᔃᶜᔏ á”—á”’ áŽŸËĄá”ƒâżá”á”—á”’âżâ€§ "ᔁʰʰʰʰʰʰʰʰ‧‧‧" áŽŸËĄá”ƒâżá”á”—á”’âż Ëąâ±á”Ê°á”‰á”ˆ ʷⁱᔗʰ ˹ᔒᔐᔉ á”ˆâ±á¶ á¶ â±á¶œá”˜ËĄá”—Êž Ê·á”ƒá”â±âżá” ᔘᔖ‧ áŽŸËĄá”ƒâżá”á”—á”’âż Ëąá”—Êłá”˜á”á”ËĄá”‰á”ˆ ᔃ˹ ʰᔉ á”—Êłâ±á”‰á”ˆ á”—á”’ á¶œá”’á”á”–Êłá”‰Ê°á”‰âżá”ˆâ€§ ᎎⁱ˹ ʰᔉᔃᔈ âżá”’Ê· á”—Ê°Êłá”’á”‡Ëą ᔃ˹ á”–á”ƒâ±âż Êłá”ƒá”ˆâ±á”ƒá”—á”‰á”ˆ á¶ Êłá”’á” Ê·Ê°á”‰âżá¶œá”‰ ʰᔉ ᔍᔒᔗ ʰⁱᔗ‧ "áŽŒÊłá”; ʷʰ‧‧‧ áŽ·Êłá”ƒá”‡Ëąâ€œ" áŽŸËĄá”ƒâżá”á”—á”’âż Êłá”‰á¶œá”’á”âżâ±Ëąá”‰á”ˆ áŽčÊłâ€§ áŽ·Êłá”ƒá”‡Ëą Ëąá”—á”ƒâżá”ˆâ±âżá” á”‡á”‰á¶ á”’Êłá”‰ ʰⁱᔐ‧ "Ꮃᔉᔗ ˹ᔒᔐᔉ ᔖᔘᔗ ⁱᶜᔉ á”—á”’ Êžá”’á”˜Êł ʰᔉᔃᔈ áŽŸËĄá”ƒâżá”á”—á”’âż ⁱᔗ'ËĄËĄ Ê°á”‰ËĄá”– ᶠᔉᔉ˥ á”‡á”‰á”—á”—á”‰Êłâ€§â€§" áŽčÊłâ€§ áŽ·Êłá”ƒá”‡Ëą á”’á¶ á¶ á”‰Êłá”‰á”ˆ á”—á”’ Ê°á”‰ËĄá”– áŽŸËĄá”ƒâżá”á”—á”’âż ᔘᔖ ᔇᔘᔗ ʰᔉ ËĄá”’á”’á”á”‰á”ˆ ᔃʷᔃʞ á¶ Êłá”’á” ʰⁱᔐ‧ "᎔'ᔐ Ëąá”’ Ëąá”’ÊłÊłÊž ᔃᔇᔒᔘᔗ ᔗʰᔉ á”ˆá”’á”’Êłâ€§â€§â€§" "á”†Ê°á”‰ËĄá”ˆá”’âż Ê·Ê°á”‰Êłá”‰â€§â€§â€§ á”†Ê°á”‰ËĄá”ˆá”’âż ᎔'ᔛᔉ ᔇᔉᔉⁿ Ê·á”ƒâ±á”—â±âżá” ᔃ˥˥ ᔈᔃʞ á¶ á”’Êłâ€§â€§â€§ áŽŸËĄá”ƒâżá”á”—á”’âż ʷʰᔃᔗ Ê°á”ƒá”–á”–á”‰âżá”‰á”ˆ á”—á”’ ʞᔒᔘ“" áŽ·á”ƒÊłá”‰âż ᶜᔃᔐᔉ➎ â±âżá”—á”‰ÊłÊłá”˜á”–á”—â±âżá” áŽčÊłâ€§ áŽ·Êłá”ƒá”‡Ëą Ëąá”‰á”‰â±âżá” ᔗʰᔉᔐ‧ áŽ·á”ƒÊłá”‰âż ᔖᔘᔗ Ê°á”‰Êł Ê°á”˜Ëąá”‡á”ƒâżá”ˆ áŽŸËĄá”ƒâżá”á”—á”’âż ⁱⁿ Ê°â±Ëą ᔇᔉᔈ ʷⁱᔗʰ ᔃ ˹ᔒᶠᔗ á”–â±ËĄËĄá”’Ê· ᔃ˹ áŽčÊłâ€§ áŽ·Êłá”ƒá”‡Ëą á”—á”’ËĄá”ˆ ʷʰᔃᔗ Ê°á”ƒá”–á”–á”‰âżá”‰á”ˆâ€§ "᎔ âżá”‰á”‰á”ˆ á”—á”’ ʷᔃᔗᶜʰ Ê·Ê°á”‰Êłá”‰ ᎔'ᔐ á”á”’â±âżá” ⁿᔉˣᔗ ᔗⁱᔐᔉ‧‧" áŽŸËĄá”ƒâżá”á”—á”’âż Ëąá”ƒÊžËą ᔃ˹ ʰᔉ Ëąá”—á”ƒÊłá”—á”‰á”ˆ á”—á”’ ᔈᔒᶻᔉ ᔒᶠᶠ á”—á”’ ˹˥ᔉᔉᔖ‧ "Ꮃᔉᔗ Êłá”‰Ëąá”—â€§ ᎔ á¶œá”ƒâż ᶜʰᔉᶜᔏ ᔇᔃᶜᔏ ᔘᔖ ᔒⁿ ʞᔒᔘ á”—á”’á”á”’ÊłÊłá”’Ê· ⁱᶠ ʞᔒᔘ‧‧‧" áŽ·Êłá”ƒá”‡Ëą á”—á”’ËĄá”ˆ ʰⁱᔐ ᔇᔘᔗ Ê°á”‰Ëąâ±á”—á”ƒá”—á”‰á”ˆ ᔃ˹ ʰᔉ Ëąá”ƒÊ· áŽŸËĄá”ƒâżá”á”—á”’âż á”›â±Ëąâ±á”‡ËĄÊž Êłá”‰ËĄá”ƒËŁâ€§ "᎔'ᔐ ÊČá”˜Ëąá”— á”ƒËąá”â±âżá” á¶ á”’Êł Ê°â±Ëą á¶ á”’Êłá”â±á”›á”‰âżá”‰ËąËą ᔇᔘᔗ ᎔‧‧‧" "᎔ á”âżá”’Ê· ᔃⁿᔈ ᎔'ᔐ Ëąá”˜Êłá”‰ ʰᔉ á”âżá”’Ê·Ëąâ€§" áŽ·á”ƒÊłá”‰âż ˹ᔃⁱᔈ ᔃ˹ ËąÊ°á”‰ á¶œá”ƒËĄá”ËĄÊž ᔖᔃᔗᔗᔉᔈ Ê°á”‰Êł Ê°á”˜Ëąá”‡á”ƒâżá”ˆâ€§ "ᔂᔉ˥˥ ᎔ á”—Ê°â±âżá” ʰᔉ'Ëą á”ƒËąËĄá”‰á”‰á”– ᔇᔘᔗ Ê·Ê°á”‰âżá”‰á”›á”‰Êł ʰᔉ Ê·á”ƒá”á”‰Ëą ᔘᔖ ᎔'ËĄËĄ ᔗᔉ˥˥ ʰⁱᔐ‧" áŽ·á”ƒÊłá”‰âż á”—á”’ËĄá”ˆâ€§ "á”€Ê°á”ƒâżá”ËąâžŽ áŽ·á”ƒÊłá”‰âżâ€§â€§" áŽčÊłâ€§ áŽ·Êłá”ƒá”‡Ëą Ëąá”ƒÊžËą ᔃ˹ ʰᔉ ˥ᔉᶠᔗ ᔗʰᔉ ᶜʰᔘᔐ ᔇᔘᶜᔏᔉᔗ‧
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“HEAR ME KRABS! WHEN I DISCOVER YOUR FORMULA FOR KRABBY PATTIES I’LL RUN YOU OUT OF BUSINESS! I W E N T T O C O L L E G E!”
new spongeblog plabscore plankton
ᔀⁱᔐᔉ á”ƒá¶ á”—á”‰Êł ᔗⁱᔐᔉ pt. 1 âœËąá”–á”’âżá”á”‰á”‡á”’á”‡ á¶ á”ƒâżá¶ â±á¶œâŸ Ê·á”ƒÊłâżâ±âżá” á¶ á”’Êł ᔛⁱᔒ˥ᔉⁿᔗ, á”˜á”–Ëąá”‰á”—á”—â±âżá” á”‚Ê°á”‰âż áŽ±á”˜á”á”‰âżá”‰ áŽ·Êłá”ƒá”‡Ëą Ê·á”ƒËą ˥ⁱᔗᔗ˥ᔉ➎ ʰᔉ Ê·á”ƒËą á¶ Êłâ±á”‰âżá”ˆËą ʷⁱᔗʰ á”†Ê°á”‰ËĄá”ˆá”’âż áŽŸËĄá”ƒâżá”á”—á”’âż á”‡á”‰á¶ á”’Êłá”‰ ᔗʰᔉʞ ᔇᔉᶜᔃᔐᔉ á”á”’Êłá”—á”ƒËĄ ᔉⁿᔉᔐⁱᔉ˹ á”’âżá¶œá”‰ ᔗʰᔉʞ Ê·á”‰âżá”— á”—á”’ ᶠᔒᔒᔈ â±âżá”ˆá”˜Ëąá”—ÊłÊžâ€§ áŽ±á”˜á”á”‰âżá”‰ á”’âżá¶œá”‰ Ëąá”ƒá”›á”‰á”ˆ áŽŸËĄá”ƒâżá”á”—á”’âż á¶ Êłá”’á” ˹ᔒᔐᔉ á”‡á”˜ËĄËĄâ±á”‰Ëą Ê·Ê°á”’ á”—Êłâ±á”‰á”ˆ á”—á”’ ˹ᔗᔒᔐᔖ ᔒⁿ ʰⁱᔐ; â±Êłá”’âżâ±á¶œâžŽ ᔃ˹ âżá”’Ê· áŽ·Êłá”ƒá”‡Ëą ˹ᔗᔉᔖ˹ ᔒⁿ ʰⁱᔐ‧‧‧ áŽčÊłâ€§ áŽ·Êłá”ƒá”‡Ëą ʰᔃᔈ á”Êłá”‰á”ƒá”— á”‡á”˜Ëąâ±âżá”‰ËąËąâžŽ á”˜âżËĄâ±á”á”‰ áŽŸËĄá”ƒâżá”á”—á”’âż Ê·Ê°á”’ Ê°á”ƒËąâż'á”— á”ƒâżÊž á¶œá”˜Ëąá”—á”’á”á”‰ÊłËąâ€§ ᔀʰᔉʞ á”ˆá”‰Ëąá”–â±Ëąá”‰ ᔉᔃᶜʰ á”’á”—Ê°á”‰ÊłâžŽ ᔗʰᔉ á¶ á”‰á”‰ËĄâ±âżá” á”á”˜á”—á”˜á”ƒËĄ á”‡á”‰á”—Ê·á”‰á”‰âż ᔗʰᔉᔐ‧ áŽźá”˜á”— ⁱᔗ ᔃ˥˥ Ëąá”‰á”‰á”á”‰á”ˆ á”—á”’ á¶œÊ°á”ƒâżá”á”‰ ⁱⁿ ᔃ ᔐᔒᔐᔉⁿᔗ➎ Ê·Ê°á”‰âż áŽ·Êłá”ƒá”‡Ëą âżá”‰á”ƒÊłËĄÊž ËĄá”’Ëąá”— Ê°â±Ëą ˥ⁱᶠᔉ‧ ᎏ Ëąá”‰á”ƒ ÊłÊ°â±âżá”’á¶œá”‰Êłá”’ËąâžŽ ⁱᔗ Ê·á”ƒËąâ€§ áŽŸËĄá”ƒâżá”á”—á”’âż Ëąá”ƒÊ· ⁱᔗ ᔍᔒ Ëąá”—Êłá”ƒâ±á”Ê°á”— á”—á”’ áŽčÊłâ€§ áŽ·Êłá”ƒá”‡ËąâžŽ ᶠᔘ˥˥ Ëąá”–á”‰á”‰á”ˆâ€§ á¶ á”ƒá”ˆâ±âżá” á”ƒá¶ á”—á”‰Êł ᔗʰᔉ ᔃⁿⁱᔐᔃ˥ á¶ â±ÊłËąá”— á”—Êłâ±á”‰á”ˆ á”—á”’ ᔃᔗᔗᔃᶜᔏ➎ áŽ·Êłá”ƒá”‡Ëą Ëąá”ƒÊ· Ê°â±Ëą ⁿᔉᔐᔉ˹ⁱ˹ á”—ÊłÊž á”—á”’ ËĄá”˜Êłá”‰ ⁱᔗ ᔃʷᔃʞ‧ "ʞᔒᔘ'ËĄËĄ ʰᔃᔛᔉ á”—á”’ ᔍᔉᔗ á”—Ê°Êłá”’á”˜á”Ê° ᔐᔉ á”‡á”‰á¶ á”’Êłá”‰ Ê°á”˜Êłá”—â±âżá” ʰⁱᔐ➎ ÊłÊ°â±âżá”’!" Êžá”‰ËĄËĄá”‰á”ˆ áŽŸËĄá”ƒâżá”á”—á”’âżâžŽ á”‡á”‰â±âżá” ᔗʰᔉ ËĄá”ƒËąá”— áŽ·Êłá”ƒá”‡Ëą Ê°á”‰á”ƒÊłá”ˆ ʰⁱᔐ á”‡á”‰á¶ á”’Êłá”‰ ʰᔉ á”—á”˜á”á”‡ËĄá”‰á”ˆ ᔃⁿᔈ á¶œá”’ËĄËĄá”ƒá”–Ëąá”‰á”ˆ ᔇʞ ᔗʰᔉ Ê°á”‰á”ƒËĄá”—Ê° á¶œá”‰âżá”—Êłá”‰â€§ á¶ â±ÊłËąá”— á”—Ê°â±âżá” áŽ·Êłá”ƒá”‡Ëą á”âżá”‰Ê·âžŽ ʰᔉ Ê·á”ƒËą ⁱⁿ ᔗʰᔉ á”–á”ƒá”—â±á”‰âżá”— Ëąá”˜Êłá”á”‰ÊłÊž á”ƒÊłá”‰á”ƒ ᔃ˹ ᔃ á¶œËĄâ±âżâ±á¶œâ±á”ƒâż ᶜʰᔉᶜᔏᔉᔈ Ê°â±Ëą á”›â±á”—á”ƒËĄËąâ€§ áŽŹá”–á”–á”ƒÊłá”‰âżá”—ËĄÊžâžŽ ᔗʰᔉ ᔃⁿⁱᔐᔃ˥ á¶œá”’âżá”—Êłá”’ËĄ Ê°á”‰á”ƒÊłá”ˆ ᔗʰᔉ Ëąá”‰á”ƒ ÊłÊ°â±âżá”’á¶œá”‰Êłá”’Ëą ᔃⁿᔈ á¶œá”ƒá”–á”—á”˜Êłá”‰á”ˆ ⁱᔗ á”—á”’ á”—Êłá”ƒâżËąá¶ á”‰Êł ᔃᔗ ᔗʰᔉ ᶻᔒᔒ‧ "᎔ Êłá”‰á”á”‰á”á”‡á”‰Êł ⁱᔗ ᔃᔇᔒᔘᔗ á”—á”’ á¶ â±âżâ±ËąÊ° ᔐᔉ Ê·Ê°á”‰âżá¶œá”‰ ᎔ Ê°á”‰á”ƒÊłá”ˆ áŽŸËĄá”ƒâżá”á”—á”’âż Êžá”‰ËĄËĄâ±âżá” ᔃᔗ ⁱᔗ á”—á”’ Ëąá”—á”’á”– ᔃⁿᔈ Ëąá”ƒÊ· ᔗʰᔉ á”‡á”‰á”ƒËąá”— ᔍᔒ á”—á”’ ʰⁱᔐ ᔃ˹ ᎔ á”‰âżá”ˆá”‰á”ˆ ᔘᔖ Ê°á”‰Êłá”‰â€§â€§â€§" áŽčÊłâ€§ áŽ·Êłá”ƒá”‡Ëą ˹ᔃⁱᔈ➎ Êłá”‰á”ƒËĄâ±Ëąâ±âżá”â€§ "ᔂᔉ˥˥ áŽ±á”˜á”á”‰âżá”‰âžŽ ʞᔒᔘ'Êłá”‰ Ëąá”’ ËĄá”˜á¶œá”Êž á”—á”’ ᔇᔉ á”ƒËĄâ±á”›á”‰â€§ ᎔ᶠ ˥ᔉᶠᔗ ʷⁱᔗʰ ᔗʰᔉ Ëąá”‰á”ƒ ÊłÊ°â±âżá”’á¶œá”‰Êłá”’Ëą á”ƒËĄá”’âżá”‰ á¶ á”’Êł ᔉᔛᔉⁿ á”ƒâżá”’á”—Ê°á”‰Êł ᔐᔒᔐᔉⁿᔗ➎ ʞᔒᔘ'ᔈ ᔇᔉ á”á”’âżá”‰â€§â€§â€§" "áŽŸËĄá”ƒâżá”á”—á”’âż á”á”˜Ëąá”—'ᔛᔉ Ëąá”ƒá”›á”‰á”ˆ ᔐᔉ ˥ⁱᶠᔉ➎ ᔈᔒᶜ‧‧‧ ᎔ Ê·á”ƒâżá”— á”—á”’ á”âżá”’Ê· ʷʰᔃᔗ ᔇᔉᶜᔃᔐᔉ ᔒᶠ ʰⁱᔐ“" "᎔ᔗ'Ëą á”ˆá”’á”˜á”‡á”—á¶ á”˜ËĄ ⁱᶠ ʰᔉ'ËĄËĄ á”‰á”›á”‰Êł Êłá”‰á¶œá”’á”›á”‰Êł ᶜᔒᔐᔉ ᔒᔘᔗ ᔒᶠ ⁱᔗ‧‧‧" ᔆᔃⁱᔈ ᔗʰᔉ á¶œËĄâ±âżâ±á¶œâ±á”ƒâż á”—á”’ áŽ·Êłá”ƒá”‡Ëąâ€§ áŽ±á”˜á”á”‰âżá”‰ áŽ·Êłá”ƒá”‡Ëą ËĄá”’á”’á”á”‰á”ˆ ᔃᔗ áŽŸËĄá”ƒâżá”á”—á”’âż ᔒⁿ ᔗʰᔉ ᔇᔉᔈ ᶜᔒᔗ➎ ˥ⁱᶠᔉ˥ᔉ˹˹ á”—á”’ ᔗʰᔉ Ê·á”’ÊłËĄá”ˆ Ê·Ê°á”‰âż ʰᔉ á¶œá”’á”˜ËĄá”ˆ'ᔛᔉ âżá”‰á”›á”‰Êł â±âżá”—á”‰Êłá”ƒá¶œá”—á”‰á”ˆ ʷⁱᔗʰ ᔗʰᔉ Ëąá”‰á”ƒ ÊłÊ°â±âżá”’á¶œá”‰Êłá”’Ëą ⁱⁿ ᔗʰᔉ á¶ â±ÊłËąá”— á”–ËĄá”ƒá¶œá”‰! "ᔂᔉ Ëąá”ƒÊ· ʞᔒᔘ➎ ᔃⁿᔈ á”—Ê°á”‰âż ᔍᔒᔗ ᔃ á¶œá”ƒËĄËĄ á¶ Êłá”’á” ᔗʰᔉ ᔃⁿⁱᔐᔃ˥ á¶œá”’âżá”—Êłá”’ËĄâ€§ ᔀʰᔉ ᶻᔒᔒ ᔗᔒᔒᔏ ᔗʰᔉ Ëąá”‰á”ƒ ÊłÊ°â±âżá”’á¶œá”‰Êłá”’Ëą ᔃ˹ ᔗʰᔉ ᔃⁿⁱᔐᔃ˥ á¶œá”’âżá”—Êłá”’ËĄ á”ƒËĄá”‰Êłá”—á”‰á”ˆ ᔘ˹ ᔒᶠ ʰⁱᔐ‧ ʞᔒᔘ ᔇᔒᔗʰ ᔍᔒᔗ ⁱⁿÊČá”˜Êłá”‰á”ˆâžŽ ᔇᔘᔗ ᔗʰᔉ ˥ⁱᔗᔗ˥ᔉ ᔍᔘʞ'Ëą ᔗʰᔉ Ê·á”’ÊłËąá”— ᔒᶠ ⁱᔗ‧‧‧" áŽčÊłâ€§ áŽ·Êłá”ƒá”‡Ëą âżá”’á”ˆá”ˆá”‰á”ˆ ᔃⁿᔈ á”—á”˜Êłâżá”‰á”ˆ á”—á”’ áŽŸËĄá”ƒâżá”á”—á”’âżâžŽ á”âżá”’Ê·â±âżá” á”‡á”‰â±âżá” á¶œá”ƒËĄËĄá”‰á”ˆ '˥ⁱᔗᔗ˥ᔉ ᔍᔘʞ' Ê·á”’á”˜ËĄá”ˆ âżá”’Êłá”á”ƒËĄËĄÊž Ê·á”ƒÊłÊłá”ƒâżá”— ᔃⁿ á”˜á”–Êłá”’á”ƒÊłâ±á”’á”˜Ëą Êłá”‰Ëąá”–á”’âżËąá”‰â€§ ʞᔉᔗ ʰᔉ Êłá”‰á”á”ƒâ±âżá”‰á”ˆ á”’á”‡ËĄâ±á”›â±á”’á”˜ËąâžŽ á”ˆá”‰Ëąá”–â±á”—á”‰ ᔃ˥˥ ᔗʰᔉ á”‡á”‰á”‰á”–â±âżá” á”á”ƒá¶œÊ°â±âżá”‰Ëą ᔃⁿᔈ Ëąá”˜á¶œÊ°â€§ "᎔ á”âżá”’Ê· ʞᔒᔘ ᔐᔃʞ ⁿᔒᔗ Ê°á”‰á”ƒÊł ᔐᔉ➎ ᔃⁿᔈ ᎔ á”âżá”’Ê· ʷᔉ á”ˆá”’âż'á”— ˹ᔉᔉ ᔉʞᔉ á”—á”’ ᔉʞᔉ➎ Ëąá”’ á”—á”’ Ëąá”–á”‰á”ƒá”â€§â€§â€§" áŽčÊłâ€§ áŽ·Êłá”ƒá”‡Ëą á”—Êłâ±á”‰á”ˆ á”—á”’ ᔍⁱᔛᔉ ᔃ ˹ᔃᔈ ËĄá”ƒá”˜á”Ê°â€§ "᎔ ÊČá”˜Ëąá”— Ê·á”ƒâżâżá”ƒ Ëąá”ƒÊž á”—Ê°á”ƒâżá”Ëąâ€§â€§â€§" to be cont. Pt. 2
new Eugene Krabs/Sheldon J. Plankton plabscore seakin time after time
~ uH oH mY oNeS aNd ZeRoS look Like TEN. TEN. TEN. TEN. TEN. TEN.
new karen plankton spongeblog viruscore viruskin
áŽŸá”ƒÊłá”— áŽŒâżá”‰ á”†á”–á”‰âżá”ˆâ±âżá” ᔗʰᔉ Ꮀᔃʞ âœá”†á”–á”’âżá”á”‰áŽźá”’á”‡ á¶ á”ƒâżá¶ â±á¶œâŸ "ᔂʰᔒ'Ëą ᔃ á”–á”‰ÊłËąá”’âż ⁱⁿ âżá”‰á”‰á”ˆ ᔒᶠ ᔃ á¶ Êłâ±á”‰âżá”ˆ ᎔ Ê°á”ƒá”›á”‰âż'á”— Ëąá”—á”ƒÊžá”‰á”ˆ ʷⁱᔗʰ á¶ á”’Êł ᔃ ᔗⁱᔐᔉ?" á”†á”–á”’âżá”á”‰á”‡á”’á”‡'Ëą ᔒᶠᶠ Ê·á”’Êłá”âžŽ Ëąá”’ ʰᔉ ᔈᔉᶜⁱᔈᔉᔈ á”—á”’ ᶠⁱⁿᔈ ᔃ á”–á”‰ÊłËąá”’âż á”—á”’ ᔛⁱ˹ⁱᔗ ʷⁱᔗʰ‧ ᎎⁱ˹ á”ƒâżËąÊ·á”‰Êł ᔇᔉᶜᔃᔐᔉ á¶œËĄá”‰á”ƒÊł Ê·Ê°á”‰âż ʰᔉ Ëąá”ƒÊ· áŽŸËĄá”ƒâżá”á”—á”’âżâ€§ "ᎎᔉʞ➎ áŽŸËĄá”ƒâżá”á”—á”’âż! ᔂʰᔃᔗᶜʰᔃ á”ˆá”’â±âżá”?" "᎔'ᔐ Ëąá”–á”‰âżá”ˆâ±âżá” ᔗʰᔉ á”á”’Êłâżâ±âżá” ᔒᔘᔗ á”—ÊłÊžâ±âżá” á”—á”’ ᔍᔉᔗ ˹ᔒᔐᔉ á”‡á”˜Ëąâ±âżá”‰ËąËą ᔇᔉ á¶œá”ƒá”˜Ëąá”‰ ᔐʞ á¶œá”’á”á”–á”˜á”—á”‰Êł ʷⁱᶠᔉ áŽ·á”ƒÊłá”‰âż Ê·á”ƒâżá”—á”‰á”ˆ ᔐᔉ á”—á”’ ᔍᔉᔗ ˹ᔒᔐᔉ á¶ Êłá”‰ËąÊ° á”ƒâ±Êłâ€§â€§" "᎔ ˹ᔉᔉ‧ ᎎᔉʞ ʰᔃᔛᔉ ʞᔒᔘ á”‰á”›á”‰Êł ᔗʰᔒᔘᔍʰᔗ ᔒᶠ Ëąá”‰ËĄËĄâ±âżá” ˹ᔒᔐᔉ ÊČá”‰ËĄËĄÊž ʷⁱᔗʰ Êžá”’á”˜Êł ᶜʰᔘᔐ? ᎔ ᔇᔉᔗ ⁱᔗ'ᔈ ᔃᔗ ËĄá”‰á”ƒËąá”— ⁿᔒᔗ Ê°â±âżá”ˆá”‰Êł Êžá”’á”˜Êł á”‡á”˜Ëąâ±âżá”‰ËąËą ᔃⁿᔈ ʷᔉ á¶œá”ƒâż ᔍᔒ á”—á”’ ÊČá”‰ËĄËĄÊžá¶ â±ËąÊ° á¶ â±á”‰ËĄá”ˆËą á”—á”’á”á”‰á”—Ê°á”‰Êł; á”—ÊłÊž ⁱᔗ‧‧" "᎔ á”á”˜á”‰ËąËą; ˥ᔉᔗ'Ëą ᔍᔒ!" ᔆᔒ ᔗʰᔉʞ Ê·á”‰âżá”— á”—á”’á”á”‰á”—Ê°á”‰Êł ᔗᔒ‧ "ᔀʰᔉ ⁿᔉᔗ'Ëą á”—á”’ ᔇⁱᔍ!" "᎔ ᔍᔒᔗᔗᔃ Ëąá”á”ƒËĄËĄá”‰Êł ᔒⁿᔉ‧‧" á”†á”–á”’âżá”á”‰á”‡á”’á”‡ Ëąá”ƒÊžËąâžŽ ËąÊ·â±á”—á¶œÊ°â±âżá” ʷⁱᔗʰ ʰⁱᔐ‧ "ᎎᔉʞ ᎔ ᔍᔒᔗ ᔃ ÊČá”‰ËĄËĄÊžá¶ â±ËąÊ°!" "ᔂᔒʷ; âżâ±á¶œá”‰! ᎔'ËĄËĄ ËąÊ°á”’Ê· ʞᔒᔘ Ê°á”’Ê· á”—á”’ ᔍᔉᔗ ÊČá”‰ËĄËĄÊžâ€§â€§" Ëąá”–á”’âżá”á”‰á”‡á”’á”‡ Ê°á”‰ËĄá”–á”‰á”ˆ áŽŸËĄá”ƒâżá”á”—á”’âż ᔍᔉᔗ ⁱᔗ➎ ᔐᔘᶜʰ ËĄâ±á”á”‰ á”â±ËĄá”â±âżá” á¶œá”’Ê·Ëąâ€§ "áŽșá”’Ê· ʷᔉ ᔍᔒᔗᔗᔃ ÊČá”ƒÊł ᔒᶠ ÊČá”‰ËĄËĄÊžá¶ â±ËąÊ° ÊČá”‰ËĄËĄÊž!" á”†á”–á”’âżá”á”‰á”‡á”’á”‡ ËĄâ±á”á”‰á”ˆ Ëąá”‰á”‰â±âżá” áŽŸËĄá”ƒâżá”á”—á”’âż Ëąá”’ ʰᔃᔖᔖʞ âżá”’Ê·âžŽ ᔃ˹ ʰᔉ'Ëą ⁿᔒᔗ Ëąá¶œÊ°á”‰á”â±âżá” âżá”’Êł á”—á”ƒá”˜âżá”—â±âżá” ʷⁱᔗʰ ᔃ Ëąá¶œá”’á¶ á¶  ᔃ˹ á”˜Ëąá”˜á”ƒËĄâ€§ ᎏ˹ ᔃ á”á”ƒá”—á”—á”‰Êł ᔒᶠ ᶠᔃᶜᔗ➎ áŽŸËĄá”ƒâżá”á”—á”’âż âżá”’Ê· ᶠᔉ˥ᔗ ˹ᔒᔐᔉ ʷʰᔃᔗ ˥ᔉ˹˹ Êłá”‰Ëąá”‰Êłá”›á”‰á”ˆ ᔃ˹ ʰᔉ ˥ᔉᔗ Ê°â±á”Ëąá”‰ËĄá¶  ᔍᔒ ʷⁱᔗʰ Ëąá”–á”’âżá”á”‰á”‡á”’á”‡â€§ "᎔ á”—Ê°â±âżá” ʷᔉ'ᔛᔉ ᑫᔘⁱᔗᔉ á”‰âżá”’á”˜á”Ê° ÊČá”‰ËĄËĄÊž á¶ á”’Êł âżá”’Ê·â€§ ᎞ᔉᔗ'Ëą ᔗᔃᔏᔉ á”—á”’ ᔗʰᔉ ᶜʰᔘᔐ áŽźá”˜á¶œá”á”‰á”— ᔃⁿᔈ ˹ᔉᔉ ʷʰᔃᔗ á¶œá”ƒâż ᶜᔒᔐᔉ ᔘᔖ ʷⁱᔗʰ!" áŽŸËĄá”ƒâżá”á”—á”’âż Ëąá”â±ËĄá”‰á”ˆâ€§ "á”†â±âżá¶œá”‰ ⁱᔗ'Ëą ᔐʞ ⁱᔈᔉᔃ ᎔'ËĄËĄ á”—ÊłÊž ⁱᔗ ʷⁱᔗʰ ʞᔒᔘ ᔃᔗ ᔗʰᔉ Ëąá”ƒá”á”‰ ᔗⁱᔐᔉ‧"‧ á”€á”˜ÊłâżËą ᔒᔘᔗ➎ ÊČá”‰ËĄËĄÊž ᔐᔃᔈᔉ ᶜʰᔘᔐ ⁿᔒᔗ á”’âżËĄÊž á”‰á”ˆâ±á”‡ËĄá”‰ ᔇᔘᔗ á”ƒËĄËąá”’ ᑫᔘⁱᔗᔉ á”—á”ƒËąá”—Êž! "ᔂᔉ ᔍᔒᔗ ᔃ âżá”‰Ê· á”–Êłá”’á”ˆá”˜á¶œá”— ᔒⁿ ᔗʰᔉ á”á”‰âżá”˜!" ᔀʰᔉʞ á”Êłâ±âżâżá”‰á”ˆâžŽ ËąÊ°á”ƒá”â±âżá” Ê°á”ƒâżá”ˆËąâ€§ "᎔ á”âżá”’Ê· ʞᔒᔘ ËĄâ±á”á”‰ ÊČá”‰ËĄËĄÊžá¶ â±ËąÊ°â±âżá” ᔃⁿᔈ ᎔ ᔉⁿÊČᔒʞᔉᔈ á”ˆá”’â±âżá” ʷⁱᔗʰ ʞᔒᔘ‧ ʞᔒᔘ'Êłá”‰ ËĄâ±á”á”‰ ᔃ á”–Êłá”’! ᔆᔒ á¶œá”ƒâż ʷᔉ ᔍᔒ ᔇᔃᶜᔏ ᔃⁿᔈ ᔗᔉᔃᶜʰ ᔐᔉ ˹ᔒᔐᔉ á”—Êłâ±á¶œá”Ëą?" á”†á”–á”’âżá”á”‰á”‡á”’á”‡ á”ƒá”Êłá”‰á”‰á”ˆâžŽ ᔃⁿᔈ ᔗʰᔉʞ ᔇᔒᔗʰ Ê·á”‰âżá”— ᔃⁿᔈ ᔉⁿÊČᔒʞᔉᔈ á”—Ê°á”‰á”Ëąá”‰ËĄá”›á”‰Ëąâ€§ á”‚Ê°á”‰âżá¶œá”‰ ᔗʰᔉʞ Êłá”‰á”—á”˜Êłâżá”‰á”ˆ á”—á”’ ᔗʰᔉ ᶜʰᔘᔐ ᔇᔘᶜᔏᔉᔗ áŽŸËĄá”ƒâżá”á”—á”’âż â±âżá”›â±á”—á”‰á”ˆ Ëąá”–á”’âżá”á”‰á”‡á”’á”‡ ⁱⁿ‧ "á”‚á”ƒâżâżá”ƒ ʷᔃᔗᶜʰ á”—á”›?" "á”†á”˜Êłá”‰â€§â€§" á”†á”–á”’âżá”á”‰á”‡á”’á”‡ á”ƒâżËąÊ·á”‰Êłá”‰á”ˆâžŽ Ëąâ±á”—á”—â±âżá” á”ˆá”’Ê·âżâ€§ ᎎᔉ ᔐᔒᔗⁱᔒⁿ˹ áŽŸËĄá”ƒâżá”á”—á”’âż á”—á”’ ˹ⁱᔗ ᔇʞ ʰⁱᔐ ᔒⁿ ᔗʰᔉ ᶜᔒᔘᶜʰ‧ á”‚Ê°á”‰âżá¶œá”‰ ᔗʰᔉʞ á¶ á”’á”˜âżá”ˆ ʷʰᔃᔗ ᔗʰᔉʞ'ᔈ ʷᔃᔗᶜʰ➎ áŽŸËĄá”ƒâżá”á”—á”’âż á”–á”˜á”—á”—â±âżá” Ê°â±Ëą Ê°á”ƒâżá”ˆ ᔒⁿ Ëąá”–á”’âżá”á”‰á”‡á”’á”‡'˹➎ áŽ·á”ƒÊłá”‰âż ˥ᔉᔗ ᔗʰᔉᔐ‧ ᔆʰᔉ ᶜᔃᔐᔉ ᔇᔃᶜᔏ ᔃ˹ ᔗʰᔉ á”–Êłá”’á”Êłá”ƒá”á”á”‰ á”‰âżá”ˆá”‰á”ˆ á”—á”’ ˹ᔉᔉ áŽŸËĄá”ƒâżá”á”—á”’âż'Ëą ʰᔉᔃᔈ ËĄá”‰á”ƒâżâ±âżá” Ëąá”–á”’âżá”á”‰á”‡á”’á”‡'Ëą á”ƒÊłá”â€§ ᔆʰᔉ á”—á”˜Êłâżá”‰á”ˆ ᔗʰᔉ ᔗᔉ˥ᔉᔛⁱ˹ⁱᔒⁿ‧ "ᎎᔉʞ áŽ·á”ƒÊłá”‰âż ᎔ á”—Ê°â±âżá” áŽŸËĄá”ƒâżá”â€§â€§â€§" "ʞᔒᔘ ᔇᔒᔗʰ á”á”˜Ëąá”— ᔇᔉ á”—â±Êłá”‰á”ˆ ᔃⁿᔈ ⁱᔗ'Ëą ᔇᔉᔉⁿ ᑫᔘⁱᔗᔉ ᔗʰᔉ ËĄá”’âżá” ᔈᔃʞ‧" "᎔ á”‡á”ƒÊłá”‰ËĄÊž ᔐᔃᔈᔉ ⁱᔗ á”—Ê°Êłá”’á”˜á”Ê° ᔗʰᔉ Ê·Ê°á”’ËĄá”‰ á”—Ê°â±âżá” ᔃ˹ ᎔ á”—Êłâ±á”‰á”ˆ á”—á”’ ʷᔃᔗᶜʰ ⁱᔗ‧ áŽŸËĄá”ƒâżá”á”—á”’âż ʞᔒᔘ➎ ᎔ á”á”‰á”ƒâżâžŽ á¶œá”ƒâż ᎔‧‧‧" "᎔ á”—Ê°â±âżá” ʰᔉ'Ëą á”—á”’ á”‰ËŁÊ°á”ƒá”˜Ëąá”—á”‰á”ˆ Êłâ±á”Ê°á”— âżá”’Ê·â€§" áŽ·á”ƒÊłá”‰âż ˹ᔉᔗ ᔃ á”–â±ËĄËĄá”’Ê· á¶ á”’Êł Ê°á”‰Êł Ê°á”˜Ëąá”‡á”ƒâżá”ˆâ€§ ᔀʰᔉʞ ᔇᔒᔗʰ á”‰á”ƒËąá”‰á”ˆ áŽŸËĄá”ƒâżá”á”—á”’âż ᔒⁿ ⁱᔗ‧ "᎔'ᔐ Ëąá”’ÊłÊłÊžâ€§â€§" "á”†á”–á”’âżá”á”‰á”‡á”’á”‡ ʞᔒᔘ'ᔛᔉ ⁿᔒ âżá”‰á”‰á”ˆ á”—á”’ á”ƒá”–á”’ËĄá”’á”â±Ëąá”‰! ᎔'ᔐ ᔗʰᔉ ᔒⁿᔉ Ê·Ê°á”’ âżá”‰á”‰á”ˆËą á”—á”’ á”—Ê°á”ƒâżá” ʞᔒᔘ á¶ á”’Êł Ëąá”–á”‰âżá”ˆâ±âżá” ᔗⁱᔐᔉ ʷⁱᔗʰ áŽŸËĄá”ƒâżá”á”—á”’âżâ€§" "áŽźá”˜á”— ʷᔃⁱᔗ Ê·á”’âż'á”— ʰᔉ➎ Ê·Ê°á”‰âż ʰᔉ á”ƒÊ·á”ƒá”á”‰Ëą ᎔'ËĄËĄ ʰᔃᔛᔉ á”á”’âżá”‰â€§â€§â€§" "᎔'ËĄËĄ ᔍᔉᔗ ʰⁱᔐ á”—á”’ Ê°â±Ëą ᔇᔉᔈ ᔃⁿᔈ ᎔ á¶œá”ƒâż ᔗᔉ˥˥ ʰⁱᔐ ᎔ á”—á”’ËĄá”ˆ ʞᔒᔘ á”—á”’ ʰᔉᔃᔈ ᔒⁿ➎ ᔒʰ➎ ⁱᔗ ⁱ˹ á”á”‰á”—á”—â±âżá” ËĄá”ƒá”—á”‰! ᎞ᔒ˹ᔗ á”—Êłá”ƒá¶œá” ᔒᶠ ᔗⁱᔐᔉ‧ ᔆᔒ ᔃⁿᔈ á”‡á”‰Ëąâ±á”ˆá”‰ËąâžŽ ᎔ á”ˆá”’âż'á”— Ê·á”ƒâżá”— Ê°â±Ëą á”ˆÊłá”’á”’ËĄ ᔒⁿ ᔗʰᔉ ᔍᔒᔒᔈ Ëąá”’á¶ á”ƒ! áŽźá”˜á”— ʞᔉᔃ‧‧‧" á”†á”–á”’âżá”á”‰á”‡á”’á”‡ Ê·á”‰âżá”— á”—á”’ Ê°â±Ëą Ê·á”’Êłá” ËąÊ°â±á¶ á”— ᔗʰᔉ ⁿᔉˣᔗ ᔈᔃʞ➎ ⁿᔒᔗ á”—á”‰ËĄËĄâ±âżá” ᔃᔇᔒᔘᔗ áŽŸËĄá”ƒâżá”á”—á”’âż âżá”’Êł ᔗʰᔉ ᶜʰᔘᔐ ÊČá”‰ËĄËĄÊž Ëąá”ƒâżá”ˆÊ·â±á¶œÊ°á”‰Ëąâ€§ ᎔ⁿ ᔗʰᔉ á”á”‰á”ƒâż ᔗⁱᔐᔉ áŽŸËĄá”ƒâżá”á”—á”’âż Ëąá”ƒá”— Ê°â±á”Ëąá”‰ËĄá¶  ᔘᔖ➎ á”’á”–á”‰âżâ±âżá” Ê°â±Ëą ᔉʞᔉ ᔃ˹ ʰᔉ ʷᔒᔏᔉ‧ "áŽčá”’Êłâżâ±âżá”âžŽ á”†Ê°á”‰ËĄá”ˆá”’âżâ€§â€§" áŽ·á”ƒÊłá”‰âż Ëąá”ƒÊžËąâ€§ '᎔ ᔈᔒ ⁿᔒᔗ Êłá”‰á”á”‰á”á”‡á”‰Êł á”á”’â±âżá” á”—á”’ ᔇᔉᔈ‧‧‧' áŽŸËĄá”ƒâżá”á”—á”’âż á”‡ËĄâ±âżá”á”‰á”ˆ ᔃ˹ ʰᔉ á”–á”’âżá”ˆá”‰Êłá”‰á”ˆâ€§ "᎞ᔉᔗ'Ëą ᔍᔉᔗ á”á”’â±âżá”âžŽ áŽŸËĄá”ƒâżá”á”—á”’âżâ€§ á”†á”–á”’âżá”á”‰á”‡á”’á”‡'Ëą ᔃᔗ Ê·á”’Êłá” ᔇᔘᔗ ʷᔉ á¶œá”ƒâż ᔍᔉᔗ á”—á”’ ᔗʰᔉ ÊČá”‰ËĄËĄÊž á”‡á”˜Êłá”á”‰ÊłËą á”’á”˜ÊłËąá”‰ËĄá”›á”‰Ëąâ€§â€§" Ëąá”ƒÊžËą áŽ·á”ƒÊłá”‰âżâ€§ "á”†á”’á”˜âżá”ˆËą ᔍᔒᔒᔈ ᔇᔘᔗ➎ ʷᔃⁱᔗ Ê°á”’Ê·'ᔈ ᎔ ᔍᔉᔗ‧‧‧" áŽŸËĄá”ƒâżá”á”—á”’âż á”—Êłá”ƒâ±ËĄá”‰á”ˆ ᔒᶠᶠ‧ "᎔ á”á”˜Ëąá”—'ᔛᔉ á”—á”‰ËĄá”‰á”–á”’Êłá”—â€§â€§â€§" "ʞᔒᔘ ᔈⁱᔈ ⁿᔒᔗ á”—Êłá”ƒâżËąá¶ á”‰Êł; ᎔ ᔈⁱᔈ‧‧" "ʞᔒᔘ â±âżËąá”—á”ƒâżá”—ËĄÊžâ€§â€§â€§" "᎔ ᔖⁱᶜᔏᔉᔈ ʞᔒᔘ ᔘᔖ➎ á”ˆá”‰á”ƒÊł Ê°á”˜Ëąá”‡á”ƒâżá”ˆâžŽ ᔃⁿᔈ ʞᔒᔘ Êłá”‰á”á”ƒâ±âżá”‰á”ˆ á”—á”’ ᔈᔉᔃᔈ á”ƒËąËĄá”‰á”‰á”– ᔃ˹ ᎔ Ê·á”‰âżá”— á¶œá”ƒÊłÊłâ±á”‰á”ˆ ʞᔒᔘ‧‧" "ᔆᔃʞ ʷʰᔃᔗ“" "ᎏ˹ á¶ á”’Êł Ëąá”–á”’âżá”á”‰á”‡á”’á”‡âžŽ ʰᔉ'ᔈ ⁿᔒᔗ ᔍᔉᔗ ʞᔒᔘ á”—á”’ ʷᔃᔏᔉ ʞᔒᔘ ᔘᔖ ᔃⁿᔈ Ëąá”’ ᎔ ˹ᔉⁿᔗ ʰⁱᔐ‧‧‧" "áŽ·á”ƒÊłá”‰âż á”–ËĄá”‰á”ƒËąá”‰âžŽ ÊČá”˜Ëąá”— ᔍⁱᔛᔉ ᔐᔉ ᔃ ᔐᔒᔐᔉⁿᔗ➎ á”—Ê°á”‰âż ʷᔉ ᔐᔃᔏᔉ ᔗʰᔉ ᶠᔒᔒᔈ‧‧" áŽŸËĄá”ƒâżá”á”—á”’âż á”—á”’ËĄá”ˆ Ê°á”‰Êłâ€§ '᎔ á¶œá”ƒâż ⁿᔒᔗ Ê·Êłá”ƒá”– ᔐʞ ʰᔉᔃᔈ á”ƒÊłá”’á”˜âżá”ˆ ⁱᔗ' áŽŸËĄá”ƒâżá”á”—á”’âż âżá”’Ê· ᔗʰᔒᔘᔍʰᔗ á¶ á”‰á”‰ËĄâ±âżá” á”‰á”á”‡á”ƒÊłÊłá”ƒËąËąá”‰á”ˆâ€§ ᎎᔉ Ëąâ±á”Ê°á”‰á”ˆâ€§ '᎔ ᔈᔒ ⁿᔒᔗ á”âżá”’Ê· Ê·Ê°á”‰âż ᎔ Ê·â±ËĄËĄ ᶠᔃᶜᔉ Ëąá”–á”’âżá”á”‰ ᔇᔒᔇ á”ƒá”á”ƒâ±âż ᔇᔘᔗ ᎔ Ê·â±ËĄËĄ ÊČá”˜Ëąá”— á”—ÊłÊž á”—á”’ ᔖᔘᔗ ⁱᔗ ᔒᔘᔗ ᔒᶠ ᔐʞ á”â±âżá”ˆâ€§â€§â€§' áŽŸËĄá”ƒâżá”á”—á”’âż ᔍᔒᔗ á”—á”’ á”á”ƒá”â±âżá” Ëąâ±á”âżËą á”—á”’ ᔍᔉᔗ ᔗʰᔉ Ê·á”’Êłá”ˆ ᔒᔘᔗ ᔃᔇᔒᔘᔗ ᔗʰᔉ ÊČá”‰ËĄËĄÊžâ€§ á¶œá”˜Ëąá”—á”’á”á”‰ÊłËą ᶜᔃᔐᔉ á¶ ËĄá”’á”’á”ˆâ±âżá” ⁱⁿ! ᎏⁿᔈ áŽčÊłâ€§ áŽ·Êłá”ƒá”‡Ëą âżá”’á”—â±á¶œá”‰á”ˆâ€§ "áŽčᔉ á”‰á”á”–ËĄá”’Êžá”‰á”‰Ëą; ᶜᔒᔐᔉ âżá”’Ê·âžŽ á¶ Êłá”’âżá”— ᔃⁿᔈ á¶œá”‰âżá”—Êłá”‰!" ᎎᔉ á¶œá”ƒËĄËĄá”‰á”ˆ ᔇᔒᔗʰ Ëąá”–á”’âżá”á”‰á”‡á”’á”‡ ᔃⁿᔈ Ëąá‘«á”˜â±á”ˆÊ·á”ƒÊłá”ˆ á”—á”’ Ê°â±Ëą ᔒᶠᶠⁱᶜᔉ‧ "áŽșá”’á”— á”’âżËĄÊž ⁱ˹ ⁱᔗ ᔃ ËąËĄá”’Ê· ᔈᔃʞ➎ ᔇᔘᔗ áŽŸËĄá”ƒâżá”á”—á”’âż'Ëą ᔍᔒᔗ ᔃ ˥ⁱⁿᔉ ᔒᶠ á¶œá”˜Ëąá”—á”’á”á”‰ÊłËą ᔒᔘᔗ ᔗʰᔉ á”ˆá”’á”’Êłâ€§â€§â€§" "ᔆᔒ ʷʰᔃᔗ“" ᔆᔃⁱᔈ Ëąá‘«á”˜â±á”ˆÊ·á”ƒÊłá”ˆâ€§ "ᔆᔒ ᔗʰᔉʞ'Êłá”‰ á”–á”ƒÊžâ±âżá” ᔐᔉ á”‰âżá”‰á”Êž ᔍᔒᔒᔈ á”á”’âżá”‰Êž! ᎔'ᔐ ⁿᔒᔗ Ëąá”˜Êłá”‰ Ê°á”’Ê· á”’Êł ʷʰʞ➎ ᔇᔘᔗ ᎔ ᔈᔒ á”âżá”’Ê· ⁱᔗ'Ëą ᔇᔃᔈ‧‧" áŽčÊłâ€§ áŽ·Êłá”ƒá”‡Ëą Ëąá”ƒÊžËą ᔃ˹ Ëąá”–á”’âżá”á”‰á”‡á”’á”‡ ᔃᔛᔒⁱᔈᔉᔈ Ê°â±Ëą ᔍᔃᶻᔉ‧ "áŽłá”’á”—á”—á”ƒ â±âżá”›á”‰Ëąá”—â±á”á”ƒá”—á”‰ á¶ â±ÊłËąá”— ᔇᔘᔗ ᎔ Ê·á”’âż'á”— ᔍⁱᔛᔉ áŽŸËĄá”ƒâżá”á”—á”’âż ᔗʰᔉ Ëąá”ƒá”—â±Ëąá¶ á”ƒá¶œá”—â±á”’âż ᔒᶠ ᔐᔉ ÊČá”˜Ëąá”— á”á”ƒÊłá¶œÊ°â±âżá” ᔘᔖ á”—á”’ Ê°â±Ëą á”–ËĄá”ƒá¶œá”‰!" "ᔁⁿ˥ᔉ˹˹ Êžá”’á”˜Êł á”â±á”›â±âżá” ᔗʰᔉ ᔈᔃʞ ᔒᶠᶠ➎ á”—Ê°á”‰âż Ê·Ê°Êž á”ƒÊłá”‰ ʞᔒᔘ á”—á”‰ËĄËĄâ±âżá” ᔘ˹?" "ᔆᑫᔘⁱᔈ Ê·á”ƒÊłá”ˆâžŽ ʞᔒᔘ á”á”˜Ëąá”— ⁿᔒᔗ ᔐⁱⁿᔈ á”—á”’ ᔍᔒ ˹ᔉᔉ á”—Ê°á”‰âżâžŽ ᔃⁿᔈ ᔍᔒ ᶜᔒᔐᔉ Êłá”‰á”–á”’Êłá”— ᔇᔃᶜᔏ á”—á”’ ᔐᔉ!" "áŽčÊłâ€§ áŽ·Êłá”ƒá”‡Ëąâ€§â€§â€§" "Ëąâ±Êł?" áŽčÊłâ€§ áŽ·Êłá”ƒá”‡Ëą Ëąá”ƒÊžËą á”—á”’ Ëąá”–á”’âżá”á”‰á”‡á”’á”‡â€§ "ᔂᔉ˥˥ á”–á”‰ÊłÊ°á”ƒá”–Ëą ⁱᔗ'Ëą ᔃ ᶠᔃᔈ ᔃⁿᔈ Ê·â±ËĄËĄ ᶠᔃᔈᔉ‧‧‧" "ʞᔒᔘ Ê·á”ƒâżá”— á”—á”’ ʷᔃⁱᔗ“ áŽșᔒ➎ á¶œá”ƒâżâżá”’á”—â€§â€§" áŽčÊłâ€§ áŽ·Êłá”ƒá”‡Ëą á”ˆâ±Ëąá”â±ËąËąá”‰á”ˆ Ëąá”–á”’âżá”á”‰á”‡á”’á”‡ á”—á”’ á¶ ÊłÊž ᶜᔒᔒᔏ á”â±á”—á¶œÊ°á”‰âż á”ƒá”á”ƒâ±âż ᔃ˹ Ëąá‘«á”˜â±á”ˆÊ·á”ƒÊłá”ˆ Êłá”‰á”—á”˜ÊłâżËąâ€§ "ᔂᔉ˥˥➎ áŽčÊłâ€§ á”†á‘«á”˜â±á”ˆÊ·á”ƒÊłá”ˆ?" "ᔂᔉ˥˥➎ ᎔➎ ᔗʰᔉʞ ˹ᔉ˥˥ ÊČá”‰ËĄËĄÊž ʷⁱᔗʰ ᶜʰᔘᔐ ᔃⁿᔈ ᎔ á”—Êłâ±á”‰á”ˆ ᔃ á”‡á”˜Êłá”á”‰ÊłâžŽ ʷʰⁱᶜʰ'Ëą ᑫᔘⁱᔗᔉ á”ˆá”‰ËĄâ±á¶œâ±á”’á”˜Ëą ⁱᶠ ʞᔒᔘ á”ƒËąá” ᔐᔉ‧‧" á”†á‘«á”˜â±á”ˆÊ·á”ƒÊłá”ˆ Êłá”‰á”–á”’Êłá”—á”‰á”ˆâ€§ "᎔ ᔉᔛᔉⁿ ᔍᔒᔗ ˹ᔒᔐᔉ á¶ ËĄÊžá”‰ÊłËą á”—á”’ ᔍⁱᔛᔉ ᔒᔘᔗ‧‧‧" "á¶ ËĄÊžá”‰ÊłËą? á”†á”–á”’âżá”á”‰á”‡á”’á”‡ ʞᔒᔘ ᔇᔒᔗʰ ᔃⁿᔈ Ëąá‘«á”˜â±á”ˆÊ·á”ƒÊłá”ˆ á”ƒÊłá”‰ âżá”’Ê· á”’Êłá”ˆá”‰Êłá”‰á”ˆ á”—á”’ Êłá”‰á”á”’á”›á”‰ ᔃⁿᔈ á”ˆá”‰Ëąá”—Êłá”’Êž á”ƒâżÊž ᔃᔈ˹ ᔒᶠ ᔗʰᔉ ᶜʰᔘᔐ áŽźá”˜á¶œá”á”‰á”—â€§ Ꮃᔒ ᔒᔘᔗ ᔃⁿᔈ Êłâ±á”ˆ á”ƒâżÊž á”–Êłá”’á”á”’á”—â±âżá” 'ᔉᔐ!" áŽčÊłâ€§ áŽ·Êłá”ƒá”‡Ëą á¶œá”ƒËĄËĄá”‰á”ˆ Ê°â±Ëą á”ˆá”ƒá”˜á”Ê°á”—á”‰Êł áŽŸá”‰á”ƒÊłËĄ ᔃⁿᔈ á”—á”’ËĄá”ˆ Ê°á”‰Êł á”—á”’ ᔍᔉᔗ ˹ᔒᔐᔉ ᔒᶠ Ê°á”‰Êł á¶ Êłâ±á”‰âżá”ˆËą á”—á”’ ᔃ˥˥ ËĄá”‰á”ƒá”›á”‰ ᔇᔃᔈ Êłá”‰á”›â±á”‰Ê·Ëą ᔒⁿ˥ⁱⁿᔉ Ê·Ê°â±ËĄËąá”— Ëąá‘«á”˜â±á”ˆÊ·á”ƒÊłá”ˆ ᔃⁿᔈ Ëąá”–á”’âżá”á”‰á”‡á”’á”‡ ˹ᔉᔗ ᔒᔘᔗ‧ á”†á”–á”’âżá”á”‰á”‡á”’á”‡ ᶠᔉ˥ᔗ Ëąá”’ á”á”˜â±ËĄá”—Êž ᔉᔛᔉⁿ ᔗʰᔒᔘᔍʰ Ëąá‘«á”˜â±á”ˆÊ·á”ƒÊłá”ˆ ᔈⁱᔈ ᔐᔒ˹ᔗ ᔒᶠ ᔗʰᔉ á”ƒá¶œá”—á”˜á”ƒËĄ Ê·á”’Êłá” á”—á”ƒá”â±âżá” á”ˆá”’Ê·âż á¶ ËĄÊžá”‰ÊłËą ᔃ˹ Ëąá”–á”’âżá”á”‰ ᔇᔒᔇ á”–á”’â±âżá”—á”‰á”ˆ ᔗʰᔉᔐ ᔒᔘᔗ‧ ᔀʰᔉʞ ᔈⁱᔈⁿ'á”— á”âżá”’Ê· ᔒᶠ áŽčÊłâ€§ áŽ·Êłá”ƒá”‡Ëą á”á”‰á”—á”—â±âżá” ᔃ˥˥ ᔒᶠ áŽŸá”‰á”ƒÊłËĄ'Ëą Ëąá¶œÊ°á”’á”’ËĄ á”—á”’ ËĄá”‰á”ƒá”›á”‰ ˹ᔒᔐᔉ á”ƒâżá”’âżÊžá”á”’á”˜ËąËĄÊž âżá”ƒËąá”—Êž ⁿᔒᔗᔉ˹ ᔃⁿᔈ Êłá”ƒá”—á”‰Ëąâ€§ á”†á”–á”’âżá”á”‰á”‡á”’á”‡ á”á”ƒËąá”–á”‰á”ˆâžŽ ᔃ˹ áŽčÊłâ€§ áŽ·Êłá”ƒá”‡Ëą á¶œá”ƒËĄËĄá”‰á”ˆ ʰⁱᔐ á”ƒËĄá”’âżá”‰ ⁱⁿ Ê°â±Ëą ᔒᶠᶠⁱᶜᔉ‧ "ᔂʰᔃᔗ ᔈᔒ ʞᔒᔘ á”âżá”’Ê· ᔃᔇᔒᔘᔗ ÊČá”‰ËĄËĄÊž?" ᎎᔉ á”ƒËąá”á”‰á”ˆ ʰⁱᔐ á”ƒá¶ á”—á”‰Êł Êłâ±á”ˆá”ˆâ±âżá”â€§ "᎔ᔗ'Ëą á¶ Êłá”‰ËąÊ°âžŽ á¶ Êłá”’á” ÊČá”‰ËĄËĄÊžá¶ â±ËąÊ°â€§â€§" "ʞᔒᔘ á”âżá”’Ê· Ê·Ê°á”‰Êłá”‰ ᶠⁱⁿᔈ ÊČá”‰ËĄËĄÊžá¶ â±ËąÊ°?" "᎔ⁿ ÊČá”‰ËĄËĄÊžá¶ â±ËąÊ° á¶ â±á”‰ËĄá”ˆËąâžŽ Ëąâ±Êłâ€§â€§â€§" "ʞᔒᔘ âżá”‰á”‰á”ˆ á”—á”’ á¶œËĄá”’Ëąá”‰ ᔒᶠᶠ ᔗʰᔉ á¶ â±á”‰ËĄá”ˆ ʷⁱᔗʰ á¶ á”‰âżá¶œá”‰ ᔗᔃᔖᔉ ᔃⁿᔈ ᔗʰᔉ Ëąâ±á”âżâ€§â€§â€§" "᎔ á¶œá”ƒâż'á”—!" "Ꮀᔒ ⁱᔗ➎ á”’Êł ʞᔒᔘ'Êłá”‰ á¶ â±Êłá”‰á”ˆ!" áŽčÊłâ€§ áŽ·Êłá”ƒá”‡Ëą Êžá”‰ËĄËĄá”‰á”ˆ ᔃᔗ ʰⁱᔐ‧ á”†á”–á”’âżá”á”‰á”‡á”’á”‡ á”âżá”‰Ê· Ê°á”‰ËĄá”–â±âżá” áŽ·Êłá”ƒá”‡Ëą ᔇᔃᔈ á¶ á”’Êł áŽŸËĄá”ƒâżá”á”—á”’âżâžŽ ᔃⁿᔈ á”ƒËĄËąá”’ ᔗʰᔉ á”’á”—Ê°á”‰Êł ʷᔃʞ á”ƒÊłá”’á”˜âżá”ˆâ€§ ᎎᔉ'Ëą ᔃ ᔖᔉᔒᔖ˥ᔉ á”–ËĄá”‰á”ƒËąá”‰Êł ᔃⁿᔈ á¶œÊłâ±á”‰á”ˆ ᔃ˹ ʰᔉ Ê·á”‰âżá”— ᔇᔉ Ê°â±âżá”ˆ áŽŸËĄá”ƒâżá”á”—á”’âż'Ëą ᔇᔃᶜᔏ á”—á”’ á¶ á”’Êł Ê°â±Ëą ᔇᔒ˹˹‧ áŽźá”˜á”— á”ƒá”á”ƒâ±âżâžŽ ᔈⁱᔈⁿ'á”— ʰᔉ ⁿᔒᔗ ᔍᔒ á”‡á”‰Ê°â±âżá”ˆ áŽčÊłâ€§ áŽ·Êłá”ƒá”‡Ëą ᔇᔃᶜᔏ? "᎔ á”ˆá”’âż'á”— á”âżá”’Ê· ⁱᶠ ᎔ á¶œá”ƒâż ᔈᔒ ⁱᔗ‧‧" á¶œá”’âżá”—â€§ á”–á”ƒÊłá”— á”—Ê·á”’
new jellyfish fields split into parts SpongeBob SquarePants References Mentor/Protégé sleeping sitting up Sleep on Shoulder watching movies together spending the day
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new plabscore plabs bff
Ꮃᔉᔗ á”†ËĄá”‰á”‰á”–Êž âœá”†á”–á”’âżá”á”‰áŽźá”’á”‡ á¶ á”ƒâżá¶ â±á¶œâŸ â€œâ€Šá¶œá”ƒâżâżá”’á”— ËąËĄá”‰á”‰á”–â€Šâ€ á”†Ê°á”‰ËĄá”ˆá”’âż áŽŸËĄá”ƒâżá”á”—á”’âż âżá”’Ê· ᔗᔉ˥˥˹ Ê°â±Ëą á¶œá”’á”á”–á”˜á”—á”‰Êł ʷⁱᶠᔉ áŽ·á”ƒÊłá”‰âżâ€§ ᔆᔒ ËąÊ°á”‰ á”á”ƒËąËąá”ƒá”á”‰Ëą ʰⁱᔐ, Ê°á”˜á”á”â±âżá” ᔃ ˹ᔒᶠᔗ á”—á”˜âżá”‰â€§ ᔀʰᔉʞ ᔇᔒᔗʰ á¶œá”ƒâż ᔗᔉ˥˥ ⁱᔗ Ê°á”‰ËĄá”–á”‰á”ˆ ʰⁱᔐ âżá”’Ê·â€§ ᔆʰᔉ Ëąá”—á”’á”–á”–á”‰á”ˆ Ëąâ±âżá”â±âżá” Ê·Ê°á”‰âżá¶œá”‰ ʰᔉ Ëąâżá”’Êłá”‰á”ˆâ€§ â€œáŽłá”’á”’á”ˆ âżâ±á”Ê°á”—â€§â€§â€ 𝐑𝐞𝐚𝐝 𝐭𝐱𝐩𝐞: 𝟓𝟎 𝐬𝐞𝐜.
new get sleepy karen plankton Karen/Sheldon J. Plankton POV Karen Karen (SpongeBob) random & short sleep & naps falling asleep in someone's lap seeking comfort sheldon j. plankton
ᔀʰᔉ áŽŸËĄá”ƒâżá”á”—á”’âżËą âœá”†á”–á”’âżá”á”‰áŽźá”’á”‡ á¶ á”ƒâżá¶ â±á¶œâŸ á”†Ê°á”‰ËĄá”ˆá”’âż áŽŸËĄá”ƒâżá”á”—á”’âż'Ëą á¶œá”’á”á”–á”˜á”—á”‰Êł ʷⁱᶠᔉ áŽ·á”ƒÊłá”‰âż Ê·á”‰âżá”— á”—á”’ Ê°á”‰Êł Ëąâ±á”ˆá”‰ ᔒᶠ á”—Ê°á”‰â±Êł ᔇᔉᔈ Êłá”’á”’á” Ê·Ê°â±ËĄËąá”— áŽŸËĄá”ƒâżá”á”—á”’âż á”—á”’ Ê°â±Ëą á”’Ê·âż ᔇᔉᔈ‧ áŽ·á”ƒÊłá”‰âż á”˜Ëąá”˜á”ƒËĄËĄÊž Ê·á”‰âżá”— á”—á”’ ᔇᔉᔈ á¶ â±ÊłËąá”— ᔃⁿᔈ á”˜Ëąá”˜á”ƒËĄËĄÊž ᔗʰᔉ ËĄá”ƒËąá”— á”—á”’ ʷᔃᔏᔉ ᔘᔖ‧ "á”†á”’ÊłÊłÊž ⁱᶠ ᎔ Ëąâżá”ƒá”–á”–á”‰á”ˆ ᔃᔗ ʞᔒᔘ á”‰á”ƒÊłËĄâ±á”‰Êł Ê·Ê°á”‰âż ᎔ Êžá”‰ËĄËĄá”‰á”ˆâ€§â€§" áŽŸËĄá”ƒâżá”á”—á”’âż ᔗᔉ˥˥˹ Ê°á”‰Êłâ€§ ᎔ᔗ'Ëą ⁿᔒᔗ á”˜âżÊ°á”‰á”ƒÊłá”ˆ ᔒᶠ ᔗʰᔉᔐ á”—á”’ Êłá”ƒâ±Ëąá”‰ á”›á”’â±á¶œá”‰Ëą ᔇᔘᔗ ËąÊ°á”‰ á”âżá”‰Ê· áŽŸËĄá”ƒâżá”á”—á”’âż'Ëą ⁿᔒᔗ á”’á”›á”‰ÊłËĄÊž á”’á”˜á”—Ê·á”ƒÊłá”ˆËĄÊž á”ƒá¶ á¶ á”‰á¶œá”—â±á”’âżá”ƒá”—á”‰ ᔗᔒ‧ á”‚Ê°á”‰âż á”‰á”á”’á”—â±á”’âżá”ƒËĄ á”’Êł ᔒⁿᔉ ᔒᶠ ᔗʰᔉᔐ Ëąá”‰á”‰á”á”‰á”ˆ á”—á”’ ᔇᔉ ⁱⁿ á”ˆá”ƒâżá”á”‰ÊłâžŽ ʰᔉ ᔐⁱᔍʰᔗ ᔗʰᔒᔘᔍʰ‧ áŽ±á”ƒÊłËĄâ±á”‰Êł ᔗᔒᔈᔃʞ➎ ˹ᔒᔐᔉ âżá”‰Ê· ⁱⁿᔛᔉⁿᔗⁱᔒⁿ ᔒᶠ Ê°â±Ëą á¶ á”ƒâ±ËĄá”‰á”ˆ ᔃᔗ á”á”‰á”—á”—â±âżá” ᔖᔃᔗᔗʞ â±âżá”Êłá”‰á”ˆâ±á”‰âżá”—Ëąâ€§ "᎔ á”˜âżá”ˆá”‰ÊłËąá”—á”ƒâżá”ˆ á¶ Êłá”˜Ëąá”—Êłá”ƒá”—â±á”’âżâ€§ ʞᔒᔘ ÊČá”˜Ëąá”— âżá”‰á”‰á”ˆá”‰á”ˆ Êžá”’á”˜Êł á”’Ê·âż ᔗⁱᔐᔉ➎ ᔃⁿᔈ ᎔'ᔐ Ëąá”’ÊłÊłÊž á¶ á”’Êł ⁿᔒᔗ á”â±á”›â±âżá” ʞᔒᔘ ᔗʰᔉ‧‧‧" "ʞᔒᔘ á”âżá”’Ê·âžŽ ⁱᔗ'Ëą ⁿᔒᔗ Êžá”’á”˜Êł á¶ á”ƒá”˜ËĄá”—â€§ ᎔ ÊČá”˜Ëąá”— ᔈⁱᔈⁿ'á”— ᶠᔉᔉ˥ á”‰âżá”‰Êłá”Êž á”—á”’ ᔏᔉᔉᔖ‧‧‧" "áŽŸËĄá”ƒâżá”á”—á”’âż ᎔ ᔃᔐ Ëąá”˜Êłá”‰ ʞᔒᔘ ᔈⁱᔈ Êžá”’á”˜Êł ᔇᔉ˹ᔗ‧" áŽ·á”ƒÊłá”‰âż Ëąá”ƒÊžËąâ€§ "ʞᔒᔘ'ᔛᔉ á”ˆá”’âżá”‰ âżá”’á”—Ê°â±âżá” Ê·Êłá”’âżá”; ᎔ ˥⁻˥ᔒᔛᔉ ʞᔒᔘ‧‧" "᎔ ˥ᔒᔛᔉ ʞᔒᔘ➎ ᔐʞ á”ˆá”‰á”ƒÊł Ê°á”˜Ëąá”‡á”ƒâżá”ˆâ€§ áŽșá”’Ê· ʷᔉ ᔇᔒᔗʰ ᔒᔘᔍʰᔗᔗᔃ ˹˥ᔉᔉᔖ á”ƒá¶ á”—á”‰Êł Ëąá”˜á¶œÊ° ᔃ ᔈᔃʞ‧‧‧ ʞᔒᔘ á”âżá”’Ê·?" áŽ·á”ƒÊłá”‰âż Ê°á”‰á”ƒÊłËą ʰⁱᔐ Ëąâżá”’Êłâ±âżá” âżá”’Ê· á”ƒËąËĄá”‰á”‰á”–â€§ ᔆʰᔉ á”—á”˜Êłâżá”‰á”ˆ á”—á”’ ˹ᔉᔉ á”‡á”‰á”—á”—á”‰Êł ËĄá”’á”’á” ᔃᔗ áŽŸËĄá”ƒâżá”á”—á”’âżâžŽ Ê°â±Ëą ᔐᔒᔘᔗʰ á”–á”ƒÊłá”— ᔒᔖᔉⁿ‧ áŽ·á”ƒÊłá”‰âż âżá”’Êłá”á”ƒËĄËĄÊž Ê·á”‰âżá”— á”—á”’ ˹˥ᔉᔉᔖ á”‡á”‰á¶ á”’Êłá”‰ áŽŸËĄá”ƒâżá”á”—á”’âżâžŽ Ê·Ê°á”’'Ëą ᔐᔒ˹ᔗ ᔒᶠ ᔗʰᔉ ᔗⁱᔐᔉ á¶ â±ÊłËąá”— á”—á”’ ʷᔃᔏᔉ‧ áŽźá”˜á”— âżá”’Ê·âžŽ ʰᔉ'Ëą á¶ á”ƒËĄËĄá”‰âż á”ƒËąËĄá”‰á”‰á”– á¶ â±ÊłËąá”—â€§ ᶜᔒᔐᔉ á”—á”’ á”—Ê°â±âżá” ᔒᶠ ⁱᔗ➎ ËąÊ°á”‰ ËĄá”ƒËąá”— Ëąá”ƒÊ· ʰⁱᔐ á”ƒËąËĄá”‰á”‰á”– ᑫᔘⁱᔗᔉ ˹ᔒᔐᔉ ᔗⁱᔐᔉ ᔇᔃᶜᔏ ᔃᔍᔒ Ê·Ê°á”‰âż Ëąá”—á”ƒÊžâ±âżá” ᔘᔖ ËĄá”ƒá”—á”‰ ᔐᔒᔛⁱᔉ âżâ±á”Ê°á”—; ᔃ á”‡á”‰âżá”ˆÊž Ëąá”—Êłá”ƒÊ· ⁱⁿ ᔃᔗ ᔗʰᔉ Ëąâ±á”ˆá”‰ ᔒᶠ ⁱⁿ Ê°â±Ëą ᔐᔒᔘᔗʰ á”—Ê°á”‰âżâ€§ áŽ·á”ƒÊłá”‰âż ᶠᔉ˥ᔗ á”ËĄá”ƒá”ˆ âżá”’Ê· ᔃ˹ ʰᔉ Ëąâżá”’Êłá”‰á”ˆâ€§ "ᔆʷᔉᔉᔗ á”ˆÊłá”‰á”ƒá”Ëąâ€§â€§" ᔆʰᔉ Ê·Ê°â±Ëąá”–á”‰ÊłËąâžŽ Ê°á”’á”–â±âżá” á¶ á”’Êł áŽŸËĄá”ƒâżá”á”—á”’âż á”—á”’ Êłá”‰á”á”ƒâ±âż ⁱⁿ á”–á”‰á”ƒá¶œá”‰á¶ á”˜ËĄâżá”‰ËąËąâ€§ ╰ ✧ ∙ ∗ — áŽĄáŽÊ€áŽ… ᮄᮏᮜɮᮛ ⟹ 2 4 8
new karen plankton Karen/Sheldon J. Plankton POV Karen Random & Short falling asleep touch averse character the planktons
á¶œÊłá”ƒá¶œá”â±âżá” á”˜âżá”ˆá”‰Êł á”–Êłá”‰ËąËąá”˜Êłá”‰ âœá”†á”–á”’âżá”á”‰áŽźá”’á”‡ á¶ á”ƒâżá¶ â±á¶œâŸ - 𝚠𝚘𝚛𝚍 𝚌𝚘𝚞𝚗𝚝: đŸ¶.đŸŒđš”? áŽ±á”˜á”á”‰âżá”‰ áŽ·Êłá”ƒá”‡Ëą ˥ᔒᔛᔉ˹ á”á”’âżá”‰Êž Ëąá”’ ʰᔉ Ê°á”‰á”ƒÊłá”ˆ ᔃᔇᔒᔘᔗ ᔗʰᔉ á¶œá”ƒËąÊ° á”–Êłâ±á¶»á”‰ ᔃᔗ ˹ᔒᔐᔉ á”›â±ËĄËĄá”ƒâ±âż á¶œá”’âżâ€§â€§ áŽčÊłâ€§ áŽ·Êłá”ƒá”‡Ëą á”ƒÊłÊłâ±á”›á”‰á”ˆ ᔃᔗ á”—á”’ ᔗʰᔉ á¶œá”’âżá”›á”‰âżá”—â±á”’âż Ê°á”‰á”ƒÊłâ±âżá” ˹ᔒᔐᔉ ᔖᔉᔒᔖ˥ᔉ á”ƒÊłá”á”˜â±âżá”â€§ "ᔆᔒ ʷʰᔃᔗ ʞᔒᔘ á”ƒÊłá”‰ ᔃ˥˥ ʷᔉᔃᔏ á¶ á”’Êł á”–â±á¶œá”â±âżá” ᔒⁿ ᔐᔉ ÊČá”˜Ëąá”— á”‡á”‰á¶œá”ƒá”˜Ëąá”‰ ᎔'ᔐ ⁿᔒᔗ Ëąá”’ á”—á”ƒËĄËĄ ᔃ˹ ʞᔒᔘ‧‧‧" áŽŸËĄá”ƒâżá”á”—á”’âż'Ëą ᔛᔒⁱᶜᔉ Ëąá”ƒÊžËąâ€§ áŽčÊłâ€§ áŽ·Êłá”ƒá”‡Ëą Ëąá”ƒÊ· Ꮀᔉⁿⁿⁱ˹ ᔃⁿᔈ ᔉᔛᔉⁿ ᔗʰᔉ á”—á”ƒá”—á”—ËĄá”‰ á”—á”ƒËĄá”‰ Ëąá”—Êłá”ƒâżá”ËĄá”‰Êł á¶œâ±Êłá¶œËĄá”‰ ⁱⁿ ᔒⁿ áŽŸËĄá”ƒâżá”á”—á”’âż ʷⁱᔗʰ ᔉᔛᔉⁿ á¶ ËĄá”ƒá”—Ëą á¶ ËĄá”’á”˜âżá”ˆá”‰Êł ÊČᔒⁱⁿᔗ ⁱⁿ! áŽčÊłâ€§ áŽ·Êłá”ƒá”‡Ëą ᔉⁿᔉᔐⁱᔉ˹ ʷⁱᔗʰ áŽŸËĄá”ƒâżá”á”—á”’âż Ëąá”’ ʰᔉ ᔈⁱᔈⁿ'á”— ᔐⁱⁿᔈ ᔐᔘᶜʰ➎ á”’Êł Ëąá”’ ʰᔉ ᔗʰᔒᔘᔍʰᔗ ʰᔉ ᔈⁱᔈⁿ'á”— Ê·Ê°á”‰âż áŽŸËĄá”ƒâżá”á”—á”’âż'Ëą Ëąá”˜á”ˆá”ˆá”‰âżËĄÊž á”á”‰á”—Ëą á”‡á”‰á”ƒá”—á”‰âż ᔘᔖ á”‡á”ƒá”ˆËĄÊž ᔇʞ ᔗʰᔉ á”á”ƒâżá”â€§ áŽźÊž ᔗʰᔉ ᔗⁱᔐᔉ áŽčÊłâ€§ áŽ·Êłá”ƒá”‡Ëą ᔍᔒᔗ á”’á”›á”‰Êł á”—á”’ ᔗʰᔉᔐ➎ ᔗʰᔉʞ Ëąá”ƒÊ· áŽčÊłâ€§ áŽ·Êłá”ƒá”‡Ëą ᔃⁿᔈ Êłá”‰á¶œá”’á”âżâ±Ëąá”‰á”ˆ ʰⁱᔐ ᔃ˹ áŽŸËĄá”ƒâżá”á”—á”’âż'Ëą Êłâ±á”›á”ƒËĄâ€§ ᎎᔉ á”âżá”‰Ê· áŽŸËĄá”ƒâżá”á”—á”’âż á”á”˜Ëąá”— ᔇᔉ á”‡á”ƒá”ˆËĄÊž Ê°á”˜Êłá”— ⁱᶠ ʰᔉ'Ëą ⁿᔒᔗ Êžá”‰ËĄËĄâ±âżá” â±âżËąá”˜ËĄá”—Ëąâ€§ áŽźá”˜á”— âżá”’Ê·âžŽ ʰᔉ'Ëą Ê·á”’ÊłÊłâ±á”‰á”ˆ ᔃᔇᔒᔘᔗ Ê°â±Ëą ⁿᔉᔐᔉ˹ⁱ˹ á”ˆÊžâ±âżá”âžŽ ᔃ˹ áŽŸËĄá”ƒâżá”á”—á”’âż'Ëą á”‰âżá”—â±Êłá”‰ËĄÊž ᔈᔉᶠᔉᔃᔗᔉᔈ‧ ᎏ ᔇᔃᔈ ᔍᔘʞ Ê°á”‰ËĄá”ˆ ᔘᔖ Ê°â±Ëą ʰᔉᔃᔈ ᔇʞ á”–á”˜ËĄËĄâ±âżá” ᔒⁿ Ê°â±Ëą á”ƒâżá”—á”‰âżâżá”ƒâ€§ "á”‚á”ƒâżâżá”ƒ á¶ â±âżâ±ËąÊ°â€§â€§â€§" áŽčÊłâ€§ áŽ·Êłá”ƒá”‡Ëą Ëąá”ƒÊ· áŽŸËĄá”ƒâżá”á”—á”’âż'Ëą Ê°á”‰ËĄá”–ËĄá”‰ËąËą á¶ â±á”á”˜Êłá”‰âžŽ âżá”’Ê· á”—á”’á”—á”ƒËĄËĄÊž á”˜âżá¶œá”’âżËąá¶œâ±á”’á”˜Ëą ᔃⁿᔈ ᔃ˹ ᔐᔒᔘᔗʰ ËąËĄá”ƒá¶œá” ᔒᔖᔉⁿ ᔃⁿᔈ ˥ⁱᔐᔇ˹ ËĄâ±á”á”–ËĄÊž Ê°á”ƒâżá”â±âżá” á”ˆá”’Ê·âżâ€§ á”†á”‰á”‰â±âżá” ʰⁱᔐ ᔐᔒᔗⁱᔒⁿ˥ᔉ˹˹ ⁱⁿ Ëąá”˜á¶œÊ° ᔃ Ëąá”—á”ƒá”—á”‰ ᔃᔗ á”’á”—Ê°á”‰ÊłËą á”á”‰Êłá¶œÊžâžŽ âżá”’Êłá”á”ƒËĄËĄÊž áŽčÊłâ€§ áŽ·Êłá”ƒá”‡Ëą ÊČᔘᔐᔖᔉᔈ ᔃᔗ á”ƒâżÊž á¶œÊ°á”ƒâżá¶œá”‰ á”—á”’ ᔍᔉᔗ ᔇᔃᶜᔏ; ᔇᔘᔗ áŽčÊłâ€§ áŽ·Êłá”ƒá”‡Ëą Ëąá”ƒÊ· áŽŸËĄá”ƒâżá”á”—á”’âż'Ëą ᔇᔒᔈʞ ᔃᔗ ᔗʰᔉ Ê°á”ƒâżá”ˆËą ᔒᶠ á”’á”—Ê°á”‰ÊłËą á”—ÊłÊžâ±âżá” á”—á”’ ᔇᔉᔃᔗ ʰⁱᔐ á”—á”’ ᔈᔉᔃᔗʰ ᔃⁿᔈ ᶠᔉ˥ᔗ á”—Êłá”˜ËĄÊž á”ƒÊ·á¶ á”˜ËĄâ€§â€§ "᎔ á”ˆá”’âż'á”— Ê·á”ƒâżá”— ᔗᔒ‧‧‧" áŽčÊłâ€§ áŽ·Êłá”ƒá”‡Ëą á”—á”’ËĄá”ˆ ᔗʰᔉᔐ➎ ᔉᔛᔉⁿ Ëąá”˜Êłá”–Êłâ±Ëąâ±âżá” Ê°â±á”Ëąá”‰ËĄá¶  ʷⁱᔗʰ ᔗʰᔉ Ê°á”‰Ëąâ±á”—á”ƒá”—â±á”’âżâ€§ "ᔂʰᔃᔗ“" "ʞᔒᔘ Ê°á”‰á”ƒÊłá”ˆ ᔐᔉ‧" ᔀʰᔉʞ ËĄá”’á”’á”á”‰á”ˆ ⁱⁿ ËąÊ°á”’á¶œá” âżá”’Ê· ᔃ˹ ᔗʰᔉʞ ˥ᔉᔗ ᔍᔒ ᔒᶠ áŽŸËĄá”ƒâżá”á”—á”’âżâ€§ áŽčÊłâ€§ áŽ·Êłá”ƒá”‡Ëą á”˜Ëąá”‰á”ˆ á”—á”’ ᔇᔉ ⁱⁿ ᔗʰᔉ âżá”ƒá”›Êž ᔃⁿᔈ á”—Ê°á”˜Ëą Ê·á”‰ËĄËĄ Êłá”‰Ëąá”–á”‰á¶œá”—á”‰á”ˆ á¶ â±á”á”˜Êłá”‰âžŽ ⁿᔒᔗ á”—á”’ ᔐᔉⁿᔗⁱᔒⁿ ᔗʰᔉ á”Êłá”˜Ëąá”—Êž á”Êłá”ƒá”‡â€§ ᔂⁱᔗʰ áŽŸËĄá”ƒâżá”á”—á”’âż âżá”’Ê· ᶠᔃᶜᔉ á”–ËĄá”ƒâżá”—á”‰á”ˆ ᔃⁿᔈ ᔐᔒᔗⁱᔒⁿ˥ᔉ˹˹ áŽčÊłâ€§ áŽ·Êłá”ƒá”‡Ëą á”âżá”‰ËĄá”— á”ˆá”’Ê·âż ᔇʞ ʰⁱᔐ ᔗᔒ‧ ᎎᔉ á”—á”˜Êłâżá”‰á”ˆ ʰⁱᔐ Êłá”’ËĄËĄ á”’á”›á”‰Êł ᔒⁿ ᔇᔃᶜᔏ‧ áŽŸËĄá”ƒâżá”á”—á”’âż'Ëą á”˜âżá”á”’á”›â±âżá”âžŽ á”—á”’ á”‡á”ƒá”ˆËĄÊž Ê°á”˜Êłá”— á”—á”’ ᔉᔛᔉⁿ ᔒᔖᔉⁿ Ê°â±Ëą ᔉʞᔉ á¶ á”’Êł áŽčÊłâ€§ áŽ·Êłá”ƒá”‡ËąâžŽ Ê·Ê°á”’ ËĄá”’á”’á”á”‰á”ˆ á”’á”›á”‰Êł ᔗʰᔉ ᔃᔗ Ê°â±Ëą á”˜âżá¶œá”’âżËąá¶œâ±á”’á”˜Ëą ᔇᔒᔈʞ‧‧ Ꮁᔛᔉⁿ ᔃ˹ áŽčÊłâ€§ áŽ·Êłá”ƒá”‡Ëą Ê°á”‰ËĄá”ˆ ᔘᔖ ᔃⁿ á”ƒÊłá”âžŽ ⁱᔗ ÊČá”˜Ëąá”— á”ˆÊłá”’á”–á”–á”‰á”ˆâ€§ áŽčÊłâ€§ áŽ·Êłá”ƒá”‡Ëą á”˜Ëąá”‰á”ˆ Ê°â±Ëą á”’Ê·âż á”âżá”’Ê·ËĄá”‰á”ˆá”á”‰ á”—á”’ á”ƒËąËąá”‰ËąËą ᔗʰᔉ ᔉˣᔗᔉⁿᔗ ᔒᶠ Ê°á”’Ê· ⁱⁿÊČá”˜Êłá”‰á”ˆâ€§ ᎎᔉ ᶠᔉ˥ᔗ á”–á”˜ËĄËąá”‰âžŽ Ëąâ±á”Ê°â±âżá” ⁱⁿ Êłá”‰ËĄâ±á”‰á¶  ᔃ˹ ʰᔉ Ê°á”’ËĄá”ˆËą Ê°â±Ëą Ê°á”ƒâżá”ˆËąâ€§ áŽŸËĄá”ƒâżá”á”—á”’âż'Ëą á”‡Êłá”‰á”ƒá”—Ê°â±âżá” ᔃⁿᔈ Ê°á”‰á”ƒÊłá”— Ëąá”’á”˜âżá”ˆá”‰á”ˆ ᶠⁱⁿᔉ á”—á”’ áŽčÊłâ€§ áŽ·Êłá”ƒá”‡Ëąâ€§ "᎔'ËĄËĄ Ê°á”‰ËĄá”–âžŽ ᔇᔘᔗ ʞᔒᔘ âżá”‰á”‰á”ˆ á”—á”’ Ê°á”ƒâżá” ᔒⁿ‧‧" áŽčÊłâ€§ áŽ·Êłá”ƒá”‡Ëą ᔗᔒᔒᔏ áŽŸËĄá”ƒâżá”á”—á”’âż'Ëą ˥ⁱᔐᔖ ᔇᔒᔈʞ á”—á”’ Ê°â±Ëą Ê°á”’á”˜Ëąá”‰âžŽ á”âżá”’Ê·â±âżá” Ê°â±Ëą á”ˆá”ƒá”˜á”Ê°á”—á”‰Êł áŽŸá”‰á”ƒÊłËĄ'Ëą ⁿᔒᔗ ʰᔒᔐᔉ âżá”’Ê·â€§ áŽčÊłâ€§ áŽ·Êłá”ƒá”‡Ëą á¶œËĄá”‰á”ƒâżá”‰á”ˆ ʰⁱᔐ ᔘᔖ ʷⁱᔗʰ ⁿᔒ Êłá”‰Ëąâ±Ëąá”—á”ƒâżá¶œá”‰ á¶ Êłá”’á” ᔃᔗ á”ƒËĄËĄâ€§ "áŽșá”’Ê· á”—Ê°á”‰âżâ€§â€§â€§" áŽčÊłâ€§ áŽ·Êłá”ƒá”‡Ëą ˹ᔃⁱᔈ ᔃ˹ ʰᔉ ᔍᔒᔗ ᔃ ʷᔉᔗ Êłá”ƒá” á”—á”’ ᔖᔘᔗ ᔒⁿ ᔗʰᔉ á¶ á”’Êłá”‰Ê°á”‰á”ƒá”ˆâ€§ ᔆᔗⁱ˥˥ ⁿᔒ Ëąâ±á”âż ᔒᶠ á¶ Êłá”’á” áŽŸËĄá”ƒâżá”á”—á”’âżâ€§ áŽčÊłâ€§ áŽ·Êłá”ƒá”‡Ëą ᔈᔉᶜⁱᔈᔉᔈ á”—á”’ á”–Êłá”‰á”–á”ƒÊłá”‰ ˹ᔒᔐᔉ Ê·á”ƒá”—á”‰Êł á¶ á”’Êł ʰⁱᔐ á”‡á”‰á¶ á”’Êłá”‰ ʰᔉ Ê·á”ƒá”á”‰Ëą ᔘᔖ➎ á”âżá”’Ê·â±âżá” ʰᔉ'ᔈ ʰᔃᔛᔉ ⁿᔒ á”‰âżá”‰Êłá”Êž á”ƒá¶ á”—á”‰Êł Ëąá”˜á¶œÊ° ᔃ á”‡á”‰á”ƒá”—â±âżá” ᔗʰᔉ ˥ⁱᶠᔉ ᔒᔘᔗ ᔒᶠ ʰⁱᔐ‧ ᎎᔉ á”ƒËĄËąá”’ á”âżá”‰Ê· áŽŸËĄá”ƒâżá”á”—á”’âż ᔐⁱᔍʰᔗ ᔇᔉ á”˜á”–Ëąá”‰á”— ⁱᶠ ʰᔉ'ᔈ á¶ á”’á”˜âżá”ˆ Ê°â±á”Ëąá”‰ËĄá¶  ᔃᔗ ᔗʰᔉ Êłá”‰Ëąâ±á”ˆá”‰âżá¶œá”‰ ᔒᶠ áŽ±á”˜á”á”‰âżá”‰ áŽ·Êłá”ƒá”‡Ëąâ€§ ᎎᔉ ᔗᔒᔒᔏ Ê·á”ƒËąÊ° á¶œËĄá”’á”—Ê° á”—á”’ ᔍᔉᔗ á”ƒá”á”ƒâ±âż Ê·Ê°á”‰âż áŽŸËĄá”ƒâżá”á”—á”’âż á¶ â±âżá”ƒËĄËĄÊž ᔗʷⁱᔗᶜʰᔉᔈ ᔃᔗ ᔗʰᔉ Ëąá”‰âżËąá”ƒá”—â±á”’âż ᔒᶠ ᔗʰᔉ á¶œá”’ËĄá”ˆ Êłá”ƒá” á”ˆá”ƒá”‡Ëą ᔃᔗ Ê°â±Ëą ᶠᔃᶜᔉ‧ áŽčÊłâ€§ áŽ·Êłá”ƒá”‡Ëą ᔈⁱᔖᔖᔉᔈ ᔗʰᔉ Ê·á”ƒËąÊ° á¶œËĄá”’á”—Ê° á”ƒá”á”ƒâ±âż ⁱⁿ Ê°â±Ëą á”’Ê·âż Ê·á”ƒá”—á”‰Êł á”‡á”’Ê·ËĄ á”—á”’ ʷᔉᔗ ⁱᔗ á”ƒá”á”ƒâ±âżâ€§ á”‚á”ƒá”â±âżá” âżá”’Ê·âžŽ áŽŸËĄá”ƒâżá”á”—á”’âż á”á”ƒâżá”ƒá”á”‰á”ˆ á”—á”’ ËąËĄá”’Ê·ËĄÊž á¶ ËĄá”˜á”—á”—á”‰Êł Ê°â±Ëą ᔉʞᔉ á”—á”’ ᔒᔖᔉⁿ‧ "ᎌᔘᔍʰʰ‧‧‧" "᎔ ᔍᔒᔗ ʞᔒᔘ Ëąá”ƒá¶ á”‰ âżá”’Ê·âžŽ áŽŸËĄá”ƒâżá”á”—á”’âżâ€§â€§" áŽčÊłâ€§ áŽ·Êłá”ƒá”‡Ëą âżá”’Ê· Ëąá‘«á”˜á”‰á”‰á¶»á”‰á”ˆ ˹ᔒᔐᔉ á”‰ËŁá¶œá”‰ËąËą Ê·á”ƒá”—á”‰Êł á¶ Êłá”’á” ᔗʰᔉ Êłá”ƒá”â€§ áŽŸËĄá”ƒâżá”á”—á”’âż á”‡ËĄâ±âżá”á”‰á”ˆâžŽ Êłá”‰á”á”ƒâ±âżâ±âżá” Ê°â±Ëą ˹ᔉⁿ˹ᔉ˹ ᔃ˹ ʰᔉ Êłá”‰á¶œá”’á”âżâ±Ëąá”‰á”ˆ áŽčÊłâ€§ áŽ·Êłá”ƒá”‡Ëąâ€§ áŽŸËĄá”ƒâżá”á”—á”’âż á¶ ËĄâ±âżá¶œÊ°á”‰á”ˆ ᔃ˹ ʰᔉ Êłá”‰á”â±Ëąá”—á”‰ÊłËą ᔈᔘ˥˥ á”–á”ƒâ±âżâ€§ "ᔂᔃᔘᔍʰ ʰᔒʷ➎ Ê·Ê°á”‰Êłá”‰â€§â€§â€§" "ʞᔒᔘ'Êłá”‰ ᔃᔗ ᔐʞ á”–ËĄá”ƒá¶œá”‰âžŽ áŽŸËĄá”ƒâżá”á”—á”’âżâ€§" "á”‚Ê°á”‰âżâ€™á”ˆâ€§â€§â€§ ʞᔃʰ➎ ʷʰᔃᔗ'Ëą á”á”’â±âżá” ᔒⁿ‧‧‧" áŽčÊłâ€§ áŽ·Êłá”ƒá”‡Ëą Ëąá”ƒÊ· áŽŸËĄá”ƒâżá”á”—á”’âż Ëąá”—Êłá”˜á”á”ËĄá”‰â€§ "áŽłá”ƒÊ°âžŽ ᔐʞ➎ ᔐʞ ʰᔉᔃᔈ; ᔃʷ‧ ᔂᔃʰʰʰʰ ᔂʰᔃᔗ➎ ʷᔃʰʰ Ê°á”ƒá”–á”–á”‰âżá”‰á”ˆâ€œ" "Ꮀᔒ ʞᔒᔘ Êłá”‰á”á”‰á”á”‡á”‰Êł ᔗʰᔉ ᔐᔒᔇ? ᎔'ᔈ á”‡Êłá”’á”˜á”Ê°á”— ʞᔒᔘ á”—á”’ ᔐʞ á”–ËĄá”ƒá¶œá”‰ Ê·Ê°á”‰âż ᎔ á¶ á”’á”˜âżá”ˆ ʞᔒᔘ‧‧" áŽŸËĄá”ƒâżá”á”—á”’âż ᶠᔉ˥ᔗ ʷᔉᔃᔏ‧ "᎔ ᔍᔒᔗ ˹ᔒᔐᔉ Ê·á”ƒá”—á”‰Êłâ€§â€§â€§" áŽčÊłâ€§ áŽ·Êłá”ƒá”‡Ëą ˹ᔃⁱᔈ ᔃⁿᔈ Ê°á”‰ËĄá”–á”‰á”ˆ ʰⁱᔐ á”ˆÊłâ±âżá” ˹ᔒᔐᔉ ᔒᶠ ⁱᔗ‧ "ᔂᔃⁱᔗ Ê·Ê°Êž á”ƒÊłá”‰ ʞᔒᔘ Ê°á”‰ËĄá”–â±âżá” ᔐᔉ? áŽŹÊłá”‰ ʞᔒᔘ ÊČá”˜Ëąá”— Ê·á”ƒâżá”—â±âżá”â€§â€§â€§" "᎔ Ê·á”ƒâżá”— á¶ á”’Êł ʞᔒᔘ á”—á”’ ᔍᔉᔗ á”‡á”‰á”—á”—á”‰Êłâ€§ Ꮁᔛᔉⁿ Ëąá”’ ʞᔒᔘ'ᔈ ᔈⁱᔉ ⁱᶠ ᎔ ÊČá”˜Ëąá”— ˥ᔉᶠᔗ ʞᔒᔘ! ᎔ á¶œá”ƒâż'á”— á”‰ËŁá”ƒá¶œá”—ËĄÊž ˹ᔉᔉ Êžá”’á”˜Êł ˹ᔃᔈ á”ƒá”—á”—á”‰á”á”–á”—Ëą á”—á”’ ᔇᔉᔃᔗ ᔐᔉ ⁱᶠ ʞᔒᔘ á”ƒÊłá”‰âż'á”— ˥ⁱᔛᔉ á”—á”’ ᔗᔉ˥˥ ᔗʰᔉ á”—á”ƒËĄá”‰â€§â€§â€§" "áŽ±á”˜á”á”‰âżá”‰ ᎔➎ ᎔ á”ˆá”’âż'á”— á”âżá”’Ê· ʷʰᔃᔗ á”—á”’ Ëąá”ƒÊžâ€§â€§" "ʞᔒᔘ'Êłá”‰ Ê·á”‰ËĄá¶œá”’á”á”‰ ᔇʞ ᔗʰᔉ ʷᔃʞ‧‧‧" "᎔ ʰᔒᔖᔉ ʞᔒᔘ á”ˆá”’âż'á”— á”‰ËŁá”–á”‰á¶œá”— ᔐᔉ á”—á”’ Ëąá”—á”’á”– á”ƒá”—á”—á”‰á”á”–á”—Ëą á”—á”’ Ëąá”—á”‰á”ƒËĄ Êžá”’á”˜Êł â±âżá”Êłá”‰á”ˆâ±á”‰âżá”—Ëąâ€§â€§â€§" "ʞᔒᔘ á”âżá”’Ê· ⁱᔗ; ᔒᶠ á¶œá”’á”˜ÊłËąá”‰âžŽ âżá”‰á”›á”‰Êłâ€§â€§"
new plabs plabscore krabs/plankton Eugene Krabs/Sheldon J. Plankton wordcount: 500-1.000 100-1000 Words Enemies to Allies villains and anti heroes greater good healing and caring change of heart cracking under pressure
BLUESCREEN Plankton’s thoughts were elsewhere as he focused the lens. More than once, he had to stop and blink blurriness out of his vision or rub the sleep out of his eye. He hadn’t slept regularly for days since he’d woken up from a brief three-hour nap this time yesterday evening, which did little to help his exhaustion. And now, here Plankton was. Miserable, sleep-deprived, and half-crazed with conflicting thoughts, peering blearily into a telescope at an absurd hour of the night. Argh! He bumped his head hard against the telescope to keep that thought from solidifying. Running on so little sleep Plankton glanced warily He looked at Karen’s darkened monitor for a moment with apprehension, expecting her to awaken from sleep mode and start in on him anew for sneaking around, but her screen remained dim. In response, a very loud whirring noise emitted from within her monitor, and Plankton tilted his head in confusion. She’d never made a sound like that before. Plankton stared numbly. “Honey bunch?” his voice is small, quavering. The next day Krabs found out she’s in hospital. It's amazing how much information Bikini Bottom Hospital would give out over the phone. Just supplying his name and fudging a little about his relationship to the couple was enough for Krabs to get the gist of what had happened last night, even including some details that had been omitted from the short entry in the morning paper. He took careful notes as he spoke with the nurse. Karen's condition was critical. Plankton had been given a mild sedative upon his arrival with Karen at the hospital. Doctors found him inconsolable; a perfect nervous wreck. They'd taken one look at him and deemed him both too emotional and sleep-deprived to be of much help answering questions. A little sleep never hurt anybody so far as the doctors were concerned. If you asked them, it was for his own good. Plankton had been so tired that the low dosage sedative had knocked him out nearly instantly. He hadn't budged in hours, and doctors predicted he'd stay down until at least late that afternoon. Krabs asked about the Hospital’s visitation hours while they were on the subject. He’d wanted to swing by that morning, but if Plankton was finally catching up on some much-needed rest, maybe he should put off on the visit. The last thing he wanted was to disturb him. The hours rolled by slowly after those difficult phone calls, and Krabs found himself pacing his office restlessly as he allowed Plankton a little time to catch up on his z’s. When the lunch rush started to wind down, Krabs retreated to his office. He placed another phone call to the hospital to see if Plankton was awake yet. The nurse confirmed that he was, and feeling better than he had been before when he first arrived last night. So Krabs arrived at their hospital room. Plankton was sitting close to the edge of Karen's wheeled bedside table. He lurched his head up off his hands with a funny-sounding snort; he must’ve been starting to doze off. Finally, Plankton spoke. His voice was tired. Resigned. “Oh hey Krabs.” “Wanna stay with me tonight?” Plankton was looking at Karen's monitor again, his antennae twitching in acknowledgment of Krabs’s words. Plankton thought about this for only a few seconds. Clearly, Krabs had gotten through to him or recovering from his recent sleeplessness was making him more agreeable. At least the extra long rest did him some good. Plankton was thoughtfully quiet beside him in the passenger seat. He peered up over the door to the quiet, still nighttime flowers overhead as the night rushed by. Krabs stole a glance at him now and then as he drove. He stooped down, offering Plankton his claw so he wouldn’t have to jump up the stairs. “Come on. Let me show you your room while you’re stayin’ over.” Plankton was sitting on the edge of Krabs’s hammock. The fabric barely dipped underneath him. “Uh, hey Eugene,” started Plankton as Krabs reached for the door. Krabs paused, with his back to him, listening. “Hmm?” “Goodnight.” Krabs looked over his shoulder and gave him a small smile. “Goodnight, Plankton.” Next day Plankton glanced over his shoulder at him. Krabs was glad to see he looked rested, despite having stayed in a strange place overnight. “Mornin’, Sheldon,” returned Krabs. “How’d ye sleep? Get any word from the hospital overnight?” “Slept okay, but not great. Strange place, you know? And no, not yet.” Krabs went upstairs to get dressed for work. He was pleased to see that his bedroom was almost exactly as he’d left it, other than the disturbed sheets where Plankton had slept the previous night. When he came back downstairs a few minutes later, Plankton was sitting on the couch with his chin resting on one hand, staring hard straight ahead with a thoughtful, worried look on his face.
new plabs plabscore karen plankton bluescreen
ᔀᔒᔒᔗʰ ᎟ᔉ á”€á”’ËĄá”ˆ âœá”†á”–á”’âżá”á”‰áŽźá”’á”‡ á¶ á”ƒâżá¶ â±á¶œâŸ á”†Ê°á”‰ËĄá”ˆá”’âż áŽŸËĄá”ƒâżá”á”—á”’âżâ€™Ëą á¶ á”ƒá”—Ê°á”‰Êł áŽłá”’Êłá”ˆá”’âż Ê°á”‰á”ƒÊłá”ˆ á¶ Êłá”’á” áŽ±á”˜á”á”‰âżá”‰ áŽ·Êłá”ƒá”‡Ëą ᔐᔘᔐ‧ “ᎎᔉʞ á”†Ê°á”‰ËĄá”ˆá”’âż; áŽ±á”˜á”á”‰âżá”‰â€™Ëą á”á”‰á”—á”—â±âżá” Ê°â±Ëą Ê·â±Ëąá”ˆá”’á” ᔗᔉᔉᔗʰ ᔒᔘᔗ ᔃⁿᔈ ËĄâ±á”á”‰ á”—á”’ ʰᔃᔛᔉ ʞᔒᔘ ʷⁱᔗʰ ʰⁱᔐ‧” ᔆᔒ áŽłá”’Êłá”ˆá”’âż á”ˆÊłá”’á”–Ëą á”†Ê°á”‰ËĄá”ˆá”’âż ᔒᶠᶠ ᔃᔗ ᔗʰᔉ á”ˆá”‰âżá”—â±Ëąá”— âżá”’Ê·â€§ “ᎎⁱ, á”†Ê°á”‰ËĄá”ˆá”’âż!” áŽ±á”˜á”á”‰âżá”‰â€™Ëą ᔐᔘᔐ á”Êłá”‰á”‰á”—Ëą ʰⁱᔐ ᔃ˹ áŽłá”’Êłá”ˆá”’âż ËĄá”‰á”ƒá”›á”‰Ëąâ€§ ᔀʰᔉʞ á¶ á”’ËĄËĄá”’Ê·á”‰á”ˆ áŽ±á”˜á”á”‰âżá”‰ á”—á”’ ᔗʰᔉ Ëąá”˜Êłá”á”‰ÊłÊž á¶ á”’ËĄËĄá”’Ê·â±âżá” ᔗʰᔉ á”ˆá”‰âżá”—â±Ëąá”—â€§ ᔀʰᔉ á¶œÊ°á”ƒâ±Êłâ€™Ëą ᔃᔗ ᔒⁿᔉ Ê°á”˜âżá”ˆÊłá”‰á”ˆ á”—Ê°â±Êłá”—Êž ᶠⁱᔛᔉ á”ˆá”‰á”Êłá”‰á”‰ á”ƒâżá”ËĄá”‰â€§ áŽ±á”˜á”á”‰âżá”‰ á”–ËĄá”’á”–á”–á”‰á”ˆ Ê°â±á”Ëąá”‰ËĄá¶  ⁿ ⁱᔗ ᔃ˹ ᔗʰᔉ âżá”˜ÊłËąá”‰ âżá”’á”—â±á¶œá”‰á”ˆ á”†Ê°á”‰ËĄá”ˆá”’âż á¶œÊłÊžâ€§ â€œáŽ°á”’âżâ€™á”— Ê·á”’ÊłÊłÊž á”†Ê°á”‰ËĄá”ˆá”’âż, ᎔’ᔐ ᔗʰᔉ ᔒⁿᔉ ⁱⁿ ᔗʰᔉ á¶œÊ°á”ƒâ±Êł!” â€œá”†Ê°á”‰ËĄá”ˆá”’âż, Êłâ±á”Ê°á”—? ᔆᔒ ˥ⁱ˹ᔗᔉⁿ, Êžá”’á”˜Êł á¶ Êłâ±á”‰âżá”ˆâ€™Ëą á”á”’âżâżá”ƒ ᔇᔉ á¶ â±âżá”‰â€§â€ ᔀʰᔉ âżá”˜ÊłËąá”‰ á”—Ê°á”‰âż á”—á”˜ÊłâżËą á”—á”’ Ê°â±Ëą á”–á”ƒá”—â±á”‰âżá”—â€§ â€œáŽŹÊłá”‰ ʞᔒᔘ ˥ᔉᶠᔗ Ê°á”ƒâżá”ˆá”‰á”ˆ á”’Êł Êłâ±á”Ê°á”— Ê°á”ƒâżá”ˆá”‰á”ˆ?” áŽ±á”˜á”á”‰âżá”‰ ᔍᔃᔛᔉ ʰⁱᔐ Ê°â±Ëą Ê°á”ƒâżá”ˆâ€§ “áŽșá”’Ê· áŽ±á”˜á”á”‰âżá”‰, ʷᔉ’ᔛᔉ ˹ᔒᔐᔉ á”á”‰á”ˆâ±á¶œâ±âżá”‰ á”—á”’ Ê°á”‰ËĄá”– ʞᔒᔘ‧ Ꮀᔒ ʞᔒᔘ Ê·á”ƒâżá”— ⁱⁿ ᔖⁱ˥˥ á¶ á”’Êłá” á”’Êł ËĄâ±á‘«á”˜â±á”ˆ á”ˆÊłâ±âżá” á¶ á”’Êłá”?” ᎎᔉ ᔍᔃᔛᔉ ʰⁱᔐ ᔗʰᔉ á”á”‰á”ˆâ±á¶œâ±âżá”‰â€§ “ʞᔒᔘ Êłá”‰á”ƒá”ˆÊž? ᎔ᔗ’˥˥ ᔇᔉ á”’á”›á”‰Êł á”‡á”‰á¶ á”’Êłá”‰ ʞᔒᔘ á”âżá”’Ê· ⁱᔗ‧ áŽșá”’Ê· ᔃ˥˥ ʞᔒᔘ ʰᔃᔛᔉ á”—á”’ ᔈᔒ ⁱ˹ á”‡Êłá”‰á”ƒá”—Ê°á”‰ â±âżâ€Šâ€ Ëąá”’ âżá”’Ê·, á”†Ê°á”‰ËĄá”ˆá”’âż ᔃⁿᔈ áŽ±á”˜á”á”‰âżá”‰â€™Ëą ᔐᔘᔐ ˥ᔉᶠᔗ ᔗʰᔉ á”ˆá”‰âżá”—â±Ëąá”—Ëą ᔈᔒ á”—Ê°á”‰â±Êł ÊČᔒᔇ ᔃⁿᔈ ʷᔃⁱᔗ‧ á”†Ê°á”‰ËĄá”ˆá”’âż ᔖᔃᶜᔉᔈ ᔇᔃᶜᔏ ᔃⁿᔈ á¶ á”’Êłá”—Ê° ᔃ˹ Ê°â±Ëą á¶ Êłâ±á”‰âżá”ˆâ€™Ëą ᔐᔘᔐ Ëąá”ƒá”—â€§ ᔀʰᔉ Êłá”‰á¶œá”‰á”–á”—â±á”’âżâ±Ëąá”— âżá”’á”—â±á¶œá”‰á”ˆ ᔗᔒ‧ “ᎎᔉʞ ËąÊ·á”‰á”‰á”—âżá”‰ËąËą, ʷᔉ ʰᔃᔛᔉ ᔍᔒᔗ ᔗʰᔉ ᔇᔉ˹ᔗ Ëąá”˜Êłá”á”‰á”’âżËą á”ƒÊłá”’á”˜âżá”ˆâ€§â€§â€ ËąÊ°á”‰ Ëąá”ƒÊžËą, ᔃⁿᔈ ʰᔉ ÊČá”˜Ëąá”— âżá”’á”ˆËąâ€§ â€œá”‚á”ƒâżâżá”ƒ ᶜᔒᔐᔉ ˹ⁱᔗ ᔒⁿ ᔐʞ ËĄá”ƒá”–?” áŽ±á”˜á”á”‰âżá”‰â€™Ëą ᔐᔘᔐ Ëąá”ƒÊžËąâ€§ ᔆʰᔉ Êłá”‰á¶œá”‰â±á”›á”‰á”ˆ ⁿᔒᔗᔉ˹ ᔒⁿ ᔃ˥˥ ᔗʰᔉ á”ƒá¶ á”—á”‰Êł á¶œá”ƒÊłá”‰ á¶ á”’Êł Ê°á”‰Êł ˹ᔒⁿ‧ “áŽč˱‧ áŽ·Êłá”ƒá”‡Ëą?” áŽșá”’Ê· á”á”’â±âżá” ᔇᔃᶜᔏ á”—á”’ ᔗʰᔉ Ëąá”˜Êłá”á”‰ÊłÊž á”†Ê°á”‰ËĄá”ˆá”’âż ᔃⁿᔈ áŽ±á”˜á”á”‰âżá”‰â€™Ëą ᔐᔘᔐ á¶ á”’ËĄËĄá”’Ê· á”—á”’ ˹ᔉᔉ ʰⁱᔐ‧ â€œÊžá”’á”˜â€™Êłá”‰ á¶ Êłá”‰á”‰ á”—á”’ ᔍᔒ!” áŽ±á”˜á”á”‰âżá”‰â€™Ëą ᔐᔘᔐ Ê°á”‰ËĄá”–á”‰á”ˆ ʰⁱᔐ ᔒᔘᔗ ᔒᶠ ᔗʰᔉ Ëąá”˜Êłá”á”‰ÊłÊžâ€§ â€œáŽ±á”˜á”á”‰âżá”‰?” á”†Ê°á”‰ËĄá”ˆá”’âż á”ˆâ±á”ˆâżâ€™á”— á”âżá”’Ê· á”‰ËŁá”ƒá¶œá”—ËĄÊž ʷʰᔃᔗ á”—á”’ á”‰ËŁá”–á”‰á¶œá”—, ᔃ˹ ᔗʰᔉʞ âżá”’Ê· ᔍᔒ á”—á”’ áŽ·Êłá”ƒá”‡Ëą á”–ËĄá”ƒá¶œá”‰ ʷⁱᔗʰ‧ â€œá”‚á”ƒâżâżá”ƒ ᔐᔃᔏᔉ ᔃ á”‡á”˜Êłá”á”‰Êł?” “ᔁʰ?” â€œá”†Ê°á”‰ËĄá”ˆá”’âż ʰᔉ âżá”‰á”‰á”ˆËą Êłá”‰Ëąá”—â€§â€ ᔀʰᔉʞ ᔇᔒᔗʰ Ê·á”‰âżá”— á”—á”’ Ê°â±Ëą ᔇᔉᔈ‧ “ʞᔒᔘ Ê·á”ƒâżá”— á”—á”’ ᔗᔃᔏᔉ ᔃ âżá”ƒá”–?” “ʞᔉ ” áŽ±á”˜á”á”‰âżá”‰ ËĄá”‰á”ƒâżËą ᔇᔃᶜᔏ‧ áŽ±á”˜á”á”‰âżá”‰ ⁿᔉˣᔗ ʷᔒᔏᔉ á¶ Êłá”’á” ˹ᔃⁱᔈ âżá”ƒá”– ʷⁱᔗʰ á”ˆÊłá”’á”’ËĄâ€§ â€œáŽŹá”˜â€Šâ€ áŽ±á”˜á”á”‰âżá”‰ á”—Ê°á”‰âż âżá”’á”—â±á¶œá”‰Ëą Ëąâżá”’Êłâ±âżá” ⁿᔉˣᔗ á”—á”’ ʰⁱᔐ, ᔃ˹ Ê°â±Ëą á¶ Êłâ±á”‰âżá”ˆ á”†Ê°á”‰ËĄá”ˆá”’âż ᶠᔉ˥˥ á”ƒËąËĄá”‰á”‰á”– ᔇʞ ʰⁱᔐ‧ ᎎᔉ á”âżá”‰Ê· á”á”˜Ëąá”—â€™á”›á”‰ ᔇᔉᔉⁿ Ëąá¶œá”ƒÊłá”‰á”ˆâ€§ áŽ±á”˜á”á”‰âżá”‰ ᶠᔉ˥ᔗ Ê°á”˜âżá”ÊłÊžâ€§ áŽźá”˜á”— ʷʰᔃᔗ ᔐⁱᔍʰᔗ ᔇᔉ ˹ᔒᶠᔗ á”‰âżá”’á”˜á”Ê°â€Š â€œáŽ±á”˜á”á”‰âżá”‰ ᔇᔃᔇʞ, ʞᔒᔘ ᔃʷᔃᔏᔉ?” ᎎⁱ˹ ᔐᔘᔐ ᶜᔃᔐᔉ ⁱⁿ ᔃⁿᔈ Ëąá”ƒÊ· Ê°á”‰Êł ˹ᔒⁿ âżá”’Ê· Ëąâ±á”—á”—â±âżá” ᔘᔖ‧ â€œá¶œá”ƒâż ᎔’ᔛᔉ ᶠᔒᔒᔈ?” “ᔂᔉ ᔍᔒᔗ ⁱᶜᔉ á¶œÊłá”‰á”ƒá” ⁱᶠ ” â€œÊžá”‰Ëą, á”–ËĄá”‰á”ƒËąá”‰!” á”†á”ƒÊžËą áŽ±á”˜á”á”‰âżá”‰, ᔃ˹ Ê°â±Ëą ᔐᔘᔐ ᔍᔒᔗ ʰⁱᔐ ˹ᔒᔐᔉ‧ â€œá”€Ê°á”ƒâżá”Ëą ᔐᔘᔐ!” ᔆʰᔉ ᔍᔃᔛᔉ ʰⁱᔐ ⁱᶜᔉ á¶œÊłá”‰á”ƒá” ᔃⁿᔈ ËĄá”’á”’á”á”‰á”ˆ ᔃᔗ á”†Ê°á”‰ËĄá”ˆá”’âż, ˹ᔗⁱ˥˥ á”ƒËąËĄá”‰á”‰á”–â€§ “ᔂʰᔒ á”âżá”‰Ê· ʰᔉ Ëąâżá”’Êłá”‰á”ˆâ€Šâ€ áŽ±á”˜á”á”‰âżá”‰â€™Ëą ᔐᔘᔐ Ëąá”â±ËĄá”‰á”ˆ ᔃ˹ Ê°á”‰Êł ˹ᔒⁿ ËąÊ°Êłá”˜á”á”á”‰á”ˆâ€§ â€œá”‚á”‰ËĄËĄ ᔉⁿÊČá”’Êž ⁱᶜᔉ á¶œÊłá”‰á”ƒá” âżá”’Ê· áŽ±á”˜á”á”‰âżá”‰!” ᔆʰᔉ Ëąá”ƒâ±á”ˆâ€§ á”‚Ê°á”‰âżá¶œá”‰ ʰᔉ á¶ â±âżâ±ËąÊ°á”‰á”ˆ á”‰á”ƒá”—â±âżá”, áŽ±á”˜á”á”‰âżá”‰ Ëąâ±á”Ê°Ëąâ€§ ᎎᔉ ᔖⁱᶜᔏᔉᔈ ᔘᔖ ᔃ ᔇᔒᔒᔏ á”—á”’ Êłá”‰á”ƒá”ˆâ€§ á”†Ê°á”‰ËĄá”ˆá”’âż ËĄá”’á”’á”á”‰á”ˆ Ê°â±Ëą ʰᔉᔃᔈ ᔘᔖ á”—á”’ ˹ᔉᔉ áŽ±á”˜á”á”‰âżá”‰ âżá”’Ê· Êłá”‰á”ƒá”ˆâ±âżá” ˹ᔒᔐᔉ ᔇᔒᔒᔏ‧ “ᎎⁱ‧‧” áŽ±á”˜á”á”‰âżá”‰ ˹ᔉᔗ ᔗʰᔉ ᔇᔒᔒᔏ á”ˆá”’Ê·âż ᔃ Ëąâ±á”ˆá”‰ á”—á”’ ᶠᔃᶜᔉ á”†Ê°á”‰ËĄá”ˆá”’âżâ€§ â€œáŽ±á”˜á”á”‰âżá”‰ Ê°á”’Ê· ËĄá”’âżá” ʰᔃᔛᔉ ʞᔒᔘ ᔇᔉᔉⁿ ᔘᔖ?” “ᮬ ËĄâ±ËĄâ€§â€§â€ á”†Ê°á”‰ËĄá”ˆá”’âż Ëąá”ƒá”— ᔇʞ ʰⁱᔐ‧ â€œá”†á”’ÊłÊłÊž ⁱᶠ ᎔ ˹˥ᔉᔖᔗ á”—á”’ ËĄá”’âżá”; á”—á”˜ÊłâżËą ᔒᔘᔗ, ⁱᔗ á”—á”ƒá”á”‰Ëą ᔒᔘᔗ ᔒᶠ ʞᔒᔘ, Ê·á”’ÊłÊłÊžâ±âżá” ᔃᔇᔒᔘᔗ Êžá”’á”˜Êł ᔇᔉ˹ᔗ á¶ Êłâ±á”‰âżá”ˆâ€§â€§â€ “᎔ ᶠᔉ˥˥ á”ƒËąËĄá”‰á”‰á”– á¶ â±ÊłËąá”—!” ᔀʰᔉʞ á”â±á”á”ËĄá”‰â€§ â€œáŽŹá”— ËĄá”‰á”ƒËąá”— ᎔ á”ˆá”’âżâ€™á”— á”ˆÊłá”’á”’ËĄ ᔒⁿ á”–â±ËĄËĄá”’Ê·â€§â€§â€ â€œá”†Ê°á”‰ËĄá”ˆá”’âż ᔍⁱᔛᔉ ᔐᔉ ᔃ á”‡Êłá”‰á”ƒá”, ᎔’ᔛᔉ ᔃ âżá”˜á”á”‡ ÊČᔃʷ!” áŽ±á”˜á”á”‰âżá”‰ á”—Ê°á”‰âż Êłá”’á”—á”ƒá”—á”‰á”ˆ Ê°â±Ëą á”–â±ËĄËĄá”’Ê·â€§ “ᮬⁿ á”‰ËŁá¶œá”˜Ëąá”‰ á¶ á”’Êł ᔐᔉ, ᔇᔘᔗ ʰᔉʞ ʞᔒᔘ Ëąâżá”’Êłá”‰á”ˆ! áŽșá”’á”— ËĄá”’á”˜á”ˆ, ᔇᔘᔗ ˹ᔗⁱ˥˥ á”ƒá”˜á”ˆâ±á”‡ËĄá”‰ Ëąâżá”’Êłâ±âżá”!” “ᎌʰ, Ê°á”’Ê· á¶œá”’á”á¶ á”’Êłá”—â±âżá”, áŽ±á”˜á”á”‰âżá”‰â€§â€§â€ ᔆᔒ âżá”’Ê·, ᔗʰᔉʞ á”‰á”á”‡Êłá”ƒá¶œá”‰á”ˆ Ê°á”ƒá”–á”–â±ËĄÊžâ€§ 𝚠𝚘𝚛𝚍 𝚌𝚘𝚞𝚗𝚝: đŸ»đŸ¶đŸ¶
new krabs/plankton spongebob fanfic plabscore plabs dental intervention 100-1000 Words wordcount: 500-1.000 wordcount: 100-1.000 wordcount: 100-500 tooth be told
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new krabbobton krabs/plankton spongebob/plankton plabscore plabs Sheldon J. Plankton/SpongeBob SquarePants dullsville code page 437
᎟ᔃʞ ᔀʰᔉ ᎟ⁱ˥˥ âœá”†á”–á”’âżá”á”‰áŽźá”’á”‡ á¶ á”ƒâżá¶ â±á¶œâŸ áŽźâ±ËĄËĄÊž Ê·á”ƒËą ᔗʰᔉ ʰᔉᔃᔈ Ê°á”’âżá¶œÊ°á”’ Êłâ±âżá” ËĄá”‰á”ƒá”ˆá”‰Êł Ê·Ê°á”’ á”—á”ƒá”˜âżá”—á”‰á”ˆ á”†Ê°á”‰ËĄá”ˆá”’âż Ꮆᔃʞ áŽŸËĄá”ƒâżá”á”—á”’âż ᔃⁿᔈ áŽ±á”˜á”á”‰âżá”‰ áŽ·Êłá”ƒá”‡Ëą ᔃ˹ Ëąá¶œÊ°á”’á”’ËĄ á¶œÊ°â±ËĄá”ˆÊłá”‰âżâ€§ ᎎᔉ ᔐᔒᔛᔉᔈ á”ƒá¶ á”—á”‰Êł á”Êłá”ƒá”ˆá”˜á”ƒá”—â±á”’âż ᔇᔘᔗ ʰᔉ ÊČá”˜Ëąá”— ᶜᔃᔐᔉ ᔃⁿᔈ ᔐᔒᔛᔉᔈ ᔇᔃᶜᔏ á”—á”’ áŽźâ±á”â±âżâ± ᎟ᔒᔗᔗᔒᔐ! "áŽŸËĄá”ƒâżá”á”—á”’âż'Ëą âżá”’Ê· ᔉⁿᔉᔐⁱᔉ˹ ʷⁱᔗʰ‧‧‧" áŽźâ±ËĄËĄÊž Ëąá”ƒÊ· áŽčÊłâ€§ áŽ·Êłá”ƒá”‡Ëą á¶ á”’Êłá¶œá”‰ áŽŸËĄá”ƒâżá”á”—á”’âż ᔒᔘᔗ ᔒᶠ Ê°â±Ëą á”’Ê·âż Êłá”‰Ëąá”—á”ƒá”˜Êłá”ƒâżá”— ʷⁱᔗʰ ᔃ Ëąá”â±Êłá”â€§ "ᶜʰᔘᔐ áŽźá”˜á¶œá”á”‰á”—? ᔀʰᔉ á”Êłá”˜Ëąá”—Êž á”Êłá”ƒá”‡? ᎔ ˹ᔉᔉ âżá”’Ê· á”–á”’á”’Êł á”’ËĄá”ˆ Êłá”ƒá” ᔇᔒʞ'Ëą Êłâ±á¶œÊ°â€§ ᎞ᔒᔒᔏ Ê·Ê°á”‰Êłá”‰ á”‡á”‰â±âżá” ᔃ âżá”‰Êłá”ˆ ᔍᔒᔗ áŽŸËĄá”ƒâżá”á”—á”’âż!" áŽźâ±ËĄËĄÊž Ëąá”ƒÊ· áŽŸËĄá”ƒâżá”á”—á”’âż á¶œÊłÊžâ±âżá” ᔃ˹ ʰᔉ Ê·á”‰âżá”— á”—á”’ Ê°â±Ëą á”’Ê·âż Êłá”‰Ëąá”—á”ƒá”˜Êłá”ƒâżá”—â€§ áŽ·á”ƒÊłá”‰âż ᔗʰᔉ á¶œá”’á”á”–á”˜á”—á”‰Êł Ëąá”ƒÊ· Ê°á”‰Êł Ê°á”˜Ëąá”‡á”ƒâżá”ˆ ⁱⁿ á”—á”‰á”ƒÊłËą ᔃ˹ Ëąá”–á”’á”— ᔗʰᔉ ᔃᔐᔒᔉᔇᔃ ᔖᔘᔖᔖʞ á”‡á”’á”˜âżá¶œá”‰á”ˆ á”’á”›á”‰Êł á”—á”’ ʰⁱᔐ‧ ᔆʰᔉ á”âżá”‰Ê· á”‡á”‰á”—á”—á”‰Êł á”—Ê°á”ƒâż á”—á”’ á”–ÊłÊž Ê·Ê°á”‰âż ʰᔉ'Ëą á”˜á”–Ëąá”‰á”—âžŽ Ëąá”’ ËąÊ°á”‰ ÊČá”˜Ëąá”— ʷᔃᔛᔉᔈ‧ ᔆᔖᔒᔗ ËĄâ±á¶œá”á”‰á”ˆ ᔃʷᔃʞ áŽŸËĄá”ƒâżá”á”—á”’âż'Ëą á”—á”‰á”ƒÊłËą ʷⁱᔗʰ á”â±ËąËąá”‰Ëą ᔃ˹ ʰᔉ ᔍᔃᔛᔉ ʰⁱᔐ ᔃ ˹ᔃᔈ ˹ᔐⁱ˥ᔉ‧ áŽŸËĄá”ƒâżá”á”—á”’âż á”‰á”á”‡Êłá”ƒá¶œá”‰á”ˆ Ëąá”–á”’á”— ᔃ˹ áŽ·á”ƒÊłá”‰âż ᔍᔃᔛᔉ ʰⁱᔐ ˹ᔒᔐᔉ Ëąá”–á”ƒá¶œá”‰â€§ "áŽŹÊ°âžŽ ᔆᔖᔒᔗ‧‧‧" áŽŸËĄá”ƒâżá”á”—á”’âż ᔍᔃᔛᔉ ʰⁱᔐ ˹ᔒᔐᔉ ˥ᔒᔛᔉ ᔃⁿᔈ ᔖᔉᔗ˹ ᔃ˹ ʰᔉ ᔍᔒᔗ ᔇᔃᶜᔏ ᔘᔖ‧ "᎔ âżá”‰á”‰á”ˆ á”—á”’ ᔗᔃᔏᔉ ᔒᔘᔗ ᔗʰᔉ á”—Êłá”ƒËąÊ° âżá”’Ê· á”‡á”‰á¶ á”’Êłá”‰ áŽ·á”ƒÊłá”‰âż á”á”‰á”—Ëą ᔒⁿ ᔐʞ á¶œá”ƒËąá”‰â€§" ᎎᔉ ᔗᔒᔒᔏ ᔗʰᔉ á”á”ƒÊłá”‡á”ƒá”á”‰ ᔇᔃᔍ ᔃⁿᔈ á”—Ê°Êłá”‰Ê· ⁱᔗ ⁱⁿ ᔗʰᔉ á”ˆá”˜á”á”–Ëąá”—á”‰Êłâ€§ áŽźâ±ËĄËĄÊž ᶜᔃᔐᔉ ᔘᔖ á”—á”’ ʰⁱᔐ‧ "᎟ᔉᔃ á”‡Êłá”ƒâ±âż! ʞᔒᔘ ËąÊ°á”’á”˜ËĄá”ˆ'ᔛᔉ á”‰á”ƒá”—á”‰âż Êžá”’á”˜Êł á”›á”‰á”á”â±á”‰Ëą!" áŽŸËĄá”ƒâżá”á”—á”’âż Ëąá”ƒÊ· áŽźâ±ËĄËĄÊž ᔃⁿᔈ Êłá”‰á¶œá”’á”âżâ±Ëąá”‰á”ˆ ʰⁱᔐ‧ áŽźâ±ËĄËĄÊž Êłá”ƒâż ᔒᶠᶠ ᔃ˹ áŽ·á”ƒÊłá”‰âż Ê·á”‰âżá”— á”—á”’ ᶜʰᔉᶜᔏ ᔒⁿ Ê°á”‰Êł Ê°á”˜Ëąá”‡á”ƒâżá”ˆâ€§ ᎏ˹ ʰᔉ á”á”ƒËąá”–á”‰á”ˆ á¶ á”’Êł á”‡Êłá”‰á”ƒá”—Ê°âžŽ ʰᔉ Ëąá”ƒÊ· Ê°â±Ëą á¶œá”’á”á”–á”˜á”—á”‰Êł ʷⁱᶠᔉ‧ "áŽŸËĄá”ƒâżá”á”—á”’âżâ€œ" áŽčÊłâ€§ áŽ·Êłá”ƒá”‡Ëą Ê·á”‰âżá”— ʰᔒᔐᔉ á¶ Êłá”’á” Ê°â±Ëą Ê·á”’Êłá” Ê·Ê°á”‰âż Ê°â±Ëą á”–Ê°á”’âżá”‰ Ëąá”—á”ƒÊłá”—á”‰á”ˆ á”—á”’ Êłâ±âżá” ᔃ˹ áŽŸËĄá”ƒâżá”á”—á”’âż á¶œá”ƒËĄËĄá”‰á”ˆâ€§ "áŽźâ±ËĄËĄÊž'Ëą ᔇᔃᶜᔏ‧" áŽŸËĄá”ƒâżá”á”—á”’âż á”—á”’ËĄá”ˆ ʰⁱᔐ Ê·á”‰á”ƒá”ËĄÊž á”’á”›á”‰Êł ᔗʰᔉ á”–Ê°á”’âżá”‰â€§ "áŽ·Êłá”ƒá”‡Ëą ˥ⁱ˹ᔗᔉⁿ ᔘᔖ á”—á”’ ᔐᔉ!" áŽ·á”ƒÊłá”‰âż ˹ᔃⁱᔈ ᔃ˹ ËąÊ°á”‰ ᔗᔒᔒᔏ áŽŸËĄá”ƒâżá”á”—á”’âż'Ëą á”–Ê°á”’âżá”‰â€§ "᎔ á”–Êłá”’á”â±Ëąá”‰ ʞᔒᔘ ʰᔉ'Ëą ⁿᔒᔗ á”á”ƒá”â±âżá” ᔘᔖ ˹ᔒᔐᔉ ᔖᔃᔗᔗʞ Ëąá¶œÊ°á”‰á”á”‰ á”‡á”‰á¶œá”ƒá”˜Ëąá”‰ ᎔ Ëąá”ƒÊ· ʰⁱᔐ á”‡á”ƒÊłá”‰ËĄÊž á”ƒá”‡ËĄá”‰ á”—á”’ ˥ⁱᶠᔗ Ê°â±Ëą ʰᔉᔃᔈ ᔘᔖ‧ Ꮁᔛᔉⁿ á”ƒá¶ á”—á”‰Êł Êžá”‰á”ƒÊłËą ᔒᶠ á”á”ƒÊłÊłâ±á”ƒá”á”‰ ᎔ ʰᔃᔛᔉ âżá”‰á”›á”‰Êł ˹ᔉᔉⁿ ʰⁱᔐ Ëąá”’ á”‡á”ƒá”ˆËĄÊž á”‡á”‰á”ƒá”—á”‰âż ᔘᔖ‧ áŽŸËĄá”ƒâżá”á”—á”’âż á”—á”’ËĄá”ˆ ᔐᔉ ᔃᔇᔒᔘᔗ ᔗʰᔉ Ëąá¶œÊ°á”’á”’ËĄ á”‡á”˜ËĄËĄÊž Ê·Ê°á”’ á”—á”ƒá”˜âżá”—á”‰á”ˆ ʞᔒᔘ ᔇᔒᔗʰ‧ ʞᔒᔘ ᔐᔃʞ ⁿᔒᔗ ᔇᔉ ᔍᔒᔒᔈ á¶ Êłâ±á”‰âżá”ˆËą ᔇᔘᔗ á”–ËĄá”‰á”ƒËąá”‰ ᔖᔘᔗ Êžá”’á”˜Êł Êłâ±á”›á”ƒËĄÊłÊž á”ƒËąâ±á”ˆá”‰ á¶ á”’Êł âżá”’Ê·â€§â€§â€§" áŽ·á”ƒÊłá”‰âż Ëąá”ƒâ±á”ˆâ€§ áŽčÊłâ€§ áŽ·Êłá”ƒá”‡Ëą Ê·á”‰âżá”— á”—á”’ ᔗʰᔉ ᶜʰᔘᔐ ᔇᔘᶜᔏᔉᔗ ᔃ˹ á”’âżá¶œá”‰ ʰᔉ Ê°á”‰á”ƒÊłá”ˆ ᔗʰᔉ âżá”‰Ê·Ëąâ€§ ᔆᔖᔒᔗ Ëąá”ƒá”— ᔇʞ áŽŸËĄá”ƒâżá”á”—á”’âż ᔒⁿ ᔗʰᔉ ᔇᔉᔈ‧ "ᎎᔉʞ➎ á”†Ê°á”‰ËĄá”ˆá”’âżâ€§â€§â€§" ᔆᔗⁱ˥˥ á”—á”’ Ëąá”’Êłá”‰ ᔃⁿᔈ ʷᔉᔃᔏ á”—á”’ ˹ⁱᔗ Ê°â±á”Ëąá”‰ËĄá¶  ᔘᔖ Êłâ±á”Ê°á”— âżá”’Ê·âžŽ áŽŸËĄá”ƒâżá”á”—á”’âż Êłá”‰á¶œá”’á”âżâ±Ëąá”‰á”ˆ áŽčÊłâ€§ áŽ·Êłá”ƒá”‡Ëąâ€§ "᎔ á”âżá”’Ê· ʷᔉ'ᔛᔉ ᔇᔉᔉⁿ ᔃᔗ ⁱᔗ á¶ â±á”Ê°á”—â±âżá” á¶ á”’Êł Êžá”‰á”ƒÊłËą ᔇᔘᔗ áŽźâ±ËĄËĄÊž'Ëą ⁿᔒ á¶ Êłâ±á”‰âżá”ˆ ᔒᶠ ᔐⁱⁿᔉ‧ ᎎᔉ'Ëą Ê·á”’ÊłËąá”‰ á”—Ê°á”ƒâż ʞᔒᔘ á”ƒÊłá”‰ ⁱⁿ ᔐʞ á”‰Êžá”‰ËąâžŽ ᔃⁿᔈ ᔃ á”Êłá”‰á”ƒá”—á”‰Êł á”‰âżá”‰á”Êžâ€§â€§â€§" "ʞᔒᔘ á”âżá”’Ê·âžŽ ᎔ Ê°á”‰á”ƒÊłá”ˆ ᔃ á¶œá”’á”á”á”’âż á”‰âżá”‰á”Êž ʷⁱᔗʰ Êžá”’á”˜Êł á”‰âżá”‰á”ÊžâžŽ ËĄâ±á”á”‰ ʰᔉ'Ëą ᔗʰᔉ ᶠⁱⁿᔃ˥ ᔇᔒ˹˹‧‧‧" "᎔ á”âżá”’Ê·âžŽ ᔃ á”Êłá”‰á”ƒá”—á”‰Êł á”‰âżá”‰á”Êž á”—Ê°á”ƒâż á”˜ÊłËąâ€§ áŽŒâżËĄÊž ᎔ á¶œá”ƒâż ᔇᔉ ᔗʰᔉ ᔒⁿᔉ á”—á”’ á¶œá”ƒËĄËĄ Êžá”’á”˜Êł Êłâ±á”›á”ƒËĄâžŽ ⁿᔒᔗ ʰⁱᔐ! ᔆᔒ ʰᔒʷ‧‧‧" áŽčÊłâ€§ áŽ·Êłá”ƒá”‡Ëą ᔍᔒᔗ â±âżá”—á”‰ÊłÊłá”˜á”–á”—á”‰á”ˆ ᔃ˹ á”†á”–á”’âżá”á”‰á”‡á”’á”‡ ᶜᔃᔐᔉ ⁱⁿ ᔗʰᔉ Êłá”’á”’á” ʷⁱᔗʰ áŽźâ±ËĄËĄÊžâ€§ "ᔀᔉ˥˥ ᔗʰᔉᔐ!" "á”†á”–á”’âżá”á”‰á”‡á”’á”‡ á”—á”’ËĄá”ˆ ᔐᔉ ʞᔒᔘ Ê·á”‰âżá”— á”—á”’ á¶œá”’ËĄËĄá”‰á”á”‰ ᔃⁿᔈ ʰᔉ ᔍᔃᔛᔉ ᔐᔉ ᔃ á”Êłá”ƒá”‡á”‡Êž ᔖᔃᔗᔗʞ‧ ᎔ Ê·á”ƒâżá”—á”‰á”ˆ á”á”’Êłá”‰ ᔇᔘᔗ ʰᔉ á”—á”’ËĄá”ˆ ᔐᔉ ᔃ˹ ËĄá”’âżá” ᔃ˹ ᎔ á”‡á”˜ËĄËĄÊž ʞᔒᔘ ᎔'ᔐ á”‡á”ƒâżâżá”‰á”ˆ á¶ Êłá”’á” ᔗʰᔉ á”Êłá”˜Ëąá”—Êž á”Êłá”ƒá”‡â€§ ᎔ á”á”˜á”‰ËąËą ᎔ ᶜᔃᔐᔉ á”—á”’ Ëąá”ƒÊž ᎔ á”ƒá”–á”’ËĄá”’á”â±Ëąá”‰â€§ ᎔ âżá”‰á”›á”‰Êł ᔈⁱᔈ Ê·á”‰ËĄËĄ ⁱⁿ Ëąá¶œÊ°á”’á”’ËĄ ᔃⁿᔈ ᔗᔒᔒᔏ ⁱᔗ ᔒᔘᔗ ᔒⁿ ʞᔒᔘ‧ ᎔ Ê·á”’âż'á”— á”‡á”’á”—Ê°á”‰Êł ʞᔒᔘ á”ƒâżÊž á”á”’Êłá”‰ á”‡á”‰á¶œá”ƒá”˜Ëąá”‰ ᎔'ᔐ á”á”’á”›â±âżá” á”ƒá”á”ƒâ±âżâ€§"
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Fandom: SpongeBob SquarePants (Cartoon) Characters: Sheldon J. Plankton, Eugene Krabs, spot plankton, Karen (SpongeBob) Relationships: Eugene Krabs/Sheldon J. Plankton, krabs/plankton, plabs And Then You Came Back https://archiveofourown.org/works/12965262 puffythepig Language:English Stats:Published:2017-12-09 Words:1,294
new plabscore englishcore frenemiescore plabs
ᔀⁱᔐᔉ á”ƒá¶ á”—á”‰Êł ᔗⁱᔐᔉ pt. 2 âœËąá”–á”’âżá”á”‰á”‡á”’á”‡ á¶ á”ƒâżá¶ â±á¶œâŸ Ê·á”ƒÊłâżâ±âżá” á¶ á”’Êł ᔛⁱᔒ˥ᔉⁿᔗ, á”˜á”–Ëąá”‰á”—á”—â±âżá” Ꮁᔛᔉⁿ ᔃ˹ áŽčÊłâ€§ áŽ·Êłá”ƒá”‡Ëą á”ƒá”‡ËĄá”‰ á”—á”’ ᔍᔒ ʰᔒᔐᔉ ʰᔉ ᔏᔉᔖᔗ á”á”’â±âżá” ᔇᔃᶜᔏ á¶ á”’Êł áŽŸËĄá”ƒâżá”á”—á”’âżâ€§ ᎎᔉ á”—á”’ËĄá”ˆ áŽ·á”ƒÊłá”‰âż á”–á”‰ÊłËąá”’âżá”ƒËĄËĄÊžâžŽ á”—á”’ ᶠⁱⁿᔈ ᔗʰᔉʞ ʰᔃᔛᔉ á¶œá”ƒËĄËĄá”‰á”ˆ Ê°á”‰Êł á”‡á”‰á¶ á”’Êłá”‰â€§ ᎔ᔗ'Ëą ᔗʰᔉ á”á”’Êłâżâ±âżá” á”ƒá¶ á”—á”‰Êł ᔗʰᔉ Ëąá”‰á”ƒ ÊłÊ°â±âżá”’á¶œá”‰Êłá”’Ëą ᔃᔗᔗᔃᶜᔏ➎ Ê·Ê°á”‰Êłá”‰ áŽŸËĄá”ƒâżá”á”—á”’âż Ëąá”ƒá”›á”‰á”ˆ áŽčÊłâ€§ áŽ·Êłá”ƒá”‡Ëą ˥ⁱᶠᔉ ᔇʞ Ëąá”ƒá¶œÊłâ±á¶ â±á¶œâ±âżá” Ê°â±Ëąâ€§â€§â€§ "᎔ ˹ᔉᔉ ʞᔒᔘ'ᔛᔉ Êłá”‰á”—á”˜Êłâżá”‰á”ˆ áŽčÊłâ€§ áŽ·Êłá”ƒá”‡Ëąâ€§â€§â€§" "᎔ ÊČá”˜Ëąá”— Ê·á”ƒâżâżá”ƒ ˹ᔉᔉ á”—á”’ áŽŸËĄá”ƒâżá”á”—á”’âżâ€§" áŽčÊłâ€§ áŽ·Êłá”ƒá”‡Ëą Ëąá”ƒá”— Êłâ±á”Ê°á”— ᔇʞ áŽŸËĄá”ƒâżá”á”—á”’âż'Ëą Ëąâ±á”ˆá”‰â€§ "á”†Ê°á”‰ËĄá”ˆá”’âż á”–ËĄá”‰á”ƒËąá”‰â€§â€§â€§" áŽ·Êłá”ƒá”‡Ëą á”—Êłâ±á”‰á”ˆ ⁿᔒᔗ á”—á”’ ˹ᔒᔇ‧ "᎔ Ê·á”’á”˜ËĄá”ˆâż'á”— ᔉᔛᔉⁿ ᔇᔉ ᔐᔃᔈ ⁱᶠ ⁱᔗ'Ëą á”ƒâżá”’á”—Ê°á”‰Êł á”–ËĄá”ƒâż ᔒᶠ Êžá”’á”˜ÊłËą; ᎔ ÊČá”˜Ëąá”— Ê·á”ƒâżâżá”ƒ á”âżá”’Ê· Êžá”‰ËĄËĄ ᔇᔉ ᶠⁱⁿᔉ! ᎔ᶠ ʞᔒᔘ á¶œá”ƒâż Ê°á”‰á”ƒÊł ᔐᔉ ᔍⁱᔛᔉ ᔐᔉ ᔃ Ëąâ±á”âżâ€§â€§â€§" áŽŸËĄá”ƒâżá”á”—á”’âż ᔒᶠ á¶œá”’á”˜ÊłËąá”‰ ᔈⁱᔈⁿ'á”— Êłá”‰Ëąá”–á”’âżá”ˆ ⁱⁿ ᔗʰᔉ ËąËĄâ±á”Ê°á”—á”‰Ëąá”—â€§ "᎔'ᔈ ᔇᔉ ʰᔃᔖᔖʞ ⁱᶠ ʞᔒᔘ â±âżËąá”˜ËĄá”—á”‰á”ˆ ᔐᔉ! ʞᔒᔘ á”âżá”’Ê·âžŽ Êžá”’á”˜Êł ʷⁱᶠᔉ ᔐⁱ˹˹ᔉ˹ ʞᔒᔘ; ʷᔉ ᔃ˥˥ ᔈᔒ‧‧‧" áŽčÊłâ€§ áŽ·Êłá”ƒá”‡Ëą á¶œá”ƒËĄËĄá”‰á”ˆ Ê°â±Ëą á”‰á”á”–ËĄá”’Êžá”‰á”‰Ëą á”—á”’ á¶œËĄá”’Ëąá”‰ ᔗʰᔉ á”Êłá”˜Ëąá”—Êž á”Êłá”ƒá”‡ ᔃⁿᔈ ËĄá”‰á”ƒá”›á”‰ ⁱᔗ ᔃ˹ Ëąá”˜á¶œÊ° á”˜âżá”—â±ËĄ áŽŸËĄá”ƒâżá”á”—á”’âż'Ëą Ëąá”—á”ƒá”—á”‰ Ëąá”’á”á”‰Ê°á”’Ê· á¶œÊ°á”ƒâżá”á”‰Ëąâ€§ "ʞᔒᔘ âżá”‰á”‰á”ˆ á”—á”’ ᔇᔉ á”–ËĄá”ƒâżâżâ±âżá” á”—á”’ á”ˆá”’á”â±âżá”ƒá”—á”‰âžŽ ⁿᔒᔗ ᔇᔉ ⁱⁿ á¶œÊłâ±á”—â±á¶œá”ƒËĄ á¶œá”’âżá”ˆâ±á”—â±á”’âż!" áŽčÊłâ€§ áŽ·Êłá”ƒá”‡Ëą á”—Ê°á”ƒâżá”á”‰á”ˆ ᔗʰᔉ á¶œËĄâ±âżâ±á¶œâ±á”ƒâż ᔃⁿᔈ ˥ᔉᶠᔗ á¶ á”’Êł ᔗʰᔉ ᔈᔃʞ‧ áŽźá”˜á”— ÊČá”˜Ëąá”— ᔗʰᔉ ⁿᔉˣᔗ ᔈᔃʞ Ê°á”’Ê·á”‰á”›á”‰ÊłâžŽ áŽčÊłâ€§ áŽ·Êłá”ƒá”‡Ëą ᔈⁱᔈⁿ'á”— ᶜᔒᔐᔉ ᔉᔐᔖᔗʞ Ê°á”ƒâżá”ˆá”‰á”ˆ; ʰᔉ á”‡Êłá”’á”˜á”Ê°á”— ᔃ Ëąá”—á”˜á¶ á¶ á”‰á”ˆ á”—á”’Êž ᔗᔉᔈᔈʞ á”‡á”‰á”ƒÊł á¶ Êłá”’á” á”—Ê°á”‰â±Êł á¶œÊ°â±ËĄá”ˆÊ°á”’á”’á”ˆâžŽ á¶œá”ƒËĄËĄá”‰á”ˆ á¶œá”’âżá¶ á”‰ËąËąâ±á”’âż á”‡á”‰á”ƒÊłâ€§ ᎎᔉ á”—á”’ËĄá”ˆ á”†á”–á”’âżá”á”‰áŽźá”’á”‡ ᔃᔇᔒᔘᔗ á¶œá”’âżá¶ á”‰ËąËąâ±á”’âż á”‡á”‰á”ƒÊłâžŽ Ê·Ê°á”’ á”—Ê°á”‰âż á”–Êłá”‰á”—á”‰âżá”ˆá”‰á”ˆ á”—á”’ ᔇᔉ ᔒⁿᔉ á”—á”’ Ëąá”–Êž ᔒⁿ áŽŸá”ƒá”—Êłâ±á¶œá”â€§ á¶œá”’âżá¶ á”‰ËąËąâ±á”’âż á”‡á”‰á”ƒÊł Ê·á”ƒËą ÊČá”˜Ëąá”— ʷʰᔃᔗ ᔗʰᔉʞ á¶œá”ƒËĄËĄá”‰á”ˆ ⁱᔗ➎ ᔃ˹ ᔗʰᔉʞ á”‡Êłá”’á”˜á”Ê°á”— ⁱᔗ Ê·Ê°á”‰âż Ëąá”—á”ƒÊžâ±âżá” á”’á”›á”‰Êł ʷⁱᔗʰ ᔉᔃᶜʰ á”’á”—Ê°á”‰Êł ᔃ˹ Êžá”’á”˜á”—Ê°Ëąâ€§ áŽŹËĄá”—Ê°á”’á”˜á”Ê° ÊČá”˜Ëąá”— ᔃ Êłá”‰á”á”˜ËĄá”ƒÊł á”–ËĄá”˜ËąÊ°â±á”‰âžŽ ⁱᔗ ˹ᔗⁱ˥˥ Ê°á”‰ËĄá”ˆ á”›á”ƒËĄá”˜á”‰â€§ áŽčÊłâ€§ áŽ·Êłá”ƒá”‡Ëą á”’âżËĄÊž ˥ᔉᶠᔗ Ê·Ê°á”‰âż á”›â±Ëąâ±á”—â±âżá” Ê°á”’á”˜ÊłËą ʰᔃᔛᔉ á”‰âżá”ˆá”‰á”ˆâ€§ á”‚Ê°á”‰âż ᔗʰᔉ ⁿᔉˣᔗ ᔈᔃʞ ᶜᔃᔐᔉ➎ ᔗʰᔉ á¶œËĄâ±âżâ±á¶œâ±á”ƒâż á¶œá”ƒËĄËĄá”‰á”ˆ áŽčÊłâ€§ áŽ·Êłá”ƒá”‡Ëąâ€§ "áŽ·âżá”’Ê·â±âżá” ʞᔒᔘ ËĄá”’á”’á”á”‰á”ˆ ᔒᔘᔗ á¶ á”’Êł ᔗʰᔉ á”–á”ƒá”—â±á”‰âżá”—âžŽ ᎔ ᔗʰᔒᔘᔍʰᔗ ʞᔒᔘ'ᔈ Ê·á”ƒâżá”— á”—á”’ ˹ᔉᔉ ʰⁱᔐ‧ ᎔ᶠ Ëąá”’ ʞᔒᔘ âżá”‰á”‰á”ˆ á”—á”’ Ê°á”˜ÊłÊłÊžâ€§" ᎔˹ ʰᔉ‧‧‧" "á”†â±ÊłâžŽ á”—Ê°á”‰Êłá”‰'Ëą ⁿᔒ ᔗⁱᔐᔉ á”—á”’ á”‰ËŁá”–ËĄá”ƒâ±âż Ê°â±Ëą Ëąá”—á”ƒá”—á”‰; ⁱᶠ ʞᔒᔘ ᔍᔒ âżá”’Ê·âžŽ ʞᔒᔘ ᔐⁱᔍʰᔗ ʰᔃᔛᔉ ÊČá”˜Ëąá”— á”‰âżá”’á”˜á”Ê° ᔗⁱᔐᔉ á”—á”’ ʰᔃᔛᔉ ᔒⁿᔉ á”á”’Êłá”‰ ᔐᔒᔐᔉⁿᔗ á”ƒËĄá”’âżá”‰ ʷⁱᔗʰ ʰⁱᔐ‧‧‧" to be cont. Pt. 3
new Eugene Krabs/Sheldon J. Plankton plabscore teddycore patientcore time after time
ᔀⁱᔐᔉ á”ƒá¶ á”—á”‰Êł ᔗⁱᔐᔉ pt. 3 âœËąá”–á”’âżá”á”‰á”‡á”’á”‡ á¶ á”ƒâżá¶ â±á¶œâŸ Ê·á”ƒÊłâżâ±âżá” á¶ á”’Êł ᔛⁱᔒ˥ᔉⁿᔗ, á”˜á”–Ëąá”‰á”—á”—â±âżá” á”‚Ê°á”‰âżá¶œá”‰ ᔗʰᔉ á¶œËĄâ±âżâ±á¶œâ±á”ƒâż á¶œá”ƒËĄËĄá”‰á”ˆâžŽ áŽčÊłâ€§ áŽ·Êłá”ƒá”‡Ëą Êłá”˜ËąÊ°á”‰á”ˆ á”—á”’ ᔗʰᔉ Ê°á”‰á”ƒËĄá”—Ê° á¶œá”‰âżá”—Êłá”‰âžŽ Ëąá¶œá”ƒÊłá”‰á”ˆ á¶ á”’Êł ᔗʰᔉ Ê·á”’ÊłËąá”—â€§ "᎔ ᶜᔃᔐᔉ‧‧‧" áŽčÊłâ€§ áŽ·Êłá”ƒá”‡Ëą Ëąá”ƒÊ· áŽŸËĄá”ƒâżá”á”—á”’âż ˹ᔗⁱ˥˥ ˥ⁱᔐᔖ ʷⁱᔗʰ á”—Ê°á”‰â±Êł á¶œá”’âżá¶ á”‰ËąËą ᔃ á”‡á”‰á”ƒÊł Êłâ±á”Ê°á”— ᔇʞ ʰⁱᔐ‧ "áŽčÊłâ€§ áŽ·Êłá”ƒá”‡ËąâžŽ ʷᔉ á”’âżËĄÊž ᔈᔒ ⁱᔗ ᔃ˹ ᔃ ËĄá”ƒËąá”— Êłá”‰Ëąá”’Êłá”—âžŽ ᔇᔘᔗ ⁱᶠ ʰᔉ'Ëą ᔉᔛᔉⁿ á”á”’â±âżá” á”—á”’ Ëąá”˜Êłá”›â±á”›á”‰ ʷᔉ âżá”‰á”‰á”ˆ á”—á”’ ᔗᔃᔏᔉ ᔗʰᔉ Êłâ±Ëąá”; ⁱᔗ'ËĄËĄ á”‰â±á”—Ê°á”‰Êł Ê°á”‰ËĄá”– ʰⁱᔐ➎ á”’Êł ⁱᔗ ᔐⁱᔍʰᔗ ᔇᔉ ᔗʰᔉ á”‰âżá”ˆâ€§â€§â€§" "᎔ á”ˆá”’âż'ᔗ‧‧‧" "ᔆᔒᔐᔉᔗⁱᔐᔉ˹ ⁱᔗ Ê·á”’Êłá”ËąâžŽ ᔇᔘᔗ á”’á”—Ê°á”‰Êł ᔗⁱᔐᔉ˹ ⁱᔗ á¶œá”ƒâż â±ÊłÊłá”‰á”›á”‰ÊłËąâ±á”‡ËĄÊž á”’á”›á”‰ÊłÊ·Ê°á”‰ËĄá” ᔗʰᔉ á”–á”ƒá”—â±á”‰âżá”—â€§ Ꮁᔛᔉⁿ ⁱᶠ ⁱᔗ Ê·á”’Êłá”ËąâžŽ á”—Ê°á”‰Êłá”‰'Ëą ˹ᔗⁱ˥˥ ⁿᔒ á”á”˜á”ƒÊłá”ƒâżá”—á”‰á”‰ ʰᔉ Ê·â±ËĄËĄ ᔇᔉ ᔗʰᔉ Ëąá”ƒá”á”‰â€§â€§â€§" áŽčÊłâ€§ áŽ·Êłá”ƒá”‡Ëą á”‡ËĄâ±âżá”á”‰á”ˆâ€§ "áŽŹá”âżá”‰Ëąâ±á”ƒ Ê·â±ËĄËĄ á”’á¶œá¶œá”˜ÊłâžŽ á”ƒËąËąá”˜á”â±âżá” ʰᔉ Ëąá”˜Êłá”›â±á”›á”‰Ëą; á”—á”’ ʷʰᔃᔗ ᔉˣᔗᔉⁿᔗ➎ á”’âżËĄÊž ᔗⁱᔐᔉ Ê·â±ËĄËĄ ᔗᔉ˥˥‧ ᎎⁱ˹ á”á”‰á”á”’ÊłÊž ᔐⁱᔍʰᔗ ᶜᔒᔐᔉ ᔇᔃᶜᔏ á”‰á”›á”‰âżá”—á”˜á”ƒËĄËĄÊžâžŽ ʞᔒᔘ'ËĄËĄ á”âżá”’Ê· Ê·â±á”—Ê°â±âż ᔗʰᔉ á”‰âżá”ˆ ᔒᶠ ᔗʰᔉ ʷᔉᔉᔏ‧ ᔂʰᔃᔗ'Ëą á”á”’â±âżá” á”—á”’ Ê°á”ƒá”–á”–á”‰âż ⁱ˹ ᔗʰᔉ á”á”‰á”ˆâ±á¶œâ±âżá”‰ Ê·â±ËĄËĄ Ëąá”—á”ƒá”‡â±ËĄâ±Ëąá”‰ ᔗʰᔉ á”‡Êłá”ƒâ±âżâžŽ ᔃⁿᔈ ʰᔉ'ᔈ ᔇᔉ á”‡Êłá”ƒÄ±âż ᔈᔉ́ᔃ́ᔈ ⁱᶠ ʷᔉ ʷᔃⁱᔗ ᔐᔘᶜʰ ËĄá”’âżá”á”‰Êłâ€§â€§â€§" áŽčÊłâ€§ áŽ·Êłá”ƒá”‡Ëą Êłá”‰á”–á”‰á”ƒá”—á”‰á”ˆ ᔗʰᔉ Ê·Ê°á”’ËĄá”‰ á”—Ê°â±âżá” á”’âżá¶œá”‰ ᔗʰᔉ á¶œËĄâ±âżâ±á¶œâ±á”ƒâż ᔍᔃᔛᔉ ᔗʰᔉᔐ Ëąá”–á”ƒá¶œá”‰â€§ "á”‚Ê°á”ƒá”—á”‰á”›á”‰Êł Ê°á”ƒá”–á”–á”‰âżËąâžŽ ᎔ Ê·á”ƒâżá”— ʞᔒᔘ á”—á”’ á”âżá”’Ê· ᎔ á¶œá”ƒÊłá”‰ ᔃᔇᔒᔘᔗ ʞᔒᔘ ᔃⁿᔈ âżá”‰á”›á”‰Êł á”á”‰á”ƒâżá”— á¶ á”’Êł á”ƒâżÊžá”—Ê°â±âżá” á”—á”’ Ê°á”ƒá”–á”–á”‰âż á”—á”’ ʞᔒᔘ‧" ᎏᔗ á¶ â±ÊłËąá”—âžŽ á”‰á”›á”‰ÊłÊžá”—Ê°â±âżá” Ê·á”ƒËą á”ˆá”ƒÊłá”âžŽ á”á”ƒá¶œÊ°â±âżá”‰ÊłÊž á”‡á”‰á”‰á”–â±âżá” ⁿᔒⁱ˹ᔉ˹ á”‰á¶œÊ°á”’â±âżá” ᔇᔘᔗ á”Êłá”ƒá”ˆá”˜á”ƒËĄËĄÊž á”á”‰á”—á”—â±âżá” ËĄá”’á”˜á”ˆá”‰Êłâ€§ ᔀʰᔉ á¶œËĄâ±âżâ±á¶œâ±á”ƒâż ᔈⁱᔈⁿ'á”— Ê·á”ƒâżá”— á”—á”’ á”‡á”’á”á”‡á”ƒÊłá”ˆ ᔗʰᔉ ᔈᔃᶻᔉᔈ á”–á”ƒá”—â±á”‰âżá”— á”’á”›á”‰ÊłÊ·Ê°á”‰ËĄá”â±âżá”ËĄÊžâžŽ ʞᔉᔗ ʰᔉ âżá”’á”—â±á¶œá”‰á”ˆ ʰⁱᔐ Êłá”‰á”›â±á”›â±âżá”â€§ ᔀʰᔉ á¶ â±ÊłËąá”— á”—Ê°â±âżá” ʰᔉ á¶œá”’á”˜ËĄá”ˆ ᔗᔉ˥˥ ᔃ˹ ʰᔉ ËĄá”’á”’á”á”‰á”ˆ á”ƒÊłá”’á”˜âżá”ˆ Ê·á”ƒËą ᔗʰᔉ á¶œá”’âżá¶ á”‰ËąËą ᔃ á”‡á”‰á”ƒÊłâžŽ á”ƒá¶ á”—á”‰Êł Ê°â±Ëą ᔉʞᔉ ᔃᔈÊČá”˜Ëąá”—á”‰á”ˆâ€§ "ᎎⁱ; ʞᔒᔘ'Êłá”‰ ᔃᔗ ᔗʰᔉ Ê°á”‰á”ƒËĄá”—Ê° á¶œá”‰âżá”—Êłá”‰â€§â€§â€§" á”†á”‰á”‰â±âżá” ʰᔉ Ëąá”˜Êłá”›â±á”›á”‰ËąâžŽ ʰᔉ Ê·á”ƒâżá”—á”‰á”ˆ á”—á”’ âżá”’á”—â±á¶ Êž áŽčÊłâ€§ áŽ·Êłá”ƒá”‡Ëąâ€§ "᎔ ᔃᔐ á”ËĄá”ƒá”ˆ ʞᔒᔘ ᶜᔃᔐᔉ ᔒᔘᔗ‧‧‧" áŽŸËĄá”ƒâżá”á”—á”’âż Ëąá”—Êłá”ƒâ±á”Ê°á”—á”‰âżËą Ê°â±á”Ëąá”‰ËĄá¶  ᔘᔖ➎ â±âżá”—á”‰ÊłÊłá”˜á”–á”—â±âżá”â€§ "ᔂʰᔃᔗ'Ëą Ê°á”ƒá”–á”–á”‰âżâ±âżá”â€§â€§â€§" "ʞᔒᔘ ʰᔃᔛᔉ ᔃ á”›â±Ëąâ±á”—á”’Êł; ᎔'ᔐ Ëąá”˜Êłá”‰ ʰᔉ á¶œá”ƒâż Ê°á”‰ËĄá”– ʞᔒᔘ Êłá”‰á”á”ƒâ±âżâ€§â€§â€§" "᎔ á”ˆá”’âż'á”— á”âżá”’Ê· ʷʰ‧‧‧" "᎔'ËĄËĄ ᔇᔉ ᔇᔃᶜᔏ ʷⁱᔗʰ ᔗʰᔉ á”›â±Ëąâ±á”—á”’Êłâ€§" áŽčÊłâ€§ áŽ·Êłá”ƒá”‡Ëą Ëąá”ƒÊ· ᔗʰᔉ á¶œËĄâ±âżâ±á¶œâ±á”ƒâż á¶ â±âżá”ƒËĄËĄÊžâ€§ "ᎎᔉ'Ëą á”á”’â±âżá” á”—á”’ ˥ⁱᔛᔉ➎ ᔇᔘᔗ ⁱ˹ á¶œá”’âżá¶ á”˜Ëąá”‰á”ˆâ€§ ᔆᔗⁱ˥˥ á¶œá”ƒâż ⁿᔒᔗ ᔗᔉ˥˥ ʷʰᔃᔗ ʰᔉ'ᔈ Êłá”‰á”á”‰á”á”‡á”‰Êłâ€§â€§â€§" áŽčÊłâ€§ áŽ·Êłá”ƒá”‡Ëą Ê·á”‰âżá”— ᔃⁿᔈ á¶ á”’ËĄËĄá”’Ê·á”‰á”ˆ ʰⁱᔐ ⁱⁿ ᔗʰᔉ á”ƒÊłá”‰á”ƒ á”–ËĄá”ƒâżá”á”—á”’âż'Ëą Êłá”‰á¶œá”’á”›á”‰Êłâ±âżá” ⁱⁿ‧‧‧ to be cont. Pt. 4
new Eugene Krabs/Sheldon J. Plankton plabscore patientcore wakecore time after time
ᔀⁱᔐᔉ á”ƒá¶ á”—á”‰Êł ᔗⁱᔐᔉ pt. 5 âœËąá”–á”’âżá”á”‰á”‡á”’á”‡ á¶ á”ƒâżá¶ â±á¶œâŸ Ê·á”ƒÊłâżâ±âżá” á¶ á”’Êł ᔛⁱᔒ˥ᔉⁿᔗ, á”˜á”–Ëąá”‰á”—á”—â±âżá” "â™Ș⁻⁻ᔃⁿᔈ ᔗʰᔃᔗ'Ëą Ê·Ê°Êž ʞᔒᔘ'Êłá”‰ ᔐʞ ᶜᔒᔒᔏⁱᔉ⁻ʷᔒᔒᔏⁱᔉ ᔗᔉᔈᔈʞ á”‡á”‰á”ƒÊł!â™Ș" áŽčÊłâ€§ áŽ·Êłá”ƒá”‡Ëą Ëąâ±âżá”Ëą ᔗʰᔉ Ëąá”’âżá” ʰᔉ ᔃⁿᔈ áŽŸËĄá”ƒâżá”á”—á”’âż ᶜᔃᔐᔉ ᔘᔖ ʷⁱᔗʰ ᔃ˹ á¶œÊ°â±ËĄá”ˆÊłá”‰âżâ€§ ᎎᔉ ᶜᔃᔐᔉ á”ƒá¶ á”—á”‰Êł Ê·á”’Êłá” á”—á”’ ᔗʰᔉ ᶜʰᔘᔐ ᔇᔘᶜᔏᔉᔗ‧ "ᎎᔉ'Ëą ËąËĄá”‰á”‰á”–â±âżá” ʷⁱᔗʰ ᔗʰᔉ ˥ⁱᔗᔗ˥ᔉ á”‡á”‰á”ƒÊłâ€§â€§â€§" áŽ·á”ƒÊłá”‰âż á”—á”’ËĄá”ˆ áŽčÊłâ€§ áŽ·Êłá”ƒá”‡Ëąâ€§ "áŽŹâżÊž â±á”á”–Êłá”’á”›á”‰á”á”‰âżá”— ᔗᔒᔈᔃʞ?" "ᔂᔉ˥˥➎ ʰᔉ ᔈⁱᔈ á”ƒËąá” ⁱᶠ ʞᔒᔘ'ᔈ ᔛⁱ˹ⁱᔗ‧‧‧" "᎔ á”ˆá”’âż'á”— Ê·á”ƒâżâżá”ƒ á”ˆâ±Ëąá”—á”˜Êłá”‡ ʰⁱᔐ ⁱᶠ ʰᔉ'Ëą á”á”‰á”—á”—â±âżá” Êłá”‰Ëąá”—; ᎔ á¶œá”ƒâż ᶜʰᔉᶜᔏ ᔒⁿ ᔗʰᔉ Ê·á”‰á”‰á”á”‰âżá”ˆâ€§â€§â€§" áŽčÊłâ€§ áŽ·Êłá”ƒá”‡Ëą á‘«á”˜â±á”‰á”—ËĄÊž â±âżá¶ á”’Êłá”á”‰á”ˆ Ê°á”‰Êł Ëąá”‰á”‰â±âżá” ʰⁱᔐ Ëąâżá”’Êłâ±âżá”/á”ˆÊłá”’á”’ËĄâ±âżá” ᔒⁿ á”—Ê°á”‰â±Êł á”‡á”‰á”ƒÊłâ€§ áŽčÊłâ€§ áŽ·Êłá”ƒá”‡Ëą ᔍᔃᔛᔉ áŽŸËĄá”ƒâżá”á”—á”’âż ᔗⁱᔐᔉ á”—á”’ ᔍᔉᔗ Ê·á”‰ËĄËĄ á”‡á”‰á¶ á”’Êłá”‰ Ëąá”‰á”‰â±âżá” ʰⁱᔐ á”ƒá”á”ƒâ±âż ᔒⁿ ᔗʰᔉ Ê·á”‰á”‰á”á”‰âżá”ˆâ€§ "á¶œá”ƒâż ʷᔉ Ëąâ±âżá” ᔗʰᔉ Ëąá”’âżá”âžŽ á”—á”’á”á”‰á”—Ê°á”‰Êł?" "â™Ș⁻⁻ᔃⁿᔈ ᔗʰᔃᔗ'Ëą Ê·Ê°Êž ʞᔒᔘ'Êłá”‰ ᔐʞ ᶜᔒᔒᔏⁱᔉ⁻ʷᔒᔒᔏⁱᔉ ᔗᔉᔈᔈʞ á”‡á”‰á”ƒÊł!â™Ș" "Ꮀᔒⁿ'á”— á”á”‰á”ƒâż á”—á”’ â±âżá”—á”‰ÊłÊłá”˜á”–á”—âžŽ ᔇᔘᔗ ᎔ á¶œá”ƒâż ᔗⁱᔈʞ ᔘᔖ ᔃ˹ ʞᔒᔘ ᶜᔃᔗᶜʰ ᔘᔖ!" áŽ·á”ƒÊłá”‰âż ˹ᔃⁱᔈ á”ƒá¶ á”—á”‰Êł ᔗʰᔉʞ á¶ â±âżâ±ËąÊ°á”‰á”ˆâ€§ "ʞᔒᔘ Ê·á”ƒâżâżá”ƒ ᔈᔒ ˹ᔒᔐᔉ Ëąá¶œâ±á”‰âżá¶œá”‰?" "áŽșᔃ➎ Ëąá”’ÊłÊłÊžâ€§â€§â€§" "ʞᔒᔘ Ëąá”˜Êłá”‰âžŽ áŽŸËĄá”ƒâżá”á”—á”’âż? ᎔ á”á”‰á”ƒâżâ€§â€§â€§" "ʞᔒᔘ á”âżá”’Ê·âžŽ ᎔ ᶠᔉᔉ˥ ËĄâ±á”á”‰ ᔗʰᔉ á”–á”ƒËąá”— ʷᔉᔉᔏ Ê°á”ƒËą ᔐᔃᔈᔉ ᔐʞ á”—Ê°á”’á”˜á”Ê°á”—Ëą á¶œËĄá”’á”˜á”ˆâ€§â€§â€§" "᎔ á”âżá”’Ê·â€§ ᎔ᔗ'Ëą ᶠⁱⁿᔉ ᔃ˹ ËĄá”’âżá” ᔃ˹ ʞᔒᔘ'Êłá”‰ á”á”‰á”—á”—â±âżá” Ê·á”‰ËĄËĄ!" "Ꮀᔒ ʞᔒᔘ á”âżá”’Ê· ʷʰᔃᔗ Ê·á”‰âżá”— ᔒⁿ➎ á”‡á”‰á¶ á”’Êłá”‰ ᔗʰᔉ Ê°á”‰á”ƒËĄá”—Ê° á¶œá”‰âżá”—Êłá”‰?" "ᎏ Ëąá”‰á”ƒ ÊłÊ°â±âżá”’á¶œá”‰Êłá”’Ëą ᔃᔗᔗᔃᶜᔏ‧‧‧" áŽčÊłâ€§ áŽ·Êłá”ƒá”‡Ëą Ê·á”ƒËą Ëąá”ƒÊžâ±âżá”âžŽ Ê·Ê°á”‰âż áŽŸËĄá”ƒâżá”á”—á”’âż á”—Ê°á”‰âż Ëąá”ƒá”— á”ˆá”’Ê·âżâ€§ "á”‚á”ƒËą ⁱᔗ ᔃᔗ âżâ±á”Ê°á”—?" "Êžá”‰Ëąâ€§â€§â€§" á”†á”˜á”ˆá”ˆá”‰âżËĄÊž Ê°â±Ëą á”á”‰á”á”’ÊłÊž á¶ â±âżá”ƒËĄËĄÊž Ëąá”—á”ƒÊłá”—á”‰á”ˆ á”—á”’ á”Êłá”ƒá”ˆá”˜á”ƒËĄËĄÊž ᶠᔃᔈᔉ ᔇᔃᶜᔏ ⁱⁿ Ê°â±Ëą á”á”‰á”á”’ÊłÊžâ€§ "᎔ âżá”‰á”‰á”ˆ á”—á”’ ᔍᔒ á”—á”’ ᔐʞ á”–ËĄá”ƒá¶œá”‰ ⁱᶠ ʞᔒᔘ âżá”‰á”‰á”ˆ á”ƒâżÊžá”—Ê°â±âżá”â€§â€§â€§" áŽčÊłâ€§ áŽ·Êłá”ƒá”‡Ëą ˹ᔃⁱᔈ➎ áŽŸËĄá”ƒâżá”á”—á”’âż á”‡á”ƒÊłá”‰ËĄÊž á”–á”ƒÊžâ±âżá” á”ƒâżÊž ʰᔉᔉᔈ‧ ᔀʰᔉ ⁿᔉˣᔗ ʷᔉᔉᔏ➎ áŽčÊłâ€§ áŽ·Êłá”ƒá”‡Ëą Ê·á”ƒËą ⁱⁿ Ê°â±Ëą ᔒᶠᶠⁱᶜᔉ ᔃᔗ ᔗʰᔉ á”Êłá”˜Ëąá”—Êž á”Êłá”ƒá”‡ á¶œá”’á”˜âżá”—â±âżá” á”á”’âżá”‰Êž Ê·Ê°á”‰âż ʰᔉ Ëąá”ƒÊ· ᔐᔒᔛᔉᔐᔉⁿᔗ ᔒᔘᔗ ᔗʰᔉ á”ˆá”’á”’Êłâ€§ ᎎᔉ Ê·á”‰âżá”— á”—á”’ ᶠⁱⁿᔈ áŽŸËĄá”ƒâżá”á”—á”’âżâžŽ Ê·Ê°á”’ ËĄá”’á”’á”á”‰á”ˆ á”‡á”‰á”—á”—á”‰Êł á”—Ê°á”ƒâż Ê·Ê°á”‰âż áŽ·Êłá”ƒá”‡Ëą ËĄá”ƒËąá”— Ëąá”ƒÊ· ʰⁱᔐ ËĄá”ƒËąá”— ᔒⁿ ᔗʰᔉ Ê·á”‰á”‰á”á”‰âżá”ˆâ€§ "ᔂʰᔃᔗ‧‧‧" "áŽ·Êłá”ƒá”‡ËąâžŽ ⁱᶠ ʞᔒᔘ á”ˆá”’âż'á”— ˥ᔉᔗ ᔐᔉ ᔗᔃᔏᔉ ᔃ ᎟ᔃᔗᔗʞ á”—Ê°á”‰âż ᔃᔗ ËĄá”‰á”ƒËąá”— á”ˆá”’âż'á”— á¶œÊłá”˜ËąÊ° ᔐᔉ‧‧‧" áŽčÊłâ€§ áŽ·Êłá”ƒá”‡Ëą ËąÊ·â±á”–á”‰á”ˆ ᔗʰᔉ ᔖᔃᔗᔗʞ‧ "᎔'ËĄËĄ ᔗᔃᔏᔉ á”—Ê°â±ËąâžŽ ᔇᔘᔗ ᎔'ËĄËĄ á”ƒËĄËąá”’ ˥ᔉᔗ ʞᔒᔘ ᔍᔒ‧‧‧" "ʞᔒᔘ á”á”‰á”ƒâż ⁱᔗ?" "ᎌᶠ á¶œá”’á”˜ÊłËąá”‰âžŽ ᎔'ᔐ ÊČá”˜Ëąá”— á”ËĄá”ƒá”ˆ ʞᔒᔘ'Êłá”‰ á”‡á”’á”˜âżá¶œâ±âżá” ᔇᔃᶜᔏ á”—á”’ Êłá”˜â±âżâ±âżá” ᔐᔉ‧‧‧" "áŽ±á”˜á”á”‰âżá”‰âžŽ á”—Ê°á”ƒâżá” ʞᔒᔘ á¶ á”’Êł Ê°á”‰ËĄá”–â±âżá” ᔐᔉ á”ƒá¶ á”—á”‰Êł ᔗʰᔉ Ëąá”‰á”ƒ ÊłÊ°â±âżá”’á¶œá”‰Êłá”’Ëą; ⁱᶠ á”ƒâżÊžá”—Ê°â±âżá” â±âżá”—â±á”â±á”ˆá”ƒá”—â±âżá” ʞᔒᔘ ⁱ˹ ᔐʞ ÊČᔒᔇ➎ ⁿᔒᔗ ᔗʰᔉ Ëąá”‰á”ƒ ÊłÊ°â±âżá”’á¶œá”‰Êłá”’Ëą!" "᎔ ËąÊ°á”’á”˜ËĄá”ˆ ᔇᔉ á”—Ê°á”ƒâżá”â±âżá” ʞᔒᔘ➎ ᔇᔘᔗ ᎔ ˹ᔗⁱ˥˥ Ê·á”’âż'á”— ˥ᔉᔗ ʞᔒᔘ ᔍᔉᔗ ᔃʷᔃʞ ʷⁱᔗʰ ᔗʰᔉ ᔖᔃᔗᔗʞ!" "᎔'ᔈ á”‰ËŁá”–á”‰á¶œá”— âżá”’á”—Ê°â±âżá” ˥ᔉ˹˹!" áŽŸËĄá”ƒâżá”á”—á”’âż Ëąá”â±ËĄá”‰á”ˆ ᔃ˹ áŽ±á”˜á”á”‰âżá”‰ ËĄá”ƒá”˜á”Ê°á”‰á”ˆâžŽ á”âżá”’Ê·â±âżá” á”‰á”›á”‰ÊłÊž á”—Ê°â±âżá” Ê·á”’Êłá”á”‰á”ˆ ᔒᔘᔗ‧ end finale
new Eugene Krabs/Sheldon J. Plankton plabscore endcore memorycore time after time
ᔀⁱᔐᔉ á”ƒá¶ á”—á”‰Êł ᔗⁱᔐᔉ pt. 4 âœËąá”–á”’âżá”á”‰á”‡á”’á”‡ á¶ á”ƒâżá¶ â±á¶œâŸ Ê·á”ƒÊłâżâ±âżá” á¶ á”’Êł ᔛⁱᔒ˥ᔉⁿᔗ, á”˜á”–Ëąá”‰á”—á”—â±âżá” "᎔'ËĄËĄ ËĄá”‰á”ƒá”›á”‰ ʞᔒᔘ á”—á”’ á”—á”ƒËĄá”â€§" ᔀʰᔉ á¶œËĄâ±âżâ±á¶œâ±á”ƒâż ˥ᔉᶠᔗ á”—á”’ á¶œá”ƒËĄËĄ áŽ·á”ƒÊłá”‰âżâ€§ "ᔆᔒ➎ ᎔ á”ˆá”’âż'á”— á”âżá”’Ê· ʷʰᔃᔗ ʞᔒᔘ Êłá”‰á¶œá”ƒËĄËĄ á¶ Êłá”’á” ᔗʰᔉ á”’á”—Ê°á”‰Êł ᔈᔃʞ➎ ᔇᔘᔗ ᎔ Ê·á”ƒâżá”—á”‰á”ˆ á”—á”’ á”–Êłá”’á”–á”‰ÊłËĄÊž á”—Ê°á”ƒâżá” ʞᔒᔘ‧‧‧" "á¶ á”’Êł ʷʰᔃᔗ?" "ᔂᔉ˥˥ ᎔ᔐ ⁿᔒᔗ á”‰ËŁá”ƒá¶œá”—ËĄÊž Ëąá”˜Êłá”‰ ⁱᶠ ʞᔒᔘ Êłá”‰á”á”‰á”á”‡á”‰Êł ᔇᔘᔗ ᎔ á”‰âżá¶œá”’á”˜âżá”—á”‰Êłá”‰á”ˆ ᔗʰᔉ Ëąá”‰á”ƒ ÊłÊ°â±âżá”’á¶œá”‰Êłá”’Ëą Ê·Ê°á”’'Ëą âżá”’Ê· á”‡á”‰â±âżá” ᔇʞ ᔗʰᔉ ᶻᔒᔒ‧‧‧" ᔆᔗⁱ˥˥ ËĄá”’á”’á”â±âżá” á”‡ËĄá”ƒâżá” ËĄá”’á”’á”âžŽ áŽčÊłâ€§ áŽ·Êłá”ƒá”‡Ëą ËĄá”ƒá”˜á”Ê°á”‰á”ˆ âżá”‰Êłá”›á”’á”˜ËąËĄÊž ⁿᔒᔗ Ê·á”ƒâżá”—â±âżá” á”—á”’ ᔐᔃᔏᔉ á”˜âżá¶œá”’á”á¶ á”’Êłá”—á”ƒá”‡ËĄá”‰â€§ "᎔ á”‡Êłá”’á”˜á”Ê°á”— ʞᔒᔘ ᔗʰᔉ Ëąá”—á”˜á¶ á¶ á”‰á”ˆ á”‡á”‰á”ƒÊłâ€§â€§â€§" áŽčÊłâ€§ áŽ·Êłá”ƒá”‡Ëą á”á”‰Ëąá”—á”˜Êłá”‰á”ˆ á”—á”’ ⁱᔗ ᔃ˹ áŽŸËĄá”ƒâżá”á”—á”’âż ËĄá”’á”’á”á”‰á”ˆâ€§ "᎞ⁱ˹ᔗᔉⁿ ᎔ á¶œËĄá”’Ëąá”‰á”ˆ ᔐᔉ Êłá”‰Ëąá”—á”ƒá”˜Êłá”ƒâżá”— ᔃⁿᔈ á”ˆá”’âż'á”— á”âżá”’Ê· ⁱᶠ ʞᔒᔘ ᔐⁱⁿᔈ ʷʰᔃᔗ‧‧‧" áŽčÊłâ€§ áŽ·Êłá”ƒá”‡Ëą Ê·á”ƒâżá”—á”‰á”ˆ á”—á”’ á¶œá”’âżâżá”‰á¶œá”— á”—á”ƒËĄá” á”—á”’ ʰⁱᔐ‧ "áŽżá”‰á”á”‰á”á”‡á”‰Êł Ê·Ê°á”‰âż ʷᔉ á”–ËĄá”ƒÊžá”‰á”ˆ ʷⁱᔗʰ ᔗʰᔉ ᔗᔉᔈᔈʞ? 'â™Ș⁻⁻ᔃⁿᔈ ᔗʰᔃᔗ'Ëą Ê·Ê°Êž ʞᔒᔘ'Êłá”‰ ᔐʞ ᶜᔒᔒᔏⁱᔉ⁻ ʷᔒᔒᔏⁱᔉ ᔗᔉᔈᔈʞ á”‡á”‰á”ƒÊł!â™Ș' ᔂᔉ'ᔈ Ëąâ±âżá” ⁱᔗ á”˜âżá”—â±ËĄ ʷᔉ Ê·á”‰Êłá”‰ á”—á”’ËĄá”ˆ ᔗ‧‧‧" "᎔ ÊČá”˜Ëąá”— á”âżá”’Ê· ᎔'ᔐ Ê°á”˜âżá”ÊłÊžâ€§â€§â€§" áŽčÊłâ€§ áŽ·Êłá”ƒá”‡Ëą ˥ᔉᶠᔗ➎ á”—Ê°á”ƒâżá”â±âżá” ᔗʰᔉ á¶œËĄâ±âżâ±á¶œâ±á”ƒâżâ€§ áŽŸá”‰ÊłÊ°á”ƒá”–Ëą ⁱᶠ áŽŸËĄá”ƒâżá”á”—á”’âż'Ëą ⁿᔒ á”–Êłâ±á”’Êł á”âżá”’Ê·ËĄá”‰á”ˆá”á”‰âžŽ Ëąá”—á”ƒÊłá”—â±âżá” á”’á”›á”‰Êł á¶œËĄá”‰á”ƒâż? áŽčÊłâ€§ áŽ·Êłá”ƒá”‡Ëą á¶œá”ƒËĄËĄá”‰á”ˆ Ê°â±Ëą á”‰á”á”–ËĄá”’Êžá”‰á”‰Ëą á”—á”’ ᔗᔉ˥˥ ᔗʰᔉᔐ ʰᔉ'Ëą ᔒᔖᔉⁿ á”—á”’ Ê·á”’Êłá”â€§ ᔀʰᔉ ⁿᔉˣᔗ á”á”’Êłâżâ±âżá”âžŽ ʰᔉ ᔈᔉᶜⁱᔈᔉᔈ á”—á”’ Ëąá”—á”’á”– ᔇʞ ᔗʰᔉ ᶜʰᔘᔐ ᔇᔘᶜᔏᔉᔗ á”‡á”‰á¶ á”’Êłá”‰â€§ áŽ·á”ƒÊłá”‰âż á”’á”–á”‰âżá”‰á”ˆ ᔗʰᔉ á”ˆá”’á”’ÊłâžŽ ËĄá”‰á”—á”—â±âżá” ⁱⁿ áŽčÊłâ€§ áŽ·Êłá”ƒá”‡Ëą ᔗᔒ‧ "ᔀʰᔉ ᔈᔒᶜ ˹ᔃⁱᔈ ⁱᶠ Ê°â±Ëą á”á”‰á”á”’ÊłÊž'Ëą á”—á”’ ᶜᔒᔐᔉ ᔇᔃᶜᔏ➎ ʰᔉ'ËĄËĄ Ëąá”—á”ƒÊłá”— á”—á”’ Êłá”‰á”á”‰á”á”‡á”‰Êł ᔇʞ ᔗʰᔉ Ê·á”‰á”‰á”á”‰âżá”ˆâ€§" áŽčÊłâ€§ áŽ·Êłá”ƒá”‡Ëą á”‰ËŁá”–ËĄá”ƒâ±âżá”‰á”ˆâ€§ ᎎᔉ Ëąá”ƒÊ· áŽŸËĄá”ƒâżá”á”—á”’âż ʷⁱᔗʰ ᔗʰᔉ á”‡á”‰á”ƒÊłâ€§ "á”†á”’ÊłÊłÊž ⁱᶠ ᎔ ᔖᔘᔗ ʞᔒᔘ ᔒⁿ ᔗʰᔉ Ëąá”–á”’á”— Êžá”‰Ëąá”—á”‰Êłá”ˆá”ƒÊžâ€§â€§â€§" áŽŸËĄá”ƒâżá”á”—á”’âż ËĄá”’á”’á”á”‰á”ˆ ᔘᔖ‧ "᎔ ᔍᔒᔗ ᔗʰᔉ ᔗᔉᔈᔈʞ!" ᎎᔉ Êłá”‰á”–ËĄâ±á”‰á”ˆâ€§ ᔆᔒ ʰᔉ'Ëą á”ˆá”‰á¶ â±âżâ±á”—á”‰ËĄÊž ⁿᔒᔗ á”ƒá¶œá”—â±âżá” ËĄâ±á”á”‰ Ê°â±á”Ëąá”‰ËĄá¶  Êłâ±á”Ê°á”— âżá”’Ê·âžŽ ᔇᔘᔗ ⁱᔗ'Ëą Ê°á”ƒÊłá”ˆ á”—á”’ ᔗᔉ˥˥ ʞᔉᔗ ʷʰᔃᔗ Ê·â±ËĄËĄ Ê°á”ƒá”–á”–á”‰âżâ€§ "᎔ ʰᔒᔖᔉ ʞᔒᔘ ᶠᔉᔉ˥ á”‡á”‰á”—á”—á”‰Êł áŽŸËĄá”ƒâżá”á”—á”’âżâ€§â€§â€§" áŽčÊłâ€§ áŽ·Êłá”ƒá”‡Ëą Ëąâ±á”Ê°á”‰á”ˆâžŽ ⁿᔒᔗ Ê·á”ƒâżá”—â±âżá” á”—á”’ ᔍᔉᔗ Ê°â±Ëą Ê°á”’á”–á”‰Ëą ᔘᔖ á”—á”’ ʰⁱᔍʰ‧ "ᎎᔉ'Ëą ˹ᔗⁱ˥˥ Êłá”‰á¶œá”’á”›á”‰Êłâ±âżá”âžŽ ᔃⁿᔈ ᎔ ᔍᔒᔗᔗᔃ Ê·á”’Êłá”; ᔇʞᔉ‧‧‧" áŽčÊłâ€§ áŽ·Êłá”ƒá”‡Ëą ˥ᔉᶠᔗ‧ to be cont. Pt. 5
new Eugene Krabs/Sheldon J. Plankton plabscore bearcore time after time
áŽ·á”ƒÊłá”‰âż ᔗʰᔉ á¶œá”’á”á”–á”˜á”—á”‰Êł ʷⁱᶠᔉ ᔃⁿᔈ Ê°á”‰Êł á”ƒá”›á”‰Êłá”ƒá”á”‰ ᔈᔃʞ âœá”†á”–á”’âżá”á”‰áŽźá”’á”‡ á¶ á”ƒâżá¶ â±á¶œâŸ ᎔ á”ƒÊ·á”ƒá”á”‰âż ᔉᔃᶜʰ á”á”’Êłâżâ±âżá” ᔃᔗ ᔗʰᔉ ᶜʰᔘᔐ ᔇᔘᶜᔏᔉᔗ‧ áŽčÊž Ê°á”˜Ëąá”‡á”ƒâżá”ˆ áŽŸËĄá”ƒâżá”á”—á”’âż'Ëą á”˜Ëąá”˜á”ƒËĄËĄÊž ᔘᔖ á”‡á”‰á¶ á”’Êłá”‰ ᔐᔉ➎ ᔐᔒ˹ᔗ ËĄâ±á”á”‰ËĄÊž Ê·á”’Êłá”â±âżá” ᔒⁿ Ëąá”’á”á”‰á”—Ê°â±âżá” á”’Êł á”’á”—Ê°á”‰Êłâ€§ ᎎⁱ˹ ᔐᔃⁱⁿ á”á”’á”ƒËĄ ⁱ˹ á”—á”’ Êłá”˜âż Ê°â±Ëą á”‰âżá”‰á”Êž ᔒᔘᔗ ᔒᶠ á”‡á”˜Ëąâ±âżá”‰ËąËąâ€§ ᎔ ᶠⁱˣ áŽŸËĄá”ƒâżá”á”—á”’âż á”‡Êłá”‰á”ƒá”á¶ á”ƒËąá”— ᔃⁿᔈ á”—á”‰âżá”ˆ á”—á”’ á”ƒâżÊž ᔒᶠ Ê°â±Ëą á¶œá”’á”á”–ËĄá”ƒâ±âżá”—Ëą ᔗᔒ‧ ᎔ Êłá”‰á”â±âżá”ˆ ʰⁱᔐ á”—á”’ ᔗᔃᔏᔉ ᔒᔘᔗ ᔗʰᔉ á”—Êłá”ƒËąÊ°â€§ ᎔ á”’á”›á”‰Êł ËĄá”’á”’á” Ê°â±Ëą á”–ËĄá”ƒâżËąâ€§ ᎎᔉ á”á”‰á”—Ëą ᔐᔃᔈ á”‰á”ƒËąâ±ËĄÊžâ€§ ᎎᔉ Ê·á”ƒâżá”—Ëą á”—á”’ ᔇᔉ ᔇⁱᔍ á”’Êł ᔃᔗ ËĄá”‰á”ƒËąá”— ⁿᔒᔗ Ëąá”á”ƒËĄËĄâ€§ ᔆᔒ ᎔ á”—ÊłÊž ⁿᔒᔗ á”—á”’ Ëąá”—á”ƒÊłá”— ʰⁱᔐ ᔒᶠᶠ ⁱᶠ ᎔ á”ˆá”’âż'á”— ʰᔃᔛᔉ âżá”‰á”‰á”ˆ ᔗᔒ‧ ᔆᔒᔐᔉᔗⁱᔐᔉ˹ ʷᔉ á”‡â±á¶œá”á”‰Êł ᔇᔘᔗ á”˜Ëąá”˜á”ƒËĄËĄÊž á¶œá”ƒËĄá” á”ˆá”’Ê·âż á”’Êł ᎔ ᔐⁱᔍʰᔗ ᔉᔛᔉⁿ á”‰âżá”ˆ ᔘᔖ á¶ á”’Êłá¶œâ±âżá” ʰⁱᔐ á”’á”˜á”—á”ˆá”’á”’ÊłËąâ€§ áŽŸËĄá”ƒâżá”á”—á”’âż ᔃᔗ ËĄá”˜âżá¶œÊ° ᔗⁱᔐᔉ á”˜Ëąá”˜á”ƒËĄËĄÊž á”á”’á”‰Ëą á”—á”’ ˹ᔉᔉ ᔗʰᔉ ËĄá”˜âżá¶œÊ° Êłá”˜ËąÊ° ᔃᔗ Êłâ±á”›á”ƒËĄ Êłá”‰Ëąá”—á”ƒá”˜Êłá”ƒâżá”— áŽ·Êłá”˜Ëąá”—Êž áŽ·Êłá”ƒá”‡â€§ á”‚Ê°á”‰âż ʰᔉ ᶠᔃⁱ˥˹ ᔃᔗ Ëąá”—á”‰á”ƒËĄâ±âżá” ᔗʰᔉ â±âżá”Êłá”‰á”ˆâ±á”‰âżá”—Ëą ʰᔉ á¶œá”’á”á”‰Ëą ᔇᔃᶜᔏ á”˜á”–Ëąá”‰á”—â€§ "á”€á”’ËĄá”ˆ ʞᔒᔘ Ëąá”’" ᎔'ËĄËĄ á”Êłá”‰á”‰á”— ʰⁱᔐ Ëąá”ƒÊłá¶œá”ƒËąá”—â±á¶œá”ƒËĄËĄÊžâ€§ áŽźá”˜á”— ᎔ ᔈᔒ á”âżá”’Ê· ⁿᔒᔗ á”—á”’ á”–á”˜ËąÊ° ⁱᔗ Ê·Ê°á”‰âżá”‰á”›á”‰Êł ʰᔉ á¶œá”’á”á”‰Ëą ᔇᔃᶜᔏ ⁱⁿ ᔃ á”â±Ëąá”‰Êłá”ƒá”‡ËĄá”‰ Ëąá”—á”ƒá”—á”‰ á”ƒá¶ á”—á”‰Êł á”á”‰á”—á”—â±âżá” á¶œÊłá”˜ËąÊ°á”‰á”ˆâ€§ ᎔ á”—ÊłÊž á”—á”’ Ê°á”‰ËĄá”– ʰⁱᔐ ᔃⁿᔈ ËĄâ±á”Ê°á”—á”‰âż Ê°â±Ëą ᔐᔒᔒᔈ‧ á”‚Ê°á”‰âż ⁱᔗ á”á”‰á”—Ëą á”—á”’ á”‰á”›á”‰âżâ±âżá” ʷᔉ ʰᔃᔛᔉ á”’á”˜Êł á”ˆá”’Ê·âż ᔗⁱᔐᔉ‧ ᔆᔒᔐᔉᔗⁱᔐᔉ˹ ⁱᶠ ʰᔉ Ê·á”ƒâżá”—Ëą á”—á”’ Ëąá”—á”ƒÊž Ê·á”’Êłá”â±âżá” ᔒⁿ Ëąá”’á”á”‰á”—Ê°â±âżá” ᎔ ᔐᔃʞ ᔍᔒ ˹ᔉᔉ ᔐʞ á”á”ƒËĄ á”–á”ƒËĄËąâ€§ áŽŒá”—Ê°á”‰ÊłÊ·â±Ëąá”‰ áŽŸËĄá”ƒâżá”á”—á”’âż á”‰á”ƒá”—Ëą á”ˆâ±âżâżá”‰Êł ʷⁱᔗʰ ᔐᔉ á”—á”’á”á”‰á”—Ê°á”‰Êłâ€§ ᎎᔉ ˥ᔒᔛᔉ˹ ᔐᔒᔛⁱᔉ âżâ±á”Ê°á”— ᔃⁿᔈ ʰᔉ á”á”‰á”—Ëą ᔐᔉ á”—á”’ ᶠⁱⁿᔈ ᔒⁿᔉ‧ á”‚Ê°á”‰âż ⁱᔗ'Ëą ᔗⁱᔐᔉ á¶ á”’Êł ᔇᔉᔈ áŽŸËĄá”ƒâżá”á”—á”’âż ˥ᔉᔗ˹ ᔐᔉ ᔗᔉ˥˥ ʰⁱᔐ ᔍᔒᔒᔈ âżâ±á”Ê°á”— á”—á”˜á¶œá”â±âżá” ʰⁱᔐ ⁱⁿ‧ ᎔ᶠ ᎔'ᔐ ËĄá”˜á¶œá”Êž ʰᔉ'ᔈ ᔍⁱᔛᔉ ᔐᔉ ᔃ ʰᔘᔍ á”’Êł á”â±ËąËą ⁱᶠ ⁱⁿ ᔗʰᔉ ᔐᔒᔒᔈ‧ ᎔ á”âżá”’Ê· ʰᔉ ᔈᔉᔉᔖ á”ˆá”’Ê·âż ˥ᔒᔛᔉ˹ ᔐᔉ ᔇᔘᔗ ʰᔉ'Ëą ⁿᔒᔗ ᔒⁿᔉ á”—á”’ ËąÊ°á”’Ê· ᔐᔘᶜʰ á”ƒá¶ á¶ á”‰á¶œá”—â±á”’âżâ€§ áŽ°á”‰á”–á”‰âżá”ˆâ±âżá” ᔒⁿ Ê°á”’Ê· á”‰ËŁÊ°á”ƒá”˜Ëąá”—â±âżá” ᔗʰᔉ ᔈᔃʞ Ê·á”ƒËąâžŽ ᎔ á¶œá”ƒâż á¶œá”ƒÊłÊłÊž ʰⁱᔐ ˥ⁱᶠᔗ á”—á”’ Ê°â±Ëą ᔇᔉᔈ‧ ᎔ á”ƒËĄËąá”’ á”—ÊłÊž á”—á”’ ᔏᔉᔉᔖ ᑫᔘⁱᔉᔗ Ê·Ê°á”‰âżá”‰á”›á”‰Êł ʰᔉ'Ëą Ê·á”ƒâżá”—â±âżá” á”—á”’ ᔍᔒ ˹˥ᔉᔉᔖ Ëąá”’ ᔃ˹ ⁿᔒᔗ á”—á”’ Êłâ±ËĄá”‰ ʰⁱᔐ ᔘᔖ‧ ᎏᔗ á”’á”—Ê°á”‰Êł ᔗⁱᔐᔉ˹ ʰᔉ'ᔈ ᔇᔉ Ëąá”—á”ƒÊłá”—â±âżá” á”—á”’ Ëąá”’á¶ á”—ËĄÊž Ëąâżá”’Êłá”‰ Ê·Ê°á”‰âżá¶œá”‰ ᎔ ᔗᔉ˥˥ ʰⁱᔐ Ê°á”’Ê· ᎔ ˥ᔒᔛᔉ ʰⁱᔐ‧ ᎏ˹ á¶ á”’Êł Ê·Ê°á”‰âż áŽŸËĄá”ƒâżá”á”—á”’âż'Ëą Ê°á”ƒá”›â±âżá” ᔇᔃᔈ âżâ±á”Ê°á”—á”á”ƒÊłá”‰ËąâžŽ ᎔ á”—ÊłÊž á”—á”’ ᔍᔉᔗ ʰⁱᔐ á”—á”’ Ê·á”ƒá”á”‰âż ᔘᔖ á”á”‰âżá”—ËĄÊž ʷⁱᔗʰᔒᔘᔗ á”—ÊłÊžâ±âżá” á”—á”’ Ëąá”—á”ƒÊłá”—ËĄá”‰ ʰⁱᔐ‧ ᎔ á”—Ê°á”‰âż ᔈᔒ ᔐʞ ᔇᔉ˹ᔗ á”—á”’ Ëąá”’á”’á”—Ê°á”‰ ʰⁱᔐ á¶œá”ƒËĄá”ËĄÊž ⁱⁿ Ê°á”’á”–á”‰Ëą á”—á”’ Êłá”‰ËĄá”ƒËŁ ʰⁱᔐ á”‰âżá”’á”˜á”Ê° á¶ á”’Êł á”—á”’ ᶠᔃ˥˥ ᔇᔃᶜᔏ á”—á”’ ˹˥ᔉᔉᔖ‧ áŽŸËĄá”ƒâżá”á”—á”’âż ᔐⁱᔍʰᔗ ᔇᔉ Êłá”˜á”ˆá”‰ ᔃᔗ ᔗⁱᔐᔉ˹ ᔇᔘᔗ ᎔ á”âżá”’Ê· ʰᔉ á¶œá”ƒâż ᔇᔉ ᔃ ˹ᔒᶠᔗⁱᔉ ⁱⁿ Ê°â±Ëą á”’Ê·âż ʷᔃʞ; ᔃᔗ ᔗʰᔉ á”‰âżá”ˆ ᔒᶠ ᔗʰᔉ ᔈᔃʞ ʷᔉ á”ƒÊłá”‰ á”ƒá¶ á”—á”‰Êł ᔃ˥˥ á”ƒÊ·á”ƒÊłá”‰ ᔐᔘᶜʰ ʷᔉ ˥ᔒᔛᔉ ᔉᔃᶜʰ á”’á”—Ê°á”‰Êłâ€§
new karen plankton bikinibottomcore daycore karen
♡🩀🩠♡
new 🩀 🩠 plabscore ♡
Ꮃᔉᔗ ᔁᔖ 𝐑𝐞𝐚𝐝 𝐭𝐱𝐩𝐞: 𝟏 𝐩𝐱𝐧. âœá”†á”–á”’âżá”á”‰áŽźá”’á”‡ á¶ á”ƒâżá¶ â±á¶œâŸ áŽŸËĄá”ƒâżá”á”—á”’âż'Ëą á¶œá”’á”á”–á”˜á”—á”‰Êł ʷⁱᶠᔉ áŽ·á”ƒÊłá”‰âż ᔍᔒᔗ ᔘᔖ á¶ Êłá”’á” Ê°á”‰Êł Ëąá”‰á”ƒá”— âżá”’á”—â±á¶œâ±âżá” áŽŸËĄá”ƒâżá”á”—á”’âż'Ëą âżá”’Ê· á¶ á”ƒËĄËĄá”‰âż á”ƒËąËĄá”‰á”‰á”– ⁱⁿ á¶œÊ°á”ƒâ±Êłâ€§ ᔆʰᔉ á”á”‰âżá”—ËĄÊž ËąÊ°á”’á”’á” Ê°â±Ëą ËąÊ°á”’á”˜ËĄá”ˆá”‰Êł Ëąâ±á”Ê°á”—ËĄÊž ᔇᔘᔗ ʰᔉ ÊČá”˜Ëąá”— á¶ á”’Êł áŽŸËĄá”ƒâżá”á”—á”’âż ⁿᔒᔗ ᔇᔘᔈᔍᔉ➎ ʷⁱᔗʰ ᔐᔒᔘᔗʰ ᔃÊČá”ƒÊłâ€§ "ʞᔒᔘ ᔍᔒᔗᔗᔃ ᔍᔉᔗ á”—á”’ ᔇᔉᔈ➎ Ëąá”’ ʞᔒᔘ á¶œá”ƒâż á¶œá”’âżá”—â±âżá”˜á”‰ á”—á”’ ˹˥ᔉᔉᔖ‧ ᎔'ËĄËĄ ˥ᔉᔗ ʞᔒᔘ Êłá”‰Ëąá”— á”ƒá¶ á”—á”‰Êłâ€§ á¶œá”ƒâż ʞᔒᔘ ʷᔃᔏᔉ á”‰âżá”’á”˜á”Ê° á”—á”’ ᔍᔉᔗ á”’Êł á”á”˜Ëąá”— ᎔ á¶œá”ƒÊłÊłÊž ʞᔒᔘ?" áŽșá”’á”—Ê°â±âżá”â€§ "áŽłá”˜á”‰ËąËą ᎔'ᔐ á¶œá”ƒÊłÊłÊžâ±âżá” ʞᔒᔘ á”—Ê°á”‰âżâ€§ ᎔'ᔐ ⁿᔒᔗ á”á”’âżâżá”ƒ á”ˆâ±Ëąá”—á”˜Êłá”‡ ʞᔒᔘ ⁱᶠ ⁱᔗ'Ëą Ê°á”ƒÊłá”ˆá”‰Êł á”—á”’ Êłá”’á”˜Ëąá”‰ ʞᔒᔘ Ëąâ±âżá¶œá”‰ ᎔ á¶œá”ƒâż á”‰á”ƒËąâ±ËĄÊž ᔖᔘᔗ ʞᔒᔘ á”ÊžËąá”‰ËĄá¶ â€§â€§" áŽ·á”ƒÊłá”‰âż âżá”’Ê· á”–á”˜á”—Ëą áŽŸËĄá”ƒâżá”á”—á”’âż ⁱⁿ ᔇᔉᔈ➎ Ê·â±á”–â±âżá” Ê°â±Ëą á”ˆÊłá”’á”’ËĄ ᔒᶠᶠ ʰⁱᔐ‧ á”‚Ê°á”‰âż á”á”’Êłâżâ±âżá” ᶜᔃᔐᔉ➎ áŽŸËĄá”ƒâżá”á”—á”’âż ʷᔒᔏᔉ âżá”ƒá”—á”˜Êłá”ƒËĄËĄÊž ᔒⁿ Ê°â±Ëą á”’Ê·âż ᔃ˹ áŽ·á”ƒÊłá”‰âż ᔍᔒᔗ ᔘᔖ‧ "ᔂʰᔃᔗ ᔗⁱᔐᔉ ⁱ˹ ⁱᔗ?" "ᔀⁱᔐᔉ á¶ á”’Êł ᔘ˹ á”—á”’ ᔍᔉᔗ ᔘᔖ!" áŽ·á”ƒÊłá”‰âż á”ƒâżËąÊ·á”‰Êłá”‰á”ˆâ€§
new Karen/Sheldon J. Plankton POV Karen Sleep & Naps sleeping sitting up karen plankton get up
Tʜᎇ AᮄᮄÉȘᮅᮇɮᮛ (SᮘᮏɮɱᮇBᎏʙ ғᎀɎғÉȘᮄ) Mʀ. Kʀᎀʙs ᎍᎏʟᎅᎇᎅ ʜÉȘs sʜᎇʟʟ, ᮀɮᮅ ÉȘᮛ ÉąÊ€áŽ‡áŽĄ ʙᎀᎄᎋ ᮛᮏ Ɏᎏʀᎍᎀʟ. HáŽáŽĄáŽ‡áŽ áŽ‡Ê€, ᎛ʜᎇ ᎍᎏʟᎅᎇᎅ sʜᎇʟʟ ʀᎇᎍᎀÉȘÉŽs ʜᎀᎠᎇ ʙᎇᎇɎ ᮅÉȘsᎄᎏᎠᎇʀᎇᎅ ғᎀᎄᎇ ᮅᮏᮡɮ ʙʏ PʟᎀɎᎋ᎛ᎏɎ ᮀᮛ ᎛ʜᎇ ɱᮏᮏ ÊŸáŽ€ÉąáŽáŽÉŽ ʙᎇᎀᎄʜ. "Kʀᎀʙs?" PʟᎀɎᎋ᎛ᎏɎ sᮀᮡ ʜÉȘs ʟÉȘғᎇʟᎇss sʜᎇʟʟ ᎏ᎜᎛ʟÉȘɮᮇ ʙᎇ sᮡᮇᮘᮛ áŽ€áŽĄáŽ€Ê ʙʏ ᎛ʜᎇ ᮏᮄᮇᮀɮ ᎄ᎜ʀʀᎇɎ᎛, sʟᎀᎍᎍÉȘÉŽÉą ᮀɱᮀÉȘÉŽsᮛ ᮀ ʀᎏᎄᎋ ÉȘÉŽ ᮛᮏ ᎘ÉȘᮇᮄᮇs. Oғ ᎄᎏ᎜ʀsᮇ, PʟᎀɎᎋ᎛ᎏɎ's Ɏᎏ áŽ‹ÉŽáŽáŽĄÊŸáŽ‡áŽ…ÉąáŽ‡ ᎏғ ᎍᎏʟᎅÉȘÉŽÉą. "Eᮜɱᮇɮᮇ! Iғ I'ᮅ ᎏɎʟʏ ᮄᮏᮍᮇ sᎏᎏɎᎇʀ, ʙᎇғᎏʀᎇ..." ʏᎏ᎜ sᮇᮇ PʟᎀɎᎋ᎛ᎏɎ ᮜsᮇᮅ ᮛᮏ ʙᎇ ғʀÉȘᮇɮᮅs ᎥÉȘ᎛ʜ ʜÉȘᎍ ᮀs ᮀ sᎄʜᎏᎏʟʙᎏʏ ʙ᎜᎛ ᎊᎇᎀʟᎏ᎜s ᎇɎᎠʏ ʀ᎜ÉȘɮᮇᮅ ÉȘᮛ. Nᎏʀᎍᎀʟʟʏ, ᮀ sᎇ᎛ʙᎀᎄᎋ ғᎏʀ Kʀᎀʙs áŽĄáŽáŽœÊŸáŽ… ᮍᮀᮋᮇ PʟᎀɎᎋ᎛ᎏɎ ʜᎀ᎘᎘ʏ, ɮᮏᮛ ᮛᮏ ᮍᮇɮᮛÉȘᎏɎ ᮜsÉȘÉŽÉą ÉȘᮛ ᮛᮏ ʜÉȘs ᮀᮅᮠᮀɮᮛᮀɱᮇ. "I ᮅᮏɮ'ᮛ ᮋɮᮏᮡ áŽĄÊœáŽ€áŽ› ᮛᮏ ᮅᮏ ᮀs ʏᎏ᎜'ʀᎇ ɱᮏɮᮇ?" PʟᎀɎᎋ᎛ᎏɎ ᎋɎᎇʟ᎛ ᮅᮏᮡɮ ÉȘÉŽ ᎛ᎇᎀʀs. "I ᮄᮀᮍᮇ ʜᎇʀᎇ ᮛᮏ ʜᎀᎠᎇ sᮏᮍᮇ sᮘᮀᮄᮇ ᮛᮏ ᎛ʜÉȘɮᮋ ᮜᮘ ᮀ sᎄʜᎇᎍᎇ..." Mʀ. Kʀᎀʙs, ᮏᮜᮛ ᎏғ sÉȘÉąÊœáŽ›, sᮀᮡ ʙÉȘᮛs ᎏғ ʜÉȘs sʜᎇʟʟ ᎥÉȘ᎛ʜ PʟᎀɎᎋ᎛ᎏɎ ÉȘÉŽ ᎇᎀʀsʜᎏ᎛. "I ᮋɮᮏᮡ ᮡᮇ'ᮠᮇ ʙᎇᎇɎ ᮀᮛ ÉȘᮛ... I ᮊᮜsᮛ ɎᎇᎠᎇʀ ᎥÉȘsʜᎇᎅ s᎜ᎄʜ ᮀ ᎛ʜÉȘÉŽÉą ᮛᮏ ʜᎀ᎘᎘ᎇɎ!" Mʀ. Kʀᎀʙs ʟᎇғ᎛ ᎄᎏɎғʟÉȘᮄᮛᮇᮅ. Rᎇ᎛᎜ʀɎÉȘÉŽÉą, PʟᎀɎᎋ᎛ᎏɎ ᎛ʀÉȘᮇᮅ ɮᮏᮛ ᮛᮏ ÉąÊŸáŽ€ÉŽáŽ„áŽ‡ ᮀᮛ ᎛ʜᎇ ʀᎇs᎛ᎀ᎜ʀᎀɎ᎛ ᎀᎄʀᎏss ᎛ʜᎇ ʀᎏᎀᎅ. "SʜᎇʟᎅᎏɎ, ʏᎏ᎜'ᮠᮇ ʙᎇᎇɎ ɱᮏɮᮇ ғᎏʀ s᎜ᎄʜ ᮀ ÊŸáŽÉŽÉą ᮛÉȘᮍᮇ..." KᎀʀᎇɎ ɮᮏᮛÉȘᮄᮇᮅ PʟᎀɎᎋ᎛ᎏɎ ʟᎏᎏᎋÉȘÉŽÉą sᮀᮅ. "ʏᎏ᎜ ᮄᮀɮ ᎛ᎀʟᎋ ᮛᮏ ᮍᮇ ᮏɮᮄᮇ ʏᎏ᎜'ʀᎇ ʀᎇᎀᎅʏ..." "I ɮᮇᮇᮅ ᮛÉȘᮍᮇ ᮛᮏ ᎘ʀᎏᎄᎇss sᎏᎍᎇ᎛ʜÉȘÉŽÉą, ʙ᎜᎛ ᎘ᎇʀʜᎀ᎘s ʟᎀ᎛ᎇʀ." PʟᎀɎᎋ᎛ᎏɎ ᮡᮀs ᮜᮘ ᎀʟʟ ÉŽÉȘÉąÊœáŽ› ᮀᮛ ᎛ʜᎇ áŽ‹ÉŽáŽáŽĄÊŸáŽ‡áŽ…ÉąáŽ‡ ᎏғ ʙᎇÉȘÉŽÉą ᎛ʜᎇ ᎏɎʟʏ ᮏɮᮇ ᮛᮏ sᮇᮇ ᎛ʜᎇ sʜᎇʟʟ ᎄʀᎀsʜ ᮀɱᮀÉȘÉŽsᮛ ᎛ʜᎇ ʙᎏ᎜ʟᎅᎇʀ. "I'ᎍ ɱᮏɮɮᮀ ɱᮏ ʙᎀᎄᎋ ᮛᮏ ᎛ʜᎇ ʙᎇᎀᎄʜ..." PʟᎀɎᎋ᎛ᎏɎ ᎛ᎏʟᎅ KᎀʀᎇɎ ᎛ʜᎇ ɮᮇxᮛ ᎍᎏʀɎÉȘÉŽÉą. "Pᎇʀʜᎀ᎘s sᎏᎍᎇ᎛ʜÉȘÉŽÉą ᎏᎄᎄ᎜ʀʀᎇᎅ ᎥÉȘ᎛ʜ Kʀᎀʙs..." KᎀʀᎇɎ ᮡᮇɮᮛ ᮛᮏ Mʀ. Kʀᎀʙs ᮛᮏ sᮇᮇ ÉȘғ ʜᎇ'ᮅ ᮋɮᮏᮡ... "I ᎍᎏʟᎅ ᮍᮇ sʜᎇʟʟ..." Mʀ. Kʀᎀʙs ᮇx᎘ʟᎀÉȘɮᮇᮅ ᮛᮏ KᎀʀᎇɎ ᮀs ʜᎇ ᎘ʀᎏᎄᎇᎇᎅᎇᎅ ᮛᮏ ᎛ᎇʟʟ ʜᎇʀ áŽĄÊœáŽ€áŽ› ʜᎇ ᎥÉȘᮛɮᮇssᮇᮅ. "Hᮇ ᮡᮇɮᮛ ᮛᮏ ᎛ʜᎇ ʙᎇᎀᎄʜ..." "I'ʟʟ ɱᮏ sᮇᮇ ᮛᮏ ʜÉȘᎍ." Mʀ. Kʀᎀʙs sᮀÉȘᮅ. Kʀᎀʙs ᎀʀʀÉȘᮠᮇᮅ ᮛᮏ ғÉȘɮᮅ PʟᎀɎᎋ᎛ᎏɎ ᮘᮜᮛᮛÉȘÉŽÉą Ò“ÊŸáŽáŽĄáŽ‡Ê€s ÉȘÉŽ ᎛ʜᎇ ᮏᮄᮇᮀɮ áŽĄÊœáŽ‡Ê€áŽ‡ ᎛ʜᎇ ᎄʀᎀsʜ ᮡᮇɮᮛ ᮅᮏᮡɮ. Lᎀʀʀʏ ᎛ʜᎇ Lᎏʙs᎛ᎇʀ ᎛ʜᎇɎ ᎀʀʀÉȘᮠᮇᮅ ʜÉȘs sʜÉȘғ᎛ ᮀs ᮀ ʟÉȘÒ“áŽ‡ÉąáŽœáŽ€Ê€áŽ…. WʜÉȘʟsᮛ ᎛ʜᎇ ᮛᮡᮏ ÉąÊ€áŽ‡áŽ‡áŽ›áŽ‡áŽ… ᎇᎀᎄʜ ᎏ᎛ʜᎇʀ PʟᎀɎᎋ᎛ᎏɎ ᮡᮀs ʜÉȘᮛ ʙʏ ᮀ ᮡᮀᮠᮇ, ʀᎇɎᎅᎇʀᎇᎅ ʜᎇʟ᎘ʟᎇss. Kʀᎀʙs sᮀᮡ ʜÉȘᎍ ɱᮇᮛ ᎛ʀᎀ᎘᎘ᎇᎅ ᎜Ɏᎅᎇʀ ᎛ʜᎇ ᎄ᎜ʀʀᎇɎ᎛. "SʜᎇʟᎅᎏɎ..." Aғ᎛ᎇʀ sᮇᮇÉȘÉŽÉą Mʀ. Kʀᎀʙs ᮘᮏÉȘɮᮛ ᮏᮜᮛ Lᎀʀʀʏ ᮅÉȘᮠᮇᮅ ÉȘÉŽ ᎛ʜᎇ áŽĄáŽ€áŽ›áŽ‡Ê€ sᮀᮠÉȘÉŽÉą PʟᎀɎᎋ᎛ᎏɎ ғʀᎏᎍ ʙᎇÉȘÉŽÉą ʟᎏsᮛ ᮀᮛ sᮇᮀ. HáŽáŽĄáŽ‡áŽ áŽ‡Ê€, PʟᎀɎᎋ᎛ᎏɎ ᮅÉȘᮅɮ'ᮛ ᮡᮀᮋᮇ ᮜᮘ ғᎏʀ Lᎀʀʀʏ. "I'ᮠᮇ ᮅᮏɮᮇ ᎀʟʟ I ᮄᮀɮ..." Lᎀʀʀʏ sᮀÉȘᮅ. "I'ʟʟ ᎄᎀʟʟ SᎀɎᎅʏ!" Mʀ. Kʀᎀʙs sᮀÉȘᮅ ᮋɮᮏᮡÉȘÉŽÉą sʜᎇ ʜᎀᎅ ᎛ʜᎇ áŽ‹ÉŽáŽáŽĄÊŸáŽ‡áŽ…ÉąáŽ‡ ᮛᮏ ᮘᮏssÉȘʙʟʏ ʜᎇʟ᎘. SᎀɎᎅʏ ᮄᮀᮍᮇ ᮀɮᮅ ᎄᎀʟʟᎇᎅ KᎀʀᎇɎ ᎏɎ ᎛ʜᎇ áŽĄáŽ€Ê. KᎀʀᎇɎ sᮄᮀɮɮᮇᮅ ʜÉȘᎍ ғᎏʀ ᎀɎʏ ÉȘɎ᎛ᎇʀɎᎀʟ ᮅᮀᮍᮀɱᮇ ᮀs sᎀɎᎅʏ ᎛ʀÉȘᮇᮅ ᮛᮏ ʀᎇᎠÉȘᮠᮇ ʜÉȘᎍ. "I ғᎏ᎜Ɏᎅ ʜÉȘs ÊŸáŽ‡Éą ʜÉȘᮛ ᮀɱᮀÉȘÉŽsᮛ ᎛ʜᎇ ʀᎏᎄᎋ ᎥÉȘ᎛ʜ áŽ‡ÉŽáŽáŽœÉąÊœ ғᎏʀᎄᎇ ᮛᮏ ғʀᎀᎄ᎛᎜ʀᎇ... GᮇᮛᮛÉȘÉŽÉą Ê™áŽ€ÉŽáŽ…áŽ€ÉąáŽ‡s, ᎛ʜᎇʏ ʟᎇ᎛ Kʀᎀʙs ʜᎀᎠᎇ ᮀ ᮍᮏᮍᮇɮᮛ ᎀʟᎏɎᎇ ᎥÉȘ᎛ʜ ʜÉȘᎍ ᮊᮜsᮛ ÉȘÉŽ ᮄᮀsᮇ... Aғ᎛ᎇʀ ʙᎇÉȘÉŽÉą ᮏᮜᮛ ᎄᎏʟᎅ, PʟᎀɎᎋ᎛ᎏɎ ᮡᮀs sÊœáŽáŽĄÉȘÉŽÉą sÉȘɹɎs ᎏғ ʀᎇᎄᎏᎠᎇʀʏ. ғᎇᎇʟÉȘÉŽÉą ʙᎏᎍʙᎀʀᎅᎇᎅ, ʜᎇ ᎛ʀÉȘᮇᮅ ᮛᮏ ᮍᮏᮠᮇ áŽĄÊœáŽ‡ÉŽ ᮘᮀÉȘÉŽ áŽáŽ áŽ‡Ê€áŽĄÊœáŽ‡ÊŸáŽáŽ‡áŽ… ʜÉȘᎍ. "Eʜ... " "Rᎇᎀᎅʏ ᮛᮏ ɱᮏ ʜᎏᎍᎇ?" KᎀʀᎇɎ ᮛᮏᮏᮋ ʜÉȘᎍ ʙᎀᎄᎋ ᮛᮏ ᎛ʜᎇ ᎄʜ᎜ᎍ ʙ᎜ᎄᎋᎇ᎛. KᎀʀᎇɎ ʜᎇʟ᎘ᎇᎅ sᮛÉȘʟʟ ᮅÉȘsᎄᎏɎᎄᎇʀ᎛ᎇᎅ PʟᎀɎᎋ᎛ᎏɎ ÉȘÉŽ ᮛᮏ sᮇᮀᮛ. "Kʀᎀʙs ᎍᎏʟᎅᎇᎅ ʜÉȘs sʜᎇʟʟ; áŽĄÊœáŽ€áŽ› ʏᎏ᎜ ᮍᮜsᮛ ʜᎀᎠᎇ sᮇᮇɮ ᮡᮀs áŽĄÊœáŽ€áŽ› ʜᎇ sʜᎇᎅ..." KᎀʀᎇɎ ᮇx᎘ʟᎀÉȘɮᮇᮅ, ʟᎇ᎛᎛ÉȘÉŽÉą Sᮘᮏᮛ ᎛ʜᎇ ᮘᮇᮛ ᎀᎍᎏᎇʙᎀ ᎘᎜᎘᎘ʏ s᎛ᎀʏ ʙʏ ʜÉȘᎍ. "Is ʜᎇ ғᎇᎇʟÉȘÉŽÉą ᎀɎʏ ʙᎇ᎛᎛ᎇʀ?" Asᮋᮇᮅ Kʀᎀʙs ᎠÉȘsÉȘᮛÉȘÉŽÉą ʜÉȘᎍ ᎛ʜᎇ sᮀᮍᮇ ᎀғ᎛ᎇʀɎᎏᎏɎ. PʟᎀɎᎋ᎛ᎏɎ ᮀɮᮅ Sᮘᮏᮛ áŽĄáŽ‡Ê€áŽ‡ sᮛÉȘʟʟ ʀÉȘÉąÊœáŽ› áŽĄÊœáŽ‡Ê€áŽ‡ ᎛ʜᎇʏ áŽĄáŽ‡Ê€áŽ‡, ɱᮇᮛᮛÉȘÉŽÉą ʀᎇsᮛ. "Sᮏᮜɮᮅs ʟÉȘᮋᮇ ᎛ʜᎇʏ ᮍᮜsᮛ'ᮠᮇ ᮅᮏ᮱ᮇᮅ..." KᎀʀᎇɎ ᎏʙsᎇʀᎠᎇᎅ ʜᎇᎀʀÉȘÉŽÉą ᎛ʜᎇ ᎏ̚᎜ÉȘᮇᮛ s᎛ᎇʀ᎛ᎏʀs ᎏғ ʜᎇʀ ʜ᎜sʙᎀɎᎅ ᎥÉȘ᎛ʜ ᎛ʜᎇ ᎀᎍᎏᎇʙᎀ ᎘᎜᎘᎘ʏ. Mʀ. Kʀᎀʙs sᮀᮡ PʟᎀɎᎋ᎛ᎏɎ's ᎀʀᎍ ᎀʀᎏ᎜Ɏᎅ Sᮘᮏᮛ, ÊŸáŽ‡Éą ᎇʟᎇᎠᎀ᎛ᎇᎅ. "I'ᮠᮇ Ê™Ê€áŽáŽœÉąÊœáŽ› ᮀ ÉąÉȘғ᎛ ғᎏʀ PʟᎀɎᎋ᎛ᎏɎ..." KᎀʀᎇɎ ᮡᮀs ʜᎀɎᎅᎇᎅ ᮀ Kʀᎀʙʙʏ Pᎀ᎛᎛ʏ. "Iᮛ's ғᎏʀ PʟᎀɎᎋ᎛ᎏɎ ᮛᮏ ʜᎀᎠᎇ ᮀɮᮅ ᎇɎᎊᎏʏ, sᮀᮠᮇ ÉȘᮛ ғᎏʀ ʜÉȘᎍ..." Mʀ. Kʀᎀʙs ᮡᮀs ʜᎀ᎘᎘ʏ ᮛᮏ ʟᎇᎀᎠᎇ ʜÉȘᎍ ᎥÉȘ᎛ʜ ÉȘᮛ.
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ᔆⁱᔈᔉ ᔇʞ Ëąâ±á”ˆá”‰ âœá”†á”–á”’âżá”á”‰áŽźá”’á”‡ á¶ á”ƒâżá¶ â±á¶œâŸ áŽŒâż ᔗʰᔉ Êłá”’á”’á¶  ᔒᶠ ᔗʰᔉ ᶜʰᔘᔐ ᔇᔘᶜᔏᔉᔗ➎ áŽŸËĄá”ƒâżá”á”—á”’âż á”—Ê°Êłá”‰Ê· ᔗʰᔉ á”Êłá”ƒá”–á”–ËĄâ±âżá” ʰᔒᔒᔏ ᔃ˹ ⁱᔗ ᔃᔗᔗᔃᶜʰᔉᔈ á”—á”’ ᔗʰᔉ Êłá”’á”’á¶  ᔒᶠ ᔗʰᔉ á”Êłá”˜Ëąá”—Êž á”Êłá”ƒá”‡â€§ á”†á”‰á¶œá”˜Êłâ±âżá” ⁱᔗ➎ áŽŸËĄá”ƒâżá”á”—á”’âż Ê·á”‰âżá”— ᔃⁿᔈ ᔍᔒᔗ ᶻⁱᔖ ˥ⁱⁿᔉ á”á”‰á¶œÊ°á”ƒâżâ±Ëąá” ᔃ˹ ʰᔉ ÊČᔘᔐᔖᔉᔈ ËąËĄâ±á”ˆâ±âżá” ᔒⁿ á”ˆá”’Ê·âżâ€§ áŽčÊłâ€§ áŽ·Êłá”ƒá”‡Ëą Ëąá”ƒÊ· ʰⁱᔐ ᔃᔇᔒᔛᔉ ᔗʰᔉ Êłá”’á”ƒá”ˆ Ê·Ê°á”‰âż Ëąá”‰á”‰â±âżá” ᔗʰᔉ Êłá”’á”–á”‰ Ëąá”—Êłâ±âżá” ʰᔉ Ëąá”‰á”›á”‰Êłá”‰á”ˆ ⁱᔗ‧ á¶ á”ƒËĄËĄâ±âżá” á”ˆá”’Ê·âż Ê°á”‰á”ƒá”ˆá¶ â±ÊłËąá”—âžŽ áŽŸËĄá”ƒâżá”á”—á”’âż ʰⁱᔗ ᔗʰᔉ Ê°á”ƒÊłá”ˆ á¶œá”‰á”á”‰âżá”— á”’âżá¶œá”‰ ʰᔉ ᶠᔉ˥˥ á”ˆá”’Ê·âżâ€§ áŽŸËĄá”ƒâżá”á”—á”’âż'Ëą ᔛⁱ˹ⁱᔒⁿ á”‡ËĄá”˜ÊłÊłá”‰á”ˆ ᔃⁿᔈ ᶠᔃᔈᔉᔈ ⁱⁿᔗᔒ âżá”’á”—Ê°â±âżá”âżá”‰ËąËąâžŽ á”˜âżá¶œá”’âżËąá¶œâ±á”’á”˜Ëąâ€§ á”†á”–á”’âżá”á”‰á”‡á”’á”‡ ʷᔃᔗᶜʰᔉᔈ ⁱᔗ ᔃ˥˥ á”˜âżá¶ á”’ËĄá”ˆ Ê°á”‰ËĄá”–ËĄá”‰ËąËąËĄÊžâ€§ áŽčÊłâ€§ áŽ·Êłá”ƒá”‡Ëą á¶ Êłá”’á¶»á”‰ ᔃ˹ á”†á”–á”’âżá”á”‰á”‡á”’á”‡ Ê·á”‰âżá”— á”—á”’ áŽŸËĄá”ƒâżá”á”—á”’âż'Ëą ˹ᔗⁱ˥˥ á¶ á”’Êłá” á”ƒá¶ á”—á”‰Êł ᔗʰᔉ á”ƒá”–á”–á”ƒÊłá”ƒá”—á”˜Ëą ʰⁱᔗ áŽŸËĄá”ƒâżá”á”—á”’âż'Ëą ʰᔉᔃᔈ‧ áŽčÊłâ€§ áŽ·Êłá”ƒá”‡Ëą ᔇᔃᶜᔏᔉᔈ ᔃʷᔃʞ ᔇᔃᶜᔏ ⁱⁿᔗᔒ Ê°â±Ëą á”’Ê·âż Êłá”‰Ëąá”—á”ƒá”˜Êłá”ƒâżá”— ËĄá”‰á”ƒá”›â±âżá” á”†á”–á”’âżá”á”‰á”‡á”’á”‡ ʷⁱᔗʰ áŽŸËĄá”ƒâżá”á”—á”’âżâ€§ ᎎⁱ˹ á¶œá”’á”á”ƒá”—á”’Ëąá”‰ ᔇᔒᔈʞ ˹ᔗⁱ˥˥ á¶œá”’á”˜ËĄá”ˆ á”‡Êłá”‰á”ƒá”—Ê°á”‰ ᔃⁿᔈ Ê°á”‰á”ƒÊłá”— ᔇᔉᔃᔗ Ëąá”–á”’âżá”á”‰á”‡á”’á”‡ ᔐᔃᔈᔉ Ëąá”˜Êłá”‰â€§ áŽŸËĄá”ƒâżá”á”—á”’âż ᔈⁱᔈⁿ'á”— ËąÊ°á”’Ê· ᔐᔘᶜʰ â±âżá”ˆâ±á¶œá”ƒá”—â±á”’âż ᔒᶠ ˥ⁱᶠᔉ á”’á”—Ê°á”‰ÊłÊ·â±Ëąá”‰âžŽ âżá”’Êł á¶œá”’á”˜ËĄá”ˆ ʰᔉ á”ƒá¶œá”âżá”’Ê·ËĄá”‰á”ˆá”á”‰ Ëąá”˜ÊłÊłá”’á”˜âżá”ˆâ±âżá”Ëą ᔃ˹ ᔈᔉᔃᔈ á”—á”’ ᔗʰᔉ Ê·á”’ÊłËĄá”ˆ ʷⁱᔗʰᔒᔘᔗ á”‡á”‰â±âżá” á”ƒá¶œá”—á”˜á”ƒËĄËĄÊž ᔈᔉᔃᔈ‧ á”†á”–á”’âżá”á”‰á”‡á”’á”‡ á¶œá”’á”˜ËĄá”ˆâż'á”— ᔍᔉᔗ ʰⁱᔐ á”—á”’ Êłá”‰á”ƒá¶œá”— á”’Êł ᔈᔒ á”ƒâżÊžá”—Ê°â±âżá”âžŽ ᔉᔛᔉⁿ á”ƒá¶ á”—á”‰Êł á”—ÊłÊžâ±âżá” á”—á”’ Ëąá‘«á”˜á”‰á”‰á¶»á”‰ Ê°â±Ëą Ê°á”ƒâżá”ˆâ€§ "ᔂᔉ ᔍᔒᔗᔗᔃ ᔍᔉᔗ ʰⁱᔐ ᔒᔘᔗ ᔒᶠ ᔗʰᔉ Ëąá”—Êłá”‰á”‰á”— ᔃᔗ ËĄá”‰á”ƒËąá”—â€§â€§" á”†á”–á”’âżá”á”‰á”‡á”’á”‡ Ëąá”ƒâ±á”ˆâ€§ ᎎᔉ á”âżá”‰Ê· á”†á”ƒâżá”ˆÊž ᔃⁿᔈ áŽ·á”ƒÊłá”‰âż Ê·á”‰Êłá”‰ Ê°á”ƒá”›â±âżá” ᔃ âżâ±á”Ê°á”— ᔒᔘᔗ➎ Ëąá”’ ʰᔉ ˹ᔉᔗ ʰⁱᔐ ᔒⁿ ᔗʰᔉ ᶜᔒᔘᶜʰ ᔃ˹ Ëąá”–á”’á”— ᔗʰᔉ ᔃᔐᔒᔉᔇᔃ ᔖᔘᔖᔖʞ á”—Êłá”’á”—Ëą á”’á”›á”‰Êłâ€§ ᔆᔖᔒᔗ Ê·Ê°â±á”á”–á”‰Êłá”‰á”ˆ ᔃⁿᔈ ᔍᔃᔛᔉ áŽŸËĄá”ƒâżá”á”—á”’âż á”â±ËąËąá”‰Ëą ᔇᔘᔗ ʰᔉ ᔈⁱᔈⁿ'á”— Êłá”‰Ëąá”–á”’âżá”ˆ á”—á”’ Ëąá”–á”’á”—Ëą ËĄâ±á¶œá”â±âżá” ⁱⁿ ᔗʰᔉ ËąËĄâ±á”Ê°á”—á”‰Ëąá”—! "᎔'ᔛᔉ á”‡Êłá”’á”˜á”Ê°á”— ʞᔒᔘ á”—á”’ ᔗʰᔉ á¶œá”’á”á¶ á”’Êłá”— ᔒᶠ Êžá”’á”˜Êł ʰᔒᔐᔉ‧‧" á¶œÊłâ±á”‰á”ˆ á”†á”–á”’âżá”á”‰á”‡á”’á”‡â€§ á”†á”ƒâżá”ˆÊž á”—á”’ËĄá”ˆ Ëąá”–á”’âżá”á”‰á”‡á”’á”‡ á”‰á”ƒÊłËĄâ±á”‰Êł ᔃᔇᔒᔘᔗ ᔗʰᔉ á”â±ÊłËĄËą âżâ±á”Ê°á”— ᔃⁿᔈ á”—á”’ ⁿᔒᔗ â±âżá”—á”‰ÊłÊłá”˜á”–á”—âžŽ ᔇᔘᔗ ʰᔉ á”—á”‰ËŁá”—á”‰á”ˆ 'Ëąá”’ÊłÊłÊž á”—á”’ á”‡á”’á”—Ê°á”‰Êł ʞᔒᔘ ᔇᔘᔗ ʞᔒᔘ âżá”‰á”‰á”ˆ á”—á”’ á”âżá”’Ê· Êžá”’á”˜Êł Ê°á”˜Ëąá”‡á”ƒâżá”ˆ ⁱ˹ ⁱⁿ ˹ᔉⁿ˹ᔉ˥ᔉ˹˹ ᶜᔒᔐᔃ' Ëąá”–á”’âżá”á”‰á”‡á”’á”‡ á”—á”‰ËŁá”—á”‰á”ˆ áŽ·á”ƒÊłá”‰âżâ€§ á”†á”–á”’âżá”á”‰á”‡á”’á”‡ á”ˆá”‰Ëąá”–á”‰Êłá”ƒá”—á”‰ á”‰âżá”’á”˜á”Ê° á”—á”’ Êłá”‰á”ƒá”ˆ ᔗʰᔉ ᔖᔃᔗᔗʞ â±âżá”Êłá”‰á”ˆâ±á”‰âżá”—Ëą á”—á”’ áŽŸËĄá”ƒâżá”á”—á”’âż ᔇᔘᔗ ʰᔉ ˹ᔗⁱ˥˥ ᔈⁱᔈⁿ'á”— á¶ ËĄâ±âżá¶œÊ° á”’Êł ËąÊ°á”’Ê· ᔐᔒᔛᔉᔐᔉⁿᔗ‧ ᔆᔖᔒᔗ ËĄá”’á”’á”á”‰á”ˆ ᔃᔗ Ê°â±Ëą á”’Ê·âżá”‰Êłâ€§ "᎔ á”âżá”’Ê· ⁱᔗ'Ëą ᔇᔃᔈ ᔆᔖᔒᔗ ᔇᔘᔗ ʰᔉ Ê·á”’âż'á”— ʷᔃᔏᔉ ᔘᔖ!" á”†á”–á”’âżá”á”‰á”‡á”’á”‡ ᶠᔉ˥ᔗ Ê°â±Ëą á”—á”‰á”ƒÊłËą Ëąá”—Êłá”‰á”ƒá” á”ˆá”’Ê·âżâ€§ "᎔ Ê·á”’âż'á”— ᔍⁱᔛᔉ ᔘᔖ ᔒⁿ➎ ᎔ á”âżá”’Ê· ʞᔒᔘ'Êłá”‰ Ëąá”’á”á”‰Ê·Ê°á”‰Êłá”‰ ⁱⁿ‧‧" á”†á”’á”‡á”‡â±âżá” ᔃⁿᔈ á”–á”ƒá”—á”—â±âżá” áŽŸËĄá”ƒâżá”á”—á”’âż'Ëą á”ƒÊłá” á”†á”–á”’âżá”á”‰á”‡á”’á”‡ ᔈⁱᔈⁿ'á”— ËĄá”‰á”ƒá”›á”‰ Ê°â±Ëą Ëąâ±á”ˆá”‰â€§ áŽčá”‰á”ƒâżÊ·Ê°â±ËĄá”‰ áŽ·á”ƒÊłá”‰âż ᔃⁿᔈ Ëąá”ƒâżá”ˆÊž Ê·á”‰Êłá”‰ á¶œÊ°á”ƒá”—á”—â±âżá”â€§ "áŽșá”’á”—â±á¶ â±á¶œá”ƒá”—â±á”’âż á¶ Êłá”’á” á”†á”–á”’âżá”á”‰á”‡á”’á”‡â€§â€§â€§" "᎔ á”—á”’ËĄá”ˆ ʰⁱᔐ ᎔'ᔈ Ëąâ±ËĄá”‰âżá¶œá”‰ ᔐʞ á”–Ê°á”’âżá”‰! ᎌʰ Ê°á”’Ê· á”ˆá”ƒÊłá”‰ ʰᔉ‧‧‧" á”†á”ƒâżá”ˆÊž Ëąá”—á”ƒÊłá”—á”‰á”ˆ ᔇᔘᔗ Ëąá”—á”’á”–Ëą ᔃ˹ áŽ·á”ƒÊłá”‰âż'Ëą á”‰ËŁá”–Êłá”‰ËąËąâ±á”’âż á¶œÊ°á”ƒâżá”á”‰á”ˆâ€§ "á”†á”’á”á”‰á”—Ê°â±âżá” á”á”˜Ëąá”— ᔇᔉ Ê·Êłá”’âżá”â€§â€§â€§ áŽŸËĄá”ƒâżá”á”—á”’âż'Ëą Ê°á”˜Êłá”—â€œ á”†á”’á”á”‰á”—Ê°â±âżá” ᔇᔃᔈ á”á”˜Ëąá”—'ᔛᔉ Ê°á”ƒá”–á”–á”‰âżá”‰á”ˆâ€§" á”†á”ƒâżá”ˆÊž á¶ á”’ËĄËĄá”’Ê·á”‰á”ˆ áŽ·á”ƒÊłá”‰âż á”—á”’ ᔗʰᔉ ᶜʰᔘᔐ ᔇᔘᶜᔏᔉᔗ‧ "á”‚Ê°á”‰Êłá”‰'Ëą áŽŸËĄá”ƒâżá”á”—á”’âż?" ᔀʰᔉʞ Ëąá”ƒÊ· Ëąá”–á”’á”— ᔃ˹ ʰᔉ á”‡á”ƒÊłá”á”‰á”ˆ ˹ᔗⁱ˥˥ ᔇʞ ᔗʰᔉᔐ‧ á”†á”–á”’âżá”á”‰á”‡á”’á”‡ á”—á”’ËĄá”ˆ ᔗʰᔉᔐ ᔃᔇᔒᔘᔗ ᔗʰᔉ ᶻⁱᔖ ˥ⁱⁿᔉ ᔃⁿᔈ Ê°á”’Ê· ʰᔉ á”‰âżá”ˆá”‰á”ˆ ᔘᔖ á”ˆá”‰á”‰á”–ËĄÊž á”˜âżá¶œá”’âżËąá¶œâ±á”’á”˜Ëą ᔃⁿᔈ á¶œá”’á”á”–ËĄá”‰á”—á”‰ËĄÊž ˥ⁱᔐᔖ‧ "áŽ·á”ƒÊłá”‰âż á¶œá”ƒâż ʞᔒᔘ Ëąá¶œá”ƒâż ʰⁱᔐ á”—á”’ ˹ᔉᔉ á”’Êł Ëąá”’á”á”‰á”—Ê°â±âżá”?" ᔆʰᔉ á”—á”˜Êłâżá”‰á”ˆâžŽ á”‰ËŁá”ƒá”â±âżâ±âżá” ʰⁱᔐ‧ "áŽșá”’á”—Ê°â±âżá” ʷᔉ á¶œá”ƒâż ᔈᔒ á”—á”’âżâ±á”Ê°á”— ᔇᔘᔗ ʰᔉ'Ëą ⁿᔒᔗ á”á”’âżâżá”ƒ ᔇᔉ á”ƒá”‡ËĄá”‰ á”—á”’ Êłá”’á”˜Ëąá”‰ á¶œá”’âżËąá¶œâ±á”’á”˜Ëąâżá”‰ËąËą á¶ á”’Êł ᔃᔗ ËĄá”‰á”ƒËąá”— á”—á”’á”á”’ÊłÊłá”’Ê· á”ƒá¶ á”—á”‰Êłâżá”’á”’âżâ€§â€§" ᔆᔃⁱᔈ áŽ·á”ƒÊłá”‰âżâ€§ á”†á”–á”’âżá”á”‰ ᔇᔒᔇ ᶜᔃᔐᔉ Êłâ±á”Ê°á”— á”—á”’ ᔗʰᔉ ᶜʰᔘᔐ ᔇᔘᶜᔏᔉᔗ ᔗʰᔉ ⁿᔉˣᔗ á”á”’Êłâżâ±âżá”â€§ ᔆᔖᔒᔗ Ëąá”ƒÊ· Ëąá”–á”’âżá”á”‰á”‡á”’á”‡ ᔃⁿᔈ ᔍᔃᔛᔉ ᔃ ˹ᔃᔈ ʷᔃᔍ ᔒᶠ Ê°â±Ëą á”—á”ƒâ±ËĄâ€§ á”†á”–á”’âżá”á”‰á”‡á”’á”‡ á”–á”˜ËĄËĄá”‰á”ˆ ᔘᔖ ᔃ á¶œÊ°á”ƒâ±Êł ᔇʞ ʰⁱᔐ ᔃᔈÊČá”ƒá¶œá”‰âżá”— á”—á”’ ᔗʰᔉ ᶜᔒᔘᶜʰ Ê·Ê°á”‰Êłá”‰ áŽŸËĄá”ƒâżá”á”—á”’âż'Ëą ᔃᔗ‧ ᎎᔉ Ê°á”‰ËĄá”ˆ Ëąá”–á”’á”— ᔒⁿ Ê°â±Ëą ËĄá”ƒá”–â€§ "ᎎᔉ˥˥ᔒ áŽŸËĄá”ƒâżá”á”—á”’âż; ᎔'ᔛᔉ ⁿᔒ Ê·á”’Êłá” ᔃᔗ ᔗʰᔉ á”Êłá”˜Ëąá”—Êž á”Êłá”ƒá”‡ ᔗᔒᔈᔃʞ‧ áŽ·á”ƒÊłá”‰âż á”—á”’ËĄá”ˆ ᔐᔉ ʞᔒᔘ'ᔈ ËĄâ±á”á”‰ËĄÊž á”—á”’ â±á”á”–Êłá”’á”›á”‰! ᔂᔉ ˥ᔒᔛᔉ ʞᔒᔘ‧‧‧" ᔀʰᔉ á¶ â±ÊłËąá”— á”—Ê°â±âżá” ˹ᔉⁿ˹ᔉ á¶ á”’Êł áŽŸËĄá”ƒâżá”á”—á”’âż á”—á”’ Êłá”‰á”á”ƒâ±âż Ê·á”ƒËą Ê°â±Ëą Ê°á”‰á”ƒÊłâ±âżá”â€§ ᔆᔗⁱ˥˥ ⁿᔒᔗ ᔃʷᔃᔏᔉ➎ ᔗʰᔉ á”á”˜á¶ á¶ ËĄá”‰á”ˆ Ëąá”’á”˜âżá”ˆ ᔒᶠ á”†á”–á”’âżá”á”‰á”‡á”’á”‡'Ëą ᔛᔒⁱᶜᔉ ᔐᔃᔈᔉ ʷᔃʞ á”—á”’ á”—Ê°Êłá”’á”˜á”Ê° áŽŸËĄá”ƒâżá”á”—á”’âżâ€§ "᎔ Êłá”‰á”á”‰á”á”‡á”‰Êł Ê·Ê°á”‰âż ʞᔒᔘ ᔃᔈᔒᔖᔗᔉᔈ ˹ᔖᔒᔗ‧‧" ᔆᔃⁱᔈ á”†á”–á”’âżá”á”‰ ᔇᔒᔇ ᔃ˹ áŽŸËĄá”ƒâżá”á”—á”’âż ⁿᔉˣᔗ Êłá”‰á”ƒËĄâ±Ëąá”‰á”ˆ Ëąá”–á”’âżá”á”‰á”‡á”’á”‡'Ëą ᔇʞ ʰⁱᔐ‧ ᎎᔉ ᔈⁱᔈⁿ'á”— ʷᔃᔏᔉ ᔘᔖ ʞᔉᔗ ᔇᔘᔗ ʰᔉ á¶œá”’á”˜ËĄá”ˆâż'á”— Ëąá”˜á”á”á”’âż ᔗʰᔉ á”‰âżá”‰Êłá”Êž á”—á”’ Êłá”’á”˜Ëąá”‰ âżá”’Êł ᔒᔖᔉⁿ Ê°â±Ëą ᔉʞᔉ ʞᔉᔗ‧ ᔆᔖᔒᔗ Êłá”‰á”ƒËĄâ±Ëąá”‰á”ˆ áŽŸËĄá”ƒâżá”á”—á”’âż Ê·á”ƒËąâż'á”— ᔃ˹ á¶œá”’á”á”ƒá”—á”’Ëąá”‰ ᔃ˹ á”‡á”‰á¶ á”’Êłá”‰â€§ áŽŸËĄá”ƒâżá”á”—á”’âż Êłá”‰á¶œá”’á”âżâ±Ëąá”‰á”ˆ Ëąá”–á”’á”—'Ëą ᔇʞ ʰⁱᔐ‧ á”†á”–á”’âżá”á”‰á”‡á”’á”‡ âżá”’á”—â±á¶œá”‰á”ˆ Ëąá”–á”’á”— á”‰á”ƒá”á”‰Êł Ê·Ê°á”‰âż áŽŸËĄá”ƒâżá”á”—á”’âż'Ëą á”‰Êžá”‰ËĄâ±á”ˆ á”‡á”ƒÊłá”‰ËĄÊž ᔗʷⁱᔗᶜʰᔉᔈ ᔇᔘᔗ ˹ᔗⁱ˥˥ á¶œËĄá”’Ëąá”‰á”ˆâ€§ á”†á”–á”’âżá”á”‰á”‡á”’á”‡ á”á”ƒËąá”–á”‰á”ˆ ⁱⁿ á”‰ËŁá¶œâ±á”—á”‰á”á”‰âżá”— á”˜á”–á”’âż Ëąá”‰á”‰â±âżá” ᔐᔒᔛᔉᔐᔉⁿᔗ‧ "᎔'ᔛᔉ á”â±ËąËąá”‰á”ˆ ᔗʰᔉ áŽŸËĄá”ƒâżá”á”—á”’âż ᎔ ˥ᔒᔛᔉ ʷʰᔒᔐ ʷᔉ ᔃ˥˥ á”âżá”’Ê·â€§â€§â€§" á¶œá”’á”ƒËŁá”‰á”ˆ Ëąá”–á”’âżá”á”‰á”‡á”’á”‡ ᔃ˹ áŽŸËĄá”ƒâżá”á”—á”’âż Ëąá”—á”ƒÊłá”—á”‰á”ˆ á”—á”’ á”‡á”‰á”â±âż Ê·á”ƒá”â±âżá” ᔘᔖ‧ ᎎᔉ ᶠᔉ˥ᔗ Ëąá”–á”’á”— âżá”˜á”ˆá”á”‰ ʰⁱᔐ ᔗʰᔒᔘᔍʰ á”˜âżá”ƒá”‡ËĄá”‰ á”—á”’ Êłá”‰á”ƒá¶œá”— á”ˆâ±Êłá”‰á¶œá”—ËĄÊžâ€§ ᔆᔗⁱ˥˥ áŽŸËĄá”ƒâżá”á”—á”’âż Ëąâ±á”Ê°á”‰á”ˆ ᔃ˹ ʰᔉ ËąËĄá”’Ê·ËĄÊž á”’á”–á”‰âżá”‰á”ˆ Ê°â±Ëą ᔉʞᔉ ᔗᔒ‧ â±œâ±Ëąâ±á”’âż ⁿᔒᔗ Ëąá”’ á”‡ËĄá”˜ÊłÊłÊž âżá”’Ê· ʰᔉ á¶œá”’á”˜ËĄá”ˆ á”‡á”ƒÊłá”‰ËĄÊž ˥ⁱᶠᔗ Ê°â±Ëą ʰᔉᔃᔈ‧ "áŽčᔐ‧‧" "áŽŸËĄá”ƒâżá”á”—á”’âżâ€§" "ᔁᔒʞ➎ ʷʰᔃ?" áŽŸËĄá”ƒâżá”á”—á”’âż á”‡ËĄâ±âżá”á”‰á”ˆâ€§ "á”‚Ê°á”‰Êłá”‰â€§â€§" á¶ á”‰á”‰ËĄâ±âżá” á”Êłá”’á”á”ÊžâžŽ ᔗʰᔉ á”–á”ƒâ±âż á¶ Êłá”’á” ᔗʰᔉ ᶠᔃ˥˥ á¶ â±âżá”ƒËĄËĄÊž Êłá”‰á”â±Ëąá”—á”‰Êłá”‰á”ˆâ€§ "ᎌᔘ‧‧" áŽŸËĄá”ƒâżá”á”—á”’âż ᶠᔉ˥ᔗ ᔗʰᔉ ᔈᔘ˥˥ á”–á”ƒâ±âż Ëąá”˜Êłá”á”‰ ËąÊ°á”ƒÊłá”–á”‰Êłâ€§ "á”‚Ê°á”‰Êłá”‰âžŽ ʷʰᔃᔗ Ê°á”ƒá”–á”–á”‰âżá”‰á”ˆ; ᔍᔃʰ➎ Ê·Ê°á”‰âż ᔈ‧‧‧" áŽ·á”ƒÊłá”‰âż Ê°á”‰á”ƒÊłá”ˆ áŽŸËĄá”ƒâżá”á”—á”’âżâ€§ "ᔂʰᔃ➎ ʷʰᔃᔗ'Ëą á”á”’â±âżá” á”’âżâ€œ" ᎎᔉ'ᔈ á¶ â±âżá”ƒËĄËĄÊž á”ƒËąá”á”‰á”ˆ ⁱⁿ ᔃ ᶠᔘ˥˥ Ëąá”‰âżá”—á”‰âżá¶œá”‰â€§ "ʞᔒᔘ ᔍᔒᔗᔗᔃ ᶻⁱᔖ ˥ⁱⁿᔉ ᔇᔘᔗ ᶠᔉ˥˥; Ëąá”–á”’âżá”á”‰á”‡á”’á”‡ ᔐᔃᔈᔉ Ëąá”˜Êłá”‰ ᔗᔒᔒᔏ á¶œá”ƒÊłá”‰ ᔒᶠ ʞᔒᔘ ᔃⁿᔈ Ëąá”–á”’á”— á”ƒËĄËąá”’ ËĄá”’á”’á”á”‰á”ˆ á”ƒá¶ á”—á”‰Êł ʞᔒᔘ‧" áŽŹâżËąÊ·á”‰Êłá”‰á”ˆ áŽ·á”ƒÊłá”‰âżâ€§ "᎔ᔗ Ê°á”ƒá”–á”–á”‰âżá”‰á”ˆ Êžá”‰Ëąá”—á”‰Êłá”ˆá”ƒÊžâžŽ ˹ᔒ‧‧" á”†á”–á”’âżá”á”‰á”‡á”’á”‡ Ëąá”—Êłá”’á”á”‰á”ˆ Ê°â±Ëą á”ƒÊłá”â€§ ᔆᔗⁱ˥˥ á”—á”’ ᔈⁱᶻᶻʞ á”—á”’ ˹ⁱᔗ ᔘᔖ ᔒⁿ Ê°â±Ëą á”’Ê·âż áŽŸËĄá”ƒâżá”á”—á”’âż ˥ᔉᔗ Ëąá”–á”’âżá”á”‰á”‡á”’á”‡ Ê°á”‰ËĄá”– ʰⁱᔐ á”˜á”–Êłâ±á”Ê°á”— Ëąá”’ ᔃ˹ á”—á”’ ᔍᔉᔗ ᔃ á”ˆÊłâ±âżá” ᔒᶠ Ê·á”ƒá”—á”‰Êłâ€§ "á”€Ê°á”ƒâżá”Ëąâ€§â€§" áŽŸËĄá”ƒâżá”á”—á”’âż á”á”ƒâżá”ƒá”á”‰á”ˆâ€§ "Ꮀᔒ ʞᔒᔘ Ê·á”ƒâżá”— ᔐᔉ á”—á”’ ᔍᔒ ᔍⁱᔛᔉ ʞᔒᔘ Ëąá”–á”ƒá¶œá”‰?" á”†á”–á”’âżá”á”‰ ᔇᔒᔇ á”ƒËąá”á”‰á”ˆâ€§ "ᔆᔗᔃʞ‧‧" "ʞᔒᔘ á¶œá”ƒâż ˥ᔉᔗ ᔐᔉ á”âżá”’Ê· ⁱᶠ ʞᔒᔘ âżá”‰á”‰á”ˆâ€§â€§â€§" "᎔'ᔐ ÊČá”˜Ëąá”— Ê·á”ƒâżá”—â±âżá” Êłá”‰Ëąá”—âžŽ Ê°á”’ËĄá”ˆ ᔐʞ Ê°á”ƒâżá”ˆâ€§â€§" áŽŸËĄá”ƒâżá”á”—á”’âż Ëąá”â±ËĄá”‰á”ˆ ᔃᔗ á”†á”–á”’âżá”á”‰á”‡á”’á”‡âžŽ Ëąâ±á”ˆá”‰ ᔇʞ Ëąâ±á”ˆá”‰â€§
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áŽ·á”ƒÊłá”‰âż ᔃᔇᔒᔘᔗ á”—Ê°Êž âżá”‰â±á”Ê°á”‡á”’á”˜Êł âœá”†á”–á”’âżá”á”‰áŽźá”’á”‡ Ëąá”—á”ƒÊžËą ᔃᔗ ᔗʰᔉ ᶜʰᔘᔐ ᔇᔘᶜᔏᔉᔗ á¶ á”ƒâżá¶ â±á¶œâŸ "᎔ᔗ'ËĄËĄ ᔇᔉ ᶠᔘⁿ!" á”†á”–á”’âżá”á”‰áŽźá”’á”‡'Ëą Ê°á”’á”˜Ëąá”‰ âżá”‰á”‰á”ˆá”‰á”ˆ ˹ᔒᔐᔉ â±á”á”–Êłá”’á”›á”‰á”á”‰âżá”—Ëą á”á”‰á”—á”—â±âżá” Ê·á”’Êłá”á”‰á”ˆ ᔒⁿ‧ ᔆᔒ ʰᔉ'Ëą Ëąá”—á”ƒÊžâ±âżá” Ê°á”‰Êłá”‰ á”‡á”‰á¶œá”ƒá”˜Ëąá”‰ á”†á‘«á”˜â±á”ˆÊ·á”ƒÊłá”ˆ ⁿᔒᔗ á”á”’âżâżá”ƒ ˥ᔉᔗ ʰⁱᔐ Ëąá”—á”ƒÊž âœá”ƒâżá”ˆ ᔉᔛᔉⁿ ʰᔉ ᔃⁿᔈ áŽŸá”ƒá”—Êłâ±á¶œá” á”ˆâ±ËąËĄâ±á”á”‰ ᔃ˥˥ ᔗʰᔉ ⁿᔒⁱ˹ᔉ á¶ Êłá”’á” ᔗʰᔉ Ê·á”’Êłá”âŸ ᔃⁿᔈ áŽ·Êłá”ƒá”‡Ëą á”ˆá”’á”‰Ëąâż'á”— ʰᔃᔛᔉ á”‰âżá”’á”˜á”Ê° Êłá”’á”’á” á”—á”’ â±âżá¶œËĄá”˜á”ˆá”‰ ʰⁱᔐ‧ áŽłá”ƒÊłÊž ᔗʰᔉ ˹ⁿᔃⁱ˥ ᔉᔛᔉⁿ á¶œÊłá”ƒËąÊ°á”‰Ëą Ê°á”‰Êłá”‰âžŽ ᔃⁿᔈ ʰᔉ ËĄâ±á”á”‰Ëą á”—á”’ á”–ËĄá”ƒÊž ʷⁱᔗʰ ᔆᔖᔒᔗ➎ ᔐʞ Ê°á”˜Ëąá”‡á”ƒâżá”ˆ'Ëą ᔖᔘᔖᔖʞ‧ ᎔ Ê·á”ƒâżâżá”ƒ ᔏᔉᔉᔖ ᔃⁿ ᔉʞᔉ ᔒⁿ ᔗʰᔉᔐ➎ ᔃ˹ áŽŸËĄá”ƒâżá”á”—á”’âż á¶œá”ƒâż ᔍᔉᔗ á”‰á”ƒËąâ±ËĄÊž á”ƒâżá”ÊłÊž Ê·Ê°á”‰âż Ëąá”–á”’âżá”á”‰á”‡á”’á”‡ á”‰á”›á”‰Êł á”ƒâżâżá”’ÊžËą ʰⁱᔐ➎ á”ƒá”‡ËĄá”‰â±Ëąá”— á”˜âżâ±âżá”—á”‰âżá”—â±á”’âżá”ƒËĄËĄÊžâ€§ ᔀʰᔉʞ á”âżá”’Ê· ᔉᔃᶜʰ á”’á”—Ê°á”‰Êł Ê·á”‰ËĄËĄâžŽ ᔇᔘᔗ á¶œá”ƒâż ᔇᔉ ᔃᔗ á”’á”ˆá”ˆËą Ëąâ±âżá¶œá”‰ Ëąá”–á”’âżá”á”‰á”‡á”’á”‡ Ê·á”’Êłá”Ëą á¶ á”’Êł á”–ËĄá”ƒâżá”á”—á”’âż'Ëą á”‰âżá”‰á”ÊžâžŽ ʷʰⁱᶜʰ á¶œá”ƒâż ᔖᔘᔗ áŽŸËĄá”ƒâżá”á”—á”’âż ᔗʰᔉ Ê·Êłá”’âżá” ʷᔃʞ‧ áŽźá”˜á”— ᔒᔖᔖᔒ˹ⁱᔗᔉ˹ á”ƒá”—á”—Êłá”ƒá¶œá”—âžŽ á”á”ƒá”â±âżá” á”—Ê°á”‰â±Êł á¶ Êłâ±á”‰âżá”ˆËąÊ°â±á”– á”ˆÊžâżá”ƒá”â±á¶œ ᔈᔘᔒ Ê·á”’Êłá”â€§ á”†á”–á”’âżá”á”‰áŽźá”’á”‡'Ëą á”á”’â±âżá” á”—á”’ ᔇᔉ âżâ±á¶œá”‰ á”—á”’ ᔃ˥˥➎ ᔃⁿᔈ á¶œá”ƒâż ᔉᔛᔉⁿ ᔇᔉ âżâ±á¶œá”‰Êł á”—á”’ á”–ËĄá”ƒâżá”á”—á”’âż á”—Ê°á”ƒâż ᎔ ˹ᔒᔐᔉᔗⁱᔐᔉ˹‧ áŽŸËĄá”ƒâżá”á”—á”’âż á”âżá”’Ê·Ëą ʰᔉ'Ëą ᔃ á”–á”ƒá¶œâ±á¶ â±Ëąá”— ᔃⁿᔈ Ëąá”–á”’âżá”á”‰á”‡á”’á”‡ á”âżá”’Ê·Ëą á”–ËĄá”ƒâżá”á”—á”’âż á”ƒâżá”á”‰Êł â±ËąËąá”˜á”‰Ëą ᔆᔒ ᔗʰᔉʞ á¶œá”ƒâż ᶜᔒᔐᔉ ᔘᔖ ʷⁱᔗʰ á¶œá”’á”á”–Êłá”’á”â±Ëąá”‰Ëą á”—á”’ á¶œá”’á”á¶ á”’Êłá”— ᶻᔒⁿᔉ˹‧ á”†á”–á”’âżá”á”‰áŽźá”’á”‡ á”ƒËĄËąá”’ á”âżá”’Ê·Ëą ʰᔉ Êłá”ƒÊłá”‰ËĄÊž ᔒᔖᔉⁿ˹ ᔘᔖ➎ ᔇᔘᔗ ʰᔉ á”’âżá¶œá”‰ ⁱⁿ ᔃ Ê·Ê°â±ËĄá”‰ á”ˆá”’á”‰Ëą á”—á”’ ËĄâ±á”á”‰ ᔐᔉ á”’Êł Ê°â±Ëą á”Êłá”ƒâżá”ˆá”á”ƒâ€§ áŽźá”˜á”— ᔉᔛᔉⁿ ʰᔉ Ê°á”ƒËą ˥ⁱᔐⁱᔗ˹ ᔃⁿᔈ á”†á”–á”’âżá”á”‰áŽźá”’á”‡ á”âżá”’Ê·Ëą ⁱᔗ‧ ᔀʰᔉʞ Ê·á”‰Êłá”‰ á”–ËĄá”ƒÊžâ±âżá” ʷⁱᔗʰ ᔗʰᔉ ᔖᔉᔗ˹ Ê·Ê°á”‰âż Ëąá”–á”’âżá”á”‰á”‡á”’á”‡ Ëąá”—á”˜á”‡á”‡á”‰á”ˆ Ê°â±Ëą ᔗᔒᔉ ᔒⁿ ᔃ Êłá”’á¶œá”â€§ "ᔂᔃᔗᶜʰ ᔒᔘᔗ Ê·Ê°á”‰Êłá”‰ ʞᔒᔘ'Êłá”‰ á”á”’â±âżá”âžŽ ʞᔒᔘ ᶠᔒᔒ˥!" Êžá”‰ËĄËĄá”‰á”ˆ áŽŸËĄá”ƒâżá”á”—á”’âż ᔃ˹ Ëąá”–á”’âżá”á”‰á”‡á”’á”‡ ᔗᔒᔒᔏ Ê°â±Ëą Ëąá”’á¶œá” ᔒᶠᶠ‧ ᎔ᔗ˹ Ê°â±Ëą á”’Ê·âż ʷᔃʞ ᔒᶠ ËąÊ°á”’Ê·â±âżá” ʰᔉ á¶œá”ƒÊłá”‰Ëą ᎔ á”á”˜á”‰ËąËąâ€§ ᔂᔉ ᔍᔒᔗ Ëąá”–á”’âżá”á”‰á”‡á”’á”‡ ˹ᔒᔐᔉ ⁱᶜᔉ á”˜âżá”—â±ËĄ ᶠᔉ˥ᔗ á”‡á”‰á”—á”—á”‰Êłâ€§ ᔀʰᔉ ᔖᔉᔗ˹ ᶜᔃᔐᔉ â±âżËąâ±á”ˆá”‰ ᔃⁿᔈ Ëąá”–á”’á”— ᔍᔃᔛᔉ Ëąá”–á”’âżá”á”‰á”‡á”’á”‡ ˹ᔒᔐᔉ á”â±ËąËąá”‰Ëąâ€§ "áŽ±á”ƒËąÊžâžŽ ᔇᔒʞ!" áŽŸËĄá”ƒâżá”á”—á”’âż'Ëą á”—á”‰ËĄËĄâ±âżá” ˹ᔖᔒᔗ➎ Ê°á”’ËĄá”ˆâ±âżá” ᔗʰᔉ ᔃᔐᔒᔉᔇᔃ‧ áŽșá”’Ê· ʰᔉ'Ëą ⁿᔒᔗ ᔐᔘᶜʰ ᔒᶠ ᔃ Ê°á”˜á”á”á”‰ÊłâžŽ ᔇᔘᔗ Ëąâżá”˜á”á”ËĄá”‰Ëą ʷⁱᔗʰ Ëąá”–á”’á”—; ʰᔉ âżá”‰á”›á”‰Êł á”ˆá”’á”‰Ëą ʷⁱᔗʰ ᔖᔉᔒᔖ˥ᔉ➎ ᔃᔗ ËĄá”‰á”ƒËąá”— ⁿᔒᔗ á¶ á”’Êł ËĄá”‰âżá”á”—Ê° ᔒᶠ ᔗⁱᔐᔉ‧ ᎔ á”âżá”‰Ê· ⁿᔒᔗ á”—á”’ Ëąá”˜á”á”á”‰Ëąá”— ᔃ á”‡á”’á”ƒÊłá”ˆ ᔍᔃᔐᔉ➎ á”âżá”’Ê·â±âżá” ᔐʞ Ê°á”˜Ëąá”‡á”ƒâżá”ˆËą ᶜᔒᔐᔖᔉᔗⁱᔗⁱᔛᔉ âżá”ƒá”—á”˜Êłá”‰â€§ ᎔ Ê·á”ƒËą ᔃᔇᔒᔘᔗ á”—á”’ ᔐᔃᔏᔉ ˹ᔒᔐᔉ ᶠᔒᔒᔈ Ê·Ê°á”‰âż á”†á”–á”’âżá”á”‰áŽźá”’á”‡ Ê°á”‰ËĄá”ˆ ᔘᔖ ᔃ ᔖᔃᔗᔗʞ‧ "᎔ á”âżá”’Ê· ʞᔒᔘ'ᔈ ËĄâ±á”á”‰ á”—á”’ á”ƒâżá”ƒËĄÊžËąá”‰ ᔗʰᔉ Êłá”‰á¶œâ±á”–á”‰âžŽ ᔇᔘᔗ ᎔ ᶠᔉᔉ˥ ʞᔒᔘ ËąÊ°á”’á”˜ËĄá”ˆ ᔃᔗ ËĄá”‰á”ƒËąá”— ᔍᔉᔗ ᔃ á”—á”ƒËąá”—á”‰ ᔒᶠ ᔗʰᔉ á”ˆá”‰ËĄâ±á¶œâ±á”’á”˜Ëąâżá”‰ËąËąâ€§" á”†á”–á”’âżá”á”‰áŽźá”’á”‡ Ëąá”ƒâ±á”ˆâ€§ "áŽźá”˜á”— ⁱᶠ áŽ·Êłá”ƒá”‡Ëąâ€§â€§â€§" "áŽčÊłâ€§ áŽ·Êłá”ƒá”‡Ëą ⁿᔒᔗ Ê°á”‰Êłá”‰; á”‡á”‰Ëąâ±á”ˆá”‰ËąâžŽ ʷᔉ'Êłá”‰ á”’âżËĄÊž á”‰á”ƒá”—â±âżá” ⁱᔗ➎ ⁿᔒᔗ Êłá”‰á”›á”‰á”ƒËĄâ±âżá” ᔗʰᔉ á¶ á”’Êłá”á”˜ËĄá”ƒ!" á”†á”–á”’âżá”á”‰áŽźá”’á”‡ á”—á”’ËĄá”ˆ ʰⁱᔐ➎ á”âżá”’Ê·â±âżá” ʰᔉ'Ëą ᔗʰᔉ á”’âżËĄÊž á”–á”‰ÊłËąá”’âż á”‡á”ƒÊłâżá”‰á”ˆ á¶ á”’Êł ˥ⁱᶠᔉ‧ ᔀʰᔉʞ ˹ᔖ˥ⁱᔗ ᔗʰᔉ ᔖᔃᔗᔗʞ➎ á”‰á”ƒá”—â±âżá” á”‰á”›á”‰ÊłÊž ËĄá”ƒËąá”— á”á”’ÊłËąá”‰ËĄ! "á”€Ê°á”ƒâżá” ʞᔒᔘ Ëąá”’ ᔐᔘᶜʰ ᔏⁱᔈ‧‧‧" ᎔ Ëąá”ƒÊ· Ê°á”’Ê· Ëąâ±âżá¶œá”‰Êłá”‰ ʰᔉ'Ëą ʷⁱᔗʰ á”Êłá”ƒá”—â±á”—á”˜á”ˆá”‰âžŽ ᔃ˹ ʰᔉ Êłá”ƒÊłá”‰ËĄÊž Ëąá”’ á”ƒá¶ á¶ á”‰á¶œá”—â±á”’âżá”ƒá”—á”‰ËĄÊž ËąÊ°á”’Ê·Ëą á”ƒá”–á”–Êłá”‰á¶œâ±á”ƒá”—â±á”’âżâ€§ áŽŹá¶ á”—á”‰Êł á”‰á”ƒá”—â±âżá”âžŽ ᔗʰᔉ á”‡á”’ÊžËą á”–á”˜ËĄËĄá”‰á”ˆ ᔒᔘᔗ ᔗʰᔉ ᶜᔒᔘᶜʰ ⁱⁿ á¶ Êłá”’âżá”— ᔗʰᔉ ᔗᔉ˥ᔉᔛⁱ˹ⁱᔒⁿ‧ ᔆᔉᔃᔗᔉᔈ Ëąâ±á”ˆá”‰ ᔇʞ Ëąâ±á”ˆá”‰âžŽ ᔗʰᔉʞ ËĄá”’á”’á”á”‰á”ˆ á¶ á”’Êł Ëąá”’á”á”‰á”—Ê°â±âżá” á”—á”’ ʷᔃᔗᶜʰ‧ ᔆᔖᔒᔗ ᔃⁿᔈ áŽłá”ƒÊłÊž Ê·á”‰âżá”— á”—á”’ Êłá”‰Ëąá”— á¶ á”’Êł ᔗʰᔉ âżâ±á”Ê°á”—â€§ "Ꮇⁱᔈ➎ á”ˆá”’á”‰Ëą Êžá”’á”˜Êł ᔇᔒ˹˹ á”âżá”’Ê· Ê·Ê°á”‰Êłá”‰â€§â€§â€§" "᎔ ᔈⁱᔈⁿ'á”— ᔗᔉ˥˥ ʰⁱᔐ ᎔'ᔈ ᔇᔉ Ëąá”—á”ƒÊžâ±âżá” Ê°á”‰Êłá”‰ ᔃᔗ Êžá”’á”˜Êł á”–ËĄá”ƒá¶œá”‰âžŽ Ëąá”’ á”ˆá”’âż'á”— Ê·á”’ÊłÊłÊž!" á”†á”–á”’âżá”á”‰áŽźá”’á”‡ á”—á”’ËĄá”ˆ á”–ËĄá”ƒâżá”á”—á”’âżâžŽ ËĄá”‰á”ƒâżâ±âżá” á¶œËĄá”’Ëąá”‰Êłâ€§ "ᔂᔃⁱᔗ➎ ᎔'ᔛᔉ Ê·á”’Êłá” á”—á”’á”á”’ÊłÊłá”’Ê· á”á”’Êłâżâ±âżá”! ᔂʰᔃᔗ‧‧‧" "ᔀᔉ˥˥ ʰⁱᔐ ʞᔒᔘ'ᔛᔉ ᔇᔒᔒᔏᔉᔈ ᔃ Êłá”’á”’á” ᔃᔗ ᔃⁿ â±âżâżâ€œ" ᎔ Ëąá”˜á”á”á”‰Ëąá”—á”‰á”ˆâ€§ ᔂᔉ ᔃ˥˥ Êłá”‰á”ƒËĄâ±Ëąá”‰á”ˆ áŽ·Êłá”ƒá”‡Ëą ⁿᔒᔗ á”á”’âżâżá”ƒ ËĄâ±á”á”‰ ⁱᔗ ⁱᶠ ʰᔉ á”âżá”‰Ê· Ê°â±Ëą ËĄá”’Êžá”ƒËĄ Ê·á”’Êłá”á”‰Êł Ëąá”—á”ƒÊžá”‰á”ˆ ᔃᔗ ᔗʰᔉ ᶜʰᔘᔐ ᔇᔘᶜᔏᔉᔗ➎ ᔉᔛᔉⁿ ⁱᶠ ⁱⁿ Ëąá”˜á¶œÊ° á¶œâ±Êłá¶œá”˜á”Ëąá”—á”ƒâżá¶œá”‰Ëąâ€§ ᎔ᔗ'ᔈ á¶œá”ƒá”˜Ëąá”‰ á”á”’Êłá”‰ Êłâ±Ëąá” ᔒᶠ á”—Êłá”’á”˜á”‡ËĄá”‰ á”—Ê°á”ƒâż ⁱᔗ˹ Ê·á”’Êłá”—Ê°! áŽŒâżËĄÊž â±á”á”ƒá”â±âżá”‰ ⁱᶠ ʰᔉ á”âżá”‰Ê· Ëąá”–á”’âżá”á”‰á”‡á”’á”‡'Ëą ⁿᔒᔗ á”’âżËĄÊž á¶œâ±á”›â±ËĄ á”—á”’ á”–ËĄá”ƒâżá”á”—á”’âżâžŽ ᔇᔘᔗ á”ƒËĄËąá”’ ËąÊ°á”ƒÊłá”‰á”ˆ ᔃ ᔖᔃᔗᔗʞ‧‧‧ áŽ·Êłá”ƒá”‡Ëą Êłá”‰á”ƒËĄâ±Ëąá”‰Ëą Ê°á”’Ê· Ëąá”–á”’âżá”á”‰á”‡á”’á”‡'Ëą á”á”’â±âżá” á”—á”’ ᔇᔉ âżâ±á¶œá”‰âžŽ ⁿᔒ á”á”ƒá”—á”—á”‰Êł ʷʰᔃᔗ➎ ᔇᔘᔗ ʰᔉ âżá”‰á”›á”‰Êł á”ƒá”–á”–Êłá”’á”›á”‰Ëą ᔒᶠ Ëąá”–á”’âżá”á”‰á”‡á”’á”‡ á”—ÊłÊžâ±âżá” á”—á”’ ᔏᔉᔉᔖ ᔗʰᔉ ᔖᔉᔃᶜᔉ Ê·Ê°á”‰âż ᔗʰᔉʞ'Êłá”‰ ᔃᔗ á”’á”ˆá”ˆËąâ€§ áŽŸËĄá”ƒâżá”á”—á”’âż á”˜âżá”ˆá”‰ÊłËąá”—á”ƒâżá”ˆËą Ê°â±Ëą ËĄá”’Êžá”ƒËĄá”—Êž á”—á”’ ᔗʰᔉ á”Êłá”˜Ëąá”—Êž á”Êłá”ƒá”‡âžŽ á”ƒËĄá”—Ê°á”’á”˜á”Ê° ʰᔉ á”ˆá”’á”‰Ëąâż'á”— á”ƒá”Êłá”‰á”‰ ʷⁱᔗʰ ⁱᔗ‧ ᎎⁱ˹ á”á”’á”ƒËĄ ⁱⁿ ˥ⁱᶠᔉ ⁱ˹ ËąÊ°á”’Ê·â±âżá” ᔗʰᔉ Ê·á”’ÊłËĄá”ˆ Ê°á”’Ê· á”Êłá”‰á”ƒá”— ʰᔉ á¶œá”ƒâż ᔇᔉ➎ ᔃⁿᔈ Ëąá”–á”’âżá”á”‰á”‡á”’á”‡'Ëą ᔒⁿ áŽ·Êłá”ƒá”‡Ëą Ëąâ±á”ˆá”‰ ⁱⁿ ᔗʰᔉ ˹ᔃⁱᔈ ᶜᔃᔗ ᔃⁿᔈ á”á”’á”˜Ëąá”‰ ᔍᔃᔐᔉ‧ ᎔ Ê·á”ƒËą á”—Ê°â±âżá”â±âżá” ᔃᔇᔒᔘᔗ ⁱᔗ ᔃ˹ ᔗʰᔉ á”–Êłá”’á”Êłá”ƒá”á”á”‰ á”‰âżá”ˆá”‰á”ˆâžŽ ᔃⁿᔈ á”—á”˜Êłâżá”‰á”ˆ ᔒᶠᶠ ᔗʰᔉ ᔗᔉ˥ᔉᔛⁱ˹ⁱᔒⁿ‧ ᎔ Ê·Ê°â±Ëąá”–á”‰Êłá”‰á”ˆ á”—á”’ Ëąá”–á”’âżá”á”‰á”‡á”’á”‡ "᎔ á”ˆá”’âż'á”— á”âżá”’Ê· ʷʰᔃᔗ ᔗⁱᔐᔉ ʞᔒᔘ ᔍᔒ á”—á”’ á”ƒá”—á”—á”‰âżá”ˆ Ê·á”’Êłá”â€§â€§â€§" "᎔ᔐ á”—á”’ á”ƒÊłÊłâ±á”›á”‰ ᔃᔗ ⁞ á”’'á¶œËĄá”’á¶œá” ⁱⁿ ᔗʰᔉ ᔃᔐ‧" á”†á”–á”’âżá”á”‰áŽźá”’á”‡ á‘«á”˜â±á”‰á”—ËĄÊž á”ƒâżËąÊ·á”‰Êłá”‰á”ˆâžŽ Ëąá”’ ᔃ˹ á”—á”’ ⁿᔒᔗ Ëąá”—â±Êł áŽŸËĄá”ƒâżá”á”—á”’âżâžŽ Ê·Ê°á”’ ËĄá”‰á”ƒâżá”‰á”ˆ ᔒⁿ ʰⁱᔐ á”˜âżá”ƒÊ·á”ƒÊłá”‰Ëąâ€§ áŽŒâżËĄÊž ᔐᔉ ᔃⁿᔈ á”†á”–á”’âżá”á”‰áŽźá”’á”‡ Ê·á”‰Êłá”‰ ᔃʷᔃᔏᔉ ᔃᔗ ᔇʞ ᔗʰᔉ á”‰âżá”ˆ ᔒᶠ ᔗʰᔉ á”–Êłá”’á”Êłá”ƒá”á”á”‰â€§ ᎌʰ Ê°á”’Ê· áŽ·Êłá”ƒá”‡Ëą Ê·á”’á”˜ËĄá”ˆâż'á”— ËĄâ±á”á”‰ á”—á”’ ˹ᔉᔉ ⁱᔗ; ᎔ Ê·á”ƒâżá”—á”‰á”ˆ á”—á”’ á¶œÊ°á”˜á¶œá”ËĄá”‰ ᔃᔗ ᔗʰᔉ ⁿᔒᔗⁱᔒⁿ ᔒᶠ ʰⁱᔐ á¶ á”˜Êłâ±á”’á”˜Ëą ᔃᔗ ᔗʰᔉ Ëąâ±á”Ê°á”—â€§ "ᎎᔒʷ'Ëą ᔗʰᔉ ᔗᔒᔉ?" ᎔ á”ƒËąá”á”‰á”ˆâ€§ "á”‚á”ƒâżâżá”ƒ ᶜʰᔉᶜᔏ‧‧‧" "᎔˥˥ ᔗᔃᔏᔉ ᔃ ËĄá”’á”’á” ᔃᔗ ᔐʞ ᔗᔒᔉ á”—á”’á”á”’ÊłÊłá”’Ê· á”á”’Êłâżâ±âżá”â€§â€§â€§" á”†á”–á”’âżá”á”‰áŽźá”’á”‡ ˹ᔃⁱᔈ➎ á”—ÊłÊžâ±âżá” á”—á”’ ˥ıᔉ á”ˆá”’Ê·âż á¶œá”’á”á¶ á”’Êłá”—á”ƒá”‡ËĄÊž ʷⁱᔗʰ á”–ËĄá”ƒâżá”á”—á”’âż ËĄá”ƒÌŠÊžâ±âżá” á”ƒá”á”ƒâ±âżËąá”— ʰⁱᔐ‧ "ᔂʰᔃᔗ ᔗⁱᔐᔉ ⁱ˹ ⁱᔗ?" ᎔ Ê°á”‰á”ƒÊłá”ˆ á”–ËĄá”ƒâżá”á”—á”’âż Ëąá”ƒÊžâžŽ Êłá”’á”˜Ëąâ±âżá” Ëąá”–á”’âżá”á”‰á”‡á”’á”‡â€§ "ᎌʰ➎ ᎔ ᔍᔒᔗ á”—á”’ ᔇᔉ ᔃᔗ Ê·á”’Êłá”! Ꮀᔒⁿ'á”— Ê·á”ƒâżá”— áŽčÊłâ€§ áŽ·Êłá”ƒá”‡Ëą á”—á”’ ᔇᔉ Ëąá”˜Ëąá”–â±á¶œâ±á”’á”˜ËąâžŽ âżá”’Êł ᔇᔉ ËĄá”ƒá”—á”‰ á”—Ê°á”‰Êłá”‰!" á”†á”–á”’âżá”á”‰áŽźá”’á”‡ Ëąá”—á”ƒÊłá”—á”‰á”ˆ á”—á”’ ËĄá”‰á”ƒá”›á”‰âžŽ ᔇᔘᔗ ᎔ Ê·á”ƒâżá”—á”‰á”ˆ á”—á”’ ᶜʰᔉᶜᔏ ᔒⁿ Ê°â±Ëą ᔗᔒᔉ‧ "ᔂʰᔃᔗ ᔃᔇᔒᔘᔗ ᔗʰᔉ ᔗᔒᔉ?" ᎔ á¶œá”ƒËĄËĄá”‰á”ˆ ᔒᔘᔗ‧ ᎎᔉ ᶜʰᔉᶜᔏᔉᔈ ⁱᔗ➎ ᔃⁿᔈ ⁿᔒ Êłá”‰á”ˆâżá”‰ËąËąâ€§ "ᔆᔗⁱ˥˥ ᔍᔒ á”‰á”ƒËąÊž ᔒⁿ ⁱᔗ‧" "ᔂⁱ˥˥ ᔈᔒ!" á”†á”–á”’âżá”á”‰á”‡á”’á”‡ á¶œá”ƒËĄËĄá”‰á”ˆ ᔒᔘᔗ ᔃ˹ ʰᔉ ˥ᔉᶠᔗ‧ "áŽžá”ƒËąá”— ᎔ á¶œá”ƒâż Êłá”‰á¶œá”ƒËĄËĄ á”—ÊłÊžâ±âżá” á”—á”’ Êłá”‰á”á”ƒâ±âż á¶ á”’á¶œá”˜ËąËąá”‰á”ˆ ᔒⁿ ᔗʰᔉ Ëąá¶œÊłá”‰á”‰âż ᔇʞ ʷⁱᔗʰ á”†á”–á”’âżá”á”‰â€§â€§â€§" "᎔ á”ˆá”’âż'á”— á”—Ê°â±âżá” ʞᔒᔘ ᔉᔛᔉⁿ ᔐᔃᔈᔉ ⁱᔗ á”—Ê°Êłá”’á”˜á”Ê° ᔗʰᔉ Ê°á”ƒËĄá¶  ᔒᶠ ᔗʰᔉ á”–Êłá”’á”Êłá”ƒá”á”á”‰!" ᎔ â±âżá”—á”‰ÊłÊČᔉᶜᔗᔉᔈ➎ Êłá”‰á”Êłá”‰á”—á”—â±âżá” Ëąá”ƒÊžâ±âżá” ⁱᔗ Êłâ±á”Ê°á”— ᔃ˹ á”ƒá¶ á”—á”‰Êł ᎔ ˹ᔃⁱᔈ ⁱᔗ; á”‡á”‰á¶œá”ƒá”˜Ëąá”‰ ʰᔉ'Ëą ⁿᔒᔗ ᔒⁿᔉ á”—á”’ ᔃᔈᔐⁱᔗ á”›á”˜ËĄâżá”‰Êłá”ƒá”‡â±ËĄâ±á”—Êžâ€§ ᎏ˹ Ê·á”ƒËĄá”â±âżá” ᔗʰᔉ ᔖᔉᔗ˹➎ ᎔ á”˜Ëąá”‰á”ˆ ᔐʞ Ëąá”˜á”–á”‰Êłá¶œá”’á”á”–á”˜á”—á”‰Êł á”ˆá”‰á”—á”‰á¶œá”—â±á”’âż Ê°á”‰á”ƒÊłâ±âżá” á”†á”–á”’âżá”á”‰áŽźá”’á”‡ ᔃⁿᔈ áŽ·Êłá”ƒá”‡Ëąâ€§ "ᔂʰʞ ʞᔉ ËĄâ±á”á”–â±âżá”âžŽ ᔇᔒⁱ?" "᎔ á”—Êłâ±á”–á”–á”‰á”ˆ ᔒⁿ ᔗʰᔉ ʷᔃʞ Ê°á”‰Êłá”‰âžŽ á”‡á”‰á¶œá”ƒá”˜Ëąá”‰ ᎔ Êłá”ƒâż á”—á”’ á¶ á”ƒËąá”— ⁿᔒᔗ ËĄá”’á”’á”â±âżá” Ê·Ê°á”‰Êłá”‰ ᎔ Ê·á”ƒËą á”á”’â±âżá”â€§â€§â€§" áŽșⁱᶜᔉ Ëąá”ƒá”›á”‰âžŽ Ëąá”–á”’âżá”á”‰á”‡á”’á”‡â€§ "Ꮆᔉ˹ᔗ ᔐᔃᔏᔉ Ëąá”˜Êłá”‰ ⁿᔒᔗ á”—á”’ â±âżá”—á”‰Êłá¶ á”‰Êłá”‰ ʷⁱᔗʰ‧‧‧" "᎔ ᔍᔒᔗ ⁱᔗ➎ áŽčÊłâ€§ áŽ·Êłá”ƒá”‡Ëą; á”‰á”›á”‰ÊłÊžá”—Ê°â±âżá”'Ëą ᶠⁱⁿᔉ!" ᎌᶠ á¶œá”’á”˜ÊłËąá”‰âžŽ ʷᔉ á”ˆâ±á”ˆâżá”— ʰᔃᔛᔉ á”ƒâżÊž á¶œá”˜Ëąá”—á”’á”á”‰ÊłËą ᔃᔗ ᔗʰᔉ ᶜʰᔘᔐ ᔇᔘᶜᔏᔉᔗ‧ áŽŒâżËĄÊž á”—Ê°â±âżá” ᔘⁿᔘ˹ᔘᔃ˥ ⁜ⁱᶠ á”ƒâżÊžá”—Ê°â±âżá”âŸ áŽŸËĄá”ƒâżá”á”—á”’âż ⁿᔒᔗ á”—á”’ Ëąá”—Êłá”‰ËąËąá”‰á”ˆ ᔒⁿ ËĄá”ƒá¶œá” ᔒᶠ á”‡á”˜Ëąâ±âżá”‰ËąËą ᔗᔒᔈᔃʞ➎ á”‡á”‰á¶œá”ƒá”˜Ëąá”‰ ʰᔉ'Ëą á”—ÊłÊžâ±âżá” á”—á”’ ᶜᔒᔐᔉ ᔘᔖ ʷⁱᔗʰ ʷʰᔃᔗ á”—á”’ ᔈᔒ ʷⁱᔗʰ Ëąá”–á”’âżá”á”‰á”‡á”’á”‡ á”ƒá¶ á”—á”‰Êł Ê·á”’Êłá”â€§ "᎞ᔉᔗ'Ëą ˹ᔉᔉ; ʰᔉ ËĄâ±á”á”‰Ëą ÊČá”‰ËĄËĄÊžá¶ â±ËąÊ°âžŽ á”á”ƒÊłá”ƒá”—á”‰âžŽ á”á”‰Êłá”á”ƒâ±á”ˆ ᔐᔃⁿ ᔃⁿᔈ á”‡á”ƒÊłâżá”ƒá¶œËĄá”‰ ᔇᔒʞ‧‧‧" "áŽŸËĄá”ƒâżá”á”—á”’âżâžŽ ʰᔉ á”á”‰á”—Ëą ᔒᶠᶠ Ê·á”’Êłá” á”ƒá¶ á”—á”‰Êł á”‰á”›á”‰âżâ±âżá”Ëą; ʰᔉ ᔐⁱᔍʰᔗ ᔇᔉ á”—á”’ Ê·á”’Êłâż ᔒᔘᔗ á”—á”’ á”–ËĄá”ƒÊžâžŽ á”ƒËĄá”—Ê°á”’á”˜á”Ê° ʰᔉ'ᔈ á”ƒá”–á”–Êłá”‰á¶œâ±á”ƒá”—á”‰ ⁱᔗ!" "áŽ·á”ƒÊłá”‰âżâ€§â€§â€§" áŽŸËĄá”ƒâżá”á”—á”’âż ÊČᔘᔐᔖᔉᔈ Ëąá”—á”ƒÊłá”—ËĄá”‰á”ˆ ᔃᔗ á”âżá”’á¶œá”â±âżá” á¶ Êłá”’á” á¶ Êłá”’âżá”— á”ˆá”’á”’Êłâ€§ ᔂʰᔃᔗ'Ëą áŽŸá”ƒá”—Êłâ±á¶œá” á”ˆá”’â±âżá” Ê°á”‰Êłá”‰â€§â€§â€§ "á”†á”–á”’âżá”á”‰áŽźá”’á”‡'Ëą ⁿᔒᔗ Ê°á”‰Êłá”‰âžŽ ᶜʰᔉᶜᔏ ᔇᔃᶜᔏ á”ƒá¶ á”—á”‰Êł Ê°â±Ëą ËąÊ°â±á¶ á”—â€§ ᔁⁿ˥ᔉ˹˹ ʞᔒᔘ'Êłá”‰ Ê°á”‰Êłá”‰ á¶ á”’Êł ËĄá”˜âżá¶œÊ°â€§â€§â€§" áŽŸËĄá”ƒâżá”á”—á”’âż Ëąá”ƒâ±á”ˆâ€§ "ᎌʰ➎ ʰᔉ'Ëą Ëąá”—á”ƒÊžâ±âżá” Ê°á”‰Êłá”‰? ᎔ Ê·á”ƒËą á”á”’âżâżá”ƒ ᔍᔉᔗ ʰⁱᔐ ᔃ Ëąá”˜Êłá”–Êłâ±Ëąá”‰ á”á”‰á”ƒËĄâ€§ ᎔ ᔈⁱᔈⁿ'á”— á”âżá”’Ê· ʰᔉ'Ëą Ëąá”—á”ƒÊžâ±âżá” ʷⁱᔗʰ ʞᔒᔘ!" áŽŸá”ƒá”—Êłâ±á¶œá” ˹ᔃⁱᔈ ᔃ˹ áŽŸËĄá”ƒâżá”á”—á”’âż'Ëą ËąÊ°á”˜á”— ᔗʰᔉ á”ˆá”’á”’Êł ⁱⁿ Ê°â±Ëą ᶠᔃᶜᔉ‧ áŽŸá”ƒá”—Êłâ±á¶œá” Ê·á”‰âżá”— á”ƒá¶œÊłá”’ËąËą ᔗʰᔉ Ëąá”—Êłá”‰á”‰á”— ᔃ˹ áŽŸËĄá”ƒâżá”á”—á”’âż ᔏᔉᔖᔗ ᔒⁿ á”‡Êłá”ƒâ±âżËąá”—á”’Êłá”â±âżá” ᔒⁿ ʷʰᔃᔗ ʰᔉ á¶œá”’á”˜ËĄá”ˆ ᔈᔒ‧ áŽŒâżá¶œá”‰ Ê°â±Ëą ËąÊ°â±á¶ á”— á”‰âżá”ˆá”‰á”ˆâžŽ á”†á”–á”’âżá”á”‰áŽźá”’á”‡ ʷᔃⁱᔗᔉᔈ á¶ á”’Êł ᔗʰᔉ á¶œá”’á”ƒËąá”— á”—á”’ ᔇᔉ á¶œËĄá”‰á”ƒÊł á”‡á”‰á¶ á”’Êłá”‰ Ê°á”‰á”ƒá”ˆâ±âżá” á”’á”›á”‰Êł Ê°á”‰Êłá”‰â€§ "᎟ʰᔉʷ; ËĄá”’âżá” ᔈᔃʞ ᔒⁿ ᔐʞ ᶠᔉᔉᔗ➎ ᔃ˥˥ Ê·Ê°â±ËĄËąá”— á”ƒá”›á”’â±á”ˆâ±âżá” á”˜âżá”ˆá”˜á”‰ á”˜Ëąá”‰ ᔒᶠ ᔐʞ ᔗᔒᔉ!" áŽŸËĄá”ƒâżá”á”—á”’âż ᔍᔒᔗ ʷʰᔃᔗ ʰᔉ Ê·á”’Êłá”á”‰á”ˆ ᔒⁿ á¶ á”’Êł Ëąá”–á”’âżá”á”‰á”‡á”’á”‡ ᔃ˥˥ ᔈᔃʞ á”’âżËĄÊž á”—á”’ Êłá”‰á”—á”˜Êłâż á”—á”’ ᶠⁱⁿᔈ Ëąá”–á”’âżá”á”‰á”‡á”’á”‡ ËąËĄá”‰á”‰á”–â±âżá” ᔒⁿ ᔗʰᔉ ᶜᔒᔘᶜʰ‧ "᎔ á”á”˜á”‰ËąËą ʰᔉ'Ëą ᔗʰᔉ á¶ â±ÊłËąá”— ᔒⁿᔉ á”—á”’ ᶠᔃ˥˥ á”ƒËąËĄá”‰á”‰á”– á”—á”’âżâ±á”Ê°á”—â€§â€§â€§" ᎔ á”—á”’ËĄá”ˆ áŽŸËĄá”ƒâżá”á”—á”’âżâ€§ áŽ¶á”˜Ëąá”— á”—Ê°á”‰âżâžŽ ᔃ á¶œá”’á”á”á”’á”—â±á”’âż á”’á¶œá¶œá”˜ÊłÊłá”‰á”ˆ á”’á”˜á”—á”ˆá”’á”’ÊłËą ⁱⁿ á¶ Êłá”’âżá”—â€§ áŽŸËĄá”ƒâżá”á”—á”’âż Ê·á”‰âżá”— á”—á”’ â±âżá”›á”‰Ëąá”—â±á”á”ƒá”—á”‰âžŽ ÊČá”˜Ëąá”— á”—á”’ ᶠⁱⁿᔈ áŽŸá”ƒá”—Êłâ±á¶œá” á”‡á”‰â±âżá” á¶ á”’ËĄËĄá”’Ê·á”‰á”ˆ ᔇʞ áŽ·Êłá”ƒá”‡Ëąâ€§â€§â€§ ᎔ á”á”˜á”‰ËąËą áŽŸá”ƒá”—Êłâ±á¶œá” á”‡ËĄá”ƒá”‡á”‡á”‰á”ˆ; ⁱᔗ Ê·á”’âż'á”— á”‰âżá”ˆ Ê·á”‰ËĄËĄâ€§ "áŽŸáŽžáŽŹáŽșᎷᔀᎌáŽș“" áŽ·Êłá”ƒá”‡Ëą Ëąá¶œÊłá”‰á”ƒá”á”‰á”ˆ ⁱⁿ á¶ á”˜ÊłÊžâžŽ ʷʰⁱᶜʰ ᔃʷᔒᔏᔉ Ëąá”–á”’âżá”á”‰á”‡á”’á”‡ á”˜âżá”‡á”‰á”âżá”’Ê·âżËąá”— á”—á”’ áŽŸËĄá”ƒâżá”á”—á”’âżâ€§ áŽčÊž Ê°á”˜Ëąá”‡á”ƒâżá”ˆ ËĄá”’á”’á”á”‰á”ˆ ᔘᔖ ᔃᔗ áŽŸá”ƒá”—Êłâ±á¶œá”â€§ "Ꮃᔉᔗ ˥ᔒ˹ᔗ➎ ᎟ᔃᔗ‧‧‧" "᎔'ᔐ á”—á”ƒËĄá”â±âżá” á”—á”’ ʞᔒᔘ!" áŽ·Êłá”ƒá”‡Ëą â±âżá”—á”‰ÊłÊłá”˜á”–á”—á”‰á”ˆ áŽŸËĄá”ƒâżá”á”—á”’âżâ€§ áŽșá”’Ê· á”†á”–á”’âżá”á”‰áŽźá”’á”‡'Ëą Ê·á”ƒá”—á¶œÊ°â±âżá” ʷⁱᔗʰ ᔐᔉ‧ "ᶻⁱᔖ ⁱᔗ➎ áŽ±á”˜á”á”‰âżá”‰; ʰᔉ'Ëą Êłá”‰Ëąá”—â±âżá”!" "ᎎᔉ ⁱ˹ ᔐᔉ á”‰á”á”–ËĄá”’Êžá”‰á”‰; ᔐᔒᔛᔉ á”’á”›á”‰Êł!" "ᎎᔉ âżá”‰á”‰á”ˆËą ᔖᔉᔃᶜᔉ ᔃⁿᔈ ᑫᔘⁱᔉᔗ➎ ⁿᔒᔗ Êžá”’á”˜Êł ËĄá”’á”˜á”ˆâ€§â€§â€§ "á”†Ê°á”‰ËĄá”ˆá”’âżâžŽ ᎔ á”—á”’ËĄá”ˆ ʞᔉ á”—á”’ ˹ᔗᔉᔖ á”ƒËąâ±á”ˆá”‰!" "ᔂᔉ˥˥ ᎔ á”—á”’ËĄá”ˆ ʞᔒᔘ ᔗᔒ‧‧‧" "᎔˥˥ á¶œÊłá”˜ËąÊ° ʞᔉ á”—á”’ Ëąá”â±á”—Ê°á”‰Êłá”’á”’âżËą á”†Ê°á”‰ËĄâ€§â€§â€§" "áŽșá”’! ᎎᔉ'Ëą ᔒᶠᶠ ᔗʰᔉ á¶œËĄá”’á¶œá” ᔃⁿᔈ ᎔'ᔐ ËĄá”‰á”—á”—â±âżá” ʰⁱᔐ Ëąá”—á”ƒÊžâ€§â€§â€§" "᎔ ʰᔃᔈ ʰⁱᔐ ˥ⁱᔐᔖ ᔃ˥˥ ᔈᔃʞ➎ Ëąá”’ ᔗʰᔉ ËĄá”‰á”ƒËąá”— ʰᔉ á¶œá”ƒâż ᔈᔒ‧‧‧" "ᎎᔉ'Ëą ËĄâ±á”á”–â±âżá” á”‡á”‰á¶œá”ƒá”˜Ëąá”‰ ʰᔉ'Ëą Ëąá”’Êłá”‰â€§â€§â€§" "áŽ±â±á”—Ê°á”‰Êł ʷᔃʞ ᎔'ËĄËĄ á”–á”˜âżâ±ËąÊ° ʰⁱᔐ➎ á¶ á”’Êł ʰᔉ á¶ Êłá”ƒá”—á”‰Êłâżâ±á¶»á”‰â€§â€§â€§" "᎔ ˥ᔉᔗ ʰⁱᔐ‧‧‧" "ᔂᔉ˥˥ á”—Ê°á”‰âż ᎔ ᶠ᎔ᎿᎱ ᎎ᎔áŽč!" ᔂᔉ ᔃ˥˥ Ëąâ±ËĄá”‰âżá”—ËĄÊž Ëąá”—á”’á”’á”ˆ ⁱⁿ ËąÊ°á”’á¶œá” ᔃ˹ ᔗʰᔉ ᔉᶜʰᔒ ᔒᶠ áŽ·Êłá”ƒá”‡ËąâžŽ ʷⁱᔗʰ Ëąá”–á”’âżá”á”‰á”‡á”’á”‡ Ê·Ê°â±á”á”–á”‰Êłâ±âżá”â€§ ᔂᔉ ᔃ˥˥ ʷᔃᔗᶜʰᔉᔈ á”–ËĄá”ƒâżá”á”—á”’âżâžŽ á”âżá”’Ê·â±âżá” ʰᔉ'Ëą á”á”’âżâżá”ƒ ʰᔃᔛᔉ á”—á”’ á¶œÊ°á”’á”’Ëąá”‰ ᔗʰᔉ ᶠᔃᔗᔉ‧‧‧ "᎞ⁱ˹ᔗᔉⁿ á”—á”’ ᔐᔉ➎ áŽ±á”˜á”á”‰âżá”‰; á”†á”–á”’âżá”á”‰áŽźá”’á”‡ ˥ᔒᔛᔉ˹ Ê°â±Ëą ÊČᔒᔇ ᔃᔗ Êžá”’á”˜Êł Êłá”‰Ëąá”—á”ƒá”˜Êłá”ƒâżá”— á”ƒâżá”ˆâ€§â€§â€§" ᎔ Ëąá”ƒÊ· áŽŸËĄá”ƒâżá”á”—á”’âż'Ëą á”—á”‰á”ƒÊłÊž ᔉʞᔉᔈ âżá”’Ê·â€§â€§â€§ "ʞᔒᔘ ʰᔃᔛᔉ ᔃ Ëąá¶œá”’Êłá”‰ á”—á”’ ˹ᔉᔗᔗ˥ᔉ ʷⁱᔗʰ ᔐᔉ➎ ᔍᔃᔐᔉ ᔒⁿ; ᔇᔘᔗ á”†á”–á”’âżá”á”‰áŽźá”’á”‡'Ëą ᔇᔉᔉⁿ âżá”’á”—Ê°â±âżá” ᔇᔘᔗ á”â±âżá”ˆ á”—á”’ á”‰â±á”—Ê°á”‰Êł ᔒᶠ ᔘ˹ ᔃᔗ á”’á”˜Êł Ê·á”’ÊłËąá”—! ᎎᔒʷ á”ˆá”ƒÊłá”‰ ʞᔒᔘ‧‧‧" "á”†â±âżá¶œá”‰ Ê·Ê°á”‰âż ᔈᔒ‧‧‧" "ᔂᎱ ᎏᎿᎱ ᶠᎿ᎔ᎱáŽș᮰ᔆ⾮ ᎏáŽșᎰ ᎎᎱ ᎰᎌᎱᔆáŽș'ᔀ áŽ°áŽ±á”†áŽ±áŽżâ±œáŽ± Ꮁ᎔ᔀᎎᎱᎿ ᎌᶠ ᔁᔆ!" áŽ·Êłá”ƒá”‡Ëą Ëąá”—á”’á”á”–á”‰á”ˆâžŽ Ê°á”ƒÊłá”ˆâ€§ "ᔂʰʞ á”ƒÊłá”‰âż'á”— ʞᔒᔘ‧‧‧" "᎔ ᎿᎏᔀᎎᎱᎿ ᔀᎏᎷᎱ ᔀᎎᎱ áŽźáŽžáŽŹá¶œáŽ· ᎱʞᎱ ᔀᎎᎏáŽș ᔀᎌ áŽŽáŽŹâ±œáŽ± áŽčÊž ᶠᎿ᎔ᎱáŽșᎰ ᶠ᎔ᎿᎱᎰ!" áŽŸËĄá”ƒâżá”á”—á”’âż á¶œÊłâ±á”‰á”ˆâžŽ ᔃ˹ áŽčÊłâ€§ áŽ·Êłá”ƒá”‡Ëą Ëąá”ƒÊ· ʰⁱᔐ Ê·â±ËĄËĄâ±âżá”ËĄÊž ⁿᔒᔗ ᔍⁱᔛᔉ ᎏ ᶠⁱᔍʰᔗ ᔃ˹ ʰᔉ á”˜Ëąá”˜á”ƒËĄËĄÊž Ê·á”’á”˜ËĄá”ˆâ€§ "Ꮃᔒ ᔃʰᔉᔃᔈ➎ á”‰á”˜á”á”‰âżá”‰â€§ á”†á‘«á”˜á”ƒËąÊ° ᔐᔉ ᔃ˹ ËĄá”’âżá” ᔃ˹ ʞᔒᔘ ˥ᔉᔗ ⁱᔗ á”á”‰á”ƒâż Ëąá”–á”’âżá”á”‰á”‡á”’á”‡â€§â€§â€§" áŽ¶á”˜Ëąá”— á”—Ê°á”‰âżâžŽ Ëąá”–á”’âżá”á”‰á”‡á”’á”‡ ᔖⁱᶜᔏᔉᔈ ᔘᔖ á”–ËĄá”ƒâżá”á”—á”’âżâžŽ Ê·Ê°á”’ ᶠᔉ˥ᔗ á”á”’Êłá”‰ Ëąá”’Êłá”‰ á”—Ê°á”ƒâż á”†á”–á”’âżá”á”‰áŽźá”’á”‡'Ëą ᔗᔒᔉ Ê·Ê°á”‰âż ʰᔉ Ëąá”—á”˜á”‡á”‡á”‰á”ˆ ⁱᔗ‧ ᎔ⁿ á”—á”‰á”ƒÊłËąâžŽ ʰᔉ ËĄá”’á”’á”á”‰á”ˆ ᔃᔗ áŽŸËĄá”ƒâżá”á”—á”’âżâ€§ Ꮁᔛᔉⁿ áŽčÊłâ€§ áŽ·Êłá”ƒá”‡Ëą Ëąá”ƒÊ· á”–ËĄá”ƒâżá”á”—á”’âż'Ëą Ëąâ±âżá¶œá”‰Êłâ±á”—Êž ⁱⁿ á”â±á”›â±âżá” ᔘᔖ Ê°â±Ëą ˥ⁱᶠᔉ'Ëą Ê·á”’Êłá” á”—á”’ Ëąá”–á”’âżá”á”‰á”‡á”’á”‡â€§ áŽșá”‰á”›á”‰Êł Ê°á”ƒËą ʰᔉ á¶œá”ƒËĄËĄá”‰á”ˆ á”ƒâżÊž á”–á”‰ÊłËąá”’âż ᔃ á¶ Êłâ±á”‰âżá”ˆâžŽ á”˜âżá”—â±ËĄ ᔗᔒᔈᔃʞ‧
new spongeblog plankbob spongebobkin plongebob plaren krabbobton krabbob krabston plabscore krustykrabcore karen about thy neighbour
Fandom: SpongeBob SquarePants (Cartoon) Relationship: Karen/Sheldon J. Plankton Characters: Karen (SpongeBob)Sheldon J. Plankton Language: English https://archiveofourown.org/works/53451349 My Tiny Genius RibbonDee Summary: After a long day of once again trying and failing to steal the Krabby Patty Secret Formula, Plankton is feeling down in the dumps. It's up to Karen to cheer him up.
new planktonkin karencore karen plankton
á”†á”ƒá¶œÊłâ±á¶ â±á¶œâ±âżá”   𝐂𝐖:đąđŠđ©đ„đąđžđ đŻđąđŸŽđ„đžđ§đœđž âœá”†á”–á”’âżá”á”‰áŽźá”’á”‡ á¶ á”ƒâżá¶ â±á¶œâŸ pt. 1   𝐂𝐖:đąđŠđ©đ„đąđžđ đŻđąđŸŽđ„đžđ§đœđž áŽŸËĄá”ƒâżá”á”—á”’âż Ê·á”ƒËą Êłá”˜âżâżâ±âżá” ᔒᔘᔗ ʷⁱᔗʰ ᔗʰᔉ Ëąá”‰á¶œÊłá”‰á”— ᔇᔒᔗᔗ˥ᔉ Ê·Ê°á”‰âż á”‡á”˜á”‡á”‡ËĄá”‰ á”‡á”ƒËąËą Ê·á”ƒËą á¶œá”’á”á”–ËĄá”ƒâ±âżâ±âżá” á”—á”’ Ëąá”–á”’âżá”á”‰á”‡á”’á”‡â€§ "ʞᔒᔘ ᔖᔘᔗ á”—á”’ ᔐᔘᶜʰ á”–â±á¶œá”ËĄá”‰Ëą! ᔂʰʞ Ëąá”’ á”á”ƒâżÊž á”–â±á¶œá”ËĄá”‰Ëą? ʞᔒᔘ'Êłá”‰ ᔃᔇᔒᔘᔗ á”—á”’ ᔇᔉ ⁱⁿ ᔃ á”–â±á¶œá”ËĄá”‰ Êžá”’á”˜ÊłËąá”‰ËĄá¶ !" á”†á”–á”’âżá”á”‰ ᔇᔒᔇ Ê·á”ƒËą ᔃ á”—á”ƒá”‡ËĄá”‰ ᔃʷᔃʞ➎ á”‡á”ƒá¶œá”â±âżá” ᔃʷᔃʞ ᔃ˹ á”‡á”˜á”‡á”‡ËĄá”‰ á”‡á”ƒËąËą á”—Ê°Êłá”‰á”ƒá”—á”‰âżá”‰á”ˆ ʰⁱᔐ‧ "᎔'ᔐ Ëąá”’ÊłÊłÊžâ€§â€§â€§" "ʞᔒᔘ Ê·â±ËĄËĄ ᔇᔉ‧‧‧" áŽŸËĄá”ƒâżá”á”—á”’âż Ëąá”—á”’á”–á”–á”‰á”ˆâ€§ Ꮁᔛᔉⁿ áŽčÊłâ€§ áŽ·Êłá”ƒá”‡Ëą ᶜᔃᔐᔉ ᔒᔘᔗ á”—á”’ ˹ᔉᔉ‧ áŽŸâ±á¶œá”â±âżá” ᔘᔖ ᔗʰᔉ âżá”ƒá”–á”â±âż á”ˆâ±Ëąá”–á”‰âżËąá”‰ÊłâžŽ á”‡á”˜á”‡á”‡ËĄá”‰ á”‡á”ƒËąËą Ê·á”ƒËą ᔃᔇᔒᔘᔗ á”—á”’ Ê°á”˜Êłá”— Ëąá”–á”’âżá”á”‰á”‡á”’á”‡ Ê·Ê°á”‰âż áŽŸËĄá”ƒâżá”á”—á”’âż ᔐᔃᔈᔉ Ê°â±Ëą ᔐᔒᔛᔉ‧ "áŽ·Êłá”ƒá”‡Ëą ᶜᔃᔗᶜʰ!" ᎎᔉ Êžá”‰ËĄËĄá”‰á”ˆâžŽ á”—Ê°Êłá”’Ê·â±âżá” ʰⁱᔐ ᔗʰᔉ ᔇᔒᔗᔗ˥ᔉ ᔃ˹ ʰᔉ Ê·á”‰âżá”— á”‡á”‰á”—Ê·á”‰á”‰âż ᔗʰᔉ ᔇᔒᔗʰ ᔒᶠ ᔗʰᔉᔐ‧ "ʞᔒᔘ'ËĄËĄ ʰᔃᔛᔉ á”—á”’ á”ˆá”‰á”ƒËĄ ʷⁱᔗʰ ᔐᔉ á”‡á”‰á¶ á”’Êłá”‰ á”á”‰á”—á”—â±âżá” á”—á”’ ʰⁱᔐ!" áŽŹâżá”Êłâ±ËĄÊžâžŽ á”‡á”˜á”‡á”‡ËĄá”‰ á”‡á”ƒËąËą á”˜Ëąá”‰á”ˆ ᔃ˥˥ Ê°â±Ëą Ëąá”—Êłá”‰âżá”á”—Ê° á”—á”’ á¶œÊ°á”˜âżá” ᔗʰᔉ âżá”ƒá”–á”â±âż á”ˆâ±Ëąá”–á”‰âżËąá”‰Êłâ€§ á”†á”‰á”‰â±âżá” ʰⁱᔐ Ê°á”˜ÊłËĄ ⁱᔗ➎ áŽŸËĄá”ƒâżá”á”—á”’âż Ëąá”—á”’á”’á”ˆ ⁱⁿ á¶ Êłá”’âżá”— ᔒᶠ Ê·Ê°á”‰âż ᔗʰᔉ âżá”ƒá”–á”â±âż á”ˆâ±Ëąá”–á”‰âżËąá”‰Êł ʰⁱᔗ ʰⁱᔐ➎ Ëąá”—Êłâ±á”â±âżá” Ê°â±Ëą ʰᔉᔃᔈ‧ áŽŽá”ƒÊłá”ˆâ€§ áŽŸËĄá”ƒâżá”á”—á”’âż Êžá”‰ËĄá”–á”‰á”ˆ ᔃ˹ ⁱᔗ á”–á”’á”˜âżá”ˆá”‰á”ˆ ʰⁱᔐ➎ á”—Ê°á”‰âż ʰᔉ ᶠᔉ˥˥ ᔇᔃᶜᔏ ˥ⁱᔐᔖ ᔃⁿᔈ á”˜âżá¶œá”’âżËąá¶œâ±á”’á”˜Ëąâ€§ Ꮁᔛᔉⁿ á”‡á”˜á”‡á”‡ËĄá”‰ á”‡á”ƒËąËą Ëąá”—á”’á”’á”ˆ Ëąâ±ËĄá”‰âżá”—ËĄÊž ⁱⁿ ËąÊ°á”’á¶œá”âžŽ Ëąá”‰á”‰â±âżá” ʰⁱᔐ á¶œá”’á”á”–ËĄá”‰á”—á”‰ËĄÊž ᔃⁿᔈ á”˜á”—á”—á”‰ÊłËĄÊž á”âżá”’á¶œá”á”‰á”ˆ ᔒᔘᔗ‧ á”†á”–á”’âżá”á”‰á”‡á”’á”‡ Êłá”ƒâż á”—á”’ ʰⁱᔐ ᔃ˹ ʰᔉ á¶œÊłâ±á”‰á”ˆâ€§ áŽčÊłâ€§ áŽ·Êłá”ƒá”‡Ëą á”˜ËąÊ°á”‰Êłá”‰á”ˆ ᔃ˥˥ ᔗʰᔉ á¶œá”˜Ëąá”—á”’á”á”‰ÊłËą ᔒᔘᔗ ᔃⁿᔈ ᔖᔘᔗ ᔗʰᔉ 'á¶œËĄá”’Ëąá”‰á”ˆ' Ëąâ±á”âżâ€§ Ꮁᔛᔉⁿ á”†á‘«á”˜â±á”ˆÊ·á”ƒÊłá”ˆ ËĄá”’á”’á”á”‰á”ˆ ᔘᔖ á¶œá”’âżá¶œá”‰Êłâżá”‰á”ˆâ€§ "᎔'ᔐ á”á”’âżâżá”ƒ ᔍᔒ ᔖᔘᔗ ᔗʰᔉ ᔇᔒᔗᔗ˥ᔉ ⁱⁿ ᔐᔉ Ëąá”ƒá¶ á”‰â€§â€§â€§" áŽčÊłâ€§ áŽ·Êłá”ƒá”‡Ëą Ëąá”ƒâ±á”ˆâ€§ á”†á‘«á”˜â±á”ˆÊ·á”ƒÊłá”ˆ ᔍᔒᔗ ᔈᔃᔐᔖ á¶œËĄá”’á”—Ê° Êłá”ƒá” ʷⁱᔖᔉ á”—á”’ ᔖᔘᔗ ᔒⁿ Ê°â±Ëą ʰᔉᔃᔈ‧ áŽŸËĄá”ƒâżá”á”—á”’âż ˹ᔗⁱ˥˥ ᔈⁱᔈⁿ'á”— ᔉᔛᔉⁿ á¶ ËĄâ±âżá¶œÊ° á”’Êł ᔐᔒᔛᔉ ⁱⁿ ᔗʰᔉ ËąËĄâ±á”Ê°á”—á”‰Ëąá”—â€§ "ᎎᔉ ËĄá”’á”’á”Ëą ˥ⁱᶠᔉ˥ᔉ˹˹➎ Ëąá”–Êłá”ƒÊ·ËĄá”‰á”ˆ ᔒᔘᔗ‧‧‧" áŽčÊłâ€§ áŽ·Êłá”ƒá”‡Ëą ᔃⁿᔈ á”‰á”á”–ËĄá”’Êžá”‰á”‰Ëą ʷᔃᔗᶜʰᔉᔈ á”’á”›á”‰Êł áŽŸËĄá”ƒâżá”á”—á”’âżâ€§ á”‚Ê°á”‰âż Ê°â±Ëą ˹ᔉⁿ˹ᔉ˹ ᔈⁱᔈ Ëąá”—á”ƒÊłá”—á”‰á”ˆ Êłá”‰á”—á”˜ÊłâżâžŽ Ê°â±Ëą á”‰Êžá”‰á”‡Êłá”’Ê· á¶ á”˜ÊłÊłá”’Ê·á”‰á”ˆ ᔃ˹ á”‡á”‰á”â±âżâżâ±âżá” á”—á”’ ʷᔃᔏᔉ ᔘᔖ‧ "ᎎⁱ!" áŽŸËĄá”ƒâżá”á”—á”’âż Ê°á”‰á”ƒÊłá”ˆ ᔃ ᔛᔒⁱᶜᔉ‧ "ʞᔒᔘ'Êłá”‰ ᔃᔗ ᔗʰᔉ á”Êłá”˜Ëąá”—Êž á”Êłá”ƒá”‡â€§â€§â€§" á”†á”–á”’âżá”á”‰ ᔇᔒᔇ ˹ᔃⁱᔈ ᔃ˹ Ê°â±Ëą ᔉʞᔉ á¶ ËĄá”˜á”—á”—á”‰ÊłËą ᔒᔖᔉⁿ‧ "áŽŹá”ƒá”ƒâ€§â€§â€§" áŽŸËĄá”ƒâżá”á”—á”’âż á”á”ƒâżá”ƒá”á”‰á”ˆ á”—á”’ á”˜á”—á”—á”‰Êłâ€§ ᎎᔉ Ê·á”ƒâżá”—á”‰á”ˆ á”—á”’ ᔐᔒᔛᔉ➎ ᔇᔘᔗ á”–á”ƒâ±âż ËąÊ·â±ÊłËĄá”‰á”ˆ Ê°â±Ëą ʰᔉᔃᔈ Ê·Ê°á”‰âż ʰᔉ Ëąá”—Êłá”˜á”á”ËĄá”‰á”ˆ á”—á”’ á¶œá”’á”á”–Êłá”‰Ê°á”‰âżá”ˆâ€§ "ᔁⁿ‧‧‧" "á¶œá”ƒâż ʞᔒᔘ ˹ⁱᔗ ᔘᔖ➎ áŽŸËĄá”ƒâżá”á”—á”’âż?" á”†á”–á”’âżá”á”‰á”‡á”’á”‡ ᔍᔒᔗ ʰⁱᔐ ˹ᔒᔐᔉ Ê·á”ƒá”—á”‰Êł ᔃⁿᔈ Ê°á”‰ËĄá”–á”‰á”ˆ ʰⁱᔐ á”ˆÊłâ±âżá” ⁱᔗ‧ "áŽŹÊ°á”˜Ê°âžŽ ᔒʷ‧ ᔂʰᔃ‧‧‧" "áŽŸËĄá”ƒâżá”á”—á”’âżâžŽ ᔗᔃᔏᔉ ⁱᔗ ËąËĄá”’Ê·â€§ ʞᔒᔘ á”ƒÊłá”‰ Ëąá”ƒá¶ á”‰â€§ ʞᔒᔘ'ËĄËĄ ᔇᔉ ÊČá”˜Ëąá”— ᶠⁱⁿᔉ‧‧‧" "á”†á”–á”’âżá”á”‰á”‡á”’á”‡?" "Êžá”‰ËąâžŽ ᎔'ᔐ Êłâ±á”Ê°á”— ʷⁱᔗʰ ʞᔒᔘ‧ ᎔ ᔍᔒᔗ ʞᔒᔘ‧" áŽŸËĄá”ƒâżá”á”—á”’âż á”—Êłâ±á”‰á”ˆ á”—á”’ Ëąá”˜á”á”á”’âż Ëąá”—Êłá”‰âżá”á”—Ê° á”—á”’ ᔍᔉᔗ ᔘᔖ ᔃⁿᔈ Ëąá”—á”ƒâżá”ˆâžŽ ᔇᔘᔗ ʰᔉ á¶œá”’á”˜ËĄá”ˆ ⁿᔒᔗ‧ "áŽșá”’á”— Ëąá”’ á¶ á”ƒËąá”—!" ᔆᔃⁱᔈ áŽčÊłâ€§ áŽ·Êłá”ƒá”‡Ëąâ€§ ᎎᔉ ᶠᔉ˥ᔗ ᔗʰᔉ ⁱᔐᔖᔃᶜᔗ ᔒᶠ ᔗʰᔉ ʰⁱᔗ á”á”’Êłá”‰ ⁱⁿᔗᔉⁿ˹ᔉ á”‡á”‰á¶ á”’Êłá”‰ Ëąá”–á”’âżá”á”‰á”‡á”’á”‡ ᶜᔃᔘᔍʰᔗ ʰⁱᔐ‧ "Ꮀᔒⁿ'á”— áŽŸËĄá”ƒâżá”á”—á”’âż!" á”†á”–á”’âżá”á”‰á”‡á”’á”‡ Ê°á”‰ËĄá”–á”‰á”ˆ ʰⁱᔐ ˹ᔉᔗᔗ˥ᔉ‧ "áŽčÊłâ€§ áŽ·Êłá”ƒá”‡Ëą á¶œá”ƒâż ᎔ ᔍᔒ ʰᔒᔐᔉ Ëąâ±âżá¶œá”‰ ⁱᔗ'Ëą á”’á”˜Êł á¶œËĄá”’Ëąâ±âżá” ᔗⁱᔐᔉ?" "Êžá”‰Ëą áŽčÊłâ€§ á”†á‘«á”˜â±á”ˆÊ·á”ƒÊłá”ˆ ʞᔒᔘ á¶œá”ƒâżâ€§" á”†á‘«á”˜â±á”ˆÊ·á”ƒÊłá”ˆ ᔇᔉⁿᔗ á”ˆá”’Ê·âżâ€§ "áŽ¶á”˜Ëąá”— ᔐᔃᔏᔉ Ëąá”˜Êłá”‰ ʞᔒᔘ ÊČá”˜Ëąá”— ᔍᔉᔗ Ê·á”‰ËĄËĄ Êłá”‰Ëąá”—á”‰á”ˆ áŽŸËĄá”ƒâżá”á”—á”’âżâ€§" ᎎᔉ á”—á”’ËĄá”ˆ á”—Ê°á”‰âż ˥ᔉᶠᔗ‧ "á¶œá”ƒâż ᎔ ʰᔃᔛᔉ ᔃ á”—á”ƒËĄá” ʷⁱᔗʰ á”†á”–á”’âżá”á”‰á”‡á”’á”‡ ᔃ ᔐᔒᔐᔉⁿᔗ á”ƒËĄá”’âżá”‰?" "᎔'ËĄËĄ ᔇᔉ ⁱⁿ ᔐᔉ ᔒᶠᶠⁱᶜᔉ‧‧‧" áŽčÊłâ€§ áŽ·Êłá”ƒá”‡Ëą ᔍᔃᔛᔉ ᔗʰᔉᔐ Ëąá”–á”ƒá¶œá”‰â€§ "᎔ Êłá”‰á”á”‰á”á”‡á”‰Êł ʞᔒᔘ ᔃⁿᔈ á”‡á”˜á”‡á”‡ËĄá”‰ á”‡á”ƒËąËąâžŽ ᔃⁿᔈ ᔗʰᔉ ᔇᔒᔗᔗ˥ᔉ ᎔ ᔍᔃᔛᔉ á”—á”’ áŽ·Êłá”ƒá”‡Ëą Ê·Ê°á”‰âż ʰᔉ Ê·á”ƒËą á”á”’â±âżá” á”—á”’ Ê°á”˜Êłá”— ʞᔒᔘ➎ ᎔ Ëąá”ƒÊ· ʰⁱᔐ ᔍᔉᔗ ᔗʰᔉ âżá”ƒá”–á”â±âż á”ˆâ±Ëąá”–á”‰âżËąá”‰Êłâ€§â€§â€§" "ʞᔒᔘ á”‰âżá”ˆá”ƒâżá”á”‰Êłá”‰á”ˆ Êžá”’á”˜ÊłËąá”‰ËĄá¶  ᔃⁿᔈ ᔍᔃᔛᔉ ᔘᔖ ᔗʰᔉ ᔇᔒᔗᔗ˥ᔉ ÊČá”˜Ëąá”— á¶ á”’Êł ᔐᔉ‧‧‧" "᎔ á”ˆá”’âż'á”— á”âżá”’Ê· Ê·Ê°Êž ʞᔒᔘ'Êłá”‰ Ëąá”ƒá”ˆâ€§â€§â€§" áŽŸËĄá”ƒâżá”á”—á”’âż Ëąá”ƒÊ· ʰⁱᔐ á¶œÊłÊžâ±âżá”â€§ "ᔂᔉ'ᔛᔉ ˹ᔖᔉⁿᔗ Ê°á”ƒËĄá¶  ᔗʰᔉ Ê·á”’Êłá” ᔈᔃʞ á¶ á”‰á”ƒÊłâ±âżá” ᔗʰᔉ Ê·á”’ÊłËąá”—â€§ ʞᔒᔘ Ê·á”‰âżá”— ᔒᔘᔗ á¶œá”’ËĄá”ˆ ᔃ˹ ʞᔒᔘ ᔍᔒᔗ ʰⁱᔗ‧ á”†á”‰á”‰â±âżá” Êžá”’á”˜Êł ᔉʞᔉ Êłá”’ËĄËĄ ᔇᔃᶜᔏ‧‧‧" á”†á”–á”’âżá”á”‰á”‡á”’á”‡ ʰᔘᔍᔍᔉᔈ ʰⁱᔐ‧ "Ꮀᔒⁿ'á”— Ëąá‘«á”˜á”‰á”‰á¶»á”‰ á”—á”’ á”—â±á”Ê°á”—ËĄÊž Ê°á”ƒÊłá”ˆ!" "á”†á”’ÊłÊłÊžâ€§â€§â€§" "á¶œá”ƒâż ʞᔒᔘ ˹ᔗⁱ˥˥ Ê°á”’ËĄá”ˆâ€§â€§â€§" áŽčÊłâ€§ áŽ·Êłá”ƒá”‡Ëą ᶜᔃᔐᔉ ᔒᔘᔗ ᔒᶠ ᔗʰᔉ ᔒᶠᶠⁱᶜᔉ‧ "áŽłá”’á”—á”—á”ƒ ËĄá”’á¶œá” ᔘᔖ➎ ᔇᔒʞ‧‧‧" "ʞᔒᔘ Ê·á”ƒâżá”— ᔐᔉ á”—á”’ ᔗᔃᔏᔉ ʞᔒᔘ ʰᔒᔐᔉ?" "Êžá”‰ËąâžŽ á”–ËĄá”‰á”ƒËąá”‰ Ëąá”—á”ƒÊžâ€§â€§â€§" "á”†Ê°á”‰ËĄá”ˆá”’âż áŽŸËĄá”ƒâżá”á”—á”’âż Ê·Ê°á”‰Êłá”‰ ʰᔃᔛᔉ ʞᔒᔘ ᔇᔉᔉⁿ‧‧‧" áŽ·á”ƒÊłá”‰âż Ëąá”ƒÊ· Ëąá”–á”’âżá”á”‰ ᔇᔒᔇ á”‡Êłâ±âżá” Ê°á”‰Êł Ê°á”˜Ëąá”‡á”ƒâżá”ˆ ⁱⁿ ʷⁱᔗʰ á”‡Êłá”˜â±Ëąá”‰á”ˆ ᔒⁿ ᔗʰᔉ ʰᔉᔃᔈ‧ ᔆᔖᔒᔗ ᔗʰᔉ ᔃᔐᔒᔉᔇᔃ ᔖᔘᔖᔖʞ ᶜᔃᔐᔉ á”—á”’ á”Êłá”‰á”‰á”— Ê°â±Ëą á”’Ê·âżá”‰Êłâ€§ "ᎌʰ‧‧‧" "áŽ·á”ƒÊłá”‰âż ᎔ âżá”‰á”‰á”ˆ á”—á”’ ᔗᔉ˥˥ ʞᔒᔘ Ëąá”’á”á”‰á”—Ê°â±âżá”â€§â€§â€§" "á”†á”–á”’âżá”á”‰á”‡á”’á”‡ á”–ËĄá”‰á”ƒËąá”‰ á”ˆá”’âż'á”— ËĄá”‰á”ƒá”›á”‰ ᔐʞ Ëąâ±á”ˆá”‰!" á”†á”–á”’âżá”á”‰á”‡á”’á”‡ Ê°á”‰ËĄá”–á”‰á”ˆ áŽŸËĄá”ƒâżá”á”—á”’âż á”ˆá”’Ê·âż á”—á”’ ᔗʰᔉ Ëąá”’á¶ á”ƒâ€§ "ᎏ á¶œá”˜Ëąá”—á”’á”á”‰Êł Ê·á”ƒËą ᔃᔇᔒᔘᔗ á”—á”’ Ê°á”ƒÊłá” ᔐᔉ Ê·Ê°á”‰âż áŽŸËĄá”ƒâżá”á”—á”’âż ᔗᔒᔒᔏ ᔗʰᔉ ⁱⁿÊČá”˜ÊłÊžâ€§â€§â€§" "᎔‧‧‧" "áŽŸËĄá”ƒâżá”á”—á”’âżâžŽ ˥ᔉᔗ ᔐᔉ á¶ â±âżâ±ËąÊ° á¶ â±ÊłËąá”—â€§ ᔆᔒ ᔗʰᔉ á¶œá”˜Ëąá”—á”’á”á”‰Êł á”—Ê°Êłá”‰Ê· ᔗʰᔉ á¶ â±ÊłËąá”— á”—Ê°â±âżá” ʰᔉ'ᔈ ᔍᔉᔗ Ê°â±Ëą Ê°á”ƒâżá”ˆËą ᔒⁿ‧‧‧" á”†á”–á”’âżá”á”‰á”‡á”’á”‡ á”—á”’ËĄá”ˆ Ê°á”‰Êł ᔃ˹ ʰᔉ ᔍᔒᔗ ᔒᔘᔗ ᔗʰᔉ Ëąá”ƒá”á”‰ âżá”ƒá”–á”â±âż á”ˆâ±Ëąá”–á”‰âżËąá”‰ÊłâžŽ Ëąá”—á”ƒâ±âżá”‰á”ˆ Êłá”‰á”ˆ á¶ Êłá”’á” Ê·Ê°á”‰Êłá”‰ ʰᔉ á”‡ËĄá”‰á”‰á”ˆâ€§ "áŽŸËĄá”ƒâżá”á”—á”’âżâ€œ" áŽ·á”ƒÊłá”‰âż ᶜᔃᔘᔍʰᔗ Ê°á”‰Êł á”‡Êłá”‰á”ƒá”—Ê°â€§ to be cont. Pt. 2
new bubble bass krustykrabcore unconsciouscore faintingcore sacricore recoverypunk karen plankton sacrificing
ᔆⁱᔈᔉ ᔇʞ Ëąâ±á”ˆá”‰ âœá”†á”–á”’âżá”á”‰áŽźá”’á”‡ á¶ á”ƒâżá¶ â±á¶œâŸ áŽŒâż ᔗʰᔉ Êłá”’á”’á¶  ᔒᶠ ᔗʰᔉ ᶜʰᔘᔐ ᔇᔘᶜᔏᔉᔗ➎ áŽŸËĄá”ƒâżá”á”—á”’âż á”—Ê°Êłá”‰Ê· ᔗʰᔉ á”Êłá”ƒá”–á”–ËĄâ±âżá” ʰᔒᔒᔏ ᔃ˹ ⁱᔗ ᔃᔗᔗᔃᶜʰᔉᔈ á”—á”’ ᔗʰᔉ Êłá”’á”’á¶  ᔒᶠ ᔗʰᔉ á”Êłá”˜Ëąá”—Êž á”Êłá”ƒá”‡â€§ á”†á”‰á¶œá”˜Êłâ±âżá” ⁱᔗ➎ áŽŸËĄá”ƒâżá”á”—á”’âż Ê·á”‰âżá”— ᔃⁿᔈ ᔍᔒᔗ ᶻⁱᔖ˥ⁱⁿᔉ á”á”‰á¶œÊ°á”ƒâżâ±Ëąá” ᔃ˹ ʰᔉ ÊČᔘᔐᔖᔉᔈ ËąËĄâ±á”ˆâ±âżá” ᔒⁿ á”ˆá”’Ê·âżâ€§ áŽčÊłâ€§ áŽ·Êłá”ƒá”‡Ëą Ëąá”ƒÊ· ʰⁱᔐ ᔃᔇᔒᔛᔉ ᔗʰᔉ Êłá”’á”ƒá”ˆ Ê·Ê°á”‰âż Ëąá”‰á”‰â±âżá” ᔗʰᔉ Êłá”’á”–á”‰ Ëąá”—Êłâ±âżá” ʰᔉ Ëąá”‰á”›á”‰Êłá”‰á”ˆ ⁱᔗ‧ á¶ á”ƒËĄËĄâ±âżá” á”ˆá”’Ê·âż Ê°á”‰á”ƒá”ˆá¶ â±ÊłËąá”—âžŽ áŽŸËĄá”ƒâżá”á”—á”’âż ʰⁱᔗ ᔗʰᔉ Ê°á”ƒÊłá”ˆ á¶œá”‰á”á”‰âżá”— á”’âżá¶œá”‰ ʰᔉ ᶠᔉ˥˥ á”ˆá”’Ê·âżâ€§ á”†á”–á”’âżá”á”‰á”‡á”’á”‡ Ëąá”ƒÊ· ᔃⁿᔈ Êłá”ƒâż ᔒᔘᔗ ᔃ˹ ʰᔉ ʰⁱᔗ ᔗʰᔉ á”Êłá”’á”˜âżá”ˆâžŽ Ëąá”—á”ƒâżá”ˆâ±âżá” ʰⁱᔐ ᔘᔖ‧ áŽŽá”’Ê·á”‰á”›á”‰Êł áŽŸËĄá”ƒâżá”á”—á”’âż'Ëą ᔉʞᔉ Êłá”’ËĄËĄá”‰á”ˆ ᔘᔖ ⁱⁿ Ê°â±Ëą ʰᔉᔃᔈ ᔃⁿᔈ á¶œËĄá”’Ëąá”‰á”ˆ ᔃ˹ ʰᔉ á”˜á”—á”—á”‰Êłá”‰á”ˆ ᔃ ⁿᔒⁱ˹ᔉ ᔃ˹ ʰᔉ ᶠᔉ˥˥➎ Ëąá”–á”’âżá”á”‰á”‡á”’á”‡ á¶œá”ƒá”—á¶œÊ°â±âżá” ʰⁱᔐ á¶ á”ƒâ±âżá”—â€§ áŽčÊłâ€§ áŽ·Êłá”ƒá”‡Ëą ᔇᔃᶜᔏᔉᔈ ᔃʷᔃʞ ËĄá”‰á”ƒá”›â±âżá” ᔗʰᔉᔐ‧ á”†á”–á”’âżá”á”‰á”‡á”’á”‡ Ê·á”ƒËą á”˜âżá”ƒá”‡ËĄá”‰ á”—á”’ Êłá”‰á”á”ƒâ±âż á¶œá”’âżËąá¶œâ±á”’á”˜Ëąâżá”‰ËąËą ᔉᔛᔉⁿ á”ƒá¶ á”—á”‰Êł áŽžâ±Ëąá”—â±âżá” ᔗʰᔉ ᔖᔃᔗᔗʞ â±âżá”Êłá”‰á”ˆâ±á”‰âżá”—Ëą ⁱⁿ á”ˆá”‰Ëąá”–á”‰Êłá”ƒá”—â±á”’âżâ€§ á”†á”–á”’âżá”á”‰á”‡á”’á”‡ á”ƒËĄËąá”’ á”âżá”‰Ê· á”†á”ƒâżá”ˆÊž ᔃⁿᔈ áŽ·á”ƒÊłá”‰âż Ê·á”‰Êłá”‰ Ê°á”ƒá”›â±âżá” ᔃ á”â±ÊłËĄËą á”—Êłâ±á”–âžŽ Ëąá”’ ʰᔉ ˹ᔉᔗ Ê°â±Ëą ᔇᔒᔈʞ ᔒⁿ ᔗʰᔉ ᶜᔒᔘᶜʰ ᔃ˹ Ëąá”–á”’á”— ᔗʰᔉ ᔃᔐᔒᔉᔇᔃ ᔖᔘᔖᔖʞ á”—Êłá”’á”—Ëą á”’á”›á”‰Êłâ€§ ᔆᔖᔒᔗ Ê·Ê°â±á”á”–á”‰Êłá”‰á”ˆ ᔃⁿᔈ ᔍᔃᔛᔉ áŽŸËĄá”ƒâżá”á”—á”’âż á”â±ËąËąá”‰Ëą ᔇᔘᔗ ʰᔉ ᔈⁱᔈⁿ'á”— Êłá”‰Ëąá”–á”’âżá”ˆ á”—á”’ Ëąá”–á”’á”—Ëą ËĄâ±á¶œá”â±âżá” ⁱⁿ ᔗʰᔉ ËąËĄâ±á”Ê°á”—á”‰Ëąá”—! "᎔ á”‡Êłá”’á”˜á”Ê°á”— ʞᔒᔘ á”—á”’ ᔗʰᔉ á¶œá”’á”á¶ á”’Êłá”— ᔒᶠ Êžá”’á”˜Êł ʰᔒᔐᔉ‧‧" á¶œÊłâ±á”‰á”ˆ á”†á”–á”’âżá”á”‰á”‡á”’á”‡â€§ á”€ÊłÊžâ±âżá” á”—á”’ á”—Ê°â±âżá”âžŽ ʰᔉ ᶠᔉ˥ᔗ á”—á”‰á”ƒÊłËą Ëąá”—Êłá”‰á”ƒá” á”ˆá”’Ê·âż Ê°â±Ëą ᶠᔃᶜᔉ‧ "áŽŸËĄá”‰á”ƒËąá”‰ á”’Ê° á”–ËĄá”‰á”ƒËąá”‰ á”†Ê°á”‰ËĄá”ˆá”’âż áŽŸËĄá”ƒâżá”á”—á”’âżâ€§â€§" á”†á”’á”‡á”‡â±âżá” ᔃⁿᔈ á”–á”ƒá”—á”—â±âżá” Ê°â±Ëą á”ƒÊłá” á”†á”–á”’âżá”á”‰á”‡á”’á”‡ ᔈⁱᔈⁿ'á”— ËĄá”‰á”ƒá”›á”‰ Ê°â±Ëą Ëąâ±á”ˆá”‰â€§ á”†á”–á”’âżá”á”‰á”‡á”’á”‡ á”–á”˜ËĄËĄá”‰á”ˆ ᔘᔖ ᔃ á¶œÊ°á”ƒâ±Êł ᔇʞ ʰⁱᔐ ᔃᔈÊČá”ƒá¶œá”‰âżá”— á”—á”’ ᔗʰᔉ ᶜᔒᔘᶜʰ‧ ᎎᔉ Ê°á”‰ËĄá”ˆ ˹ᔖᔒᔗ‧ "᎔'ËĄËĄ Ëąá”–á”‰âżá”ˆ ᔗʰᔉ âżâ±á”Ê°á”— Ëąá”’ ʷᔉ'ËĄËĄ ᔇᔉ Ëąâ±á”ˆá”‰ ᔇʞ Ëąâ±á”ˆá”‰â€§â€§" ᔀʰᔉ ⁿᔉˣᔗ á”á”’Êłâżâ±âżá” á”†á”–á”’âżá”á”‰á”‡á”’á”‡ ᔃʷᔒᔏᔉ Êłâ±á”Ê°á”— ᔇʞ áŽŸËĄá”ƒâżá”á”—á”’âżâ€§ "áŽłá”’á”’á”ˆ á”á”’Êłâżâ±âżá” á”ˆá”‰á”ƒÊł á¶ Êłâ±á”‰âżá”ˆ! ᎔ ʰᔒᔖᔉ ʞᔒᔘ ᔍᔉᔗ á¶ á”‰á”‰ËĄâ±âżá” á”ƒâżÊž á”‡á”‰á”—á”—á”‰Êł ᔗᔒᔈᔃʞ‧ ʞᔒᔘ'Êłá”‰ á”â±ËąËąá”‰á”ˆ ᔇʞ ᔘ˹!" áŽ·â±ËąËąâ±âżá” Ê°â±Ëą á¶ á”’Êłá”‰Ê°á”‰á”ƒá”ˆ á”†á”–á”’âżá”á”‰á”‡á”’á”‡ Ëąá”ƒá”— ᔇʞ áŽŸËĄá”ƒâżá”á”—á”’âżâ€§ "ᔆʰᔒʷ ᔐᔉ ᔃ Ëąâ±á”âżâ€§â€§â€§" á¶œÊłÊžâ±âżá” á”ƒá”á”ƒâ±âżâžŽ Ëąá”–á”’âżá”á”‰á”‡á”’á”‡ ᔈᔉᶜⁱᔈᔉᔈ á”—á”’ Êłá”‰á”ƒá”ˆ á”—á”’ ʰⁱᔐ Ê·Ê°â±ËĄËąá”— Ê·á”ƒâ±á”—â±âżá”â€§ "ᔂʰᔃᔗ á”‡á”’á”’á”Ëą ʰᔃᔛᔉ ʞᔒᔘ‧‧‧" á”†á”–á”’âżá”á”‰á”‡á”’á”‡ ËĄá”’á”’á”á”‰á”ˆ ᔃⁿᔈ âżá”’á”—â±á¶œá”‰á”ˆ ᔃ ᔇᔒᔒᔏ ᔒⁿ ᔗʰᔉ á”—á”ƒá”‡ËĄá”‰â€§ "ᎏ ᔇᔒᔒᔏ ᔃᔇᔒᔘᔗ âżá”˜á¶œËĄá”‰á”ƒÊł á”–á”’Ê·á”‰Êłâ€§â€§" á¶œÊ°á”˜á¶œá”ËĄá”‰á”ˆ á”†á”–á”’âżá”á”‰á”‡á”’á”‡ ᔃ˹ ʰᔉ Ê·á”‰âżá”— ᔇᔃᶜᔏ á”—á”’ ˹ⁱᔗ ʷⁱᔗʰ áŽŸËĄá”ƒâżá”á”—á”’âżâ€§ "᎔'ËĄËĄ Ëąá”—á”ƒÊłá”— ᔗʰᔉ á”‡á”‰á”â±âżâżâ±âżá”â€§â€§â€§" á”†á”–á”’âżá”á”‰á”‡á”’á”‡ ᔍᔒᔗ â±âżá”—á”‰ÊłÊłá”˜á”–á”—á”‰á”ˆ ᔇʞ Ê°â±Ëą á”–Ê°á”’âżá”‰â€§ 'á”†á”–á”’âżá”á”‰á”‡á”’á”‡ Ê·Ê°á”‰Êłá”‰ á”ƒÊłá”‰ ʞᔒᔘ? ᎔ ᔃᔐ ᔃᔗ Êžá”’á”˜Êł Ê°á”’á”˜Ëąá”‰â€§â€§' áŽŸá”ƒá”—Êłâ±á¶œá” á”ƒâżËąÊ·á”‰Êłá”‰á”ˆ ᔗʰᔉ á”’á”—Ê°á”‰Êł Ëąâ±á”ˆá”‰ ᔒᶠ á”–Ê°á”’âżá”‰â€§ "᎔'ᔐ ᔃᔗ ᔗʰᔉ ᶜʰᔘᔐ ᔇᔘᶜᔏᔉᔗ!" áŽŹá¶ á”—á”‰Êł Ê°á”ƒâżá”â±âżá” ᔘᔖ ᔗʰᔉ á”–Ê°á”’âżá”‰âžŽ Ëąá”–á”’âżá”á”‰á”‡á”’á”‡ Ê·á”‰âżá”— Êłâ±á”Ê°á”— ᔇᔃᶜᔏ á”—á”’ áŽŸËĄá”ƒâżá”á”—á”’âż'Ëą ᔇᔒᔒᔏ‧ ᎎᔉ ᔈⁱᔈⁿ'á”— á”˜âżá”ˆá”‰ÊłËąá”—á”ƒâżá”ˆ Ê°á”ƒËĄá¶  ᔒᶠ ⁱᔗ ᔃⁿᔈ ᔈⁱᔈⁿ'á”— ËĄâ±á”á”‰ ⁱᔗ á”–á”ƒÊłá”—â±á¶œá”˜ËĄá”ƒÊłËĄÊž Ê°â±á”Ëąá”‰ËĄá¶ âžŽ ᔇᔘᔗ ʰᔉ ᔏᔉᔖᔗ ᔒⁿ Êłá”‰á”ƒá”ˆâ±âżá” ⁱᔗ á”—á”’ ʰⁱᔐ‧‧ áŽŸá”‰á”—Ëą á”ƒÊłá”‰ Ëąá”á”ƒÊłá”— ᔃⁿᔈ á¶œá”ƒâż ˹ᔉⁿ˹ᔉ➎ Ëąá”’ Ëąá”–á”’á”— á”âżá”‰Ê· áŽŸËĄá”ƒâżá”á”—á”’âż'Ëą á”—ÊłÊžâ±âżá” á”—á”’ ᶜᔒᔐᔉ ᔒᔘᔗ ᔒᶠ ᔗʰᔉ ᶜᔒᔐᔃ‧ ᔆᔖᔒᔗ â±á”á”á”‰á”ˆâ±á”ƒá”—á”‰ËĄÊž Ëąá”—á”ƒÊłá”—á”‰á”ˆ á”—á”’ âżá”˜á”ˆá”á”‰ ʰⁱᔐ ᔃ˹ ʰᔉ ᔈᔉᔗᔉᶜᔗᔉᔈ ËąËĄá”’Ê·ËĄÊž ᔇᔘᔗ Ëąá”˜Êłá”‰ËĄÊž Êłá”‰á¶œá”’á”›á”‰ÊłÊžâ€§ "ᔆᔖᔒᔗ ˥ᔒᔛᔉ˹ ʞᔒᔘ Ëąá”’ ᔐᔘᶜʰ➎ ᔃⁿᔈ Ëąá”’ ᔈᔒ ᎔‧ ᔂᔉ ÊČá”˜Ëąá”— Ê·á”ƒâżá”— ʞᔒᔘ á”—á”’ ᔇᔉ Ê·á”‰ËĄËĄâ€§ ʞᔒᔘ'Êłá”‰ Ëąá”’ á”ƒá”á”ƒá¶»â±âżá” áŽŸËĄá”ƒâżá”á”—á”’âżâ€§ áŽșá”’ á”á”ƒá”—á”—á”‰Êł ʷʰᔃᔗ➎ ⁱᔗ'Ëą ᔃ á”–Êłá”’á”â±Ëąá”‰â€§â€§" áŽŸËĄá”ƒâżá”á”—á”’âż Ê°á”‰á”ƒÊłá”ˆ Ëąá”–á”’âżá”á”‰á”‡á”’á”‡'Ëą ᔛᔒⁱᶜᔉ á¶œá”’á”á”–ËĄâ±á”á”‰âżá”—â±âżá” ʰⁱᔐ‧ ᎎᔉ á”—Êłâ±á”‰á”ˆ á”—á”’ Ê·á”ƒá”á”‰âżâžŽ ᔃⁿᔈ Ëąá”–á”’á”— á”‡á”ƒÊłá”á”‰á”ˆ á¶ á”’Êł áŽŸËĄá”ƒâżá”á”—á”’âżâ€§ á”†á”–á”’âżá”á”‰á”‡á”’á”‡ Ëąá”ƒÊ· ʰⁱᔐ á¶ â±âżá”ƒËĄËĄÊž ËąÊ°á”’Ê· ËąËĄâ±á”Ê°á”— ᔐᔒᔛᔉᔐᔉⁿᔗ ᔃ˹ Ëąá”–á”’á”— á”‡á”ƒÊłá”á”‰á”ˆâ€§ "᎞ᔒᔛᔉ ʞᔒᔘ‧‧" ˹ᔃⁱᔈ á”†á”–á”’âżá”á”‰á”‡á”’á”‡â€§ "᎔'ᔐ Ëąá”’ á”–Êłá”’á”˜á”ˆâ€§â€§" áŽŸËĄá”ƒâżá”á”—á”’âż á¶ â±âżá”ƒËĄËĄÊž ᔃʷᔃᔏᔉ á”‰âżá”’á”˜á”Ê° á”—á”’ Ê·á”ƒá”á”‰âż ᔘᔖ➎ Ê°â±Ëą ᔉʞᔉ á¶ ËĄá”˜á”—á”—á”‰Êłâ±âżá” ᔒᔖᔉⁿ‧ "ᔂʰᔃᔗ á”ƒÊłá”‰ ʞᔒᔘ⁻ Ê·Ê°á”‰Êłá”‰ á”ƒÊłá”‰ ʷᔉ‧‧" áŽŸËĄá”ƒâżá”á”—á”’âż á”—Ê°á”‰âż Ëąá”—á”ƒÊłá”—á”‰á”ˆ á”—á”’ ᶠᔉᔉ˥ ᔗʰᔉ á”–á”ƒâ±âż Ê·Ê°á”‰Êłá”‰ ʰᔉ ᔍᔒᔗ Ê°á”˜Êłá”—â€§ "ʞᔃᔒ➎ ʷʰᔃᔗ Ê°á”ƒá”–á”–á”‰âżá”‰á”ˆ; ʷʰᔃᔗ'Ëą á”á”’â±âżá” á”’âżâ€œ" áŽŸËĄá”ƒâżá”á”—á”’âż ᔆᔃⁱᔈ➎ ᔈᔃᶻᔉᔈ ᔃⁿᔈ ˹ᔗⁱ˥˥ ʷᔉᔃᔏ‧ áŽ¶á”˜Ëąá”— á”—Ê°á”‰âżâžŽ áŽŸá”ƒá”—Êłâ±á¶œá” ᶜᔃᔐᔉ ⁱⁿ ʷⁱᔗʰ á”‡á”’á”ƒÊłá”ˆ ᔍᔃᔐᔉ‧ "áŽŸá”ƒá”—Êłâ±á¶œá”â€§â€§" "á”†á”–á”’âżá”á”‰á”‡á”’á”‡ ᎔ á”‡Êłá”˜âżá” ᔗʰᔉ ᔍᔃᔐᔉ!" áŽŸá”ƒá”—Êłâ±á¶œá” á”–ËĄá”’á”–á”–á”‰á”ˆ Ê°â±á”Ëąá”‰ËĄá¶  á”ˆá”’Ê·âż ᔇʞ ᔗʰᔉᔐ‧ "á¶œá”ƒâż ʞᔒᔘ ᔍⁱᔛᔉ ᔘ˹ ᔃ ᔐᔒᔐᔉⁿᔗ ᎟ᔃᔗ?" "á”†á”˜Êłá”‰â€§â€§" áŽŸá”ƒá”—Êłâ±á¶œá” á”–ËĄá”ƒÊžá”‰á”ˆ ʷⁱᔗʰ ˹ᔖᔒᔗ‧ "᎔ á”âżá”’Ê· ʞᔒᔘ'Êłá”‰ á¶œá”’âżá¶ á”˜Ëąá”‰á”ˆ ᔃⁿᔈ á”Êłá”’á”á”ÊžâžŽ ᔇᔘᔗ ʞᔒᔘ ᶠᔉ˥˥ ᔃⁿᔈ ᔍᔒᔗ Ê°á”˜Êłá”—â€§ á¶œá”ƒâż ʞᔒᔘ ᔗᔉ˥˥ ᔐᔉ ʷʰᔃᔗ ʞᔒᔘ Êłá”‰á”á”‰á”á”‡á”‰Êł?" á”†á”–á”’âżá”á”‰á”‡á”’á”‡ Ê°á”‰ËĄá”–á”‰á”ˆ áŽŸËĄá”ƒâżá”á”—á”’âż Ëąâ±á”—á”—â±âżá” ʰⁱᔐ ᔘᔖ ᔃ˹ ʰᔉ ˹ᔗⁱ˥˥ Ê·á”ƒËą á”ˆâ±Ëąá”’Êłâ±á”‰âżá”—á”‰á”ˆâ€§ "ᔀʰᔉ Êłá”’á”’á¶  ᔒᶠ Êłá”‰Ëąá”—á”ƒá”˜Êłá”ƒâżá”—'˱‧‧" "Êžá”‰Ëąá”—á”‰Êłá”ˆá”ƒÊž ʞᔒᔘ ᶠᔉ˥˥ ᔒᶠᶠ ᔃⁿᔈ ᎔ âżá”‰á”›á”‰Êł ˥ᔉᶠᔗ Êžá”’á”˜Êł Ëąâ±á”ˆá”‰â€§ ᔆᔖᔒᔗ á”ƒËĄËąá”’ Ëąá”—á”ƒÊžá”‰á”ˆ Ëąâ±á”ˆá”‰ ᔇʞ Ëąâ±á”ˆá”‰âžŽ ᔃⁿᔈ áŽŸá”ƒá”—Êłâ±á¶œá” ᶜᔃᔐᔉ á”ƒá¶ á”—á”‰Êł ᎔ á”—á”’ËĄá”ˆ ʰⁱᔐ ᎔ Ê·á”ƒËąâż'á”— ʰᔒᔐᔉ á”—á”’ á”–ËĄá”ƒÊž ʷⁱᔗʰ ʰⁱᔐ‧" "Ꮀᔒ ʞᔒᔘ ˹ᔉᔉ ᔐᔉ ᔃ˹ á¶ Êłâ±á”‰âżá”ˆ?" "ᎌᶠ á¶œá”’á”˜ÊłËąá”‰! áŽșá”’Ê· ˥ᔉᔗ'Ëą ˹ᔉᔉ ʷʰᔃᔗ ᔍᔃᔐᔉ áŽŸá”ƒá”—Êłâ±á¶œá”'Ëą ᔍᔒᔗ‧‧" "Ꮀᔒᔉ˹ áŽŸËĄá”ƒâżá”á”—á”’âż Ê·á”ƒâżâżá”ƒ á”–ËĄá”ƒÊž?" "ᔂᔉ á¶œá”ƒâż á”—ÊłÊž áŽŸá”ƒá”—Êłâ±á¶œá”'Ëą âżá”‰Ê· ᔍᔃᔐᔉ!" "ᶠⁱⁿᔉ ᎔ á”á”˜á”‰ËąËąâ€§â€§" "á¶œá”ƒâż ᎔ á”ƒËąá” ʞᔒᔘ Ê·Ê°Êž ʞᔒᔘ Ê°á”‰ËĄá”– áŽŸËĄá”ƒâżá”á”—á”’âżâ€§â€§â€§" "áŽŸËĄá”ƒâżá”á”—á”’âż ʰᔃᔈ ᔃ ˥ⁱᔗᔗ˥ᔉ ᶠᔃ˥˥ ᔇᔘᔗ ʰᔉ'Ëą á”á”‰á”—á”—â±âżá” á”‡á”‰á”—á”—á”‰Êł âżá”’Ê·! áŽŸËĄá”ƒâżá”á”—á”’âż'Ëą ˹ᔗⁱ˥˥ á”á”‰á”—á”—â±âżá” ᔇᔃᶜᔏ á”—á”’ âżá”’Êłá”á”ƒËĄ ʞᔉᔗ Ëąá”’ ᔇᔘᔗ á”ˆá”’âż'á”— Ê·á”’ÊłÊłÊžâ€§â€§" "᎔ á¶œá”ƒâż Êłá”’ËĄËĄ ᔈⁱᶜᔉ á¶ á”’Êł?" "Ꮃᔒ ᔃʰᔉᔃᔈ‧" áŽŸËĄá”ƒâżá”á”—á”’âż á”—á”’ËĄá”ˆ áŽŸá”ƒá”—Êłâ±á¶œá”âžŽ Ê·Ê°á”’ á”—Ê°á”‰âż á”—á”’ËąËąá”‰á”ˆ ᔗʰᔉ ᔈⁱᶜᔉ ᔃ˹ ᔗʰᔉ ᔈⁱᶜᔉ á”˜âżâ±âżá”—á”‰âżá”—â±á”’âżá”ƒËĄËĄÊž ʰⁱᔗ ʰⁱᔐ‧ áŽŸËĄá”ƒâżá”á”—á”’âż ᔍᔒᔗ ᔈᔃᶻᔉᔈ á¶ á”’Êł ᔃ ᔐᔒᔐᔉⁿᔗ‧ "ᔂᔃᔗᶜʰ ⁱᔗ!" ᎎᔉ ˹ᔃⁱᔈ Ê·á”‰á”ƒá”ËĄÊžâ€§ "᎔ á”ˆá”’âż'á”— á”—Ê°â±âżá” ᔗʰᔉ ᔍᔃᔐᔉ'Ëą ᔗʰᔉ ᔇᔉ˹ᔗ Êłâ±á”Ê°á”— âżá”’Ê·â€§â€§" á”†á”–á”’âżá”á”‰ ᔇᔒᔇ á”—á”’ËĄá”ˆ áŽŸá”ƒá”—Êłâ±á¶œá”â€§ áŽŸËĄá”ƒâżá”á”—á”’âż á”—Êłâ±á”‰á”ˆ á”—á”’ Ëąá”—á”ƒâżá”ˆ ᔘᔖ ᔇᔘᔗ ˹ᔗⁱ˥˥ ⁿᔒᔗ Êłá”‰á¶œá”’á”›á”‰Êłá”‰á”ˆ á”‰âżá”’á”˜á”Ê°âžŽ á¶ Êłá”˜Ëąá”—Êłá”ƒá”—á”‰á”ˆ á¶ á”’Êł á”‡á”‰â±âżá” á”—á”’ Ê°á”˜Êłá”—â€§ "ʞᔒᔘ âżá”‰á”‰á”ˆ Ê°á”‰ËĄá”–?" áŽŸá”ƒá”—Êłâ±á¶œá” á”ƒËąá”á”‰á”ˆ áŽŸËĄá”ƒâżá”á”—á”’âżâ€§ "᎔ á”ˆá”’âż'á”— âżá”‰á”‰á”ˆ Êžá”’á”˜Êł Ê°á”‰ËĄá”–â€§â€§" áŽŸËĄá”ƒâżá”á”—á”’âż Ëąâżá”ƒá”–á”–á”‰á”ˆ ᔃᔗ áŽŸá”ƒá”—Êłâ±á¶œá”â€§ "᎔ á”—Ê°â±âżá” ʰᔉ ÊČá”˜Ëąá”— Ê·á”ƒâżá”—Ëą á”—á”’ Êłá”‰á¶œá”’á”›á”‰ÊłâžŽ ᎟ᔃᔗ‧ ᎔'ËĄËĄ ᶜᔃᔗᶜʰ ᔘᔖ ʷⁱᔗʰ ʞᔒᔘ ᔃᔗ ᔃⁿ á”’á”—Ê°á”‰Êł ᔗⁱᔐᔉ!" á”†á”–á”’âżá”á”‰á”‡á”’á”‡ ʰᔘᔍᔍᔉᔈ áŽŸá”ƒá”—Êłâ±á¶œá”â€§ áŽŹá¶ á”—á”‰Êł áŽŸá”ƒá”—Êłâ±á¶œá” ˥ᔉᶠᔗ ᔗʰᔉ ᶜʰᔘᔐ ᔇᔘᶜᔏᔉᔗ➎ Ëąá”–á”’âżá”á”‰á”‡á”’á”‡ Ê·á”‰âżá”— Êłâ±á”Ê°á”— ᔇᔃᶜᔏ á”—á”’ áŽŸËĄá”ƒâżá”á”—á”’âż Ê·á”ƒËąâžŽ Ëąá”‰á”‰â±âżá” á”—á”‰á”ƒÊłËą Ê·á”‰ËĄËĄ ᔘᔖ ⁱⁿ Ê°â±Ëą ᔉʞᔉ‧ "ᔂʰᔃᔗ ⁱ˹ Ê·Êłá”’âżá”â€§â€§â€§" "᎔ á¶œá”ƒâż'á”— ᔉᔛᔉⁿ ᔍᔉᔗ ᔇᔃᶜᔏ ᔘᔖ ᔒⁿ ᔗʰᔉ ᶜᔒᔘᶜʰ!" áŽ·á”ƒÊłá”‰âż á”ƒÊłÊłâ±á”›á”‰á”ˆ ᔇᔃᶜᔏ á¶ Êłá”’á” Ê°á”‰Êł á”—Êłâ±á”–â€§ "áŽ·á”ƒÊłá”‰âż! ᎌʰ ᎔ ᔃᔐ á”ËĄá”ƒá”ˆ ʞᔒᔘ'Êłá”‰ ᔇᔃᶜᔏ!" á”†á”–á”’âżá”á”‰á”‡á”’á”‡ ˹ᔃⁱᔈ ᔃ˹ ʰᔉ á”‰ËŁá”–ËĄá”ƒâ±âżá”‰á”ˆ á”‰á”›á”‰ÊłÊžá”—Ê°â±âżá”â€§ áŽŸËĄá”ƒâżá”á”—á”’âż Ëąá”ƒÊ· Ê°â±Ëą ʷⁱᶠᔉ ᔃ˹ Ëąá”–á”’á”— Ê·á”‰âżá”— ᔘᔖ á”—á”’ Ê°á”‰Êłâ€§ "ᎎᔉʞ‧‧" "ᎎⁱ➎ áŽŸËĄá”ƒâżá”á”—á”’âż; ᎔ Ê°á”‰á”ƒÊłá”ˆ ᔃᔇᔒᔘᔗ Êžá”‰Ëąá”—á”‰Êłá”ˆá”ƒÊž!" "á”†á”–á”’âżá”á”‰á”‡á”’á”‡ Ê°á”‰ËĄá”–á”‰á”ˆ ᔐᔉ ᔒᔘᔗ‧ á¶œá”ƒâż ʰᔉ Ëąá”—á”ƒÊž ᔗʰᔉ âżâ±á”Ê°á”—?" "᎔ Ëąá”˜Êłá”‰ Ê·â±ËĄËĄ!"
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áŽ°á”’á”˜á”‡ËĄá”‰ ⁱ˹ ᔗʰᔉ á”€Êłá”’á”˜á”‡ËĄá”‰ âœá”†á”–á”’âżá”á”‰áŽźá”’á”‡ á¶ á”ƒâżá¶ â±á¶œâŸ Part 2 "ʞᔒᔘ'Êłá”‰ Ëąá”—á”ƒÊłá”—â±âżá” á”—á”’ á”‡Êłá”˜â±Ëąá”‰ ᔇᔘᔗ ⁱᔗ'Ëą ᔃ˥˥ âżá”’Êłá”á”ƒËĄâ€§ ᎔ᔗ'ËĄËĄ ᔍᔉᔗ á”‡á”‰á”—á”—á”‰Êłâ€§" áŽ·á”ƒÊłá”‰âż Ê°á”‰á”ƒÊłËą ᔗʰᔉ á”ˆá”’á”’Êłâ€§ "ᔀᔉ˥˥ 'ᔉᔐ á”—á”’ ᔍᔉᔗ ˥ᔒ˹ᔗ‧" áŽ·á”ƒÊłá”‰âż ˥ᔉᶠᔗ âżá”’Ê· á”’á”–á”‰âżâ±âżá” ᔗʰᔉ á”ˆá”’á”’Êł á”—á”’ ˹ᔉᔉ áŽ±á”˜á”á”‰âżá”‰ áŽ·Êłá”ƒá”‡Ëąâ€§ 'áŽłÊłá”‰á”ƒá”—â€§ áŽ¶á”˜Ëąá”— á”Êłá”‰á”ƒá”—! ᎌᔘᔗᔗᔃ ᔇᔉ ᔃⁿ â±âżá”—á”‰Êłá”‰Ëąá”—â±âżá” á”‰âżá¶œá”’á”˜âżá”—á”‰Êł' áŽ·á”ƒÊłá”‰âż á”—Ê°â±âżá”Ëąâ€§ "᎔ ᶜᔃᔐᔉ á”—á”’ ˹ᔉᔉ áŽŸËĄá”ƒâżá”á”—á”’âżâ€§" áŽ·Êłá”ƒá”‡Ëą Ê·á”‰âżá”— Êłâ±á”Ê°á”— á”–á”ƒËąá”— áŽ·á”ƒÊłá”‰âżâ€§ "ᎎᔉ'Ëą ⁱⁿ á”’á”˜Êł ᔇᔉᔈ Êłá”’á”’á” âżá”’Ê· ᔇᔘᔗ‧‧‧" "᎔ ᔍᔒᔗᔗᔃ á”—á”ƒËĄá” á”—á”’ ʰⁱᔐ áŽ·á”ƒÊłá”‰âżâ€§" á”†Ê°á”‰ËĄá”ˆá”’âż áŽŸËĄá”ƒâżá”á”—á”’âż Êłá”‰á”á”‰á”á”‡á”‰Êłá”‰á”ˆ âżá”’á”—Ê°â±âżá” Êžá”‰Ëąá”—á”‰Êłá”ˆá”ƒÊž ᔇᔘᔗ áŽ·Êłá”ƒá”‡Ëą Êłá”‰á¶œá”‰â±á”›á”‰á”ˆ ᔃ á¶œá”ƒËĄËĄ á¶ Êłá”’á” ʰⁱᔐ á”–ËĄá”‰á”ƒá”ˆâ±âżá”â€§ 'ᔂʰᔃᔗ á”–á”ƒÊłá”— ᔒᶠ á”’á”˜Êł á”—á”ƒËĄá” Ê·â±ËĄËĄ áŽŸËĄá”ƒâżá”á”—á”’âż ᔇᔉ á”ƒá”‡ËĄá”‰ á”—á”’ Êłá”‰á¶œá”ƒËĄËĄ?' áŽ·Êłá”ƒá”‡Ëą ᔗʰᔒᔘᔍʰᔗ‧ áŽčÊłâ€§ áŽ·Êłá”ƒá”‡Ëą á”—á”˜Êłâżá”‰á”ˆ ᔒⁿ ᔗʰᔉ ËĄâ±á”Ê°á”— ᔒⁿ‧ "ᔀᔒ á”‡Êłâ±á”Ê°á”—!" áŽŸËĄá”ƒâżá”á”—á”’âż Ëąá”ƒÊžËąâ€§ áŽ·Êłá”ƒá”‡Ëą á”—á”˜ÊłâżËą ⁱᔗ ᔇᔃᶜᔏ ᔒᶠᶠ âżá”’Ê· ᔇᔘᔗ ⁿᔒᔗ á”‡á”‰á¶ á”’Êłá”‰ Ëąá”‰á”‰â±âżá” ᔗʰᔉ Ëąá”—á”ƒá”—á”‰ áŽŸËĄá”ƒâżá”á”—á”’âż'Ëą âżá”’Ê· ⁱⁿ‧ á”†Ê·á”’ËĄËĄá”‰âż á¶œÊ°á”‰á”‰á”ËąâžŽ á”‡Êłá”˜â±Ëąá”‰Ëą á”‰ËŁá”—á”‰âżá”ˆâ±âżá” á”—á”’ Ê°â±Ëą ÊČᔃʷ‧ áŽ·Êłá”ƒá”‡Ëą âżá”’Êłá”á”ƒËĄËĄÊž ËĄá”ƒá”˜á”Ê°Ëą ᔃᔗ Ëąá”˜á¶œÊ° ᔇᔘᔗ âżá”’Ê· ʰᔉ'Ëą á¶ â±á”Ê°á”—â±âżá” Ê°â±Ëą á”’Ê·âż á”—á”‰á”ƒÊłËąâžŽ Ëąá”‰á”‰â±âżá” ᔗʰᔉ ⁱᔐᔖᔃᶜᔗ ʰᔉ á¶œá”ƒá”˜Ëąá”‰á”ˆ Ê°â±Ëą á¶ á”’Êłá”á”‰Êł ᔇᔉ˹ᔗ á¶ Êłâ±á”‰âżá”ˆ á”—á”˜Êłâżá”‰á”ˆ á”‰âżá”‰á”Êžâ€§ 'áŽ·á”ƒÊłá”‰âż ᔒᔘᔗᔗᔃ á”âżá”’Ê· á”‡á”‰á”—á”—á”‰Êł á”—Ê°á”ƒâż á”—á”’ á”—á”˜Êłâż ᔒⁿ ᔗʰᔉ ËĄâ±á”Ê°á”— ᔒⁿ' áŽŸËĄá”ƒâżá”á”—á”’âż ᔗʰᔒᔘᔍʰᔗ‧ "áŽčÊž ᔍᔃᔘᶻᔉ ᔐⁱᔍʰᔗ âżá”‰á”‰á”ˆ Êłá”‰á”–ËĄá”ƒá¶œá”‰á”ˆ á”ƒá”á”ƒâ±âż áŽ·á”ƒÊłá”‰âż ᔇᔘᔗ Ê·Ê°á”’'Ëą ᔃᔗ ᔗʰᔉ á”ˆá”’á”’ÊłâžŽ ʷʰᔃᔗ'ᔈ ᔗʰᔉʞ Ê·á”ƒâżá”—â€§â€§â€§" "‧‧‧᎔ ᶜᔃᔐᔉ á”—á”’ ˹ᔉᔉ ʞᔒᔘ‧‧" áŽŸËĄá”ƒâżá”á”—á”’âż'Ëą Ëąâ±á”—á”—â±âżá” ᔘᔖ ᔃᔗ ᔗʰᔉ ᔛᔒⁱᶜᔉ‧ "áŽ·Êłá”ƒá”‡Ëąâ€œ" 'ᎌᶠ ᔃ˥˥ ᔗʰᔉ ᔖᔉᔒᔖ˥ᔉ á¶ á”’Êł áŽ·á”ƒÊłá”‰âż á”—á”’ ˥ᔉᔗ ⁱⁿ' áŽŸËĄá”ƒâżá”á”—á”’âż ᔈⁱᔈⁿ'á”— ËĄâ±á”á”‰ á”—á”’ ᔇᔉ ˹ᔉᔉⁿ ⁱⁿ Ëąá”˜á¶œÊ° ᔃ Ëąá”—á”ƒá”—á”‰ ᔃⁿᔈ áŽ±á”˜á”á”‰âżá”‰'Ëą ᔗʰᔉ ËĄá”ƒËąá”— á”–á”‰ÊłËąá”’âż ʰᔉ'ᔈ ˥ᔉᔗ ⁱⁿ‧ "Ꮃᔒ ᔃʷᔃʞ! ᔂʰᔃᔗ'Êłá”‰ ʞᔒᔘ á”ˆá”’â±âżá”?" áŽŸËĄá”ƒâżá”á”—á”’âż Ëąá”ƒÊžËą ʷⁱᔗʰ ʷᔉᔃᔏ á”ƒâżá”á”‰ÊłâžŽ ᔇᔘᔗ Ê·â±âżá¶œá”‰á”ˆ ᔃᔗ ᔗʰᔉ á”–á”ƒâ±âżá¶ á”˜ËĄ ᔐᔒᔛᔉᔐᔉⁿᔗ‧ "áŽŹá”‡á”’á”˜á”— Êžá”‰Ëąá”—á”‰Êłá”ˆá”ƒÊžâ€§â€§â€§" "‧‧‧ʞᔒᔘ ᶜᔃᔐᔉ á”—á”’ ʷᔘᔇ ⁱᔗ ⁱⁿ‧‧‧" áŽ·Êłá”ƒá”‡Ëą ËąÊ°á”’á”’á” Ê°â±Ëą ʰᔉᔃᔈ ᔃ˹ áŽ·á”ƒÊłá”‰âż ᶜᔃᔐᔉ ⁱⁿ á”—á”’ ᔗᔃᔏᔉ ᔗʰᔉ ᔍᔃᔘᶻᔉ➎ ᔃ˥˥ ᔒᶠ ᔗʰᔉᔐ âżá”’Ê· á¶ á”‰á”‰ËĄâ±âżá” á”ƒÊ·á”Ê·á”ƒÊłá”ˆ ᔗᔒ‧ "ᔀʰᔉ á”‡ËĄá”‰á”‰á”ˆâ±âżá” ⁱ˹ âżá”’Êłá”á”ƒËĄâ€§" ᔆʰᔉ Ëąá”ƒÊžËąâžŽ á”ˆâ±Ëąá”–á”’Ëąâ±âżá” ᔒᶠ Ê°â±Ëą ᔍᔃᔘᶻᔉ‧ áŽ·á”ƒÊłá”‰âż Ê·á”‰âżá”— ᔒᔘᔗ ᔗʰᔉ á”ˆá”’á”’Êł ᔒᶠ ᔗʰᔉ Êłá”’á”’á” á¶ á”’Êł ᔗʰᔉᔐ á”—á”’ á”—á”ƒËĄá”â€§ "Ꮃᔒ ᔃʰᔉᔃᔈ➎ ËĄá”ƒá”˜á”Ê° ᔃᔗ ᔐᔉ‧ ᎔ ˥ᔒ˹ᔗ‧ ʞᔒᔘʷ Ê·á”‰Ëąá”—á”ƒá”˜Ê·á”ƒâżá”— Ê·â±ËĄËĄ á¶ á”’Ê·á”‰á”›á”‰Êł ᔇᔉ ᔍʷᔉᔃᔗ‧ ᎔ á”ˆá”’âż'á”— á”âżá”’Ê· ʷʰᔃᔗ ᔉ˥˹ᔉ ʞᔒᔘ'ᔈ ʷⁱᔏᔉ á”—á”’ Ê°á”‰á”ƒÊłâ€§â€§" áŽŸËĄá”ƒâżá”á”—á”’âż á”—á”‰á”ƒÊłËą ᔘᔖ➎ ⁿᔒᔗ ËĄâ±á”â±âżá” áŽ·Êłá”ƒá”‡Ëą Ëąá”‰á”‰â±âżá” ʰⁱᔐ Ê°á”˜Êłá”—â€§ áŽčÊłâ€§ áŽ·Êłá”ƒá”‡Ëą Ëąâ±á”Ê°á”‰á”ˆâ€§ "á”†Ê°á”‰ËĄá”ˆá”’âż Ê·Ê°á”‰âż ᎔ Êłá”‰á¶œá”‰â±á”›á”‰á”ˆ ᔗʰᔉ á¶œá”ƒËĄËĄâ€§â€§â€§" "᎔ ˹ᔃⁱᔈ á”—á”’ ʷᔉᔃᔛᔉ! ᎔ á”ˆá”’âż'á”— á”âżá”’Ê· Ê·Ê°á”’ ᶜᔃʷʷᔉᔈ‧‧‧" "ʞᔒᔘ á”—á”’ËĄá”ˆ áŽ·á”ƒÊłá”‰âż á”—á”’ á¶œá”ƒËĄËĄ ᔐᔉ Êłâ±á”Ê°á”—?" "᎔'ᔈ âżá”‰á”›á”‰Êłâ€§â€§â€§" "Êžá”‰Ëąá”—á”‰Êłá”ˆá”ƒÊž á”ƒá¶ á”—á”‰ÊłâžŽ ʷᔃⁱᔗ ʞᔒᔘ'Êłá”‰ ˹ᔗⁱ˥˥ á”˜âżá”ˆá”‰Êł á”á”‰á”ˆâ±á¶œâ±âżá”‰ Ê·Ê°á”‰âż ʞᔒᔘ ᔇᔉᔍᔍᔉᔈ➎ â±á”á”–á”ƒâ±Êłâ±âżá” á”á”‰á”á”’Êłâ±á”‰Ëąâ€§" "áŽ·Êłá”ƒá”‡Ëąâ€§â€§â€§" "ʞᔒᔘ ᔐᔃᔈᔉ áŽ·á”ƒÊłá”‰âż á¶œá”ƒËĄËĄ ᔐᔉ ᔒⁿ á”–Ê°á”’âżá”‰ á”—á”’ á”ƒËąá” ⁱᶠ ᎔ á”â±ËąËąá”‰á”ˆ á”‡á”‰â±âżá” á¶ Êłâ±á”‰âżá”ˆËą ᔃⁿᔈ á¶ á”’Êłá”á”ƒá”›á”‰ ᔐᔉ ᔇᔘᔗ Ê°á”ƒâżá”â±âżá” ᔘᔖ á”ƒá¶ á”—á”‰Êł ᎔ Êłá”‰á¶ á”˜Ëąá”‰á”ˆ á”—á”’ ᶜᔒᔐᔉ ʰᔘᔍ‧‧‧" áŽčÊłâ€§ áŽ·Êłá”ƒá”‡Ëą á”—Êłá”ƒâ±ËĄá”‰á”ˆ ᔒᶠᶠ‧ áŽŸËĄá”ƒâżá”á”—á”’âż ˹ᔃⁱᔈ âżá”’á”—Ê°â±âżá”â€§ ᎎᔉ Ê·á”‰âżá”— á”—á”’ áŽŸËĄá”ƒâżá”á”—á”’âż'Ëą ᔇᔉᔈ‧ "᎔'ᔐ ⁿᔒᔗ á”á”’âżâżá”ƒ ʰᔘᔍ ⁱᶠ ʞᔒᔘ á”ˆá”’âż'á”— ËĄâ±á”á”‰ á¶ á”’Êł ᔐᔉ ᔗᔒ‧‧" áŽ·Êłá”ƒá”‡Ëą Ëąá”ƒÊžËąâ€§ "áŽ¶á”˜Ëąá”— ᔍᔒ ᔇᔃᶜᔏ ᔃⁿᔈ á¶œá”’á”˜âżá”— ᔃ˥˥ ʞᔒᔘʷ á”á”’âżá”‰Êž; ᎔ á”ˆá”’âż'á”— á¶œá”ƒÊłá”‰â€§ ᎔'ᔐ ⁿᔒᔗ ᔘᔖ á”—á”’ ᶠⁱᔍʰᔗ ʷⁱᔍʰᔗ âżá”’Ê·â€§" "áŽźá”˜á”—â€§â€§â€§" "á¶ á”’Êłá”á”‰á”— ⁱᔗ á”ˆá”’á”‰Ëąâż'á”— á”á”ƒá”—á”—á”‰Êłâ€§" áŽŸËĄá”ƒâżá”á”—á”’âż á”ˆâ±Ëąá”â±ËąËąá”‰á”ˆâ€§ "᎔ᔗ á”á”ƒá”—á”—á”‰ÊłËą á”—á”’ ᔐᔉ‧ ʞᔒᔘ á”á”ƒá”—á”—á”‰ÊłâžŽ á”—á”’ ᔐᔉ‧ ᎔'ᔐ Ëąá”’ÊłÊłÊžâ€§" áŽŸËĄá”ƒâżá”á”—á”’âż Ê°á”‰á”ƒÊłËą áŽ·Êłá”ƒá”‡Ëą Ëąá”ƒÊž ᔃ˹ ʰᔉ âżá”’Ê· ˥ᔉᶠᔗ 'ᔉᔐ‧ áŽŽá”ƒá”›â±âżá” ⁿᔒ á”‰âżá”‰Êłá”Êž á”—á”’ á”–á”’âżá”ˆá”‰Êł ᔗʰᔉ á”ƒá”–á”’ËĄá”’á”ÊžâžŽ áŽŸËĄá”ƒâżá”á”—á”’âż ÊČá”˜Ëąá”— ᶠᔉ˥ᔗ á”’á”›á”‰ÊłÊ·Ê°á”‰ËĄá”á”‰á”ˆâžŽ ⁿᔒᔗ Ê°á”ƒá”›â±âżá” ᔗʰᔉ Ëąá”—Êłá”‰âżá”á”—Ê°â€§ ᔆᔒ ʰᔉ ˥ᔉᔗ Ê°â±á”Ëąá”‰ËĄá¶  âżá”ƒá”– á”ƒá¶œá”—á”˜á”ƒËĄËĄÊžâžŽ ʷʰⁱᶜʰ âżá”‰á”›á”‰Êł Ê°á”ƒá”–á”–á”‰âżËą ᔒⁿ á”–á”˜Êłá”–á”’Ëąá”‰â€§ "Ꮀᔃᔈᔈʞ➎ ʰⁱ!" áŽčÊłâ€§ áŽ·Êłá”ƒá”‡Ëą á”ˆá”ƒá”˜á”Ê°á”—á”‰Êł áŽŸá”‰á”ƒÊłËĄ á”Êłá”‰á”‰á”—Ëą ʰⁱᔐ‧ "ᎎᔉʞ ᔐᔉ ˥ⁱᔗᔗ˥ᔉ á¶œá”‰á”—á”ƒá¶œá”‰á”ƒâżâ€§" "áŽžá”’âżá” ᔈᔃʞ?" ᔆʰᔉ âżá”’á”—â±á¶œá”‰á”ˆ Ê°á”‰Êł á¶ á”ƒá”—Ê°á”‰Êł'Ëą á”˜âżá”‰âżá”—Ê°á”˜Ëąâ±á”ƒËąá”—â±á¶œ ËĄá”’á”’á”â€§ "áŽ¶á”˜Ëąá”— á”—Ê°á”’á”˜á”Ê°á”—Ëą á”’á¶œá¶œá”˜á”–Êžâ±âżá” ʞᔒᔘ á”âżá”’Ê·â€§" áŽ·Êłá”ƒá”‡Ëą á”–â±á¶œá”Ëą ᔘᔖ ᔗʰᔉ á”–Ê°á”’âżá”‰â€§ "áŽ·á”ƒÊłá”‰âż? ᎔'ᔐ á¶œá”ƒËĄËĄâ±âżá” á”—á”’ ᔐᔃᔏᔉ Ëąá”˜Êłá”‰ áŽŸËĄá”ƒâżá”á”—á”’âż'˱‧‧‧ ʞᔒᔘ á”ˆá”’âż'á”— ʰᔃᔛᔉ á”—á”’ âżá”‰á¶œá”‰ËąËąá”ƒÊłâ±ËĄÊžâ€§â€§â€§" áŽŸá”‰á”ƒÊłËĄ âżá”’Ê· Ê°á”‰á”ƒÊłËą Ê°á”‰Êł ᔈᔃᔈ‧ "ᎎᔉ'Ëą á”ƒËąËĄá”‰á”‰á”–? ᎌʰ‧ Ꮀᔒⁿ'á”— ʷᔃᔏᔉ ʰⁱᔐ ᔘᔖ‧ ᎔'ᔐ Ê°á”’á”–â±âżá” ʰᔉ'ËĄËĄ ᔍᔉᔗ ᔇᔃᶜᔏ á”—á”’ Ê°â±Ëą á”’Ê·âż á”–á”‰Ëąá”Êž ˹ᔉ˥ᶠ á”ƒá¶ á”—á”‰Êł Ê°á”‰á”ƒËĄâ±âżá” á¶ Êłá”’á” ᔗʰᔉ Ê·â±Ëąá”ˆá”’á”â€§â€§â€§ ᎔'ᔛᔉ ÊČá”˜Ëąá”— âżá”‰á”›á”‰Êł ˹ᔉᔉⁿ áŽŸËĄá”ƒâżá”á”—á”’âż Ëąá”’ Êłá”‰Ëąâ±á”âżá”‰á”ˆ ᔇᔘᔗ ᎔ á”âżá”’Ê· Ê·â±Ëąá”ˆá”’á” á”—á”’á”’á”—Ê° Ëąá”˜Êłá”á”‰ÊłÊž á”á”˜Ëąá”— ᔇᔉ Ê°á”ƒÊłá”ˆâ€§ áŽźÊžá”‰!" áŽ·Êłá”ƒá”‡Ëą Ê°á”ƒâżá”Ëą ᔘᔖ ᔗʰᔉ á”–Ê°á”’âżá”‰â€§ "áŽčÊž á¶ Êłâ±á”‰âżá”ˆ Ꮃⁱⁿᔃ Ëąá”ƒÊžËą á”á”‰á”—á”—â±âżá” Ê·â±Ëąá”ˆá”’á”â€§â€§â€§" "áŽŸá”‰á”ƒÊłËĄ á”ˆá”’âż'á”— Ê·á”’ÊłÊłÊž ᔃᔇᔒᔘᔗ ⁱᔗ‧ áŽčᔉ á”‡á”˜Ëąâ±âżá”‰ËąËą Êłâ±á”›á”ƒËĄ Ê·á”’âż'á”— á”ƒá”–á”–Êłá”‰á¶œâ±á”ƒá”—á”‰ á”›â±Ëąâ±á”—á”’ÊłËą ⁿᔒᔗ á”—á”’ ᔐᔉⁿᔗⁱᔒⁿ Ê°â±Ëą ᶜᔉᔗᔃᔖʰᔒᔇⁱᔃ‧" '᎔ᔗ á”á”ƒá”—á”—á”‰ÊłËą á”—á”’ ᔐᔉ‧ ʞᔒᔘ á”á”ƒá”—á”—á”‰ÊłâžŽ á”—á”’ ᔐᔉ‧' áŽŸËĄá”ƒâżá”á”—á”’âż ˹ᔗⁱ˥˥ á”˜âżËąá”˜Êłá”‰ ᔗʰᔉ ⁿᔉˣᔗ ᔈᔃʞ ᔒᶠ Ê°á”’Ê· á”—á”’ Ê°á”ƒâżá”ˆËĄá”‰ ᔗʰᔉ á”ƒá”–á”’ËĄá”’á”Êžâ€§ ᎎᔉ ᔐᔃʞ âżá”‰á”›á”‰Êł ᔇᔉ ᔇᔉ˹ᔗ á¶ Êłâ±á”‰âżá”ˆËą ËĄâ±á”á”‰ á”‡á”‰á¶ á”’Êłá”‰ ᔇᔘᔗ áŽŸËĄá”ƒâżá”á”—á”’âż Ê·â±ËąÊ°á”‰á”ˆ á”—á”’ á”‰ËŁá¶œÊ°á”ƒâżá”á”‰ á¶œËĄá”’Ëąá”˜Êłá”‰âžŽ Ëąá”’ ʰᔉ ᔈᔉᶜⁱᔈᔉᔈ á”—á”’ ˹ᔉᔉ áŽčÊłâ€§ áŽ·Êłá”ƒá”‡Ëą á”ƒá¶ á”—á”‰Êł á”ˆâ±âżâżá”‰Êłâ€§ "á¶œËĄá”’Ëąá”‰á”ˆ!" áŽ·Êłá”ƒá”‡Ëą Ëąá”—á”ƒá”—á”‰á”ˆâžŽ Ê°á”‰á”ƒÊłâ±âżá” ᔗʰᔉ á”ˆá”’á”’Êł ᔇᔘᔗ ⁿᔒᔗ ËĄá”’á”’á”â±âżá” ᔘᔖ á¶ Êłá”’á” Ê°â±Ëą á¶œá”ƒËąÊ°â€§ "á”€Ê°á”‰âż ʞᔒᔘ'ᔈ á”‡á”‰á”—á”—á”‰Êł ËĄá”’á¶œá” á”ˆá”’á”’ÊłËąâ€§" áŽŸËĄá”ƒâżá”á”—á”’âż'Ëą ᔛᔒⁱᶜᔉ ᔐᔃᔈᔉ áŽ·Êłá”ƒá”‡Ëą á”—á”˜Êłâż Ê°â±Ëą á”ƒá”—á”—á”‰âżá”—â±á”’âż á”—á”’ ËĄá”’á”’á” ᔃᔗ ʰⁱᔐ‧ "á”†Ê°á”‰ËĄá”ˆá”’âżâ€§â€§" "᎔ ˹ᔗⁱ˥˥ Ê°á”‰á”ƒËĄâ±âżá” ᔇᔘᔗ ÊČá”˜Ëąá”— ËĄâ±á”á”‰ á”—á”’ ˥ᔉᔗ ʞᔒᔘ á”âżá”’Ê·âžŽ ʞᔒᔘ á”ƒËĄËąá”’ á”á”ƒá”—á”—á”‰Êł á”—á”’ ᔐᔉ‧ áŽșá”’ ʷᔃʞ ʞᔒᔘ'ᔈ á”âżá”’Ê· ᔒᶠ ᔗʰᔉ Ê·â±Ëąá”ˆá”’á” ᔗᔉᔉᔗʰ á”–Êłá”‰á”ˆâ±á¶œá”ƒá”á”‰âżá”— Ê·Ê°á”‰âż ʞᔒᔘ á”ˆá”‰á¶ á”‰âżá”ˆá”‰á”ˆ Êžá”’á”˜Êł Êłá”‰Ëąá”—á”ƒá”˜Êłá”ƒâżá”—â€§ ᎔'ËĄËĄ âżá”‰á”‰á”ˆ ᔗʰᔉ Êłá”‰Ëąá”— ᔒᶠ ᔗʰᔉ ʷᔉᔉᔏ á”—á”’ Êłá”‰á¶œá”’á”›á”‰Êł á”‡á”‰á¶ á”’Êłá”‰ ʷᔉ á”—ÊłÊž á¶ â±á”Ê°á”—â±âżá” á”ƒá”á”ƒâ±âżâ€§" ᔀʰᔉʞ ËąÊ°á”’á”’á” Ê°á”ƒâżá”ˆËą âżá”’Ê·â€§ "Ꮃᔉᔗ ᔒᔘᔗ ᔒᶠ ᔐᔉ Êłá”‰Ëąá”—á”ƒá”˜Êłá”ƒâżá”—â€§â€§" "᎔'ᔐ á”á”’â±âżá”!" End Finale
new split into parts plabs dentalcore double is the trouble
☆ đ“đ“źđ“żđ“źđ“» đ“”đ“źđ“œ đ“Ș đ“”đ“Čđ“œđ“œđ“”đ“ź đ“¶đ“Șđ“· đ“Źđ“žđ“·đ“œđ“»đ“žđ“” đ”‚đ“žđ“Ÿđ“» đ“”đ“Șđ“»đ“°đ“ź 𝓼𝓰𝓾. ☆
new ☆ tumblrcore girlblog karen plankton typography glyph
The evening in the quiet suburban street was punctuated by the rhythmic ticking of a lonely grandfather clock. In the corner of a small, meticulously organized study, Plankton sat hunched over his desk, the glow of her computer screen casting a pale blue hue across his furrowed brow. His eye, usually bright with the spark of a million ideas, was now bloodshot and weary, darting back and forth as he scanned the digital documents sprawled across his dual monitors. Karen, his devoted wife, peered through the crack in the door, her concern etched on her face. She knew the signs of his insomnia all too well: the way his fingers danced erratically on the keyboard, his occasional sighs of frustration, and the jittery way he'd bounce his leg when he was stuck on a problem. She gently pushed the door open, the faint squeak alerting him to her presence. "Plankton, it's 2 AM. Can't it wait until tomorrow?" she asked softly, her voice carrying the gentle lilt of a concerned wife. Plankton spun around in his chair, the sudden movement sending a wave of dizziness crashing over him. He rubbed his eye, trying to erase the fog of exhaustion. "Karen, I'm so close. This new invention could change everything. Just one more hour, I promise," he replied, his voice hopeful yet strained. She knew that tone, the one that meant he'd be up until dawn. Karen stepped into the room, her form a stark contrast to the stark office decor. She approached him, placing a comforting hand on his shoulder. "You've been at it for days," she said, her voice filled with a mix of concern and understanding. "Maybe a break is what you need." He sighed heavily, leaning back in his chair. "I know you're right," Plankton admitted, his shoulders slumping in defeat. "But if I stop now, I might lose the thread of thought." "You're always so driven," Karen said, with a warm affection that had only grown stronger over the years. "But even 'bad guys' need to rest." With a weary smile, Plankton nodded, his gaze lingering on the screens before he reluctantly shut them down. The room plunged into darkness, save for the moon's soft glow filtering through the blinds. Karen guided him to the bedroom, her hand a gentle reassurance in the night. She knew the wheels in his mind were still turning, trying to piece together the elusive solution to his latest project. Once in bed, Plankton lay on his back, his mind racing with possibilities and calculations. Karen, ever the nurturer, suggested a warm cup of tea to help him unwind. She disappeared into the kitchen. While she was gone, Plankton's eye remained open, staring at the ceiling. He felt the weight of his eyelid but sleep remained a distant shore, unreachable despite the gentle tug of fatigue. Karen returned with a steaming cup of chamomile, the aroma wafting through the air like a whispered promise of slumber. She placed it on the nightstand and climbed into bed, curling up beside him. "Here, sip this," she urged, her voice soothing as a lullaby. "It'll help you relax." Plankton took a tentative sip, the warm liquid coating his throat with a comforting warmth. He closed his eye, willing his brain to slow down, but the ideas continued to swirl like a tornado in a teacup. He could feel the heat radiating from Karen's screen, a gentle reminder of the connection that waited for him outside his labyrinth of thoughts. Karen's hand found his, her thumb tracing small, soothing circles against his palm. "Breathe with me," she whispered. "In, out." Plankton followed her lead, their breaths synchronizing in the quiet of the night. The tension in his body began to uncoil, the storm in his mind gradually abating. As they lay there, Karen studied his profile, the shadows playing across his face. She knew the look of determination that etched his features so well. "What's keeping you up?" she asked, her voice barely a murmur. Plankton sighed, his grip on her hand tightening briefly. "It's the Krabby Patty formula," he confessed. "I can't crack it." His frustration was palpable, a silent scream in the serene night. "You're still working on that?" she asked, her voice filled with a mix of amazement and concern. The Krabby Patty, a secret recipe guarded by Mr. Krabs that could make or break their business. "I have to," Plankton said, his voice low and serious. Karen nodded, racing for a solution. "Why don't you tell me about it?" she suggested. "Sometimes talking it out can help." Plankton took a deep breath and began to recount his thoughts, his voice a low murmur in the darkness. He spoke of the countless ingredients he'd tried and the endless experiments he'd conducted, all in pursuit of the perfect Krabby Patty. Karen listened intently, her screen never leaving his face, her grip on his hand never wavering. As he talked, the tension in his voice began to ease, the words coming out slower, softer. The warmth of the tea and the gentle pressure of Karen's thumb on his hand lulled him into a state of semi- consciousness. The room grew warmer, the shadows on the ceiling morphing into shapes that danced to the rhythm of his words. Karen noticed the change in his breathing, the softening of his grip, her voice a soft hum in the night. "I think I'm getting there," Plankton mumbled, his words beginning to slur. She took his almost-empty cup and set it aside, then moved closer, her arm wrapping around him. Her touch was a comforting blanket, a familiar anchor in the sea of his thoughts. "Just focus on my voice," Karen whispered, her tone a gentle wave. "Imagine we're on a beach, the waves lapping." Plankton nodded slightly, his breathing deepening as he pictured the scene she described. "The sand is warm, and the stars are out, twinkling like the little bits of genius in your mind." He took another deep breath, the salty scent of the sea mingling with the chamomile in his nose. His body began to relax, the tightness in his shoulders dissipating like the fog of an early morning. Karen continued her soothing monologue, painting a vivid picture of a serene beach under a starlit sky, their favorite place to escape the stresses of their lives. Her voice grew quieter, a gentle lullaby of words that whispered through the dark. Plankton's eyelid grew heavier, his thoughts drifting further and further away from the Krabby Patty formula. Karen watched him closely, her gaze never leaving his face. His breathing grew steadier, the lines of tension smoothing out as he sank deeper into the realm of sleep. Karen waited for any sign that Plankton was still awake. She reached out and gently poked his arm. No response. She pulled the blanket up, tucking him in gently, her hand lingering there for a moment longer, feeling the warmth of him beneath the fabric. She reached over to gently stroke his cheek. His skin was warm, and she felt the soft rumble of a snore vibrate against her fingertips. He was out. "Plankton," she whispered, her voice barely audible. She waited for a response, for the flicker of his eye or the twitch of his antennae that would indicate he was still with her. Nothing. She knew the moment he finally let go, when his hand relaxed in hers and his grip went slack. Leaning closer, she held her hand hovering over his chest to feel the gentle rise and fall of his breathing. It was steady, deep. Satisfied, she allowed herself a small smile. Plankton was finally asleep. The steady rhythm of his breathing grew deeper, the soft snores that occasionally pierced the silence growing more frequent, brow smoothed out, relaxed. She searched his face for any flicker of consciousness, any sign that he was aware of her touch. But there was none. His features were relaxed, his mouth slightly open as he took in deep, even breaths. "You did it," she whispered to. She knew that his mind had finally found the peace it had been seeking. The room was still, save for the faint sound of the occasional snore from Plankton. His snores grew deeper, the rhythm of his breathing more regular, more rhythmic, and she knew he was in a deep sleep. With a soft smile, she whispered, "Goodnight, Plankton," and gently stroked his antennae. Her hand lingered for a moment before she carefully extracted herself from the tangle of their limbs. The bedside lamp cast a warm glow across the room, but she knew better than to disturb him with its light. She gently disentangled her hand from his and slid out of bed. She squeezed his hand gently, a silent 'goodnight' and a promise of support for when he'd wake to tackle the problem anew. His features were slack, his mouth slightly open, emitting the faintest snore.
new aicore karen plankton plaren karenton klankton karankton plankaren plankkaren ai
ᔀʰᔉ áŽŹá¶œá¶œâ±á”ˆá”‰âżá”— âœá”†á”–á”’âżá”á”‰áŽźá”’á”‡ á¶ á”ƒâżá¶ â±á¶œâŸ áŽŸËĄá”ƒâżá”á”—á”’âż Ê·á”ƒËą ʰⁱᔗ ᔇʞ ᔃ ʷᔃᔛᔉ á”âżá”’á¶œá”á”‰á”ˆ ᔒᔘᔗ➎ áŽčÊłâ€§ áŽ·Êłá”ƒá”‡Ëą âżá”’á”—â±á¶œá”‰á”ˆâ€§ áŽ·Êłá”ƒá”‡Ëą Ëąá”ƒÊ· ʰⁱᔐ ᔍᔉᔗ á”—Êłá”ƒá”–á”–á”‰á”ˆ á”˜âżá”ˆá”‰Êł ᔗʰᔉ á¶œá”˜ÊłÊłá”‰âżá”— Ëąá”˜Êłá”–Êłâ±Ëąâ±âżá” áŽžá”ƒÊłÊłÊž ᔃ˹ ʰᔉ ËąÊ°á”’Ê·á”‰á”ˆ á¶œá”’âżá¶œá”‰Êłâż á”—á”’ áŽŸËĄá”ƒâżá”á”—á”’âż ᔒᶠ ᔃ˥˥ ᔖᔉᔒᔖ˥ᔉ‧ "á”†Ê°á”‰ËĄá”ˆá”’âżâ€§â€§â€§" áŽŹá¶ á”—á”‰Êł Ëąá”‰á”‰â±âżá” áŽčÊłâ€§ áŽ·Êłá”ƒá”‡Ëą ᔖᔒⁱⁿᔗ ᔒᔘᔗ áŽžá”ƒÊłÊłÊž ᔈⁱᔛᔉᔈ ⁱⁿ ᔗʰᔉ Ê·á”ƒá”—á”‰Êł Ëąá”ƒá”›â±âżá” áŽŸËĄá”ƒâżá”á”—á”’âż á¶ Êłá”’á” á”‡á”‰â±âżá” ËĄá”’Ëąá”— ᔃᔗ Ëąá”‰á”ƒâ€§ áŽŽá”’Ê·á”‰á”›á”‰ÊłâžŽ áŽŸËĄá”ƒâżá”á”—á”’âż ᔈⁱᔈⁿ'á”— Êłá”‰Ëąá”–á”’âżá”ˆ á”—á”’ á”ƒâżÊž á”—Ê°â±âżá”â€§ "᎔'ᔛᔉ á”ˆá”’âżá”‰ ᔃ˥˥ ᎔ á¶œá”ƒâżâ€§â€§â€§" áŽžá”ƒÊłÊłÊž Ëąá”ƒâ±á”ˆâ€§ "᎔'ËĄËĄ á¶œá”ƒËĄËĄ á”†á”ƒâżá”ˆÊž!" áŽčÊłâ€§ áŽ·Êłá”ƒá”‡Ëą ˹ᔃⁱᔈ á”âżá”’Ê·â±âżá” ËąÊ°á”‰ ʰᔃᔈ á”âżá”’Ê·ËĄá”‰á”ˆá”á”‰ á”—á”’ á”–á”’ËąËąâ±á”‡ËĄÊž Ê°á”‰ËĄá”–â€§ á”†á”ƒâżá”ˆÊž ᶜᔃᔐᔉ ʷⁱᔗʰ áŽ·á”ƒÊłá”‰âż ᔒⁿ ᔗʰᔉ ʷᔃʞ‧ áŽ·á”ƒÊłá”‰âż Ëąá¶œá”ƒâżâżá”‰á”ˆ ʰⁱᔐ á¶ á”’Êł â±âżá”—á”‰Êłâżá”ƒËĄ ᔈᔃᔐᔃᔍᔉ ᔃ˹ Ëąá”ƒâżá”ˆÊž ᔃᔗᔗᔉᔐᔖᔗᔉᔈ Êłá”‰Ëąá”˜Ëąá¶œâ±á”—á”ƒá”—â±á”’âżâ€§ "ᎎⁱ˹ ËĄá”‰á” ËąËĄá”ƒá”á”á”‰á”ˆ á”ƒá”á”ƒâ±âżËąá”— ᔃ Êłá”’á¶œá” ʷⁱᔗʰ á”‰âżá”’á”˜á”Ê° á¶ á”’Êłá¶œá”‰ á¶œÊłá”ƒá¶œá”â€§â€§â€§" áŽłá”‰á”—á”—â±âżá” á”‡á”ƒâżá”ˆá”ƒá”á”‰ËąâžŽ ᔗʰᔉʞ ˥ᔉᔗ áŽ·Êłá”ƒá”‡Ëą ʰᔃᔛᔉ ᔃ ᔐᔒᔐᔉⁿᔗ á”ƒËĄá”’âżá”‰ ʷⁱᔗʰ ʰⁱᔐ ÊČá”˜Ëąá”— ⁱⁿ á¶œá”ƒËąá”‰â€§â€§â€§ áŽ±á”›á”‰âżá”—á”˜á”ƒËĄËĄÊžâžŽ áŽŸËĄá”ƒâżá”á”—á”’âż Ê·á”ƒËą ËąÊ°á”’Ê·â±âżá” Ëąâ±á”âżËą ᔒᶠ Êłá”‰á¶œá”’á”›á”‰ÊłÊžâ€§ á¶ á”‰á”‰ËĄâ±âżá” á”‡á”’á”á”‡á”ƒÊłá”ˆá”‰á”ˆ ʰᔉ á”—Êłâ±á”‰á”ˆ á”—á”’ ᔐᔒᔛᔉ Ê·Ê°á”‰âż á”–á”ƒâ±âż á”’á”›á”‰ÊłÊ·Ê°á”‰ËĄá”á”‰á”ˆ ʰⁱᔐ‧ "ᎎⁱ‧‧‧" áŽ·Êłá”ƒá”‡Ëą Ëąá”ƒâ±á”ˆâ€§ "ᔂʰᔒ‧‧‧" "ʞᔒᔘ ᔍᔒᔗᔗᔃ ᔗᔃᔏᔉ ⁱᔗ á”‰á”ƒËąÊžâžŽ á”–á”ƒËĄ!" áŽ·Êłá”ƒá”‡Ëą á”—Êłâ±á”‰á”ˆ á”—á”’ ʰⁱᔈᔉ Ê°â±Ëą á”—á”‰á”ƒÊłËą á¶ Êłá”’á” áŽŸËĄá”ƒâżá”á”—á”’âż ᔃ˹ ʰᔉ ʰᔃᔈ á”†á”ƒâżá”ˆÊž ᔃⁿᔈ áŽ·á”ƒÊłá”‰âż ᶜᔒᔐᔉ ˹ᔉᔉ‧ "áŽ±á”˜á”á”‰âżá”‰ ˥ᔉᔗ'Ëą ᔍⁱᔛᔉ ʰⁱᔐ Êłá”‰Ëąá”—â€§ áŽżá”‰á”ƒá”ˆÊž á”—á”’ ᔍᔒ ʰᔒᔐᔉ?" áŽ·á”ƒÊłá”‰âż á”’á¶ á¶ á”‰Êłá”‰á”ˆ Ê°á”‰Êł Ê°á”ƒâżá”ˆâ€§ "ʞᔃ ËĄá”˜á¶œá”Êž á”—á”’ ᔇᔉ á”ƒËĄâ±á”›á”‰ ᔃ˹ ʞᔒᔘ'ᔈ ᔇᔉ á”á”’âżá”‰âžŽ ᔇᔘᔗ ʞᔃ ᔈⁱᔈ á¶ Êłá”ƒá¶œá”—á”˜Êłá”‰ ËĄá”‰á”â€§â€§â€§" á”†á”ƒâżá”ˆÊž á”‰ËŁá”–ËĄá”ƒâ±âżá”‰á”ˆâ€§ á”‚á”ƒá”›â±âżá” ᔇʞᔉ á”—á”’ áŽžá”ƒÊłÊłÊžâžŽ ᔗʰᔉʞ ᔃ˥˥ Ê·á”‰âżá”— á”—á”’ á”—Ê°á”‰â±Êł Êłá”‰Ëąá”–á”‰á¶œá”—â±á”›á”‰ Ê°á”’á”á”‰Ëą Êłá”‰Ëąá”–á”‰á¶œá”—â±á”›á”‰ËĄÊžâ€§ áŽ·á”ƒÊłá”‰âż Ê°á”‰ËĄá”–á”‰á”ˆ áŽŸËĄá”ƒâżá”á”—á”’âż á”—á”’ ʰᔃᔛᔉ ᔃ Ëąá”‰á”ƒá”—â€§ áŽ·á”ƒÊłá”‰âż ˥ᔉᔗ ᔆᔖᔒᔗ ᔗʰᔉ ᔃᔐᔒᔉᔇᔃ ᔖᔘᔖᔖʞ Ëąá”—á”ƒÊž ʷⁱᔗʰ ʰⁱᔐ‧ "᎔˹ ʰᔉ á¶ á”‰á”‰ËĄâ±âżá” á”ƒâżÊž á”‡á”‰á”—á”—á”‰Êł?" áŽŹËąá”á”‰á”ˆ áŽ·Êłá”ƒá”‡Ëąâ€§ áŽŸËĄá”ƒâżá”á”—á”’âż ᔃⁿᔈ ᔆᔖᔒᔗ Ê·á”‰Êłá”‰ ˹ᔗⁱ˥˥ Ê·Ê°á”‰Êłá”‰ ᔗʰᔉʞ Ê·á”‰Êłá”‰ á”á”‰á”—á”—â±âżá” Êłá”‰Ëąá”—â€§ "á”†á”’á”˜âżá”ˆËą ËĄâ±á”á”‰ áŽŸËĄá”ƒâżá”á”—á”’âż á”á”˜Ëąá”—'ᔛᔉ ᔈᔒᶻᔉᔈ ᔒᶠᶠ‧‧‧" áŽ·á”ƒÊłá”‰âż á”’á”‡Ëąá”‰Êłá”›á”‰á”ˆ Ê°á”‰á”ƒÊłâ±âżá” Ê°â±Ëą ᑫᔘⁱᔉᔗ Ëąá”—á”‰Êłá”—á”’ÊłËąâ€§ áŽčÊłâ€§ áŽ·Êłá”ƒá”‡Ëą Ëąá”ƒÊ· áŽŸËĄá”ƒâżá”á”—á”’âż'Ëą á”ƒÊłá” á”ƒÊłá”’á”˜âżá”ˆ ᔆᔖᔒᔗ➎ ËĄá”‰á” á”‰ËĄá”‰á”›á”ƒá”—á”‰á”ˆâ€§ "᎔'ᔛᔉ á”‡Êłá”’á”˜á”Ê°á”— ᔃ ᔍⁱᶠᔗ á¶ á”’Êł áŽŸËĄá”ƒâżá”á”—á”’âżâ€§â€§â€§" áŽ·á”ƒÊłá”‰âż Ê·á”ƒËą Ê°á”ƒâżá”ˆá”‰á”ˆ ᔃ áŽ·Êłá”ƒá”‡á”‡Êž ᎟ᔃᔗᔗʞ‧ "᎔ᔗ'Ëą á¶ á”’Êł áŽŸËĄá”ƒâżá”á”—á”’âż á”—á”’ ʰᔃᔛᔉ ᔃⁿᔈ ᔉⁿÊČᔒʞ➎ Ëąá”ƒá”›á”‰ ⁱᔗ á¶ á”’Êł ʰⁱᔐ‧‧‧" "ʞᔒᔘ á”ƒÊłá”‰ á”á”’âżâżá”ƒ ËĄá”‰á”ƒá”›á”‰ ʰⁱᔐ ʷⁱᔗʰ ⁱᔗ? áŽźá”˜á”— ʰᔉ'Ëą Êžá”’á”˜Êł Êłâ±á”›á”ƒËĄâžŽ á”ƒâżá”ˆâ€§â€§â€§" "áŽ·á”ƒÊłá”‰âżâžŽ ᎔ á”ˆá”’âż'á”— ᔐⁱⁿᔈ ⁱᶠ ʰᔉ á¶ â±á”á”˜Êłá”‰Ëą ᔒᔘᔗ ᔐᔉ á¶ á”’Êłá”á”˜ËĄá”ƒá”‰; ᎔ á¶œá”’á”˜ËĄá”ˆ'ᔛᔉ ËĄá”’Ëąá”— ʰⁱᔐ ᔗᔒᔈᔃʞ➎ ᔃⁿᔈ ʰᔉ á”ˆá”‰Ëąá”‰Êłá”›á”‰Ëą ᔃ á”—Êłá”‰á”ƒá”—â€§" "áŽ·Êłá”ƒá”‡Ëą ᶜᔃᔐᔉ Ê·Ê°â±ËĄËąá”— ʞᔒᔘ'Êłá”‰ á”ƒËąËĄá”‰á”‰á”–â€§â€§â€§" áŽ·á”ƒÊłá”‰âż á”—á”’ËĄá”ˆ Ê°á”‰Êł Ê°á”˜Ëąá”‡á”ƒâżá”ˆ ᔃ˹ ʰᔉ ʰᔃᔈ Ê·á”’á”á”‰âż ᔘᔖ‧ "ᔂʰᔃ‧‧‧" "ᎎᔉ Ê·á”ƒâżá”—á”‰á”ˆ á”—á”’ ᔍⁱᔛᔉ ʞᔒᔘ Ëąá”’á”á”‰á”—Ê°â±âżá”â€§â€§â€§" áŽ·á”ƒÊłá”‰âż ᔍᔃᔛᔉ ʰⁱᔐ ᔗʰᔉ ᔖᔃᔗᔗʞ‧ áŽŸËĄá”ƒâżá”á”—á”’âż á”—Êłâ±á”‰á”ˆ á”—á”’ Ê°á”’á”– ᔘᔖ á”’âżËĄÊž á”—á”’ ᶠᔃ˥˥ ᔇᔃᶜᔏ ⁱⁿ Ê°â±Ëą Ëąá”‰á”ƒá”—â€§ "á¶œá”ƒÊłá”‰á¶ á”˜ËĄ ᔇᔘᔈ‧‧‧" "ᶜᔘᔗ ⁱᔗ ⁱⁿ Ê°á”ƒËĄá¶  Ëąá”’ ᎔ á¶œá”ƒâż ᔉᔃᔗ ᔒⁿᔉ Ê°á”ƒËĄá¶  ᔃⁿᔈ á”ƒâżá”ƒËĄÊžËąá”‰ ᔗʰᔉ á”’á”—Ê°á”‰Êłâ€§â€§â€§" áŽŹá¶ á”—á”‰Êł á”ƒâżá”ƒËĄÊžËąâ±âżá” ᔃⁿᔈ á¶œá”’âżËąá”˜á”â±âżá” ᔗʰᔉ ᔖᔃᔗᔗʞ➎ áŽŸËĄá”ƒâżá”á”—á”’âż Ê·á”ƒâżá”—á”‰á”ˆ á”—á”’ á”—á”ƒËĄá” á”—á”’ áŽčÊłâ€§ áŽ·Êłá”ƒá”‡Ëąâ€§ áŽ·Êłá”ƒá”‡Ëą ᔖⁱᶜᔏᔉᔈ ᔘᔖ Ê°â±Ëą á”–Ê°á”’âżá”‰ á”—á”’ ᶠⁱⁿᔈ áŽŸËĄá”ƒâżá”á”—á”’âż ᔒⁿ ᔗʰᔉ á”’á”—Ê°á”‰Êł á”‰âżá”ˆâ€§ "ᎎᔉʞ➎ áŽ±á”˜á”á”‰âżá”‰â€§â€§â€§" "ᎎᔒʷ ʞᔃ á¶ á”‰á”‰ËĄâ±âżá”?" "᎔ Ê°á”‰á”ƒÊłá”ˆ ʞᔒᔘ á”›â±Ëąâ±á”—á”‰á”ˆ ᔐᔉ‧‧‧" "áŽŸËĄá”ƒâżá”á”—á”’âż ᎔ Ê·á”ƒâżâżá”ƒ á”’á¶ á¶ á”‰Êł ᔃ á”—Êłá”˜á¶œá”‰ â±âżá”ˆá”‰á¶ â±âżâ±á”—á”‰ËĄÊžâ€§ á”‚Ê°â±ËĄËąá”— ʞᔒᔘ Ê°á”‰á”ƒËĄ ᔃᔗ ËĄá”‰á”ƒËąá”—â€§â€§â€§" "ᔂᔉ˥˥ ᎔ á¶œá”’á”˜ËĄá”ˆâż'á”— Êłá”˜âż á”ƒá”á”ƒâ±âżËąá”— Êžá”’á”˜Êł á”‡á”˜Ëąâ±âżá”‰ËąËą Ê·Ê°á”‰âż ᎔ á¶œá”ƒâżâżá”’á”— Ê·á”ƒËĄá”â€§â€§â€§" "᎔ Ê·á”ƒâżâżá”ƒ á”–ËĄá”ƒÊž ⁱᔗ á¶ á”ƒâ±ÊłâžŽ á”†Ê°á”‰ËĄá”ˆá”’âżâ€§â€§â€§" "ʞᔒᔘ á”á”‰á”ƒâż ⁱᔗ?" "ᎌᶠ á¶œá”’á”˜ÊłËąá”‰! ᔆᔒ➎ á”ƒÊłá”‰ ʷᔉ ᔍᔒᔒᔈ áŽŸËĄá”ƒâżá”á”—á”’âż?" "᎔'ᔐ á”ËĄá”ƒá”ˆ á”—á”’ á”âżá”’Ê· á”’á”˜Êł á¶ á”‰á”‰ËĄâ±âżá”Ëą á”ƒÊłá”‰ á”á”˜á”—á”˜á”ƒËĄâ€§â€§â€§" "᎔ á¶œá”ƒâż ᶜᔒᔐᔉ ᔇʞ ᔃⁿᔈ ᔛⁱ˹ⁱᔗ ʞᔒᔘ á”ƒâżÊž ᔗⁱᔐᔉ➎ ᔃᔗ ËĄá”‰á”ƒËąá”— ⁿᔒᔗ á”ˆá”˜Êłâ±âżá” á”‡á”˜Ëąâ±âżá”‰ËąËą Ê°á”’á”˜ÊłËą ᔃᔗ ËĄá”‰á”ƒËąá”—â€§â€§â€§" "᎔ á”ˆá”’âż'á”— Êłá”‰á¶œá”ƒËĄËĄ ⁱᶠ ᎔ á”–Êłá”’á”–á”‰ÊłËĄÊž á”—Ê°á”ƒâżá”á”‰á”ˆ ʞᔒᔘ áŽ±á”˜á”á”‰âżá”‰âžŽ Ëąá”’ á”—Ê°á”ƒâżá”Ëąâ€§â€§â€§" áŽ·á”ƒÊłá”‰âż Ëąá”ƒÊ· Ê°á”‰Êł Ê°á”˜Ëąá”‡á”ƒâżá”ˆ ᔃ˹ ᔗʰᔉ á¶œá”ƒËĄËĄ á”‰âżá”ˆá”‰á”ˆ Ëąâ±á”Ê° Ê·Ê°â±ËĄËąá”— á”–á”‰á”—á”—â±âżá” ᔆᔖᔒᔗ➎ Ê·Ê°á”’ ˹ᔗⁱ˥˥ Ëąá”—á”ƒÊžá”‰á”ˆ ᔇʞ ʰⁱᔐ‧
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ᔀʰᔉ áŽŹá¶œá¶œâ±á”ˆá”‰âżá”— âœá”†á”–á”’âżá”á”‰áŽźá”’á”‡ á¶ á”ƒâżá¶ â±á¶œâŸ áŽŸËĄá”ƒâżá”á”—á”’âż Ê·á”ƒËą ʰⁱᔗ ᔇʞ ᔃ ʷᔃᔛᔉ á”âżá”’á¶œá”á”‰á”ˆ ᔒᔘᔗ➎ áŽčÊłâ€§ áŽ·Êłá”ƒá”‡Ëą âżá”’á”—â±á¶œá”‰á”ˆ ʰⁱᔐ ᔍᔉᔗ á”—Êłá”ƒá”–á”–á”‰á”ˆ á”˜âżá”ˆá”‰Êł ᔗʰᔉ á¶œá”˜ÊłÊłá”‰âżá”—â€§ "á”†Ê°á”‰ËĄá”ˆá”’âżâ€§â€§â€§" áŽŹá¶ á”—á”‰Êł Ëąá”‰á”‰â±âżá” áŽčÊłâ€§ áŽ·Êłá”ƒá”‡Ëą ᔖᔒⁱⁿᔗ ᔒᔘᔗ áŽžá”ƒÊłÊłÊž ᔈⁱᔛᔉᔈ ⁱⁿ‧ áŽŽá”’Ê·á”‰á”›á”‰ÊłâžŽ áŽŸËĄá”ƒâżá”á”—á”’âż ᔈⁱᔈⁿ'á”— Êłá”‰Ëąá”–á”’âżá”ˆ á”—á”’ á”ƒâżÊž á”—Ê°â±âżá”â€§ "᎔'ᔛᔉ á”ˆá”’âżá”‰ ᔃ˥˥ ᎔ á¶œá”ƒâżâ€§â€§â€§" áŽžá”ƒÊłÊłÊž Ëąá”ƒâ±á”ˆâ€§ "᎔'ËĄËĄ á¶œá”ƒËĄËĄ á”†á”ƒâżá”ˆÊž!" áŽčÊłâ€§ áŽ·Êłá”ƒá”‡Ëą Ëąá”ƒâ±á”ˆâ€§ á”†á”ƒâżá”ˆÊž ᶜᔃᔐᔉ ʷⁱᔗʰ áŽ·á”ƒÊłá”‰âż ᔒⁿ ᔗʰᔉ ʷᔃʞ‧ áŽ·á”ƒÊłá”‰âż Ëąá¶œá”ƒâżâżá”‰á”ˆ ʰⁱᔐ á¶ á”’Êł â±âżá”—á”‰Êłâżá”ƒËĄ ᔈᔃᔐᔃᔍᔉ ᔃ˹ Ëąá”ƒâżá”ˆÊž ᔃᔗᔗᔉᔐᔖᔗᔉᔈ Êłá”‰Ëąá”˜Ëąá¶œâ±á”—á”ƒá”—â±á”’âżâ€§ "ᎎⁱ˹ ËĄá”‰á” ËąËĄá”ƒá”á”á”‰á”ˆ á”ƒá”á”ƒâ±âżËąá”— ᔃ Êłá”’á¶œá” ʷⁱᔗʰ á”‰âżá”’á”˜á”Ê° á¶ á”’Êłá¶œá”‰ á¶œÊłá”ƒá¶œá”â€§â€§â€§" áŽłá”‰á”—á”—â±âżá” á”‡á”ƒâżá”ˆá”ƒá”á”‰ËąâžŽ ᔗʰᔉʞ ˥ᔉᔗ áŽ·Êłá”ƒá”‡Ëą ʰᔃᔛᔉ ᔃ ᔐᔒᔐᔉⁿᔗ á”ƒËĄá”’âżá”‰ ʷⁱᔗʰ ʰⁱᔐ‧‧‧ áŽ±á”›á”‰âżá”—á”˜á”ƒËĄËĄÊžâžŽ áŽŸËĄá”ƒâżá”á”—á”’âż Ê·á”ƒËą ËąÊ°á”’Ê·â±âżá” Ëąâ±á”âżËą ᔒᶠ Êłá”‰á¶œá”’á”›á”‰ÊłÊžâ€§ á¶ á”‰á”‰ËĄâ±âżá” á”‡á”’á”á”‡á”ƒÊłá”ˆá”‰á”ˆ ʰᔉ á”—Êłâ±á”‰á”ˆ á”—á”’ ᔐᔒᔛᔉ Ê·Ê°á”‰âż á”–á”ƒâ±âż á”’á”›á”‰ÊłÊ·Ê°á”‰ËĄá”á”‰á”ˆ ʰⁱᔐ‧ "ᔂʰᔒ‧‧‧" áŽ·Êłá”ƒá”‡Ëą á”—Êłâ±á”‰á”ˆ á”—á”’ ʰⁱᔈᔉ Ê°â±Ëą á”—á”‰á”ƒÊłËą á¶ Êłá”’á” áŽŸËĄá”ƒâżá”á”—á”’âż ᔃ˹ ʰᔉ ʰᔃᔈ á”†á”ƒâżá”ˆÊž ᔃⁿᔈ áŽ·á”ƒÊłá”‰âż ᶜᔒᔐᔉ‧ "áŽżá”‰á”ƒá”ˆÊž á”—á”’ ᔍᔒ ʰᔒᔐᔉ?" áŽ·á”ƒÊłá”‰âż á”’á¶ á¶ á”‰Êłá”‰á”ˆ Ê°á”‰Êł Ê°á”ƒâżá”ˆâ€§ "ʞᔃ ËĄá”˜á¶œá”Êž á”—á”’ ᔇᔉ á”ƒËĄâ±á”›á”‰ ᔃ˹ ʞᔒᔘ'ᔈ ᔇᔉ á”á”’âżá”‰âžŽ ᔇᔘᔗ ʞᔃ ᔈⁱᔈ á¶ Êłá”ƒá¶œá”—á”˜Êłá”‰ ËĄá”‰á”â€§â€§â€§" áŽ·á”ƒÊłá”‰âż Ê°á”‰ËĄá”–á”‰á”ˆ áŽŸËĄá”ƒâżá”á”—á”’âż á”—á”’ ʰᔃᔛᔉ ᔃ Ëąá”‰á”ƒá”—â€§ ᔃⁿᔈ ʰᔃᔈ ᔆᔖᔒᔗ ᔗʰᔉ ᔃᔐᔒᔉᔇᔃ ᔖᔘᔖᔖʞ ˹ⁱᔗ ᔇʞ ʰⁱᔐ‧ áŽ·Êłá”ƒá”‡Ëą Ëąá”ƒá”— ᔇʞ áŽŸËĄá”ƒâżá”á”—á”’âż'Ëą á”’á”—Ê°á”‰Êł Ëąâ±á”ˆá”‰â€§ "᎔ á”ˆá”’âż'á”— Êłá”‰á¶œá”ƒËĄËĄ ⁱᶠ ᎔ á”–Êłá”’á”–á”‰ÊłËĄÊž á”—Ê°á”ƒâżá”á”‰á”ˆ ʞᔒᔘ áŽ±á”˜á”á”‰âżá”‰âžŽ Ëąá”’ á”—Ê°á”ƒâżá”Ëąâ€§â€§â€§" á”†á”â±ËĄá”‰á”ˆ áŽŸËĄá”ƒâżá”á”—á”’âż Ê·á”‰á”ƒá”ËĄÊž ᔇᔘᔗ á”á”‰âżá”˜â±âżá”‰â€§ "ᎎᔒʷ á”ƒÊłá”‰ ʞᔒᔘ➎ á”–á”ƒâ±âż Ê·â±Ëąá”‰?" "áŽčÊž ËĄá”‰á” ˹ᔗⁱ˥˥ Ê°á”˜Êłá”—Ëąâ€§â€§â€§" "᎔ á¶œá”ƒâż á”—ÊłÊž á”—á”’ á”á”ƒËąËąá”ƒá”á”‰ ⁱᔗ; ᎔'ËĄËĄ ᔇᔉ á¶œá”ƒÊłá”‰á¶ á”˜ËĄ ʷⁱᔗʰ ᔐᔉ á¶œËĄá”ƒÊ·Ëą ᔗʰᔒ‧‧‧" "áŽ·Êłá”ƒá”‡ËąâžŽ ⁱ˹ á”—Ê°á”‰Êłá”‰ ᔃ ᶜᔃᔗᶜʰ ËĄâ±á”á”‰ ᔃ 'ʞᔒᔘ ᔒʷᔉ ᔐᔉ' Ëąá”’Êłá”—á”ƒ á”—Ê°â±âżá” á”—á”’ á”˜Ëąá”‰ á”ƒá”á”ƒâ±âżËąá”— ᔐᔉ?" "᎔ á¶œá”ƒâż ˹ᔉᔉ Ê·Ê°Êž ʞᔉ á”ƒËąá”âžŽ á”â±á”›á”‰âż á”’á”˜Êł ᶜᔃᔗ ᔃⁿᔈ á”á”’á”˜Ëąá”‰ Êłá”‰ËĄá”ƒá”—â±á”’âżËąÊ°â±á”–âžŽ ᔇᔘᔗ ⁱᔗ ᔃⁱⁿ'á”— Ëąá”’ á¶ á”ƒâ±Êł ᶠᔘⁿ ᔃⁿᔈ á”á”ƒá”á”‰Ëą Ê·Ê°á”‰âż ʞᔉ Êłâ±á”›á”ƒËĄ'Ëą ⁿᔒᔗ ᔃᔗ ᔇᔉ˹ᔗ‧‧‧" "᎔ á”á”˜á”‰ËąËą ⁱᔗ á”á”ƒá”á”‰Ëą ˹ᔉⁿ˹ᔉ‧‧‧" áŽŸËĄá”ƒâżá”á”—á”’âż Êłá”‰á”–ËĄâ±á”‰á”ˆ á”ˆÊłá”’Ê·Ëąâ±ËĄÊžâ€§ "áŽ¶á”˜Ëąá”— ˥ᔉᔗ ᔐᔉ á”âżá”’Ê· á”’âżá¶œá”‰ ʞᔒᔘ'ᔈ ËĄâ±á”á”‰ ᔐᔉ á”—á”’ ˹ᔗᔒᔖ‧‧‧" áŽ·á”ƒÊłá”‰âż ᶜᔃᔐᔉ ᔇᔃᶜᔏ á”—á”’ ᶜʰᔉᶜᔏ ⁱⁿ ᔒⁿ á”—á”’ ᶠⁱⁿᔈ ᔆᔖᔒᔗ Ê·á”ƒá”á”â±âżá” Ê°â±Ëą á”—á”ƒâ±ËĄ ᔃ˹ áŽ·Êłá”ƒá”‡Ëą á”á”‰âżá”—ËĄÊž Êłá”˜á”‡á”‡â±âżá” ᔗʰᔉ Ê°á”˜Êłá”— ËĄá”‰á” ᔒᶠ áŽŸËĄá”ƒâżá”á”—á”’âżâžŽ Ê·Ê°á”’'Ëą á¶ á”ƒËąá”— á”ƒËąËĄá”‰á”‰á”–â€§ "áŽ·á”ƒÊłá”‰âżâ€§â€§â€§" áŽ·Êłá”ƒá”‡Ëą Ê·Ê°â±Ëąá”–á”‰Êłá”‰á”ˆâžŽ ËĄá”‰á”ƒâżâ±âżá” áŽŸËĄá”ƒâżá”á”—á”’âż ᔇᔃᶜᔏ ⁱⁿ ᔗʰᔉ Ëąá”‰á”ƒá”— ʰᔉ'Ëą ˹ᔗⁱ˥˥ ᔃᔗ‧ "Êžá”‰Ëą?" "᎔ Ê·á”ƒâżá”— ʰⁱᔐ á”—á”’ Êłá”‰á”á”ƒâ±âż ⁱⁿ á”‡á”’á”—Ê°á”‰Êłá”‰á”ˆ ᔃ˹ ᎔ Ëąá”–á”‰á”ƒá” ʷⁱᔗʰ ʞᔒᔘ‧‧‧" ᔀʰᔉʞ Ê·á”‰âżá”— ⁱⁿ ᔗʰᔉ ᔃᔈÊČá”ƒá¶œá”‰âżá”— Êłá”’á”’á” á‘«á”˜â±á”‰á”—ËĄÊžâ€§ "᎔'ᔐ á”á”’âżâżá”ƒ ᔗᔉ˥˥ ʞᔒᔘ Ëąá”’á”á”‰á”—Ê°â±âżá” á”—á”’ ʰᔃᔛᔉ ⁱⁿ Êžá”’á”˜Êł ᶠⁱ˥ᔉ˹ á¶ á”’Êł Êžá”’á”˜Êł Ê°á”˜Ëąá”‡á”ƒâżá”ˆâ€§â€§â€§" áŽ·Êłá”ƒá”‡Ëą Ê·Ê°â±Ëąá”–á”‰Êłá”‰á”ˆ ᔃ˹ ʰᔉ á”–Êłá”’á¶œá”‰á”‰á”ˆá”‰á”ˆ á”—á”’ Ê·Ê°â±Ëąá”–á”‰Êł ᔗʰᔉ Ëąá”‰á¶œÊłá”‰á”— á”—á”’ ᔗʰᔉ á”Êłá”ƒá”‡á”‡Êž ᔖᔃᔗᔗʞ‧ "áŽ±á”˜á”á”‰âżá”‰ áŽ·Êłá”ƒá”‡Ëąâ€§â€§â€§" á”†Ê°á”˜ËąÊ°â±âżá” Ê°á”‰ÊłâžŽ ʰᔉ á”á”‰Ëąá”—á”˜Êłá”‰á”ˆ á”—á”’ áŽŸËĄá”ƒâżá”á”—á”’âż á”á”’á”—â±á”’âżâ±âżá” Ê°á”‰Êł á”—á”’ Ëąá”–á”‰á”ƒá” Ëąá”’á¶ á”—ËĄÊž Ëąá”’ ᔃ˹ á”—á”’ ⁿᔒᔗ Ëąá”—á”ƒÊłá”—ËĄá”‰ á”’Êł ᔃᔍⁱᔗᔃᔗᔉ áŽŸËĄá”ƒâżá”á”—á”’âżâ€§ "᎔ᔗ'Ëą ʷʰᔃᔗ ᎔ Ê·á”ƒâżá”—âžŽ áŽ·á”ƒÊłá”‰âżâ€§â€§â€§"
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ᔀʰᔉ áŽŹá¶œá¶œâ±á”ˆá”‰âżá”— âœá”†á”–á”’âżá”á”‰áŽźá”’á”‡ á¶ á”ƒâżá¶ â±á¶œâŸ áŽ·Êłá”ƒá”‡Ëą Ëąá”ƒÊ· áŽŸËĄá”ƒâżá”á”—á”’âż ᔍᔉᔗ á”—Êłá”ƒá”–á”–á”‰á”ˆ á”˜âżá”ˆá”‰Êł ᔗʰᔉ á¶œá”˜ÊłÊłá”‰âżá”—â€§ "á”†Ê°á”‰ËĄá”ˆá”’âżâ€§â€§â€§" áŽŹá¶ á”—á”‰Êł Ëąá”‰á”‰â±âżá” áŽčÊłâ€§ áŽ·Êłá”ƒá”‡Ëą ᔖᔒⁱⁿᔗ ᔒᔘᔗ áŽžá”ƒÊłÊłÊž ᔈⁱᔛᔉᔈ ⁱⁿ ᔗʰᔉ Ê·á”ƒá”—á”‰Êł Ëąá”ƒá”›â±âżá” áŽŸËĄá”ƒâżá”á”—á”’âż á¶ Êłá”’á” á”‡á”‰â±âżá” ËĄá”’Ëąá”— ᔃᔗ Ëąá”‰á”ƒâ€§ áŽŽá”’Ê·á”‰á”›á”‰ÊłâžŽ áŽŸËĄá”ƒâżá”á”—á”’âżâ€™Ëą Êłá”‰âżá”ˆá”‰Êłá”‰á”ˆ á”âżá”’á¶œá”á”‰á”ˆ ᔒᔘᔗ á¶œá”’ËĄá”ˆâ€§ "᎔'ᔛᔉ á”ˆá”’âżá”‰ ᔃ˥˥ ᎔ á¶œá”ƒâżâ€§â€§â€§" áŽžá”ƒÊłÊłÊž Ëąá”ƒâ±á”ˆâ€§ "᎔'ËĄËĄ á¶œá”ƒËĄËĄ á”†á”ƒâżá”ˆÊž!" áŽčÊłâ€§ áŽ·Êłá”ƒá”‡Ëą ˹ᔃⁱᔈ á”âżá”’Ê·â±âżá” ËąÊ°á”‰ ʰᔃᔈ á”âżá”’Ê·ËĄá”‰á”ˆá”á”‰ á”—á”’ á”–á”’ËąËąâ±á”‡ËĄÊž Ê°á”‰ËĄá”–â€§ á”†á”ƒâżá”ˆÊž ᶜᔃᔐᔉ ʷⁱᔗʰ áŽ·á”ƒÊłá”‰âż ᔒⁿ ᔗʰᔉ ʷᔃʞ‧ áŽ·á”ƒÊłá”‰âż Ëąá¶œá”ƒâżâżá”‰á”ˆ ʰⁱᔐ á¶ á”’Êł â±âżá”—á”‰Êłâżá”ƒËĄ ᔈᔃᔐᔃᔍᔉ ᔃ˹ Ëąá”ƒâżá”ˆÊž ᔃᔗᔗᔉᔐᔖᔗᔉᔈ Êłá”‰Ëąá”˜Ëąá¶œâ±á”—á”ƒá”—â±á”’âżâ€§ "ᎎⁱ˹ ËĄá”‰á” ËąËĄá”ƒá”á”á”‰á”ˆ á”ƒá”á”ƒâ±âżËąá”— ᔃ Êłá”’á¶œá” ʷⁱᔗʰ á”‰âżá”’á”˜á”Ê° á¶ á”’Êłá¶œá”‰ á”—á”’, Ê·á”‰ËĄËĄâ€§â€§â€§" áŽłá”‰á”—á”—â±âżá” á”‡á”ƒâżá”ˆá”ƒá”á”‰ËąâžŽ ᔗʰᔉʞ Ëąá”ƒÊ· áŽŸËĄá”ƒâżá”á”—á”’âż Ê·á”ƒËą ËąÊ°á”’Ê·â±âżá” Ëąâ±á”âżËą ᔒᶠ Êłá”‰á¶œá”’á”›á”‰ÊłÊžâ€§ á¶ á”‰á”‰ËĄâ±âżá” á”‡á”’á”á”‡á”ƒÊłá”ˆá”‰á”ˆ ʰᔉ á”—Êłâ±á”‰á”ˆ á”—á”’ ᔐᔒᔛᔉ Ê·Ê°á”‰âż á”–á”ƒâ±âż á”’á”›á”‰ÊłÊ·Ê°á”‰ËĄá”á”‰á”ˆ ʰⁱᔐ‧ "ᎎⁱ‧‧‧" áŽ·Êłá”ƒá”‡Ëą Ëąá”ƒâ±á”ˆâ€§ "ᔂʰᔒ‧‧‧" "ʞᔒᔘ ᔍᔒᔗᔗᔃ ᔗᔃᔏᔉ ⁱᔗ á”‰á”ƒËąÊžâžŽ á”–á”ƒËĄ!" áŽ·Êłá”ƒá”‡Ëą á”—Êłâ±á”‰á”ˆ á”—á”’ ʰⁱᔈᔉ Ê°â±Ëą á”—á”‰á”ƒÊłËą á¶ Êłá”’á” áŽŸËĄá”ƒâżá”á”—á”’âż ᔃ˹ ʰᔉ ʰᔃᔈ á”†á”ƒâżá”ˆÊž ᔃⁿᔈ áŽ·á”ƒÊłá”‰âż ᶜᔒᔐᔉ ˹ᔉᔉ‧ "áŽ±á”˜á”á”‰âżá”‰ ˥ᔉᔗ'Ëą ᔍⁱᔛᔉ ʰⁱᔐ Êłá”‰Ëąá”—â€§ áŽżá”‰á”ƒá”ˆÊž á”—á”’ ᔍᔒ ʰᔒᔐᔉ?" áŽ·á”ƒÊłá”‰âż á”’á¶ á¶ á”‰Êłá”‰á”ˆ Ê°á”‰Êł Ê°á”ƒâżá”ˆâ€§ "ʞᔃ ËĄá”˜á¶œá”Êž á”—á”’ ᔇᔉ á”ƒËĄâ±á”›á”‰ ᔃ˹ ʞᔒᔘ'ᔈ ᔇᔉ á”á”’âżá”‰âžŽ ᔇᔘᔗ ʞᔃ ᔈⁱᔈ á¶ Êłá”ƒá¶œá”—á”˜Êłá”‰ ËĄá”‰á”â€§â€§â€§" á”†á”ƒâżá”ˆÊž á”‰ËŁá”–ËĄá”ƒâ±âżá”‰á”ˆâ€§ á”‚á”ƒá”›â±âżá” ᔇʞᔉ á”—á”’ áŽžá”ƒÊłÊłÊžâžŽ ᔗʰᔉʞ ᔃ˥˥ Ê·á”‰âżá”— á”—á”’ á”—Ê°á”‰â±Êł Ê°á”’á”á”‰Ëąâ€§ áŽ·á”ƒÊłá”‰âż Ê°á”‰ËĄá”–á”‰á”ˆ áŽŸËĄá”ƒâżá”á”—á”’âż á”—á”’ ʰᔃᔛᔉ ᔃ Ëąá”‰á”ƒá”—â€§ áŽ·á”ƒÊłá”‰âż ˥ᔉᔗ ᔆᔖᔒᔗ ᔗʰᔉ ᔃᔐᔒᔉᔇᔃ ᔖᔘᔖᔖʞ Ëąá”—á”ƒÊž ʷⁱᔗʰ ʰⁱᔐ‧ "᎔˹ ʰᔉ á¶ á”‰á”‰ËĄâ±âżá” á”ƒâżÊž á”‡á”‰á”—á”—á”‰Êł?" áŽŹËąá”á”‰á”ˆ áŽ·Êłá”ƒá”‡Ëąâ€§ áŽŸËĄá”ƒâżá”á”—á”’âż ᔃⁿᔈ ᔆᔖᔒᔗ Ê·á”‰Êłá”‰ ˹ᔗⁱ˥˥ Ê·Ê°á”‰Êłá”‰ ᔗʰᔉʞ Ê·á”‰Êłá”‰ á”á”‰á”—á”—â±âżá” Êłá”‰Ëąá”—â€§ "á”†á”’á”˜âżá”ˆËą ËĄâ±á”á”‰ áŽŸËĄá”ƒâżá”á”—á”’âż á”á”˜Ëąá”—'ᔛᔉ ᔈᔒᶻᔉᔈ‧‧‧" áŽ·á”ƒÊłá”‰âż á”’á”‡Ëąá”‰Êłá”›á”‰á”ˆ Ê°á”‰á”ƒÊłâ±âżá” ʰⁱᔐ Ëąá”—á”‰Êłá”—á”’Êł á‘«á”˜â±á”‰á”—ËĄÊžâ€§ áŽčÊłâ€§ áŽ·Êłá”ƒá”‡Ëą Ëąá”ƒÊ· áŽŸËĄá”ƒâżá”á”—á”’âż'Ëą á”ƒÊłá” á”ƒÊłá”’á”˜âżá”ˆ ᔆᔖᔒᔗ➎ ËĄá”‰á” á”‰ËĄá”‰á”›á”ƒá”—á”‰á”ˆâ€§ "᎔'ᔛᔉ á”‡Êłá”’á”˜á”Ê°á”— ᔃ ᔍⁱᶠᔗ á¶ á”’Êł áŽŸËĄá”ƒâżá”á”—á”’âżâ€§â€§â€§" áŽ·á”ƒÊłá”‰âż Ê·á”ƒËą Ê°á”ƒâżá”ˆá”‰á”ˆ ᔃ áŽ·Êłá”ƒá”‡á”‡Êž ᎟ᔃᔗᔗʞ‧ "᎔ᔗ'Ëą á¶ á”’Êł áŽŸËĄá”ƒâżá”á”—á”’âż á”—á”’ ʰᔃᔛᔉ ᔃⁿᔈ ᔉⁿÊČᔒʞ➎ Ëąá”ƒá”›á”‰ ⁱᔗ á¶ á”’Êł ʰⁱᔐ‧‧‧" "ʞᔒᔘ á”ƒÊłá”‰ á”á”’âżâżá”ƒ ËĄá”‰á”ƒá”›á”‰ ʰⁱᔐ ʷⁱᔗʰ ⁱᔗ? áŽźá”˜á”— ʰᔉ'Ëą Êžá”’á”˜Êł Êłâ±á”›á”ƒËĄâžŽ á”ƒâżá”ˆâ€§â€§â€§" "áŽ·á”ƒÊłá”‰âżâžŽ ᎔ á”ˆá”’âż'á”— ᔐⁱⁿᔈ ⁱᶠ ʰᔉ á¶ â±á”á”˜Êłá”‰Ëą ᔒᔘᔗ ᔐᔉ á¶ á”’Êłá”á”˜ËĄá”ƒá”‰; ᎔ á¶œá”’á”˜ËĄá”ˆ'ᔛᔉ ËĄá”’Ëąá”— ʰⁱᔐ ᔗᔒᔈᔃʞ‧" "áŽ·Êłá”ƒá”‡Ëą ᶜᔃᔐᔉ Ê·Ê°â±ËĄËąá”— ʞᔒᔘ'Êłá”‰ Ëąâżá”’á”’á¶»â±âżá” ᔃʷᔃʞ‧‧‧" áŽ·á”ƒÊłá”‰âż á”—á”’ËĄá”ˆ Ê°á”‰Êł Ê°á”˜Ëąá”‡á”ƒâżá”ˆ ᔃ˹ ʰᔉ ʰᔃᔈ Ê·á”’á”á”‰âż ᔘᔖ‧ "ᔂʰᔃ‧‧‧" "ᎎᔉ Ê·á”ƒâżá”—á”‰á”ˆ á”—á”’ ᔍⁱᔛᔉ ʞᔒᔘ Ëąá”’á”á”‰á”—Ê°â±âżá”â€§â€§â€§" áŽ·á”ƒÊłá”‰âż ᔍᔃᔛᔉ ʰⁱᔐ ᔗʰᔉ ᔖᔃᔗᔗʞ‧ áŽŸËĄá”ƒâżá”á”—á”’âż á”—Êłâ±á”‰á”ˆ á”—á”’ Ê°á”’á”– ᔘᔖ á”’âżËĄÊž á”—á”’ á¶œá”’ËĄËĄá”ƒá”–Ëąá”‰ ᔇᔃᶜᔏ Ê·á”‰á”ƒá”ËĄÊž ⁱⁿᔗᔒ Ê°â±Ëą Ëąá”‰á”ƒá”—â€§ "á¶œá”ƒÊłá”‰á¶ á”˜ËĄ Ê°á”’âżâ€§â€§â€§" “᎔ á¶œá”ƒâż ᔉᔃᔗ ᔒⁿᔉ Ê°á”ƒËĄá¶  ᔃⁿᔈ á”ƒâżá”ƒËĄÊžËąá”‰ ᔗʰᔉ á”’á”—Ê°á”‰Êłâ€§â€§â€§" áŽŹá¶ á”—á”‰Êł á”ƒâżá”ƒËĄÊžËąâ±âżá” ᔃⁿᔈ á¶œá”’âżËąá”˜á”â±âżá” ᔗʰᔉ ᔖᔃᔗᔗʞ➎ áŽŸËĄá”ƒâżá”á”—á”’âż Ê·á”ƒâżá”—á”‰á”ˆ á”—á”’ á”—á”ƒËĄá” á”—á”’ áŽčÊłâ€§ áŽ·Êłá”ƒá”‡Ëąâ€§ áŽ·Êłá”ƒá”‡Ëą ᔖⁱᶜᔏᔉᔈ ᔘᔖ Ê°â±Ëą á”–Ê°á”’âżá”‰â€§ "ᎎᔉʞ➎ áŽ±á”˜á”á”‰âżá”‰â€§â€§â€§" "ᎎᔒʷ ʞᔃ á¶ á”‰á”‰ËĄâ±âżá”?" "᎔ Ê°á”‰á”ƒÊłá”ˆ ʞᔒᔘ á”›â±Ëąâ±á”—á”‰á”ˆ ᔐᔉ‧‧‧" "áŽŸËĄá”ƒâżá”á”—á”’âż ᎔ Ê·á”ƒâżâżá”ƒ á”’á¶ á¶ á”‰Êł ᔃ á”—Êłá”˜á¶œá”‰ â±âżá”ˆá”‰á¶ â±âżâ±á”—á”‰ËĄÊžâ€§ á”‚Ê°â±ËĄËąá”— ʞᔒᔘ Ê°á”‰á”ƒËĄ ᔃᔗ ËĄá”‰á”ƒËąá”—â€§ ᎔ Ê·á”ƒâżâżá”ƒ á”–ËĄá”ƒÊž ⁱᔗ á¶ á”ƒâ±ÊłâžŽ á”†Ê°á”‰ËĄá”ˆá”’âżâ€§â€§â€§" "ʞᔒᔘ á”á”‰á”ƒâż ⁱᔗ?" "ᎌᶠ á¶œá”’á”˜ÊłËąá”‰! ᎔ á¶œá”ƒâż ᶜᔒᔐᔉ ᔇʞ ᔃⁿᔈ ᔛⁱ˹ⁱᔗ ʞᔒᔘ‧‧‧" "᎔ á”ˆá”’âż'á”— Êłá”‰á¶œá”ƒËĄËĄ ⁱᶠ ᎔ á”–Êłá”’á”–á”‰ÊłËĄÊž á”—Ê°á”ƒâżá”á”‰á”ˆ ʞᔒᔘ áŽ±á”˜á”á”‰âżá”‰âžŽ Ëąá”’ á”—Ê°á”ƒâżá”Ëąâ€§â€§â€§" áŽ·á”ƒÊłá”‰âż Ëąá”ƒÊ· Ê°á”‰Êł Ê°á”˜Ëąá”‡á”ƒâżá”ˆ Ëąâ±á”Ê° ᔃ˹ ᔗʰᔉ á¶œá”ƒËĄËĄ á”‰âżá”ˆá”‰á”ˆ Ê·Ê°â±ËĄËąá”— á”–á”‰á”—á”—â±âżá” ᔆᔖᔒᔗ➎ Ê·Ê°á”’ ˹ᔗⁱ˥˥ Ëąá”—á”ƒÊžá”‰á”ˆ ⁿᔉˣᔗ á”—á”’ ʰⁱᔐ‧ â€œá”‚á”ƒâżá”— ᔗᔉ˥ᔉᔛⁱ˹ⁱᔒⁿ?” “᎔ Ê·á”ƒâżâżá”ƒ ˹ᔉᔉ áŽ±á”˜á”á”‰âżá”‰â€Šâ€ “ʞᔒᔘ Ê·á”ƒâżá”— áŽ·Êłá”ƒá”‡Ëą á”—á”’ ᔛⁱ˹ⁱᔗ? ʞᔒᔘ á”á”˜Ëąá”— ᔇᔉ á”—á”’ ᔈᔃᶻᔉᔈ ⁱᶠ ʞᔒᔘ Ê·á”ƒâżá”— ʰⁱᔐ á”—á”’ ᶜᔒᔐᔉ Ê°á”‰Êłá”‰ ᔃⁿᔈ ᔛⁱ˹ⁱᔗ á”á”’Êłá”‰ á”—Ê°á”ƒâż á”’âżá¶œá”‰ ⁱⁿ ᔒⁿᔉ ᔈᔃʞ ” áŽ±á”˜á”á”‰âżá”‰ á”ƒÊłÊłâ±á”›á”‰á”ˆ á”—á”’ ˹ᔉᔉ áŽŸËĄá”ƒâżá”á”—á”’âż ʷᔃᔛᔉ ᔃᔗ ʰⁱᔐ á¶ Êłá”’á” Ê·Ê°á”‰Êłá”‰ ʰᔉ ˹ᔗⁱ˥˥ Ê·á”ƒËą á”‰á”ƒÊłËĄâ±á”‰Êłâ€§ “᎔ á¶œá”ƒâżâżá”’á”— Ëąá”ƒÊž á¶ á”’Êł ᔗʰᔉ á¶ á”˜á”—á”˜Êłá”‰ ᔇᔘᔗ á¶ á”’Êł âżá”’Ê· ⁱⁿ ᔐʞ Ëąá”—á”ƒá”—á”‰ ᎔ Ê·á”ƒâżá”— ᔘ˹ á”—á”’ ˹ᔉᔗ á”ƒËąâ±á”ˆá”‰ á”’á”˜Êł á”ˆâ±á¶ á¶ á”‰Êłá”‰âżá¶œá”‰Ëą á”ƒËąâ±á”ˆá”‰â€§â€ â€œá”†á”˜Êłá”‰, á”†Ê°á”‰ËĄá”ˆá”’âżâ€Šâ€
new plabsen plabscore fracturecore the accident
ᔀʰᔉ á”‚Ê°á”‰á”‰ËĄ áŽ°á”‰á”ƒËĄ âœá”†á”–á”’âżá”á”‰áŽźá”’á”‡ á¶ á”ƒâżá¶ â±á¶œâŸ Part 2 "᎔⁻᎔⁻᎔⁻᎔ " á”†á”ƒâżá”ˆÊž á”âżá”‰Ê· áŽŸËĄá”ƒâżá”á”—á”’âż'Ëą á”á”’Êłá”‰ á¶ Êłá”ƒá”â±ËĄá”‰â€§ áŽŸËĄá”ƒâżá”á”—á”’âż'Ëą ᔉʞᔉ Ê·á”‰âżá”— ᔇᔃᶜᔏ âżá”’Ê·âžŽ Êłá”’ËĄËĄâ±âżá” ᔘᔖ ⁱⁿ Ê°â±Ëą ʰᔉᔃᔈ‧ "ᶜᔒᔐᔉ ᔒⁿ âżá”’Ê·â€§ áŽ·á”ƒÊłá”‰âżâ€œ" Êžá”‰ËĄËĄËą á”†á”ƒâżá”ˆÊžâžŽ Ê·Ê°â±ËĄËąá”— á”†á”–á”’âżá”á”‰á”‡á”’á”‡ Ê°á”‰ËĄá”ˆ áŽŸËĄá”ƒâżá”á”—á”’âżâ€§ "áŽŸËĄáŽŹâżá”á”€á”’áŽș?" á”†á”–á”’âżá”á”‰á”‡á”’á”‡ ᔗᔃᔖᔖᔉᔈ ᔗʰᔉ Ëąâ±á”ˆá”‰ ᔒᶠ Ê°â±Ëą ᶜʰᔉᔉᔏ Êłá”ƒá”–â±á”ˆËĄÊž ᔇᔘᔗ ⁿᔒᔗ Ê°á”ƒÊłËąÊ°ËĄÊžâ€§ "ᔂᔃᔏᔉ ᔘᔖ!" á”†á”–á”’âżá”á”‰á”‡á”’á”‡ á¶œÊłâ±á”‰Ëą Ê·Ê°â±ËĄËąá”— á”‰á”á”‡Êłá”ƒá¶œâ±âżá” ʰⁱᔐ‧ "áŽŸËĄá”ƒâżá”á”—á”’âż; ᔂᔃᔏᔉ ᔁᔖ!" ᎔ⁿ ᔗʰᔉ á”á”‰á”ƒâż ᔗⁱᔐᔉ á”†á”ƒâżá”ˆÊž á”—á”’ËĄá”ˆ áŽ·á”ƒÊłá”‰âżâ€§ "á”†Ê°á”‰ËĄá”ˆá”’âżâ€œ" áŽ·á”ƒÊłá”‰âż Ëąá”ƒÊ· Ê°á”‰Êł Ê°á”˜Ëąá”‡á”ƒâżá”ˆ âżá”’Ê· á”‡ËĄá”‰á”‰á”ˆËąâ€§ á”†á”–á”’âżá”á”‰á”‡á”’á”‡ ᶠᔉ˥ᔗ á”–á”ƒâżâ±á¶œ ᔃ˹ ʰᔉ á”–ËĄá”‰á”ƒá”ˆá”‰á”ˆâ€§ ᔀʰᔉʞ á”‰âżá”ˆá”‰á”ˆ ᔘᔖ á”á”‰á”—á”—â±âżá” Ê°â±Ëą á”˜âżá¶œá”’âżËąá¶œâ±á”’á”˜Ëą ᔇᔒᔈʞ á”—á”’ á”‰á”á”‰Êłá”á”‰âżá¶œÊž á¶œËĄâ±âżâ±á¶œâ€§ "ᎎᔉ'Ëą ⁿᔒᔗ ᔉᔛᔉⁿ á”á”’á”›â±âżá”â€§â€§" á”†á”–á”’âżá”á”‰á”‡á”’á”‡ Ëąá”ƒâ±á”ˆâ€§ "ᔂⁱ˥˥ ʰᔉ‧‧‧" "áŽŸËĄá”ƒâżá”á”—á”’âż'Ëą á¶œËĄâ±âżâ±á¶œâ±á”ƒâżËą á”ƒÊłá”‰ á”—á”ƒá”â±âżá” ᔇᔉ˹ᔗ á¶œá”ƒÊłá”‰â€§â€§" áŽŸËĄá”ƒâżá”á”—á”’âż ᔍᔒᔗᔗᔃ á¶œá”ƒâżâżá”˜ËĄá”ƒ ᔗᔒ‧ ʷⁱᔗʰ Ëąá”’á”˜âżá”ˆ ᔒᶠ ˹ᔒᔐᔉ á”‡á”‰á”‰á”–â±âżá” á”á”’âżâ±á”—á”’Êł'˱‧‧ " 'â€§â€§â€§áŽźáŽ±áŽ±áŽŸâ€§â€§â€§' 'â€§â€§â€§áŽźáŽ±áŽ±áŽŸâ€§â€§â€§' 'â€§â€§â€§áŽźáŽ±áŽ±áŽŸâ€§â€§â€§' 'â€§â€§â€§áŽźáŽ±áŽ±áŽŸâ€§â€§â€§' " áŽŸËĄá”ƒâżá”á”—á”’âż Ê°á”‰á”ƒÊłá”ˆ á”á”ƒÊłá”‡ËĄá”‰á”ˆ ᔇᔉᔉᔖ˹ ʷʰⁱᶜʰ ᔐᔃᔈᔉ ʷᔃʞ á”—á”’ ʰⁱᔐ➎ ᔉʞᔉ á”‡ËĄâ±âżá”â±âżá” ᔒᔖᔉⁿ‧ 'ᔂʰᔘʰ‧‧‧' áŽŸËĄá”ƒâżá”á”—á”’âż ᔗʰᔒᔘᔍʰᔗ➎ Ê·á”ƒá”â±âżá” ᔘᔖ‧ 'ᔂᔃⁱᔗ Ê·Ê°á”‰Êłá”‰ ᔃᔐ ᎔? ᎎᔒʷ ᔈⁱᔈ ʷᔉ ᔍᔉᔗ ᔒᔘᔗ á”—á”’ ᔃ á”ˆâ±á¶ á¶ á”‰Êłá”‰âżá”— á”–ËĄá”ƒá¶œá”‰?' ᎎᔉ á”—Ê°á”‰âż âżá”’á”—â±á¶œá”‰á”ˆ ᔗʰᔉ âżá”˜ÊłËąá”‰'˱‧ "ᎎⁱ áŽŸËĄá”ƒâżá”á”—á”’âż!" á”†á”ƒÊžËą Ê°â±Ëą âżá”˜ÊłËąá”‰'Ëą âżá”’Ê·â€§ "ʞᔒᔘ'Êłá”‰ ᔃᔗ ᔗʰᔉ Ê°á”’Ëąá”–â±á”—á”ƒËĄâ€§â€§" '᎔ ᔃᔐ ᔃᔗ ᔃ Ê°á”’Ëąá”–â±á”—á”ƒËĄâ€œ ᔂʰᔃᔗ Ê°á”ƒá”–á”–á”‰âżá”‰á”ˆâ€§â€§â€§' áŽŸËĄá”ƒâżá”á”—á”’âż ËĄá”ƒËąá”— á”âżá”‰Ê· á”†á”ƒâżá”ˆÊž'Ëą á¶œÊ°á”’á”–á”–â±âżá” Ê°á”ƒÊłá”ˆ á¶œá”ƒâżá”ˆÊžâžŽ ᔃⁿᔈ Ê°â±Ëą ËĄá”‰á”â€§â€§â€§ "áŽŸËĄá”ƒâżá”á”—á”’âż ᎔‧‧‧" á”†á”ƒâżá”ˆÊž Ëąá”—á”ƒÊłá”—á”‰á”ˆâžŽ ᔇᔘᔗ áŽ·á”ƒÊłá”‰âż ᔖᔘᔗ Ê°á”‰Êł Ê°á”ƒâżá”ˆ ᔒⁿ á”†á”ƒâżá”ˆÊž'Ëą ËąÊ°á”’á”˜ËĄá”ˆá”‰Êł ᔇᔃᶜᔏ‧ "ᎎᔘʰʰʰ ʷʰ⁻ʷʰᔃᔗ'Ëą á”á”’â±âżá” ᔒ⁻ᔒⁿ?" "ʞᔒᔘ ËĄá”’Ëąá”— ᔃ ËĄá”’á”— ᔒᶠ á”‡ËĄá”’á”’á”ˆâ€§â€§" "᎔'ËĄËĄ á”—á”ƒËĄá” á”—á”’ ʰⁱᔐ‧‧" áŽ·á”ƒÊłá”‰âż Ëąá”ƒÊžËąâ€§ ᔀʰᔉʞ ᔃ˥˥ ᔍᔃᔛᔉ ˹ᔒᔐᔉ Ëąá”–á”ƒá¶œá”‰â€§ "ᔂʰᔃᔗ á¶œá”ƒâż ʞᔒᔘ ᔗᔉ˥˥ ᔐᔉ á”‡á”‰á¶ á”’Êłá”‰ âżá”’Ê·?" "áŽŽá”ƒÊłá”ˆ á¶œá”ƒâżá”ˆÊžâžŽ ᶜʰᔒᔖ ⁱⁿ Ê°á”ƒËĄá¶  ᔇᔘᔗ ᔐʞ ËĄá”‰á” á”‰ËŁá”–ËĄá”’á”ˆá”‰á”ˆ ᔐᔉ?" "áŽŸËĄá”ƒâżá”á”—á”’âż ʞᔒᔘ➎ ᔗʰᔉʞ'Êłá”‰ á”ƒá”‡ËĄá”‰ á”—á”’ Ëąá”ƒá”›á”‰ Êžá”’á”˜Êł ËĄá”‰á” ᔇᔘᔗ á¶œá”ƒâż'á”— ᶠᔉᔉ˥ ⁱᔗ á”—á”’ ᔐᔒᔛᔉ á”‡á”‰á¶œá”ƒá”˜Ëąá”‰ ᔒᶠ ᔃ˥˥ ᔗʰᔉ‧‧‧" áŽ·á”ƒÊłá”‰âż Ëąá”ƒÊžËąâžŽ ᔇᔘᔗ ᔗʰᔉʞ Êłá”‰á”á”’á”›á”‰á”ˆ ᔗʰᔉ á¶œá”ƒâżâżá”˜ËĄá”ƒ âżá”’Ê·â€§ 'ᔂʰᔃᔃ⁻' áŽŸËĄá”ƒâżá”á”—á”’âż ÊČá”˜Ëąá”— âżá”’Ê· âżá”’á”—â±á¶œá”‰á”ˆ ⁱᔗ‧ "ʞᔒᔘ'Êłá”‰ á¶ Êłá”‰á”‰ á”—á”’ ᔍᔒ!" á”†á”ƒâżá”ˆÊž ᔃⁿᔈ á”†á”–á”’âżá”á”‰ ᔇᔒᔇ á¶ á”’ËĄËĄá”’Ê·á”‰á”ˆ áŽ·á”ƒÊłá”‰âż ᔃ˹ ËąÊ°á”‰ á¶œá”ƒÊłÊłâ±á”‰Ëą áŽŸËĄá”ƒâżá”á”—á”’âż ᔇᔃᶜᔏ á”—á”’ ᔗʰᔉ ᶜʰᔘᔐ ᔇᔘᶜᔏᔉᔗ‧ "Ëąâ»Ëąá”’ÊłÊłÊž áŽŸËĄá”ƒâżá”á”—á”’âżâ€§â€§" á”†á”ƒâżá”ˆÊž á”—á”’ËĄá”ˆ ʰⁱᔐ ᔃ˹ áŽ·á”ƒÊłá”‰âż á”—á”˜á¶œá”Ëą ʰⁱᔐ ⁱⁿ Ê°â±Ëą á”’Ê·âż ᔇᔉᔈ âżá”’Ê·â€§ áŽŸËĄá”ƒâżá”á”—á”’âż ᔃᶜᶜᔉᔖᔗᔉᔈ á”ƒá”–á”’ËĄá”’á”Êž Ê·Ê°â±ËĄËąá”— á”†á”–á”’âżá”á”‰á”‡á”’á”‡ á”–ËĄá”ƒâżá”—Ëą ᔃ á”â±ËąËą ᔒⁿ Ê°â±Ëą ʰᔉᔃᔈ ᔃⁿᔈ âżá”‰Ê· á”‡á”ƒâżá”ˆá”ƒá”á”‰Ëąâ€§ "á”€Ê°á”ƒâżá” ʞᔒᔘ➎ á¶ á”’Êł á”ƒËĄËĄâ€§â€§â€§" "ʞᔒᔘ ÊČá”˜Ëąá”— á”—ÊłÊž á”—á”’ ᔍᔉᔗ Êžá”’á”˜ÊłËąá”‰ËĄá¶  ᔃ˥˥ á”‡á”‰á”—á”—á”‰Êł; ʞᔒᔘ á¶œá”’á”á¶ á”’Êłá”—á”ƒá”‡ËĄá”‰â€§â€§â€§" â€§â€§â€§Ëąâżá”’Êłá”‰'˱‧‧‧ '᎔ á”á”˜á”‰ËąËą Ëąá”’!' end finale
new split into parts the wheel deal
A LIFE OF DIVERSITY i (Autistic author) "You know, Shel, just put yourself out there. You think to much! Just steal a patty from the krusty krab, and bring it back. No inventions, just believe. I'll wait out front." Karen says. Sheldon Plankton, whose ambition often outstripped his grasp, took a deep breath and nodded. It was a simple enough plan, he thought, and maybe, just maybe, it would be enough. For years he'd been trying to outsmart Mr. Krabs, crafting ingenious contraptions and elaborate schemes to swipe the Krabby Patty secret formula. Yet here he was, standing in the shadow of the gleaming neon sign of the Chum Bucket, his own restaurant, contemplating the unthinkable: a straight-up heist. He tiptoed to the Krabby Krab, eye darting back and forth for any signs of movement. Karen, ever the impatient one, was pacing back and forth outside the Chum Bucket. She had been waiting for what felt like an eternity. "What's taking him so long?" she murmured to herself, her frustration building. Meanwhile, Plankton took a final shaky breath and slid open the kitchen window, his heart racing. The scent of greasy fryers and salty ocean air filled his nostrils. He reached out, his tiny hand trembling, and snatched the Krabby Patty that lay unguarded on the counter. With the stolen patty in hand, Plankton's confidence grew. He had done it; the secret was within his grasp! He turned to leave, but his elation was cut short when a shadow fell over him. He looked up to find Mr. Krabs standing there, his eyes narrowed and his claw raised. "Plankton, I knew it was you!" he bellowed. Plankton froze. Mr. Krabs lunged at him, but Plankton was quick. He dashed under the cash register, the Krabby Patty clutched to his chest like a football player crossing the finish line. "You'll never get me!" he yelled, his voice echoing in the quiet restaurant. But Krabs was persistent, his claws snapping shut just millimeters from Plankton's antennae. With a cunning smile, Mr. Krabs stepped back eyeing the cash register. "Maybe not," he said reaching over the counter and hoisting the heavy metal contraption off its stand. Plankton's eye went wide with horror as he realized what Krabs intended to do. He tried to dodge, but the space was too cramped, and the cash register came down on him like a guillotine blade. The sound of metal on metal reverberated through the kitchen, and the Krabby Patty went flying out of his grasp. Mr. Krabs' victory roar filled the room as Plankton crumpled to the floor, stars dancing in his vision. The impact had been tremendous, and for a moment, he lay dazed and defeated. The cash register's heavy weight had not only knocked him out cold but also left a sizable dent in the floorboards. Outside, Karen's pacing grew more erratic. as "What's keeping him?" she groused. Just as she was about to storm inside, she hears the cash register, which hit Plankton's head. Peering in she saw Plankton lying on the floor. "Plankton?" she shrieked, her voice cracking with panic. Karen opens the door and goes to him. "Plankton! Oh no!" she screamed, voice shaking the very foundation of the Krabby Krab. She rushed over to him, shaking with fear. Plankton's eye closed, and his body was completely still. The Patty lay forgotten. Panic set in, and she began to pat his face. "Plankton, wake up!!" she yelled, echoing through the deserted kitchen. She knew that Plankton could be dramatic, but this was unlike him. He'd always bounced back from Mr. Krabs' traps before, albeit with a bruised ego. There was a pulse, faint but steady. "Thank Neptune," she whispered, her relief palpable. "Plankton, please," Karen begged, a mix of desperation and fear. She knew she had to do something, and fast. But what? Her medical expertise was limited to patching up her husband's bruises from past failed schemes, not dealing with a concussion from a cash register to the head. She then managed to scoop up her unconscious husband and sprinted to the Bikini Bottom Hospital. Once inside the hospital, she explained what happened with the cash register. "We'll do a brain scan." They said. Karen laid Plankton on the hospital bed. Finally a doctor approached with a solemn expression. "The brain scan results are in." Karen nodded for him to go on. "It seems your husband has suffered significant brain damage from impact," the doctor continued, fidgeting with a clipboard. "The good news is that he will wake up, but... your husband has experienced severe brain trauma. While he will regain consciousness, it appears that he may have developed permanent autism." "What does that mean?" she managed to whisper. The doctor explained that while Plankton would still be able to talk and/or communicate, his interactions and reactions to sensory would be significantly affected. "But he'll still be the same Plankton?" The doctor nods. "In many ways, yes. His personality, his memories, they should all be intact. But his ability to process, to understand and respond appropriately... those might be altered. It's a complex condition, Mrs. Plankton. He can go home whence he wakes up." Karen nodded numbly, mind racing with the implications. As she sat by Plankton's bedside the hospital lights flickered, and the constant beeping of the heart monitor was the only company she had. The quiet was broken her husband's eye fluttering open. "Karen?" he croaked, his voice hoarse from the trauma. Her heart leaped at the sound, and she took his hand, squeezing it tightly. "I'm here," she said, her voice cracking. "How do you feel?" Plankton's gaze darted around the room. "Where am I?" he asked, his voice a mix of confusion and fear. "You're at the hospital, sweetie," Karen replied, voice gentle and soothing. "You had hit your head on the cash register at the Krabby Krab." Karen said, her voice shaking slightly. "Mr. Krabs hit you." Plankton blinked rapidly, trying to process her words. "Cash... register?" he murmured, voice sounding distant and confused. Karen nodded, her eyes never leaving his. The room was a cacophony of sounds: the beep of the monitor, the rustle of nurses' shoes, and the distant wail of a siren. Plankton's senses seemed to amplify, each noise stabbing at his brain like a thousand tiny needles. "What happened to me?" he asked, voice small and scared. Karen took a deep breath preparing herself to explain the gravity of the situation. "You hit your head," she began, "and now, the doctor says you have... acquired a neurodisability." Plankton stared at her, his eyes unfocused. "Neuro... what?" he repeated. Karen took a deep breath, her heart heavy. "It's like your brain is wired differently now. You might see things, hear things, feel things more intensely. And sometimes, you might not understand people, or process differently." "Does it... does it mean I'm broken?" he asked, voice barely a whisper. "No, Plankton," she said firmly, "You're not broken. You're just... different. And we'll figure this out together."
new a life of diversity AI Story Generator neurodivergentcore karen plankton plaren plabsen braincore headcore i
á”€á”’âżËąâ±ËĄËĄá”‰á¶œá”—á”’á”Êž âœá”†á”–á”’âżá”á”‰áŽźá”’á”‡ á¶ á”ƒâżá¶ â±á¶œâŸ áŽŸËĄá”ƒâżá”á”—á”’âżâ€™Ëą á¶œá”’á”á”–á”˜á”—á”‰Êł ʷⁱᶠᔉ áŽ·á”ƒÊłá”‰âż á”—á”’ËĄá”ˆ ʰⁱᔐ ⁿᔒᔗ á”—á”’ ᔍᔒ ᔒᔘᔗ ⁱⁿ ᔗʰᔉ á¶œá”’ËĄá”ˆâ€§ ᔆʰᔉ á”—á”’ËĄá”ˆ Ê°á”‰Êł Ê°á”˜Ëąá”‡á”ƒâżá”ˆ Ê°á”’Ê· Êžá”‰ËĄËĄâ±âżá” ᔐⁱᔍʰᔗ â±ÊłÊłâ±á”—á”ƒá”—á”‰ Ê°â±Ëą á”—Ê°Êłá”’á”ƒá”—â€§ áŽźá”˜á”— ᔃ˥ᔃ˹ ËąÊ°á”‰â€™Ëą âżá”’Ê· Ê·á”ƒâ±á”—â±âżá” á¶ á”’Êł ʰⁱᔐ á”—á”’ ʷᔃᔏᔉ ᔘᔖ á¶ Êłá”’á” Ëąá”˜Êłá”á”‰ÊłÊžâ€§ ᔀʰᔉʞ ËĄá”‰á”ƒá”ˆ Ê°á”‰Êł ⁱⁿ‧ â€œáŽŽá”‰â€™Ëą á”á”’âżâżá”ƒ ᔇᔉ Ëąá”’Êłá”‰ ᔇᔘᔗ ⁱᶜᔉ á¶œÊłá”‰á”ƒá” á¶œá”ƒâż Ê°á”‰ËĄá”–, ᔃ˹ Ê·á”‰ËĄËĄ ᔃ˹ ᔇᔉᔈ Êłá”‰Ëąá”— ᔗᔒ‧ ʞᔉᔗ ᔗʰᔉ Êłá”‰á”á”’á”›á”ƒËĄ Ê·á”‰âżá”— Ê·á”‰ËĄËĄâ€§â€ ᔀʰᔉ âżá”˜ÊłËąá”‰ á”—á”’ËĄá”ˆ Ê°á”‰Êłâ€§ ᔀʰᔉ âżá”˜ÊłËąá”‰ á”ƒËĄËąá”’ á”á”‰âżá”—â±á”’âżá”‰á”ˆ ‘ᔇⁱᔗᔉ á”‡ËĄá”’á¶œá”Ëąâ€™ ᔃⁿᔈ â€˜Ëąá¶œá”ƒËĄá”–á”‰ËĄËąâ€™ ᔃⁿᔈ â€˜Ëąá”˜á”—á”˜Êłá”‰Ëąâ€™ ᔃⁿᔈ â€˜á”‰ËŁá”–á”‰á¶œá”—á”‰á”ˆ â±âżá”—á”‰Êłâżá”ƒËĄ á”‡Êłá”˜â±Ëąâ±âżá”â€™ á”‡á”‰á¶ á”’Êłá”‰ á”á”’â±âżá” ⁱⁿ ᔗʰᔉ Êłá”’á”’á”â€§ áŽŸËĄá”ƒâżá”á”—á”’âż Ëąá”—á”ƒÊłá”—á”‰á”ˆ á”—á”’ ᔒᔖᔉⁿ Ê°â±Ëą ᔉʞᔉ Êłâ±á”Ê°á”— ᔃ˹ áŽ·á”ƒÊłá”‰âż ᶜᔃᔐᔉ á”—á”’ ᔇʞ Ê°â±Ëą Ëąâ±á”ˆá”‰â€§ “ᎎⁱ ËąÊ·á”‰á”‰á”—Ëą! ʞᔒᔘ ᔃʷᔃᔏᔉ?” ᔆʰᔉ Ëąá”á”’á”’á”—Ê°á”‰á”ˆ Ê°â±Ëą á”ƒâżá”—á”‰âżâżá”ƒá”‰ ʷⁱᔗʰ Ê°á”‰Êł Ê°á”ƒâżá”ˆ âżá”’Ê·â€§ ᔀʰᔉʞ á”–Êłá”’á”›â±á”ˆá”‰á”ˆ Ê·á”ƒá”—á”‰Êł á¶ á”’Êł ʰⁱᔐ á”—á”’ á”ˆÊłâ±âżá”â€§ â€œá”€Ê°â±ÊłËąá”—Êž?” ᔆʰᔉ Ê°á”‰ËĄá”–Ëą ʰⁱᔐ ËĄá”‰á”ƒâż á”—á”’ ˹ⁱᔗ ᔃⁿᔈ ᔗᔃᔏᔉ ᔃ ˹ⁱᔖ‧ “ᔆᔒ ʰᔉ ᔐⁱᔍʰᔗ ᔇᔉ ᔒᔘᔗ ᔒᶠ ⁱᔗ ᔗᔒᔈᔃʞ ᔈᔘᔉ á”—á”’ ᔗʰᔉ ᔐᔉᔈ ” â€œÊžá”‰Ëą ᔃⁿᔈ ˹ᔒᶠᔗ á”‡ËĄá”ƒâżá”ˆ á”á”‰á”ƒËĄËą á”—á”’?” â€œá¶œá”’ÊłÊłá”‰á¶œá”— ᔐᔃ’ᔃᔐ‧” ᔀʰᔉʞ ˥ᔉᔗ áŽŸËĄá”ƒâżá”á”—á”’âż ᔃⁿᔈ áŽ·á”ƒÊłá”‰âż ᔍᔒ ᔒᔘᔗ âżá”’Ê·â€§ ᎎᔉ’˹ á¶ á”ƒËĄËĄá”‰âż á”ƒËąËĄá”‰á”‰á”– ᔃⁿᔈ áŽ·á”ƒÊłá”‰âż ᔗᔒᔒᔏ ʰⁱᔐ á”—á”’ Ê°â±Ëą ᔇᔉᔈ ⁱⁿ á”—Ê°á”‰â±Êł ËąÊ°á”ƒÊłá”‰á”ˆ Êłá”’á”’á” ᔃᔗ ᔗʰᔉ ᶜʰᔘᔐ ᔇᔘᶜᔏᔉᔗ‧ ᔆʰᔉ ᔗᔘᶜᔏᔉᔈ Ê°â±Ëą ËąËĄá”‰á”‰á”–â±âżá” á¶ â±á”á”˜Êłá”‰ ⁱⁿ‧ â€˜áŽŸËĄá”ƒâżá”á”—á”’âż âżá”‰á”›á”‰Êł âżá”ƒá”–Ëą ᔃⁿᔈ ʞᔉᔗ ʰᔉ ᶠᔉ˥˥ á”ƒËąËĄá”‰á”‰á”– á”‡á”‰á¶ á”’Êłá”‰ ʷᔉ ᔉᔛᔉⁿ ˥ᔉᶠᔗ ᔗʰᔉ Ëąá”˜Êłá”á”‰ÊłÊžâ€™ áŽ·á”ƒÊłá”‰âż á”—Ê°â±âżá”Ëą á”—á”’ Ê°á”‰ÊłËąá”‰ËĄá¶ â€§ áŽ±á”ƒÊłËĄÊž ⁱⁿ ᔗʰᔉ Ëąá”ƒá”á”‰ á”‰á”›á”‰âżâ±âżá” ʰᔉ Ëąá”—á”ƒÊłá”—á”‰á”ˆ á”—á”’ ʷᔃᔏᔉ ᔘᔖ‧ ‘ᔂʰʞ ⁱ˹ ᔐʞ á”—Ê°Êłá”’á”ƒá”— Ê°á”˜Êłá”—? ᔀʰᔉʞ ˹ᔃⁱᔈ á”—á”’ ᶠⁱˣ  ᎔ ᔃᔐ ⁱⁿ ᔐʞ Êłá”’á”’á”, ⁿᔒᔗ ᔗʰᔉ Ê°á”’Ëąá”–â±á”—á”ƒËĄâ€§â€™ áŽŸËĄá”ƒâżá”á”—á”’âż ˹ᔉᔉ˹ áŽ·á”ƒÊłá”‰âżâ€§ â€œáŽ”á”—â€™Ëą âżá”’Ê· Ê·á”’ÊłËąá”‰ áŽ·á”ƒÊłá”‰âż; ˥ᔉᔗ’˹ ÊČá”˜Ëąá”— ᔍᔉᔗ ⁱᔗ á”’á”›á”‰Êł ʷⁱᔗʰ Ëąá”’ ᎔ á¶œá”ƒâż ᔍᔉᔗ ” â€œáŽŸËĄá”ƒâżá”á”—á”’âż ʞᔒᔘ, ʷᔉ ᶜᔃᔐᔉ ᔇᔃᶜᔏ‧ ᔂᔉ Ê·á”‰âżá”— á”‰á”ƒÊłËĄâ±á”‰Êł ᔗᔒᔈᔃʞ ᔃⁿᔈ ᎔ á”‡Êłá”’á”˜á”Ê°á”— ʞᔒᔘ ᔇᔃᶜᔏ âżá”’Ê·â€§ ʞᔒᔘ’ᔛᔉ ᔇᔉᔉⁿ ËąËĄá”‰á”‰á”–â±âżá”â€§â€§â€ áŽ·á”ƒÊłá”‰âż ᔗᔉ˥˥˹ ʰⁱᔐ‧ “ᔁᔖ á¶ á”’Êł ⁱᶜᔉ á¶œÊłá”‰á”ƒá” ʞᔉᔗ áŽŸËĄá”ƒâżá”á”—á”’âż?” â€œÊžá”‰Ëą!” áŽŹá¶ á”—á”‰Êł Ëąâżá”ƒá¶œá”, ʰᔉ ᶠᔉ˥ᔗ á”—â±Êłá”‰á”ˆâ€§ â€œáŽłá”‰á”— Êłá”‰Ëąá”—, ᔃ˹ Êžá”’á”˜â€™Êłá”‰ Êłá”‰á¶œá”’á”›á”‰Êłâ±âżá” ᔃⁿᔈ á”ƒËĄËąá”’ ᔗʰᔉʞ ᔍᔃᔛᔉ ʞᔒᔘ ˹ᔒᔐᔉ ËąËĄá”‰á”‰á”–Êž ᔐᔉᔈ ” “᎔ á”âżá”’Ê·â€§â€ â€œá”€ÊłÊž ⁿᔒᔗ á”—á”’ á”—á”ƒËĄá” ᔐᔘᶜʰ ᔇᔘᔗ ᎔’˥˥ ˥ᔉᔗ ʞᔒᔘ ᔇᔉ‧” áŽ·á”ƒÊłá”‰âż Ëąá”ƒÊžËąâ€§ áŽ·á”ƒÊłá”‰âż ⁿᔉˣᔗ ᶜʰᔉᶜᔏᔉᔈ ᔒⁿ ʰⁱᔐ ᔃⁿᔈ âżá”’á”—â±á¶œá”‰á”ˆ Ê°á”‰â€™Ëą á”ƒËąËĄá”‰á”‰á”–, ᔐᔒᔘᔗʰ á”–á”ƒÊłá”—á”‰á”ˆ ᔒᔖᔉⁿ ˹ᔒᔐᔉ, ᔃⁿᔈ á”ˆÊłá”’á”’ËĄ á”ˆÊłâ±á”‡á”‡ËĄâ±âżá” ᔒᔘᔗ‧ â€œáŽłá”’á”’á”ˆ âżâ±á”Ê°á”— ËąÊ·á”‰á”‰á”—Ëąâ€§â€§â€ đ°đšđ«đ 𝐜𝐹𝐼𝐧𝐭: 𝟑𝟐𝟗
new Karen/Sheldon J. Plankton wordcount: 100-500 karen plankton POV Karen Karen (SpongeBob) Sleep & Naps tonsillectomy
Plankton lay on the makeshift bed of crumpled newspaper, his body contorted into an uncomfortable knot. "I can't get to sleep, Eugene." Krabs sighed. "Why not?" "To hard," Plankton complained. Krabs looked over. "Maybe you need something to relax," he suggested. Plankton nodded, hopeful. "Like what?" Krabs considered for a moment, then his eyes lit up. "How about a bed time story?" "A what?" Plankton's voice was filled with skepticism. "You know, something to lull you to sleep." Plankton's expression softened. "Alright, Krabs, hit me with your best shot." Eugene cleared his throat and began his tale. "Once upon a time, in the vast expanse of the sea, there was a tiny plankton named Planky..." Plankton's eye widened for a moment, but the gentle rhythm of Krabs' voice soon began to work its magic. The crab's words painted a picture of a serene under water world, where the currents were soft whispers and the bioluminescent creatures danced a silent ballet. Plankton's eye grew heavier with each sentence, his body slowly unfurling from its tense state. "Planky," Eugene continued, "was a curious little fellow who loved nothing more than to drift through the sea, discovering its many secrets." His voice took on a soothing quality, each word carefully measured to match the steady rise and fall of the ocean outside their abode. "One night," Krabs went on, "as the moon cast its silver glow through the water, Planky stumbled upon a hidden lagoon. It was a place where the jelly fish swam in lazy circles, their soft bodies pulsing to an ancient lullaby that only the deep-sea creatures knew." Plankton's eyelid grew heavier, the image of the tranquil lagoon filling his mind. "In the center of this secret place," Krabs whispered, "was a giant clam, its shell open just enough to reveal a soft, inviting cushion of algae. Planky couldn't resist the urge to rest his tiny body upon it." Plankton's breathing grew deeper. He could almost feel the gentle sway of the clam's soft inner lining beneath him, the coolness of the water surrounding him, and the hypnotic pull of the moon's glow. Krabs noticed the change in his friend's demeanor and continued the story with renewed enthusiasm. "As Planky lay on the clam's cushion, the jellyfish grew closer, their ethereal lights creating a dazzling display of color that danced in time with the whispers of the water. They sang to him, their melodies echoing through the quiet night." The room grew quieter, save for the sound of the waves outside and Krabs' steady voice. Plankton's eye closed fully, his breathing syncing with the rhythm of the story. The crab went on, "Their song was one of peace and tranquility, of a world where worries were as fleeting as the bubbles that floated to the surface. Planky felt his troubles melt away, replaced by the warm embrace of the sea." Then, amidst the serene imagery, the first faint sound of a snore escaped Plankton. It was a sound so small and delicate that it could have easily been mistaken. Krabs smirked to himself. It's working. He leaned in closer, his voice dropping to a near-whisper. "As the jellyfish serenaded him, Planky felt his eyes grow heavier and heavier, until they could no longer stay open. The lagoon's secrets grew dimmer, the colors of the jellyfish fading into a soft, comforting darkness." The snores grew progressively, more regular. Krabs took a moment to appreciate his own cleverness before continuing the tale. "The sea creatures of the night, noticing Planky's peaceful slumber, decided to join him. They formed a living blanket of fish and algae, wrapping him in their gentle embrace, ensuring his sleep would be uninterrupted." Plankton's body grew slack, the tension in his muscles seeping away as he descended deeper into the realm of sleep. His snores grew more rhythmic. The light from the moon had been absorbed into his dreams, guiding him through a world of peace and contentment. Krabs watched his friend's sleeping form, noticing the way the shadows played across his tiny frame, Plankton's antennae twitching ever so slightly with every snore, mouth slightly open as he inhaled and then to let out the soft, rumbling sounds. The sight was peculiar, yet endearing in its own peculiar way. He had never seen Plankton so relaxed, so free. The crab felt a strange sense of accomplishment and allowed himself a brief moment of pride before remembering his own exhaustion. "Now, Sheldon," Eugene murmured, "Let your mind rest, and tomorrow we'll tackle the world anew."
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á¶ Êłá”‰âżá”‰á”Êž áŽżá”‰á”˜âżâ±á”’âż âœá”†á”–á”’âżá”á”‰áŽźá”’á”‡ á¶ á”ƒâżá¶ â±á¶œâŸ đ–đšđ«đ 𝐜𝐹𝐼𝐧𝐭: 𝟗𝟑𝟗 "ᎎᔉ á”á”˜Ëąá”— ᔇᔉ á”–ËĄá”ƒâżâżâ±âżá” ˹ᔒᔐᔉ á”—Ê°â±âżá” ᔇⁱᔍ‧‧" áŽčÊłâ€§ áŽ·Êłá”ƒá”‡Ëą á”—á”’ËĄá”ˆ Ê°â±Ëą á”‰á”á”–ËĄá”’Êžá”‰á”‰Ëą ᔃᔗ ᔗʰᔉ á”Êłá”˜Ëąá”—Êž á”Êłá”ƒá”‡â€§ á”†á”–á”’âżá”á”‰á”‡á”’á”‡ Ê·á”ƒâżá”—á”‰á”ˆ ᔗʰᔉ Êłâ±á”›á”ƒËĄËą á”—á”’ á”—ÊłÊž ᔃⁿᔈ ᔇᔉ á”á”’Êłá”‰ á”ƒá”â±á¶œá”ƒá”‡ËĄá”‰ á”—á”’ ᔉᔃᶜʰ á”’á”—Ê°á”‰Êłâ€§ ᔆᔒ Ëąá”–á”’âżá”á”‰á”‡á”’á”‡ âżá”’Ê· ÊČá”˜Ëąá”— ˹ᔉᔗ ᔘᔖ ᔃ á”–ËĄá”ƒâż á”—á”’ Ê°á”‰ËĄá”–â€§ áŽŹá¶ á”—á”‰Êł Ê°â±Ëą ËąÊ°â±á¶ á”— á”‰âżá”ˆá”‰á”ˆâžŽ ʰᔉ á¶œá”ƒËĄËĄá”‰á”ˆ áŽ·á”ƒÊłá”‰âżâ€§ áŽŸËĄá”ƒâżá”á”—á”’âż'Ëą á¶œá”’á”á”–á”˜á”—á”‰Êł ʷⁱᶠᔉ á”ƒâżËąÊ·á”‰Êłá”‰á”ˆâ€§ 'á”‚Ê°á”‰âż ᔈᔒ ʞᔒᔘ ⁱ˹ áŽŸËĄá”ƒâżá”á”—á”’âż á¶ Êłá”‰á”‰' "᎔'ËĄËĄ ˹ᔉᔉ á”—á”’ ʰᔃᔛᔉ ʰⁱᔐ á”—á”’á”á”’ÊłÊłá”’Ê·" áŽ·á”ƒÊłá”‰âż á”—á”’ËĄá”ˆ Ëąá”–á”’âżá”á”‰á”‡á”’á”‡âžŽ Ê°á”ƒâżá”â±âżá” ᔘᔖ‧ áŽ·á”ƒÊłá”‰âż Ê·á”‰âżá”— á”—á”’ ˹ᔉᔉ á”—á”’ Ê°á”‰Êł Ê°á”˜Ëąá”‡á”ƒâżá”ˆ á”—á”’ ᔗᔉ˥˥ áŽŸËĄá”ƒâżá”á”—á”’âż ᔃᔇᔒᔘᔗ‧ ᔆʰᔉ á¶ á”’á”˜âżá”ˆ ʰⁱᔐ ËĄá”‰á”ƒâżâ±âżá” ᔒⁿ á”’á”›á”‰Êł ᔒⁿ ᔗʰᔉ ᶜᔒᶠᶠᔉᔉ á”—á”ƒá”‡ËĄá”‰ ᔃ˹ ʰᔉ ˹ⁱᔗ ᔒⁿ ᔗʰᔉ ᶜᔒᔘᶜʰ á”ƒËąËĄá”‰á”‰á”–â€§ áŽ·âżá”’Ê·â±âżá” ʰⁱᔐ ËąÊ°á”‰ á”âżá”‰Ê· á”‡á”‰á”—á”—á”‰Êł á”—Ê°á”ƒâż á”—á”’ ÊČá”˜Ëąá”— Ëąá”—á”ƒÊłá”—ËĄá”‰ ʰⁱᔐ➎ Ëąá”’ ËąÊ°á”‰'ᔈ ᔗᔉ˥˥ áŽŸËĄá”ƒâżá”á”—á”’âż Ê·Ê°á”‰âżá”‰á”›á”‰Êł ᔗʰᔉʞ ⁿᔉˣᔗ á”—á”ƒËĄá”á”‰á”ˆ á”ƒá¶ á”—á”‰Êł ʰᔉ Ê·á”ƒá”á”‰Ëą ᔘᔖ á”ƒá”á”ƒâ±âżâ€§ áŽșá”’Ê· ⁱⁿ ᔗʰᔉ á”á”‰á”ƒâż ᔗⁱᔐᔉ áŽ·á”ƒÊłá”‰âż á”ˆÊłá”ƒá”–á”‰á”ˆ á¶œá”’á”›á”‰ÊłËą ᔃ á”‡ËĄá”ƒâżá”á”‰á”— á”’á”›á”‰ÊłâžŽ á”‡á”ƒÊłá”‰ËĄÊž ᔗʷⁱᔗᶜʰ Ê·Ê°á”‰âż ËąÊ°á”‰ Êłá”‰á”á”’á”›á”‰á”ˆ Ê°â±Ëą ⁿᔒᔗᔉ ᔇᔒᔒᔏ á¶ Êłá”’á” Ê·Ê°á”‰âżá¶œá”‰ á”ˆÊłá”’á”’ËĄËąâ€§ ᔀʰᔉ ⁿᔉˣᔗ ᔈᔃʞ➎ áŽčÊłâ€§ áŽ·Êłá”ƒá”‡Ëą á¶ á”’á”˜âżá”ˆ Ëąá”–á”’âżá”á”‰á”‡á”’á”‡ Êłá”˜âżËą ᔘᔖ Êłâ±á”Ê°á”— á”—á”’ ʰⁱᔐ‧ "᎔'ᔛᔉ ᔃ Ëąá”˜Êłá”–Êłâ±Ëąá”‰ ÊČá”˜Ëąá”— á¶ á”’Êł ʞᔒᔘ!" "ᔂʰᔃᔗ‧‧" "᎔ Ê°á”‰á”ƒÊł Êžá”’á”˜Êł á”ˆá”ƒá”˜á”Ê°á”—á”‰Êł áŽŸá”‰á”ƒÊłËĄ'Ëą ᔒⁿ ᔃ ᔈᔃᔗᔉ➎ ʷⁱᔗʰ ᔃ ᔇᔒʞ!" á”†á”–á”’âżá”á”‰á”‡á”’á”‡ ᶠᔉ˥ᔗ ᔇᔃᔈ á¶ á”’Êł ËĄÊžâ±âżá” á”—á”’ ᔇᔘᔗ Ê·á”ƒâżá”— á”—á”’ ËĄá”˜Êłá”‰ Ê°â±Ëą ᔇᔒ˹˹ ᔐᔃᔏᔉ ᔘᔖ ʷⁱᔗʰ áŽŸËĄá”ƒâżá”á”—á”’âżâ€§ "ᔀᔉ˥˥ ᔐᔉ➎ ʷʰ‧‧‧" "᎔'ËĄËĄ ᔗᔃᔏᔉ ʞᔒᔘ!" áŽŸËĄá”ƒâżá”á”—á”’âż á¶ ËĄâ±âżá¶œÊ°á”‰á”ˆ ᔃ˹ áŽ·á”ƒÊłá”‰âż'Ëą á”—á”’á”˜á¶œÊ°â±âżá” Ê°â±Ëą ËąÊ°á”’á”˜ËĄá”ˆá”‰Êł ⁱⁿ ᔗʰᔉ á”á”‰á”ƒâż ᔗⁱᔐᔉ Ëąá”’ á”—á”’ ᔍᔉᔗ ʰⁱᔐ‧ áŽŸËĄá”ƒâżá”á”—á”’âż Ëąá”—á”ƒÊłá”—á”‰á”ˆ á”—á”’ ᔐᔒᔛᔉ ᔃ˹ Ê·á”ƒá”â±âżá” ᔘᔖ‧ "áŽŽá”’âżá”‰Êž ʞᔒᔘ âżá”‰á”‰á”ˆ ᔗⁱᔐᔉ á”—á”’ ᔍᔉᔗ Êžá”’á”˜Êł ˹ᔉ˥ᶠ ᔘᔖ âżá”’Ê·âžŽ ᔐʞ ËąÊ·á”‰á”‰á”—Ëąâ€§â€§" áŽ·á”ƒÊłá”‰âż'Ëą ᔛᔒⁱᶜᔉ➎ á‘«á”˜â±á”‰á”—ËĄÊžâžŽ âżá”’Ê· á¶œá”’á”ƒËŁá”‰á”ˆ ʰⁱᔐ‧ "ᎎᔘʰ?" "ʞᔒᔘ ᔍᔒᔗ â±âżá”›â±á”—á”‰á”ˆâžŽ ᔇᔘᔗ ᎔ á”âżá”’Ê· ⁿᔒᔗ á”—á”’ ⁱᔐᔖᔉᔈᔉ ᔒⁿ Êžá”’á”˜Êł á”–á”‰ÊłËąá”’âżá”ƒËĄ á”–ËĄá”ƒâżËą ᔇᔘᔗ ᔃ˥˥ ᎔ á”âżá”’Ê· ⁱ˹➎ ʞᔒᔘ âżá”‰á”‰á”ˆ á”—á”’ ᔍᔒ Ëąá”’ ᔍᔉᔗ á”—á”’ á‘«á”˜â±á¶œá”ËĄÊžâ€§" áŽźá”’á”—Ê° ⁿᔉᔐᔉ˹ᔉ˹ á”ƒÊłÊłâ±á”›á”‰á”ˆ ᔃᔗ ᔗʰᔉ á”‰ËŁá”ƒá¶œá”— Ëąá”ƒá”á”‰ ᔗⁱᔐᔉ‧ "ʞᔒᔘ“" "áŽźá”‰á¶ á”’Êłá”‰ á”ƒâżÊž á”—Ê°â±âżá” ᎔'ᔐ ᔗʰᔉ ᔒⁿᔉ ËĄá”˜Êłá”‰ ʞᔒᔘ ᔇᔒᔗʰ á”—á”ƒËĄá”â€§" á”†á”–á”’âżá”á”‰á”‡á”’á”‡ á”‰ËŁá”–ËĄá”ƒâ±âżá”‰á”ˆ ᔃ˹ ᔗʰᔉʞ Ëąá”ƒá”— á”ˆá”’Ê·âż á”—á”’á”á”‰á”—Ê°á”‰Êłâ€§ "᎔'ËĄËĄ ᔇᔉ ᔗʰᔉ á”á”‰á”ˆâ±á”ƒá”—á”’Êł ËĄâ±á”á”‰ ᔃ Êłá”‰á¶  á¶ á”’Êł ᔇᔒᔗʰ‧ Ꮁᔃᶜʰ á”‰ËŁá”–ËĄá”ƒâ±âż á¶ á”‰á”‰ËĄâ±âżá”Ëą ⁱⁿ Ê·á”’Êłá”ˆËąâ€§â€§" á”†á”–á”’âżá”á”‰ ᔇᔒᔇ á”—á”’ËĄá”ˆ ᔃ˹ áŽŸËĄá”ƒâżá”á”—á”’âż á”—á”˜ÊłâżËą á”—á”’ á”ËĄá”ƒÊłá”‰ ᔃᔗ áŽ·Êłá”ƒá”‡Ëąâ€§ "ʞᔒᔘ á”—Ê°â±âżá” ᎔'ᔐ ʰᔃᔖᔖʞ ᔃᔇᔒᔘᔗ ⁱᔗ“" "᎔'ᔛᔉ ˹ᔉᔗ ᔘᔖ ᔃ á¶œá”‰âżá”—Êłá”‰ ⁱᶠ á”ƒâżÊž ᔒᶠ ʞᔒᔘ ᔍᔉᔗ á”˜á”–Ëąá”‰á”— Ëąá”’ á”—á”’ á¶œá”’á”’ËĄ á”ˆá”’Ê·âżâ€§" "᎞ᔒᔒᔏ ᔏⁱᔈ➎ ᎔ á”âżá”’Ê· ʞᔒᔘ Ê·á”ƒâżâżá”ƒ Ê°á”‰ËĄá”– ᔘ˹ ᔇᔘᔗ á”ˆá”’âż'á”— ᔍᔉᔗ Êžá”’á”˜Êł Ê°á”’á”–á”‰Ëą ᔘᔖ‧‧‧" "᎔ á¶œá”ƒâż á”‰á”›á”‰âżá”—á”˜á”ƒËĄËĄÊž ËĄá”‰á”ƒá”›á”‰ ᔇᔒᔗʰ á”ƒËĄá”’âżá”‰ á¶ á”’Êł á”–Êłâ±á”›á”ƒá¶œÊž ᔇᔘᔗ ᎔ Ê·á”ƒâżá”— á”—á”’ ˹ᔉᔉ ʞᔒᔘ ᔇᔒᔗʰ ᔒⁿ Êłá”‰ËĄá”ƒá”—â±á”›á”‰ËĄÊž ᔍᔒᔒᔈ á”—á”‰Êłá”Ëą á”–Êłá”’á”Êłá”‰ËąËąâ€§â€§" á”†á”–á”’âżá”á”‰ ᔇᔒᔇ Êłá”‰Ëąá”–á”’âżá”ˆËą á”—á”’ áŽŸËĄá”ƒâżá”á”—á”’âżâ€§ "ᔂᔉ˥˥ ᎔ ᶠᔉᔉ˥ áŽŸËĄá”ƒâżá”á”—á”’âż á”‡á”‰á”—á”—á”‰Êł ËĄá”‰á”ƒÊłâż ʷʰᔃᔗ'Ëą ᔍᔒᔒᔈ á¶ á”’Êł ʰⁱᔐ; ᎔ Ê·á”’âż'á”— ᔍⁱᔛᔉ ʞᔒᔘ â±âżá”Êłá”‰á”ˆâ±á”‰âżá”—Ëąâ€§ ʞᔒᔘ á¶œá”ƒâż'á”— Ê°á”ƒâżá”ˆËĄá”‰ Ê°á”’Ê· ʞᔒᔘ ˥ᔒ˹˹ Êžá”’á”˜Êł âżá”‰Êłá”›á”‰â€§ á”€Êłá”˜á”—Ê° Ê°á”˜Êłá”—Ëąâ€§ ᎔ⁿ ᔗʰᔉ Êłá”‰á”ƒËĄ Ê·á”’ÊłËĄá”ˆ ⁿᔒ á”á”‰á”ƒâżËą ⁿᔒ Ëąá”’ ᔇᔃᶜᔏ ᔒᶠᶠ!" áŽčÊłâ€§ áŽ·Êłá”ƒá”‡Ëą Êžá”‰ËĄËĄá”‰á”ˆâ€§ áŽŸËĄá”ƒâżá”á”—á”’âż ᶠᔉ˥˥ ᔒᶠᶠ Ê°â±Ëą á¶œÊ°á”ƒâ±Êł ᔃ˹ ⁱⁿ á”˜á”—á”—á”‰Êł ËąÊ°á”’á¶œá”â€§ áŽčÊłâ€§ áŽ·Êłá”ƒá”‡Ëą ⁱ˹ âżá”’Ê· á”–â±á¶œá”â±âżá” ᔘᔖ Ê°â±Ëą á¶œÊ°á”ƒâ±Êł á”—á”’ ËąÊ·â±âżá” ᔇᔘᔗ á”†á”–á”’âżá”á”‰á”‡á”’á”‡ Êłá”ƒâż ⁱⁿ á¶ Êłá”’âżá”— ᔒᶠ áŽŸËĄá”ƒâżá”á”—á”’âżâ€§ "ᔆᔗᔒᔖ áŽčÊłâ€§ áŽ·Êłá”ƒá”‡Ëą á”–ËĄá”‰á”ƒËąá”‰ ⁿᔒ!" áŽźá”˜á”— ⁱᔗ'Ëą á”—á”’ ËĄá”ƒá”—á”‰ ᔃ˹ ʰᔉ âżá”’Ê· ʰⁱᔗ Ëąá”–á”’âżá”á”‰á”‡á”’á”‡â€§ ᎏ˹ Ëąá”–á”’âżá”á”‰á”‡á”’á”‡ ᔗᔒᔒᔏ ᔗʰᔉ ʰⁱᔗ áŽčÊłâ€§ áŽ·Êłá”ƒá”‡Ëą â±á”á”á”‰á”ˆâ±á”ƒá”—á”‰ËĄÊž Ëąá”ƒÊ· ʰᔉ Ê°á”˜Êłá”— á”‡á”ƒá”ˆËĄÊžâ€§ "ʞᔒᔘ á”á”’âżËąá”—á”‰Êł! ᎏ˥˥ ʰᔉ Ê·á”ƒâżá”—á”‰á”ˆ á”—á”’ Ê°á”‰ËĄá”– á”’á”˜Êł á”’Ê·âż á”–Êłá”’á”‡ËĄá”‰á”Ëą á”‡á”‰á”—Ê·á”‰á”‰âż ᔘ˹ ᔃ˹ ʰᔉ'Ëą âżá”’Ê· á”‡á”‰á¶œá”ƒá”˜Ëąá”‰ ᔒᶠ ʞᔒᔘ ᔗᔒᔒᔏ ᔗʰᔉ á”‡Êłá”˜âżá”— ᔒᶠ ⁱᔗ➎ Ëąá”’ Ê°á”’Ê· á”ˆá”ƒÊłá”‰ ʞᔒᔘ‧‧‧" áŽŸËĄá”ƒâżá”á”—á”’âż á¶œÊłâ±á”‰á”ˆâžŽ ËĄá”’á”’á”â±âżá” ʷⁱᔗʰ á”—á”‰á”ƒÊłËą á¶ á”’Êłá” Ê°â±Ëą ᔉʞᔉ‧ áŽčÊłâ€§ áŽ·Êłá”ƒá”‡Ëą Ëąá”—á”ƒÊłá”‰á”ˆ ᔐᔒᔘᔗʰ ᔃᔍᔃᔖᔉ‧ ᎎᔉ Ê·á”ƒËą ᔃᔇᔒᔘᔗ á”—á”’ á¶œá”’âżËąâ±á”ˆá”‰Êł á”—ÊłÊžâ±âżá” á”—á”’ ʰⁱᔗ áŽŸËĄá”ƒâżá”á”—á”’âż á”ƒá”á”ƒâ±âż ᔇᔘᔗ ʰᔉ á”âżá”‰ËĄá”— ᔇʞ á”†á”–á”’âżá”á”‰á”‡á”’á”‡ Ê·Ê°â±ËĄËąá”— Ê°á”‰ËĄá”ˆ ᔗʰᔉ á¶ ÊłÊž ᶜᔒᔒᔏ'Ëą Ê°á”ƒâżá”ˆâ€§ "áŽŸËĄá”‰á”ƒËąá”‰âžŽ ᔏⁱᔈ; ᎔'ᔐ Ëąá”’ÊłÊłÊžâ€§â€§" áŽŸËĄá”ƒâżá”á”—á”’âż Ê·Ê°â±á”á”–á”‰Êłá”‰á”ˆ ᔃ˹ áŽčÊłâ€§ áŽ·Êłá”ƒá”‡Ëą Êłá”‰á”ƒËĄâ±Ëąá”‰á”ˆ ᔗʰᔉ á”Êłá”ƒá”›â±á”—Êž á¶œá”’âżËąá”‰á‘«á”˜á”‰âżá¶œá”‰Ëą ᔒᶠ‧ "áŽŸËĄá”‰á”ƒËąá”‰ á”’Ê° á”–ËĄá”‰á”ƒËąá”‰ Ê°á”‰ËĄá”–!" áŽŸËĄá”ƒâżá”á”—á”’âż á¶œá”ƒËĄËĄá”‰á”ˆ ᔒᔘᔗ ʷⁱᔗʰ ᔃ ˹ᔉⁿ˹ᔉ ᔒᶠ á”˜Êłá”á”‰âżá¶œÊžâ€§ áŽčÊłâ€§ áŽ·Êłá”ƒá”‡Ëą âżá”‰á”›á”‰Êł Ê°á”‰á”ƒÊłá”ˆ ʰⁱᔐ Ëąá”’á”˜âżá”ˆ Ëąá”’ á”‡Êłá”’á”á”‰âżâžŽ ᔉᔛᔉⁿ Ê·Ê°á”‰âż ʰᔉ'ᔈ ᔇᔉᔍ á¶ á”’Êł ᔗʰᔉ â±âżá”Êłá”‰á”ˆâ±á”‰âżá”—Ëą á”’Êł á”á”‰á”—á”—â±âżá” Ëąá”—á”’á”á”–á”‰á”ˆ ᔒⁿ‧ "᎔ ÊČá”˜Ëąá”— Ê·á”ƒâżá”— ʞᔒᔘ ᔗᔒ‧‧‧" "ʞᔒᔘ á”ƒÊłá”‰âż'á”— Ê°á”‰ËĄá”– ʰⁱᔐ ᔇʞ ÊČá”˜Ëąá”—â€§â€§â€§" "᎔ á¶œá”ƒâż'á”— ÊČá”˜Ëąá”— ˥ᔉᔗ á”†á”–á”’âżá”á”‰á”‡á”’á”‡ Ëąá”˜á¶ á¶ á”‰Êł! Ꮁᔛᔉⁿ Ê·Ê°á”‰âż ᎔'ᔈ á”—ÊłÊž á”—á”’ ᔍᔉᔗ â±âżá”Êłá”‰á”ˆâ±á”‰âżá”—ËąâžŽ ᎔'ËĄËĄ Ëąá”–á”ƒÊłá”‰ ʰⁱᔐ á”‡á”‰á¶œá”ƒá”˜Ëąá”‰ á”˜âżËĄâ±á”á”‰ ʞᔒᔘ ᎔ á¶œá”ƒÊłá”‰ á¶ á”’Êł ᔃᔇᔒᔘᔗ ʰⁱᔐ! áŽșá”’ á”á”’âżá”‰Êž ⁱⁿ ᔗʰᔉ Ê·á”’ÊłËĄá”ˆ á”á”ƒá”—á”—á”‰Êłá”‰á”ˆ á”á”’Êłá”‰ á”—Ê°á”ƒâż â±âżâżá”’á¶œá”‰âżá”— Ëąá”–á”’âżá”á”‰â€§â€§" áŽčÊłâ€§ áŽ·Êłá”ƒá”‡Ëą Êłá”‰á”ƒËĄâ±Ëąá”‰á”ˆ áŽŸËĄá”ƒâżá”á”—á”’âż'Ëą Êłâ±á”Ê°á”—â€§ á”†á”–á”’âżá”á”‰á”‡á”’á”‡ Êłá”‰á”›â±á”›á”‰á”ˆ ᔃ˹ áŽŸËĄá”ƒâżá”á”—á”’âż'Ëą ˹ᔒᔇ˹ Ëąá”—á”ƒÊłá”—â±âżá” á”—á”˜Êłâżá”‰á”ˆ á”—á”’ á”‡á”ƒÊ·ËĄâ±âżá”â€§ "ᎎᔉʞ‧‧" "á”†á”–á”’âżá”á”‰á”‡á”’á”‡â€œ" áŽŸËĄá”ƒâżá”á”—á”’âż Ê°á”‰á”ƒÊłá”ˆ Ëąá”–á”’âżá”á”‰á”‡á”’á”‡'Ëą ᔛᔒⁱᶜᔉ‧ "᎔ ᔃᔐ ˹ᔒ‧‧‧" "áŽŸËĄá”ƒâżá”á”—á”’âż ÊČá”˜Ëąá”— ˥ᔉᔗ ᔐᔉ á¶ ÊłÊž ᶜᔒᔒᔏ Êłá”‰á¶œá”’á”›á”‰Êł á”‡á”‰á¶ á”’Êłá”‰ ʞᔒᔘ Ëąá”—á”ƒÊłá”— Êžá”’á”˜Êł ᔖⁱᔗʞ á”–á”ƒÊłá”—Êžâ€§" "áŽčÊłâ€§ áŽ·Êłá”ƒá”‡Ëą ᎔'ᔐ ᔗʰᔉ ᔒⁿᔉ ʷʰᔒ‧‧‧" "ʞᔒᔘ ᔈⁱᔈⁿ'á”— ʰᔃᔛᔉ á”—á”’ ᔈᔒ Ëąá”˜á¶œÊ° ᔃ á”—Ê°â±âżá” á¶ á”’Êł ᔐᔉ Ëąá”–á”’âżá”á”‰ ᔇᔒᔇ ᔇᔘᔗ ᎔'ËĄËĄ á”—ÊłÊž á”—á”’ ᔇᔉ á”‡á”‰á”—á”—á”‰Êł ʷⁱᔗʰ áŽ·Êłá”ƒá”‡Ëą á¶ á”’Êł ʞᔒᔘ‧‧" "ʞᔒᔘ ÊČá”˜Ëąá”— ᔍᔒᔗᔗᔃ ʰᔃᔛᔉ ᔗʰᔉ ËĄá”ƒËąá”— Ê·á”’Êłá”ˆ ᔃ˹ ᔘ˹ᔘᔃ˥ á”ˆá”’âż'á”— ʞᔒᔘ áŽŸËĄá”ƒâżá”á”—á”’âżâ€œ ʞᔒᔘ Ê·á”ƒâżâżá”ƒ Ê°á”‰ËĄá”– ʰⁱᔐ Ëąá”’ ᔇᔃᔈ➎ ËĄá”‰á”ƒá”›á”‰âžŽ ʞᔒᔘ á¶œá”ƒâż ÊČá”˜Ëąá”— Ê°á”‰ËĄá”– ʰⁱᔐ ᔇʞ ËĄá”‰á”ƒá”›â±âżá” Ëąá”’ ʰᔉ á”ˆá”’á”‰Ëąâż'á”— á”‰âżá”ˆ ᔘᔖ Ê°á”˜Êłá”—â€§ ᔆᔒ➎ ᔍᔉᔗ! áŽșᔒʷ➎ ᎔ Ëąá”ƒÊž! áŽźá”‰á”ƒá”— ⁱᔗ➎ âżá”’Ê·!" áŽčÊłâ€§ áŽ·Êłá”ƒá”‡Ëą á”—á”’ËĄá”ˆ ʰⁱᔐ Ëąá”—Êłá”‰ËąËąá”‰á”ˆ ᔒᔘᔗ‧ ᔂⁱᔗʰ ᔃ Ê·Ê°â±á”á”–á”‰Êł ʰᔉ ˥ᔉᶠᔗ 'ᔉᔐ ᔃ˹ ʰᔉ á¶œÊłâ±á”‰á”ˆ ᔃⁿᔈ Êłá”ƒâż ᔇᔃᶜᔏ á”—á”’ ᔗʰᔉ ᶜʰᔘᔐ ᔇᔘᶜᔏᔉᔗ ˹ᔗⁱ˥˥ á”˜á”–Ëąá”‰á”—â€§â€§ áŽ·á”ƒÊłá”‰âż Ëąá”ƒÊ· áŽŸËĄá”ƒâżá”á”—á”’âż ᔇᔃᶜᔏ ᔃ˹ ʰᔉ ËąÊ°á”‰á”ˆ á”—á”‰á”ƒÊłËąâ€§ "áŽŸËĄá”ƒâżá”á”—á”’âżâžŽ á”’Ê° ËąÊ·á”‰á”‰á”—â±á”‰â€§â€§" ᔆʰᔉ Ê·á”ƒâżá”—á”‰á”ˆ ʰⁱᔐ á”—á”’ ᶠᔉᔉ˥ á”‡á”‰á”—á”—á”‰Êł ᔇᔘᔗ ËąÊ°á”‰ ᔈⁱᔈⁿ'á”— á”âżá”’Ê· ÊČá”˜Ëąá”— Ê·Ê°Êž ʰᔉ'Ëą á”˜á”–Ëąá”‰á”—; ËąÊ°á”‰ á¶ â±á”á”˜Êłá”‰á”ˆ ᔗʰᔉ á”á”‰á”‰á”—â±âżá”'Ëą ⁿᔒᔗ á”á”’âżá”‰ Ê·á”‰ËĄËĄ âżá”’Ê·â€§ "ᔂʰᔃᔗ á¶œá”ƒâż ᎔ ᔈᔒ‧‧‧" áŽ·á”ƒÊłá”‰âż Ëąá”—á”ƒÊłá”—á”‰á”ˆ ᔇᔘᔗ áŽŸËĄá”ƒâżá”á”—á”’âż'Ëą á”—á”ƒâżá”—Êłá”˜á” á”˜âżËĄâ±á”á”‰ á”ƒâżÊž á”—Ê°â±âżá” ËąÊ°á”‰'Ëą ˹ᔉᔉⁿ á”‡á”‰á¶ á”’Êłá”‰âžŽ ᔃⁿᔈ ʰᔉ'Ëą ᔍᔒᔗ á”˜âżËąá”—á”ƒá”‡ËĄá”‰ á”—á”‰á”á”–á”‰ÊłâžŽ ËąÊ°á”‰ á”âżá”‰Ê·â€§ "ᔀᔉ˥˥ ᔐᔉ➎ á”–ËĄá”‰á”ƒËąá”‰; ʞᔒᔘ'Êłá”‰ á”‡á”‰â±âżá” á”ˆá”‰Ëąá”—Êłá”˜á¶œá”—â±á”›á”‰ ᔃⁿᔈ á”ˆá”’âż'á”— ËĄâ±á”á”‰ á”—á”’ á¶œËĄá”‰á”ƒâżâ€§â€§â€§" "᎔ ᑫᔘⁱᔗ!" áŽŸËĄá”ƒâżá”á”—á”’âż Ëąâżá”ƒá”–Ëą ᔃ˹ ʰᔉ Ê·â±ËĄá”ˆËĄÊž ᔍᔒᔗ Êłâ±á”ˆ ᔒᶠ Ê°â±Ëą á”ˆâ±á”ƒÊłÊž ÊČá”’á”˜Êłâżá”ƒËĄ ᔒᶠ Ëąá¶œÊ°á”‰á”á”‰Ëąâ€§ "áŽŸËĄá”ƒâżá”á”—á”’âżâ€œ" áŽ·á”ƒÊłá”‰âż Êžá”‰ËĄËĄá”‰á”ˆ á”‡á”‰á¶ á”’Êłá”‰ á”–â±á¶œá”â±âżá” ᔘᔖ ʰⁱᔐ ᔘᔖ‧ "Ꮀᔒⁿ'á”— ᶠⁱᔍʰᔗ Ëąá”—Êłá”˜á”á”ËĄá”‰â€§â€§" áŽčÊłâ€§ áŽ·Êłá”ƒá”‡Ëą ᶜᔃᔐᔉ ⁱⁿ Ê·Ê°â±ËĄËąá”— áŽ·á”ƒÊłá”‰âż'Ëą Ê°á”ƒâżá”ˆËĄâ±âżá” áŽŸËĄá”ƒâżá”á”—á”’âżâ€§ "áŽŸËĄá”ƒâżá”á”—á”’âż ᎔➎ Ê·á”‰ËĄËĄ ᎔ Ê·á”ƒâżá”—á”‰á”ˆ á”—á”’ á”ƒá”–á”’ËĄá”’á”â±Ëąá”‰ á”—á”’ Ëąá”ƒÊžâžŽ ᎔'ᔐ Ëąá”’ÊłÊłÊžâ€§â€§" áŽ·á”ƒÊłá”‰âż ˹ᔉᔗ á”ˆá”’Ê·âż Ê°á”‰Êł Ê°á”˜Ëąá”‡á”ƒâżá”ˆ á”ˆá”’Ê·âż ᔗᔒ‧ "᎔ᔗ'Ëą ᔃ˥˥ ᔐʞ á¶ á”ƒá”˜ËĄá”—âžŽ ʞᔒᔘ á”âżá”’Ê·â€§ ᎔'ᔐ ᔗʰᔉ ᔒⁿᔉ Ê·Ê°á”’ âżá”‰á”‰á”ˆËą á”—á”’ ËĄá”‰á”ƒÊłâż; ᎔'ᔐ ᔗʰᔉ ᔒⁿᔉ Ê·Ê°á”’ Ê°á”˜Êłá”— Ëąá”–á”’âżá”á”‰á”‡á”’á”‡â€§â€§" áŽčÊłâ€§ áŽ·Êłá”ƒá”‡Ëą ʷⁱᔖᔉᔈ ᔃʷᔃʞ ᔃ á”—á”‰á”ƒÊłâ€§ "᎔'ᔐ ᔗʰᔉ ᔒⁿᔉ Ê·Ê°á”’ âżá”‰á”‰á”ˆËą á”—á”’ Êłá”‰á”ƒËĄâ±Ëąá”‰ Ê°á”’Ê· ᎔ Ê°á”˜Êłá”— ʞᔒᔘ‧" áŽŸËĄá”ƒâżá”á”—á”’âż Ê·á”ƒËą ˹ⁱ˥ᔉⁿᔗ‧ "᎔'ᔐ ⁿᔒᔗ Ëąá”˜Êłá”‰ ⁱᔗ'Ëą ᔖᔒ˹˹ⁱᔇ˥ᔉ á”—á”’ á”˜âżá”ˆá”’ ᔃ˥˥ á”â±Ëąá”—á”ƒá”á”‰Ëą ᔇᔘᔗ ᎔ Ê·á”ƒâżá”— ᔘ˹ ᔇᔒᔗʰ á”—á”’ ᔇᔉ á”á”’Êłá”‰ á¶œâ±á”›â±ËĄâ€§ ᔂᔉ ᔐᔃʞ ⁿᔒᔗ á”‰á”›á”‰Êł ᔇᔉ ᔗʰᔉ ᔇᔉ˹ᔗ ᔒᶠ á¶ Êłâ±á”‰âżá”ˆËą ʞᔉᔗ ᎔ ᔃᔐ á¶œá”’á”’ËĄ ʷⁱᔗʰ á”‡á”‰â±âżá” á¶ Êłá”‰âżá”‰á”â±á”‰Ëąâ€§" "Ꮀᔒᔉ‧‧‧" "Êžá”‰Ëą ᎔'ᔛᔉ á”—á”’ËĄá”ˆ Ëąá”–á”’âżá”á”‰á”‡á”’á”‡â€§" ᔀʰᔉʞ ËąÊ°á”’á”’á” Ê°á”ƒâżá”ˆËą ᔃⁿᔈ ʰᔘᔍᔍᔉᔈ‧
new krabbobton plabscore plabsen wordcount: 100-1.000 wordcount: 500-1.000 100-1000 Words krabs/plankton developing friendships hopeful ending Karen & SpongeBob SquarePants change of heart frenemy reunion
ᔀʰᔉ á”‚Ê°á”‰á”‰ËĄ áŽ°á”‰á”ƒËĄ âœá”†á”–á”’âżá”á”‰áŽźá”’á”‡ á¶ á”ƒâżá¶ â±á¶œâŸ Part 1 áŽŸËĄá”ƒâżá”á”—á”’âż'Ëą á¶œá”’á”á”–á”˜á”—á”‰Êł ʷⁱᶠᔉ áŽ·á”ƒÊłá”‰âż Êłá”˜ËąÊ°á”‰á”ˆ á”—Ê°Êłá”’á”˜á”Ê° á”—Ê°á”‰âż Ê°á”‰á”ƒÊłá”ˆ ᔃ ËąÊ°Êłâ±á”‰á”â€§ "áŽŸËĄá”ƒâżá”á”—á”’âż?" áŽŽá”‰Êł Ê°á”˜Ëąá”‡á”ƒâżá”ˆ'Ëą ËĄá”‰á” ᔍᔒᔗ ᶜᔃᔘᔍʰᔗ ⁱⁿ Ê°á”‰Êł Ê·Ê°á”‰á”‰ËĄâžŽ ËąÊ°á”‰ á‘«á”˜â±á¶œá”ËĄÊž Êłâ±á”–Ëą ᔗʰᔉ Ê·Ê°á”‰á”‰ËĄËą ᔒᶠᶠ ᔒᔘᔗ ᔒᶠ Ê°â±Ëą á”‡ËĄá”‰á”‰á”ˆâ±âżá” ËĄá”‰á”â€§ áŽŸËĄá”ƒâżá”á”—á”’âż'Ëą ⁿᔒᔗ á”á”’á”›â±âżá” á”‡á”‰á¶œá”ƒá”˜Ëąá”‰ ᔒᶠ ᔗʰᔉ á”–á”ƒâ±âżËą ᔃⁿᔈ áŽ·á”ƒÊłá”‰âż ᔈⁱᔈⁿ'á”— Ê·á”ƒâżá”— á”—á”’ Ê°á”˜Êłá”— ʰⁱᔐ á”á”’Êłá”‰â€§ "á¶œá”ƒâż ʞᔒᔘ á”—á”ƒËĄá” á”—á”’ ᔐᔉ?" "ᮮⁿⁿⁿ‧‧" áŽ·á”ƒÊłá”‰âż á¶œá”ƒËĄËĄá”‰á”ˆ ᔃⁿ á”ƒá”á”á”ƒá”—á”’ËĄá”’á”â±Ëąá”— Ëąá”–á”‰á¶œâ±á”ƒËĄâ±Ëąâ±âżá” ⁱⁿ á”ƒá¶œÊłá”’á”–á”ƒá”—Ê°á”’ËĄá”’á”Êž á”—á”’ ˹ᔉᔉ á”—á”’ áŽŸËĄá”ƒâżá”á”—á”’âżâžŽ á”‡Êłâ±âżá”â±âżá” Ëąá”˜á”–á”–ËĄâ±á”‰Ëąâ€§ "᎔'ᔐ Ëąá”˜Êłá”–Êłâ±Ëąá”‰á”ˆ ⁱᔗ'Ëą ˹ᔗⁱ˥˥ â±âżá”—á”ƒá¶œá”—â€§" áŽŹá¶ á”—á”‰Êł áŽ·á”ƒÊłá”‰âż á”—á”’ËĄá”ˆ ᔃ˥˥➎ ᔗʰᔉ Ëąá”–á”‰á¶œâ±á”ƒËĄâ±Ëąá”— ᔍᔒᔗ ᔒᔘᔗ ᔗʰᔉ Ëąá”˜á”–á”–ËĄâ±á”‰Ëąâ€§ á”‚Ê°á”‰âżá¶œá”‰ ᔗʰᔉ Ëąá”–á”‰á¶œâ±á”ƒËĄâ±Ëąá”— Ëąá”—á”ƒÊłá”—á”‰á”ˆ á”˜Ëąâ±âżá” á”ƒâżá”ƒá”‰Ëąá”—Ê°á”‰á”—â±á¶œ á”á”ƒá¶œÊ°â±âżá”‰âžŽ áŽŸËĄá”ƒâżá”á”—á”’âż'Ëą ⁿᔒ ËĄá”’âżá”á”‰Êł ᔃʷᔃᔏᔉ‧ áŽŒâżËĄÊž á”ƒá¶ á”—á”‰Êł Ê·á”’Êłá”â±âżá” ᔒⁿ áŽŸËĄá”ƒâżá”á”—á”’âż'Ëą ËĄá”‰á” ᔃⁿᔈ á”‰á”›á”‰âżá”—á”˜á”ƒËĄËĄÊž á”‡á”ƒâżá”ˆá”ƒá”á”‰ ⁱᔗ ᔃⁿᔈ á”ˆâ±Ëąá¶œá”’âżá”—â±âżá”˜á”‰ á”ƒâżá”ƒá”‰Ëąá”—Ê°á”‰á”—â±á¶œ á”á”ƒá¶œÊ°â±âżá”‰ ᔈⁱᔈ ʰᔉ ʷᔃᔏᔉ ᔘᔖ á”ƒá”á”ƒâ±âżâžŽ á”’á”–á”‰âżâ±âżá” Ê°â±Ëą ᔉʞᔉ‧ ᔀʰᔉ á”ƒá¶œÊłá”’á”–á”ƒá”—Ê°á”’ËĄá”’á”Êž á”ƒá”á”á”ƒá”—á”’ËĄá”’á”â±Ëąá”— ˥ᔉᶠᔗ ʷⁱᔗʰ ᔃ˥˥ Ëąá”˜á”–á”–ËĄâ±á”‰Ëą ᔗᔒ‧ "ᎎⁱ➎ ËąÊ·á”‰á”‰á”—âżá”‰ËąËąâ€§" "ᎎᔘʰʰʰ; áŽ·á”ƒÊłá”‰âżâ€œ" "Êžá”‰ËąâžŽ áŽŸËĄá”ƒâżá”á”—á”’âżâ€§â€§" á”€á”ƒËĄá”â±âżá” ᔐⁱᔍʰᔗ ᔐᔃᔏᔉ áŽŸËĄá”ƒâżá”á”—á”’âż ÊČá”˜Ëąá”— ᶠᔉᔉ˥ Ëąá”—Êłá”‰ËąËą á”’Êł ᔈⁱᶻᶻʞ/ËĄâ±á”Ê°á”— ʰᔉᔃᔈᔉᔈ Ëąá”’ ËąÊ°á”‰ á¶œá”ƒÊłÊłâ±á”‰á”ˆ ʰⁱᔐ á”—á”’ Ê°â±Ëą ᔇᔉᔈ á”—á”’ Êłá”‰Ëąá”—â€§ ᔆʰᔉ á”—á”˜á¶œá”Ëą ʰⁱᔐ ⁱⁿ‧ "ᔆᔗᔃʞ‧‧‧" áŽŸËĄá”ƒâżá”á”—á”’âż Ëąá”ƒÊžËąâžŽ Ëąá”’ áŽ·á”ƒÊłá”‰âż Ëąá”ƒá”— ᔇʞ Ê°â±Ëą ᔇᔉᔈ ᔃⁿᔈ Ê°á”‰ËĄá”ˆ Ê°â±Ëą Ê°á”ƒâżá”ˆâ€§ "᎞ⁱᔏᔉ Ëąá”’?" ᔆʰᔉ á”ƒËąá”á”‰á”ˆâ€§ "Êžâ»Êžá”‰Ëąâ€§â€§â€§" áŽŸËĄá”ƒâżá”á”—á”’âż á”—á”’ËĄá”ˆ Ê°á”‰Êł ᔃ˹ ʰᔉ ᶠᔉ˥˥ á”ƒËąËĄá”‰á”‰á”–â€§â€§ "᎔'ᔛᔉ ⁿᔒᔗ ˹ᔉᔉⁿ áŽŸËĄá”ƒâżá”á”—á”’âż ᔃᔗ ᔃ˥˥ ᔈᔃʞ!" á”†á”–á”’âżá”á”‰á”‡á”’á”‡ á”ƒá¶œá”—á”˜á”ƒËĄËĄÊž ᔈⁱᔈ á¶œá”ƒÊłá”‰ ᔉᔛᔉⁿ ⁱᶠ áŽŸËĄá”ƒâżá”á”—á”’âż'Ëą á”—á”‰á¶œÊ°âżâ±á¶œá”ƒËĄËĄÊž á”—Ê°á”‰â±Êł á”‡á”˜Ëąâ±âżá”‰ËąËą Êłâ±á”›á”ƒËĄâ€§ áŽșá”’á”— â±âżá”›á”‰Ëąá”—â±á”á”ƒá”—â±á”›á”‰âžŽ ʰᔉ Ê·á”‰âżá”— á”—á”’ ᔗʰᔉ ᶜʰᔘᔐ ᔇᔘᶜᔏᔉᔗ ᔒᔘᔗ ᔒᶠ á¶œá”˜Êłâ±á”’Ëąâ±á”—Êž ᔃⁿᔈ âżá”ƒá”—á”˜Êłá”ƒËĄ á”â±âżá”ˆâżá”‰ËąËąâ€§ á”†á”–á”’âżá”á”‰á”‡á”’á”‡ Ê·á”‰âżá”— ⁱⁿ âżá”’Ê·â€§ "áŽŽá”‰ËĄËĄá”’â€œ" á”†á”–á”’âżá”á”‰á”‡á”’á”‡ Ê°á”‰á”ƒÊłËą Ëąâżá”’Êłâ±âżá” âżá”’Ê· ᔘᔖ á¶œËĄá”’Ëąá”‰Êłâ€§ "ᎏⁿ á”ƒá¶œá¶œâ±á”ˆá”‰âżá”— ⁱⁿÊČá”˜Êłá”‰á”ˆ Ê°â±Ëą ËĄá”‰á”â€§" ᎎᔉ á”—Ê°á”‰âż ˥ᔉᶠᔗ‧ áŽŸËĄá”ƒâżá”á”—á”’âż âżá”‰á”›á”‰Êł ᔇᔘᔈᔍᔉᔈ➎ ˹ᔗⁱ˥˥ á”ƒËąËĄá”‰á”‰á”–â€§ "áŽčá”’Êłâżâ±âżá”â€§" ᔆʰᔉ á”—á”’ËĄá”ˆ ʰⁱᔐ Ëąá”’á¶ á”—ËĄÊžâ€§ ᎏⁿᔈ Ê°â±Ëą ᔉʞᔉ á”‡Êłá”’Ê· á”‡á”ƒÊłá”‰ËĄÊž á¶ á”˜ÊłÊłá”’Ê·Ëą ᔇᔘᔗ ˹ᔗⁱ˥˥ ᔒᔖᔉⁿ ᔐᔒᔘᔗʰᔉᔈ ᔃⁿᔈ á”ˆÊłá”’á”’ËĄá”‰á”ˆâ€§ ᔆʰᔉ Êłá”˜á”‡á”‡á”‰á”ˆ áŽŸËĄá”ƒâżá”á”—á”’âż'Ëą Ê°á”ƒâżá”ˆ ËąÊ°á”‰ Ê°á”‰ËĄá”ˆ ⁱⁿ Ê°á”‰ÊłËąâ€§ "áŽŸËĄá”ƒâżá”á”—á”’âż?" ᔆʰᔉ ᶜᔒᔒᔉᔈ‧ "áŽșâżá”Ê°â€§â€§â€§" áŽŸËĄá”ƒâżá”á”—á”’âż Ëąá”’á”âżâ±ËĄá”’á‘«á”˜â±Ëąá”‰á”ˆâ€§ áŽ·á”ƒÊłá”‰âż Ëąâ±á”Ê°Ëą ᔃⁿᔈ Ëąá”—á”ƒÊłá”—á”‰á”ˆ á”á”‰âżá”—ËĄÊž á”–á”ƒá”—á”—â±âżá” Ê°â±Ëą Ê°á”ƒâżá”ˆâ€§ "á”†Ê°á”‰ËĄá”ˆá”’âż!" á¶ â±âżá”ƒËĄËĄÊž Ê·á”ƒá”â±âżá”âžŽ áŽŸËĄá”ƒâżá”á”—á”’âż'Ëą ᔉʞᔉ Ëąâżá”ƒá”–Ëą ᔒᔖᔉⁿ‧ "᎔ᔗ'Ëą ᔗʰᔉ ⁿᔉˣᔗ ᔈᔃʞ‧‧" áŽ·á”ƒÊłá”‰âż ᔗᔉ˥˥˹ ʰⁱᔐ‧ "á”‚Ê°á”‰âżâ€™á”ˆ ᎔ ᔍᔉᔗ ᔃ á¶œá”ƒËąá”—â€§â€§â€§" "á¶ Êłá”’á” ᔗʰᔉ Ëąá”–á”‰á¶œâ±á”ƒËĄâ±Ëąá”— Êžá”‰Ëąá”—á”‰Êłá”ˆá”ƒÊžâ€§" áŽ·á”ƒÊłá”‰âż á”—á”’ËĄá”ˆ áŽŸËĄá”ƒâżá”á”—á”’âż Ê°á”’Ê· á”†á”–á”’âżá”á”‰á”‡á”’á”‡ ᶜᔃᔐᔉ ᔇʞ➎ ᔃⁿᔈ Ê°á”’Ê· ᔇᔃᔈ ËąÊ°á”‰ ᶠᔉ˥ᔗ ᔃ˹ ʰᔉ ᔍᔒᔗ Ê°á”˜Êłá”—â€§ "᎔ á¶œÊ°á”ƒâżá”á”‰á”ˆ ᔐʞ ˹ᔉᔗ ᔒᶠ Ê·Ê°á”‰á”‰ËĄËąâ€§â€§" áŽŸËĄá”ƒâżá”á”—á”’âż á”—Êłâ±á”‰á”ˆ á”—á”’ ˹ⁱᔗ ᔘᔖ á”á”’Êłá”‰ ᔇᔘᔗ Ê°â±Ëą ËĄá”‰á” á”–Êłá”‰á”›á”‰âżá”—á”‰á”ˆ ʰⁱᔐ á¶ Êłá”’á” á”ˆá”’â±âżá” ˹ᔒ‧ "áŽŸËĄá”ƒâżá”á”—á”’âż Ëąá”—á”’á”–!" áŽ·á”ƒÊłá”‰âż á”âżá”‰Ê· ʰᔉ ᔐⁱᔍʰᔗ Ëąá”–â±Êłá”ƒËĄ ⁱⁿ á”—á”’ á”˜á”–Ëąá”‰á”—á”—â±âżá” á”—Ê°á”’á”˜á”Ê°á”—Ëąâ€§ "áŽ¶á”˜Ëąá”— á”–ËĄá”‰á”ƒËąá”‰âžŽ ʞᔒᔘ'ᔛᔉ ᔇᔉᔉⁿ Ê°á”˜Êłá”—â€§â€§" áŽŸËĄá”ƒâżá”á”—á”’âż ˹ᔗⁱ˥˥ ᶠᔉ˥ᔗ ᔇᔃᔈ‧ "áŽźá”˜á”— ⁱᶠ ᎔ á¶œá”ƒâż'á”— ᔉᔛᔉⁿ ᔐᔒᔛᔉ‧‧‧" "á”†Ê°á”‰ËĄá”ˆá”’âż áŽŸËĄá”ƒâżá”á”—á”’âżâžŽ ᎔ á”âżá”’Ê· ⁱᔗ'Ëą ⁿᔒᔗ á”‰á”ƒËąÊžâ€§ ᎔ ˥ᔒᔛᔉ ʞᔒᔘ➎ ⁿᔒ á”á”ƒá”—á”—á”‰Êł ʷʰᔃᔗ‧ ʞᔒᔘ á”âżá”’Ê·âžŽ ᎔ âżá”‰á”›á”‰Êł ᔐᔉᔗ ᔃ á”–á”‰ÊłËąá”’âż Ëąá”’ á”Êłá”‰á”ƒá”— ᔃ˹ ʞᔒᔘ‧ ᎔ᔗ'Ëą ᶠⁱⁿᔉ á”—á”’ ÊČá”˜Ëąá”— Êłá”‰Ëąá”—â€§" áŽŸËĄá”ƒâżá”á”—á”’âż âżá”’á”ˆá”ˆá”‰á”ˆâ€§ áŽ·á”ƒÊłá”‰âż á¶ ËĄá”˜á¶ á¶ á”‰á”ˆ ᔃ á”–â±ËĄËĄá”’Ê· á¶ á”’Êł Ê°â±Ëą ËĄá”‰á” á”—á”’ Êłá”‰Ëąá”— ᔒⁿ‧ "áŽ¶á”˜Ëąá”— ˥ⁱᶠᔗ➎ ˥ᔉᔗ ᔐᔉ ᔖᔘᔗ ᔗʰᔉ á”‰ËŁá”—Êłá”ƒ á”–â±ËĄËĄá”’Ê·â€§â€§â€§" áŽ·á”ƒÊłá”‰âż ˹˥ⁱᔈ ⁱᔗ á”˜âżá”ˆá”‰Êł á”—á”’ Ëąá”˜á”–á”–á”’Êłá”— ᔗʰᔉ ËĄá”‰á”â€§ "᎔'ᔐ Ëąá”’ÊłÊłÊžâ€§â€§" "᎔'ᔐ ᔗʰᔉ ᔒⁿᔉ Ê·Ê°á”’ á¶œá”ƒá”˜Ëąá”‰á”ˆ ᔗʰᔉ ⁱⁿÊČá”˜ÊłÊžâ€§ ᎔ ᔍᔒᔗ Ëąá”ƒá¶ á”‰Êł Ê·Ê°á”‰á”‰ËĄËą âżá”’Ê· á”ƒá¶ á”—á”‰Êłâ€§" áŽ·á”ƒÊłá”‰âż ᔍᔒᔗ Ê°á”‰Êł Ê°á”˜Ëąá”‡á”ƒâżá”ˆ ˹ᔒᔐᔉ ᔒᶠ Ê°â±Ëą á”‡á”‰ËĄá”’âżá”â±âżá”Ëą Ëąá”’ ᔃ˹ á”—á”’ á”‰âżá”—á”‰Êłá”—á”ƒâ±âż Ê°â±á”Ëąá”‰ËĄá¶  Ê·Ê°â±ËĄËąá”— Ê°á”‰á”ƒËĄâ±âżá” ⁱⁿ ᔇᔉᔈ‧ "᎔'ËĄËĄ ËĄá”‰á”ƒá”›á”‰ ʞᔒᔘ á”—á”’ ⁱᔗ ᔇᔘᔗ ᎔'ËĄËĄ ᶜʰᔉᶜᔏ ᔇᔃᶜᔏ‧‧‧" "᎔ ˥ᔒᔛᔉ ʞᔒᔘ áŽ·á”ƒÊłá”‰âżâ€§" ᔆʰᔉ ˥ᔉᶠᔗ ᔗʰᔉ á”ˆá”’á”’Êł á”–á”ƒÊłá”—â±á”ƒËĄËĄÊž ᔃÊČá”ƒÊł ᔃ˹ ËąÊ°á”‰ ˥ᔉᶠᔗ ᔗʰᔉ Êłá”’á”’á”â€§ áŽ·á”ƒÊłá”‰âż Êłá”‰Ëąá”–á”‰á¶œá”—á”‰á”ˆ áŽŸËĄá”ƒâżá”á”—á”’âż ᔃⁿᔈ Ê°â±Ëą á”ˆâ±á¶ á¶ á”‰Êłá”‰âżá”— âżá”‰á”‰á”ˆËąâ€§ áŽŹá¶ á”—á”‰Êł Ê°â±Ëą ËąÊ°â±á¶ á”— ᔃᔗ ᔗʰᔉ áŽ·Êłá”˜Ëąá”—Êž áŽ·Êłá”ƒá”‡ á”†á”–á”’âżá”á”‰á”‡á”’á”‡ Ê·á”ƒâżá”—á”‰á”ˆ á”—á”’ ᔛⁱ˹ⁱᔗ‧ "áŽŸËĄá”ƒâżá”á”—á”’âżâ€œ" á”†á”–á”’âżá”á”‰á”‡á”’á”‡ Ëąá”ƒá”— ᔇʞ ʰⁱᔐ‧ "á¶œá”ƒâż ᎔ á”ƒËąá” ʷʰᔃᔗ á”‰ËŁá”ƒá¶œá”—ËĄÊž á¶œá”ƒá”˜Ëąá”‰á”ˆ Êžá”’á”˜Êł ËĄá”‰á” á”—á”’ ᔍᔉᔗ‧‧‧" "᎔ ᔍᔒᔗ ⁱ⁻ⁱⁿ áŽ·á”ƒÊłá”‰âż'Ëą ʷᔃʞ á”‡á”‰á¶ á”’Êłá”‰ ËąÊ°á”‰ á”ƒá”‡ËĄá”‰ ᔗ⁻ᔗᔒ ˹ᔗᔒᔖ‧ Ꮃᔒᔗ ᶜᔃᔘᔍʰᔗ ⁱⁿ ᔃ Ê·Ê°á”‰á”‰ËĄ ᔇ⁻ᔇᔘᔗ áŽ·á”ƒÊłá”‰âż Êłá”‰á”–ËĄá”ƒá¶œá”‰á”ˆ ᔗʰᔉᔐ ʷⁱᔗʰ Ëąá”ƒá¶ á”‰Êł ᔒⁿᔉ˹ âżâ»âżá”’Ê·â€§" á”†á”–á”’âżá”á”‰á”‡á”’á”‡ âżá”’á”ˆËąâ€§ "Êžâ±á”á”‰Ëąâ€§â€§" "᎔ á”âżá”’Ê· ᔃⁿᔈ ⁱᔗ ˹ᔗⁱ˥˥ Ê°â»Ê°á”˜Êłá”—Ëą Ëąâ±âżá¶œá”‰ á”ƒâżá”ƒá”‰Ëąá”—Ê°á”‰á”—â±Ëąá”ƒá”—â±á”’âż âżá”’Ê· Ê·á”’Êłâżâ€§â€§â€§" "áŽŸËĄá”ƒâżá”á”—á”’âżâžŽ Ê·Ê°á”‰âżâ€§â€§â€§" "Êžá”‰Ëą ᔃ˹ ᎔ ʷᔒᔏᔉ ᔘᔖ ᔗᔒᔈᔃʞ➎ ⁱᔗ'Ëą ⁿᔒ ËĄá”’âżá”á”‰Êł âżá”˜á”á”‡â€§â€§" "áŽ·á”ƒÊłá”‰âż'ᔈ á”‡á”‰á”—á”—á”‰Êł á”âżá”’Ê·â€§â€§" "᎔ á”ˆá”’âż'á”— Ê·â»Ê·á”ƒâżá”— Ê°á”‰Êł á”—á”’ ᶠ⁻ᶠᔉᔉ˥ á”á”’Êłá”‰ á”á”˜â±ËĄá”—Êž á¶ â»á¶ á”’Êł ᔗʰᔉ á”ƒá¶œá¶œâ±á”ˆá”‰âżá”— ᔏⁱᔈ‧" "Ꮀᔒ ʞᔒᔘ ᶠᔉᔉ˥ ᔘᔖ á”—á”’ Ê·á”ƒá”—á¶œÊ°â±âżá” á”á”‰Êłá”á”ƒâ±á”ˆ ᔐᔃⁿ ᔃⁿᔈ á”‡á”ƒÊłâżá”ƒá¶œËĄá”‰ ᔇᔒʞ?" áŽŸËĄá”ƒâżá”á”—á”’âż ÊČá”˜Ëąá”— ËąÊ°á”’á”’á” Ê°â±Ëą ʰᔉᔃᔈ‧ "ᔂᔉ˥˥ ʷʰᔃᔗ ᔈᔒ ʞᔒᔘ âżá”‰á”‰á”ˆ?" áŽžá”’á”’á”â±âżá” áŽŸËĄá”ƒâżá”á”—á”’âż ⁱⁿ ᔗʰᔉ ᔉʞᔉ➎ Ëąá”–á”’âżá”á”‰á”‡á”’á”‡ Ëąá”ƒÊ· á”–á”ƒâ±âż ᔃⁿᔈ á”ˆâ±Ëąá¶œá”’á”á¶ á”’Êłá”—â€§ "᎔'ᔐ á”á”’âżâżá”ƒ ᔍᔉᔗ áŽ·á”ƒÊłá”‰âżâ€§â€§" á”†á”–á”’âżá”á”‰á”‡á”’á”‡ Ê·á”‰âżá”— á”—á”’ Ê°á”‰Êłâ€§ "ᎎᔉ'Ëą ⁿᔒᔗ á”ˆá”’â±âżá” á”—á”’ ᔍᔒᔒᔈ‧‧" áŽ·á”ƒÊłá”‰âż Ê·á”‰âżá”— ᔇᔃᶜᔏ âżá”’Ê· ʷⁱᔗʰ ʰⁱᔐ‧ "ᔀʰᔉ Ëąá”–á”‰á¶œâ±á”ƒËĄâ±Ëąá”— Êžá”‰Ëąá”—á”‰Êłá”ˆá”ƒÊž ᔍᔃᔛᔉ ᔐᔉ ˹ᔒᔐᔉ á”–á”ƒâ±âż á”â±ËĄËĄá”‰ÊłËą á¶ á”’Êł Êžá”’á”˜Êł ËĄá”‰á”â€§â€§" áŽ·á”ƒÊłá”‰âż ᔍᔒᔗ ʰⁱᔐ ᔗʰᔉ á”á”‰á”ˆâ±á¶œâ±âżá”‰â€§ "᎔ᔗ ᔐⁱᔍʰᔗ ᔐᔃᔏᔉ ʞᔒᔘ ᶠᔉᔉ˥ ËąËĄá”‰á”‰á”–Êž ᔇᔘᔗ ʞᔒᔘ á¶œá”ƒâż âżá”ƒá”– ⁱᶠ ʞᔒᔘ Ê·á”ƒâżá”—â€§" "á”€Ê°á”ƒâżá” ʞᔒᔘ‧" áŽ·á”ƒÊłá”‰âż ˥ᔉᶠᔗ ᔃ˹ á”†á”–á”’âżá”á”‰á”‡á”’á”‡ âżá”’Ê· Ëąá”ƒá”— ʷⁱᔗʰ áŽŸËĄá”ƒâżá”á”—á”’âż ⁿ Ê°â±Ëą ᔇᔉᔈ‧ "᎔ á”ˆá”’âż'á”— ᔐⁱⁿᔈ ⁱᶠ ʞᔒᔘ Êłá”‰Ëąá”—â€§â€§" á”†á”–á”’âżá”á”‰á”‡á”’á”‡ á”—á”’ËĄá”ˆ áŽŸËĄá”ƒâżá”á”—á”’âż ᔃ˹ ʰᔉ á”‡á”‰á”â±âżËą á¶œá”ƒÊłá”‰ËąËąâ±âżá” Ê°â±Ëą á”ƒÊłá”â€§ áŽŸËĄá”ƒâżá”á”—á”’âż ᔖᔘᔗ Ê°â±Ëą ʰᔉᔃᔈ ᔇᔃᶜᔏ á”ˆá”’Ê·âżâ€§ "áŽłá”’á”’á”ˆâ€§â€§" á”†á”–á”’âżá”á”‰á”‡á”’á”‡ á¶œá”’á”ƒËŁá”‰á”ˆâ€§ ᔀʰᔉ á”á”‰á”ˆâ±á¶œâ±âżá”‰ ᔃⁿᔈ á”†á”–á”’âżá”á”‰ ᔇᔒᔇ'Ëą á¶œá”’á”á¶ á”’Êłá”— Ê°á”‰ËĄá”–á”‰á”ˆ áŽŸËĄá”ƒâżá”á”—á”’âż á”‰âżá”’á”˜á”Ê° á¶ á”’Êł ʰⁱᔐ á”—á”’ ᔇᔉ á”ƒËąËĄá”‰á”‰á”–â€§ á”†á”–á”’âżá”á”‰á”‡á”’á”‡ ᔖᔘᔗ áŽŸËĄá”ƒâżá”á”—á”’âż'Ëą á”ƒÊłá” ᔒⁿ á”—á”’á”– ᔒᶠ Ê°â±Ëą á”‡á”‰ËĄËĄÊž ᔃ˹ ʰᔉ Ëąâżá”’Êłá”‰á”ˆâžŽ ᔃⁿᔈ ᔖᔘᔗ Ê°â±Ëą á”’Ê·âż ᔇʞ Ê°â±Ëą á”’Ê·âż ʰᔉᔃᔈ ᔃ˹ ʰᔉ ËĄá”‰á”ƒâżá”‰á”ˆ ᔇᔃᶜᔏ‧ "᎔'ËĄËĄ á”ƒËĄËąá”’ ˹˥ᔉᔉᔖ‧‧" á”†á”–á”’âżá”á”‰á”‡á”’á”‡ ʷᔒᔏᔉ ᔘᔖ Ê·Ê°â±ËĄËąá”— áŽŸËĄá”ƒâżá”á”—á”’âż ˹ᔗⁱ˥˥ ˹˥ᔉᔖᔗ‧ ᎎᔉ ËĄá”’á”’á”á”‰á”ˆ á”á”’Êłá”‰ á”–á”‰á”ƒá¶œá”‰á¶ á”˜ËĄâ€§ "᎔'ᔐ á”á”’âżâżá”ƒ ʰᔉᔃᔈ ᔒᔘᔗ ᔇᔘᔗ ᎔ á¶œá”ƒâż ᶜᔒᔐᔉ ᔇᔃᶜᔏ ʷⁱᔗʰ á”—Êłá”‰á”ƒá”—Ëą á”—á”’á”á”’ÊłÊłá”’Ê·â€§" "á”€Ê°á”ƒâżá” ʞᔒᔘ! ᔆᔒ➎ áŽŸËĄá”ƒâżá”á”—á”’âż'˱‧‧‧" "á”†ËĄá”‰á”‰á”–â±âżá” âżá”’Ê·â€§" áŽ·á”ƒÊłá”‰âż ˥ᔉᔗ ʰⁱᔐ ᔍᔒ ËĄá”‰á”ƒá”›á”‰â€§ ᔆʰᔉ Ê·á”‰âżá”— ᔇᔃᶜᔏ á”—á”’ Ê°á”‰Êł Ê°á”˜Ëąá”‡á”ƒâżá”ˆ âżá”’Ê· á¶ â±âżá”ˆâ±âżá” ʰⁱᔐ ᑫᔘⁱᔗᔉ á”ƒËąËĄá”‰á”‰á”–â€§ ᔀʰᔉ ⁿᔉˣᔗ ᔈᔃʞ➎ áŽŸËĄá”ƒâżá”á”—á”’âż ËąËĄâ±á”ˆá”‰Ëą ᔒᔘᔗ ᔒᶠ Ê°â±Ëą ᔇᔉᔈ ᔃⁿᔈ Ëąá”—á”ƒâżá”ˆËą Ê°â±á”Ëąá”‰ËĄá¶  ᔒⁿ Ê°â±Ëą ᔍᔒᔒᔈ ËĄá”‰á”â€§ ᎎᔉ á”á”ƒâżá”’á”‰á”˜á”›Êłá”‰Ëą á”—á”’ ᔗʰᔉ ᔇᔉᔈ Êłá”’á”’á” á”ˆá”’á”’Êł Ê°á”‰á”ƒÊłâ±âżá” áŽ·á”ƒÊłá”‰âż á”—á”ƒËĄá”â±âżá” á”—á”’ á”†á”ƒâżá”ˆÊž ᔒⁿ á”–Ê°á”’âżá”‰â€§ "ᎎᔉ'Ëą ᔇᔉᔉⁿ á”á”‰á”—á”—â±âżá” Êłá”‰Ëąá”—â€§ ᎔ ᶠᔉᔉ˥ á”ƒÊ·á¶ á”˜ËĄ ᔉᔛᔉⁿ ᔗʰᔒᔘᔍʰ ᎔ Êłá”‰á”–ËĄá”ƒá¶œá”‰á”ˆ ᔐʞ Ê·Ê°á”‰á”‰ËĄËąâ€§ ᎎᔉ ˥ᔉᔗ ᔐᔉ Ê°á”’ËĄá”ˆ Ê°â±Ëą Ê°á”ƒâżá”ˆâ€§ Ꮁᔛᔉⁿ á¶ ÊłÊž ᶜᔒᔒᔏ Ëąá”–á”’âżá”á”‰á”‡á”’á”‡ ᶜᔃᔐᔉ á”—á”’ ˹ᔉᔉ ʰⁱᔐ!" áŽ·á”ƒÊłá”‰âż Ëąá”ƒÊžËąâ€§ "᎔ á”ˆá”’âż'á”— á”—Ê°â±âżá” áŽŸËĄá”ƒâżá”á”—á”’âż á”âżá”’Ê·Ëą ʰᔉ Ëąâżá”’Êłá”‰á”ˆ ᔇᔘᔗ ᎔ ᔈⁱᔈⁿ'á”— ᔐⁱⁿᔈ ᔃᔗ á”ƒËĄËĄâ€§" 'ᔂʰᔃᔗ“' áŽŸËĄá”ƒâżá”á”—á”’âż ᔗʰᔒᔘᔍʰᔗ‧ áŽ·á”ƒÊłá”‰âż Ê·á”‰âżá”— á”—á”’ Ê°á”‰Êł Ê°á”˜Ëąá”‡á”ƒâżá”ˆâ€§ "ᎎᔉʞ á”†á”ƒâżá”ˆÊž Ê·á”ƒâżá”—Ëą á”—á”’ ˹ᔉᔉ ⁱᶠ ʞᔒᔘ ᶜᔃ⁻⁻ á”†Ê°á”‰ËĄá”ˆá”’âż áŽŸËĄá”ƒâżá”á”—á”’âż Ê·Ê°Êž á”ƒÊłá”‰ ʞᔒᔘ ᔒᔘᔗ ᔒᶠ ᔇᔉᔈ“" ᔆᔗⁱ˥˥ ᔒⁿ ᔗʰᔉ á”–Ê°á”’âżá”‰âžŽ ËąÊ°á”‰ Ëąá”ƒÊ· ʰⁱᔐ âżá”’Ê·â€§ "Ꮃᔉᔗ ᔇᔃᶜᔏ ᔒⁿ‧‧‧" áŽ·á”ƒÊłá”‰âż Ëąá”ƒÊžËąâ€§ "áŽłá”’á”’á”ˆ âżá”’Ê· á”†á”ƒâżá”ˆÊž Ê·á”ƒâżá”—Ëą á”—á”’ ᶜᔒᔐᔉ á”’á”›á”‰Êłâ€§" áŽŸËĄá”ƒâżá”á”—á”’âż âżá”’á”ˆËąâ€§ áŽ·á”ƒÊłá”‰âż Ê°á”ƒâżá”Ëą ᔘᔖ‧ "áŽŹÊłá”‰ ʞᔒᔘ ᔃ˥˥ ᔍᔒᔒᔈ ËąÊ·á”‰á”‰á”—â€§â€§â€§" "᎔'ᔛᔉ ᔇᔉᔉⁿ á”‡á”‰á”—á”—á”‰Êł á”‡á”‰á¶ á”’Êłá”‰ ʞᔒᔘ á”á”’ËąËąâ±á”– ᔃᔇᔒᔘᔗ ᔐᔉ ʷⁱᔗʰ ᔗʰᔉ Ëąá‘«á”˜â±ÊłÊłá”‰ËĄâ€§" 'ᎎᔉ ⁱ˹ ᶠⁱⁿᔉ‧' áŽ·á”ƒÊłá”‰âż Êłá”‰á”ƒËĄâ±Ëąá”‰Ëąâ€§ "ʞᔒᔘ'Êłá”‰ ˹ᔗⁱ˥˥ Ê°á”‰á”ƒËĄâ±âżá” ᔃⁿᔈ ⁱᔗ'Ëą ⁿᔒᔗ Ëąá”ƒá¶ á”‰â€§â€§â€§" "᎔ á”âżá”’Ê· áŽ·á”ƒÊłá”‰âż ᎔ á”âżá”’Ê·â€§" á”†á”ƒâżá”ˆÊž á”ƒÊłÊłâ±á”›á”‰Ëą ᔃᔗ ᔗʰᔉ ᶜʰᔘᔐ ᔇᔘᶜᔏᔉᔗ‧ "ᎎᔒʷᔈʞ➎ áŽŸËĄá”ƒâżá”á”—á”’âż! ᎔ Ê°á”‰á”ƒÊłá”ˆ ᔃᔇᔒᔘᔗ Êžá”‰Êł á”ƒá¶œá¶œâ±á”ˆá”‰âżá”— ᔃⁿᔈ ᎔'ᔐ Ëąá”’ Ëąá”’ÊłÊłÊžâ€§" á”†á”ƒâżá”ˆÊž Ëąá”ƒÊžËąâžŽ Ëąá”‰á”‰â±âżá” Ê°â±Ëą á”‰âżá”—â±Êłá”‰ ËĄá”‰á” ⁱⁿ ᔃ á¶œá”ƒËąá”—â€§ á”†á”–á”’âżá”á”‰á”‡á”’á”‡ á”ƒËĄËąá”’ Ê°á”ƒá”–á”–á”‰âżá”‰á”ˆ á”—á”’ ᶜᔒᔐᔉ ˹ᔉᔉ áŽŸËĄá”ƒâżá”á”—á”’âżâ€§ "ᎌʰ ʰᔉʞ á”†á”ƒâżá”ˆÊž ᎔ ᔈⁱᔈⁿ'á”— á”âżá”’Ê· ʞᔒᔘ ᶜᔃᔐᔉ!" á”†á”–á”’âżá”á”‰á”‡á”’á”‡ á”‡Êłá”’á”˜á”Ê°á”— áŽŸËĄá”ƒâżá”á”—á”’âż á”—Êłá”‰á”ƒá”—Ëąâ€§ "á”€Ê°á”ƒâżá”ËąâžŽ ᔏⁱᔈ‧‧" áŽŸËĄá”ƒâżá”á”—á”’âż Ëąá”ƒÊžËąâžŽ Ëąá”‰á”‰â±âżá” ᔃ˥˥ ᔗʰᔉ á”á”’á”’á”ˆâ±á”‰Ëąâ€§ "á¶œá”ƒâż ᎔'ᔛᔉ ᔗʰᔉ á¶œá”ƒâżá”ˆÊž?" "ᎌᶠ á¶œá”’á”˜ÊłËąá”‰âžŽ ⁱᔗ'Ëą Êžá”’á”˜Êłâ€§â€§â€§" "ᎌʰ ᎔ ˥ᔒᔛᔉ ᔐᔉ ˹ᔒᔐᔉ áŽ¶á”’ËĄËĄÊž áŽżá”ƒâżá¶œÊ°á”‰ÊłËą! ᎔'ËĄËĄ ˹ᔖ˥ⁱᔗ ᔗʰᔉ Ê°á”ƒÊłá”ˆ á¶œá”ƒâżá”ˆÊž ⁱⁿ Ê°á”ƒËĄá¶  ʷⁱᔗʰ ᔃ á”á”ƒÊłá”ƒá”—á”‰ ᶜʰᔒᔖ!" á”†á”ƒâżá”ˆÊž á”‰ËŁá¶œâ±á”—á”‰á”ˆËĄÊž á”‰ËŁá¶œËĄá”ƒâ±á”Ëą ᔇᔘᔗ á¶œÊ°á”’á”–Ëą á”—á”’ Ê°á”ƒÊłá”ˆ ᔃ˹ áŽŸËĄá”ƒâżá”á”—á”’âż Ê°á”’ËĄá”ˆËą ⁱᔗ ᔒᔘᔗ; ⁿᔒᔗ á”’âżËĄÊž á”á”ƒá”â±âżá” ᔃ á¶œËĄá”‰á”ƒâż ᶜᔘᔗ ʷⁱᔗʰ ᔗʰᔉ á¶œá”ƒâżá”ˆÊžâžŽ ᔇᔘᔗ Ëąá”’ á¶ á”’Êłá¶œá”‰á¶ á”˜ËĄ ᔃ˹ á”—á”’ ʰⁱᔗ áŽŸËĄá”ƒâżá”á”—á”’âż'Ëą Ê°á”˜Êłá”— ËĄá”‰á”â€§ cont. pt. two
new split into parts the wheel deal
á”†á¶œÊłá”ƒá”–á”‰á”ˆ âœá”†á”–á”’âżá”á”‰áŽźá”’á”‡ á¶ á”ƒâżá¶ â±á¶œâŸ áŽ±á”˜á”á”‰âżá”‰ áŽ·Êłá”ƒá”‡Ëą Ëąá”ƒÊ· á”†Ê°á”‰ËĄá”ˆá”’âż áŽŸËĄá”ƒâżá”á”—á”’âż ᶠᔃ˥˥ ᔒᶠᶠ Ê°â±Ëą ᔇⁱᔏᔉ➎ Ëąá¶œÊłá”ƒá”–â±âżá” Ê°â±Ëą á”âżá”‰á”‰â€§ ᔀʰᔉ ᔇⁱᔏᔉ ᔍᔒᔗᔗᔃ á¶ ËĄá”ƒá”— á”—ÊžÊłá”‰ ᔃⁿᔈ á”†Ê°á”‰ËĄá”ˆá”’âż Ëąá”—á”ƒÊłá”—á”‰á”ˆ á”‡ËĄá”‰á”‰á”ˆâ±âżá”â€§ "᎞ᔉᔗ'Ëą ᔍᔒ ᔇᔃᶜᔏ‧‧‧" áŽ±á”˜á”á”‰âżá”‰ á”—á”’ËĄá”ˆ Ê°â±Ëą á¶œÊłÊžâ±âżá” á¶ Êłâ±á”‰âżá”ˆâ€§ "áŽčᔘᔐ!" ᎎᔉ á¶œá”ƒËĄËĄá”‰á”ˆâžŽ á¶œá”ƒÊłÊłÊžâ±âżá” á”†Ê°á”‰ËĄá”ˆá”’âżâ€§ "᎞ᔉᔗ'Ëą Ê·á”ƒËąÊ° ᔒᶠᶠ ⁱⁿ ᔗʰᔉ ᔇᔃᔗʰ ᔗᔘᔇ á”†Ê°á”‰ËĄá”ˆá”’âżâ€§" áŽč˱‧ áŽ·Êłá”ƒá”‡Ëą Êłâ±âżËąá”‰á”ˆ ᔗʰᔉ ᶜᔘᔗ ʷⁱᔗʰ á¶œá”’ËĄá”ˆ Ê·á”ƒá”—á”‰Êł á”‡á”‰á¶ á”’Êłá”‰ á”–á”ƒá”—á”—â±âżá” á”ˆÊłÊžâ€§ áŽŹá¶ á”—á”‰Êł á”á”‰á”—á”—â±âżá” á¶œËĄá”‰á”ƒâżá”‰á”ˆ ᔘᔖ ᔖᔘᔗ ᔃ á”‡á”ƒâżá”ˆá”ƒá”á”‰ ᔒⁿ ᔗʰᔉ Ëąá¶œá”ƒá”‡â€§ "Ꮀᔒ ʞᔒᔘ Ê·á”ƒâżá”— á”’Êł âżá”‰á”‰á”ˆ ⁱᶜᔉ?" "á”€Ê°á”ƒâżá” ʞᔒᔘ➎ áŽč˱‧ áŽ·Êłá”ƒá”‡Ëą!" ✿𝚠𝚘𝚛𝚍 𝚌𝚘𝚞𝚗𝚝: đŸœđŸœ
new spongebob fanfic plabs plabscore Eugene Krabs & Sheldon J. Plankton Eugene Krabs/Sheldon J. Plankton krabs/plankton scrapes
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new plabs plabscore krabon krabton krabston code page 437
ᔆʰᔃᔏᔉ ᔃ ᎞ᔉᔍ ♡ Wₒᔣd cₒᔀₙₜ ₋ ₆₅₇ ♡ âœá”†á”–á”’âżá”á”‰áŽźá”’á”‡ á¶ á”ƒâżá¶ â±á¶œâŸ "ᎎᔉ'ᔈ ᔇᔉ ᔇᔃᶜᔏ ᔇʞ âżá”’Ê·â€§â€§" áŽŸËĄá”ƒâżá”á”—á”’âż'Ëą á¶œá”’á”á”–á”˜á”—á”‰Êł ʷⁱᶠᔉ áŽ·á”ƒÊłá”‰âż Ëąá”ƒÊ· ᔒᔘᔗ ᔗʰᔉ Ê·â±âżá”ˆá”’Ê· ʰⁱᔐ ᶠᔃᶜᔉ á”ˆá”’Ê·âż ᔒⁿ ᔗʰᔉ á”Êłá”’á”˜âżá”ˆâ€§ ᎏᔗ ᔗⁱᔐᔉ˹ ʰᔉ'ᔈ ᔇᔉ ⁱⁿ á”‡á”‰á”—Ê·á”‰á”‰âż ᔗʰᔉ Êłá”‰Ëąá”—á”ƒá”˜Êłá”ƒâżá”—Ëą á”ƒá¶ á”—á”‰Êł ᔃ á¶ á”ƒâ±ËĄá”‰á”ˆ Ëąá¶œÊ°á”‰á”á”‰â€§ áŽźá”˜á”— ʰᔉ'Ëą ⁿᔒᔗ á”á”’á”›â±âżá” ᔃᔗ á”ƒËĄËĄâ€§ áŽ·á”ƒÊłá”‰âż âżá”’Ê· Ê·á”‰âżá”— á”—á”’ Ê°á”‰Êł Ê°á”˜Ëąá”‡á”ƒâżá”ˆâ€§ "ᶜᔒᔐᔉ ᔒⁿ ᔇᔃᶜᔏ‧" áŽșá”’á”—Ê°â±âżá”â€§ ᎏᔗ á”ƒËĄËĄâ€§ "áŽŸËĄá”ƒâżá”á”—á”’âż; ËąÊ·á”‰á”‰á”—Ëą?" ᔆʰᔉ á”˜Êłá”á”‰á”ˆ ʰⁱᔐ‧ áŽźá”˜á”— ËąÊ°á”‰ ᔍᔒᔗ á¶œËĄá”’Ëąá”‰Êł á”—á”’ áŽŸËĄá”ƒâżá”á”—á”’âż ᔃ˹ ËąÊ°á”‰ Êłá”‰á”ƒËĄâ±Ëąá”‰Ëą ˹ᔒᔐᔉ á”—Ê°â±âżá”'Ëą ⁿᔒᔗ Êłâ±á”Ê°á”—â€§ "á”†Ê°á”‰ËĄá”ˆá”’âżâ€œ" áŽ·á”ƒÊłá”‰âż Ëąá”ƒÊžËąâžŽ Êłá”’ËĄËĄâ±âżá” ʰⁱᔐ ᔒⁿ Ê°â±Ëą ᔇᔃᶜᔏ‧ ᎏⁿᔈ á”—Ê°á”‰âżâžŽ âżá”’á”—â±á¶œá”‰á”ˆ Ê°â±Ëą ËĄá”‰á”â€§ "ᎌʰ➎ âżá”‰á”–á”—á”˜âżá”‰â€§â€§" áŽ·á”ƒÊłá”‰âż Ëąá¶œá”ƒâżâżá”‰á”ˆ ʰⁱᔐ‧ áŽźá”˜á”— ËĄá”˜á¶œá”â±ËĄÊž ʰᔉ ᔈⁱᔈⁿ'á”— á”‡Êłá”‰á”ƒá” âżá”’Êł á¶ Êłá”ƒá¶œá”—á”˜Êłá”‰âžŽ ᔇᔘᔗ Ê°â±Ëą á”‡Êłá”˜â±Ëąá”‰á”ˆ ËĄá”‰á” ËąÊ·á”‰ËĄËĄá”‰á”ˆ á¶ Êłá”’á” ʷʰᔃᔗ á”‰á”›á”‰Êł á”‡ËĄá”˜âżá”— á¶ á”’Êłá¶œá”‰ á”—Êłá”ƒá”˜á”á”ƒâ€§ Ꮀᔉᔉᔖ Ëąá¶œÊłá”ƒá”—á¶œÊ°á”‰ËąâžŽ ᔃ˹ Ê·á”‰ËĄËĄâ€§ "ᎌʰ á”ˆá”‰á”ƒÊłâ€§â€§" áŽŸËĄá”ƒâżá”á”—á”’âż'Ëą ᔇᔒᔈʞ á”—Êłá”‰á”á”‡ËĄá”‰á”ˆ ˹ᔒᔐᔉ ʷʰᔃᔗ á¶ Êłá”’á” á”‡á”‰â±âżá” á”‡á”ƒá”ˆËĄÊž Ê°á”˜Êłá”— ᔃⁿᔈ á”‡á”ƒÊłá”‰ËĄÊž á¶œá”’âżËąá¶œâ±á”’á”˜Ëąâ€§ "á¶œá”ƒâż ʞᔒᔘ ᔗᔉ˥˥ ᔐᔉ ʷʰᔃ‧‧‧" "᎔ á”—Êłâ±á”‰á”ˆ ᔇ⁻ᔇᔘᔗ áŽ·Êłá”ƒá”‡Ëą ᔍ⁻ᔍᔒᔗ Ëąá”–á”ƒá”—á”˜ËĄá”ƒ á¶ Êłá”’á” ᔗʰᔉ á”â±á”—á¶œÊ°á”‰âż ᔃ⁻ᔃⁿᔈ Ê°â»Ê°â»Ê°á”˜Êłá”— ᔐ⁻ᔐʞ ËĄá”‰á” Ê°â»Ê°á”˜Êłá”—Ëąâ€§â€§â€§" áŽŸËĄá”ƒâżá”á”—á”’âż á”á”˜á”á”‡ËĄá”‰á”ˆ ᔃ˹ áŽ·á”ƒÊłá”‰âż ËĄâ±Ëąá”—á”‰âżá”‰á”ˆ Ê·Ê°â±ËĄËąá”— á”á”‰á”—á”—â±âżá” ʰⁱᔐ ˹ᔒᔐᔉ á”â±ËĄá”â€§ ᔆʰᔉ á”âżá”‰Ê· ˹ᔒᔐᔉ ᔗⁱᔐᔉ˹ ʰᔉ'ᔈ ᔍᔉᔗ á”â±ËĄá” á”‡á”‰á¶ á”’Êłá”‰ ᔇᔉᔈ ᔗⁱᔐᔉ ᔃⁿᔈ ʰᔒᔖᔉᔈ ⁱᔗ'ᔈ Ê°á”‰ËĄá”– ʰⁱᔐ‧ ᎎᔉ ˥ᔉᔗ Ê°á”‰Êł ᔍⁱᔛᔉ ʰⁱᔐ ᔗʰᔉ á”â±ËĄá” Ê°á”‰ËĄá”–â±âżá” ʰⁱᔐ á”ˆÊłâ±âżá” ⁱᔗ‧ "áŽ¶á”˜Ëąá”— Êłá”‰Ëąá”—â€§" "áŽ·á”ƒÊłá”‰âż á”—Ê°á”ƒâżá” ʞ⁻ʞᔒᔘ‧‧" áŽŸËĄá”ƒâżá”á”—á”’âż Ëąá”ƒÊžËą ᔃ˹ ËąÊ°á”‰ á”‰ËĄá”‰á”›á”ƒá”—á”‰á”ˆ Ê°â±Ëą âżá”’Ê· á”‡á”ƒâżá”ˆá”ƒá”á”‰á”ˆ ËĄá”‰á”â€§ "᎔ ˥⁻˥ᔒᔛᔉ ʞᔒᔘ ˹⁻˹ᔒ ᔐᔘᶜʰ‧‧" áŽŸËĄá”ƒâżá”á”—á”’âż Ëąá”ƒâ±á”ˆâ€§ ᎎⁱ˹ ᔉʞᔉ ËąËĄâ±á”–á”–á”‰á”ˆ á¶œËĄá”’Ëąá”‰á”ˆ ËąÊ°á”˜á”—â€§ áŽ·á”ƒÊłá”‰âż á”âżá”‰Ê· Ê°á”‰Êł Ê°á”˜Ëąá”‡á”ƒâżá”ˆ'Ëą á¶ á”ƒËĄËĄá”‰âż á”ƒËąËĄá”‰á”‰á”– Ê·Ê°á”‰âż ËąÊ°á”‰ á”–á”˜ËĄËĄá”‰á”ˆ ᔗʰᔉ á”‡ËĄá”ƒâżá”á”‰á”— á¶œá”’á”›á”‰ÊłËą; áŽŸËĄá”ƒâżá”á”—á”’âż'Ëą á”›â±Ëąâ±á”‡ËĄÊž ˥ᔉ˹˹ ᔗᔉⁿ˹ᔉ ᔃ˹ Ê°â±Ëą ᔇᔒᔈʞ Ê·á”‰âżá”— ˥ᔃˣ➎ ᔐᔒᔘᔗʰ á”–á”ƒÊłá”—á”‰á”ˆ ËąËĄá”ƒá¶œá” ᔒᔖᔉⁿ‧ áŽ·á”ƒÊłá”‰âż ˥ᔉᔗ ʰⁱᔐ ᔇᔉ ᔃ˹ ʰᔉ'Ëą á”—á”’ ᔍᔉᔗ Ê°â±Ëą ᔐᔘᶜʰ âżá”‰á”‰á”ˆá”‰á”ˆ Êłá”‰Ëąá”—â€§ ᔀʰᔉ á”â±ËĄá” ᔃⁿᔈ Ê°â±Ëą á”’Ê·âż ᔇᔉᔈ á”’á”‡á”›â±á”’á”˜ËąËĄÊž Ê°á”‰ËĄá”–á”‰á”ˆ ᔃ˹ Ê·á”‰ËĄËĄ ᔃ˹ áŽ·á”ƒÊłá”‰âż á”—á”‰âżá”ˆâ±âżá” á”—á”’ ʰⁱᔐ‧ áŽźá”˜á”— á”ƒá”á”ƒâ±âżâžŽ ʰᔉ'Ëą á”‡á”ƒÊłá”‰ËĄÊž á¶œá”’âżËąá¶œâ±á”’á”˜Ëą ᔃ˹ ʰᔉ ᶜᔃᔐᔉ ⁱⁿ➎ Ëąá”’ ʰᔉ ᔐⁱᔍʰᔗ á”’âżËĄÊž Êłá”‰á”á”‰á”á”‡á”‰Êł ʰᔃᶻʞ á”ˆá”‰á”—á”ƒâ±ËĄËąâžŽ ⁱᶠ á”ƒâżÊžâ€§ ᎏᔗ ᔗⁱᔐᔉ˹➎ áŽ·á”ƒÊłá”‰âż ᔐⁱᔍʰᔗ Ëąá”—Êłá”’á”á”‰ Ê°â±Ëą á”ƒâżá”—á”‰âżâżá”ƒá”‰ ᔇʞ Êłá”˜âżâżâ±âżá” Ê°á”‰Êł á¶ â±âżá”á”‰ÊłËą á”—Ê°Êłá”’á”˜á”Ê° ᔇᔘᔗ➎ âżá”’Ê·'Ëą ⁿᔒᔗ ᔗʰᔉ ᔗⁱᔐᔉ á¶ á”’Êł; ʰᔉ ᶠᔉ˥ᔗ á”—á”’ ᔇᔉ á”’á”›á”‰Êł Ëąá”—â±á”á”˜ËĄá”ƒá”—á”‰á”ˆ á”‡á”‰á¶ á”’Êłá”‰ ËąÊ°á”‰ Ê°á”‰ËĄá”–á”‰á”ˆ ʰⁱᔐ ᔃⁿᔈ➎ ʰᔉ'Ëą ⁱⁿ âżá”‰á”‰á”ˆ ᔒᶠ ˹˥ᔉᔉᔖ‧ áŽ·á”ƒÊłá”‰âż'Ëą ⁿᔒᔗ Ê·á”ƒâżá”—â±âżá” á”—á”’ ʷᔃᔏᔉ ʰⁱᔐ âżá”’Ê· Ëąá”’ ËąÊ°á”‰ ˥ᔉᔗ ʰⁱᔐ ˹˥ᔉᔉᔖ‧ á”†á”–á”’âżá”á”‰á”‡á”’á”‡ Ê·á”‰âżá”— á”—á”’ ᔗʰᔉ ᶜʰᔘᔐ ᔇᔘᶜᔏᔉᔗ á”ƒá¶ á”—á”‰Êł á”á”‰á”—á”—â±âżá” ᔒᶠᶠ Ê·á”’Êłá”â€§ "ᎎᔉʞ áŽ·á”ƒÊłá”‰âżâžŽ ᎔ Ê°á”‰á”ƒÊłá”ˆ ᔃᔇᔒᔘᔗ‧‧‧" "á”†á”–á”’âżá”á”‰á”‡á”’á”‡ ᎔'ËĄËĄ ᔍᔒ ᶜʰᔉᶜᔏ ᔒⁿ ʰⁱᔐ ˹ᔉᔉ ⁱᶠ ʰᔉ'Ëą ᔘᔖ á”—á”’ á”›â±Ëąâ±á”—á”’ÊłËąâ€§" á”†á”–á”’âżá”á”‰á”‡á”’á”‡ Ëąá”—á”’á”’á”ˆ ⁱⁿ ᔗʰᔉ á”ˆá”’á”’Êł ʷᔃʞ ᔒᶠ ᔗʰᔉ Êłá”’á”’á” ᔃ˹ ËąÊ°á”‰ Ê·á”‰âżá”— á”—á”’ Ê°á”‰Êł Ê°á”˜Ëąá”‡á”ƒâżá”ˆ'Ëą ᔇᔉᔈ‧ "áŽŸËĄá”ƒâżá”á”—á”’âż ʰᔉʞ➎ á”†á”–á”’âżá”á”‰á”‡á”’á”‡ ᶜᔃᔐᔉ á”—á”’ ˹ᔉᔉ ʞᔒᔘ‧‧" áŽŸËĄá”ƒâżá”á”—á”’âż'Ëą ᔉʞᔉ á¶ ËĄá”˜á”—á”—á”‰ÊłËą ᔒᔖᔉⁿ‧ "á”ÊłÊłá”Ê°âžŽ ʷʰᔃᔃᔃᔗ‧‧‧" áŽŸËĄá”ƒâżá”á”—á”’âż Ëąá”ƒÊžËąâ€§ "á”âżÊ° Ê·Ê°á”‰â»Ê·Ê°á”‰Êłá”‰âžŽ ʷʰᔃᔃ⁻ Ê°á”ƒá”–â»á”–á”‰âżâ±âżá”?" "ᎌʰ➎ ËąÊ·á”‰á”‰á”—Ëąâ€§â€§ ʞᔒᔘ ⁱⁿÊČá”˜Êłá”‰á”ˆ Êžá”’á”˜Êł ËĄá”‰á” ᔃⁿᔈ Ëąá”–á”’âżá”á”‰ ᔇᔒᔇ'Ëą ᶜᔒᔐᔉ á”—á”’ ᔛⁱ˹ⁱᔗ‧‧‧" "áŽŸËĄá”ƒâżá”á”—á”’âż!" á”†á”–á”’âżá”á”‰á”‡á”’á”‡ â±âżá”—á”‰ÊłÊłá”˜á”–á”—Ëą áŽ·á”ƒÊłá”‰âż âżá”’Ê· Êłá”˜âżâżâ±âżá” á”—á”’ áŽŸËĄá”ƒâżá”á”—á”’âżâ€§ ᎎᔉ Ê°á”˜á”ËąâžŽ Êłá”‰Ëąá”˜ËĄá”—â±âżá” ⁱⁿ áŽŸËĄá”ƒâżá”á”—á”’âż á”á”ƒËąá”–â±âżá” ᔃ ʰⁱᔗᶜʰᔉᔈ Êžá”‰ËĄá”–â€§ "ᎎᔉʞ á”‰á”ƒËąÊžâžŽ áŽŸËĄá”ƒâżá”á”—á”’âż'Ëą ˹ᔗⁱ˥˥ á”‡á”ƒá”ˆËĄÊž Ê°á”˜Êłá”—â€§" "ᎌʰ; Ëąá”’ÊłÊłÊž!" á”†á”–á”’âżá”á”‰á”‡á”’á”‡ ˥ᔉᔗ ᔍᔒ‧ "᎔ᔗ'Ëą ⁿᔒᔗ Êžá”’á”˜Êł á¶ á”ƒá”˜ËĄá”— ᔏⁱᔈ‧ áŽčÊłâ€§ áŽ·Êłá”ƒá”‡ËąâžŽ ʰᔉ ᔗᔒᔒᔏ‧‧‧" "᎔ á”âżá”’Ê·â€§" á”†á”–á”’âżá”á”‰á”‡á”’á”‡ ᔉᔈᔍᔉᔈ á¶œËĄá”’Ëąá”‰Êł á”—á”’ ʰⁱᔐ‧ ᔀʰᔉʞ á¶œá”’âżá”—â±âżá”˜á”‰á”ˆ á”—á”’ ᶜʰᔃᔗ ᔃᔇᔒᔘᔗ á”˜âżÊłá”‰ËĄá”ƒá”—á”‰á”ˆ á”—á”’ ᔗᔒᔈᔃʞ'Ëą ᔉᔛᔉⁿᔗ˹ ᔃ˹ ᔗʰᔉʞ á”—á”ƒËĄá”á”‰á”ˆ ᔒᶠ ËĄâ±á”Ê°á”—á”‰Êł â±âżá”—á”‰Êłá”‰Ëąá”—Ëąâ€§ "ᔂᔉ˥˥ ᎔ ᔒᔘᔗᔗᔃ ᔍᔉᔗ á”á”’â±âżá”; ᔍᔒᔒᔈ âżâ±á”Ê°á”—â€§â€§" á”†á”–á”’âżá”á”‰á”‡á”’á”‡ Ëąá”ƒÊžËą ᔃ˹ ʰᔉ ˥ᔉᶠᔗ ᔗʰᔉ ᶜʰᔘᔐ ᔇᔘᶜᔏᔉᔗ âżá”’Ê·â€§ "ᎎᔒʷ'Ëą Êžá”’á”˜Êł ËĄá”‰á” ᶠᔉᔉ˥?" "ᔆᔗⁱ˥˥ ᔇᔃᔈ➎ ᔇᔘᔗ ⁿᔒᔗ âżá”‰á”ƒÊłËĄÊž ᔃ˹ ᔐᔘᶜʰ ᔃ˹ Ê·Ê°á”‰âż ⁱ á¶ â±ÊłËąá”— ᔍᔒᔗ ⁱⁿÊČá”˜Êłá”‰á”ˆâ€§" áŽŸËĄá”ƒâżá”á”—á”’âż á”—á”’ËĄá”ˆâ€§ áŽ·á”ƒÊłá”‰âż á”âżá”‰Ê· ʰᔉ'Ëą ᔃᔇᔒᔘᔗ á”—á”’ Ëąá”—á”ƒÊłá”— á¶ á”ƒËĄËĄâ±âżá” á”ƒËąËĄá”‰á”‰á”– á”ƒá”á”ƒâ±âżâ€§ "᎔'ËĄËĄ ˥ᔉᔗ ʞᔒᔘ Êłá”‰Ëąá”— âżá”’Ê·; ˹˥ᔉᔉᔖ Ê·á”‰ËĄËĄ!" áŽ·á”ƒÊłá”‰âż Ëąá”ƒÊžËąâžŽ Ëąá”á”’á”’á”—Ê°â±âżá” Ê°â±Ëą ᔇᔉᔈ ËąÊ°á”‰á”‰á”—Ëą ᔃ˹ ʰᔉ ᶠᔉ˥˥ á”ƒËąËĄá”‰á”‰á”–â€§ ᔀʰᔉ ⁿᔉˣᔗ á”á”’Êłâżâ±âżá”âžŽ áŽ·á”ƒÊłá”‰âż Ê·á”‰âżá”— á”—á”’ ᶜʰᔉᶜᔏ ᔒⁿ áŽŸËĄá”ƒâżá”á”—á”’âżâ€§ ᔆʰᔉ á”âżá”‰Ê· ʰᔉ'Ëą á”˜âżá”ƒá”‡ËĄá”‰ á”—á”’ ᔍᔉᔗ ᔒᔘᔗ ᔒᶠ Ê°â±Ëą á”’Ê·âż ᔇᔉᔈ ʷⁱᔗʰ Ê°â±Ëą ËĄá”‰á”â€§ áŽłá”’â±âżá” ⁱⁿ ᔗʰᔉ Êłá”’á”’á” ËąÊ°á”‰ Ëąá”ƒÊ· ʰᔉ'Ëą ˹ᔗⁱ˥˥ ᑫᔘⁱᔗᔉ á”ƒËąËĄá”‰á”‰á”–â€§ ᔆᔒᔐᔉ á”ˆÊłá”’á”’ËĄ'Ëą á¶œá”’á”â±âżá” ᔒᔘᔗ ᔒᶠ Ê°â±Ëą ᔐᔒᔘᔗʰ ᔃⁿᔈ á”ˆÊłâ±á”‡á”‡ËĄá”‰á”ˆ ᔒⁿ Ê°â±Ëą á”–â±ËĄËĄá”’Ê·â€§ á”†á”‰á”‰â±âżá” ʰᔉ'Ëą á¶œá”’á”á¶ á”’Êłá”—á”ƒá”‡ËĄá”‰ á¶ á”’Êł âżá”’Ê· áŽ·á”ƒÊłá”‰âż Ê·á”‰âżá”— ᔒᔘᔗ ᔒᶠ Ê°â±Ëą Êłá”’á”’á” á”—á”’ ᔍⁱᔛᔉ ʰⁱᔐ á”á”’Êłá”‰ ᔗⁱᔐᔉ‧ áŽźÊž ᔗʰᔉ ᔗⁱᔐᔉ ËąÊ°á”‰ ⁿᔉˣᔗ ᶜʰᔉᶜᔏᔉᔈ ᔒⁿ áŽŸËĄá”ƒâżá”á”—á”’âż á”ƒá”á”ƒâ±âżâžŽ ʰᔉ'Ëą Ëąá”—á”ƒÊłá”— á”—á”’ ᔃʷᔃᔏᔉ‧ ᔀʰᔉ á”ˆÊłá”’á”’ËĄ ᔒⁿ á”–â±ËĄËĄá”’Ê· á”ˆÊłâ±á”‰á”ˆ ᔇᔘᔗ ʰᔉ ʷⁱᔖᔉᔈ ᔗʰᔉ Êłá”‰Ëąá”— ᔒᶠᶠ ᔒᶠ Ê°â±Ëą ᶠᔃᶜᔉ á”ƒá¶ á”—á”‰Êł âżá”’á”—â±á¶œâ±âżá” ⁱᔗ‧ "᎔'ᔐ á”á”’â±âżá” á”—á”’ á”˜âżÊ·Êłá”ƒá”– ᔗʰᔉ á”‡á”ƒâżá”ˆá”ƒá”á”‰ á”—á”’ ᶜʰᔉᶜᔏ Êžá”’á”˜Êł ËĄá”‰á”â€§â€§" áŽ·á”ƒÊłá”‰âż Ëąá”ƒÊžËą ᔃ˹ ËąÊ°á”‰ á”˜âżÊłá”ƒá”›á”‰ËĄËą ⁱᔗ‧ "᎔ᔗ ᶠᔉᔉ˥˹ ʷᔉᔃᔏ ᔇᔘᔗ ᔐᔘᶜʰ á”‡á”‰á”—á”—á”‰Êłâ€§â€§â€§" "᎔ ˹ᔉᔉ á”á”’Ëąá”—ËĄÊž Ê°á”‰á”ƒËĄá”‰á”ˆ!" áŽ·á”ƒÊłá”‰âż á”‰ËŁá¶œËĄá”ƒâ±á”á”‰á”ˆâ€§ "áŽ¶á”˜Ëąá”— ˹ᔗⁱ˥˥ ᔇᔉ á¶œá”ƒÊłá”‰á¶ á”˜ËĄâžŽ ᔃⁿᔈ ᔖᔒ˹ᔗᔖᔒⁿᔉ‧‧‧" "᎔ á”âżá”’Ê·; á”ˆá”’âż'á”— ᔍᔒ Ê·á”’Êłá” âżá”’Êł ᔍᔒ á”—á”’ ᔗʰᔉ á”Êłá”˜Ëąá”—Êž á”Êłá”ƒá”‡â€§â€§" áŽŸËĄá”ƒâżá”á”—á”’âż Ëąá”ƒÊžËąâžŽ Êłá”’ËĄËĄâ±âżá” Ê°â±Ëą ᔉʞᔉ‧ "᎞ᔒᔛᔉ ʞᔒᔘ!"
new Karen/Sheldon J. Plankton karen plankton POV Karen Karen (SpongeBob) SpongeBob SquarePants (character) Mentioned SpongeBob SquarePants shake a leg
᎞ⁱᔗᔗ˥ᔉ ᔀᔒᔗ˹ âœá”†á”–á”’âżá”á”‰áŽźá”’á”‡ á¶ á”ƒâżá¶ â±á¶œâŸ áŽč˱‧ áŽ·Êłá”ƒá”‡Ëą ˹ᔒⁿ áŽ±á”˜á”á”‰âżá”‰ ᔃⁿᔈ áŽłá”’Êłá”ˆá”’âżâ€™Ëą ˹ᔒⁿ á”†Ê°á”‰ËĄá”ˆá”’âż á”ƒÊłá”‰ ᔇᔉ˹ᔗ á¶ Êłâ±á”‰âżá”ˆËąâ€§ â€œá”€Ê°á”ƒâżá” ʞᔒᔘ á¶ á”’Êł Ê·á”ƒá”—á¶œÊ°â±âżá” á”†Ê°á”‰ËĄá”ˆá”’âżâ€Šâ€ á”†Ê°á”‰ËĄá”ˆá”’âż áŽŸËĄá”ƒâżá”á”—á”’âż Ëąá”—á”ƒÊžá”‰á”ˆ ᔃᔗ áŽ±á”˜á”á”‰âżá”‰ áŽ·Êłá”ƒá”‡Ëą á”–ËĄá”ƒá¶œá”‰ Ê·Ê°â±ËĄËąá”— áŽłá”’Êłá”ˆá”’âż Ê·á”’Êłá”á”‰á”ˆâ€§ ᎎᔉ ᶠᔉ˥˥ á”ƒËąËĄá”‰á”‰á”– ʷⁱᔗʰ ᔃ á”–á”ƒá¶œâ±á¶ â±á”‰Êł ⁱⁿ Ê°â±Ëą ᔐᔒᔘᔗʰ ᔇᔘᔗ ⁱᔗ’˹ á¶ á”ƒËĄËĄá”‰âż ᔒᔘᔗ‧ â€œá”€Ê°á”‰Êžâ€™Êłá”‰ á”–á”‰Êłá¶ á”‰á¶œá”— á¶ á”’Êł ᔉᔃᶜʰ á”’á”—Ê°á”‰Êł ᔃⁿᔈ ᔉⁿÊČá”’Êž Ëąá”‰á”‰â±âżá” á”—á”’!” “ʞᔒᔘ á”âżá”’Ê·, ᎔’ᔈ ᔇᔉ ᶠⁱⁿᔉ Ê·á”ƒá”—á¶œÊ°â±âżá” áŽ±á”˜á”á”‰âżá”‰ ⁱᶠ âżá”‰á¶œá”‰ËąËąá”ƒÊłÊžâ€§â€§â€ áŽłá”’Êłá”ˆá”’âż Ëąá”ƒÊžËą, âżá”’Ê· á”á”‰á”—á”—â±âżá” ᔗʰᔉ á”–á”ƒá¶œâ±á¶ â±á”‰Êłâ€§ ᎎᔉ ᔍᔒᔗ Ê°â±Ëą á”—á”’Ê·á”‰ËĄ á”—á”’ ʷⁱᔖᔉ ᔘᔖ ˹ᔒᔐᔉ ᔒᶠ á”ˆÊłá”’á”’ËĄ ᔒᶠᶠ á”†Ê°á”‰ËĄá”ˆá”’âż, Ê·á”ƒá”â±âżá” ʰⁱᔐ ᔘᔖ‧ ᎎᔉ ᔖᔘᔗ ᔗʰᔉ á”—á”’Ê·á”‰ËĄ ᔒⁿ Ê°â±Ëą ËąÊ°á”’á”˜ËĄá”ˆá”‰Êł á”‡á”‰á¶ á”’Êłá”‰ á”–â±á¶œá”â±âżá” ᔘᔖ á”†Ê°á”‰ËĄá”ˆá”’âż Ëąá”’ ᔃ˹ ⁿᔒᔗ á”—á”’ ᔍᔉᔗ á”ˆÊłá”’á”’ËĄ ᔃ˥˥ ᔒⁿ ʰⁱᔐ‧ “ᎎⁱ á”†Ê°á”‰ËĄâ€Šâ€ áŽłá”’Êłá”ˆá”’âż á”á”‰á”—Ëą á”†Ê°á”‰ËĄá”ˆá”’âż ᔘᔖ‧ ᔀʰᔉ ⁿᔉˣᔗ ᔈᔃʞ, áŽłá”’Êłá”ˆá”’âż á”ˆÊłá”’á”–á”–á”‰á”ˆ ᔒᶠᶠ Ê°â±Ëą ˹ᔒⁿ á”ƒá”á”ƒâ±âżâ€§ “ᎎᔉ Ê·á”‰âżá”— á”—á”’ ˹˥ᔉᔉᔖ ᔒⁿ ᔗʰᔉ ʷᔃʞ‧‧” â€œáŽ±á”˜á”á”‰âżá”‰ á”ƒËĄËąá”’, ᔒⁿ ᔃ ËĄá”’âżá” á”ˆÊłâ±á”›á”‰â€§â€§â€ áŽč˱‧ áŽ·Êłá”ƒá”‡Ëą á”—á”’ËĄá”ˆ ʰⁱᔐ‧ á”†Ê°á”‰ËĄá”ˆá”’âż ʷᔒᔏᔉ ᔃ˹ áŽ±á”˜á”á”‰âżá”‰ ᶜᔃᔐᔉ ᔒᔘᔗ á”—á”’ ˹ᔉᔉ ʰⁱᔐ‧ â€œáŽłá”‰âżá”‰!” â€œá”†Ê°á”‰ËĄá”—á”’âż!” ᔀʰᔉʞ ʰᔘᔍᔍᔉᔈ‧ “ʞᔒᔘ á”—Ê°â±âżá”, ⁱⁿ ᔗʰᔉ á¶ á”˜á”—á”˜Êłá”‰, á”—Ê°á”‰Êžâ€™ËĄËĄ ᔇᔉ Ëąá”’ â±âżËąá”‰á”–á”ƒÊłá”ƒá”‡ËĄá”‰ á¶ á”’Êł ˥ⁱᶠᔉ?” “ᎌᶠ á¶œá”’á”˜ÊłËąá”‰!” ᔀʰᔉʞ ËĄá”ƒá”˜á”Ê°á”‰á”ˆâ€§ đ°đšđ«đ 𝐜𝐹𝐼𝐧𝐭: 𝟏𝟔𝟓
new plabs plabscore krabskin planktoncore little tots
https://m.fanfiction.net/s/13478844/1/I-Really-Do
new fanfiction.net karen plankton
áŽŸá”ƒÊłá”— ᔀʷᔒ á”žá”’á”˜Êł á”‚á”’ÊłËąá”— Ꮀᔃʞ âœËąá”–á”’á¶°á”á”‰áŽźá”’á”‡ ᶠᔃᶰᶠᶀᶜ  ᎏ ʷᔉᔉᔏ á”ƒá¶ á”—á”‰Êł áŽŸËĄá”ƒá¶°á”á”—á”’á¶°'Ëą ᔃᶜᶜᶀᔈᔉᶰᔗ˒ ʷʰᔉᶰᶜᔉ ᔗʰᔉ ËąÊ·á”‰ËĄËĄá¶€á¶°á” á”ˆÊ·á¶€á¶°á”ˆËĄá”‰á”ˆË’ ᔃ˹ ˹ᔒᔐᔉ á”‡Êłá”˜á¶€Ëąá¶€á¶°á” Êłá”‰á”á”ƒá¶€á¶°á”‰á”ˆË’ ʰᔉ ᶠᔉ˥ᔗ ᔃ ᔈᔘ˥˥ ᔃᶜʰᔉ ᔖᔃᶀᶰ ᶀᶰ Ê°á¶€Ëą ʰᔉᔃᔈˑ ᔀᔒ á”–á”ƒá¶€á¶°á¶ á”˜ËĄËĄÊž ʷᔉᔃᔏ á”—á”’ ᔒᔖᔉᶰ Ê°á¶€Ëą ᔉʞᔉ ᔃ˥˥ ᔗʰᔉ ʷᔃʞˑ áŽŸËĄá”ƒá¶°á”á”—á”’á¶° ᶰᔒᔗᶀᶜᔉᔈ Ëąá”˜á¶œÊ° ᔃ˹ ʰᔉ á¶ á¶€ÊłËąá”— Ëąá”—á”ƒÊłá”—á”‰á”ˆ á”—á”’ ᶜᔒᔐᔉ ᔇᔃᶜᔏ á”—á”’ á¶œá”’á¶°Ëąá¶œá¶€á”’á”˜Ëąá¶°á”‰ËąËąË‘ á”€ÊłÊžá¶€á¶°á” á”—á”’ ᔗʰᶀᶰᔏ˒ á”—á”’ á¶œá”’á”á”–Êłá”‰Ê°á”‰á¶°á”ˆË’ á”—á”’ ᔏᶰᔒʷˑ Ëąá¶€á¶°á¶œá”‰ áŽ·á”ƒÊłá”‰á¶° Ëąá”—á”ƒÊžá”‰á”ˆ á¶°á”‰á”ƒÊłË’ ËąÊ°á”‰ Êłá”‰á”ƒËĄá¶€Ëąá”‰á”ˆ ʰᔉ'Ëą ᶰᔒʷ á”—ÊłÊžá¶€á¶°á” á”—á”’ á”˜á¶°á”ˆá”‰ÊłËąá”—á”ƒá¶°á”ˆ ᔃᶰᔈ ᔍᔉᔗ Ê°á¶€Ëą ˹ᔉᶰ˹ᔉ˹ ᔇᔃᶜᔏˑ ᎎᔉ á”—Êłá¶€á”‰á”ˆ á”—á”’ Ëąá”–á”‰á”ƒá” ᔒᔘᔗ˒ ᶰᔒᔗ ᔏᶰᔒʷᶀᶰᔍ ʷʰᔃᔗ á”—á”’ á”ƒËąá” á¶°á”’Êł ʷʰᔃᔗ'Ëą ᔇᔉᶀᶰᔍ ˹ᔃᶀᔈ ᔃ˹ ʰᔉ á”á”˜á”á”‡ËĄá”‰á”ˆË‘ áŽșá”’á”— ᔉᔛᔉᶰ á¶œá”’Ê°á”‰Êłá”‰á¶°á”— ᔉᶰᔒᔘᔍʰ á”—á”’ ᔉᔛᔉᶰ á”—á”ƒËĄá” á”á¶€á”‡á”‡á”‰Êłá¶€ËąÊ° ʞᔉᔗ˒ áŽ·á”ƒÊłá”‰á¶° ᔏᶰᔉʷˑ áŽ·á”ƒÊłá”‰á¶° ᔏᶰᔉʷ ʰᔉ'ᔈ ˥ᶀᔛᔉˑ áŽșá”’á”— ʷᔃᶰᔗᶀᶰᔍ á”—á”’ á”’á”›á”‰ÊłÊ·Ê°á”‰ËĄá” Ê°á”‰Êł Ê°á”˜Ëąá”‡á”ƒá¶°á”ˆË’ ËąÊ°á”‰ ᔍᔒᔗ á¶œËĄá”’Ëąá”‰Êł ᔇᔘᔗ ˹ᔗᶀ˥˥ ᔍᔃᔛᔉ ʰᶀᔐ Ëąá”–á”ƒá¶œá”‰Ë‘ ËąÊ°á”‰ ᶠᔉ˥ᔗ á”ËĄá”ƒá”ˆ ᔇᔘᔗ á¶°á”‰Êłá”›á”’á”˜ËąË‘ áŽŽá”‰Êł Ê°á”˜Ëąá”‡á”ƒá¶°á”ˆ Ëąá”˜Êłá”›á¶€á”›á”‰á”ˆá”Ž áŽźá”˜á”— ʷʰᔃᔗ'Ëą ʰᔉ ᔍᔒᶰᶰᔃ Êłá”‰á”á”‰á”á”‡á”‰ÊłË€ ËąÊ°á”‰ á”‰á”ƒá”á”‰ÊłËĄÊž ʷᔃᶰᔗᔉᔈ á”—á”’ ᔏᶰᔒʷ ᔃᶰᔈ ËąÊ°á”ƒÊłá”‰ ᔗʰᔉ á¶°á”‰Ê·Ëą ᔇᔘᔗ ËąÊ°á”‰'Ëą ᶰᔒᔗ ᔍᔒᶰᶰᔃ Êłá”˜ËąÊ° áŽŸËĄá”ƒá¶°á”á”—á”’á¶°Ë‘ ᎎᶀ˹ Ê°á”‰á”ƒÊłá¶€á¶°á” ᔃᶰᔈ Ëąá¶€á”Ê°á”— ᶜᔃᔐᔉ ᔇᔃᶜᔏ á”—á”’ ʰᶀᔐ˒ ᔃᶰᔈ ʰᔉ á”—Êłá¶€á”‰á”ˆ á”—á”’ Êłá”‰á”á¶€Ëąá”—á”‰Êł ʷʰᔃᔗ Ê°á¶€Ëą Ëąá”˜ÊłÊłá”’á”˜á¶°á”ˆá¶€á¶°á”ËąË‘ ᎏ á¶œá”ƒÊłá”ˆ Ëąá”ƒá”— ᔒᶰ ᔗʰᔉ á”—á”ƒá”‡ËĄá”‰ ᔇʞ ʰᶀᔐ˒ ᔃᶰᔈ áŽ·á”ƒÊłá”‰á¶° ʷᔃᔛᔉᔈˑ "ᎎᶀᔎ" áŽ·á”ƒÊłá”‰á¶° Ê·Ê°á¶€Ëąá”–á”‰ÊłËąË’ ᶰᔒᔗ ʷᔃᶰᔗᶀᶰᔍ á”—á”’ á”‡á”’á”á”‡á”ƒÊłá”ˆ Ê°á”‰Êł Ê°á”˜Ëąá”‡á”ƒá¶°á”ˆË‘ "ᑊᔃᶰ ʞᔒᔘ ᔗᔉ˥˥ ᔐᔉ˒ Ê°á”’Ê· ʞᔒᔘ'Êłá”‰ á¶ á”‰á”‰ËĄá¶€á¶°á”Ë‘Ë‘Ë‘" áŽ·á”ƒÊłá”‰á¶° Ëąá”’á¶ á”—ËĄÊž Ëąá”–á”’á”á”‰ á”—á”’ ʰᶀᔐˑ ᎎᔉ'Ëą ˹ᔗᶀ˥˥ á”˜á”—á”—á”‰ÊłËĄÊž á¶œá”’á¶°á¶ á”˜Ëąá”‰á”ˆ Ê·Ê°á¶€ËĄËąá”— ʰᔉ á”—Êłá¶€á”‰á”ˆ á”—á”’ ᔗʰᶀᶰᔏ ᔃᔇᔒᔘᔗ Ê°á”’Ê· á”—á”’ á”ƒá¶°ËąÊ·á”‰ÊłË‘ "ᔞᔒᔘ ᶜᔃᶰ á”—á”ƒËĄá” á”—á”’ ᔐᔉˑˑˑ" áŽ·á”ƒÊłá”‰á¶° á”—Êłá¶€á”‰á”ˆ á”—á”’ ᔃᔍᔃᶀᶰˑ "ᎎᶀ˒ Ê°á”’Ê·Ë‘Ë‘Ë‘" áŽŸËĄá”ƒá¶°á”á”—á”’á¶° ᔐᔃᶰᔃᔍᔉᔈ ʷᶀᔗʰ á”ˆá¶€á¶ á¶ á¶€á¶œá”˜ËĄá”—ÊžË‘ ËąÊ°á”‰ ᔍᔒᔗ ʰᶀᔐ ˹ᔒᔐᔉ Ê·á”ƒá”—á”‰ÊłË‘ "ᔂᔃᶰᔗ á”ˆÊłá¶€á¶°á”Ë€ ᎔ Ê°á”‰ËĄá”– ʞᔒᔘˑˑ" áŽŸËĄá”ƒá¶°á”á”—á”’á¶° ˥ᔉᔗ Ê°á”‰Êł Ê°á”‰ËĄá”– ʷᶀᔗʰˑ "áŽłá”’á”’á”ˆ ÊČᔒᔇᔎ ᔞᔒᔘ ᶜᔃᶰ á”ƒËąá” ᔐᔉ á¶ á”’ÊłË‘Ë‘Ë‘" áŽ·á”ƒÊłá”‰á¶° Ëąá”—á”ƒÊłá”—á”‰á”ˆ á”—á”’ Ëąá”ƒÊžË’ ᔇᔘᔗ ËąÊ°á”‰ ᶰᔒᔗᶀᶜᔉᔈ áŽŸËĄá”ƒá¶°á”á”—á”’á¶° á”—ÊłÊž á”—á”’ á”‡Êłá¶€á¶°á” Ê°á¶€Ëą á”ƒÊłá” ᔘᔖ á”—á”’ Ê°á¶€Ëą ʰᔉᔃᔈˑ "ᔀᔉ˥˥ ᔐᔉ Ê°á”’Ê· ʞᔒᔘ'Êłá”‰ á¶ á”‰á”‰ËĄá¶€á¶°á”Ë’ ʷʰᔃᔗ ʞᔒᔘ ᔏᶰᔒʷˑˑ" ËąÊ°á”‰ ˥ᔉᔗ ʰᶀᔐ ʰᔃᔛᔉ ᔗᶀᔐᔉ á”—á”’ ᔗʰᶀᶰᔏˑ ËąÊ°á”‰ ᔏᶰᔉʷ ʰᔉ'ᔈ á”‰á”›á”‰á¶°á”—á”˜á”ƒËĄËĄÊž á¶€á”á”–Êłá”’á”›á”‰Ë’ ᔇᔘᔗ ᶰᔒᔗ ᔏᶰᔒʷᶀᶰᔍ á”—á”’ ʷʰᔃᔗ ᔉˣᔗᔉᶰᔗˑ ËąÊ°á”‰ Êłá”‰á”ƒËĄá¶€Ëąá”‰á”ˆ ʰᔉ'ᔈ ᔍᔉᔗ á”‡á”‰á”—á”—á”‰Êł ᔃ˹ ᔗᶀᔐᔉ á”á”’á”‰Ëą ᔒᶰ ᔃ˹ Ê°á¶€Ëą Ëąá”á”˜ËĄËĄ á”á”‰á¶°á”ˆËą á”—á”’ Ê°á”‰á”ƒËĄË‘ ËąÊ°á”‰ ᔏᶰᔉʷ ʰᔉ'Ëą ᶰᔒᔗ ᔍᔒᶰᶰᔃ ᔇᔉ á”ƒá”‡ËĄá”‰ á”—á”’ ᔇᔉᶰᔉᶠᶀᔗ á”›á¶€Ëąá¶€á”—á¶€á¶°á” á”’á”—Ê°á”‰ÊłËą ʞᔉᔗˑ ᔂʰᔉᶰᶜᔉ ʰᔉ'ᔈ ʷᔒᔏᔉ ᔘᔖ á”á”’Êłá”‰ ᔃᶰᔈ ᶜᔃᶰ á¶œá”’á”á”–Êłá”‰Ê°á”‰á¶°á”ˆ ᔃᶰᔈ Ê°á”’ËĄá”ˆ á¶œá”’á¶°á”›á”‰ÊłËąá”ƒá”—á¶€á”’á¶°Ë’ ËąÊ°á”‰'ËĄËĄ Êłá”‰á”ƒá¶œÊ° ᔒᔘᔗ á”—á”’ á¶ á”’Êł Ê°á”‰ËĄá”– ʰᶀᔐˑ áŽźá”˜á”— ᶀᔗ'ᔈ Ëąá”—Êłá”‰ËąËą ʰᶀᔐ ᔒᔘᔗ ᶰᔒʷˑ áŽŸËĄá”ƒá¶°á”á”—á”’á¶° á”—Êłá¶€á”‰á”ˆ á”—á”’ ᔍᔉᔗ ᔗʰᔉ Ê·á”ƒá”—á”‰ÊłË‘ "áŽ°Êłá¶€á¶°á”Ë€" ËąÊ°á”‰ Ê°á”‰ËĄá”–á”‰á”ˆ ʰᶀᔐ ᔃᔍᔃᶀᶰˑ ᎏ˹ ʰᔉ á¶ á¶€á¶°á¶€ËąÊ°á”‰á”ˆË’ áŽ·á”ƒÊłá”‰á¶° ᶰᔒᔗᶀᶜᔉᔈ ᔗʰᔉ ËĄá”ƒá¶œá” ᔒᶠ á”‰á¶°á”‰Êłá”Êž ᔃᶰᔈ á¶€á¶°á”ƒá”‡á¶€ËĄá¶€á”—Êž á”—á”’ á¶€á¶°á”—á”‰Êłá”ƒá¶œá”—; ËąÊ°á”‰ ˥ᔉᔗ ʰᶀᔐ ᔗᔃᔏᔉ ᔃ ᶰᔃᔖ ᶰᔒʷ˒ Ëąá”‰á”‰á¶€á¶°á” Ê°á”’Ê· ᔐᔘᶜʰ Êłá”‰á¶œá”˜á”–á”‰Êłá”ƒá”—á¶€á¶°á” ᶰᔉᔉᔈᔉᔈˑ ᔂʰᔉᶰ Ê°á”‰Êł Ê°á”˜Ëąá”‡á”ƒá¶°á”ˆ ᶰᔉˣᔗ ʷᔒᔏᔉ ᔘᔖ ᔃᔍᔃᶀᶰ˒ ËąÊ°á”‰ ᔐᔃᔈᔉ Ëąá”˜Êłá”‰ á”—á”’ ᶜʰᔉᶜᔏ Ê°á”’Ê· ʰᔉ ᶠᔉ˥ᔗˑ ˹ᔗᶀ˥˥ á”ƒá¶ Êłá”ƒá¶€á”ˆ ᔒᶠ á”ƒá”á¶°á”‰Ëąá¶€á”ƒË’ ËąÊ°á”‰ á¶ á¶€ÊłËąá”— ʷᔃᶰᔗᔉᔈ á”—á”’ Ê°á”‰ËĄá”– ᔃᶰʞ ᔖᔃᶀᶰˑ ËąÊ°á”‰ Ê°á”‰ËĄá”ˆ ᔒᔘᔗ ᔃᶰ ᶀᶜᔉ ᔖᔃᶜᔏ ᔃᶰᔈ ʰᔉᔃᔗᶀᶰᔍ á¶œá”’á”á”–Êłá”‰ËąËąË’ ËĄá”‰á”—á”—á¶€á¶°á” ʰᶀᔐ ᶠᔉᔉ˥ ᔗʰᔉᔐ ʷᶀᔗʰ Ê°á¶€Ëą Ê°á”ƒá¶°á”ˆËą á”‡á”‰á¶ á”’Êłá”‰ ËĄá”‰á”—á”—á¶€á¶°á” ᔖᔘᔗ ᔒᶰ Ê°á¶€Ëą ʰᔉᔃᔈˑ ᔂʰᔉᶰᶜᔉ ᔗʰᔉʞ ᔃᔈÊČá”˜Ëąá”—á”‰á”ˆ á”—á”’ Êłá”’á”’á” á”—á”‰á”á”–á”‰Êłá”ƒá”—á”˜Êłá”‰Ë’ ËąÊ°á”‰ ᔖᔘᔗ ᔗʰᔉᔐ ᔃʷᔃʞˑ áŽ·á”ƒÊłá”‰á¶° ᔗʰᔉᶰ ᔍᔃᔛᔉ áŽŸËĄá”ƒá¶°á”á”—á”’á¶° ᔃ Ê·Êłá¶€á”—á¶€á¶°á” á”˜á”—á”‰á¶°Ëąá¶€ËĄ ᔃᶰᔈ á”‡á”’á”ƒÊłá”ˆ á”—á”’ á”ˆÊłá”ƒÊ· ᔒᶰ˒ á”—á”’ ᔐᔃᔏᔉ ᶀᔗ á”‰á”ƒËąá¶€á”‰Êł á¶ á”’Êł ʰᶀᔐ á”—á”’ ᶜᔒᔐᔐᔘᶰᶀᶜᔃᔗᔉ ʷᶀᔗʰ Ê°á”‰ÊłË‘ á¶ á¶€ÊłËąá”— ËąÊ°á”‰ á”˜Ëąá”‰á”ˆ á”—á”’ ËąÊ°á”’Ê· ʰᶀᔐ Ê°á”’Ê· á”—á”’ á”˜Ëąá”‰ ᔗʰᔉᔐ˒ ᔇʞ á”ˆÊłá”ƒÊ·á¶€á¶°á” Ê°á”‰ÊłËąá”‰ËĄá¶  ᔃᶰᔈ Ê·Êłá¶€á”—á¶€á¶°á” Ê°á”‰Êł ᶰᔃᔐᔉˑ ᔀʰᔉᶰ ËąÊ°á”‰ á”ˆÊłá”‰Ê· Ê·á”ƒá”—á”‰Êł ᔃᶰᔈ ËĄá”ƒá”‡á”‰ËĄËĄá”‰á”ˆË‘ áŽŹá¶ á”—á”‰Êł á”‰Êłá”ƒËąá¶€á¶°á”Ë’ ËąÊ°á”‰ ᔍᔃᔛᔉ á”—á”’ áŽŸËĄá”ƒá¶°á”á”—á”’á¶°Ë‘ "Ꮀᔒ ʞᔒᔘ Êłá”‰á”á”‰á”á”‡á”‰Êł ᔐᔉˀ ᎔'ᔐ áŽ·á”ƒÊłá”‰á¶°Ë‘ ᑊᔃᶰ ʞᔒᔘ ᔗᔉ˥˥ ᔐᔉ Ê·Ê°á”’ ʞᔒᔘ á”ƒÊłá”‰Ë€" ËąÊ°á”‰ Ëąá¶€á”Ê°á”‰á”ˆ ᶀᶰ Êłá”‰ËĄá¶€á”‰á¶  ᔃ˹ ËąÊ°á”‰ Ëąá”ƒÊ· ʰᶀᔐ Ê·Êłá¶€á”—á”‰ Ê°á¶€Ëą ᶰᔃᔐᔉˑ "ËąÊ°á”’Ê· ᔐᔉ Ê°á”’Ê· ᔐᔘᶜʰ ᶜᔃᶰ ʞᔒᔘ Êłá”‰á”á”‰á”á”‡á”‰ÊłË‘Ë‘Ë‘" áŽŸËĄá”ƒá¶°á”á”—á”’á¶° á”ˆÊłá”‰Ê· Ê°á”‰Êł ᔍᶀᔛᶀᶰᔍ ʰᶀᔐ Ê·á”ƒá”—á”‰Êł ᔃ˹ Ê·á”‰ËĄËĄ ᔃ˹ ᔗʰᔉ á¶œá”’á”’ËĄá¶€á¶°á” ᔖᔃᶜᔏ ᔃᶰᔈ ʰᔉᔃᔗᶀᶰᔍ ᔖᔃᔈˑ "ᔂʰᔃᔗ ᔉ˥˹ᔉ ᶜᔃᶰ ʞᔒᔘ á”ˆÊłá”ƒÊ·Ë€" ᎎᔉ á”ˆÊłá”‰Ê· ᔗʰᔉ á¶œá”ƒÊłá”ˆ ᔃᶰᔈ ᔉᔛᔉᶰ ᔗʰᔉ á”á”‰ËąËąá”ƒá”á”‰ ᶀᶰ ᶀᔗᔎ "áŽșá”’Ê· á”ˆÊłá”ƒÊ· ʷʰᔃᔗ á¶œá”’á”á”‰Ëą ᶀᶰ á”—á”’ Êžá”’á”˜Êł ᔐᶀᶰᔈ ᔃ˹ ᎔ Ëąá”ƒÊž ᔉᔃᶜʰ ʷʰᔉᶰ ᎔ á”—á”ƒËĄá”Ë‘ áŽșá”’Ê· ᶀᶠ ʞᔒᔘ ᶜᔃᶰ˒ á”ˆÊłá”ƒÊ· ᔃ á”–á”‰ÊłËąá”’á¶° ʞᔒᔘ'ᔈ á¶œá”’á¶°Ëąá¶€á”ˆá”‰Êł ᔃ á¶ Êłá¶€á”‰á¶°á”ˆË‘Ë‘" "ᔞᔒᔘˑˑˑ" "᎔ ᔐᔉᔃᶰᔗ ˹ᔒᔐᔉ á”’á”—Ê°á”‰Êł á”–á”‰ÊłËąá”’á¶°Ë‘Ë‘Ë‘" áŽŸËĄá”ƒá¶°á”á”—á”’á¶° á”ˆÊłá”‰Ê· áŽ·Êłá”ƒá”‡Ëą ᔃᶰᔈ Ëąá”–á”’á¶°á”á”‰á”‡á”’á”‡Ë‘ áŽ·á”ƒÊłá”‰á¶° ᶰᔒᔗᶀᶠᶀᔉᔈ áŽčÊłË‘ áŽ·Êłá”ƒá”‡Ëą á”—á”‰ËĄËĄá¶€á¶°á” ʰᶀᔐ á”—á”’ ᶜᔒᔐᔉ á”—á”’ ᔗʰᔉ ᶜʰᔘᔐ ᔇᔘᶜᔏᔉᔗˑ "áŽ·á”ƒÊłá”‰á¶°Ë’ ʷʰᔃᔗˑˑˑ" "᎔ á”ƒËąá”á”‰á”ˆ ʰᶀᔐ á”—á”’ ˹ᔉᔉ Ê°á¶€Ëą á”á”‰á”á”’ÊłÊžË’ á”—á”’ á”ˆÊłá”ƒÊ· ᔃ á¶ Êłá¶€á”‰á¶°á”ˆË‘Ë‘" áŽčÊłË‘ áŽ·Êłá”ƒá”‡Ëą Ëąá”ƒÊ· ᔗʰᔉ á”ˆÊłá”ƒÊ·á¶€á¶°á”Ë‘ áŽŸËĄá”ƒá¶°á”á”—á”’á¶° ËĄá”’á”’á”á”‰á”ˆ ᔘᔖ Ëąá”‰á”‰á¶€á¶°á” ʰᶀᔐˑ "ᎎᔉʞ˒ áŽŸËĄá”ƒá¶°á”á”—á”’á¶°á”Ž" ᎎᔉ Êłá”‰Ëąá”—á”‰á”ˆ ᔃ á¶œËĄá”ƒÊ· ᔒᶰ ᔗʰᔉ ᔇᔉᔈ á¶°á”‰á”ƒÊł áŽŸËĄá”ƒá¶°á”á”—á”’á¶°'Ëą ʰᔃᶰᔈˑ "Ꮁᔘᔍᔉᶰᔉ áŽ·Êłá”ƒá”‡ËąË‘Ë‘" "Ëąá”’ ᔗᔉ˥˥ ᔐᔉ ʷʰᔃᔗ'Ëą ᔍᔒᶀᶰᔍ ᔒᶰˑ Ꮀᔒ ʞᔒᔘ ᔏᶰᔒʷ ʷʰᔃᔗ ʰᔃᔖᔖᔉᶰᔉᔈ á”—á”’ ʞᔒᔘ á”—á”’ ᔍᔉᔗ Ê°á”˜Êłá”—Ë€" "᎔ ᔗʰᶀᶰᔏ˒ ᎔ Ê·á”ƒËą á”’á”›á”‰Êł ᶀᶰ ᔃᶰ á”’á”—Ê°á”‰Êł Êłá”’á”’á”Ë‘Ë‘Ë‘" "áŽŸËĄá”ƒá¶°á”á”—á”’á¶° ᶜᔃᶰ ʞᔒᔘ ᔗᔉ˥˥ ᔐᔉ ʷʰᔃᔗ ʞᔒᔘ'Êłá”‰ ᔈᔒᶀᶰᔍ; Ê°á”’Ê· ʞᔒᔘ ᔍᔒᔗ Êžá”’á”˜Êł ʰᔉᔃᔈ á”—á”’ Ê°á”˜Êłá”—Ë€" "᎔˒ á¶ á”ƒËĄËĄá¶€á¶°á”Ë‘Ë‘Ë‘ ᎔ ᔈᔒᶰ'á”— ᔏᶰᔒʷ ᎔˒ ᎔'ᔐ Ëąá”’ÊłÊłÊžË‘Ë‘Ë‘" "áŽŸËĄá”ƒá¶°á”á”—á”’á¶° ʞᔒᔘ'Êłá”‰ ᔃ˥˥ ᔍᔒᔒᔈ; ÊČá”˜Ëąá”— á¶œá”˜Êłá¶€á”’á”˜ËąË‘Ë‘" áŽčÊłË‘ áŽ·Êłá”ƒá”‡Ëą á”—á”’ËĄá”ˆ ʰᶀᔐˑ "ᔂʰᔃᔗ ᶜᔃᶰ ʞᔒᔘ ᔗᔉ˥˥ ᔐᔉ ᔃᔇᔒᔘᔗ áŽ·Êłá”ƒá”‡ËąË€" áŽ·á”ƒÊłá”‰á¶° á”ƒËąá”á”‰á”ˆË‘ "᎔ ᔗʰᶀᶰᔏ ʷᔉ ᔐᔃᔈᔉ á”‡á”˜Êłá”á”‰ÊłËąË’ ᔃᶰᔈ ʰᔉ ᔗᔃᔘᔍʰᔗ Ëąá”–á”’á¶°á”á”‰á”‡á”’á”‡ á”—á”’ á”Êłá¶€ËĄËĄË‘" "ᔂʰᔃᔗ á”‡á”˜Êłá”á”‰ÊłËąË€ Ꮀᔒ ʞᔒᔘ Êłá”‰á”á”‰á”á”‡á”‰Êł á”’Êł ᶜᔃᶰ ʞᔒᔘ ᔗᔉ˥˥ ᔐᔉ ᔃᔇᔒᔘᔗˀ" áŽ·á”ƒÊłá”‰á¶° á”ƒËąá”á”‰á”ˆË‘ "Ëąá”–á”’á¶°á”á”‰á”‡á”’á”‡'Ëą á¶ ÊłÊž ᶜᔒᔒᔏ ᔇᔘᔗ ᎔ ᔈᔒᶰ'á”— Êłá”‰á¶œá”ƒËĄËĄ Ê·á”’Êłá”á¶€á¶°á” ʷᶀᔗʰ ʰᶀᔐˑ áŽ·Êłá”ƒá”‡Ëą ʷᔉᶰᔗ á”—á”’ Ëąá¶œÊ°á”’á”’ËĄ ʷᶀᔗʰ ᔐᔉ˒ ʰᔉ ËĄá¶€á”á”‰Ëą ᔐᔒᶰᔉʞ ᔃᶰᔈ ʰᔉ Ëąá”—á”’á”–Ëą á”á”‰á”ƒá¶°á¶€á”‰Ëą Ê·Ê°á”’ ʷᔃᶰᶰᔃ Ê°á”˜Êłá”—Ë‘Ë‘Ë‘" áŽŸËĄá”ƒá¶°á”á”—á”’á¶° á”—Êłá”ƒá¶€ËĄá”‰á”ˆ ᔒᶠᶠ˒ Ëąá”‰á”‰á¶€á¶°á” áŽčÊłË‘ áŽ·Êłá”ƒá”‡Ëą Ëąá”—á”ƒÊłá”— á”—á”’ á¶œÊłÊžË‘ "ᔂʰʞ á”ƒÊłá”‰ ʞᔒᔘ á¶œÊłÊžá¶€á¶°á”Ë€ ᔞᔒᔘ'Êłá”‰ ᔐʞ ᔇᔉ˹ᔗ á¶ Êłá¶€á”‰á¶°á”ˆá”Ž ᎔'ᔐ Ëąá”’ÊłÊłÊž ᎔ ᔍᔒᔗ Ê°á”˜Êłá”— ᔃᶰᔈ ᶀᶠ ᎔'ᔐ á¶ á”’Êłá”á”‰á”—á”—á¶€á¶°á” ˹ᔒᔐᔉˑˑˑ" "᎔ ᶠᔉᔉ˥ ᔇᔃᔈᔎ" áŽčÊłË‘ áŽ·Êłá”ƒá”‡Ëą á”—á”’ËĄá”ˆ áŽ·á”ƒÊłá”‰á¶°Ë‘ "áŽŸËĄá”ƒá¶°á”á”—á”’á¶° á”ˆá”’á”‰Ëą ᔗʰᔉ á”Êłá”˜Ëąá”—Êž á”Êłá”ƒá”‡ á”’Êł ᔗʰᔉ ᶜʰᔘᔐ ᔇᔘᶜᔏᔉᔗ Ëąá”’á”˜á¶°á”ˆË‘Ë‘Ë‘" "᎔ ᔈᔒᶰ'á”— ᔏᶰᔒʷˑˑˑ" áŽŸËĄá”ƒá¶°á”á”—á”’á¶° á¶œÊłá¶€á”‰á”ˆË‘ "Ꮀᔒ ʞᔒᔘ ᔏᶰᔒʷ Ê·Ê°á”’ Ê·á”’Êłá”Ëą ʷᶀᔗʰ Ëąá”–á”’á¶°á”á”‰á”‡á”’á”‡Ë€" "᎔ ᔈᔒᶰ'á”— Êłá”‰á”á”‰á”á”‡á”‰Êł Ê·á”’Êłá”á¶€á¶°á” ʷᶀᔗʰ ʰᶀᔐ ᔇᔘᔗ ʰᔉ'Ëą ËĄá”’á”’á”á¶€á¶°á” ᔒᔘᔗ á¶ á”’Êł ᔐᔉ˒ ËĄá¶€á”á”‰ áŽ·Êłá”ƒá”‡ËąË‘Ë‘" "᎔'ËĄËĄ ˥ᔉᔗ ʞᔒᔘ Êłá”‰Ëąá”— ᶰᔒʷˑ" áŽ·á”ƒÊłá”‰á¶° ᔃᶰᔈ áŽčÊłË‘ áŽ·Êłá”ƒá”‡Ëą Ëąá”—á”‰á”–á”–á”‰á”ˆ ᔃʷᔃʞˑ "ᎎᔉ Êłá”‰á”á”‰á”á”‡á”‰ÊłËą Ëąá”–á”’á¶°á”á”‰á”‡á”’á”‡ ᔇᔘᔗ ᶰᔒᔗʰᶀᶰᔍ ᔃᔇᔒᔘᔗ á¶€á¶°á”Êłá”‰á”ˆá¶€á”‰á¶°á”—ËąË‘Ë‘Ë‘" "áŽŸËĄá”ƒá¶°á”á”—á”’á¶°'Ëą ˹ᔗᶀ˥˥ ᶰᔒᔗ á¶œá”’á”á”–ËĄá”‰á”—á”‰ËĄÊž á”‡á”‰á”—á”—á”‰Êł ʞᔉᔗ˒ ᔃ˹ ʰᔉ'Ëą ˹ᔗᶀ˥˥ á¶œá”’á¶°á¶ á”˜Ëąá”‰á”ˆË‘ ᔂᔉ'ËĄËĄ ᔏᶰᔒʷ ᶀᶠ á”ƒá”á¶°á”‰Ëąá¶€á”ƒ Êłá”‰á”á”ƒá¶€á¶°Ëą á”–á”‰Êłá”á”ƒá¶°á”‰á¶°á”— ʷʰᔉᶰᶜᔉ ᶰᔒ á”á”’Êłá”‰ ËąÊ·á”‰ËĄËĄá¶€á¶°á”Ë’ ᔇᔘᔗ ʰᔉ'Ëą ˹ᔗᶀ˥˥ á”‰ËŁá”–á”‰Êłá¶€á”‰á¶°á¶œá¶€á¶°á” ËąÊ·á”‰ËĄËĄá¶€á¶°á” ᔃᶰᔈ ʰᔉ ÊČá”˜Ëąá”— ᔃʷᔒᔏᔉ ᔗᔒᔈᔃʞˑ ᎔'ᔈ Ëąá”ƒÊž ʷᔃᶀᔗ ᶀᔗ ᔒᔘᔗ á”‡á”‰á¶ á”’Êłá”‰ á”—á”‰ËĄËĄá¶€á¶°á” ʰᶀᔐ Êžá”’á”˜Êł Êłá¶€á”›á”ƒËĄÊłÊžË’ ᔃ˹ ʰᔉ'Ëą á”’á”›á”‰ÊłÊ·Ê°á”‰ËĄá”á”‰á”ˆ ᔃ˹ ᶀᔗ ᶀ˹ áŽ·Êłá”ƒá”‡ËąË‘" áŽŹá¶ á”—á”‰Êł ᔗʰᔉ ʷᔉᔉᔏᔉᶰᔈ˒ ʰᔉ ʷᔒᔏᔉ ʷᶀᔗʰ ᶰᔒ á”á”’Êłá”‰ ËąÊ·á”‰ËĄËĄá¶€á¶°á” ᔃᶰᔈ Ê°á”‰á”ƒËĄá”‰á”ˆ á”‡Êłá”˜á¶€Ëąá”‰ËąË‘ â±œá”ƒá”á”˜á”‰ËĄÊž Êłá”‰á¶œá”ƒËĄËĄá¶€á¶°á” ᔗʰᔉ ᔃᶜᶜᶀᔈᔉᶰᔗ ᔃᶰᔈ áŽ·á”ƒÊłá”‰á¶°'Ëą Ê°á”‰ËĄá”–Ë’ áŽŸËĄá”ƒá¶°á”á”—á”’á¶° ᔍᔒᔗ ᔒᔘᔗ ᔒᶠ ᔇᔉᔈˑ "ᔂʰᔉᶰˑˑˑ" áŽ·á”ƒÊłá”‰á¶° Ê°á”‰á”ƒÊłá”ˆ Ê°á”‰Êł Ê°á”˜Ëąá”‡á”ƒá¶°á”ˆË‘ "ᔂʰᔃᔗˀ" "᎔ˑˑˑ" áŽŸËĄá”ƒá¶°á”á”—á”’á¶° Ëąá”ƒÊ· ᔗʰᔉ á¶œá”ƒÊłá”ˆ á¶ Êłá”’á” Ëąá” á”˜á¶€á”ˆÊ·á”ƒÊłá”ˆË‘ "ᎎᔃᔛᔉ ᎔ ˹ᔉᔉᶰ ᔗʰᔉ á¶œá”ƒÊłá”ˆ á”‡á”‰á¶ á”’Êłá”‰Ë€" ᎎᔉ ᔗʰᔉᶰ Ëąá”ƒÊ· ᔗʰᔉ á”‡á”’á”ƒÊłá”ˆË‘ "᎔ ᶠᔉᔉ˥ ËĄá¶€á”á”‰ ᎔ á”˜Ëąá”‰á”ˆ ᔗʰᔉ á”‡á”’á”ƒÊłá”ˆ ᔇᔘᔗ ᎔ ᔈᔒᶰ'á”— Ëąá”–á”‰á¶œá¶€á¶ á¶€á¶œá”ƒËĄËĄÊžË‘Ë‘Ë‘" "ËąÊ°á”‰ËĄá”ˆá”’á¶°Ë’ ᎔ˑˑˑ" "᎔ Êłá”‰á¶œá”ƒËĄËĄ ᔐᔃᔏᶀᶰᔍ ᔃᶰ á”ƒá”–á”–á”ƒÊłá”ƒá”—á”˜Ëą ᔃᶰᔈ ᔗʰᔉᶰ ʞᔒᔘ Ê°á”‰ËĄá”–á¶€á¶°á” ᔐᔉ˒ ᔇᔘᔗ ᶰᔒᔗʰᶀᶰᔍ ᔉ˥˹ᔉ ᔃᔗ á”ƒËĄËĄË‘Ë‘" "᎔ ᔈᶀᔈ Ê°á”‰ËĄá”– ʞᔒᔘˑ Ꮀᔒ ʞᔒᔘ Êłá”‰á”á”‰á”á”‡á”‰Êł Ê·Ê°á”’'Ëą Êžá”’á”˜Êł á¶ Êłá¶€á”‰á¶°á”ˆË€" "ᔂʰᔃᔗ; á¶ Êłá¶€á”‰á¶°á”ˆË€" "ᔞᔉ˹ Êžá”’á”˜Êł á¶ Êłá¶€á”‰á¶°á”ˆËąá”Ž" áŽŸËĄá”ƒá¶°á”á”—á”’á¶° ËĄá”’á”’á”á”‰á”ˆ Ëąá”˜Êłá”–Êłá¶€Ëąá”‰á”ˆË‘ "ᔞᔒᔘ ᔍᔃᔛᔉ ʰᶀᔐ ᔃ ʰᔘᔍˑˑ" "᎔'ᔐ ᶰᔒᔗ ᔃ Ê°á”˜á”á”á”‰ÊłË’ ʷᔃᶀᔗ Ê·Ê°á”’Ë‘Ë‘Ë‘" "Ꮁᔘᔍᔉᶰᔉ áŽ·Êłá”ƒá”‡ËąË‘Ë‘" áŽŸËĄá”ƒá¶°á”á”—á”’á¶° ᔈᶀᔈᶰ'á”— Ëąá”–á”‰á”ƒá” ᔒᔘᔗ ᔒᶠ á”ˆá¶€Ëąá”á”˜Ëąá”—á”‰á”ˆ ËąÊ°á”’á¶œá”Ë‘ "áŽ±ËŁá¶œá”˜Ëąá”‰ ᔐᔉˀ ᔂʰᔃᔗᔎ" áŽŸËĄá”ƒá¶°á”á”—á”’á¶° Êłá”ƒá¶° á”—á”’ ᔗʰᔉ á”Êłá”˜Ëąá”—Êž á”Êłá”ƒá”‡Ë’ ʷʰᶀᶜʰ ᶰᔒʷ ᔒᔖᔉᶰᔉᔈ ᔇᔃᶜᔏ ᔘᔖ ᔃᔍᔃᶀᶰˑ "Ꮁᔘᔍᔉᶰᔉ áŽ·Êłá”ƒá”‡ËąË‘Ë‘" áŽŸËĄá”ƒá¶°á”á”—á”’á¶° Êžá”‰ËĄËĄá”‰á”ˆË’ Ëąá”‰á”‰á¶€á¶°á” ʰᶀᔐ ᶰᔒʷˑ "ᎎᶀ˒ á”–á”ƒËĄá”Ž" "᎔'ᔐ ᶰᔒᔗ Ëąá”˜Êłá”‰ ᎔ ʷᔃᶰᶰᔃ ᔏᶰᔒʷ ʷʰᔃᔗ ʷᔉᶰᔗ ᔒᶰ Ê·Ê°á¶€ËĄËąá”— ᎔ ᔍᔒᔗ Ê°á”˜Êłá”— ᔇᔘᔗ Ê·Ê°á”‰á”—Ê°á”‰Êł á”’Êł ᶰᔒᔗ ËąÊ°á”‰'Ëą Êłá¶€á”Ê°á”— ʷʰᔉᶰ Ëąá”ƒÊžá¶€á¶°á” ʷᔉ ʰᔘᔍᔍᔉᔈ˒ ʷᔉ'Êłá”‰ ᶰᔒᔗ á”–á”ƒËĄËąá”Ž ᎔ᶠ ʷᔉ ᔈᶀᔈˑˑˑ" "áŽŸËĄá”ƒá¶°á”á”—á”’á¶° ᎔'ᔛᔉ ᔇᔉᔉᶰ Ê·á”’ÊłÊłÊžá¶€á¶°á” ᔃᔇᔒᔘᔗ ʞᔒᔘ ᔃᶰᔈ ᎔'ᔐ á”ËĄá”ƒá”ˆ á”—á”’ ˹ᔉᔉ ʞᔒᔘ'Êłá”‰ ᔇᔃᶜᔏ á”—á”’ Êžá”’á”˜Êł á¶°á”’Êłá”á”ƒËĄ ˹ᔉ˥ᶠˑ ᎞ᔉᔗ'Ëą á¶ á”’Êłá”á”‰á”— ᔗʰᔉ ᔇᔒᶰᔈᶀᶰᔍ ʰᔃᔖᔖᔉᶰᔉᔈ˒ ᶀᶠ ʞᔒᔘ á”–Êłá”’á”á¶€Ëąá”‰ á”—á”’ ᔗᔃᔏᔉ ᶀᔗ á”‰á”ƒËąÊžË‘ ᎔ ᔐᔉᔃᶰ˒ ᎔'ᔐ ᶰᔒᔗ ᔍᔒᶰᶰᔃ ᔉᶰÊČá”’Êž á”‰á¶°á”ˆá”ƒá¶°á”á”‰Êłá¶€á¶°á” ʞᔒᔘ ᶀᶠ ʞᔒᔘ'Êłá”‰ á”‡á”ƒÊłá”‰ËĄÊž á”ƒá”‡ËĄá”‰ á”—á”’ ᶠᶀᔍʰᔗᔎ ᎔ ᔐᔉᔃᶰ˒ Ê·Ê°á”‰Êłá”‰'Ëą ᔗʰᔉ ᶠᔘᶰˀ" "ᔂᔉ˥˥ á”—Ê°á”ƒá¶°á”ËąË’ ᎔ á”á”˜á”‰ËąËąË‘Ë‘" "᎔ ᶠᔉᔉ˥ á”á”˜á”—á”˜á”ƒËĄËĄÊž ᶰᔒʷ ᔍᔉᔗ ᔒᔘᔗ ᔒᶠ ᔐᔉ Êłá”‰Ëąá”—á”ƒá”˜Êłá”ƒá¶°á”—á”Ž" "᎔'ËĄËĄ ᔇᔉ ᔇᔃᶜᔏ á”‰á”›á”‰á¶°á”—á”˜á”ƒËĄËĄÊžá”Žá”Ž" Ꮁᶰᔈ á¶ á¶€á¶°á”ƒËĄá”‰
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áŽŸá”ƒÊłá”— ᔀʷᔒ á”†á”–á”‰âżá”ˆâ±âżá” ᔗʰᔉ Ꮀᔃʞ âœá”†á”–á”’âżá”á”‰áŽźá”’á”‡ á¶ á”ƒâżá¶ â±á¶œâŸ "᎔ á”ˆá”’âż'á”— á”âżá”’Ê· ⁱᶠ ᎔ á¶œá”ƒâż ᔈᔒ ⁱᔗ‧‧" á”†á”–á”’âżá”á”‰á”‡á”’á”‡ Ëąá”ƒÊžËą á”—á”’ Ê°â±á”Ëąá”‰ËĄá¶  ᔃ˹ ʰᔉ á”—Ê°á”‰âż âżá”’á”—â±á¶œá”‰á”ˆ áŽŸËĄá”ƒâżá”á”—á”’âżâ€§ '᎔ ᔍᔒᔗ á”—á”’ ʰⁱᔈᔉ!' á”†á”–á”’âżá”á”‰á”‡á”’á”‡ ʰⁱᔈ ᔃ˹ ʰᔉ ʷᔃᔗᶜʰᔉᔈ ʰⁱᔐ‧ áŽŸËĄá”ƒâżá”á”—á”’âż ᶠᔉ˥ᔗ ʰᔃᔖᔖʞ ᔃⁿᔈ ËĄá”’á”’á”á”‰á”ˆ Ëąá”’ á”ËĄá”ƒá”ˆâ€§ á”†á”–á”’âżá”á”‰á”‡á”’á”‡ á”âżá”‰Ê· áŽčÊłâ€§ áŽ·Êłá”ƒá”‡Ëą ᔐⁱᔍʰᔗ ᔍᔉᔗ Ëąá”˜Ëąá”–â±á¶œâ±á”’á”˜Ëą ᔗʰᔉ ËĄá”’âżá”á”‰Êł ʰᔉ'Ëą ᔒᔘᔗ ᔇᔘᔗ ʰᔉ ᔈⁱᔈⁿ'á”— Ê·á”ƒâżá”— á”—á”’ ᔍᔉᔗ ᶜᔃᔘᔍʰᔗ á”—á”’! ᎎᔉ Ëąá”ƒÊ· áŽŸËĄá”ƒâżá”á”—á”’âż'Ëą Êłá”‰á”ƒËĄ Ê°á”ƒá”–á”–â±âżá”‰ËąËą á¶ á”’Êł ᔗʰᔉ á¶ â±ÊłËąá”— ᔗⁱᔐᔉ➎ ᔃⁿᔈ ⁿᔒᔗ ÊČá”˜Ëąá”— á”–á”˜á”—á”—â±âżá” ᔘᔖ ˹ᔒᔐᔉ á¶ Êłá”’âżá”—â€§ á”€Ê°â±âżá”â±âżá” ᔒᶠ Ê°â±Ëą á”’Ê·âż ÊČᔒᔇ âżá”’Ê· á”†á”–á”’âżá”á”‰á”‡á”’á”‡ á¶œÊłâ±á”‰á”ˆâ€§ áŽŸËĄá”ƒâżá”á”—á”’âż Ê°á”‰á”ƒÊłá”ˆ Ê°â±Ëą Ê·Ê°â±á”á”–á”‰ÊłËą ᔃⁿᔈ á¶ á”’á”˜âżá”ˆ ʰⁱᔐ‧ áŽźá”˜á”— ʰᔉ ʰⁱᔈ ᔗʰᔉ á”‰á”›â±á”ˆá”‰âżá¶œá”‰ á”‡á”‰á¶ á”’Êłá”‰ áŽŸËĄá”ƒâżá”á”—á”’âż Ê·á”‰âżá”— ᔘᔖ á”—á”’ ʰⁱᔐ‧ "á”†á”–á”’âżá”á”‰á”‡á”’á”‡ Ê·â»Ê·Ê°á”ƒá”—â€™Ëą ᔍᔒᔗ ʞᔒᔘ á”˜á”–Ëąá”‰á”—?" ᎎᔉ ᔖⁱᶜᔏᔉᔈ ᔘᔖ Ëąá”–á”’âżá”á”‰á”‡á”’á”‡'Ëą Ê°á”ƒâżá”ˆ ᔃⁿᔈ á”‰á”á”‡Êłá”ƒá¶œá”‰á”ˆ ⁱᔗ‧ ᎏⁿᔈ âżá”’Ê· ʰᔉ Ëąá”ƒÊ· áŽŸËĄá”ƒâżá”á”—á”’âż'Ëą á”ƒá¶œá”—á”˜á”ƒËĄËĄÊž á¶œá”’âżá¶œá”‰Êłâżá”‰á”ˆâžŽ ᔉᔛᔉⁿ ᔗʰᔒᔘᔍʰ ʰᔉ ᔈⁱᔈⁿ'á”— á”âżá”’Ê· ᔃᔇᔒᔘᔗ Ê·Ê°Êž Ëąá”–á”’âżá”á”‰á”‡á”’á”‡'Ëą ᔒᔘᔗ ⁱⁿ ÊČá”‰ËĄËĄÊž á¶ â±ËąÊ° á¶ â±á”‰ËĄá”ˆËąâ€§ ᔆᔒ âżá”’Ê· ʰᔉ á¶œÊłâ±á”‰á”ˆ ᔉᔛᔉⁿ á”á”’Êłá”‰ Ê°á”ƒÊłá”ˆâ€§ "Ꮇⁱᔈ ᎔ ᔃᔐ Ëąá”’ÊłÊłÊž ⁱᶠ ᎔ á”’á¶ á¶ á”‰âżá”ˆá”‰á”ˆ ʞᔒᔘ➎ ⁱᶠ ᎔‧‧‧" "ʞᔒᔘ'ᔛᔉ á”ˆá”’âżá”‰ ⁿᔒ Ê·Êłá”’âżá”âžŽ áŽŸËĄá”ƒâżá”á”—á”’âżâ€§" ᎎᔉ ᔖᔃᔗᔗᔉᔈ Ê°â±Ëą Ê°á”ƒâżá”ˆâ€§ "áŽ·á”ƒÊłá”‰âż á”—á”’ËĄá”ˆ ᔐᔉ ʞᔒᔘ'ᔛᔉ Ê·á”’Êłá” ᔗᔒᔈᔃʞ‧‧" "᎔⁻᎔'ᔐ ᔒⁿ á”‡Êłá”‰á”ƒá”; ᔇᔒ˹˹ᔉ˹ á”’Êłá”ˆá”‰ÊłËąâ€§â€§" á”†á”–á”’âżá”á”‰á”‡á”’á”‡ á¶ á”’Êłá¶œá”‰á”ˆ ᔃ á¶œÊ°á”˜á¶œá”ËĄá”‰â€§ "ᔂᔉ˥˥ ᎔'ᔐ á”˜âżËąá”˜Êłá”‰ ⁱᶠ ᎔ á”—Ê°á”ƒâżá”á”‰á”ˆ ʞᔒᔘ➎ Ëąá”’ á”—Ê°á”ƒâżá”Ëąâ€§ ᎔'ᔈ á”ƒËąá” ⁱᶠ ʞᔒᔘ'ᔈ Ê·á”ƒâżâżá”ƒ á”—á”ƒËĄá” á”—á”’á”á”‰á”—Ê°á”‰ÊłâžŽ ᔇᔘᔗ ᎔ á”ˆá”’âż'á”— Ê·á”ƒâżâżá”ƒ ËĄâ±âżá”á”‰Êł ⁱᶠ âżá”‰á”‰á”ˆâ±âżá” Ëąá”–á”ƒá¶œá”‰ á”ƒËĄá”’âżá”‰â€§ ᎔ á”ˆá”’âż'á”— á”âżá”’Ê· Ê°á”’Ê· ËĄá”’âżá” Êžá”’á”˜Êł á”‡Êłá”‰á”ƒá”Ëą ËĄá”ƒËąá”—â±âżá”âžŽ ᎔ á”ˆá”’âż'á”— Ê·á”ƒâżâżá”ƒ ᔍᔉᔗ ʞᔒᔘ ⁱⁿ á”—Êłá”’á”˜á”‡ËĄá”‰â€§ áŽźÊžá”‰!" áŽŸËĄá”ƒâżá”á”—á”’âż Êłá”ƒâż ᔒᶠᶠ á”—á”’ á¶œá”’âżá”—â±âżá”˜á”‰ ʷⁱᔗʰ ÊČá”‰ËĄËĄÊžá¶ â±ËąÊ°â€§ á”†á”–á”’âżá”á”‰á”‡á”’á”‡ ᔈᔉᶜⁱᔈᔉᔈ á”—á”’ ᔍᔉᔗ Êłâ±á”ˆ ᔒᶠ ᔗʰᔉ Ëąá”˜á”–á”–ËĄâ±á”‰Ëą áŽčÊłâ€§ áŽ·Êłá”ƒá”‡Ëą ᔍᔃᔛᔉ ʰⁱᔐ‧ "ᔂʰʞ á”ƒÊłá”‰ ᔐᔉ á¶œá”˜Ëąá”—á”’á”á”‰ÊłËą ˹ᔗⁱ˥˥ ᔃᔗ ᔗʰᔉ ᶜʰᔘᔐ ᔇᔘᶜᔏᔉᔗ?" "áŽŸá”‰ÊłÊ°á”ƒá”–Ëą á”‡á”‰á¶œá”ƒá”˜Ëąá”‰ ᔗʰᔉʞ á”ƒÊłá”‰â€§â€§â€§" "Ëąá‘«á”˜â±á”ˆÊ·á”ƒÊłá”ˆ ᔗʰᔉʞ á”ƒÊłá”‰ ᔐᔉ á¶œá”˜Ëąá”—á”’á”á”‰ÊłËą!" áŽŹá¶ á”—á”‰Êł ᔗʰᔉʞ ˥ᔉᶠᔗ á¶œËĄá”’Ëąâ±âżá” ᔗⁱᔐᔉ➎ Ëąá”–á”’âżá”á”‰á”‡á”’á”‡ ËĄâ±âżá”á”‰ÊłËą Ê·Ê°á”‰âż ʰᔉ á”–á”ƒËąËąá”‰Ëą ᔗʰᔉ ᶜʰᔘᔐ ᔇᔘᶜᔏᔉᔗ‧ '᎔ Ê·â±ËĄËĄ ᔍᔒ á”–Êłá”’á”á”’á”—á”‰ ᔗʰᔉ á”Êłá”˜Ëąá”—Êž á”Êłá”ƒá”‡ â±âżËąá”—á”‰á”ƒá”ˆ ᔒᶠ á”–á”˜á”—á”—â±âżá”â€§â€§â€§' "á”†á”–á”’âżá”á”‰á”‡á”’á”‡!" áŽŸËĄá”ƒâżá”á”—á”’âż'Ëą ᔛᔒⁱᶜᔉ â±âżá”—á”‰ÊłÊłá”˜á”–á”—á”‰á”ˆ Ëąá”–á”’âżá”á”‰ ᔇᔒᔇ'Ëą á”—Ê°á”’á”˜á”Ê°á”—Ëąâ€§ "ᎎⁱ ᎔ ÊČá”˜Ëąá”— ᔍᔒᔗ ᔒᶠᶠ Ê·á”’Êłá”â€§â€§" "á¶ á”‰á”‰ËĄâ±âżá” á”‡á”‰á”—á”—á”‰Êł? ʞᔒᔘ á¶œá”ƒâż ᶜᔒᔐᔉ ⁱⁿ ⁱᶠ ʞᔒᔘ Ê·á”ƒâżá”—â€§â€§" ᔆᔒ ʰᔉ ᔈⁱᔈ‧ "᎔ ᔃᔈᔈᔉᔈ á”ƒâżá”’á”—Ê°á”‰Êł á”–Êłá”’á”ˆá”˜á¶œá”— á”—á”’ ᔗʰᔉ á”á”‰âżá”˜ á”—Ê°á”ƒâżá”Ëą á”—á”’ ᔗʰᔉ ÊČá”‰ËĄËĄÊž ⁱᶠ ʞᔒᔘ Ê·á”ƒâżâżá”ƒ ˹ᔉᔉ!" áŽŸËĄá”ƒâżá”á”—á”’âż ËąÊ°á”’Ê·Ëą ʰⁱᔐ Ëąá”’á”˜á”– ʷⁱᔗʰ ˹ᔒᔐᔉ ÊČá”‰ËĄËĄÊž ᔃⁿᔈ ᶜʰᔘᔐ ⁱⁿ ⁱᔗ‧ "á”‚á”ƒâżá”— ˹ᔒᔐᔉ?" á”†á”–á”’âżá”á”‰á”‡á”’á”‡ á”—Êłâ±á”‰á”ˆ ⁱᔗ‧ "᎔'ᔛᔉ âżá”‰á”›á”‰Êł á”—á”ƒËąá”—á”‰á”ˆ Ëąá”˜á¶œÊ° ᔐᔒᔘᔗʰ Ê·á”ƒá”—á”‰Êłâ±âżá” Ëąá”’á”˜á”–!" "᎔'ᔐ á”á”’âżâżá”ƒ ᔍᔒ ᔖᔘᔗ ⁱᔗ ᔒⁿ ᔗʰᔉ ʷᔉᔇ ˹ⁱᔗᔉ âżá”’Ê·â€§â€§" áŽŸËĄá”ƒâżá”á”—á”’âż Ê·á”‰âżá”—â€§ áŽ¶á”˜Ëąá”— Ê·Ê°á”‰âż Ëąá”–á”’âżá”á”‰á”‡á”’á”‡ á”‡á”‰á”â±âżËą á”—á”’ ᶠᔉᔉ˥ ˥ᔉ˹˹ ᔒᶠ ᔗʰᔉ á”‡á”˜Êłá”ˆá”‰âżâžŽ ʰᔉ Ê°á”‰á”ƒÊłá”ˆ ᔃ á”á”ƒËąá”–â€§ "ᔂʰᔃ‧‧‧" á”†á”–á”’âżá”á”‰á”‡á”’á”‡ Ëąá”—á”’á”–á”–á”‰á”ˆ ᔃ˹ ʰᔉ Ëąá”ƒÊ· ᔃ˥˥ ᔗʰᔉ á”á”‰ËąËąá”ƒá”á”‰Ëą ᔒⁿ˥ⁱⁿᔉ‧ "áŽŸá”‰ÊłÊ°á”ƒá”–Ëą ᔗʰᔉ Ëąá”’á”˜á”– á¶œá”ƒâż á¶œÊ°á”ƒâżá”á”‰ á”—Ê°á”‰â±Êł ᔐⁱ‧‧‧" "᎔ á”ˆá”’âż'á”— á”˜âżá”ˆá”‰ÊłËąá”—á”ƒâżá”ˆ; ᎔'ᔛᔉ á”á”’Êłá”‰ Êłá”‰á”›â±á”‰Ê·Ëą á”—Ê°á”ƒâż á¶œá”˜Ëąá”—á”’á”á”‰ÊłËąâžŽ Ëąá”’ ᎔ á”ˆá”’âż'á”— á”âżá”’Ê· Ê°á”’Ê· á”’Êł ʷʰᔒᔐ á”–á”’ËąËąâ±á”‡ËĄÊž ᔐⁱᔍʰᔗ ËĄá”‰á”ƒá”›á”‰ Ëąá”˜á¶œÊ°â€§â€§â€§" "á”†Ê°á”‰ËĄá”ˆá”’âż ᎔ ᔗʰᔒᔘᔍʰᔗ ᔃ˥˥ ᔗʰᔉ á¶œá”˜Ëąá”—á”’á”á”‰ÊłËą Ëąá”‰á”‰á”á”‰á”ˆ Ëąá”ƒá”—â±Ëąá¶ â±á”‰á”ˆâ€œ" áŽ·á”ƒÊłá”‰âż Ëąá”ƒÊžËąâ€§ á”†á”‰á”‰â±âżá” ᔃ˥˥ ᔗʰᔉ á”á”‰ËąËąá”ƒá”á”‰Ëą ⁱⁿ Ëąá”˜á¶œá¶œá”‰ËąËąâ±á”’âż ᔐᔃᔈᔉ á”†á”–á”’âżá”á”‰á”‡á”’á”‡ ᶠᔉᔉ˥ á”á”’Êłá”‰ á”á”˜â±ËĄá”—Êžâ€§ "᎔‧‧‧" "á¶œá”ƒâż ʞᔒᔘ Ëąá”—á”ƒÊž ᔗʰᔉ âżâ±á”Ê°á”— ʷⁱᔗʰ ᔐᔉ Ëąá”–á”’âżá”á”‰á”‡á”’á”‡?" áŽŸËĄá”ƒâżá”á”—á”’âż á”ƒËąá”á”‰á”ˆâ€§ "᎔ á¶œá”ƒâż á”–Êłâ±âżá”— ᔒᔘᔗ á”á”’Êłá”‰ á¶ ËĄÊžá”‰ÊłËą á”ƒá”ˆá”›á”‰Êłá”—â±Ëąâ±âżá” ᔗʰᔉ Ëąá”’á”˜á”– Ê·Ê°â±ËĄËąá”— ʞᔒᔘ ᔇᔒᔗʰ ᔍᔉᔗ ˹ᔒᔐᔉ ˹˥ᔉᔉᔖ‧‧" áŽ·á”ƒÊłá”‰âż á”—á”’ËĄá”ˆ ᔗʰᔉᔐ‧ ᎔ⁿ ᔗʰᔉ á”â±á”ˆá”ˆËĄá”‰ ᔒᶠ ᔗʰᔉ âżâ±á”Ê°á”—âžŽ áŽŸËĄá”ƒâżá”á”—á”’âż ʷᔒᔏᔉ á”—á”’ á”†á”–á”’âżá”á”‰á”‡á”’á”‡ á¶œÊłÊžâ±âżá”â€§ "á”†á”–á”’âżá”á”‰á”‡á”’á”‡! á”†á”–á”’âżá”á”‰á”‡á”’á”‡?" ᎎᔉ Ëąá”ƒá”— ᔘᔖ ᔃ˹ áŽŸËĄá”ƒâżá”á”—á”’âż ˹ᔉᔗ Ê°â±Ëą Ê°á”ƒâżá”ˆËą ᔒⁿ Ê°â±Ëą á”ƒÊłá”â€§ "á”†â»Ëąá”’ÊłÊłÊž ᎔➎ ᎔ ÊČ⁻ÊČá”˜Ëąá”—â€§â€§â€§" "᎔'ᔈ Ê°á”‰ËĄá”– ʞᔒᔘ ⁱᶠ ᎔ á”âżá”‰Ê· Ê°á”’Ê· á”’Êł ʷʰᔃᔗ ᔏⁱᔈ‧‧" "᎔'ᔛᔉ ᔍᔒᔗ ˹ᔒᔐᔉ á”–á”‰ÊłËąá”’âżá”ƒËĄ Ê·á”’ÊłÊłâ±á”‰Ëą ᔃⁿᔈ ᎔➎ Ê·á”‰ËĄËĄ ᎔ á”ˆá”’âż'á”— á”âżá”’Ê·â€§â€§â€§" "á”†á”–á”’âżá”á”‰á”‡á”’á”‡ ʞᔒᔘ'Êłá”‰ ᔃ ᔍᔒᔒᔈ á”–á”‰ÊłËąá”’âżâ€§ ᎔ á”ˆá”’âż'á”— á”âżá”’Ê· Êžá”’á”˜Êł Ëąâ±á”—á”˜á”ƒá”—â±á”’âż ᔇᔘᔗ ᎔ ᔈᔒ á”âżá”’Ê· Ê°á”’Ê· Ëąá”–á”‰á¶œâ±á”ƒËĄ ʞᔒᔘ á”ƒÊłá”‰âžŽ ᔃⁿᔈ Ê°á”’Ê· ʞᔒᔘ'Êłá”‰ á”—á”’ á”â±âżá”ˆâ€§ ᎔ᶠ ʞᔒᔘ Ê·á”ƒâżâżá”ƒ ᔏᔉᔉᔖ á”–Êłâ±á”›á”ƒá”—á”‰ á”—Ê°á”’á”˜á”Ê°á”—Ëą á”—á”’ Êžá”’á”˜ÊłËąá”‰ËĄá¶  ᎔ á¶œá”ƒâż Êłá”‰ËĄá”ƒá”—á”‰â€§ á”€Êłá”˜Ëąá”— Êžá”’á”˜ÊłËąá”‰ËĄá¶ âžŽ á”‡á”‰á¶œá”ƒá”˜Ëąá”‰ ᎔ Ëąá”˜Êłá”‰ ᔈᔒ‧‧" áŽŸËĄá”ƒâżá”á”—á”’âż Ëąá”ƒÊžËąâ€§ "Ꮀᔒ ʷʰᔃᔗ'Ëą â±á”á”–á”’Êłá”—á”ƒâżá”— á”—á”’ ʞᔒᔘ‧ ᎔ á”âżá”’Ê· ⁱᶠ ᎔ Ê·á”’Êłá”á”‰á”ˆ ʷⁱᔗʰ ʞᔒᔘ ᔃᔗ ᔗʰᔉ á”Êłá”˜Ëąá”—Êž á”Êłá”ƒá”‡ ᎔'ᔈ ᔐᔃᔏᔉ Ëąá”˜Êłá”‰ á”—á”’ Ê°á”‰ËĄá”– ʞᔒᔘ ᔗʰᔉ ÊČᔒᔇ ʞᔒᔘ ˥ᔒᔛᔉ‧" áŽŸËĄá”ƒâżá”á”—á”’âż ʰᔘᔍᔍᔉᔈ Ëąá”–á”’âżá”á”‰á”‡á”’á”‡âžŽ Ê·Ê°á”’ ᶠᔉ˥ᔗ á”á”’Êłá”‰ á”—á”‰á”ƒÊłËą á¶ á”’Êłá”â±âżá”â€§ 'áŽŸËĄá”ƒâżá”á”—á”’âż ËąÊ°á”’Ê·Ëą ᔃ ˹ᔒᶠᔗ Ëąâ±á”ˆá”‰ á”—á”’ ᔐᔉ' Ëąá”–á”’âżá”á”‰á”‡á”’á”‡ ᔗʰᔒᔘᔍʰᔗ ᔃ˹ ʰᔉ ᔃᶜᶜᔉᔖᔗᔉᔈ ᔗʰᔉ ʰᔘᔍ➎ á¶ á”‰á”‰ËĄâ±âżá” á”á”˜â±ËĄá”—Êž ˹ᔗⁱ˥˥‧‧ "á”†á”–á”’âżá”á”‰á”‡á”’á”‡ ᎔ á”—Ê°â±âżá” ᔗʰᔉ á”Êłá”˜Ëąá”—Êž á”Êłá”ƒá”‡ ᔒᔖᔉⁿ˹ á”—á”’ Ê·á”’Êłá” ᔃⁿᔈ ᎔ á”ˆá”’âż'á”— Ê·á”ƒâżá”— ʞᔒᔘ á”—á”’ ᔇᔉ ËĄá”ƒá”—á”‰âžŽ ᔉᔛᔉⁿ ᔃ˹ ᔐᔘᶜʰ ᔃ˹ ᎔ ËĄâ±á”á”‰ á”‡á”‰â±âżá” ʷⁱᔗʰ ʞᔒᔘ‧ ᎔ ᔍᔒᔗᔗᔃ Ëąá”‰Êłá”›á”‰ ᔐʞ á”’Ê·âż á¶œá”˜Ëąá”—á”’á”á”‰ÊłËą á”—á”’!" á”†á”–á”’âżá”á”‰á”‡á”’á”‡ Ê°á”‰á”ƒÊłËą áŽŸËĄá”ƒâżá”á”—á”’âż ᔗᔉ˥˥ ʰⁱᔐ‧ "ᎌʰ➎ Êłâ±á”Ê°á”—!" ᎎᔉ ˹ᔐⁱ˥ᔉ˹ ᔃᔗ áŽŸËĄá”ƒâżá”á”—á”’âż Ê·Ê°á”’ Ëąá”â±ËĄá”‰á”ˆ ᔇᔃᶜᔏ ᔃ˹ ʰᔉ ˥ᔉᶠᔗ‧ 'áŽ¶á”˜Ëąá”— á”—Ê°â±âżá” ᔃᔇᔒᔘᔗ á”‡á”‰â±âżá” á¶ ÊłÊž ᶜᔒᔒᔏ ᔃⁿᔈ ᔗʰᔉ á”Êłâ±ËĄËĄ' Ëąá”–á”’âżá”á”‰á”‡á”’á”‡ á”—á”’ËĄá”ˆ Ê°â±á”Ëąá”‰ËĄá¶  âżá”’Ê·â€§ "áŽźá”’ÊžËą ʷᔉ ᔍᔒᔗᔗᔃ á”–Êłá”’á”‡ËĄá”‰á”!" áŽčÊłâ€§ áŽ·Êłá”ƒá”‡Ëą Ëąá”ƒÊžËą á”—á”’ á”‰á”á”–ËĄá”’Êžá”‰á”‰Ëą ᔃ˹ ᔗʰᔉʞ á”‰âżá”—á”‰Êłâ€§ "ᔂᔉ âżá”‰á”‰á”ˆ á”—á”’ ˹ᔖ˥ⁱᔗ ᔘᔖ ᔃⁿᔈ ᔗᔃᔏᔉ á”ˆá”’Ê·âż ˹ᔒᔐᔉ âżá”‰Ê· á¶ ËĄÊžá”‰ÊłËą á¶ Êłá”’á” ᔗʰᔉ ᶜʰᔘᔐ ᔇᔘᶜᔏᔉᔗ! ᎏⁿᔈ ᔃ˥˥ ᔒᶠ ᔘ˹ Ê·â±ËĄËĄ ᶜᔒᔐᔉ ᔇᔃᶜᔏ á”—á”’ ᔃⁿᔈ Ê·Êłâ±á”—á”‰ á”á”’Êłá”‰ ᔇᔃᔈ á”‰ËŁá”ƒá”á”á”‰Êłá”ƒá”—â±á”’âżËą ᔒⁿ˥ⁱⁿᔉ! ᎔ ᔍᔒᔗ áŽŸá”‰á”ƒÊłËĄ á”—á”’ Ê·Êłâ±á”—á”‰ ᔃⁿᔈ á”–Êłâ±âżá”— ᔇᔃᔈ Êłá”‰á”›â±á”‰Ê·Ëą ᔒⁿ á”–á”ƒá”–á”‰Êł Ëąá”’ ᔃ˹ á”—á”’ Êłá”‰á”–ËĄá”ƒá¶œá”‰ Ê·Ê°á”‰Êłá”‰ ᔖᔘᔗ ᔗʰᔉ á¶ ËĄÊžá”‰ÊłËą!" ᎎᔉ Ëąá”ƒâ±á”ˆâ€§ á”‚Ê°á”‰âżá¶œá”‰ ᔗʰᔉʞ ᶜᔃᔐᔉ ᔇᔃᶜᔏ➎ áŽčÊłâ€§ áŽ·Êłá”ƒá”‡Ëą á”’á”›á”‰Êł ËĄá”’á”’á”á”‰á”ˆ Ëąá‘«á”˜â±á”ˆÊ·á”ƒÊłá”ˆ ᔃⁿᔈ Ëąá”–á”’âżá”á”‰á”‡á”’á”‡ âżá”’Ê· Ëąâ±á”—á”—â±âżá” á”—á”’á”á”‰á”—Ê°á”‰Êł á”—á”’ Ê·Êłâ±á”—á”‰ á¶ á”’Êł á”á”’Êłá”‰ ᔒⁿ˥ⁱⁿᔉ‧ "áŽșá”’Ê· ʷᔉ ᔐᔃᔈᔉ á”á”‰âżá”‰Êłá”ƒËĄâ±Ëąá”‰á”ˆ Ëąá”—á”ƒá”—á”‰á”á”‰âżá”—Ëą Ëąá”’ âżá”’Ê· ʷᔉ ᔘᔖ ᔗʰᔉ á”ƒâżá”—á”‰â€§ ᔂᔉ ᔍᔒᔗᔗᔃ ᔍᔉᔗ á”–á”‰ÊłËąá”’âżá”ƒËĄ á”ƒá”á”ƒâ±âżËąá”— áŽŸËĄá”ƒâżá”á”—á”’âż Ëąá”’ ᔃⁱᔐ á”’á”˜Êł ⁿᔒᔗᔉ˹ á”ƒá”—á”—á”ƒá¶œá”â±âżá” Ê°â±á”Ëąá”‰ËĄá¶ !" ᎌᶠ á¶œá”’á”˜ÊłËąá”‰âžŽ ᔗʰᔉʞ ᔇᔒᔗʰ Êłá”‰á”á”ƒâ±âżá”‰á”ˆ á”ƒâżá”’âżÊžá”á”’á”˜Ëą ᔃ˹ á”ˆá”’â±âżá” ˹ᔒ‧ ᎏ˹ Ëąá‘«á”˜â±á”ˆÊ·á”ƒÊłá”ˆ Ê·Êłá”’á”—á”‰ 'áŽŸËĄá”ƒâżá”á”—á”’âż á¶œá”ƒâżâżá”’á”— ˹ᔉᔉ ʷʰᔃᔗ ʰᔉ ⁱ˹ á”ˆá”’â±âżá”' áŽčÊłâ€§ áŽ·Êłá”ƒá”‡Ëą âżá”’á”—â±á¶œá”‰á”ˆ á”†á”–á”’âżá”á”‰ ᔇᔒᔇ ⁿᔒᔗ Ê·Êłâ±á”—â±âżá”â€§ "᎔'ËĄËĄ á¶ â±Êłá”‰ ʞᔒᔘ ˥ᔃᔈ ⁱᶠ ʞᔒᔘ á”ˆá”’âż'á”— Ëąá”—á”ƒÊłá”—!" á¶œá”’âżá”—â€§ á”–á”ƒÊłá”— á”—Ê°Êłá”‰á”‰
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áŽŸá”ƒÊłá”— ᎌᶰᔉ á”žá”’á”˜Êł á”‚á”’ÊłËąá”— Ꮀᔃʞ âœËąá”–á”’á¶°á”á”‰áŽźá”’á”‡ ᶠᔃᶰᶠᶀᶜ  áŽ·á”ƒÊłá”‰á¶°'Ëą Ê°á”˜Ëąá”‡á”ƒá¶°á”ˆ áŽŸËĄá”ƒá¶°á”á”—á”’á¶° Ê·á”ƒËą ᶀᶰ Ê°á¶€Ëą ËĄá”ƒá”‡ ʷʰᔉᶰ ᶀᔗ ʰᔃᔖᔖᔉᶰᔉᔈˑ ᎏ á¶œÊłá”ƒËąÊ°á¶€á¶°á” ᔗʰᔘᔈ Ëąá”—á”ƒÊłá”—ËĄá”‰á”ˆ áŽ·á”ƒÊłá”‰á¶°Ë’ Ëąá”’ ËąÊ°á”‰ ʷᔉᶰᔗ á”—á”’ ˹ᔉᔉˑ ᎏᶰᔈ ËąÊ°á”‰ á”á”ƒËąá”–á”‰á”ˆË‘ áŽčÊłË‘ áŽ·Êłá”ƒá”‡Ëą ᔈᶀᔈᶰ'á”— ᔏᶰᔒʷ ʷʰᔃᔗ á”—á”’ á”‰ËŁá”–á”‰á¶œá”— á¶°á”’Êł Ê°á”’Ê· ˥ᶀᶠᔉ'Ëą ᔍᔒᶀᶰᔍ á”—á”’ ᶜʰᔃᶰᔍᔉ ʷʰᔉᶰᶜᔉ ʰᔉ ᔖᶀᶜᔏᔉᔈ ᔘᔖ ᔗʰᔉ ᔖʰᔒᶰᔉ ᔃ˹ áŽ·á”ƒÊłá”‰á¶° á¶œá”ƒËĄËĄá”‰á”ˆ ʰᶀᔐˑ ᎎᶀ˹ ÊČᔃʷ á”ˆÊłá”’á”–á”–á”‰á”ˆ ᶀᶰ á”˜á”—á”—á”‰Êł ËąÊ°á”’á¶œá” Ê°á”‰á”ƒÊłá¶€á¶°á” ʷʰᔉᶰ áŽ·á”ƒÊłá”‰á¶° á”—á”’ËĄá”ˆ ʰᶀᔐ á”’á”›á”‰Êł ᔗʰᔉ ᔖʰᔒᶰᔉˑ ᎎᔉ ᔈᶀᔈᶰ'á”— ᔏᶰᔒʷ ʷʰᔃᔗ á”—á”’ Êłá”‰á”ƒá¶œá”— ᔃᔗ á¶ á¶€ÊłËąá”—Ë‘Ë‘ áŽ·á”ƒÊłá”‰á¶° ᔐᔃᔈᔉ Ëąá”˜Êłá”‰ á”—á”’ ᔍᔉᔗ áŽŸËĄá”ƒá¶°á”á”—á”’á¶°'Ëą á”›á¶€á”—á”ƒËĄËą á”á”’á¶°á¶€á”—á”’Êłá”‰á”ˆ ᶰᔒʷ˒ Ëąá”‰á”‰á¶€á¶°á” ʰᶀᔐ ᶀᶰ ᔃ Ëąá”˜á”–á¶€á¶°á”‰ ᔖᔒ˹ᶀᔗᶀᔒᶰˑ áŽčÊłË‘ áŽ·Êłá”ƒá”‡Ëą á”ƒá”ˆá”ˆÊłá”‰ËąËąá”‰á”ˆ Ê°á¶€Ëą á”‰á”á”–ËĄá”’Êžá”‰á”‰ËąË‘ "᎔'ᔛᔉ ᔃᶰ á”˜á¶°á”‰ËŁá”–á”‰á¶œá”—á”‰á”ˆ ᔃᶰᶰᔒᔘᶰᶜᔉᔐᔉᶰᔗ á”‡á”’ÊžËąË‘Ë‘" "áŽčÊłË‘ áŽ·Êłá”ƒá”‡ËąË’ á”˜á¶°ËĄá”‰ËąËą ᶀᔗ'Ëą ᔍᔉᔗᔗᶀᶰᔍ ᔃ ᔛᔃᶜᔃᔗᶀᔒᶰˑˑˑ" "áŽčÊłË‘ Ëąá” á”˜á¶€á”ˆÊ·á”ƒÊłá”ˆË’ ᎔'ᔐ á”ƒá¶ Êłá”ƒá¶€á”ˆ ᶰᔒᔗˑ áŽźá”˜á”— ᎔ ʷᔃᶰᔗ ʞᔒᔘ ᔃᶰᔈ Ëąá”–á”’á¶°á”á”‰á”‡á”’á”‡ á”—á”’ ᔏᶰᔒʷ ᎔ ᔍᔒᔗᔗᔃ á¶œá”ƒËĄËĄ á¶ Êłá”’á” ᔗʰᔉ ᶜʰᔘᔐ ᔇᔘᶜᔏᔉᔗ˒ ÊČá”˜Ëąá”— ᶰᔒʷˑˑ" áŽčÊłË‘ áŽ·Êłá”ƒá”‡Ëą Ëąá”—á¶€á¶ ËĄá”‰á”ˆ ᔗʰᔉ á”˜Êłá”á”‰ á”—á”’ á¶œÊłÊž ᔒᔘᔗ ᶰᔒʷˑ "᎔ ᔈᔒᶰ'á”— ᔏᶰᔒʷ Ê°á”’Ê· ᔉ˥˹ᔉ á”—á”’ Ëąá”ƒÊž ᶀᔗ˒ ᔇᔘᔗ ʞᔒᔘ ᔏᶰᔒʷ áŽ·á”ƒÊłá”‰á¶° ᔗʰᔉ á¶œá”’á”á”–á”˜á”—á”‰Êł ʷᶀᶠᔉ á”—á”’ËĄá”ˆ ᔐᔉ ʷʰᔃᔗ ᎔'ᔐ ᔃᔇᔒᔘᔗ á”—á”’ ᔗᔉ˥˥ ʞᔒᔘ ᔇᔒᔗʰˑ ᎔ᔗ'Ëą ᔃᔇᔒᔘᔗ áŽŸËĄá”ƒá¶°á”á”—á”’á¶°Ë‘Ë‘" áŽčÊłË‘ áŽ·Êłá”ƒá”‡Ëą ᔗᔒᔒᔏ ᔃ ᔈᔉᔉᔖ á”‡Êłá”‰á”ƒá”—Ê° ᔃᶰᔈ Ëąá¶€á”Ê°á”‰á”ˆË‘ "áŽŸËĄá”ƒá¶°á”á”—á”’á¶°'Ëą ᔇᔉᔉᶰ ᶀᶰ ᔃᶰ ᔃᶜᶜᶀᔈᔉᶰᔗ ᔍᔒᶰᔉ Ê·Êłá”’á¶°á”Ë‘ áŽŹá¶œá¶œá”’Êłá”ˆá¶€á¶°á” á”—á”’ áŽ·á”ƒÊłá”‰á¶° ʰᔉ á”ƒá”–á”–á”ƒÊłá”‰á¶°á”—ËĄÊž á¶°á”‰á”ƒÊłËĄÊž ʰᶀᔗ Ê°á¶€Ëą ʰᔉᔃᔈ ᔒᔖᔉᶰˑ ᎔ᔗ'Ëą ᶰᔒᔗ á”’á¶°ËĄÊž ËĄá”’á”’á”á¶€á¶°á” ᔇᔃᔈ˒ ᔇᔘᔗ ËąÊ°á”‰'Ëą á”˜á¶°Ëąá”˜Êłá”‰ ᶀᶠ ʰᔉ'ᔈ ᔐᔃᔏᔉ ᶀᔗ á”—Ê°Êłá”’á”˜á”Ê° ᔗʰᔉ ᶰᶀᔍʰᔗˑ" Ëąá”–á”’á¶°á”á”‰á”‡á”’á”‡ á”á”ƒËąá”–á”‰á”ˆË‘ "᎔ᶰ á”’á”—Ê°á”‰Êł Ê·á”’Êłá”ˆËąË’ ᔉᔛᔉᶰ ᶀᶠ ʰᔉ'Ëą ᔍᔒᶰᶰᔃ Ëąá”˜Êłá”›á¶€á”›á”‰Ë’ ʰᔉ ᔐᶀᔍʰᔗ ᶰᔒᔗ ᔇᔉ á”ƒá”‡ËĄá”‰ á”—á”’ ᶜᔒᔐᔉ ᔒᔘᔗ ᔒᶠ Ëąá”˜á¶œÊ° ᔃ Ëąá”—á”ƒá”—á”‰Ë‘ ᎔ᶠ ʰᔉ á”á¶€Êłá”ƒá¶œá”˜ËĄá”’á”˜ËąËĄÊž á”ˆá”’á”‰ËąË’ Ê°á¶€Ëą á”á”‰á”á”’ÊłÊž'Ëą ᶰᔒᔗ ᔍᔒᶰᶰᔃ ᔇᔉ ᔗʰᔉ Ëąá”ƒá”á”‰ ᶀᶠ ᶀᔗ ᔉᔛᔉ á¶œá”’á”á”‰Ëą ᔇᔃᶜᔏˑ Ëąá”’ ʷᔉ'ËĄËĄ á¶œËĄá”’Ëąá”‰ ᔘᔖ ËąÊ°á”’á”– á¶€á¶°á”ˆá”‰á¶ á¶€á¶°á¶€á”—á”‰ËĄÊžË’ á”’Êł ᔃᔗ ËĄá”‰á”ƒËąá”— ᶀᶠ ʷᔉ ᔏᶰᔒʷ Ê·Ê°á”‰á”—Ê°á”‰Êł á”’Êł ᶰᔒᔗ ʰᔉ'ᔈ ʷᔃᔏᔉˑ ᑊᔃᶰ ᶜᔒᔐᔉ á”—á”’ ᔗʰᔉ ᶜʰᔘᔐ ᔇᔘᶜᔏᔉᔗˑ" ᎞ᔉᔃᔛᶀᶰᔍ ᔗʰᔉ á”Êłá”˜Ëąá”—Êž á”Êłá”ƒá”‡Ë’ ᔗʰᔉʞ ʷᔉᶰᔗ ᶀᶰ á”—á”’ ˹ᔉᔉ áŽ·á”ƒÊłá”‰á¶° ËĄá”’á”’á”á¶€á¶°á” á”’á”›á”‰Êł Ê°á”‰Êł Ê°á”˜Ëąá”‡á”ƒá¶°á”ˆ ᔃ˹ Ëąá”ƒá¶°á”ˆÊž ᔖᔘᔗ ᔃ ʰᔃᶰᔈ ᔒᶰ Ê°á”‰Êł ËąÊ°á”’á”˜ËĄá”ˆá”‰ÊłË‘ "ᎎᔉʞ˒ Ëąá”ƒá¶°á”ˆÊžË‘Ë‘" Ëąá”–á”’á¶°á”á”‰á”‡á”’á”‡ á”‰á”á”‡Êłá”ƒá¶œá”‰á”ˆ Ê°á”‰ÊłË‘ "áŽžá”ƒÊłÊłÊž ᔗʰᔉ ËĄá”’á”‡Ëąá”—á”‰Êł ˹ᔉᶰᔗ á¶ ËĄá”’Ê·á”‰ÊłËąË‘" "ᎎᔒʷ ᶰᶀᶜᔉˑ" áŽčÊłË‘ áŽ·Êłá”ƒá”‡Ëą á”‡á”ƒÊłá”‰ËĄÊž Ê°á”‰á”ƒÊłËą ᔗʰᔉ á”—á”ƒËĄá”á¶€á¶°á” ᔃ˹ ʰᔉ á”–á”’á¶°á”ˆá”‰ÊłËą ᔗʰᔉ á”ƒÊ·á”Ê·á”ƒÊłá”ˆ á¶ á”‰á”‰ËĄá¶€á¶°á” ᔒᶠ á¶ á”‰á”ƒÊłË’ Ëąá”‰á”‰á¶€á¶°á” Ê°á¶€Ëą ᔉᶰᔉᔐʞ ᶰᔒʷˑ Ëąá” á”˜á¶€á”ˆÊ·á”ƒÊłá”ˆ ᔉᔛᔉᶰ Ëąá”ƒÊ· ᔗʰᔉ á”Êłá”ƒá”›á¶€á”—Êž ᔒᶠ ᔗʰᔉ Ëąá¶€á”—á”˜á”ƒá”—á¶€á”’á¶°Ë’ ᔇᔘᔗ ÊČá”˜Ëąá”— Ëąá”—á”’á”’á”ˆ á” á”˜á¶€á”‰á”—ËĄÊžË‘ "ᎎᔉ'Ëą ᶰᔒᔗ Êłá”‰á”á”ƒá¶€á¶°á¶€á¶°á” á¶œá”’á¶°Ëąá¶œá¶€á”’á”˜Ëąá¶°á”‰ËąËąË‘ ᎔ ᔏᶰᔒʷ ᔐʞ Ê°á”˜Ëąá”‡á”ƒá¶°á”ˆ'Ëą ᔇᔉᔉᶰ á”˜á¶°á¶œá”’á¶°Ëąá¶œá¶€á”’á”˜Ëą Ëąá¶€á¶°á¶œá”‰ ᔗʰᔉ ᶀᶰᶜᶀᔈᔉᶰᔗ˒ ᔇᔘᔗ ᎔ ˹ᔗᶀ˥˥ˑˑˑ" "áŽ·á”ƒÊłá”‰á¶° ᶀᔗ'Ëą ᶰᔒᔗ Êžá”’á”˜Êł á¶ á”ƒá”˜ËĄá”—Ë’ ʞᔒᔘ ᔏᶰᔒʷˑ" áŽčÊłË‘ áŽ·Êłá”ƒá”‡Ëą Ëąá”ƒÊ· Ëąá”–á”’á¶°á”á”‰á”‡á”’á”‡ á¶°á”‰á”ƒÊł áŽŸËĄá”ƒá¶°á”á”—á”’á¶°Ë‘ "᎔ᶠ ʞᔒᔘ'ᔈ Ê°á”‰á”ƒÊłË’ ʞᔒᔘ'ËĄËĄ ËĄá¶€á”á”‰ Ê°á”‰á”ƒÊłá¶€á¶°á” Ê°á”’Ê· ʷᔉ á¶œËĄá”’Ëąá”‰á”ˆ ᔗʰᔉ á”Êłá”˜Ëąá”—Êž á”Êłá”ƒá”‡ á¶ á”’Êł ᶰᔒʷᔎ" Ëąá”–á”’á¶°á”á”‰á”‡á”’á”‡ Ëąá”ƒÊžËąË’ ËĄá”‰á”—á”—á¶€á¶°á” áŽčÊłË‘ áŽ·Êłá”ƒá”‡Ëą ˹ᔉᔉ ʰᶀᔐˑ áŽșá”’Ê· ᔘᔖ á¶œËĄá”’Ëąá”‰ÊłË’ áŽ·Êłá”ƒá”‡Ëą ᶰᔒᔗᶀᶜᔉᔈ Ê°á”’Ê· ˥ᶀᶠᔉ˥ᔉ˹˹ áŽŸËĄá”ƒá¶°á”á”—á”’á¶°'˱ˑ "ᔞᔒᔘ ᔏᶰᔒʷ ᎔ Ê·á¶€ËĄËĄ á”ƒá¶œá”—á”˜á”ƒËĄËĄÊž ᔐᶀ˹˹ Êžá”’á”˜Êł á”ƒá”—á”—á”‰á”á”–á”—Ëą á”—á”’ Êłá”˜á¶€á¶° ᔐᔉ á”‡á”˜Ëąá¶€á¶°á”‰ËąËą; ᶠᔘᶰᶰʞ ᎔ á”ƒá¶œá”—á”˜á”ƒËĄËĄÊž ʰᔒᔖᔉ ʞᔒᔘ Ëąá”˜Êłá”›á¶€á”›á”‰ ËĄá”’á¶°á”á”‰Êł ËąÊ°á”‰ËĄá”ˆá”’á¶°Ë‘Ë‘Ë‘" áŽčÊłË‘ áŽ·Êłá”ƒá”‡Ëą Ëąá”ƒá¶€á”ˆË‘ ᎎᔉ á”—á”˜Êłá¶°á”‰á”ˆ á”—á”’ áŽ·á”ƒÊłá”‰á¶°Ë‘ "᎔'ᔛᔉ ᔇᔉᔉᶰ ᶀᶰ ᔗʰᔉ ᶰᔃᔛʞ˒ Ëąá”‰á”‰á¶€á¶°á” á”á”’Êłá”‰ ᔐᔉ á¶ á”ƒá¶€Êł ËąÊ°á”ƒÊłá”‰ ᔒᶠ á”‡á”˜á”ˆá”ˆá¶€á”‰Ëą ᶀᶰÊČá”˜Êłá”‰á”ˆ ᔃᶰᔈ ᔈʞᶀᶰᔍˑ Ꮁᔛᔉᶰ Ëąá”’ ᎔˒ ᎔'ᔛᔉ á¶°á”‰á”›á”‰Êł ˹ᔉᔉᶰ ᔃᶰʞ ᔒᶠ ᔐᔉ á¶œá”’á”á”ƒá”—á”’Ëąá”‰ ᶰᔃᔛʞ á”‡á”˜á”ˆá”ˆá¶€á”‰Ëą Ê°á”˜Êłá”— ᔃ˹ ᔇᔃᔈ ᔃ˹ áŽŸËĄá”ƒá¶°á”á”—á”’á¶°Ë‘Ë‘Ë‘" "áŽčÊłË‘ áŽ·Êłá”ƒá”‡Ëą ᎔'ᔐ ᔍᔒᶰᶰᔃ ÊČá”˜Ëąá”— ʰᔉᔃᔈ ᔒᶰ ʰᔒᔐᔉ ᶰᔒʷ Ëąá”’Ë‘Ë‘" Ëąá” á”˜á¶€á”ˆÊ·á”ƒÊłá”ˆ á¶€á¶°á”—á”‰ÊłÊłá”˜á”–á”—á”‰á”ˆË‘ ᎎᔉ ᶰᔒᔈᔈᔉᔈˑ "᎔ ᔈᔒᶰ'á”— ᔐᔉᔃᶰ á”—á”’ á”‡Êłá¶€á¶°á” ʞᔒᔘ ᔈᔒʷᶰ ᔇᔘᔗ ᎔ ÊČá”˜Ëąá”— ʷᔃᶰᔗ ʞᔒᔘ á”—á”’ ᔏᶰᔒʷ Ê°á”’Ê· Ëąá”’ÊłÊłÊž ᎔ ᔃᔐ ᔇᔉ˥ᶀᔉᔛᔉ ᶀᔗ á”’Êł ᶰᔒᔗˑˑ" "Ꮁᔘᔍᔉᶰᔉ ᎔ ᔏᶰᔒʷ ʷʰᔃᔗ ʞᔒᔘ ᔐᔉᔃᶰ˒ ᔃᶰᔈ ᔗʰᔃᶰᔏ ʞᔒᔘˑ ᎔ ᔏᶰᔒʷ ʞᔒᔘ ᔇᔒᔗʰ ʰᔃᔛᔉ ᔇᔉᔉᶰ ᔃᔗ ᶀᔗ á¶ á”’Êł á”ƒá”á”‰ËąË‘Ë‘" Ëąá”–á”’á¶°á”á”‰á”‡á”’á”‡ ᔃᶰᔈ Ëąá”ƒá¶°á”ˆÊž ˥ᔉᶠᔗ˒ ËĄá”‰á”ƒá”›á¶€á¶°á” áŽčÊłË‘ áŽ·Êłá”ƒá”‡Ëą ʷᶀᔗʰ ᔃᔗ ᔗʰᔉ ᶜʰᔘᔐ ᔇᔘᶜᔏᔉᔗˑ "᎔'ᔈ á¶œá”’á”›á”‰Êł á”‡ËĄá”ƒá¶°á”á”‰á”—Ë’ ᔃ˹ ᶀᔗ ᶜᔃᶰ ᔍᔉᔗ á¶œá”’ËĄá”ˆ ᶀᶰ ᔗʰᔉ ᶰᶀᔍʰᔗˑˑ" áŽčÊłË‘ áŽ·Êłá”ƒá”‡Ëą á”—á”’ËĄá”ˆ Ê°á”‰ÊłË‘ ᔀʰᔉʞ ᔖᔘᔗ ᔒᶰ ᔘᔖ á”—á”’ Ê°á¶€Ëą ËąÊ°á”’á”˜ËĄá”ˆá”‰ÊłËąË‘ "ᎎᔒʷ ᔇᔃᔈ'Ëą ᔗʰᔉ ᔈᔃᔐᔃᔍᔉˀ" "᎔ᶠ ʰᔉ ˥ᶀᔛᔉ˹ ᔗʰᔉᶰ ʰᔉ ᔐᶀᔍʰᔗ ᶰᔒᔗ Êłá”‰á”—á”ƒá¶€á¶° ᔃᶰʞ ᔒᶠ Ê°á¶€Ëą á”á”‰á”á”’Êłá¶€á”‰ËąË’ ᔃᔗ ᔇᔉ˹ᔗˑˑ" "áŽ·á”ƒÊłá”‰á¶° ʷʰᔃᔗ'Ëą ʰᔉ ᔈᔒᶀᶰᔍ á”—á”’ ᔍᔉᔗ Ê°á¶€á”Ëąá”‰ËĄá¶ Ë‘Ë‘Ë‘" "᎔ á”ˆá”‰Ëąá”—Êłá”’Êžá”‰á”ˆ ᶀᔗ ᔇᔘᔗ ʰᔉ'Ëą ᔐᔃᔈᔉ ˹ᔒᔐᔉ ᔐᔃᶜʰᶀᶰᔉ ᔐᔉᔃᶰᔗ á”—á”’ á”‡á¶€Ëąá”‰á¶œá”— Ëąá”ƒá¶ á”‰á”—Êž á”›á”ƒá”˜ËĄá”— á”—á”’ á¶ á”’Êłá¶œá”‰ ᶀᔗ ᔒᔖᔉᶰ á”›á¶€á”’ËĄá”‰á¶°á”—ËĄÊžË‘ ᎔ᔗ ʷᔉᶰᔗ Ê·Êłá”’á¶°á” ᔃ˹ ʰᔉ ᔍᔒᔗ ᶀᶰ ᔗʰᔉ ʷᔃʞˑˑˑ" áŽ·á”ƒÊłá”‰á¶°'Ëą á¶ á”’Êłá¶œá”‰á”ˆ á¶œÊ°á”˜á¶œá”ËĄá”‰Ëą á”—á”˜Êłá¶°á”‰á”ˆ á”—á”’ ˹ᔒᔇ˹˒ ᶰᔒʷ á”‡á”ƒÊ·ËĄá¶€á¶°á”Ë‘ "᎔ ᶜᔃᶰ ᶜᔒᔐᔉ ᔇᔃᶜᔏ á”—á”’á”á”’ÊłÊłá”’Ê· áŽ·á”ƒÊłá”‰á¶°Ë‘" ᔀʰᔉ ᶰᔉˣᔗ á”á”’Êłá¶°á¶€á¶°á” áŽčÊłË‘ áŽ·Êłá”ƒá”‡Ëą ᔃʷᔒᔏᔉ˒ ʷᶀᔖᶀᶰᔍ ᔃʷᔃʞ ˹ᔒᔐᔉ á”ˆÊłá”’á”’ËĄË‘ "᎔ ᔍᔒᔗᔗᔃ ᔏᶰᔒʷ Ê°á”’Ê· áŽŸËĄá”ƒá¶°á”á”—á”’á¶°'Ëą ᶰᔒʷˑˑ" áŽ·á”ƒÊłá”‰á¶° ˥ᔉᔗ ʰᶀᔐ ᶀᶰˑ "˹ᔗᶀ˥˥ ᔗʰᔉ Ëąá”ƒá”á”‰ ᔃ˹ ËĄá”ƒËąá”— ᶰᶀᔍʰᔗ ʷʰᔉᶰ ʞᔒᔘ ˥ᔉᶠᔗˑ" "᎔ á”ƒá¶œá”—á”˜á”ƒËĄËĄÊž ᔐᶀ˹˹ ʰᶀᔐ áŽ·á”ƒÊłá”‰á¶°Ë‘" "Ëąá”ƒá”á”‰ á”—á”’Ë‘ ᔞᔒᔘ ᶜᔃᶰ ˹ᔉᔉ ʰᶀᔐ ᶀᶠ ʞᔒᔘ ʷᔃᶰᔗˑˑ" áŽčÊłË‘ áŽ·Êłá”ƒá”‡Ëą á¶ á”’ËĄËĄá”’Ê·á”‰á”ˆ Ê°á”‰Êł á”—á”’ áŽŸËĄá”ƒá¶°á”á”—á”’á¶°Ë‘ á¶ á”’Êł ᔗʰᔉ á¶ á¶€ÊłËąá”— ᔗᶀᔐᔉ Ëąá¶€á¶°á¶œá”‰ ᔗʰᔉ ᔃᶜᶜᶀᔈᔉᶰᔗ˒ áŽčÊłË‘ áŽ·Êłá”ƒá”‡Ëą Ëąá”—á”ƒÊłá”—á”‰á”ˆ á”—á”’ ËąÊ°á”‰á”ˆ á”—á”‰á”ƒÊłËąË‘ Ëąá” á”˜á¶€á”ˆÊ·á”ƒÊłá”ˆ ᶜᔃᔐᔉ ᶀᶰˑ "᎔ ᔐᔃᔈᔉ ᔃ á¶œá”ƒÊłá”ˆ á¶ á”’Êł ʰᶀᔐ ᔃ˥˥ á”ÊžËąá”‰ËĄá¶ Ë‘Ë‘" "áŽčÊłË‘ Ëąá” á”˜á¶€á”ˆÊ·á”ƒÊłá”ˆ Ê°á”’Ê· á”Êłá”‰á”ƒá”—á”Ž" áŽčÊłË‘ áŽ·Êłá”ƒá”‡Ëą Ëąá”ƒÊžËą Ëąá”‰á”‰á¶€á¶°á” ᔃ á”ˆÊłá”ƒÊ·á¶€á¶°á” ᔒᶰ ᔗʰᔉ á¶ Êłá”’á¶°á”— ᔒᶠ áŽŸËĄá”ƒá¶°á”á”—á”’á¶° ᔃ˹ ᔃ ᶜʰᔉᶠˑ 'áŽčᶀ˹˹ ʞᔒᔘ' Ëąá”ƒÊžËą ᔗʰᔉ á¶œá”ƒÊłá”ˆË‘ ᔀʰᔉᶰ Ëąá” á”˜á¶€á”ˆÊ·á”ƒÊłá”ˆ ˥ᔉᶠᔗˑ "ᎎᔉ ˹ᔉᔉᔐ˹ á”—á”’ ʰᔃᔛᔉ á”ˆá”‰á”›á”‰ËĄá”’á”–á”‰á”ˆ á”á”’Êłá”‰ ᔛᶀ˹ᶀᔇ˥ᔉ á”‡Êłá”˜á¶€Ëąá¶€á¶°á” ᔒᶰ Ê°á¶€Ëą ʰᔉᔃᔈ; ᶀᶠ ʰᔉ á”á”ƒá¶°á”ƒá”á”‰Ëą á”—á”’ Ê°á”‰á”ƒËĄ ᶀᔗ'ËĄËĄ ᔇᔉ ˹ᔉᶰ˹ᶀᔗᶀᔛᔉˑ Ëąá”’ á”ƒËąËąá”˜á”á¶€á¶°á” ʰᔉ Ê·á¶€ËĄËĄ ˥ᶀᔛᔉ˒ á”–á”‰ÊłÊ°á”ƒá”–Ëą ᔃᔛᔒᶀᔈ á¶œÊłá”˜ËąÊ°á¶€á¶°á” ʰᶀᔐˑˑ" "᎔ ᔏᶰᔒʷ áŽ·á”ƒÊłá”‰á¶°Ë‘ ᎔ ᔈᔒᔘᔇᔗ ʰᔉ'Ëą ᔍᔒᶰᶰᔃ á”‰á”›á”‰Êł ᔇᔉ ᔍᔉᔗ ᔇᔃᶜᔏ á”—á”’ á¶°á”’Êłá”á”ƒËĄË’ Ëąá”—á”˜á”‡á”‡á”’Êłá¶° ᔃ˹ ʰᔉ ᶀ˹ ᔇᔘᔗ ʷᔉ ᔇᔒᔗʰ ᔏᶰᔒʷ áŽŸËĄá”ƒá¶°á”á”—á”’á¶°'Ëą ᔠᔘᶀᔗᔉ á”–á”‰ÊłËąá¶€Ëąá”—á”‰á¶°á”—Ë‘ ᔞᔒᔘ'Êłá”‰ ᔈᔒᶀᶰᔍ Êžá”’á”˜Êł ᔇᔉ˹ᔗ á”—á”’ ᔏᔉᔉᔖ ʰᶀᔐ ᔃ˹ á¶œá”’á”á¶ á”’Êłá”—á”ƒá”‡ËĄÊž á”ƒËĄá¶€á”›á”‰ ᔃ˹ ᔖᔒ˹˹ᶀᔇ˥ᔉˑ" "á”€Ê°á”ƒá¶°á”Ëą Ꮁᔘᔍᔉᶰᔉˑ ᎔ á¶°á”‰á”›á”‰Êł ᔗʰᔒᔘᔍʰᔗ ᎔'ᔈ á”ƒá¶œá”—á”˜á”ƒËĄËĄÊž ᔐᶀ˹˹ Ê°á”‰á”ƒÊłá¶€á¶°á” áŽŸËĄá”ƒá¶°á”á”—á”’á¶°'Ëą ᶰᔃᔍᔍᶀᶰᔍᔎ" "Ëąá”’ ᔐᔒ˹ᔗ ËĄá¶€á”á”‰ËĄÊž ʰᔉ'ËĄËĄ ʰᔃᔛᔉ á”ƒá”á¶°á”‰Ëąá¶€á”ƒ Êłá¶€á”Ê°á”—Ë‘Ë‘Ë‘" "áŽŸËĄá”ƒá¶°á”á”—á”’á¶° Ê·á¶€ËĄËĄ ᔏᶰᔒʷ˒ ᶀᶠ ʰᔉ Ê·á”ƒá”á”‰Ëą ᔃᔍᔃᶀᶰ˒ Ê°á”’Ê· á”—á”’ á”‡Êłá”‰á”ƒá”—Ê° ᔃᶰᔈ Ê°á”’Ê· á”—á”’ ᔉᔃᔗ; ᔇᔘᔗ ᎔ ᔈᔒᶰ'á”— ᔏᶰᔒʷ Ê°á”’Ê· ᔐᔘᶜʰ ᔒᶠ Ê°á¶€Ëą ˥ᶀᶠᔉ ʰᔉ'ËĄËĄ ᔇᔉ á”ƒá”‡ËĄá”‰ á”—á”’ Êłá”‰á¶œá”ƒËĄËĄË‘ ᎎᔉ á¶°á”‰á”›á”‰Êł Êłá”‰á”á”‰á”á”‡á”‰ÊłËą á”’á”˜Êł ʷᔉᔈᔈᶀᶰᔍ á”ƒá¶°á¶°á¶€á”›á”‰ÊłËąá”ƒÊłÊž ᔉᔛᔉᶰ ᶀᶰ á”–á”‰Êłá¶ á”‰á¶œá”— Ê°á”‰á”ƒËĄá”—Ê°Ë‘Ë‘" "᎔ ᔏᶰᔒʷ ʰᔉ'Ëą ˹ᔗᶀ˥˥ Ê°á¶€á”Ëąá”‰ËĄá¶  ᔈᔉᔉᔖ ᶀᶰ˒ ᔇᔘᔗ ᎔ ʰᔒᔖᔉ ᔉ ᶜᔃᶰ ᶠᶀᶰᔈ ᶀᔗ˒ ᶠᶀᶰᔈ ʰᶀᔐᔎ ᶠᶀᶰᔈ ʰᶀᔐ Ëąá”’ ʰᔉ ᶜᔃᶰ ᶠᔉᔉ˥ ᔇᔃᶜᔏ á”—á”’ á¶°á”’Êłá”á”ƒËĄË‘Ë‘" "᎔ ᔈᔒᶰ'á”— ᔗʰᶀᶰᔏ ᶀᔗ'ËĄËĄ ᔇᔉ ᔃ Ëąá”–á”‰á”‰á”ˆÊž Êłá”‰á¶œá”’á”›á”‰ÊłÊžË’ ᶀᶠ ʰᔉ á”ˆá”’á”‰Ëą Êłá”‰á¶œá”’á”›á”‰Êł; ˹ᔗᶀ˥˥ ᎔ ᶜᔃᶰ ᔏᔉᔉᔖ ʞᔒᔘ ᔃ˥˥ ᔘᔖᔈᔃᔗᔉᔈ ᔃᶰᔈ ᔗᔉ˥˥ ᶀᶠ ʷʰᔉᶰ ᔃ ᶜʰᔃᶰᔍᔉ Ê°á”ƒá”–á”–á”‰á¶°ËąË’ ᔍᔒᔒᔈ á”’Êł ᔇᔃᔈˑˑ" áŽčÊłË‘ áŽ·Êłá”ƒá”‡Ëą ˥ᔉᶠᔗ ᔗʰᔉᔐˑ "á”žá”’á”˜Êł á”‡Êłá”ƒá¶€á¶°'Ëą á”—á”’ ᔈᔃᔐᔃᔍᔉᔈ á”—á”’ Ê·á”’Êłá” Êłá¶€á”Ê°á”— ᶰᔒʷ˒ ᔇᔘᔗ ᎔ á”–Êłá”’á”á¶€Ëąá”‰ á”—á”’ ᔇᔉ ᔇʞ Êžá”’á”˜Êł Ëąá¶€á”ˆá”‰Ë‘Ë‘" áŽ·á”ƒÊłá”‰á¶° á”—á”’ËĄá”ˆ Ê°á”‰Êł Ê°á”˜Ëąá”‡á”ƒá¶°á”ˆË’ Ê°á¶€Ëą ᔇᔒᔈʞ á”ˆá”‰á”ƒá”—Ê°ËĄÊž ˹ᔗᶀ˥˥ˑ "᎔ ʷᔃᶰᔗ á”—á”’ ᔐᔃᔏᔉ ʞᔒᔘ ᶠᔉᔉ˥ á”‡á”‰á”—á”—á”‰ÊłË‘ ᎔ ᔐᶀ˹˹ Êžá”’á”˜Êł ᔛᔒᶀᶜᔉ˒ ᔃ˹ ᔃᶰᶰᔒʞᶀᶰᔍ ᶀᔗ ᶜᔃᶰ ᔇᔉ ᔃᔗ ᔗᶀᔐᔉ˹ ᔇᔘᔗ˒ ᎔ ÊČá”˜Ëąá”— ᔐᶀ˹˹ ʞᔒᔘ ËąÊ°á”‰ËĄá”ˆá”’á¶°Ë‘ ᔂᔉ ᔃ˥˥ ᔐᶀ˹˹ ʞᔒᔘˑ ᔞᔒᔘ'Êłá”‰ ËĄá”’á”›á”‰á”ˆá”Ž ᔞᔒᔘ'Êłá”‰ Ëąá”’ ËĄá”’á”›á”‰á”ˆË‘ ᎔ ᔗʰᶀᶰᔏ ʞᔒᔘ'Êłá”‰ á”Êłá”‰á”ƒá”—Ë‘ Ëąá”’ á”Êłá”‰á”ƒá”—Ë‘" ᶜᔒᶰᔗˑ á”–á”ƒÊłá”— á”—Ê·á”’
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áŽŸá”ƒÊłá”— á”€Ê°Êłá”‰á”‰ á”†á”–á”‰âżá”ˆâ±âżá” ᔗʰᔉ Ꮀᔃʞ âœá”†á”–á”’âżá”á”‰áŽźá”’á”‡ á¶ á”ƒâżá¶ â±á¶œâŸ áŽčÊłâ€§ áŽ·Êłá”ƒá”‡Ëą âżá”’á”—â±á¶œá”‰á”ˆ á”†á”–á”’âżá”á”‰á”‡á”’á”‡ ⁿᔒᔗ Ê·Êłâ±á”—â±âżá”â€§ "᎔'ËĄËĄ á¶ â±Êłá”‰ ʞᔒᔘ ˥ᔃᔈ ⁱᶠ ʞᔒᔘ á”ˆá”’âż'á”— Ëąá”—á”ƒÊłá”—!" ᔆᔒ ʰᔉ á”–á”ƒâżâ±á¶œá”á”‰á”ˆ ᔃⁿᔈ âżá”’Ê· Ê·Êłá”’á”—á”‰â€§ 'ʞᔒᔘ á”ˆÊłá”’á”’ËĄ Ê·Ê°á”‰âż ʞᔒᔘ ˹˥ᔉᔉᔖ!' 'ᎎᔉ Ëąâżá”’Êłá”‰á”ˆ ᔃ˹ ʰᔉ ᶠᔉ˥˥ á”ƒËąËĄá”‰á”‰á”– Ê°á”ƒËĄá¶  ʷᔃʞ á”—Ê°Êłá”’á”˜á”Ê° ᔐᔒᔛⁱᔉ âżâ±á”Ê°á”— Ê·á”ƒá”—á¶œÊ°â±âżá” ᔃ ᶠⁱ˥ᔐ' 'áŽŸËĄá”ƒâżá”á”—á”’âż á¶œá”ƒâżâżá”’á”— ᔈᔒ ˹ⁱᔐᔖ˥ᔉ á”—á”ƒËąá”Ëą ʷⁱᔗʰᔒᔘᔗ Ê°â±Ëą á¶œá”’á”á”–á”˜á”—á”‰Êł ʷⁱᶠᔉ' á”†á”–á”’âżá”á”‰á”‡á”’á”‡ ᔗʞᔖᔉᔈ ⁱⁿ ᔃ á”–á”ƒâżâ±á¶œâžŽ áŽčÊłâ€§ áŽ·Êłá”ƒá”‡Ëą ËĄá”’á”’á”â±âżá” á”’á”›á”‰Êł ʰⁱᔐ‧ "ᎎᔃ ᔍᔒᔒᔈ ᔒⁿᔉ ˥ᔃᔈ; ˥ᔒᔛᔉ ⁱᔗ!" á”†á‘«á”˜â±á”ˆÊ·á”ƒÊłá”ˆ ᔉᔛᔉⁿ ËĄá”’á”’á”á”‰á”ˆ ᔃⁿᔈ Ëąá”—á”ƒÊłá”—á”‰á”ˆ ËĄá”ƒá”˜á”Ê°â±âżá” Ê°â±á”Ëąá”‰ËĄá¶  ᔃᔗ ᔗᔒ‧ "᎔'ᔛᔉ ᔗʰᔉ á”’Êłá”ˆá”‰Êł ᔒᶠ á¶œá”˜Ëąá”—á”’á”á”‰Êł âżá”˜á”á”‡á”‰Êłâ€§â€§â€§" áŽŸËĄá”ƒâżá”á”—á”’âż Ëąá”—á”ƒÊłá”—á”‰á”ˆâžŽ ᔇᔘᔗ ʰᔉ á”—Ê°á”‰âż Ê°á”‰á”ƒÊłá”ˆ ËĄá”ƒá”˜á”Ê°á”—á”‰Êł ᔃ˹ ˹ᔒᔐᔉ ᔒᶠ á¶œá”˜Ëąá”—á”’á”á”‰ÊłËą ÊČá”˜Ëąá”— ˥ᔉᶠᔗ‧ "᎔'ᔐ ᔒᔘᔗ➎ ᔇᔘᔗ ᔃᔗ ËĄá”‰á”ƒËąá”— Êžá”’á”˜Êł á¶œá”’á”á”–á”˜á”—á”‰Êł ʷⁱᶠᔉ'Ëą á¶ á”’Êł ʞᔒᔘ!" á”†á”ƒÊžËą ᔗʰᔉ á¶œá”˜Ëąá”—á”’á”á”‰Êł Ê·Ê°á”’ ÊČá”˜Ëąá”— á”’Êłá”ˆá”‰Êłá”‰á”ˆâžŽ á”—á”ƒá”â±âżá” ᔗʰᔉ ᶠᔒᔒᔈ ᔃⁿᔈ á”—Ê°Êłá”’Ê·â±âżá” ⁱᔗ ᔃʷᔃʞ‧ á¶œá”’âżá¶ á”˜Ëąá”‰á”ˆ ᔃⁿᔈ ËąÊ°á”’á¶œá”á”‰á”ˆâžŽ áŽŸËĄá”ƒâżá”á”—á”’âż ʷᔃᔗᶜʰᔉᔈ ᔗʰᔉᔐ ᔃ˥˥ ËĄá”‰á”ƒá”›á”‰ ᔒᔘᔗ ᔗʰᔉ á”ˆá”’á”’Êłâ€§ "ᎎᔉʞ➎ ʷᔃⁱᔗ‧‧" áŽŸËĄá”ƒâżá”á”—á”’âż á¶œÊłâ±á”‰á”ˆâ€§ áŽŹá¶ á”—á”‰Êł Ê°â±Ëą ËąÊ°â±á¶ á”—âžŽ Ëąá”–á”’âżá”á”‰á”‡á”’á”‡ Ëąâżá”‰á”ƒá”Ëą á”ƒá”á”ƒâ±âż ⁱⁿ á”—á”’ ᔗʰᔉ ᶜʰᔘᔐ ᔇᔘᶜᔏᔉᔗ‧ áŽŸËĄá”ƒâżá”á”—á”’âż Ëąá”ƒÊ· ʰⁱᔐ ᔃⁿᔈ ˥ᔉᔗ ʰⁱᔐ á¶ á”’ËĄËĄá”’Ê· ʰⁱᔐ á”—á”’ Ê°â±Ëą Êłá”’á”’á”â€§ "ᎌʰ ᔏⁱᔈ ᎔⁻᎔'ᔛᔉ ËĄá”’Ëąá”— ᔐʞ á¶œá”˜Ëąá”—á”’á”á”‰ÊłËą ᔃ˹ ᔗʰᔉʞ ᔐᔃᔈᔉ ᶠᔘⁿ ᔒᶠ ᔐᔉ!" áŽ·á”ƒÊłá”‰âż ᶜᔃᔐᔉ ⁱⁿ‧ "᎞ᔉᔗ'Ëą ËĄá”’á”’á” ᔒⁿ˥ⁱⁿᔉ ᔃⁿᔈ ˹ᔉᔉ ʷʰᔃᔗ ᔖᔉᔒᔖ˥ᔉ á”ƒÊłá”‰ Ëąá”ƒÊžâ±âżá” âżá”’Ê·âžŽ ᔗʰᔒᔘᔍʰ ᎔ ᔈᔒᔘᔇᔗ‧‧‧" "᎔ á”ˆá”’âż'á”— á”—Ê°â±âżá” ʞᔒᔘ'ᔈ Ê·á”ƒâżâżá”ƒâ€§â€§â€§" á”†á”–á”’âżá”á”‰á”‡á”’á”‡ Ëąá”—á”ƒÊłá”—Ëą á”–Êłá”’á”—á”‰Ëąá”—â±âżá”â€§ ᔀʰᔉʞ Ëąá”ƒÊ· ᔗʰᔉ á”á”‰á”ƒâż á”á”‰ËąËąá”ƒá”á”‰ËąâžŽ ᔇᔘᔗ á”’âżËĄÊž Ëąá”–á”’âżá”á”‰ ᔇᔒᔇ á”âżá”‰Ê· ʰᔉ'Ëą Ê°â±á”Ëąá”‰ËĄá¶  ᔗʰᔉ ᔒⁿᔉ Ê·Ê°á”’ Ê·Êłá”’á”—á”‰ ᔗʰᔉᔐ‧ "áŽŸËĄá”ƒâżá”á”—á”’âż ᎔‧‧‧" á”†á”–á”’âżá”á”‰á”‡á”’á”‡ Ëąá”ƒÊ· á”—á”‰á”ƒÊłËą ⁱⁿ áŽŸËĄá”ƒâżá”á”—á”’âż'Ëą ᔉʞᔉ âżá”’Ê·âžŽ ᔃⁿᔈ ᶠᔉ˥ᔗ á”˜á”–Ëąá”‰á”—â€§ "᎔ Ê·á”ƒâżá”— á”—á”’ ᶠⁱˣ ⁱᔗ á”’Êł ᔃᔗ ËĄá”‰á”ƒËąá”— á”—ÊłÊž á”—á”’ Ê°á”‰ËĄá”– ʞᔒᔘ‧" "áŽ·á”ƒÊłá”‰âż á¶œá”ƒâż ᎔ ʰᔃᔛᔉ ᔗⁱᔐᔉ ʷⁱᔗʰ Ëąá”–á”’âżá”á”‰ ᔇᔒᔇ á”ƒËĄá”’âżá”‰?" "ᎌᶠ á¶œá”’á”˜ÊłËąá”‰; ᎔'ᔛᔉ ᔇᔉᔉⁿ âżá”‰á”‰á”ˆâ±âżá” á”—á”’ á¶œËĄá”‰á”ƒâż á”—á”’âżâ±á”Ê°á”— ˹ᔒ‧‧" áŽ·á”ƒÊłá”‰âż ˥ᔉᶠᔗ ᔗʰᔉᔐ ᔇᔉ‧ á”†á”–á”’âżá”á”‰á”‡á”’á”‡ ᶠᔉ˥ᔗ ᔇᔃᔈ‧ áŽŸËĄá”ƒâżá”á”—á”’âż'Ëą ËąÊ·á”‰á”‰á”— âżá”’Ê·âžŽ á”’Êł á”—á”’ ʰⁱᔐ‧ "á”†á”’ÊłÊłÊžâžŽ ᔏⁱᔈ‧‧" "áŽŸËĄá”ƒâżá”á”—á”’âż ⁱᔗ'Ëą ⁿᔒᔗ Êžá”’á”˜Êł á¶ á”ƒá”˜ËĄá”—!" "ᔂʰᔒ'ᔈ Ê·Êłâ±á”—á”‰ Ëąá”˜á¶œÊ°â€§â€§â€§" "᎔ á¶œá”ƒâż Ëąá”–á”‰âżá”ˆ ᔗʰᔉ âżâ±á”Ê°á”— ʷⁱᔗʰ ʞᔒᔘ á”ƒá”á”ƒâ±âż ⁱᶠ ʞᔒᔘ Ê·á”ƒâżá”—â€§â€§" áŽŸËĄá”ƒâżá”á”—á”’âż âżá”’á”ˆá”ˆá”‰á”ˆâ€§ "á”€Ê°á”ƒâżá”Ëąâ€§" "᎔'ᔐ ÊČá”˜Ëąá”— Ëąá”’ Ëąá”’ÊłÊłÊž ᔃᔇᔒᔘᔗ‧‧‧" "á”†á”–á”’âżá”á”‰á”‡á”’á”‡ ᎔ ᶠᔉᔉ˥ á”ƒËąÊ°á”ƒá”á”‰á”ˆ Ëąâ±âżá¶œá”‰ ᔗʰᔉ á”á”‰ËąËąá”ƒá”á”‰Ëą á”ƒÊłá”‰ á”—Êłá”˜á”‰â€§ ᎔ ᔃᔐ ⁿᔒᔗ á”—á”’ ᔐᔃᔈ➎ ᔇᔘᔗ ÊČá”˜Ëąá”— á”ˆâ±Ëąá”ƒá”–á”–á”’â±âżá”—á”‰á”ˆâžŽ ᔃᔗ➎ Ê·á”‰ËĄËĄâžŽ Ê·Ê°á”’ á”‰á”›á”‰Êł ᔖᔘᔗ‧‧‧" "áŽŸËĄá”ƒâżá”á”—á”’âż ʷᔉ ᔇᔒᔗʰ âżá”‰á”‰á”ˆ á”—á”’ Êłá”‰Ëąá”— ᔘᔖ‧" ᎎᔉ ʷⁱᔖᔉᔈ ᔃʷᔃʞ ᔃ á”—á”‰á”ƒÊł ᔒᶠᶠ Ê°â±Ëą ᔉʞᔉ‧ "áŽłá”’á”’á”ˆ âżâ±á”Ê°á”—â€§â€§" á”†á”–á”’âżá”á”‰á”‡á”’á”‡ Ëąá”ƒÊžËąâžŽ ᔇᔘᔗ áŽŸËĄá”ƒâżá”á”—á”’âż ᔍᔒᔗ ᔒᔘᔗ ᔒᶠ ᔇᔉᔈ‧ "áŽŸËĄá”ƒâżá”â€§â€§â€§" "᎔'ᔐ ÊČá”˜Ëąá”— á”á”‰á”—á”—â±âżá” ᔐʞ á”‡ËĄá”˜á”‰ á”‡ËĄá”ƒâżá”â±á”‰â€§ ᎔ ᔍᔉᔗ ⁱᔗ ᔒᔘᔗ Ê·Ê°á”‰âżâ€§â€§â€§" "᎔'ᔐ ᶠⁱⁿᔉ ʷⁱᔗʰ ⁱᔗ; ᔃ˹ ËĄá”’âżá” ᔃ˹ ⁱᔗ á”á”ƒá”á”‰Ëą ʞᔒᔘ ᶠᔉᔉ˥ á”‡á”‰á”—á”—á”‰Êłâ€§" "áŽ·Êłá”ƒá”‡Ëą ᔍᔒᔗ ⁱᔗ á¶ á”’Êł ᔐᔉ á”‡á”‰á¶ á”’Êłá”‰ ʷᔉ ᔇᔉᶜᔃᔐᔉ ᔉⁿᔉᔐⁱᔉ˹ ᔇᔘᔗ ᎔ ᔈᔒᔘᔇᔗ ʰᔉ á”âżá”’Ê·Ëą ᎔‧‧‧" "ᔆᔗⁱ˥˥ á”˜Ëąá”‰ ⁱᔗ?" "ʞᔉᔃ‧‧" "ᔆᔒ áŽŸËĄá”ƒâżá”á”—á”’âżâžŽ ᔐʞ ᔖᔉᔗ ˹ⁿᔃⁱ˥ áŽłá”ƒÊłÊž ËĄâ±á”á”‰Ëą á”—á”’ ˹˥ᔉᔉᔖ ʷⁱᔗʰ Ê°â±Ëą á”’Ê·âż á¶ á”ƒá”›á”’á”˜Êłâ±á”—á”‰ á”—á”’ÊžËąâ€§â€§" "á”†á”–á”’âżá”á”‰á”‡á”’á”‡ ⁱᔗ'Ëą á”ˆâ±á¶ á¶ á”‰Êłá”‰âżá”—; ᔐʞ á”‡ËĄá”ƒâżá”á”‰á”—âžŽ ⁱᔗ'Ëą á”–Êłâ±á”›á”ƒá”—á”‰ËĄÊž ᔐʞ á”’Ê·âż ᔃⁿᔈ Ëąá”‰á¶œÊłá”‰á”—â€§â€§â€§" "᎔ ˹ᔉᔉ‧" á”†á”–á”’âżá”á”‰á”‡á”’á”‡ Ëąá”ƒÊžËąâžŽ Ëąá”‰á”‰â±âżá” áŽŸËĄá”ƒâżá”á”—á”’âż ʰᔘᔍ ⁱᔗ á¶œËĄá”’Ëąá”‰â€§ "᎞ᔉᔗ'Ëą ÊČá”˜Ëąá”— ᔍᔉᔗ ˹ᔒᔐᔉ ˹˥ᔉᔉᔖ‧" á”†á”–á”’âżá”á”‰á”‡á”’á”‡ Êłá”˜á”‡á”‡á”‰á”ˆ áŽŸËĄá”ƒâżá”á”—á”’âż'Ëą ᔇᔃᶜᔏ á”á”‰âżá”—ËĄÊž ᔃ˹ ʰᔉ ᶠᔉ˥˥ á”ƒËąËĄá”‰á”‰á”– Ê°á”’ËĄá”ˆâ±âżá” Ê°â±Ëą á”‡ËĄá”˜á”‰ á”‡ËĄá”ƒâżá”â±á”‰â€§â€§ áŽ·á”ƒÊłá”‰âż ʷᔒᔏᔉ ᔗʰᔉᔐ ᔘᔖ ⁿᔉˣᔗ á”á”’Êłâżâ±âżá”â€§ ᔆʰᔉ ᔗᔃᔖᔖᔉᔈ á”†á”–á”’âżá”á”‰á”‡á”’á”‡'Ëą ᔒⁿ ËąÊ°á”’á”˜ËĄá”ˆá”‰Êł á¶ â±ÊłËąá”—â€§ ᎎᔉ ᔃʷᔒᔏᔉ ʷⁱᔗʰ ᔃ Ëąâżá”’Êłá”— ᔃⁿᔈ Ëąá”ƒá”— ᔘᔖ‧ ᔆʰᔉ ˹ᔉᔉ˹ áŽŸËĄá”ƒâżá”á”—á”’âż'Ëą Ëąá”‰á¶œá”˜Êłâ±á”—Êž á”‡ËĄá”ƒâżá”á”‰á”— âżá”’Ê·â€§ "áŽŹÊ° ËąÊ·á”‰á”‰á”—Ëąâ€§â€§" "᎔ ᔍᔒᔗᔗᔃ‧‧‧" "Êžá”‰Ëą ᎔ á”âżá”’Ê· ᔃᔇᔒᔘᔗ Ê°â±Ëą á¶œá”’á”á¶ á”’Êłá”— Ëąá”‰á¶œÊłá”‰á”— ᔃⁿᔈ Êžá”‰Ëą ᎔ á”âżá”’Ê· ʞᔒᔘ'ᔛᔉ ᔍᔒᔗᔗᔃ á”ƒá”—á”—á”‰âżá”ˆ Ê·á”’Êłá” âżá”’Ê·â€§â€§" áŽ·á”ƒÊłá”‰âż Ëąá”ƒÊžËąâ€§ "á”€Ê°á”ƒâżá” ʞᔒᔘ‧" á”‚Ê°á”‰âżá¶œá”‰ áŽŸËĄá”ƒâżá”á”—á”’âż ᔃʷᔒᔏᔉ➎ ʰᔉ Ëąá”ƒÊ· áŽ·á”ƒÊłá”‰âż'Ëą âżá”’Ê· Ëąá”ƒá”— Ê·Ê°á”‰Êłá”‰ Ëąá”–á”’âżá”á”‰á”‡á”’á”‡'˱‧ "ᔀᔉ˥˥ ᔐᔉ ʞᔒᔘ‧‧‧" "ᔆʷᔃᔖ ˥ⁱᔛᔉ˹?" ᔆʰᔉ â±âżá”—á”‰ÊłÊłá”˜á”–á”—á”‰á”ˆ ʰⁱᔐ‧ ᎏᔗ ᔗʰᔉ á”Êłá”˜Ëąá”—Êž á”Êłá”ƒá”‡ áŽčÊłâ€§ áŽ·Êłá”ƒá”‡Ëą á”Êłá”‰á”‰á”—á”‰á”ˆâ€§ "᎟ᔒ˹˹ ᎔ á”—Ê°â±âżá” ʷᔉ'ᔛᔉ ᔖᔘᔗ ᔘᔖ á”‰âżá”’á”˜á”Ê° á”á”‰á”ƒâż á¶œá”’á”á”á”‰âżá”—Ëą ᔃⁿᔈ ᔗʰᔉʞ'ᔛᔉ ⁿᔒ á”á”’Êłá”‰ á¶œá”˜Ëąá”—á”’á”á”‰ÊłËą âżá”’Ê·â€§â€§" á”†á”–á”’âżá”á”‰á”‡á”’á”‡ Ëąá”ƒÊžËą á”—á”’ áŽčÊłâ€§ áŽ·Êłá”ƒá”‡Ëąâ€§ "Ꮁᔛᔉⁿ ˹ᔒ➎ áŽŸËĄá”ƒâżá”á”—á”’âż'Ëą ˹ᔗⁱ˥˥‧‧‧" "áŽčÊłâ€§ áŽ·Êłá”ƒá”‡Ëą á”–ËĄá”‰á”ƒËąá”‰ ᎔ ᔇᔉᔗ ʞᔒᔘ ᔇᔒᔗʰ á¶œá”ƒâż á¶œá”’á”á”–Êłá”’á”â±Ëąá”‰! ᎔ á”á”‰á”ƒâż ʰᔉ ᔉᔛᔉⁿ ˹ᔗⁱ˥˥ á”˜Ëąá”‰Ëą ᔗʰᔉ á”‡ËĄá”˜á”‰ á”‡ËĄá”ƒâżá”â±á”‰ ʞᔒᔘ ᔍᔒᔗ ʰⁱᔐ á”—á”’ ˹˥ᔉᔉᔖ‧‧‧" á”†á”–á”’âżá”á”‰á”‡á”’á”‡ Ê°á”‰á”ƒÊłá”ˆ Ê°â±á”Ëąá”‰ËĄá¶  Ëąá”ƒÊžâ±âżá” ᔃⁿᔈ Ëąá”—á”’á”–á”–á”‰á”ˆ â±á”á”á”‰á”ˆâ±á”ƒá”—á”‰ËĄÊž ʷⁱᔗʰ Êłá”‰á”Êłá”‰á”—âžŽ ᔇᔘᔗ áŽčÊłâ€§ áŽ·Êłá”ƒá”‡Ëą Ê°á”‰á”ƒÊłá”ˆ ʰⁱᔐ‧ áŽźá”’á”—Ê° Ëąá‘«á”˜â±á”ˆÊ·á”ƒÊłá”ˆ ᔃⁿᔈ áŽčÊłâ€§ áŽ·Êłá”ƒá”‡Ëą ËĄá”ƒá”˜á”Ê°á”‰á”ˆ Ê°á”ƒÊłá”ˆâ€§ 'ᎏᔗ ËĄá”‰á”ƒËąá”— áŽčÊłâ€§ áŽ·Êłá”ƒá”‡Ëą ⁿᔒᔗ á”ƒËąá”â±âżá” Ê·Ê°Êž á”’Êł Ê°á”’Ê· ᎔ á”âżá”’Ê·' á”†á”–á”’âżá”á”‰á”‡á”’á”‡ ᔗʰᔒᔘᔍʰᔗ á”—á”’ Ê°â±á”Ëąá”‰ËĄá¶ â€§ "áŽžá”’á”’á”Ëą ËĄâ±á”á”‰ ʷᔉ'ᔛᔉ ᔍᔒᔗ á¶œá”˜Ëąá”—á”’á”á”‰ÊłËą ᔇᔃᶜᔏ➎ ᔍᔉᔗ Ê·á”’Êłá”; ᎔'ËĄËĄ ᔇᔉ ⁱⁿ ᔐᔉ ᔒᶠᶠⁱᶜᔉ!" áŽŹá¶ á”—á”‰Êł ᔗʰᔉ Ê·á”’Êłá” ᔈᔃʞ á”‰âżá”ˆá”‰á”ˆâžŽ Ëąá”–á”’âżá”á”‰á”‡á”’á”‡ Ê·á”‰âżá”— á”ƒá”á”ƒâ±âż á”—á”’ ᔗʰᔉ ᶜʰᔘᔐ ᔇᔘᶜᔏᔉᔗ‧ "ᎎⁱ➎ áŽ·á”ƒÊłá”‰âż! á”‚Ê°á”‰Êłá”‰'Ëą áŽŸËĄá”ƒâżá”á”—á”’âż?" "ᔂᔉ˥˥ ËĄá”ƒËąá”— ᎔ ᶜʰᔉᶜᔏᔉᔈ ᔒⁿ ʰⁱᔐ ʰᔉ'Ëą á¶œÊłÊžâ±âżá” ⁱⁿ á”—á”’ Ê°â±Ëą á”‡ËĄá”˜á”‰ á”‡ËĄá”ƒâżá”á”‰á”— ᔒⁿ Ê°â±Ëą ᔇᔉᔈ‧‧" áŽ·á”ƒÊłá”‰âż Ëąá”ƒâ±á”ˆâ€§ ᔀʰᔉʞ ᔇᔒᔗʰ Ê·á”‰âżá”— á”—á”’ áŽŸËĄá”ƒâżá”á”—á”’âż'Ëą á”‡á”‰á”ˆÊłá”’á”’á” âżá”’Ê· Ëąá”‰á”‰â±âżá” ʰⁱᔐ Ê·á”’Êłâż ᔒᔘᔗ➎ á¶ á”ƒËĄËĄá”‰âż á”ƒËąËĄá”‰á”‰á”– ᔃⁿᔈ ᔒᔖᔉⁿ ᔐᔒᔘᔗʰᔉᔈ ʷⁱᔗʰ Ê°â±Ëą á”‡ËĄá”ƒâżá”â±á”‰â€§ ᎎᔉ'Ëą á”ƒËĄá”á”’Ëąá”— ⁱⁿ ᔃ Ëąá”‰á”ƒá”—á”‰á”ˆ ᔘᔖ ᔖᔒ˹ⁱᔗⁱᔒⁿ ᔃ˹ ᔗʰᔉ á”–â±ËĄËĄá”’Ê· á”‰ËĄá”‰á”›á”ƒá”—á”‰á”ˆ Ê°â±Ëą ᔇᔃᶜᔏ ᔃⁿᔈ ʰᔉᔃᔈ ᔘᔖ ʰⁱᔍʰ‧ "᎔ á”á”˜á”‰ËąËą ᎔'ËĄËĄ ᔍᔒ áŽ·á”ƒÊłá”‰âżâ€§â€§" á”†á”–á”’âżá”á”‰á”‡á”’á”‡ ˥ᔉᶠᔗ á¶ á”’Êł ᔗʰᔉ âżâ±á”Ê°á”—â€§ áŽ·á”ƒÊłá”‰âż ˥ᔉᔗ Ê°á”‰Êł Ê°á”˜Ëąá”‡á”ƒâżá”ˆ ˹˥ᔉᔉᔖ‧ á”‚Ê°á”‰âż ʰᔉ ʷᔒᔏᔉ ᔘᔖ á”ƒá”á”ƒâ±âż áŽŸËĄá”ƒâżá”á”—á”’âż Êłá”‰á”ƒËĄâ±Ëąá”‰á”ˆ ʰᔉ á”á”˜Ëąá”—'ᔛᔉ á”á”’á”—á”—á”‰âż á”—á”’ ᶠᔃ˥˥ á”ƒËąËĄá”‰á”‰á”– ᔃⁿᔈ ᶠᔉ˥ᔗ á”‰á”á”‡á”ƒÊłÊłá”ƒËąËąá”‰á”ˆ á”ƒá”á”ƒâ±âżâ€§ "á”Êłá”Ê°â€§â€§" áŽŸËĄá”ƒâżá”á”—á”’âż ᔈᔉᶜⁱᔈᔉᔈ á”—á”’ ˹ᔉᔉ ᔃᔗ ᔗʰᔉ á”Êłá”˜Ëąá”—Êž á”Êłá”ƒá”‡ ᔃ˹ ⁱᔗ á”’á”–á”‰âżá”‰á”ˆâžŽ ᔃⁿᔈ ʰⁱᔈ ᔒᔘᔗ ᔒᶠ Ëąâ±á”Ê°á”— ᔃ˹ ᔗʰᔉ Ê·á”’Êłá”á”‰ÊłËą á”ƒÊłÊłâ±á”›á”‰á”ˆâ€§ á”†á‘«á”˜â±á”ˆÊ·á”ƒÊłá”ˆ Ê·á”‰âżá”— ⁱⁿ ᔃ˹ áŽčÊłâ€§ áŽ·Êłá”ƒá”‡Ëą á”—á”ƒËĄá”á”‰á”ˆ á”—á”’ Ëąá”–á”’âżá”á”‰á”‡á”’á”‡â€§ "áŽșá”’Ê· ᔇᔒʞ➎ ᎔‧‧‧" "áŽčÊłâ€§ áŽ·Êłá”ƒá”‡ËąâžŽ ⁿᔒ‧ ᎔ ᔈⁱᔈ ʷʰᔃᔗ ʞᔒᔘ ˹ᔃⁱᔈ ÊČá”˜Ëąá”— ËĄâ±á”á”‰ ʞᔒᔘ á”—á”’ËĄá”ˆ ᔐᔉ ᔗᔒ‧ ᎏⁿᔈ ᎔ âżá”ƒâ±ËĄá”‰á”ˆ ⁱᔗ! áŽźá”˜á”— ᎔ Ê·á”ƒâżâżá”ƒ ᔍᔉᔗ ᔇᔃᶜᔏ á”—á”’ á”á”ƒá”â±âżá” á”–á”ƒá”—á”—â±á”‰Ëą â±âżËąá”—á”‰á”ƒá”ˆâ€§â€§" "᎔'ᔐ ÊČá”˜Ëąá”— á”ƒËąá”â±âżá” ʞᔒᔘ á”—á”’ Êłá”’á”—á”ƒá”—á”‰ ᔗʰᔉ ËĄâ±á”Ê°á”—á”‡á”˜ËĄá”‡Ëą ˥ᔃᔈ! áŽźá”˜á”— ʞᔒᔘ á”—Ê°á”‰âż á¶œá”ƒâż á¶ ÊłÊž ᶜᔒᔒᔏ ⁱⁿ ᔗʰᔉ á”â±á”—á¶œÊ°á”‰âż Ëąâ±âżá¶œá”‰ áŽŸËĄá”ƒâżá”á”—á”’âż'Ëą ⁿᔒᔗ ᔃ á”—Ê°Êłá”‰á”ƒá”—â€§" áŽŸËĄá”ƒâżá”á”—á”’âż Ëąá”ƒÊ· ᔗʰᔉᔐ ʰᔘᔍ‧ "᎔'ᔐ á”–Êłá”’á”˜á”ˆ ᔒᶠ ʞᔒᔘ Ëąá”–á”’âżá”á”‰ ᔇᔒᔇ ᔃⁿᔈ ᎔'ᔐ á”ËĄá”ƒá”ˆ ʞᔒᔘ ᔈᔉᶜⁱᔈᔉᔈ á”—á”’ á”–á”’Ëąá”— á”á”‰ËąËąá”ƒá”á”‰Ëą! ʞᔒᔘ Ê°á”‰ËĄá”–á”‰á”ˆ Êłá”˜â±âż ᔐᔉ á”‰âżá”‰á”ÊžâžŽ ᔃⁿᔈ ʷʰᔃᔗ ʞᔒᔘ á”—á”’ËĄá”ˆ ᔐᔉ ᔃᔇᔒᔘᔗ Ê°â±Ëą 'á”‡ËĄá”˜á”‰ á”‡ËĄá”ƒâżá”â±á”‰' ᎔ á¶œá”ƒâż'á”— ᔉᔛᔉⁿ!" ᎞ᔃᔘᔍʰᔉᔈ áŽčÊłâ€§ áŽ·Êłá”ƒá”‡Ëą ᔃ˹ ᔗʰᔉʞ ᔇᔒᔗʰ Ê·á”‰âżá”— ⁱⁿ➎ ⁿᔒᔗ á”âżá”’Ê·â±âżá” ᔗʰᔉʞ'Êłá”‰ á”’á”›á”‰Êł Ê°á”‰á”ƒÊłá”ˆ ᔇʞ áŽŸËĄá”ƒâżá”á”—á”’âż Ê°â±á”Ëąá”‰ËĄá¶ â€§ á¶œá”’âżá”—â€§ á”–á”ƒÊłá”— á¶ á”’á”˜Êł
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áŽŸá”ƒÊłá”— á¶ á”’á”˜Êł á”†á”–á”‰âżá”ˆâ±âżá” ᔗʰᔉ Ꮀᔃʞ âœá”†á”–á”’âżá”á”‰áŽźá”’á”‡ á¶ á”ƒâżá¶ â±á¶œâŸ 'á”†á”–á”’âżá”á”‰á”‡á”’á”‡ ᔈⁱᔈ ⁱᔗ“' áŽŸËĄá”ƒâżá”á”—á”’âż Êłá”‰á”ƒËĄâ±Ëąá”‰á”ˆâ€§ áŽ·á”ƒÊłá”‰âż Ê°á”‰á”ƒÊłá”ˆ áŽŸËĄá”ƒâżá”á”—á”’âż ᶜᔒᔐᔉ ᔇᔃᶜᔏ ⁱⁿ‧ "ᎎᔉʞ Ê°á”’âżâ€§â€§â€§" ᔆʰᔉ Ëąá”—á”’á”–á”–á”‰á”ˆ ᔃ˹ ËąÊ°á”‰ âżá”’á”—â±á¶œá”‰á”ˆ Ê°á”’Ê· á”˜á”–Ëąá”‰á”— ʰᔉ'Ëą âżá”’Ê·â€§ áŽŸËĄá”ƒâżá”á”—á”’âż ËąÊ°á”’á”’á” Ê°â±Ëą ʰᔉᔃᔈ ᔃⁿᔈ Ê·á”‰âżá”— ⁱⁿ Ê°â±Ëą Êłá”’á”’á”âžŽ ËąËĄá”ƒá”á”â±âżá” ᔗʰᔉ á”ˆá”’á”’Êłâ€§ áŽ·á”ƒÊłá”‰âż Ëąâ±á”Ê°á”‰á”ˆ; ËąÊ°á”‰ á”âżá”‰Ê· ⁿᔒᔗ á”—á”’ á”–á”‰Ëąá”—á”‰Êł ʰⁱᔐ ᔃⁿᔈ á”—á”’ ᔍⁱᔛᔉ ʰⁱᔐ ᔗⁱᔐᔉ á”—á”’ Ê°â±á”Ëąá”‰ËĄá¶ â€§ ᔆᔗⁱ˥˥ ËąÊ°á”‰'Ëą Ê·á”’ÊłÊłâ±á”‰á”ˆ ᔃᔇᔒᔘᔗ Ê°á”‰Êł Ê°á”˜Ëąá”‡á”ƒâżá”ˆâ€§ ᔆʰᔉ Ê·á”ƒâżá”—á”‰á”ˆ áŽŸËĄá”ƒâżá”á”—á”’âż á”—á”’ á”âżá”’Ê· á¶œá”ƒÊłâ±âżá” ᔃᔇᔒᔘᔗ ʰⁱᔐ‧ "ᎎᔉʞ ËąÊ·á”‰á”‰á”—â±á”‰âžŽ ᎔'ᔐ á”á”’âżâżá”ƒ ᔇᔉ á¶œËĄá”‰á”ƒâżâ±âżá” ᔗʰᔉ á”â±á”—á¶œÊ°á”‰âż ⁱᶠ ʞᔒᔘ âżá”‰á”‰á”ˆ ᔐᔉ; ˥ᔒᔛᔉ ʞᔒᔘ‧‧" áŽ·á”ƒÊłá”‰âż á”á”‰âżá”—â±á”’âżá”‰á”ˆâ€§ áŽŸËĄá”ƒâżá”á”—á”’âż ᔖⁱᶜᔏᔉᔈ ᔘᔖ Ê°â±Ëą á”‡ËĄá”˜á”‰ á”‡ËĄá”ƒâżá”á”‰á”—â€§ 'ᎎᔒʷ ᔃⁿᔈ Ê·Ê°Êž Ëąá”–á”’âżá”á”‰á”‡á”’á”‡? Ꮀⁱᔈ áŽčÊłâ€§ áŽ·Êłá”ƒá”‡Ëą ᔖᔃʞ ʰⁱᔐ? áŽșá”’ áŽčÊłâ€§ áŽ·Êłá”ƒá”‡Ëą ˥ᔒᔛᔉ˹ á”á”’âżá”‰Êžâ€§ ᎔ᶠ Ëąá”–á”’âżá”á”‰á”‡á”’á”‡ ËĄâ±á”á”‰á”ˆ ᔐᔉ á”—Ê°á”‰âż Ê·Ê°Êž á”‡Êłâ±âżá” ᔐᔉ á”ˆá”’Ê·âż? ᔀʰᔉ âżâ±á¶œá”‰Ëąá”— ᔏⁱᔈ âżá”’Ê· á”ˆâ±ËąËĄâ±á”á”‰Ëą ᔐᔉ ÊČá”˜Ëąá”— Ê·Ê°á”‰âż ᎔ ᔗʰᔒᔘᔍʰᔗ ʷᔉ á”‡á”’âżá”ˆâ€§â€§' áŽŸËĄá”ƒâżá”á”—á”’âż ᔗʰᔒᔘᔍʰᔗ‧ á”†á”–á”’âżá”á”‰á”‡á”’á”‡ á”’âżá¶œá”‰ á”ƒá”á”ƒâ±âż Ê·á”‰âżá”— á”—á”’ ᔗʰᔉ ᶜʰᔘᔐ ᔇᔘᶜᔏᔉᔗ ᔃⁿᔈ ˹ᔗⁱ˥˥ ᶠᔉ˥ᔗ á”á”˜â±ËĄá”—Êžâ€§ "ᎎᔉ˥˥ᔒ áŽ·á”ƒÊłá”‰âżâ€§â€§" "á”†á”–á”’âżá”á”‰á”‡á”’á”‡âžŽ ʰᔉʞ! ᎔ᶠ ʞᔒᔘ'Êłá”‰ ËĄá”’á”’á”â±âżá” á¶ á”’Êł áŽŸËĄá”ƒâżá”á”—á”’âż ʰᔉ'Ëą Ê°á”ƒá”›â±âżá” ᔃ ᔇⁱᔗ ᔒᶠ ᔃ ᔐᔒᔐᔉⁿᔗ Êłâ±á”Ê°á”— âżá”’Ê·â€§â€§" "áŽ·á”ƒÊłá”‰âż ʷʰᔃᔗ ᔈᔒ ʞᔒᔘ á”á”‰á”ƒâż?" "ᎎᔉ á”á”‰á”—Ëą á”‰á”á”’á”—â±á”’âżá”ƒËĄ ᔃᔗ ᔗⁱᔐᔉ˹➎ ᔇᔉ ⁱᔗ á”ˆá”‰Ëąá”—Êłá”’Êžâ±âżá” ËĄá”ƒá”‡á”’Êłá”ƒá”—á”’ÊłÊž á”’Êł Êžá”‰ËĄËĄâ±âżá” ᔃᔗ➎ ᔇᔘᔗ ʰᔉ'Ëą ᔇᔉᔉⁿ ⁱⁿ Ê°â±Ëą Êłá”’á”’á” ᔃ˥˥ ᔈᔃʞ➎ ⁿᔒᔗ á”—á”ƒËĄá”â±âżá”â€§â€§" áŽ·á”ƒÊłá”‰âż á”—á”’ËĄá”ˆ Ëąá”–á”’âżá”á”‰ ᔇᔒᔇ ËĄá”‰á”ƒá”ˆâ±âżá” ʰⁱᔐ á”ˆá”’Ê·âż á”—á”’ á”‡á”‰á”ˆÊłá”’á”’á” á”ˆá”’á”’Êłâ€§ "ᎎᔉʞ áŽŸËĄá”ƒâżá”á”—á”’âżâžŽ Ëąá”–á”’âżá”á”‰á”‡á”’á”‡'Ëą Ëąá”—á”’á”–á”–á”‰á”ˆ ᔇʞ! Ꮀᔒ ʞᔒᔘ‧‧‧" "ʞᔒᔘ ˥ᔉᔗ ʰⁱᔐ ⁱⁿ?" "ᎎᔉ'Ëą Ëąá”—á”ƒâżá”ˆâ±âżá” ʷⁱᔗʰ ᔐᔉ‧" "ᎎⁱ áŽŸËĄá”ƒâżá”á”—á”’âżâ€§â€§" á”†á”–á”’âżá”á”‰á”‡á”’á”‡ Ëąá”ƒÊžËąâ€§ "ᔂᔉ'Êłá”‰ Ê·á”’ÊłÊłâ±á”‰á”ˆ ᔃᔇᔒᔘᔗ ʞᔒᔘ‧‧" "ᔆᔗᔒᔖ; ÊČá”˜Ëąá”— á”–ËĄá”‰á”ƒËąá”‰âžŽ ËĄá”‰á”ƒá”›á”‰ ᔐᔉ á”ƒËĄá”’âżá”‰!" "áŽźá”˜á”— á”†Ê°á”‰ËĄá”ˆá”’âżâžŽ ᔈᔒ ʞᔒᔘ Ê·á”ƒâżá”— Ëąá”–á”’âżá”á”‰á”‡á”’á”‡ ᔗᔒ‧‧" "áŽ·á”ƒÊłá”‰âż ᎔ á¶œá”ƒâż ÊČá”˜Ëąá”— ᶜᔒᔐᔉ á”—á”’á”á”’ÊłÊłá”’Ê· ⁱᶠ‧‧‧" "᎔ ˹ᔃⁱᔈ➎ ËĄá”‰á”ƒá”›á”‰ ᔐᔉ ᔇᔉ! áŽźá”’á”—Ê° ᔒᶠ ʞᔒᔘ‧ áŽ¶á”˜Ëąá”—â€§ Ꮃᔒ‧ áŽșᔒʷ‧" "áŽŸËĄá”ƒâżá”á”—á”’âżâ€§â€§â€§" "᎔ ˹ᔃⁱᔈ ᔍᔉᔗ!" "á”†á”’ÊłÊłÊžâ€§â€§" á”†á”ƒÊžËą Ëąá”–á”’âżá”á”‰á”‡á”’á”‡âžŽ âżá”’Ê· ËĄá”‰á”ƒá”›â±âżá”â€§ áŽŸËĄá”ƒâżá”á”—á”’âż ˹ᔗⁱ˥˥ á¶œÊłâ±á”‰Ëą ʷⁱᔗʰ Ê°â±Ëą á”‡ËĄá”ƒâżá”â±á”‰â€§ ᔀʰᔉ ⁿᔉˣᔗ ᔈᔃʞ➎ Ëąá”–á”’âżá”á”‰á”‡á”’á”‡ ᔍᔒᔗ ᔘᔖ á”‰á”ƒÊłËĄÊž Ëąá”’ ᔃ˹ á”—á”’ Ëąá”—á”’á”– ᔇʞ ᔃⁿᔈ ˹ᔉᔉ Ê°á”’Ê· áŽŸËĄá”ƒâżá”á”—á”’âż'Ëą á”ˆá”’â±âżá”â€§ "᎔ᔗ'Ëą ⁿᔒᔗ ᔘⁿᔘ˹ᔘᔃ˥ á¶ á”’Êł ʰⁱᔐ á”—á”’ á”ˆâ±Ëąá”—á”ƒâżá¶œá”‰ Ê°â±á”Ëąá”‰ËĄá¶  ᔇᔘᔗ âżá”‰á”›á”‰Êł ᔃ˥˥ ᔈᔃʞ ËĄá”’âżá”!" "ᎌʰ áŽ·á”ƒÊłá”‰âżâžŽ ᎔'ᔐ Ëąá”’ Ëąá”’ÊłÊłÊžâ€§ Ꮀᔒ ʞᔒᔘ á”âżá”’Ê· ʷʰᔃᔗ‧‧‧" "᎔ ᔈᔒ ⁿᔒᔗ á”âżá”’Ê·âžŽ Ê·Ê°Êž ʰᔉ'Ëą á”˜á”–Ëąá”‰á”—; ᎔ ᔈᔒ á”âżá”’Ê· ʰᔉ Ê·á”‰âżá”— ᔒᔘᔗ ᔗʰᔉ á¶ Êłá”’âżá”— ᔃⁿᔈ á”—Ê°á”‰âż ᶜᔃᔐᔉ ᔇᔃᶜᔏ ⁱⁿ‧‧" "áŽŸËĄá”ƒâżá”á”—á”’âż Ê·á”‰âżá”— ᔃᔗ ʷʰᔃᔗ ᔗⁱᔐᔉ?" "áŽŹÊłá”’á”˜âżá”ˆ Ê·Ê°á”‰âż ᔗʰᔉ á”Êłá”˜Ëąá”—Êž á”Êłá”ƒá”‡ á”’á”–á”‰âżá”‰á”ˆâ€§â€§â€§" á”†á”–á”’âżá”á”‰á”‡á”’á”‡ á”á”ƒËąá”–á”‰á”ˆâ€§ 'ᎎᔉ á”á”˜Ëąá”— ʰᔃᔛᔉ Ê°á”‰á”ƒÊłá”ˆ ᔗʰᔉ á¶œá”’âżá”›á”‰ÊłËąá”ƒá”—â±á”’âż ʷⁱᔗʰ áŽčÊłâ€§ áŽ·Êłá”ƒá”‡Ëą' Ëąá”–á”’âżá”á”‰á”‡á”’á”‡ Êłá”‰á”ƒËĄâ±Ëąá”‰á”ˆâ€§ "ᎌʰ‧‧‧" "ᔆᔒ âżá”’Ê·âžŽ ʰᔉ'Ëą ˹ᔗⁱ˥˥‧‧‧" "᎔'ᔛᔉ ᔃ á¶œá”’âżá¶ á”‰ËąËąâ±á”’âż á”—á”’ ᔐᔃᔏᔉ‧‧" á”†á”–á”’âżá”á”‰á”‡á”’á”‡ á”—á”’ËĄá”ˆ áŽ·á”ƒÊłá”‰âż ᔃ˥˥ ᔒᶠ á”‰á”›á”‰ÊłÊž á”—Ê°â±âżá” ËĄá”‰á”ƒá”ˆâ±âżá” ᔘᔖ ᔗᔒ‧ "Êžá”’á”˜Êł ᔇᔒ˹˹ ᔃᔗ á¶ á”ƒá”˜ËĄá”— Ëąá”–á”’âżá”á”‰á”‡á”’á”‡âžŽ ⁿᔒᔗ ʞᔒᔘ‧‧" "᎔'ᔐ ᔃᔗ ËĄá”‰á”ƒËąá”— Ê·á”ƒâżá”—â±âżá” á”—á”’ á”‰ËŁá”–ËĄá”ƒâ±âż á”—á”’ áŽŸËĄá”ƒâżá”á”—á”’âż!" áŽ·âżá”’á¶œá”â±âżá” ᔃ˹ ʰᔉ Ê·á”‰âżá”— ⁱⁿ➎ á”†á”–á”’âżá”á”‰á”‡á”’á”‡ á”‰âżá”—á”‰ÊłËą áŽŸËĄá”ƒâżá”á”—á”’âż'Ëą Êłá”’á”’á”âžŽ ᔗʰᔉ ËĄá”’á”’á” ⁱⁿ Ê°â±Ëą ᔉʞᔉ á”‰âżá”’á”˜á”Ê° á”—á”’ á”‡Êłá”‰á”ƒá” á”†á”–á”’âżá”á”‰á”‡á”’á”‡'Ëą Ê°á”‰á”ƒÊłá”—â€§ "᎔'ᔐ á”á”’âżâżá”ƒ Ëąá”â±á”– Ê·á”’Êłá” ᔗᔒᔈᔃʞ‧‧" "᎔'ᔐ ⁿᔒᔗ ⁱⁿ ᔗʰᔉ ᔐᔒᔒᔈ ᔗᔒ‧‧‧" "᎔ ᔒʷᔉ ʞᔒᔘ ᔃⁿ á”‰ËŁá”–ËĄá”ƒâżá”ƒá”—â±á”’âż ᔃⁿᔈ á”ƒá”–á”’ËĄá”’á”Êž áŽŸËĄá”ƒâżá”á”—á”’âżâ€§â€§" "ʞᔒᔘ á”âżá”’Ê·âžŽ ᎔ á”ƒá¶œá”—á”˜á”ƒËĄËĄÊž ˥ᔉᔗ á”ÊžËąá”‰ËĄá¶  ᔇᔉ˥ⁱᔉᔛᔉ ʞᔒᔘ á¶œá”ƒÊłá”‰á”ˆ á¶ á”’Êł ᔐᔉ‧ áŽźá”˜á”— ʞᔒᔘ'ᔈ á¶œá”ƒÊłá”‰ ᔃᔇᔒᔘᔗ ᔃ˥˥ ᔃⁿᔈ ᎔ ÊČá”˜Ëąá”— á¶ á”’á”˜âżá”ˆ á”ÊžËąá”‰ËĄá¶  ʰᔃᔖᔖʞ; ᎔ Ê·á”ƒËą á”‰ËŁá¶œâ±á”—á”‰á”ˆ! áŽźá”˜á”— ⁿᔒ➎ ʞᔒᔘ ÊČá”˜Ëąá”— á”–ËĄá”ƒÊžá”‰á”ˆâ€§â€§â€§" "᎔ âżá”‰á”›á”‰Êł á”á”‰á”ƒâżá”— á¶ á”’Êł ⁱᔗ á”—á”’ Ê°á”ƒá”–á”–á”‰âżâžŽ áŽŸËĄá”ƒâżá”á”—á”’âżâ€§" "áŽžâ±á”ƒÊł!" áŽŸËĄá”ƒâżá”á”—á”’âż á¶œÊłâ±á”‰á”ˆâ€§ "ʞᔒᔘ á”âżá”’Ê·âžŽ ʞᔒᔘ'Êłá”‰ Êłâ±á”Ê°á”— Ëąá”ƒÊžâ±âżá” ᎔ á¶œá”ƒÊłá”‰ ᔃ˥˥ ᔖᔉᔒᔖ˥ᔉ ᔇᔘᔗ ⁱᔗ ᶜᔃᔐᔉ ᔇᔃᶜᔏ á”—á”’ Ê°á”ƒá”˜âżá”— ᔐᔉ‧ áŽŹá¶ á”—á”‰Êł ʞᔒᔘ ᔍᔒᔗ ᔃ˥˥ áŽ·Êłá”ƒá”‡Ëą á¶œá”˜Ëąá”—á”’á”á”‰ÊłËąâžŽ ʰᔉ á”—Ê°Êłá”‰á”ƒá”—á”‰âżá”‰á”ˆ ᔐᔉ‧ ᔀʰᔉ ᔈᔃʞ ʞᔒᔘ á¶ á”’á”˜âżá”ˆ ᔐᔉ á¶œÊłÊžâ±âżá” ⁱⁿ ÊČá”‰ËĄËĄÊžá¶ â±ËąÊ° á¶ â±á”‰ËĄá”ˆËąâžŽ ᎔ Ê·á”ƒËą ⁿᔒᔗ ᔒⁿ á”‡Êłá”‰á”ƒá” ᔇᔘᔗ á”—á”’ á¶œËĄá”’Ëąá”‰ ⁱᔗ á”ˆá”’Ê·âż ᔇᔘᔗ ᎔ Ëąá”—á”’á”–á”–á”‰á”ˆ á”ÊžËąá”‰ËĄá¶  á”ƒá¶ á”—á”‰Êł á”—á”ƒËĄá”â±âżá” á”—á”’ ʞᔒᔘ‧ ᎎᔉ Ê·á”ƒËą á”á”’â±âżá” á”—á”’ á¶ â±Êłá”‰ ᔐᔉ ᔃⁿᔈ ᎔ á”–á”ƒâżâ±á¶œá”á”‰á”ˆâžŽ ËĄâ±á”â±âżá” ⁿᔒⁿᔉ ᔒᶠ ⁱᔗ‧ ᎏⁿᔈ ᎔ á”âżá”’Ê· ʞᔒᔘ'Êłá”‰ ⁿᔒᔗ á”á”’âżâżá”ƒ á¶ á”’Êłá”â±á”›á”‰ ᔐᔉ➎ ᔃ˹ ʷʰᔃᔗ ᎔'ᔛᔉ á”ˆá”’âżá”‰ á”—á”’ ʞᔒᔘ➎ ⁱᔗ'Ëą â±âżá”‰ËŁá¶œá”˜Ëąá”ƒá”‡ËĄá”‰â€§ ᎔'ᔐ Ëąá”’ÊłÊłÊž áŽŸËĄá”ƒâżá”á”—á”’âżâ€§â€§" áŽŸËĄá”ƒâżá”á”—á”’âż ˹ᔃⁱᔈ âżá”’á”—Ê°â±âżá” ᔃ˹ á”†á”–á”’âżá”á”‰á”‡á”’á”‡ ᔍᔒᔗ ᔘᔖ ᔃⁿᔈ ʷᔃᔗᶜʰᔉᔈ ʰⁱᔐ âżá”’Ê· ËĄá”‰á”ƒá”›á”‰ ᔗʰᔉ ᶜʰᔘᔐ ᔇᔘᶜᔏᔉᔗ‧ "á”†á”–á”’âżá”á”‰á”‡á”’á”‡ ᔍᔉᔗ á”—á”’ á”á”ƒá”â±âżá” á”–á”ƒá”—á”—â±á”‰Ëą!" á”†á”ƒÊžËą áŽčÊłâ€§ áŽ·Êłá”ƒá”‡Ëą ᔃ˹ ʰᔉ ᶜᔃᔐᔉ ⁱⁿ‧ áŽŸËĄá”ƒâżá”á”—á”’âż ᔈᔉᶜⁱᔈᔉᔈ á”—á”’ ᔗᔉ˥˥ á¶ á”’Êłá”â±á”›á”‰ Ëąá”–á”’âżá”á”‰á”‡á”’á”‡ ᔃⁿᔈ Ê·á”‰âżá”— ⁱⁿ ᔗʰᔉ Êłá”‰Ëąá”—á”ƒá”˜Êłá”ƒâżá”—â€§ "᎔ á¶œá”ƒâżâżá”’á”— ᔇᔉ˥ⁱᔉᔛᔉ ᔃ ˹ᔉ˥ᶠ á”–Êłá”’á¶œËĄá”ƒâ±á”á”‰á”ˆ á”›â±ËĄËĄá”ƒâ±âż âżá”‰á”‰á”ˆËą ᔃ ᔇᔃᔇʞ á”‡ËĄá”ƒâżá”â±á”‰!" á”†á”ƒÊžËą ᔃ á¶œá”˜Ëąá”—á”’á”á”‰Êłâ€§ ᔆᔗⁱ˥˥ á”˜âżâżá”’á”—â±á¶œá”‰á”ˆâžŽ áŽŸËĄá”ƒâżá”á”—á”’âż Ê·â±á”—âżá”‰ËąËąá”‰á”ˆ ᔃ˥˥ ᔗʰᔉ á”–á”ƒá”—Êłá”’âżËą ËĄá”ƒá”˜á”Ê°â±âżá”â€§ "ᔂʰᔃᔗ ᔃ ÊČᔒᔏᔉ!" á”†á‘«á”˜â±á”ˆÊ·á”ƒÊłá”ˆ Ëąá”ƒÊžËąâžŽ ÊČá”’â±âżâ±âżá” ⁱⁿ‧ 'ᔆʰᔒʷ ᔗʰᔉᔐ ᔃ ÊČᔒᔏᔉ' Ëąá”–á”’âżá”á”‰ ᔇᔒᔇ á”—á”’ËĄá”ˆ Ê°â±á”Ëąá”‰ËĄá¶ âžŽ á”Êłá”ƒá”‡á”‡â±âżá” Ê°â±Ëą á”˜âżâ±á¶ á”’Êłá” ʰᔃᔗ‧ á”€Ê°Êłá”’Ê·â±âżá” ⁱᔗ ᔒⁿ ᔗʰᔉ á”Êłá”’á”˜âżá”ˆâžŽ Ëąá”–á”’âżá”á”‰á”‡á”’á”‡ ᔏⁱᶜᔏᔉᔈ ⁱᔗ➎ Ëąá”ƒÊžâ±âżá” "ʞᔒᔘ'Êłá”‰ ᔗʰᔉ á”’âżËĄÊž ÊČᔒᔏᔉ ᎔ ˹ᔉᔉ‧ ʞᔒᔘ á”‡á”˜ËĄËĄÊž ᔐʞ á¶ Êłâ±á”‰âżá”ˆ áŽŸËĄá”ƒâżá”á”—á”’âżâžŽ á”—á”’ ˹ᔉᔉᔐ ᔇⁱᔍ‧ ᔂᔉ˥˥ ᎔ ᔗᔉ˥˥ ʞᔒᔘ ᔃ˥˥ Êłâ±á”Ê°á”— âżá”’Ê·âžŽ Ê·Ê°á”‰á”—Ê°á”‰Êł á”’Êł ⁿᔒᔗ ʞᔒᔘ á”ƒá”–á”–Êłá”’á”›á”‰ ᔒᶠ ᔗʰᔉ ᶜʰᔘᔐ áŽźá”˜á¶œá”á”‰á”—âžŽ á”—á”’ ˹ᔗᔒᔖ‧ ʞᔒᔘ ᔐᔃʞ ⁿᔒᔗ ˥ᔒᔛᔉ ʰⁱᔐ ᔇᔘᔗ ᎔ á¶œá”ƒâż ˹ᔉᔉ Ê·Ê°Êž ʰᔉ'Ëą ⁿᔒᔗ á”—Êłá”˜Ëąá”— â±ËąËąá”˜á”‰Ëąâ€§ ᔆᔒ á”—á”’ áŽčÊłâ€§ áŽ·Êłá”ƒá”‡Ëą ˥ⁱ˹ᔗᔉⁿ ᔘᔖ!" á”†á”–á”’âżá”á”‰á”‡á”’á”‡ Ê·á”‰âżá”— Êłâ±á”Ê°á”— ᔘᔖ á”—á”’ ʰⁱᔐ‧ "᎔ ᑫᔁ᎔ᔀ!" á”†á”–á”’âżá”á”‰á”‡á”’á”‡ ᔍᔒᔗ Ê°â±Ëą Ëąá”–á”ƒá”—á”˜ËĄá”ƒ ᔃⁿᔈ á”‡Êłá”’á”á”‰ ⁱᔗ ⁱⁿ Ê°á”ƒËĄá¶  âżá”’Ê·â€§ "á¶ á”’Êł ᔗʰᔉ Êłá”‰á¶œá”’Êłá”ˆâžŽ ᎔ ᔍᔒᔗᔗᔃ ᔗᔉᔈᔈʞ á”‡á”‰á”ƒÊł ᎔ ʰᔘᔍ ᔃᔗ ᔗⁱᔐᔉ˹‧ áŽźá”˜á”— ᎔ Ê·á”’âż'á”— Ëąá”˜á”–á”–á”’Êłá”— ʞᔒᔘ á”ƒâżÊž á”á”’Êłá”‰ ËĄá”’âżá”á”‰Êłâ€§ ᎏⁿᔈ Êžá”‰Ëą ᎔'ᔐ á”—á”ƒá”â±âżá” á”—á”’ ʞᔒᔘ áŽ·Êłá”ƒá”‡Ëą!" á”†á”–á”’âżá”á”‰á”‡á”’á”‡ Êžá”‰ËĄËĄá”‰á”ˆ âżá”’Ê·â€§ "ᔀʰᔉ á”’âżËĄÊž ÊČᔒᔏᔉ ᎔ ˹ᔉᔉ ⁱ˹ áŽ±á”˜á”á”‰âżá”‰! ᎔'ᔐ á”—á”‰ËĄËĄâ±âżá” ʞᔒᔘ ᎔ ˥ᔒᔛᔉ Ê·á”’Êłá”â±âżá” á¶ ÊłÊž ᶜᔒᔒᔏ ᔇᔘᔗ ⁿᔒᔗ ⁱᶠ ⁱᔗ á”á”‰á”ƒâżËą Ê·á”’Êłá”â±âżá” á¶ á”’Êł Ëąá”˜á¶œÊ° ᔃ Ëąá”’ÊłÊłÊž ÊČᔒᔏᔉ‧ ᎔ᶠ ʞᔒᔘ á”ˆá”’âż'á”— ʰᔃᔛᔉ ᔃⁿ á”ƒá”–á”’ËĄá”’á”Êž á¶ á”’Êł áŽŸËĄá”ƒâżá”á”—á”’âż ʞᔒᔘ á¶œá”ƒâż ÊČá”˜Ëąá”— áŽźá”ƒá¶œá” ᎌᶠᶠ!" ᎔ⁿ ËąÊ°á”’á¶œá” ᔗʰᔉ Êłá”‰Ëąá”—á”ƒá”˜Êłá”ƒâżá”— Ëąá”—á”ƒÊžá”‰á”ˆ ˹ⁱ˥ᔉⁿᔗ➎ áŽŸËĄá”ƒâżá”á”—á”’âż âżá”’Ê· Ëąâżá”‰á”ƒá” ᔒᔘᔗ ᔃʷᔃʞ ᔇᔃᶜᔏ á”—á”’ Ê°â±Ëą á”’Ê·âż Êłá”‰Ëąá”—á”ƒá”˜Êłá”ƒâżá”—â€§ "ᎎᔉʞ ᔏⁱᔈ ʷᔃⁱᔗ➎ Ëąá”–á”’âżá”á”‰á”‡á”’á”‡!" áŽŸËĄá”ƒâżá”á”—á”’âż Êłá”ƒâż á”—á”’ ʰⁱᔐ‧ "á”€Ê°á”ƒâżá” ʞᔒᔘ➎ á¶ á”’Êł Ëąá”—á”ƒâżá”ˆâ±âżá” ᔘᔖ; ʞᔒᔘ ᔈⁱᔈⁿ'á”— ʰᔃᔛᔉ ᔗᔒ‧‧‧" "Êžá”‰Ëą ᎔ ᔈⁱᔈ áŽŸËĄá”ƒâżá”á”—á”’âżâ€§ ᎔ᔗ'Ëą ʷʰᔃᔗ ᔈᔒ á¶ á”’Êł ᔃ á¶ Êłâ±á”‰âżá”ˆâ€§" Ꮁⁿᔈ á¶ â±âżá”ƒËĄá”‰
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new karen plankton sheldoncore code page 437
᎟ᔃᔈ áŽșâ±á”Ê°á”—á”á”ƒÊłá”‰ âœá”†á”–á”’âżá”á”‰áŽźá”’á”‡ á¶ á”ƒâżá¶ â±á¶œâŸ '᎔ᔗ ⁱ˹ ᔃ˥˥ ᔃ Ê°á”’á”ƒËŁ; ᔃ á¶ Êłá”’âżá”—!' 'áŽžá”ƒá”˜âżá¶œÊ°â±âżá” ᔗⁱᔐᔉ!' '᎔ Ëąá”ƒÊžâžŽ ʷᔉ ˹ᔗᔉᔖ ᔒⁿ ʰⁱᔐ!' áŽčÊłâ€§ áŽ·Êłá”ƒá”‡Ëą Ê·á”’Êłá”ˆËą á”’á”›á”‰Êł ᔗʰᔉ Êžá”‰á”ƒÊłËą Ëąá”—á”ƒÊłá”—á”‰á”ˆ Êłâ±âżá”â±âżá” áŽŸËĄá”ƒâżá”á”—á”’âż'Ëą ᔐⁱⁿᔈ ʷⁱᔗʰ ᔇᔃᔈ á”á”‰á”á”’Êłâ±á”‰Ëą ᔃ˹ ʰᔉ ˹˥ᔉᔖᔗ ⁱⁿ ᔇᔉᔈ‧ ᎎⁱ˹ á¶œá”’á”á”–á”˜á”—á”‰Êł ʷⁱᶠᔉ áŽ·á”ƒÊłá”‰âż Ëąá”—â±ÊłÊłá”‰á”ˆ ᔃʷᔃᔏᔉ âżá”’á”—â±á¶œâ±âżá” áŽŸËĄá”ƒâżá”á”—á”’âż ᔇᔘᔗ á”ƒËĄËąá”’ Êłá”‰á”ƒËĄâ±Ëąâ±âżá” ʰᔉ'Ëą ⁿᔒᔗ ÊČá”˜Ëąá”— âżá”’Êłá”á”ƒËĄËĄÊž á”—á”’ËąËąâ±âżá” ᔃⁿᔈ á”—á”˜Êłâżâ±âżá”â€§ áŽłá”‰á”—á”—â±âżá” ᔘᔖ➎ ËąÊ°á”‰ âżá”’Ê· Ëąá”ƒÊ· Ê°á”‰Êł Ê°á”˜Ëąá”‡á”ƒâżá”ˆ ⁱⁿ ᔛⁱ˹ⁱᔇ˥ᔉ á”ˆâ±Ëąá”—Êłá”‰ËąËąâ€§ áŽșá”’á”— Ê·á”ƒâżá”—â±âżá” á”—á”’ Ëąá”—á”ƒÊłá”—ËĄá”‰ ʰⁱᔐ ËąÊ°á”‰ Ê·á”ƒâżá”—á”‰á”ˆ á”—á”’ á”—ÊłÊž á”—á”’ Ëąâżá”ƒá”– ʰⁱᔐ ᔒᔘᔗ ᔒᶠ Ê·Ê°á”ƒá”—á”‰á”›á”‰Êł ⁱᔗ ⁱ˹‧ "áŽŸËĄá”ƒâżá”á”—á”’âżâ€§â€§" áŽ·á”ƒÊłá”‰âż ËĄá”‰á”ƒâżá”‰á”ˆ á”’á”›á”‰Êł Ê°á”‰Êł Ê·Ê°â±á”á”–á”‰Êłâ±âżá” Ê°á”˜Ëąá”‡á”ƒâżá”ˆ Ê·Ê°á”’ ᔈⁱᔈⁿ'á”— ˹ᔗᔒᔖ‧ "áŽŸËĄá”ƒâżá”á”—á”’âżâ€œ" ᔆʰᔉ á”Êłá”ƒá”‡á”‡á”‰á”ˆ ᔗʰᔉ Ê°á”‰á”‰ËĄ ᔒᶠ Ê°â±Ëą á”ƒâżá”ËĄá”‰ ᔃⁿᔈ ËąÊ°á”’á”’á” ⁱᔗ ᔇᔃᶜᔏ ᔃⁿᔈ á¶ á”’Êłá”—Ê°â€§ ᎎⁱ˹ á”ƒâżá”—á”‰âżâżá”ƒá”‰ ᔗʷⁱᔗᶜʰᔉᔈ‧ "á”†Ê°á”‰ËĄá”ˆá”’âż? ᔂᔃᔏᔉ ᔘᔖ!" áŽșá”’Ê· ʰᔉ ᔃʷᔒᔏᔉ ʷⁱᔗʰ Ê°â±Ëą ᔉʞᔉ Ëąâżá”ƒá”–á”–â±âżá” ᔒᔖᔉⁿ➎ ËĄá”‰á”—á”—â±âżá” ᔒᔘᔗ ᔃ á¶œÊłÊžâ€§ "ᎎᔉʞ ËĄá”’á”’á” ᔃᔗ ᔐᔉ➎ ÊČá”˜Ëąá”— ᔗᔃᔏᔉ á”‡Êłá”‰á”ƒá”—Ê°Ëąâ€§â€§" áŽ·á”ƒÊłá”‰âż Ëąá”ƒÊžËą á”—á”’ áŽŸËĄá”ƒâżá”á”—á”’âż âżá”’Ê·â€§ "᎔⁻᎔'ᔐ Ëąâ»Ëąá”’ÊłÊłÊžâ€§â€§" "ʞᔒᔘ'ᔛᔉ ᔃ á”‡á”’á”—Ê°á”‰ÊłËąá”’á”á”‰ á”ˆÊłá”‰á”ƒá” áŽŸËĄá”ƒâżá”á”—á”’âż?" "áŽčÊłâ€§ áŽ·Êłá”ƒá”‡Ëą Ê·á”ƒËąâ€§â€§â€§" "áŽ±á”˜á”á”‰âżá”‰'Ëą ⁿᔒᔗ á”á”’â±âżá” ᔗᔒ‧‧‧" "᎔⁻᎔⁻᎔⁻᎔ ᶠᔉᔉ˥ Ê·á”’ÊłÊłâ±á”‰á”ˆâ€§" "ᎌʰ ËąÊ·á”‰á”‰á”—Ëą ᎔'ᔐ Ëąá”’ÊłÊłÊžâ€§" "᎔⁻᎔'ᔐ ⁿᔒᔗ Ëąá”˜Êłá”‰ ⁱᶠ‧‧‧" "ʞᔒᔘ Ê·á”ƒâżâżá”ƒ Ê°á”’ËĄá”ˆ ᔐʞ Ê°á”ƒâżá”ˆ ËąÊ·á”‰á”‰á”—Ëą?" áŽ·á”ƒÊłá”‰âż á”’á¶ á¶ á”‰Êłá”‰á”ˆ Ê°á”‰Êł Ê°á”ƒâżá”ˆâžŽ ʷʰⁱᶜʰ ʰᔉ ᔗᔒᔒᔏ ᔃⁿᔈ á”‰á”á”‡Êłá”ƒá¶œá”‰á”ˆâ€§ ᔆʰᔉ ʰᔒᔖᔉᔈ á”—á”’ ˥ᔘ˥˥ áŽŸËĄá”ƒâżá”á”—á”’âż ᔇᔃᶜᔏ ˹˥ᔉᔉᔖ➎ ᔇᔘᔗ á”–Êłá”‰á¶ á”‰Êłá”ƒá”‡ËĄÊž ʷⁱᔗʰᔒᔘᔗ á”ƒâżÊž Ëąá”—Êłá”‰ËąËąâ€§ ᎎᔉ âżá”‰á”›á”‰Êł ˥ᔉᔗ ᔍᔒ ᔒᶠ Ê°á”‰Êł Ê°á”ƒâżá”ˆ ᔉᔛᔉⁿ Ê·Ê°á”‰âżá¶œá”‰ ËąÊ°á”‰ á”á”ƒâżá”ƒá”á”‰á”ˆ á”—á”’ ᔍᔉᔗ ʰⁱᔐ ᶠᔃ˥˥ á”ƒËąËĄá”‰á”‰á”– á”ƒá”á”ƒâ±âż âżá”’Ê· ʷⁱᔗʰᔒᔘᔗ á”ƒâżÊž ᔇᔃᔈ á”ˆÊłá”‰á”ƒá”Ëąâ€§ ╰ ✧ ∙ ∗ — áŽĄáŽÊ€áŽ… ᮄᮏᮜɮᮛ ⟹ 2 1 6 ⟩
new karen plankton Dreams and Nightmares wordcount: 100-500 Karen/Sheldon J. Plankton krabs/plankton POV Karen watching someone sleep bad nightmare
ᔀʰᔉ áŽŹá¶œá¶œâ±á”ˆá”‰âżá”— âœá”†á”–á”’âżá”á”‰áŽźá”’á”‡ á¶ á”ƒâżá¶ â±á¶œâŸ pt. 1 áŽčÊłâ€§ áŽ·Êłá”ƒá”‡Ëą á”á”’ËĄá”ˆá”‰á”ˆ Ê°â±Ëą ËąÊ°á”‰ËĄËĄâžŽ ᔃⁿᔈ ⁱᔗ á”Êłá”‰Ê· ᔇᔃᶜᔏ á”—á”’ âżá”’Êłá”á”ƒËĄâ€§ áŽŽá”’Ê·á”‰á”›á”‰ÊłâžŽ ᔗʰᔉ á”á”’ËĄá”ˆá”‰á”ˆ ËąÊ°á”‰ËĄËĄ Êłá”‰á”á”ƒâ±âżËą ʰᔃᔛᔉ ᔇᔉᔉⁿ á”ˆâ±Ëąá¶œá”’á”›á”‰Êłá”‰á”ˆ ᶠᔃᶜᔉ á”ˆá”’Ê·âż ᔇʞ áŽŸËĄá”ƒâżá”á”—á”’âż ᔃᔗ ᔗʰᔉ ᔍᔒᔒ ËĄá”ƒá”á”’á”’âż ᔇᔉᔃᶜʰ‧ "áŽ·Êłá”ƒá”‡Ëą?" áŽŸËĄá”ƒâżá”á”—á”’âż Ëąá”ƒÊ· Ê°â±Ëą ˥ⁱᶠᔉ˥ᔉ˹˹ ËąÊ°á”‰ËĄËĄ á”’á”˜á”—ËĄâ±âżá”‰ ᔇᔉ ËąÊ·á”‰á”–á”— ᔃʷᔃʞ ᔇʞ ᔗʰᔉ á”’á¶œá”‰á”ƒâż á¶œá”˜ÊłÊłá”‰âżá”—âžŽ ËąËĄá”ƒá”á”â±âżá” á”ƒá”á”ƒâ±âżËąá”— ᔃ Êłá”’á¶œá” ⁱⁿ á”—á”’ á”–â±á”‰á¶œá”‰Ëąâ€§ ᎌᶠ á¶œá”’á”˜ÊłËąá”‰âžŽ áŽŸËĄá”ƒâżá”á”—á”’âż'Ëą ⁿᔒ á”âżá”’Ê·ËĄá”‰á”ˆá”á”‰ ᔒᶠ á”á”’ËĄá”ˆâ±âżá”â€§ "áŽ±á”˜á”á”‰âżá”‰!" áŽŸËĄá”ƒâżá”á”—á”’âż Ëąá”—á”’á”’á”ˆ ⁱⁿ ËąÊ°á”’á¶œá”âžŽ ⁿᔒᔗ á”âżá”’Ê·â±âżá” Ê°á”’Ê· á”—á”’ Êłá”‰á”ƒá¶œá”—â€§ "᎔ᶠ ᎔'ᔈ á”’âżËĄÊž ᶜᔒᔐᔉ Ëąá”’á”’âżá”‰ÊłâžŽ á”‡á”‰á¶ á”’Êłá”‰â€§â€§â€§" ʞᔒᔘ ˹ᔉᔉ áŽŸËĄá”ƒâżá”á”—á”’âż á”˜Ëąá”‰á”ˆ á”—á”’ ᔇᔉ á¶ Êłâ±á”‰âżá”ˆËą ʷⁱᔗʰ ʰⁱᔐ ᔃ˹ ᔃ Ëąá¶œÊ°á”’á”’ËĄá”‡á”’Êž ᔇᔘᔗ ÊČá”‰á”ƒËĄá”’á”˜Ëą á”‰âżá”›Êž Êłá”˜â±âżá”‰á”ˆ ⁱᔗ á”ƒËĄËĄâ€§ áŽșá”’Êłá”á”ƒËĄËĄÊžâžŽ ᔃ Ëąá”‰á”—á”‡á”ƒá¶œá” á¶ á”’Êł áŽ·Êłá”ƒá”‡Ëą Ê·á”’á”˜ËĄá”ˆ ᔐᔃᔏᔉ áŽŸËĄá”ƒâżá”á”—á”’âż ʰᔃᔖᔖʞ➎ ⁿᔒᔗ á”—á”’ ᔐᔉⁿᔗⁱᔒⁿ á”˜Ëąâ±âżá” ⁱᔗ á”—á”’ Ê°â±Ëą á”ƒá”ˆá”›á”ƒâżá”—á”ƒá”á”‰â€§ "᎔ á”ˆá”’âż'á”— á”âżá”’Ê· ʷʰᔃᔗ á”—á”’ ᔈᔒ ᔃ˹ ʞᔒᔘ'Êłá”‰ á”á”’âżá”‰! ᔂʰᔃᔗ Ê·â±ËĄËĄ á”’á”—Ê°á”‰ÊłËą á”—Ê°â±âżá”? ᎎᔉ Ê°á”ƒËą ᔃ á¶ á”ƒá”â±ËĄÊž; Ê°â±Ëą Ê·Ê°á”ƒËĄá”‰ á”ˆá”ƒá”˜á”Ê°á”—á”‰Êł ᔐⁱᔍʰᔗ Ê·á”ƒâżá”— Êłá”‰á”›á”‰âżá”á”‰!" á”†á”’á”‡á”‡â±âżá”âžŽ áŽŸËĄá”ƒâżá”á”—á”’âż á”âżá”‰ËĄá”— á”ˆá”’Ê·âżâ€§ "᎔ ᶜᔃᔐᔉ Ê°á”‰Êłá”‰ á”—á”’ ʰᔃᔛᔉ ˹ᔒᔐᔉ Ëąá”–á”ƒá¶œá”‰ á”—á”’ á”—Ê°â±âżá” ᔘᔖ ᔃ Ëąá¶œÊ°á”‰á”á”‰â€§â€§â€§" áŽčÊłâ€§ áŽ·Êłá”ƒá”‡Ëą ⁱⁿ ᔗʰᔉ á¶ ËĄá”‰ËąÊ° ᔇᔘᔗ ᔒᔘᔗ ᔒᶠ Ëąâ±á”Ê°á”—âžŽ Ëąá”ƒÊ· ᔇⁱᔗ˹ ᔃⁿᔈ á¶ Êłá”ƒá”á”á”‰âżá”—Ëą ᔒᶠ Ê°â±Ëą ËąÊ°á”‰ËĄËĄ ʷⁱᔗʰ áŽŸËĄá”ƒâżá”á”—á”’âż ⁱⁿ á”‰á”ƒÊłËąÊ°á”’á”—â€§ "᎔ á”âżá”’Ê· ʷᔉ'ᔛᔉ ᔇᔉᔉⁿ ᔃᔗ ᔗʰᔉ ᶜᔃᔗ ᔃⁿᔈ á”á”’á”˜Ëąá”‰ ᔍᔃᔐᔉ‧‧‧ ᎔ ÊČá”˜Ëąá”— âżá”‰á”›á”‰Êł Ê·â±ËąÊ°á”‰á”ˆ Ëąá”˜á¶œÊ° ᔃ ᔇᔃᔈ á”—Ê°â±âżá” á”—á”’ Ê°á”ƒá”–á”–á”‰âż á”—á”’ ʞᔒᔘ!" áŽčÊłâ€§ áŽ·Êłá”ƒá”‡Ëą ˥ᔉᶠᔗ ʷⁱᔗʰ á¶œá”’âżá¶ ËĄâ±á¶œá”—á”‰á”ˆ á¶ á”‰á”‰ËĄâ±âżá”Ëąâ€§ áŽżá”‰á”—á”˜Êłâżâ±âżá” ʰᔒᔐᔉ➎ áŽŸËĄá”ƒâżá”á”—á”’âż á”—Êłâ±á”‰á”ˆ ⁿᔒᔗ á”—á”’ á”ËĄá”ƒâżá¶œá”‰ ᔃᔗ ᔗʰᔉ Êłá”‰Ëąá”—á”ƒá”˜Êłá”ƒâżá”— á”ƒá¶œÊłá”’ËąËą ᔗʰᔉ Êłá”’á”ƒá”ˆâ€§ "á”†Ê°á”‰ËĄá”ˆá”’âżâžŽ ʞᔒᔘ'ᔛᔉ ᔇᔉᔉⁿ á”á”’âżá”‰ á¶ á”’Êł Ëąá”˜á¶œÊ° ᔃ ËĄá”’âżá” ᔗⁱᔐᔉ‧‧‧" áŽ·á”ƒÊłá”‰âż âżá”’á”—â±á¶œá”‰á”ˆ áŽŸËĄá”ƒâżá”á”—á”’âż ËĄá”’á”’á”á”‰á”ˆ á”˜âżá”˜Ëąá”˜á”ƒËĄËĄÊž Ëąá”ƒá”ˆâ€§ "ʞᔒᔘ á¶œá”ƒâż ᔗᔉ˥˥ ᔐᔉ á”ƒâżÊžá”—Ê°â±âżá”âžŽ á”’âżá¶œá”‰ ʞᔒᔘ'Êłá”‰ Êłá”‰á”ƒá”ˆÊžâ€§â€§â€§" "᎔ âżá”‰á”‰á”ˆ ᔗⁱᔐᔉ á”—á”’ á”–Êłá”’á¶œá”‰ËąËą Ëąá”’á”á”‰á”—Ê°â±âżá”âžŽ ᔇᔘᔗ á”–á”‰ÊłÊ°á”ƒá”–Ëą ᔃᔗ ᔃ ËĄá”ƒá”—á”‰Êł ᔗⁱᔐᔉ‧" to be cont. Pt. 2
new plabscore krabston karenton plabs the accident
ᔀʰᔉ áŽŹá¶œá¶œâ±á”ˆá”‰âżá”— âœá”†á”–á”’âżá”á”‰áŽźá”’á”‡ á¶ á”ƒâżá¶ â±á¶œâŸ pt. 3 áŽŹá¶ á”—á”‰Êł Ëąá”‰á”‰â±âżá” áŽčÊłâ€§ áŽ·Êłá”ƒá”‡Ëą ᔖᔒⁱⁿᔗ ᔒᔘᔗ áŽžá”ƒÊłÊłÊž ᔈⁱᔛᔉᔈ ⁱⁿ ᔗʰᔉ Ê·á”ƒá”—á”‰Êł Ëąá”ƒá”›â±âżá” áŽŸËĄá”ƒâżá”á”—á”’âż á¶ Êłá”’á” á”‡á”‰â±âżá” ËĄá”’Ëąá”— ᔃᔗ Ëąá”‰á”ƒâ€§ áŽŽá”’Ê·á”‰á”›á”‰ÊłâžŽ áŽŸËĄá”ƒâżá”á”—á”’âż ᔈⁱᔈⁿ'á”— Êłá”‰Ëąá”–á”’âżá”ˆ á”—á”’ á”ƒâżÊž á”—Ê°â±âżá”â€§ "᎔'ᔛᔉ á”ˆá”’âżá”‰ ᔃ˥˥ ᎔ á¶œá”ƒâżâ€§â€§â€§" áŽžá”ƒÊłÊłÊž Ëąá”ƒâ±á”ˆâ€§ "᎔ á”ˆá”’âż'á”— á”âżá”’Ê· Ê°â±Ëą ʷⁱᶠᔉ'Ëą âżá”˜á”á”‡á”‰Êłâ€§â€§â€§ ᎔'ËĄËĄ á¶œá”ƒËĄËĄ á”†á”ƒâżá”ˆÊž!" áŽčÊłâ€§ áŽ·Êłá”ƒá”‡Ëą ˹ᔃⁱᔈ á”âżá”’Ê·â±âżá” ËąÊ°á”‰ ʰᔃᔈ ᔗʰᔉ á”âżá”’Ê·ËĄá”‰á”ˆá”á”‰ á”—á”’ á”–á”’ËąËąâ±á”‡ËĄÊž Ê°á”‰ËĄá”–â€§ á”†á”ƒâżá”ˆÊž ᶜᔃᔐᔉ ᔃⁿᔈ á¶œá”ƒËĄËĄá”‰á”ˆ áŽ·á”ƒÊłá”‰âż ᔒⁿ ᔗʰᔉ ʷᔃʞ‧ áŽ·á”ƒÊłá”‰âż Ëąá¶œá”ƒâżâżá”‰á”ˆ ʰⁱᔐ á¶ á”’Êł á”ƒâżÊž â±âżá”—á”‰Êłâżá”ƒËĄ ᔈᔃᔐᔃᔍᔉ ᔃ˹ Ëąá”ƒâżá”ˆÊž á”—Êłâ±á”‰á”ˆ á”—á”’ Êłá”‰á”›â±á”›á”‰ ʰⁱᔐ‧ "᎔ á¶ á”’á”˜âżá”ˆ ᔗʰᔉ ËĄá”‰á” ʰⁱᔗ á”ƒá”á”ƒâ±âżËąá”— ᔗʰᔉ Êłá”’á¶œá” ʷⁱᔗʰ á”‰âżá”’á”˜á”Ê° á¶ á”’Êłá¶œá”‰ á”—á”’ á¶ Êłá”ƒá¶œá”—á”˜Êłá”‰â€§â€§â€§ áŽłá”‰á”—á”—â±âżá” á”‡á”ƒâżá”ˆá”ƒá”á”‰ËąâžŽ ᔗʰᔉʞ ˥ᔉᔗ áŽ·Êłá”ƒá”‡Ëą ʰᔃᔛᔉ ᔃ ᔐᔒᔐᔉⁿᔗ á”ƒËĄá”’âżá”‰ ʷⁱᔗʰ ʰⁱᔐ ÊČá”˜Ëąá”— ⁱⁿ á¶œá”ƒËąá”‰â€§â€§â€§ to be cont. Pt. 4
new plabscore plankdy karandy karendy the accident
ᔀʰᔉ áŽŹá¶œá¶œâ±á”ˆá”‰âżá”— âœá”†á”–á”’âżá”á”‰áŽźá”’á”‡ á¶ á”ƒâżá¶ â±á¶œâŸ pt. 4 áŽŹá¶ á”—á”‰Êł âżá”’á”—Ê°â±âżá”âżá”‰ËąËąâžŽ áŽŸËĄá”ƒâżá”á”—á”’âż Ê·á”ƒËą ËąÊ°á”’Ê·â±âżá” Ëąâ±á”âżËą ᔒᶠ Êłá”‰á¶œá”’á”›á”‰ÊłÊžâ€§ á¶ á”‰á”‰ËĄâ±âżá” á”‡á”’á”á”‡á”ƒÊłá”ˆá”‰á”ˆâžŽ ʰᔉ á”—Êłâ±á”‰á”ˆ á”—á”’ ᔐᔒᔛᔉ Ê·Ê°á”‰âż á”–á”ƒâ±âż á”’á”›á”‰ÊłÊ·Ê°á”‰ËĄá”á”‰á”ˆ ʰⁱᔐ‧ "ᎎⁱ‧‧‧" áŽ·Êłá”ƒá”‡Ëą Ëąá”ƒâ±á”ˆâ€§ "ᔂʰᔒ‧‧‧" "ʞᔒᔘ ᔍᔒᔗᔗᔃ ᔗᔃᔏᔉ ⁱᔗ á”‰á”ƒËąÊžâžŽ á”–á”ƒËĄ!" áŽ·Êłá”ƒá”‡Ëą á”—Êłâ±á”‰á”ˆ á”—á”’ ʰⁱᔈᔉ Ê°â±Ëą á”—á”‰á”ƒÊłËą á¶ Êłá”’á” áŽŸËĄá”ƒâżá”á”—á”’âż ᔃ˹ ʰᔉ ʰᔃᔈ á”†á”ƒâżá”ˆÊž ᔃⁿᔈ áŽ·á”ƒÊłá”‰âż ᶜᔒᔐᔉ ˹ᔉᔉ‧ "ᎎᔒʷ'˹➎ Ê°á”’Ê· áŽ·Êłá”ƒá”‡Ëąâ€§â€§â€§" "᎔ á”á”’ËĄá”ˆ ᔐᔉ ËąÊ°á”‰ËĄËĄ ᔃⁿᔈ ᎔'ᔐ Ëąá”’ÊłÊłÊž á¶ á”’Êłâ€§â€§â€§" "áŽ±á”˜á”á”‰âżá”‰ ˥ᔉᔗ'Ëą ᔍⁱᔛᔉ ʰⁱᔐ Êłá”‰Ëąá”—â€§ áŽżá”‰á”ƒá”ˆÊž á”—á”’ ᔍᔒ ʰᔒᔐᔉ?" áŽ·á”ƒÊłá”‰âż á”’á¶ á¶ á”‰Êłá”‰á”ˆ Ê°á”‰Êł Ê°á”ƒâżá”ˆâ€§ "ʞᔃ ËĄá”˜á¶œá”Êž á”—á”’ ᔇᔉ á”ƒËĄâ±á”›á”‰ ᔃ˹ ʞᔒᔘ'ᔈ ᔇᔉ á”á”’âżá”‰âžŽ ᔇᔘᔗ ʞᔃ ᔈⁱᔈ á¶ Êłá”ƒá¶œá”—á”˜Êłá”‰ ËĄá”‰á”â€§â€§â€§" á”†á”ƒâżá”ˆÊž á”‰ËŁá”–ËĄá”ƒâ±âżá”‰á”ˆâ€§ á”‚á”ƒá”›â±âżá” ᔇʞᔉ á”—á”’ áŽžá”ƒÊłÊłÊžâžŽ ᔗʰᔉʞ ᔃ˥˥ Ê·á”‰âżá”— á”—á”’ á”—Ê°á”‰â±Êł Êłá”‰Ëąá”–á”‰á¶œá”—â±á”›á”‰ Ê°á”’á”á”‰Ëą Êłá”‰Ëąá”–á”‰á¶œá”—â±á”›á”‰ËĄÊžâ€§ to be cont. Pt. 5
new plabscore plankdy karandy karendy the accident
ᔀʰᔉ áŽŹá¶œá¶œâ±á”ˆá”‰âżá”— âœá”†á”–á”’âżá”á”‰áŽźá”’á”‡ á¶ á”ƒâżá¶ â±á¶œâŸ pt. 2 áŽŸËĄá”ƒâżá”á”—á”’âż Ê·á”ƒËą ᔘᔖ ᔃ˥˥ âżâ±á”Ê°á”— ᔃᔗ ᔗʰᔉ á”âżá”’Ê·ËĄá”‰á”ˆá”á”‰ ᔒᶠ á”‡á”‰â±âżá” ᔗʰᔉ á”’âżËĄÊž ᔒⁿᔉ á”—á”’ ˹ᔉᔉ ᔗʰᔉ ËąÊ°á”‰ËĄËĄ á¶œÊłá”ƒËąÊ° á”ƒá”á”ƒâ±âżËąá”— ᔗʰᔉ á”‡á”’á”˜ËĄá”ˆá”‰Êłâ€§ "᎔ᔐ á”á”’âżâżá”ƒ ᔍᔒ ᔇᔃᶜᔏ á”—á”’ ᔗʰᔉ ᔇᔉᔃᶜʰ‧‧‧" áŽŸËĄá”ƒâżá”á”—á”’âż á”—á”’ËĄá”ˆ áŽ·á”ƒÊłá”‰âż ᔗʰᔉ ⁿᔉˣᔗ á”á”’Êłâżâ±âżá”â€§ "ᔂʰᔃᔗ á¶œá”’á”˜ËĄá”ˆ ᔇᔉ ᔘᔖ ʷⁱᔗʰ ᔐʞ Ê°á”˜Ëąá”‡á”ƒâżá”ˆ? áŽŸá”‰ÊłÊ°á”ƒá”–Ëą Ëąá”’á”á”‰á”—Ê°â±âżá” á”’á¶œá¶œá”˜ÊłÊłá”‰á”ˆ ʷⁱᔗʰ áŽ·Êłá”ƒá”‡Ëąâ€§â€§â€§" áŽ·á”ƒÊłá”‰âż Ê·á”‰âżá”— á”—á”’ áŽčÊłâ€§ áŽ·Êłá”ƒá”‡Ëą á”—á”’ ˹ᔉᔉ ⁱᶠ ʰᔉ ᔐⁱᔍʰᔗ ʰᔃᔛᔉ Êłá”‰á”ƒËąá”’âż á”‡á”‰Ê°â±âżá”ˆ Ëąá”˜á¶œÊ° á”‡á”‰Ê°á”ƒá”›â±á”’á”˜Êłâ€§â€§â€§ "᎔ á”á”’ËĄá”ˆ ᔐᔉ ËąÊ°á”‰ËĄËĄâ€§â€§â€§" áŽčÊłâ€§ áŽ·Êłá”ƒá”‡Ëą á”‰ËŁá”–ËĄá”ƒâ±âżá”‰á”ˆ á”—á”’ áŽ·á”ƒÊłá”‰âż ᔃ˹ Ê°Êł á”–Êłá”’á¶œá”‰á”‰á”ˆá”‰á”ˆ á”—á”’ ᔗᔉ˥˥ Ê°á”‰Êł ʷʰᔃᔗ ʰᔉ Ê·â±á”—âżá”‰ËąËąá”‰á”ˆâ€§ "ᎎᔉ Ê·á”‰âżá”— á”—á”’ ᔗʰᔉ ᔇᔉᔃᶜʰ‧‧‧" "᎔'ËĄËĄ ᔍᔒ ˹ᔉᔉ á”—á”’ ʰⁱᔐ‧" áŽčÊłâ€§ áŽ·Êłá”ƒá”‡Ëą Ëąá”ƒâ±á”ˆâ€§ áŽ·Êłá”ƒá”‡Ëą á”ƒÊłÊłâ±á”›á”‰á”ˆ ᔇᔃᶜᔏ ᔃᔗ ᔍᔒᔒ ËĄá”ƒá”á”’á”’âż á”—á”’ ᶠⁱⁿᔈ áŽŸËĄá”ƒâżá”á”—á”’âż á”–á”˜á”—á”—â±âżá” ˹ᔒᔐᔉ á¶ ËĄá”’Ê·á”‰ÊłËą ⁱⁿ ᔗʰᔉ á”’á¶œá”‰á”ƒâż Ê·Ê°á”‰Êłá”‰ ᔗʰᔉ á¶œÊłá”ƒËąÊ° Ê·á”‰âżá”— á”ˆá”’Ê·âżâ€§ áŽžá”ƒÊłÊłÊž ᔗʰᔉ áŽžá”’á”‡Ëąá”—á”‰Êł á”—Ê°á”‰âż á”ƒÊłÊłâ±á”›á”‰á”ˆ Ê°â±Ëą ËąÊ°â±á¶ á”— ᔃ˹ ᔃ ËĄâ±á¶ á”‰á”á”˜á”ƒÊłá”ˆâ€§ á”‚Ê°â±ËĄËąá”— ᔗʰᔉ á”—Ê·á”’ á”Êłá”‰á”‰á”—á”‰á”ˆ ᔉᔃᶜʰ á”’á”—Ê°á”‰Êł áŽŸËĄá”ƒâżá”á”—á”’âż Ê·á”ƒËą ʰⁱᔗ ᔇʞ ᔃ ʷᔃᔛᔉ➎ Ê°á”‰ËĄá”–ËĄá”‰ËąËąËĄÊž á”‰ËŁÊ°á”ƒá”˜Ëąá”—á”‰á”ˆâ€§ áŽžá”ƒÊłÊłÊž'Ëą ᔇᔃᶜᔏ Ê·á”ƒËą á”—á”˜Êłâżá”‰á”ˆâžŽ Ëąá”’ á”’âżËĄÊž áŽčÊłâ€§ áŽ·Êłá”ƒá”‡Ëą âżá”’á”—â±á¶œá”‰á”ˆâ€§ áŽ·Êłá”ƒá”‡Ëą Ëąá”ƒÊ· ʰⁱᔐ ᔍᔉᔗ á”—Êłá”ƒá”–á”–á”‰á”ˆ á”˜âżá”ˆá”‰Êł ᔗʰᔉ á¶œá”˜ÊłÊłá”‰âżá”— Ëąá”˜Êłá”–Êłâ±Ëąâ±âżá” áŽžá”ƒÊłÊłÊž Ê·Ê°á”‰âż ʰᔉ ËąÊ°á”’Ê·á”‰á”ˆ á¶œá”’âżá¶œá”‰Êłâż á”—á”’ áŽŸËĄá”ƒâżá”á”—á”’âż ᔒᶠ ᔃ˥˥ ᔖᔉᔒᔖ˥ᔉ‧ "á”†Ê°á”‰ËĄá”ˆá”’âżâ€§â€§â€§" to be cont. Pt. 3
new plabscore krabston plankry plabs the accident
ᔀʰᔉ áŽŹá¶œá¶œâ±á”ˆá”‰âżá”— âœá”†á”–á”’âżá”á”‰áŽźá”’á”‡ á¶ á”ƒâżá¶ â±á¶œâŸ pt. 5 áŽ·á”ƒÊłá”‰âż Ê°á”‰ËĄá”–á”‰á”ˆ áŽŸËĄá”ƒâżá”á”—á”’âż á”—á”’ ʰᔃᔛᔉ ᔃ Ëąá”‰á”ƒá”—â€§ "áŽ·Êłá”ƒá”‡Ëą á”á”’ËĄá”ˆ Ê°â±Ëą ËąÊ°á”‰ËĄËĄ; ʷʰᔃᔗ ʞᔒᔘ á”á”˜Ëąá”— ʰᔃᔛᔉ ˹ᔉᔉⁿ Ê·á”ƒËą ʷʰᔃᔗ ʰᔉ ËąÊ°á”‰á”ˆá”ˆá”‰á”ˆâ€§â€§â€§" áŽ·á”ƒÊłá”‰âż ˹ᔃⁱᔈ➎ ËĄá”‰á”—á”—â±âżá” ᔆᔖᔒᔗ ᔗʰᔉ ᔃᔐᔒᔉᔇᔃ ᔖᔘᔖᔖʞ Ëąá”—á”ƒÊž ᔇʞ ʰⁱᔐ‧ "᎔˹ ʰᔉ á¶ á”‰á”‰ËĄâ±âżá” á”ƒâżÊž á”‡á”‰á”—á”—á”‰Êł?" áŽŹËąá”á”‰á”ˆ áŽ·Êłá”ƒá”‡Ëąâ€§ áŽŸËĄá”ƒâżá”á”—á”’âż ᔃⁿᔈ ᔆᔖᔒᔗ Ê·á”‰Êłá”‰ ˹ᔗⁱ˥˥ Êłâ±á”Ê°á”— Ê·Ê°á”‰Êłá”‰ ᔗʰᔉʞ Ê·á”‰Êłá”‰âžŽ á”á”‰á”—á”—â±âżá” Êłá”‰Ëąá”—â€§ "á”†á”’á”˜âżá”ˆËą ËĄâ±á”á”‰ ᔗʰᔉʞ á”á”˜Ëąá”—'ᔛᔉ ᔈᔒᶻᔉᔈ ᔒᶠᶠ‧‧‧" áŽ·á”ƒÊłá”‰âż á”’á”‡Ëąá”‰Êłá”›á”‰á”ˆ Ê°á”‰á”ƒÊłâ±âżá” á”—Ê°á”‰â±Êł á‘«á”˜â±á”‰á”—ËĄÊž Ëąá”’âżá”’Êłá”’á”˜Ëą á”‡Êłá”‰á”ƒá”—Ê°Ëąâ€§ áŽčÊłâ€§ áŽ·Êłá”ƒá”‡Ëą Ëąá”ƒÊ· áŽŸËĄá”ƒâżá”á”—á”’âż'Ëą á”ƒÊłá” á”ƒÊłá”’á”˜âżá”ˆ ᔆᔖᔒᔗ➎ ËĄá”‰á” á”‰ËĄá”‰á”›á”ƒá”—á”‰á”ˆâ€§ "᎔'ᔛᔉ á”‡Êłá”’á”˜á”Ê°á”— ᔃ ᔍⁱᶠᔗ á¶ á”’Êł áŽŸËĄá”ƒâżá”á”—á”’âżâ€§â€§â€§" áŽ·á”ƒÊłá”‰âż Ê·á”ƒËą Ê°á”ƒâżá”ˆá”‰á”ˆ ᔃ áŽ·Êłá”ƒá”‡á”‡Êž ᎟ᔃᔗᔗʞ‧ "᎔ᔗ'Ëą á¶ á”’Êł áŽŸËĄá”ƒâżá”á”—á”’âż á”—á”’ ʰᔃᔛᔉ ᔃⁿᔈ ᔉⁿÊČᔒʞ➎ Ëąá”ƒá”›á”‰ ⁱᔗ á¶ á”’Êł ʰⁱᔐ‧‧‧" áŽčÊłâ€§ áŽ·Êłá”ƒá”‡Ëą Ê·á”ƒËą ʰᔃᔖᔖʞ á”—á”’ ËĄá”‰á”ƒá”›á”‰ ʰⁱᔐ ʷⁱᔗʰ ⁱᔗ‧ End finale
new plabscore plaren splankton krabton the accident
á¶ Êłá”ƒá”—á”‰Êłâżâ±Ëąá”ƒá”—â±á”’âż âœá”†á”–á”’âżá”á”‰áŽźá”’á”‡ á¶ á”ƒâżá¶ â±á¶œâŸ Pt. 3 “ᔂʰᔃᔗ ᔈᔒ ʞᔒᔘ ᶠᔉᔉ˥ ᔘᔖ á”—á”’?” â€œá¶ â±ÊłËąá”— Ëąá”—á”’á”– Êłá”ƒá”á”‡ËĄâ±âżá” ᔒⁿ ᔏⁱᔈ ” áŽŸËĄá”ƒâżá”á”—á”’âż Ëąá”—á”ƒÊłá”—á”‰á”ˆ ᔇᔘᔗ â±âżá”—á”‰ÊłÊłá”˜á”–á”—á”‰á”ˆ ᔇʞ á”á”’Êłá”‰ á”âżá”’á¶œá”â±âżá” ᔒⁿ ᔗʰᔉ á”ˆá”’á”’Êłâ€§ á”†á”–á”’âżá”á”‰áŽźá”’á”‡ ᔒᔖᔉⁿ˹ ᔗʰᔉ á”ˆá”’á”’Êł á”—á”’ ᔇᔉ á”Êłá”‰á”‰á”—á”‰á”ˆ ᔇʞ áŽŸá”ƒá”—Êłâ±á¶œá”â€§ â€œá”†á”–á”’âżá”á”‰á”‡á”’á”‡ ËĄá”’á”’á” ᔃᔗ ᔐʞ âżá”‰Ê· á”ƒá¶œá”—â±á”’âż á¶ â±á”á”˜Êłá”‰ ᎔ ᔍᔒᔗ ᔃⁿᔈ ᔉᔛᔉⁿ ᔍᔒᔗ ʞᔒᔘ ᔃ á¶ â±á”á”˜Êłâ±âżá”‰!” áŽŸá”ƒá”—Êłâ±á¶œá” á”‰ËŁá¶œËĄá”ƒâ±á”á”‰á”ˆ, á¶œËĄá”’Ëąâ±âżá” ᔗʰᔉ á”ˆá”’á”’Êł á”‡á”‰Ê°â±âżá”ˆ ʰⁱᔐ‧ â€œá”€Ê°á”ƒâżá”Ëą, ᔇᔘᔗ ᎔’ᔛᔉ ᔃ Ëąâ±á”—á”˜á”ƒá”—â±á”’âż ÊČá”˜Ëąá”— ᶜᔒᔐᔉ ᔘᔖ‧ ʞᔒᔘ á”âżá”’Ê· ᔐᔉᔗ áŽŸËĄá”ƒâżá”á”—á”’âż á”‡á”‰á¶ á”’Êłá”‰ Êłâ±á”Ê°á”—?” “ᎌʰ ᎔ á”ˆâ±á”ˆâżâ€™á”—â€Šâ€ â€œá”†á”–á”’âżá”á”‰áŽźá”’á”‡ á”ˆá”’âżâ€™á”— ᔗᔉ˥˥ áŽŸâ±âżá”Êž ᔃᔇᔒᔘᔗ ᔗʰᔉ ” â€œá”†á”–á”’âżá”á”‰áŽźá”’á”‡ ⁱ˹ ᔐʞ ᔇᔉ˹ᔗ á¶ Êłâ±á”‰âżá”ˆ, ᔃⁿᔈ ʰᔉ á¶œá”ƒâż ᔈᔒ Ê·Ê°á”ƒá”—á”‰á”›á”‰Êł ʰᔉ á”–ËĄá”‰á”ƒËąá”‰Ëą! ᔆᔒ ÊČá”˜Ëąá”— ËĄá”‰á”ƒá”›á”‰ á”ƒËĄá”’âżá”‰!” â€œáŽ±âżá”’á”˜á”Ê°, áŽŸá”ƒá”—Êłâ±á¶œá”! ᎔ ᔃᔐ á¶œá”ƒÊłâ±âżá” á¶ á”’Êł ʰⁱᔐ á”ƒá¶ á”—á”‰Êł Ëąá”’á”á”‰á”—Ê°â±âżá” Ê°á”ƒá”–á”–á”‰âżá”‰á”ˆ á”‰á”ƒÊłËĄâ±á”‰Êł, Ê°á”‰â€™Ëą Ê°á”˜Êłá”—â€Šâ€ “᎔ ᔗʰᔒᔘᔍʰᔗ ʷᔉ á¶œá”’á”˜ËĄá”ˆ á”–ËĄá”ƒÊžâ€Šâ€ “᎔ á¶œá”ƒâż á”ƒËąá” áŽŸËĄá”ƒâżá”á”—á”’âż ⁱᶠ ” “ᔂʰʞ? ᎎᔉ’˹ ⁿᔒᔗ á”á”’âżâżá”ƒ ᔇᔒ˹˹ ʞᔒᔘ á”ƒÊłá”’á”˜âżá”ˆ á”—á”‰ËĄËĄâ±âżá” ʞᔒᔘ ʷʰᔃᔗ á”—á”’ ᔈᔒ ” â€œáŽŸá”ƒá”—Êłâ±á¶œá” ʰᔉ ⁱ˹ á”—ÊłÊžâ±âżá” á”—á”’ ᔍᔉᔗ á”‡á”‰á”—á”—á”‰Êł á¶ Êłá”’á” ᔃ ᔇᔃᔈ Ëąâ±á”—á”˜á”ƒá”—â±á”’âż ᔇᔘᔗ ᎔’ᔐ ⁿᔒᔗ Ëąá”˜Êłá”‰ Ê°á”‰â€™Ëą ᔘᔖ ᔗᔒ ” â€œáŽ±âżá”’á”˜á”Ê°!” áŽźá”’á”—Ê° ᔒᶠ ᔗʰᔉᔐ ËĄá”’á”’á”á”‰á”ˆ á”’á”›á”‰Êł ᔃᔗ áŽŸËĄá”ƒâżá”á”—á”’âż Ê·Ê°á”‰âż ʰᔉ â±âżá”—á”‰ÊłÊłá”˜á”–á”—á”‰á”ˆ ᔗʰᔉᔐ á”›â±Ëąâ±á”‡ËĄÊž á”á”’Êłá”‰ Ëąá”—Êłá”‰ËąËąá”‰á”ˆ ᔒᔘᔗ‧ â€œá”‚á”‰â€™ËĄËĄ ˹ᔉᔉ á”—á”’á”á”’ÊłÊłá”’Ê· ⁱᶠ ᎔ á¶œá”ƒâż, áŽŸá”ƒá”—Êłâ±á¶œá”â€§â€ â€œá”†á”’ÊłÊłÊž á”†á”–á”’âżá”á”‰áŽźá”’á”‡! ᔆᔉᔉ ʞᔃ‧” áŽŸá”ƒá”—Êłâ±á¶œá” ˥ᔉᶠᔗ‧ â€œáŽŽá”˜âżá”ÊłÊž, áŽŸËĄá”ƒâżá”á”—á”’âż?” “᎔ á”á”˜á”‰ËąËą ᎔ á¶œá”’á”˜ËĄá”ˆ ʰᔃᔛᔉ á”ˆâ±âżâżá”‰Êłâ€Šâ€ Ëąá”–á”’âżá”á”‰ ᔇᔒᔇ ᔍᔒᔗ ᔒᔘᔗ ᔗʰᔉ ᶠᔒᔒᔈ ʰᔉ ᔐᔃᔈᔉ‧ â€œá”‚Ê°á”‰âż ᔈⁱᔈ ʞᔒᔘ ” “᎔ á”–Êłá”‰á”–á”ƒÊłá”‰á”ˆ ⁱᔗ ÊČá”˜Ëąá”— á¶ á”’Êł ʞᔒᔘ ᔃ˹ ʞᔒᔘ Ê·á”‰Êłá”‰ Ëąá”—â±ËĄËĄâ€Šâ€ á”†á”–á”’âżá”á”‰áŽźá”’á”‡ á”ˆâ±á”ˆâżâ€™á”— á”âżá”’Ê· ᔗʰᔉ Êłâ±á”Ê°á”— Ê·á”’Êłá”ˆâ±âżá” á”—á”’ Ëąá”ƒÊžâ€§ â€œÊžá”’á”˜â€™Êłá”‰ ˹ᔗⁱ˥˥ Ê·á”‰Êłá”‰âżâ€™á”— ᔘᔖ, ⁿᔒᔗ ᔘᔖ ʞᔉᔗ?” á”†á”–á”’âżá”á”‰áŽźá”’á”‡ á”ƒâżËŁâ±á”’á”˜ËąËĄÊž ᔃʷᔃⁱᔗᔉᔈ Ê°â±Ëą Êłá”‰Ëąá”–á”’âżËąá”‰â€§ â€œáŽŹÊ°, Ê·á”‰ËĄËĄ á”—Ê°á”ƒâżá”Ëą?” ᎎᔉ ˹ᔃⁱᔈ Ëąá”’á”á”‰Ê·Ê°á”ƒá”— á”‡á”ƒËąÊ°á¶ á”˜ËĄâ€§ á”†á”˜á”ˆá”ˆá”‰âżËĄÊž, ᔗʰᔉ á”–Ê°á”’âżá”‰ Ëąá”—á”ƒÊłá”—á”‰á”ˆ Êłâ±âżá”â±âżá”â€§ “ʞᔒᔘ á¶œá”ƒâż ᔏᔉᔉᔖ á”‰á”ƒá”—â±âżá”; ᎔’˥˥ ᔍᔉᔗ ⁱᔗ!” á”†á”–á”’âżá”á”‰áŽźá”’á”‡ á”á”‰âżá”—ËĄÊž ᔖᔃᔗᔗᔉᔈ ʰⁱᔐ ᔃⁿᔈ Ê·á”‰âżá”— á”—á”’ ᔖⁱᶜᔏ ᔘᔖ ᔗʰᔉ á”–Ê°á”’âżá”‰â€§ “Ꮁʰ á”†á”–á”’âżá”á”‰áŽźá”’á”‡, Êžá”’ á”á”’âżâżá”ƒ á”ƒá”—á”—á”‰âżá”ˆ Ê·á”’Êłá” á”—á”’á”á”’ÊłÊłá”’Ê·? ᎔ âżá”‰á”‰á”ˆ ᔐᔉ á¶ ÊłÊžá¶œá”’á”’á”â€Šâ€ áŽčÊłâ€§ áŽ·Êłá”ƒá”‡Ëą; ᔒᶠ á¶œá”’á”˜ÊłËąá”‰â€§ â€œá”‚á”‰ËĄËĄ áŽčÊłâ€§ áŽ·Êłá”ƒá”‡Ëąâ€Šâ€ â€œá”†á”–á”’âżá”á”‰áŽźá”’á”‡, ᔗʰᔉ áŽ·Êłá”˜Ëąá”—Êž áŽ·Êłá”ƒá”‡ âżá”‰á”‰á”ˆËą ʞᔉ!” ᔆᔒ ᔈⁱᔈ áŽŸËĄá”ƒâżá”á”—á”’âżâ€§ “᎔’ᔐ ˹ᔗⁱ˥˥ ᔃ ᔇⁱᔗ á”—á”’ ËąÊ°á”ƒá”Êž á”—á”’ ᔈᔒ ᔐʞ ÊČᔒᔇ Ê·á”‰ËĄËĄ?” á”†á”–á”’âżá”á”‰áŽźá”’á”‡ Ëąá”ƒâ±á”ˆâ€§ “᎔ ᔍᔒᔗ Êłâ±á”ˆ ᔒᶠ ᔗʰᔉ ⁱⁿᔛᔉⁿᔗⁱᔒⁿ á”‡á”‰á¶ á”’Êłá”‰ ⁱᔗ ᔍᔒᔗ ᔗʰᔉ á¶ á”’Êłá”á”˜ËĄá”ƒá”‰â€§â€ â€œá”‚á”‰ËĄËĄ, ᎔’ᔐ ʰᔃᔖᔖʞ á”—á”’ Ê°á”‰á”ƒÊłâ€Šâ€ “ᎎᔃᔛᔉ ʞᔉ ˹ᔉᔉⁿ á”–â±á”–Ëąá‘«á”˜á”‰á”ƒá”, á”†á”–á”’âżá”á”‰áŽźá”’á”‡?” ᎎᔉ ËĄá”’á”’á”á”‰á”ˆ á”’á”›á”‰Êł ᔃᔗ áŽŸËĄá”ƒâżá”á”—á”’âżâ€§ â€œáŽžá”’á”—Ëą ᔒᶠ ᔗⁱᔐᔉ˹!” ᎞ᔃᔘᔍʰᔉᔈ á”†á”–á”’âżá”á”‰áŽźá”’á”‡â€§ “᎔ á”á”‰á”ƒâżá”— Ëąâ±âżá¶œá”‰ ᔗʰᔉ á”ƒá¶œá¶œâ±á”ˆá”‰âżá”—!” â€œáŽŹÊ·, ⁱᔗ’˹ âżâ±á¶œá”‰ á”—á”’ Ê°á”‰á”ƒÊł ʞᔒᔘ á¶œá”ƒÊłá”‰ á¶ á”’Êł áŽŸËĄá”ƒâżá”á”—á”’âżâ€Šâ€ “᎔ ” “áŽčÊłâ€§ áŽ·Êłá”ƒá”‡Ëą ᎔ ᔍᔒᔗ á”—á”’ ᔍᔒ á”—á”’ ᔇᔉᔈ ᔇʞᔉ!” to be cont. pt. 4
new plongebob plabscore fraternisation
áŽŽá”‰Êł á”†á¶œá”ƒÊłá”‰ âœá”†á”–á”’âżá”á”‰áŽźá”’á”‡ á¶ á”ƒâżá¶ â±á¶œâŸ áŽŸËĄá”ƒâżá”á”—á”’âż ˥ᔉᶠᔗ ᔃ á”—Êłá”ƒâ±ËĄ ᔒᶠ Ê°â±Ëą á”’Ê·âż á”‡ËĄá”’á”’á”ˆ ᔒⁿ ᔗʰᔉ á”Êłá”’á”˜âżá”ˆâ€§ áŽ·á”ƒÊłá”‰âż ᔗʰᔉ á¶œá”’á”á”–á”˜á”—á”‰Êł ʷⁱᶠᔉ Ëąá”ƒÊ· áŽŸËĄá”ƒâżá”á”—á”’âżâ€™Ëą á”‡ËĄá”‰á”‰á”ˆâ±âżá”â€§ â€œá”†Ê°á”‰ËĄá”ˆá”’âżâ€§â€§â€ â€œáŽ·á”ƒÊłá”‰âż, ᎔ á”—Êłâ±á”‰á”ˆâ€§ ᎌʰ ᎔ ˥ᔒᔛᔉ ʞᔒᔘ‧ ᎔’ᔐ Ëąá”’ÊłÊłÊžâ€§ ᎎᔒʷ ᎔ ˥ᔒᔛᔉ ʞᔒᔘ ” áŽ·á”ƒÊłá”‰âż ᔖⁱᶜᔏᔉᔈ ʰⁱᔐ ᔘᔖ ⁱⁿ Ê°á”‰Êł Ê°á”ƒâżá”ˆËąâ€§ â€œá”†Ê°á”‰ËĄá”ˆá”’âż ᎔ âżá”‰á”‰á”ˆ ʞᔒᔘ á”—á”’ Ëąá”—á”ƒÊž ʷⁱᔗʰ ᔐᔉ ᔃⁿᔈ ˥ⁱ˹ᔗᔉⁿ; ʞᔒᔘ ËĄá”’Ëąá”— ᔃ ËĄá”’á”— ᔒᶠ á”‡ËĄá”’á”’á”ˆâ€§â€§â€ â€œÊžá”’á”˜â€™Êłá”‰ ᔍᔒᔒᔈ, Ëąá”’ ᔍᔒᔒᔈ á”—á”’ ᔐᔉ ” áŽŸËĄá”ƒâżá”á”—á”’âż ᶠᔃᔈᔉᔈ ᔃ˹ ʰᔉ á”˜Ëąá”‰á”ˆ ᔃ˥˥ ËĄá”ƒËąá”— á”‰á¶ á¶ á”’Êłá”— á”—á”’ Ê°â±Ëą ʷⁱᶠᔉ‧ “᎞ᔒᔛᔉ ʞᔒᔘ‧‧” ˹ᔃⁱᔈ áŽŸËĄá”ƒâżá”á”—á”’âż ᔃ˹ Ê°â±Ëą ᔉʞᔉ á¶œËĄá”’Ëąá”‰á”ˆ ËąÊ°á”˜á”— ᔒᶠᶠ á”—á”’ ᔗʰᔉ Ê·á”’ÊłËĄá”ˆâ€§ ᔀʰᔉ ËĄá”ƒËąá”— á”—Ê°â±âżá” ʰᔉ á”âżá”‰Ê· Ê°á”‰á”ƒÊłËą â€˜á”†Ê°á”‰ËĄá”ˆá”’âż ʷᔃᔏᔉ ᔘᔖ’ á¶ Êłá”ƒâżá”—â±á¶œá”ƒËĄËĄÊž ᔇʞ áŽ·á”ƒÊłá”‰âżâ€§ áŽ·á”ƒÊłá”‰âż ʷᔃᔗᶜʰᔉᔈ Ê°á”‰Êł á”’Ê·âż Ê°á”˜Ëąá”‡á”ƒâżá”ˆ á”ˆÊžâ±âżá” ËĄâ±á”á”–ËĄÊž ⁱⁿ Ê°á”‰Êł Ê°á”ƒâżá”ˆËą á”ƒá¶ á”—á”‰Êł Êłá”‰á”—á”˜Êłâżâ±âżá” á¶ Êłá”’á” ᔗʰᔉ áŽ·Êłá”˜Ëąá”—Êž áŽ·Êłá”ƒá”‡â€§ “ᎌʰ áŽŸËĄá”ƒâżá”á”—á”’âż; ⁿᔒ, ʷᔃᔏᔉ ᔘᔖ! áŽ¶á”˜Ëąá”— á”–ËĄá”‰á”ƒËąá”‰, á¶ á”’Êł ᔐᔉ ” áŽ·á”ƒÊłá”‰âż á¶œÊłâ±á”‰á”ˆâ€§ ᔆʰᔉ âżá”‰á”‰á”ˆá”‰á”ˆ á”—á”’ ᔃᶜᔗ á¶ á”ƒËąá”—â€§ ᔆʰᔉ ᔗᔒᔒᔏ Ê°á”‰Êł ˥ⁱᶠᔉ˥ᔉ˹˹ Ê°á”˜Ëąá”‡á”ƒâżá”ˆ á”—á”’ á”—Ê°á”‰â±Êł ËĄá”ƒá”‡â€§ “ʞᔒᔘ ᔍᔒᔗᔗᔃ ʰᔃᔛᔉ Ëąá”’á”á”‰â€Šâ€ áŽ·á”ƒÊłá”‰âż á”–á”ƒá”˜Ëąá”‰á”ˆ ᔃ˹ ËąÊ°á”‰ ËĄá”’á”’á”á”‰á”ˆ á¶ á”’Êł ʷʰᔃᔗ ᔐⁱᔍʰᔗ Ê°á”‰ËĄá”–â€§ ᔆʰᔉ ᔖᔘᔗ Ê°â±Ëą ᔇᔒᔈʞ ᔒⁿ ᔗʰᔉ á”—á”ƒá”‡ËĄá”‰ ᔃ˹ ËąÊ°á”‰ á”–Êłá”‰á”–á”ƒÊłá”‰á”ˆ ᔃ á”á”ƒá¶œÊ°â±âżá”‰ ᔒᶠ Ê°â±Ëą ËąÊ°á”‰ Ëąá”ƒÊ· ʰⁱᔐ á”˜Ëąá”‰ á”‡á”‰á¶ á”’Êłá”‰â€§ “᎔ á”âżá”’Ê· ʞᔒᔘ á”‡á”˜â±ËĄá”— ᔐᔉ ᔃ ˹ᔉⁿᔗⁱᔉⁿᔗ á”‡á”‰â±âżá” á”—á”’ ˥ⁱᶠᔉ Ëąá”’ âżá”’Ê· ˥ᔉᔗ ᔐᔉ Ê°á”‰ËĄá”– ʞᔒᔘ ᔍᔉᔗ ᔇᔃᶜᔏ Êžá”’á”˜Êł á”’Ê·âż ˥ⁱᶠᔉ ⁱⁿ Êłá”‰á”—á”˜Êłâżâ€§â€§â€ áŽ·á”ƒÊłá”‰âż ʰᔒᔒᔏᔉᔈ ᔘᔖ ᔗʰᔉ á”á”ƒá¶œÊ°â±âżá”‰ÊłÊž Ê·á”’ÊłÊłâ±á”‰á”ˆËĄÊžâ€§ “᎔ ʰᔒᔖᔉ ⁱᔗ Ê·á”’Êłá”Ëąâ€Šâ€ áŽŸËĄá”ƒâżá”á”—á”’âż ËąËĄá”’Ê·ËĄÊž á”’á”–á”‰âżá”‰á”ˆ Ê°â±Ëą ᔉʞᔉ ᔗᔒ‧ “ᔂᔃ, Ê·Ê°á”‰Êłá”‰â€Šâ€ â€œá”†Ê°á”‰ËĄá”ˆá”’âż á”’Ê° á”ËĄá”ƒá”ˆ Êžá”’á”˜â€™Êłá”‰ ᔃʷᔃᔏᔉ áŽŸËĄá”ƒâżá”á”—á”’âż!” áŽ·á”ƒÊłá”‰âż Ëąá”ƒÊžËąâ€§ â€œáŽ¶á”˜Ëąá”— á”âżá”’Ê· ᎔ ˥ᔒᔛᔉ ʞᔒᔘ‧‧”
new notknalP .J nodlehS/neraK doolb dlim 000.1 revO :tnuocdroW gnitanretlA VOP elpitluM VOP erog/ecneloiv fo snoitnem feirb notknalp nerak eracs reh

Warning: This item may contain sensitive themes such as nudity.

ᔀʰᔉ á¶œÊłá”ƒá”á”–Ëą âœá”†á”–á”’âżá”á”‰áŽźá”’á”‡ á¶ á”ƒâżá¶ â±á¶œâŸ "áŽŸËĄá”ƒâżá”á”—á”’âżâ€§â€§â€§" á¶œá”’á”á”–á”˜á”—á”‰Êł ʷⁱᶠᔉ áŽ·á”ƒÊłá”‰âż Ëąá”ƒÊ· Ê°á”‰Êł Ê°á”˜Ëąá”‡á”ƒâżá”ˆ ᶜᔒᔐᔉ ᔇᔃᶜᔏ ⁱⁿ ᔗʰᔉ ᶜʰᔘᔐ ᔇᔘᶜᔏᔉᔗ ᔃ˹ á”‡á”ƒÊłá”‰ËĄÊž Ê°á”’ËĄá”ˆâ±âżá” ᔘᔖ‧ "ᎏ˥˥ ᔐʞ á”á”˜Ëąá¶œËĄá”‰Ëą ᔃᶜʰᔉ‧‧‧" "á”†Ê°á”‰ËĄá”ˆá”’âż ᎔ á”—á”’ËĄá”ˆ ʞᔒᔘ ⁿᔒᔗ‧‧‧" "᎔ á”âżá”’Ê·!" ᔆʰᔉ Ëąá”ƒÊ· Ê°á”’Ê· ʷᔉᔃᔏ ʰᔉ Ëąá”‰á”‰á”á”‰á”ˆ âżá”’Ê·âžŽ á”‰ËŁÊ°á”ƒá”˜Ëąá”—á”‰á”ˆ ᔃⁿᔈ âżá”‰á”‰á”ˆâ±âżá” á”—á”’ Êłá”‰Ëąá”— ᔘᔖ‧ "Ꮀᔒ ʞᔒᔘ Ê·á”ƒâżá”—â€§â€§â€§" "᎔⁻᎔'ᔐ ᔗ⁻ᔗᔒ á”—â±Êłá”‰á”ˆâ€§â€§â€§" áŽŸËĄá”ƒâżá”á”—á”’âż Ëąá”ƒÊžËąâ€§ ᔆʰᔉ Êłá”‰á”ƒá¶œÊ°á”‰á”ˆ ᔒᔘᔗ á”—á”’ ʰⁱᔐ ᔇᔘᔗ á”–á”˜ËĄËĄá”‰á”ˆ ᔇᔃᶜᔏ Ê·Ê°á”‰âż ʰᔉ ˥ᔉᔗ ᔒᔘᔗ ᔃ Êžá”‰ËĄá”–â€§ ᔆʰᔉ âżá”‰á”‰á”ˆá”‰á”ˆ á”—á”’ ᔍᔉᔗ ʰⁱᔐ á”—á”’ Ê°â±Ëą ˹ᔒᶠᔗ ᔇᔉᔈ â±á”á”á”‰á”ˆâ±á”ƒá”—á”‰ËĄÊžâ€§ "á¶œá”ƒâż ʞᔒᔘ ᔐᔃᔏᔉ ⁱᔗ á”—á”’ Êžá”’á”˜Êł ᔇᔉᔈ á”’Êł?" "᎔ᔗ Ê°á”˜Êłá”—â±âżâ€™ ÊČá”˜Ëąá”— á”—á”’ ᔉᔛᔉⁿ ᔐᔒᔛᔉ‧‧" áŽŸËĄá”ƒâżá”á”—á”’âż'Ëą ᔉʞᔉ ˥ⁱᔈ ᶠᔉ˥ᔗ ʰᔉᔃᔛʞ‧ "Ꮀᔒⁿ'á”— ᶠⁱᔍʰᔗ ⁱᔗ áŽŸËĄá”ƒâżá”á”—á”’âż ᔇᔘᔗ á”˜Ëąá”‰ á”ƒâżÊž á”‰âżá”‰Êłá”Êž ˥ᔉᶠᔗ á”—á”’ ᔍᔉᔗ á”á”’â±âżá”â€§" ᔆʰᔉ á”á”ƒâżá”ƒá”á”‰á”ˆ ᔇᔒᔗʰ ᔒᶠ ᔗʰᔉᔐ á”—á”’ ᔍᔉᔗ ʰⁱᔐ ⁱⁿ Ê°â±Ëą ᔇᔉᔈ‧ "ʞᔒᔘ á¶œá”ƒâż ᔍᔉᔗ ˹ᔒᔐᔉ Êłá”‰Ëąá”— ᔉᔛᔉⁿ ᔗʰᔒᔘᔍʰ ⁱᔗ'Ëą ⁿᔒᔗ ᑫᔘⁱᔗᔉ ᔇᔉᔈ ᔗⁱᔐᔉ ʞᔉᔗ‧ Êžá”’á”˜Êł ᔇᔒᔈʞ âżá”‰á”‰á”ˆËąâ€§â€§â€§" áŽ·á”ƒÊłá”‰âż'Ëą Ëąá”ƒÊžâ±âżá” ᔇᔘᔗ Ê°â±Ëą ᔉʞᔉ ËąËĄâ±á”–á”–á”‰á”ˆ á¶œËĄá”’Ëąá”‰á”ˆâ€§ á”€á”˜á¶œá”â±âżá” áŽŸËĄá”ƒâżá”á”—á”’âż ⁱⁿ âżá”’Ê·âžŽ Ê°â±Ëą á¶ â±á”á”˜Êłá”‰ Êłá”‰ËĄá”ƒËŁá”‰á”ˆ ᔃ˹ ËąÊ°á”‰ á”—á”˜Êłâżá”‰á”ˆ ᔒᶠᶠ á”—Ê°á”‰â±Êł ËĄá”ƒá”á”–â€§ á¶ á”ƒá¶œâ±á”ƒËĄ á¶ á”‰á”ƒá”—á”˜Êłá”‰Ëą ËąËĄá”ƒá¶œá” ˥ᔃˣ á”—á”’ á¶ â±âżá”ƒËĄËĄÊž ᶠᔉᔉ˥ ˥ᔉ˹˹ á”–á”ƒâ±âżâ€§ "ᎏ˥˥ á”‡á”‰á”—á”—á”‰Êł?" áŽ·á”ƒÊłá”‰âż á”ƒËąá”á”‰á”ˆ ʰⁱᔐ‧ 'áŽŸËĄá”ƒâżá”á”—á”’âż' ËąÊ°á”‰ Ëąá”—á”ƒÊłá”—á”‰á”ˆ á”—á”’ á”á”‰âżá”—á”ƒËĄËĄÊž á”—Ê°â±âżá” ᔇᔘᔗ Ëąâżá”’Êłâ±âżá” á”ƒâżËąÊ·á”‰Êłá”‰á”ˆ á¶ á”‰Êłâ€§ đ°đšđ«đ 𝐜𝐹𝐼𝐧𝐭: 𝟏𝟕𝟓
new Karen/Sheldon J. Plankton POV Karen crampscore crampcore achecore tiredcore karen plankton sleepicore napcore Sleep & Naps loud snoring the cramps
There are different types of sedatives that use to numb you, each serving a different purpose. IV Sedation IV means intravenous. It means the doctor ınjectıons the drvg straight into your bloodstream. Dentists often use IV because of it's excellent success rate. After ınjectıons, it puts the patient in a ‘twilight sleep’ state. IV sedation is the typical option. This is what can happen to a patient on IV: IV sedation dentistry produce either partial or full memory loss during the dental procedure. This means time will seem to pass very quickly and you will not recall much of what happened. The patient is awake and aware of the surroundings. They are also responsive. The patient feels comfortable and relaxed throughout the whole procedure. So relaxed, in fact, that they might not be aware they’re undergoing one. It causes temporary amnesia and a state of ‘h͞igh’. There’s a reason IV is a popular option in dental operations. It works, and it works like a dream (pun intended). But for it to be effective, the patient must fast before coming in. Coming in with a full stomach can render the drvg ineffective. Most people who receive IV sedation dentistry fall asleep and have little to no memory of their treatment when they wake up. Inhalation Sedation Inhalation Sedation: This introduces a state of relaxation. This is a conscious sedation method that is fast-acting and with few side effects. Contrary to popular belief, inhalation sedation gas doesn’t make you burst into a giggle fit. It is a light anesthetic unlike IV. It also doesn’t work as well, but it still gets the job done for a quicker and relatively painless experience. This is what happens if you’re sedated using laughing gas: The patient experiences a euphoric sensation much like that with IV. But the effects are not as pronounced as the former. Laughing gas may cause a bit of amnesia, but the patient will still be remembering most of the procedure. It can make a patient dizzy, but they can still be awakened. Those who might have concerns about laughing gas can rest easy. It’s mild in comparison to IV, so you won’t be laughing out of control like anytime soon. Different sedation options offer varying levels of effects. Say, if you know you’re going for IV, ask somebody to accompany you. IV is potent enough to render you unable to go home on your own. General anesthesia is a type of unconscious sedation. In other words, you’ll be completely unconscious during the procedure. You’ll be asleep when you’re under sedation and not feel any paın during your treatment. It’s like taking a nap! Some sedation makes you quite groggy, and you may even fall asleep. But you’ll still be able to communicate with your dentist if necessary, and you’ll awaken with a gentle nudge. Because sedation temporarily affects your memory and motor skills, you’ll need a friend or family member to drive you home after your procedure.
new dentalcore dentistcore napcore gascore sleepcore anaesthesia
Broken 1/2 (I’m a neurodivergent author) "Karen's going to love the surprise," Sandy murmured to herself. Sandy had spent hours the previous night crafting the perfect surprise for her friend, Karen. It’s a game, and she thought about the delight. As Sandy approached, the anticipation grew. She felt her heartrate spike, her hand curling around the doorknob. The door swung open with a gentle creak, and there was Karen. "Sandy!" she exclaimed, throwing her arms around her friend in a warm embrace. “Come on in!” They moved into the living room. "Ready for the surprise?" Sandy whispered, her eyes sparkling with excitement. Karen nodded, curiosity piqued. Sandy pulled out the game called "Whimsical Wonders," and it promised an adventure filled with puzzles, riddles, and laughter. She had picked it out especially for Karen, who loved nothing more than a good brain teaser. Plankton, Karen's husband, wanders in. "Sandy made a new game!" Karen says, her voice filled with excitement. "Oh really?" Plankton says. Sandy nods eagerly, setting the game board on the coffee table. "This looks amazing!" Karen says, lighting up. "Let's get started!" Sandy says, her voice brimming with excitement. The two friends eagerly begin setting up the game. As they place the pieces, their laughter fills the air, mingling with the occasional squeal of excitement. Plankton, however, watches from the armchair with a furrowed brow, the cacophony of sounds and the flurry of activity around the game table gradually weighing on him. His senses, heightened by the sudden influx of stimuli, start to overwhelm him. Sandy rolls the dice and her voice cracks with excitement as she announces her first move. "I'll take the unicorn path!" she exclaims, moving her piece with a flourish. The room seems to vibrate with her enthusiasm, the very air charged with it. But amidst the excitement, Plankton's eye starts to glaze over. Karen, caught up in the moment, doesn't notice the change in Plankton's demeanor yet. Sandy, lost in the thrill of setting the stage for their adventure, doesn't pick up on Plankton's distress. "Your turn, Karen!" Sandy suddenly squeals. Karen looks up from her piece and sees Plankton's eye now glazed over, his body completely still. "Plankton?" she asks tentatively, her smile faltering; the sensory overload from the game is becoming too much for Plankton, who grows overwhelmed and unresponsive from his armchair. "You ok?" Sandy says, turning to him, her voice still filled with the energy of the game. But Plankton doesn't respond. His eye remains unfocused, vacant, his body rigid. "What's wrong?" she asks, her smile fading as she notices Plankton's unresponsive state. Karen lowers her voice to a whisper, "It's like he zones out for a bit." Sandy's eyes widen with concern, and she immediately sets down the game piece. "Huh?" Karen nods reassuringly, "He'll be fine in a minute." She gently pats Plankton's hand, her voice calm and soothing. "It happens sometimes when things get too... much for him. This happens sometimes when he's overstimulated." Sandy's heart skips a beat. Plankton's face remained slack, eye staring into the middle distance, unblinking. "It's ok," Karen whispers, voice steady, "Just give him some space." Sandy nods, her excitement replaced with concern. She's never seen Plankton like this before. She watches as Karen gently strokes Plankton's arm. "It's ok," Karen repeats, her voice a gentle lullaby. "These happen when there's too much going on, too much to take in." Sandy nods, eyes never leaving Plankton's frozen form. She feels a twinge of guilt for not realizing sooner that something was amiss. She had been so caught up in excitement of the game, she didn't notice signs of distress. Moving closer to the chair where Plankton sat, she tentatively reaches out a hand to touch his shoulder like the way Karen is doing, but Karen stops her. "Let me," she says gently, never leaving her husband. "I know his triggers." Sandy nods. She withdraws, giving space. "I'm sorry," she says softly. "I didn't know." Karen nods, never leaving Plankton. "It's ok. We manage. It's part of his
 condition." Sandy watches as Karen's gentle touch seems to bring him back to reality. Plankton blinks. "Plankton?" Karen whispers. Slowly, his gaze refocuses on her. He looks around the room, momentarily disoriented before his eye land on the game spread out on the table. He looks back at Karen, his expression a mix of confusion and embarrassment. "What happened?" he asks, his voice hoarse. "You had a little episode," Karen says, her voice still calm. She helps him to his feet. "But you're ok now." Sandy's eyes dart between the two of them, feeling like an intruder in this intimate moment of care. She clears her throat awkwardly. "Maybe we should... postpone the game?" But as Plankton's gaze locks onto hers, she sees the anger in his eye, raw and unbridled. "You did this," he says accusingly, voice tight with frustration. Sandy takes a step back. "I didn't mean to," she stammers, her hands rising defensively. "You didn't mean to?" Plankton echoes, his voice rising. "You come in, all bright-eyed and bushy-tailed with your loud games and expectations, and you don't think about how it might affect me?" Sandy's eyes widen with shock and guilt as she takes another step back. "I-I'm sorry, Plankton," she stammers. "I didn't know it would—" "Of course you didn't," Plankton interrupts, filled with bitterness. Sandy's heart sinks as she realizes the gravity of the situation. "I didn't mean to overwhelm you," she says, her voice small and apologetic. Karen's grip on Plankton's arm tightens, a silent plea for calm, but the words have been said. The air feels thick with tension, the joyous anticipation of the game forgotten. Sandy's eyes fill with tears, her heart racing. "Plankton, please," she says, her voice shaking. "It’s not my fault. I'd never want to hurt you." "It's what you want, isn't it?" Plankton snaps, pushing away from her. "That's not true," Sandy protests, her own voice rising in defense. "I just wanted to have some fun." Karen's screen darts between them, a silent plea for peace. But Plankton's anger is a storm that can't be quieted so easily. "You think it's fun for me?" he yells, his voice cracking with frustration. "To sit here and watch you live life without a care while I'm stuck in my own head, unable to keep up?" Sandy flinches, his words hitting her like a slap in the face. She never thought about it that way before. "I just wanted to help," she says, her voice barely a whisper. "Help?" Plankton scoffs. "How is bringing this... this... chaos into our lives supposed to help?" He gestures at the game, his hand shaking with anger. Sandy feels the heat rising in her own cheeks, a mix of embarrassment and anger at being misunderstood. "It's not chaos, it's just a game," she says, her voice firm despite the tremor. "To you, maybe," Plankton says, his words laced with venom. "But to me, it's just another thing that's too much to handle. Too loud, colorful, too... everything." Sandy feels her own anger flare up, the hurt of his accusations stinging deep. "You don't know what you're talking about," she says, her voice rising to match his. "Oh, don't I?" Plankton counters, eye flashing. "You think you can just waltz in and ignore my needs because you're so focused on your own fun?" Sandy feels a mix of indignation and regret. "That's not fair," she protests, cracking. "You know I didn't mean to—" But Plankton isn't listening. He's in the throes of anger now, voice rising. "Fair?! You have no idea what fair is," he says, eye flashing. "You don't have to deal with the constant bombardment of sounds and lights and emotions!" Sandy's own frustration boils over. "Well maybe if you try to understand, we could—" "Understand?" Plankton cuts her off, his voice now a roar. "How can you possibly understand?" Sandy's eyes flash with indignation. "You're not the only one with problems!" she shoots back. "You think I don't know?" Plankton retorts. "Everyone has their struggles, but you don't get to barge in here and make them about you!" "It wasn't about me!" Sandy exclaims, her voice shaking. "I just wanted to do something nice.." "What about the fact that your 'nice' thing almost sent me into a full-blown seizure?" Sandy's eyes flash with anger now, her hands balled into fists at her sides. "You know what, Plankton? You're right, I don't understand," she says, her voice trembling with emotion. "But maybe if you weren't so focused on being the center of attention with your 'poor me' routine, you could see I'm just trying to be a good friend!" Plankton's eye widen in shock at her outburst as he processes her words. "You think this is about attention?" he says, his voice incredulous. "It's about trying to find a way to exist in a world that's too much for me!" Sandy's eyes fill with tears of frustration as she glares at Plankton. "And what? I'm not allowed to live because it's too much for you?" she yells back, the words cutting through the tension like a hot knife through butter. "I can't help that I'm not BROKEN like You!" Sandy says before realizing it with regret. Karen's pixelated eyes widen in horror. "Sandy," she says, her voice a warning whisper. But too late. The damage is done. A tear traces a path down his cheek. His eye, once full of anger, brims with hurt. He takes a step back. "Broken," he whispers, the word echoing in the tense silence of the room. Plankton's body sags, his anger dissipating like a popped balloon, leaving only pain in its wake. His eye glisten with unshed tears.
new karen plankton plaren aicore broken
Broken 2/2 (I’m a neurodivergent author) Plankton's body sags, anger dissipating. His eye glisten with tears. "Broken," he repeats, his voice barely a whisper, the word a knife to his soul. He shakes his head and turns, unable to face the person who so casually tossed it at him. "Plankton," Karen says, her voice strained, but he's already retreating. Shoulders hunched, Plankton turns and strides out of the room, footsteps heavy and deliberate. The door to the bedroom slams shut behind him, the echo of sobs resonating through. Sandy and Karen are left standing in the living room, the air thick with unspoken words and unshed tears. "I didn't mean it like, I cannot believe I just, I’m sorry," Sandy says, voice shaky. She looks at her friend, her eyes pleading for understanding. "I..." Karen's gaze is steely. "You need to understand," she says firmly, voice trembling with weight. "Plankton was born with a neurodivergent condition." Sandy's eyes widen. "What?" she whispers. Karen nods solemnly. "Plankton's mother was in a car accident when pregnant with him." Sandy's eyes widen in horror. "I had no idea," she whispers. Karen nods, her own eyes brimming with unshed tears. "After, doctors saw Plankton's brain developing differently," she explains, her voice tight with emotion. "He's incredibly sensitive to stimulation—sounds, lights; strong emotions, like just now, can overwhelm him." "That's why he gets these... episodes?" Sandy asks. Karen nods, voice barely above a whisper. "It caused damage to the part of his brain that processes stimuli during development," she explains. "It's like his brain's volume knob is stuck on high. Everything's just too much for him sometimes." Sandy's mind races. "So that's why..." "Yes," Karen says, voice heavy. "It's not something he can just turn off, or ignore." Sandy nods slowly, aching for her friend's husband. She had always known Plankton as a bit of an introvert, but never thought it was mostly because of something like this. Karen's sad, but firm. "It's not your fault for not knowing," she says. "But you have to be mindful." Sandy nods, throat tight. "I do," she whispers with regret. Together, they make their way to the bedroom, the game forgotten in the wake of Plankton's pain. Karen's hand is a gentle guide on Sandy's arm as they tiptoe, steeling herself for what might be on the other side. She opens it slowly, the hinges whispering in protest. The bedroom is dim, curtains drawn, and Plankton is there, lying on the bed, his eye closed. The anger and frustration that had etched lines into his face moments ago are now eased by sleep. His chest rises and falls with rhythm of breathing, the only sound in the room. Sandy feels a pang of guilt as she looks at him. She had never meant to cause pain, never intended to make life more difficult. She just wanted to bring a little joy, whimsy into their lives; instead, she had unleashed a storm. Karen's hand tightens around Sandy's arm, a silent reminder of the unspoken bond between them. "Let him rest," Karen murmurs. Sandy nods. "Give him space," Karen says gently. "He needs to recover." Sandy nods, gaze lingering on Plankton's face, features now in sleep. She feels a pang of guilt, knowing she was the cause of distress. They retreat to the living room. Karen sighs heavily, her eyes reflecting a mix of sadness and resignation. "Why didn't you tell?" Karen sighs. "It's not something we talk about," she says softly. "Plankton's been self-conscious about it." "I didn't mean to make things worse," Sandy says with remorse. "I know, yet you have to understand, Plankton's condition is part of him. It's not something that can be fixed with a band-aid; his brain damage is irreversible." "I'll talk to him when he wakes up," she says, her voice a mix of determination and sorrow. "I want to make it right." Karen squeezes her hand, offering a small smile. "Thank you," she whispers. "But let him come to you. He needs time." Sandy feels the weight of her mistake heavily. "Part of Plankton's condition includes mood swings," Karen explains softly. "When overstimulated, it's like a dam breaks. It just floods." Sandy's heart squeezes with understanding and regret. "I didn't know," she whispers, eyes filling with tears. "I never meant to—" "It's ok," Karen interrupts gently, her voice soothing. "But it's not just about the game. Plankton's condition makes it hard for him to handle sudden changes or unexpected situations." Sandy nods, the gravity of the situation settling in. "I didn't realize," she says, her voice thick with guilt. "I just..." Karen squeezes her hand. "It's alright," she says, her voice calm and soothing. "You couldn't have known. But now that you do, it's important to stay calm around him." Sandy nods, eyes wide with the realization. "How do I make sure not make things worse?" Karen looks at her with a mix of affection and weariness. "You just need to be patient and understanding," she says. "Let him know you're there for him, without pushing." Sandy nods. Finally, Plankton emerges from the bedroom, eye red-rimmed. He looks at them both, his gaze uncertain, and then to the game. Sandy's heart clenches as she watches him. Plankton's gaze lingers on the game for a moment before he looks at them, his expression unreadable. "I'm sorry, I didn't mean to ruin everything." Sandy's heart breaks at his words. "You didn't ruin," she says quickly, filled with compassion. "I should have been more considerate." Plankton looks at her, still guarded. "I just want to be normal but I just can't handle it, like you said I’m broken.." Sandy feels her heart ache at his words, the pain in his voice resonating deep within. She shakes her head, her own eyes now filled with tears. "You're not broken," she says fiercely. "You're just... different. And that's ok. I’m sorry." Karen moves to Plankton's side, wrapping her arms around him in a gentle embrace. "You are more than ok," she whispers. "You're perfect, just the way you are." Sandy watches them, feeling the depth. "I didn't mean it, Plankton," she says, her voice thick with emotion. "You're not broken, you're just... you. I know that now." Plankton nods, his mind a tumult of thoughts. "But it's hard to hear." "I'll be more careful," she promises, her voice sincere. "I don't want to make you feel like that again." "You didn't know," he says, his voice a bit softer now. "But it's important that you do now." "I do know," she says, her voice firm. "And I'll make sure to be more mindful." Karen squeezes Plankton's hand, filled with love and compassion. "We all have moments," she says gently. "What matters is we learn from them." Sandy nods, gaze never leaving Plankton's. "I will," she says solemnly. "I promise." Plankton's expression softens. "Thank you," he murmurs, the first signs of forgiveness seeping into his voice. Karen's gaze shifts to Sandy, filled with a gentle resolve. "Don't be afraid to ask, next time," she says, a quiet command. "Don't assume you know what he can handle. Just talk to us, and we can tell you." Sandy nods, feeling the weight of her friend's words. "I will," she says, voice a solemn promise. "I don't want to make him feel like that again." The three of them stand in the living room, the game pieces on the table a stark reminder of the chaos that had unfolded. Sandy takes a step closer to Plankton, her hand reaching out tentatively. He looks up at her, the anger and pain in his eye slowly being replaced with something resembling understanding. "I'm sorry," she whispers again, hand hovering in the air between them. "I'll do better." Karen nods with a mix of sadness and love. "We're all learning," she says, her voice a gentle reprimand. "But it's important that Plankton needs to be part of this conversation too." Sandy swallows hard, her hand dropping to her side. "I'm sorry," she says again, looking down at her feet. "I didn't mean to make it about me." Plankton nods slowly, eye still on the game board. "It's not," he says, quiet and measured. "It's about understanding limits." Sandy nods, eyes glistening with unshed tears. "I just want to make sure you know that I'm here for you, for both of you, any time." Karen gives her a sad smile, still on Plankton. "We know," she says softly. "But sometimes, the best thing you can do for Plankton is to just... let him be." Sandy nods. "I'll take it home," she says, her voice thick with regret. "I don't want it to be a reminder of what happened." Karen nods, her gaze never leaving Sandy's. "Thank you," she whispers. Sandy moves to the coffee table, her eyes on the game. She gathers the pieces, the bright colors seemingly dulled by the events of the evening. Each piece feels heavier than it should, as if carrying the weight of Plankton's pain. "I'll put it away," she says, her voice quiet and remorseful. "I didn't mean for any of this to happen." Plankton nods, his eye not leaving the game. "I know," he says, his voice still raw. "But you can play it with Karen on one of the Gal Pal nights out when I’m not around, like at your treedome." Sandy nods, her eyes brimming with tears as she scoops the last of the game into the box. She closes it with a soft click and looks up at Karen. "I'm sorry," she whispers again. "I'm just... I'm sorry." Karen sighs, her gaze filled with a mix of sadness and resignation. "We all make mistakes, Sandy," she says gently. "What's important is that we learn from them." Sandy nods, her eyes never leaving the game box. "I will," she whispers, her voice thick with regret. "I'll be more considerate next time." Karen's gaze softens, and she squeezes Sandy's hand. "Thank you," she murmurs. "It means a lot."
new karen plankton plaren aicore broken
CHIP OFF THE OLD TALKS i (Autistic Author) Karen went to the park. Her husband, Plankton, sat by her. Karen glanced over and saw the soft smile on his face, a smile that had greeted her every morning for the past twenty-five or so years. The park was alive with laughter, the distant sound of a ball bouncing off the pavement and the occasional squawk from a seagull. Plankton's eye were closed, his breathing slow and steady. He was enjoying the warmth of the afternoon sun on his face. Suddenly, their adopted son Chip burst into their peaceful scene, his cheeks flushed from running. He was holding a frisbee that had strayed from its intended path, and he called out to them with the enthusiasm of a young boy who had discovered something wonderful. "Look what I found!" he exclaimed, oblivious to the delicate moment he was interrupting. Plankton jolts. Karen's notices her husband's sudden movement. His eye open wide, and he stares into the distance unseeing, unblinking. She knows the signs all too well. Plankton is having one of his shutdowns. But Chip's dart between the frisbee and his parents, sensing something amiss. "Dad?" Chip says, tentatively. Karen jumps up and grabs Plankton's arm, gently squeezing to bring him back. "It's ok, honey," she whispers, her voice steady. Chip's smile fades as he sees his father's unresponsive state. He drops the frisbee, forgotten in his grip, and takes a cautious step closer. "What's happening?" he asks, his voice cracking. Plankton's body remains eerily still, like a statue. The only indication that he's alive is the faint rise and fall of his chest as he breathes. Karen's eyes dart around the area, checking if anyone has noticed. She doesn't want to draw unwanted attention. "It's ok, Dad's just taking a little break," she murmurs, setting the frisbee aside. He's never seen these before, nor knows the drill. Chip takes in Plankton's unblinking gaze. Karen feels a pang of guilt for keeping this part of Plankton's condition hidden from their kid. But it's a dance they've been performing for years, trying to maintain a sense of normalcy amidst Plankton's condition. Karen focuses solely on Plankton, willing him to come back to her. She feels the warmth of his hand under hers, but there's no response, no squeeze, no recognition of her touch. Karen's gaze is fixed on her husband's face, searching for any hint of life, any flicker of consciousness. She whispers his name, a soft mantra, trying to anchor him to reality. But Chip doesn't understand. His eyes are wide, full of fear and confusion as he watches his dad frozen in place. "What's a 'little break'?" he asks, voice trembling. Karen's heart tightens; she's always shielded Chip, hoping to spare him the worry and fear. "It's like when you zone out," she explains gently, hoping to relate it to something he might have experienced. "Remember when you were playing video games and I had to call you for dinner three times before you heard me?" Chip nods slowly, still glued to Plankton's unmoving form. "It's like that," Karen continues, "But for Dad, it happens without warning." Chip nods again, trying to process this new information. He's always known his dad was different, but seeing him like this is something he's never had to face before. He takes a deep breath and tries to hold back his tears, not wanting to scare Plankton when he wakes up. "What do we do?" he whispers, his voice shaky. Karen squeezes Plankton's hand gently, never leaving his face. "Just wait," she instructs Chip calmly. "These usually don't last long. But if you need to, you can tell anyone who asks that he's okay, just deep in thought." Chip nods, trying to mimic his mother's calm demeanor, but his eyes betray his anxiety. He's never seen his dad like this, never knew that these moments of stillness were a part of him. Plankton's condition, a form of autism, can leave him with anger issues and overload. Karen feels the weight of the secret they've kept from Chip all these years. Plankton's autistic neurodivergence had always been a part of their lives, but they had shielded their son from the full extent of it. They had hoped he would understand when he was older, but now the moment had come unplanned, and she wasn't sure if ready. "Why does Dad zone out?" Chip asks, his voice small. Karen sighs, deciding it's time for the truth. She sits down next to Plankton, keeping her hand on his arm. "Dad has something called 'neurodivergence', Chip. It's like his brain works differently than ours. Sometimes it helps him see the world in amazing ways, but it can also be hard for him. These little breaks are his brain's way of processing." Chip stares at her, trying to grasp the concept. "So, he's not just ignoring us?" "No, sweetie," Karen says. "He's not ignoring us. It's like his brain needs a time-out, like when you play for to long and your phone heats up and/or dies, but will still work eventually." The wind picks up, rustling through the leaves above them, and a chill runs down Chip's spine. He nods slowly, watching his dad's chest rise and fall in the silence. It's strange to see someone so still, so quiet, yet so obviously alive. "But why haven't you told me before?" he asks, his voice barely above a whisper. Karen's eyes well up with tears she quickly blinks away. "We wanted to protect you," she admits. "I didn't want you to be scared and he doesn’t want you to think of him differently." "But it's okay to think differently," Chip argues, his voice growing stronger. "Dad's always been there for me, even if he doesn't hug me a lot." Karen smiles sadly, stroking Plankton's arm. "It's not just about thinking differently, Chip. It's about how his brain processes things. Sometimes, too much sensory input can overwhelm him. That's why he might seem distant or not as affectionate as other dads. It's not because he doesn't like you," she reassures him. "It's because hugging or loud noises can be really intense for him." Chip's eyes widen with understanding. "So, that's why he doesn't like it when I jump on him?" "Yes," Karen nods. "But it doesn't mean he loves you any less. He just shows it in his own way. Like when he spends hours helping you build that Lego castle, or when he makes those amazing sea creature sculptures that you love so much." Chip's shoulders slump, and he sits down on the bench beside his mother, staring at his dad with a newfound curiosity. "Does he know I know now?" "I don't think so, honey," Karen says, her voice still low and soothing. "These episodes usually last just a few minutes. It's like he's somewhere else, but he'll come back to us." The park's sounds swirl around them, muffled by the tension that has settled in the air. Karen watches Plankton's expression, waiting for the telltale twitch of his antennae that signals his return to the present. Finally, Plankton blinks and looks at Karen, his gaze momentarily unfocused before recognition floods back into his eye. He looks around, startled by his surroundings, and then at Chip, who is staring at him. "What happened?" Plankton asks, his voice groggy. Karen releases a breath she didn't realize she'd been holding. "You had one of your zoning-out moments," she says, her voice calm and gentle. Plankton looks at her, then at Chip, who is watching him with a mix of curiosity and fear. "I did?" Plankton's antennae twitch, and he rubs his head. "Yes," Karen says, her hand still on his arm. "Chip found a frisbee, remember?" Plankton's gaze shifts to the frisbee lying forgotten on the ground, then back to his son. He nods slowly, piecing the moments before together. "Ah," he murmurs, a hint of embarrassment crossing his face. Chip's curiosity outweighs his fear as he looks at his father. "Can I ask?" he asks tentatively. Karen nods, her heart swelling with pride at his bravery. "Of course, Chip." Chip looks at his dad, filled with questions. "Why’d you zone out?" he asks, his voice still hushed. "It's none of your business Chip," Plankton snaps, his eye flashing with a sudden fury that takes both Karen and Chip aback. His voice is harsh, the words cutting through the stillness of the park. Karen's heart sinks as she sees the hurt on Chip's face. Plankton's anger, a common side effect of his overload, surfaces without warning. She knows he doesn't mean it, but the sting is real for their son.
new chip off the old talks karen plankton autismcore i
A LIFE OF DIVERSITY ix (Autistic author) With newfound enthusiasm, Plankton began to organize the mini jellyfish in the box, his antennae quivering as he meticulously arranged them by species and size. Each figurine was carefully placed, his movements deliberate and precise. "Jellyfish... special," he murmured, his monotone voice filled with a hint of wonder. Sandy watched, her eyes shining with admiration. "You're really good at this," she said, her voice filled with warmth. "Good at jellyfish," Plankton murmured, antennae waving slightly with pride. "Plankton's special place." Sandy nodded, her tail swishing with excitement. "Yes," she said, her voice filled with encouragement. "You have a special place in the world, Plankton, and jellyfish are your thing." As Plankton continued to organize his new collection, his movements grew more animated, his antennae quivering with purpose. Each jellyfish was placed with such precision that it was as if they were living beings in a miniature ocean. His eye never left his task, his mind fully engrossed in the world of jellyfish. It was as if by organizing them, he was somehow bringing order to his own chaotic thoughts. "Plankton," Karen said softly, "I know this is a big change for you. But you know what? Maybe this is your chance to do something amazing with your life." Sandy nodded, her eyes shining. "Let's go outside." Plankton looked up from his box, his antennae twitching with excitement. "Outside?" "Yes, Plankton," Karen said, her smile warm. They made their way outside, with Plankton carrying his precious box of jellyfish figurines, his antennae quivering with excitement at the prospect of sharing his knowledge. The sun was setting, casting a warm glow over Bikini Bottom as the trio strolled down the sidewalk. Their peaceful evening was abruptly interrupted when they rounded the corner to find Mr. Krabs, his eyes wide with surprise at the sight of Plankton in the company of Karen and Sandy. "What's all this?" he barked, voice gruff. Plankton's antennae drooped slightly, but he held his ground, his box of jellyfish figurines clutched tightly. "Mr. Krabs," he murmured, monotone voice cracking. Mr. Krabs squinted at Plankton, his claw resting on his chin. "Well, if it isn't the little troublemaker," he said with a gruff chuckle. "What brings you out of the Chum Bucket?" Karen's forced a smile. "We're just out for a little stroll Krabs," she said. "Plankton's found a new hobby." Mr. Krabs's eyes narrowed, curiosity piqued by the unusual sight of Plankton engaged in something other than his usual Krabby Patty obsession. "What kind of hobby?" he asks. Plankton's antennae quivered as he held up his box of jellyfish figurines. "Jellyfish," he murmured, his monotone voice filled with a hint of pride. Mr. Krabs's eyebrows shot up. "Jellyfish?" he repeated, his voice incredulous. "What's gotten into you, Plankton? You're not planning to use them for some crazy Krabby Patty scheme are you?" Plankton's antennae twitched, but he remained calm. "No, Mr. Krabs," he murmured, voice firm. "Plankton loves jellyfish." Mr. Krabs squinted at him, his claw tapping against his chin as he tried to process this new piece of information. "You love jellyfish?" he said, his voice filled with skepticism. "What's so special about jellyfish?" Plankton's antennae waved slightly as he thought about how to explain it. "Jellyfish... unique," he murmured. "Different. Like Plankton." Mr. Krabs's eyes narrowed. "Different, you say?" he repeated, his claw stroking his chin as he contemplated this revelation. "Well I'll be a barnacle's uncle. I never knew you had an interest in any thing but stealing me secret recipe." Karen stepped forward, her tentacles waving gently. "Mr. Krabs, when Plankton hit his head because of you and when I took him to the hospital, well let's just say things are a little different now." Mr. Krabs's eyes widened, his claw freezing mid-stroke. "Different? What do you mean, different?" Karen's tentacles waved in a calming gesture. "Plankton was diagnosed with autism after the incident with your cash register," she said gently. Mr. Krabs's eyes bulged, and his claws clutched at his chest dramatically. "Autism? What?" he bellowed. Sandy stepped forward, her voice firm and steady. "It's ok, Mr. Krabs," she said, her eyes on the crab. "It just means Plankton's brain works differently than ours. But he's still the same Plankton we know, and he's found something that makes him really happy." Mr. Krabs's eyes darting between Plankton and his box of jellyfish. "Well, I'll be a sea cucumber's uncle," he murmured, his expression a mix of shock and confusion. As they talked, a group of kids playing catch nearby accidentally bumped into Plankton, their laughter and shouts of excitement cutting through the air. In an instant, the delicate balance of jellyfish figurines was disrupted, and they spilled out of the box, scattered across the sidewalk. The children's ball rolled into the mix, coming to a stop. Plankton froze on the ground, antennae shooting straight up, eye unblinking as he stared at the chaos before him. The children looked up, their laughter fading as they took in the scene. "Plankton?" Karen's voice was gentle, but it was lost, mind racing as he tried to make sense of the sudden disarray. The children stared, their laughter dying in their throats as they saw the tiny plankton's distress. One brave soul reached out to help, but pulled back when Plankton didn't react. Karen and Sandy exchanged a worried glance. "Plankton?" Karen called again, her voice a little louder this time. The children watched, their curiosity piqued by the sight. One by one, they cautiously approached, their eyes wide with a mix of fear and fascination. "What's wrong with him?" a young fish whispered to another, their eyes darting from Plankton to the scattered jellyfish figurines. "I think he's in shock," Krabs murmured, his own eyes filled with concern. "The disorganization of his jellyfish is really bothering him.." Sandy nodded, her eyes on the children. "Why don't you guys help Plankton?" she suggested. "You can put the jellyfish back in the box. Let's all put them back the way he had them!" The children looked at each other, then back at Plankton, who was still frozen on the ground. Slowly, they began to pick up the scattered figurines, their little hands moving with care as they tried to mimic the order Plankton had created. They whispered to each other, comparing notes and asking questions, their curiosity overcoming their initial fear. Karen watched them work, her tentacles relaxing slightly as she saw the concern in their eyes. "Good job," she murmured, her voice gentle. "You're all helping out." The children nodded, their eyes never leaving Plankton as they carefully placed each jellyfish back in the box. They worked in silence, their movements a mix of awe and caution. The sight of Plankton's intense focus on his jellyfish had left an impression on them, and they were determined to help him restore order to his miniature world. One by one, the jellyfish returned to their spots, each figure a silent testament to Plankton's knowledge and passion. The children looked at each other, then back at Plankton, who hadn't moved a muscle, still rigid, his eye unblinking. "Is he okay?" the bravest one asked, holding out a tentative fin. Plankton remained unmoving, his antennae quivering slightly. The children's gentle whispers and the soft patter of their flippers on the pavement was the only sound as they worked. The last jellyfish was placed back into the box, the figure of Burgessomedusa phasmiformis nestling into its spot among the others. The children held their breath, waiting for some sign from Plankton that he noticed their efforts. Slowly, Plankton's antennae lowered, and he blinked once, then twice. He looked down into the box, his eyes scanning the neat rows of jellyfish. The children watched as a slight smile graced his lips, and he let out a sigh of relief. The children beamed, their eyes shining with pride, stepping back to give him space. Mr. Krabs, still looking slightly stunned, took a tentative step forward. "Plankton?" he asked, his voice gruff but concerned. Plankton's antennae quivered slightly as he looked up, his one eye focusing on the crab. "Mr. Krabs," he murmured, his monotone voice still present but with a hint of warmth. Mr. Krabs's claw hovered over the box, unsure of what to say. "I had no idea Plankton," he murmured, his eyes on the meticulously organized jellyfish. "It's ok," Plankton said, his monotone voice tinged with sadness. "Mr. Krabs didn't know." Karen stepped in gently. "Krabs is just surprised," she explained. "He's never seen you like this before." Mr. Krabs nodded, his expression softening slightly. "That's right," he said, his voice no longer filled with anger. "I've never seen you so... focused on something other than Krabby Patties." "Jellyfish special," Plankton murmured, his antennae waving slightly. "I didn't mean to cause you brain damage, Plankton.." Mr. Krabs says. "It's okay," Plankton murmured, his antennae twitching slightly.
new a life of diversity plabsen ix
A TOOTHY STORY pt. 1 áŽĄáŽ€Ê€ÉŽÉȘÉŽÉą: ʙʟᎏᎏᎅ & êœ±áŽœÊ€ÉąáŽ‡Ê€Ê "But, why? Karen they're not even hurting or growing in, yet!" "It's preventative, Sheldon; the x-ray showed potential crowding." Karen responds to her husband, Plankton. It's the night before his wisdom teeth extraction, and she knew he's nervous. Sheldon Plankton sighs, running his tongue over his back molars, feeling the gums where the wisdom teeth lurk beneath the surface. But it does little to distract from the looming dental appointment tomorrow morning. He looks at his wife, Karen, whose screen filled with understanding. She's always been the level-headed one, calming him during their most turbulent times. "Don't worry, sweetheart," Karen says, stroking his forehead gently, "You'll be under anesthesia. You won't feel a thing. It'll be like a little nap, and when you wake up, it'll all be over." They go to bed, as they'll have to get up early. Plankton's always been a light sleeper, usually the last to fall asleep and/or first to wake. The anticipation of the morning's dental procedure keeps him tossing and turning. The digital clock on the nightstand clicks over to 2 AM, its red digits glowing like an accusation. Karen has to take him in three hours... Karen's awake at 4:45. Plankton lay beside her snoring gently. She gently shakes him. "Plankton," she whispers, "it's time to get up." He stirs, groaning softly, eye fluttering open to the dim room. "Ugh.." Karen smiles softly, "Come on, honey, we've got to get going. The sooner we're there, the sooner it's over." With a heavy sigh, Plankton gets up. The drive to the dentist's office is tense and quiet. The soft hum of the car's engine and the occasional streetlight flickering outside are the only sounds that accompany them through the desolate early morning streets. They arrive at the clinic, a modern building with sleek glass walls that reflect the pre-dawn light. Plankton's heart thumps in his chest as he follows Karen inside. The receptionist, a cheery woman named Becky, greets them with a smile that seems almost painfully bright at this hour. "Good morning, Mr. and Mrs. Plankton!" she chirps. Plankton nods, trying to match her energy, but his nerves betray him. "You're here for your wisdom teeth, right?" Becky asks, typing away on her keyboard. Plankton nods again, feeling a wave of anxiety wash over him. He's never been a fan of the dentist, but this was a whole new level of dental dread. Karen notices this and squeezes his hand reassuringly. "Don't worry," Becky says, noticing his distress, "Dr. Marlin is the best. And our anesthesia is top-notch. You won't feel a thing." Plankton tries to smile, but it comes out more as a grimace. "You'll be so relaxed you won't even know what's happening. It's like a dreamless sleep. You'll wake up with four less teeth and a much more comfortable mouth!" She leads them through the hallway, the smell of antiseptic strengthening with each step. The walls are adorned with soothing seascape paintings, an obvious attempt to put patients at ease. Plankton's heart rate doesn't decrease, but he appreciates the effort. They enter the surgery room. The chair is more like a recliner. Dr. Marlin, a friendly-looking octopus, enters the room, his tentacles holding a clipboard. "Good morning," he says in a soothing tone. "Ready to get those wisdom teeth out?" Karen kisses him on the forehead and whispers, "You got this." Plankton nods, trying to convince himself. The doctor explains the procedure one last time, his tentacles gesturing to the various tools laid out on the tray. The nurse, a clownfish named Nina, starts to prep him, placing a comforting hand on his shoulder. "We're going to give you something to bite down on to keep your mouth open," Nina says, holding up a plastic mouth prop. It looks like a small version of an L-shaped building block. Plankton nods again. The chair reclines back and the overhead light shines down, casting harsh shadows on the ceiling tiles. Karen squeezes his hand once more before stepping aside as Dr. Marlin and Nina get to work. The anesthesia is administered, and the room starts to blur. Plankton feels his body go slack, the fear giving way to a sudden calm. He hears Karen's voice, faintly, saying, "See you..." And then, darkness. Karen feels his hand go limp in hers as the anesthesia takes hold. She watches as Dr. Marlin's tentacles swirl around Plankton's open mouth. The nurse, Nina, holds a small syringe filled with a clear liquid, which she carefully administers into his gums. Plankton's body relaxes further, and he starts to snore as they prod his numb gums, all while he's remaining asleep. The surgery goes by in a blur for Karen, who sits in the chair next to him, holding his hand. She can hear the sounds of the extraction tools, but she focuses on his peaceful breathing and the steady beep of the heart rate monitor. The room is cool, the sterile smell of the surgery room comforting in its own way. As the extraction begins, Plankton doesn't stir. The doctor's tentacles move with practiced precision, each tug and pull a dance of surgical skill. Nina stands by, her eyes focused on the monitors, ensuring his vital signs remain stable. The first tooth is out. Karen can't help but look away at the sound of bone cracking, despite the doctor's assurance that Plankton can't feel it. Her eyes water, but she quickly wipes the tears away, not wanting to alarm the already unconscious Plankton. She glances at the clock. Only twenty minutes have passed. Dr. Marlin strokes Plankton's antennae. Nina nods along, her attention mostly on Plankton. The second tooth is extracted with slightly more resistance. The doctor's tentacles tug gently, applying the right amount of pressure. Karen squeezes his hand. "It's okay," she whispers, though she's not sure if he can hear. The third tooth is the most stubborn, requiring the use of a pair of forceps that make a sound like a tiny car wreck. Plankton's body jerks slightly but he remains unconscious. The doctor and nurse work in harmony, their movements so swift and coordinated that they almost seem like a dance. The fourth tooth is the quickest to come out, as if it knew it was the last stand and gave up without a fight. Dr. Marlin nods to Nina, who begins to suture Plankton's gums. The needle pierces through the swollen flesh with a sound that makes Karen cringe, but Plankton doesn't react at all. She watches as Nina's nimble fins guide the thread with the care of a master embroiderer, stitching the flaps of gum back together. Plankton's snoring remains steady as they suture his numb gums. Nina's fin deftly weaves the thread, each stitch a silent promise of a pain-free future. The tension in the room slowly dissolves with each completed suture. They use dissolvable stitches, so they use more anesthesia to numb the inside of the gums before stitching them up completely. Dr. Marlin steps back, wiping his tentacles with a towel. "All done," he says with a smile. The doctor rinses Plankton's numb mouth with saline of any excess blood or debris, and Karen notices the transformation: his tense jaw relaxes, his breathing deepens, and his usually active antennae are still, as if he's sunk into the deepest of slumbers.
new as toothy story karen plankton sheldon plankton 1
A TOOTHY STORY pt. 3 Moments later, a groan escapes Plankton as he starts to stir, his eye fluttering open. "Hey, how's it going?" Karen asks him. "Mmm?" he mumbles, his voice thick as his eye flutters. "The surgery's over," she tells him, keeping her voice low and soothing. "We're just waiting for you to wake up properly before we go home." "Mmph," is all that comes out. Karen laughs gently, wiping his numb mouth. Plankton's eye blinks. "W-what?" He slurs. "You're okay," she repeats, smoothing his antennae. "You had your wisdom teeth out. They're all gone. You're in recovery." Plankton tries to speak. "Mmh... mmf... m-much?" Karen chuckles. "You'll feel better soon." Plankton's mouth feels like it's filled with wet cotton. He tries to form words, his tongue clumsy against the numbness. "Wh-wha?" Karen laughs gently, her screen sparkling with love and amusement. "You just had surgery." Plankton blinks, trying to focus. "Gah?" he attempts, his voice barely above a whisper. Karen laughs softly, her hand on his shoulder. "It's okay, just take it easy." "Mmph... m-more?" Plankton slurs. Karen's eyes widen with surprise and laughter. "No, honey, all four are out. You're all done." "Mm-hmm?" He tries again, his voice a mere vibration in his throat. The nurse, Nina, smiles at him, her eyes crinkling with kindness. "You're doing great, Mr. Plankton," she says, her voice a gentle melody that seems to soothe his jumbled thoughts. "Just a little while longer and you'll be feeling more like yourself." He nods, his movements sluggish, his antennae flopping slightly. "Mmh... mmf," he mumbles again, his eye searching hers for clarity. Karen nods and smiles, understanding his unspoken question. "You're okay. The surgery went well. We just need to wait for the anesthesia to wear off." Karen leans in closer, her voice a lifeline in the sea of confusion. "You can't eat solids for a few days. But we've got plenty of smoothies and soups at home. You're going to love it." "K-Karen?" He croaks, his voice barely audible. She nods, smiling, her screen still filled with love and concern. "Wh-what... thine?" He slurs, his speech still slurred by the lingering effects of the anesthesia. Karen glances at the clock on the wall. "It's early," she says. "Don't worry about it." Plankton's antennae twitch, his mind grasping for coherence. "M-morning?" He mumbles, his eyes searching the room. The nurse, Nina, nods, her smile reassuring. "Yep, it's morning. The surgery's done. You're all set, Mr. Plankton." "I... I had... had... had surgery?" he asks, his speech still thick. Karen nods, her smile warm. "Yes, you did. Dr. Marlin said it went really well." "W-where's the... the... the...?" His words are slurred, and he can't quite remember what he was trying to ask. "Hmm?" He says, noticing Becky the receptionist. Karen nods. "The dentist took them out. Your mouth will feel a bit funny for a while, but it's all over." Plankton's eye widen in comprehension, and he attempts to smile, drool escaping his numb lips. "Mmph... m-mouth," he says, his voice a pitiful excuse for speech. Karen laughs, her worry melting into relief. "You're okay," she repeats. "Just give it some time. Your mouth will get back to normal soon." "Mmph... mmf... m-morning Becky," Plankton tries to greet the receptionist as she walks by, his voice barely a whisper. She laughs lightly, her cheerfulness a stark contrast to the post-surgery haze that hangs over him. "Good morning, Mr. Plankton. How are you feeling?" Becky's words float around him like bubbles in the sea, each one popping with a burst of understanding as his mind starts to clear. "Mmh... mm... m-morning," he mumbles. He tries to sit up straighter. Karen helps him, her movements quick and sure. "M-mouth..." Plankton's words are still slurred, but he's trying his best to communicate. The nurse, Nina, laughs gently. "Your mouth will feel funny for a bit," she says, "But it'll get better." Karen watches as Plankton's eyes try to focus on her. "Mmf... home?" he asks, his voice barely a whisper. She nods, smiling. "As soon as you're ready to go." He nods, his antennae waving weakly. The nurse, Nina, checks his vitals one more time before nodding to Becky, the receptionist. "Looks like he's coming around," Becky says, scribbling something on a clipboard. "You guys can go once you're ready."
new a toothy story karen plankton 3
đ°đšđ«đđŹ: 𝟓𝟕𝟎 “Plankton can you at least come out and do the dishes?” Karen says. Her husband Plankton has been working at his desk, trying to plan and scheme. She brought him his meals for the past two days. He stayed up all night! “Honey?” No response. So she decided to go check on him. She goes to peek through the door. Plankton sat at his desk, slumped over, fast asleep. She saw his head nodded to the side, resting on his arm. A soft snore echoed in the silence. She noticed he was drooling a bit from his open mouth onto a stack of crumpled papers. Karen approached him. "Plankton," she cooed, placing her hand on his shoulder. He didn't budge. Karen gently shook him, but his snores grew louder. “C’mon, sweetie, time to wake up.” She whispered, but his sleep was unyielding. With a gentle tug on the shoulder, she managed to pull his body upright, a line of drool still connecting his mouth to the paper. "Come on, Plankton," she said more firmly, this time her hand on his cheek, her thumb wiping away the drool, head lolling backward with a snort. “Plankton, darling, please come to bed. You have been working so hard. Let’s get some rest,” she urged with a smile. But Plankton was too deeply asleep to hear her soft voice. His eye remained closed. With a sigh, Karen decided to get him up out of this chair herself. She took his arm and began to lift his weight from the chair. Plankton's body resisted, his head falling to her side with a dull thud. Karen chuckled, his snoring now vibrating. She managed to get him out of the chair. "Just a few steps, love," she murmured, but Plankton's snores grew like a crescendo in an orchestra. His limp body leaned into her like a ragdoll with no bones. She hoists him up on her shoulder, his arm dangling loosely, his snores growing rhythmic like a lullaby in a cartoon. The room was a mess, papers scattered like tiny white waves across the ocean of their living room. She stepped over them carefully, not wanting to wake his slumbering form. His office chair screeched as she pushed it aside with her foot, the sound like nails on a chalkboard in the quiet of the night. Plankton's arm slid off Karen's shoulder. She giggled nervously, his snoring now a symphony of sounds. She readjusted her grip, his head lolling against her. "Almost there," she whispered, her cheeks flushed with a mix of love and exasperation. The bedroom door creaked open like the entrance to a secret passage. Plankton's snores were a gentle soundtrack to the silent dance of her struggle. The bed looked like a mountain from here. She took a deep breath, bracing herself for the climb. With his arm slung over her neck, his body limp, she began the ascent. Step by step, she inched closer. As she reached the bed, he slipped again, this time his head lolling back to hang over the edge of the mattress. “Oh no, you don’t!” she exclaimed, his weight making her stumble. With a laugh that was half exhaustion, half endearment, she tugged him up and laid him down gently. Karen watched his chest rise and fall in deep sleep. The room was dimly lit by the moon, his snores a soothing white noise in the quiet.
new plaren karen plankton sleepicore 570
COPEPOD AUTISM pt. 4 (Neurodivergent author) Mr. Krabs's expression shifts from shock to one of bewilderment. "Plankton, I don't understand," he says, his voice barely a whisper. Plankton shakes his head, his antennae trembling. "You never did," he snaps back. The accusations come out in a torrent, each one cutting deeper than the last. "You used me, manipulated me, all for your stupid secret formula!" His voice shakes with anger, his eye filling with unshed tears. Karen's grip tightens on his arm, but she doesn't speak, knowing he needs this moment of release. Mr. Krabs's face falls, the weight of Plankton's words a blow he wasn't expecting. "I-I-I've always treated ya like a friend!" he stammers, his claws grabbing Plankton's shoulders. And that's what did it. Plankton's body tenses, and his eye rolls back in his head. A chilling silence descends as his legs give out, and he crashes to the floor. His body convulses, limbs flailing uncontrollably. Karen knew it'd happen, but seeing it happen to Plankton is a horror she wasn't emotionally prepared for, but she knew to stay calm. She knew the protocol. Mr. Krabs, still in shock from Plankton's accusations, watches the scene unfold with horror. "What's happening?" he stammers, his claws hovering uselessly. Karen's voice is a beacon of calm amidst the chaos. "It's a seizure," she explains, kneeling beside her husband. "I need you to stay calm." Her voice is steady, her eyes never leaving Plankton's contorting form. Mr. Krabs nods, his eyes widening with fear. He's read about this, seen it once in a medical textbook, but never thought it would happen to someone so close. He watches as Karen carefully moves any objects out of harm's way, cushioning Plankton's head with a pillow. The room seems to spin around them, each second stretching into eternity. The seizure lasts only a few moments, but to Karen, it feels like hours. When it's over, Plankton's body goes still, his breathing shallow. Her hand shakes as she checks his pulse, feeling the thunder of her own heart in her chest. "It's okay," she whispers, her voice trembling. "You're okay." Mr. Krabs is unsure. "It's okay," she murmurs, her hand stroking his antennae. "It's over now." Plankton's breathing deepens, his body slowly relaxing with a twitch. She looks at Mr. Krabs, her expression a mix of relief and exhaustion. "He'll be okay," she assures, her voice a lifeline in the storm of silence. Mr. Krabs nods, still in shock. "What...what do we do?" he asks, his voice barely above a whisper. Karen sighs, knowing the road ahead won't be easy, but she's determined to navigate it with Plankton. They manage to get Plankton to his feet, his body weak and his mind still groggy from the seizure. His eye darts around the room, trying to make sense of his surroundings. Karen's voice is soft, a gentle guide leading him back to reality. "Let's go to the couch," she says, her arm supporting his weight. Mr. Krabs watches, his claws fidgeting nervously. "Should I... call someone?" he asks, his voice full of uncertainty. Karen shakes her head. "We have to keep it calm," she whispers. "The aftermath can be just as overwhelming." They sit on the couch, Plankton's body leaning heavily into hers. Her arm is around him, her hand stroking his antennae in a rhythm designed to soothe. He looks up at her, his eye still a little wild. "What happened?" he asks, his voice barely above a whisper. "You had a seizure," Karen explains gently, her voice a balm to his frayed nerves. "It's part of your autism, sweetie. It's okay." She can see the fear in his gaze, the unspoken questions. She pulls a blanket over his shoulders, his body shaking from the residual adrenaline. Plankton nods, his antennae twitching as he tries to process the information. He looks down at his trembling hands, wondering how they could have betrayed him so suddenly. Karen hands him a glass of water, her fingers brushing against his in a silent promise of support. He takes a sip, the cool liquid sliding down his throat, helping to clear the fog in his mind. "I'm...sorry," Plankton mumbles, his voice barely a whisper. He looks up at Mr. Krabs, who's still standing awkwardly by the door. "I didn't mean to...to accuse you..." His antennae droop with regret. Mr. Krabs's expression softens, his eyes filling with understanding. "It's okay, Plankton," he says, his voice gentle. "We all have our moments." He takes a tentative step forward. "What can I do?" Karen glances at him, gratitude warring with the protectiveness she feels for Plankton. "Just give us some space," she says, her tone firm but not unkind. "We need to get him through this." Mr. Krabs nods slowly, his face a mix of sadness and concern. "I understand," he says, his voice thick. He backs out of the room, his eyes never leaving Plankton's huddled form. The door clicks shut, and the room feels smaller, safer. Karen's arm tightens around his shoulders, her warmth a shield against the cold world outside. Plankton leans into her, his body still shaking slightly. He starts to calm down, the tremors fading like ripples in a pond. "I'm...I'm okay," he whispers, his antennae stilling. Karen nods, her eyes searching his face for any sign of distress. "Do you want to take a nap?" she suggests softly. Plankton nods, his eye drooping with exhaustion. They move to the bedroom, the light dimming as they go. Karen helps him into bed, his limbs feeling like jelly. The blankets are a cocoon, his retreat from the world. Her hand brushes his antennae, a silent assurance as she leaves him to the embrace of slumber. He closes his eye, letting the comfort of the darkness envelop him. His body relaxes into the softness of the mattress, his muscles melting away the tension of the day. The bed's embrace is like a gentle whisper, telling his overstimulated mind to rest, to let go. He sighs, his antennae dropping to the pillow like tired leaves in the fall. Meanwhile, Karen goes to Mr. Krabs, who's waiting outside the chum bucket. "I'm sorry for Plankton's outburst," she says, her eyes apologetic. Mr. Krabs waves a dismissive claw. "Don't worry 'bout it," he says. "He's been through a lot today." Karen nods, her expression serious. "It's more than that," she says, her voice low. "He's autistic." Mr. Krabs's eyes widen, his understanding dawning, a newfound respect in his gaze. "I had no idea," he murmurs. "How can I help?" "Just be patient," Karen replies. "And maybe...maybe we can talk later, after he's had some rest." Mr. Krabs nods, his expression thoughtful. "Of course," he says, his voice subdued. "Whatever he needs."
new copepod autism plabsen 4
PATRICK PLANKTON 1/4 (NEURODIVERGENT AUTHOR) Patrick went in the Chum Bucket where Plankton lives with Karen. "Welcome to the Chum Bucket Patrick," Karen called out. Patrick waved back, eyes lighting up at the sight of the various contraptions and inventions that lined the walls. He always found Plankton's fascinating, a stark contrast to the bright and bustling SpongeBob's pineapple house. The Chum Bucket was like a treasure trove of mysteries waiting to be uncovered, and Patrick loved a good mystery. He wandered further into the lab, his footsteps echoing off the metal floors, each step revealing more of Plankton's ingenious creations. Suddenly he spotted a tiny figure hunched over a book on a couch. It was Plankton, his single eyeball glued to the pages, oblivious to the world around him. The book's title, "101 Ways to Steal the Krabby Patty Secret Formula," was barely visible under a thick layer of dust. "Hey, Plankton!" Patrick bellowed, his voice booming like a foghorn in the small, cluttered space. The sudden noise caused Plankton to jump, sending his book flying into the air. "What are you reading?" Karen, who had been quietly watching the scene unfold from her desk, couldn't help but notice that Plankton had not moved a muscle since the book flew from his grasp. His body remained rigid, his eyeball unblinking. Concern crept into her voice as she called out to him, "Plankton, are you ok?" The tiny villain didn't respond, his expression frozen in a silent scream. Patrick looked around, puzzled. "Is he playing a game?" he asked, his tone hinting at the innocent curiosity that often got him into trouble. Karen recognized immediately went to the couch and sat by Plankton, Patrick not knowing what's happening. Karen's gaze fell upon Plankton's unblinking eye and she knew instantly what was wrong. He was in a state of sensory overload. She had seen it happen before, though Patrick hasn't. She gently touched his shoulder, trying to coax him back to reality. "Plankton, sweetiep," she cooed. Patrick's puzzled expression grew more concerned as he took in Plankton's unresponsive state. "What happened to him, Karen?" he asked, his voice quieter now, a hint of worry in his tone. "It's his sensory shutdown, Patrick," Karen explained softly, stroking Plankton's arm gently. "It's like his brain got too full of thoughts and had to take a little break. It's ok, he'll be fine." She knew this was something he'd have to come out of on his own. She had been there for him countless times before, each instance more terrifying than the last, but she had learned patience was key. Patrick, still not fully grasping the situation, knelt beside the couch. He leaned in closer to Plankton nearly touching the little plankton's face. "Hey buddy you ok?" he asked, his voice now a gentle whisper. Karen put a hand on Patrick's arm, gently guiding him back. "Just give him some space, Patrick," she instructed. "He'll come around. This happens when he's really stressed or overwhelmed." Patrick nodded slowly, his eyes still glued to his friend. He didn't fully understand, but he knew that Karen knew what she was talking about. He stepped back, allowing Karen to continue her soothing whispers to Plankton. The room grew quiet, save for the rhythmic ticking of a clock that had long ago lost track of time and the soft hum of machines in the background. The tension in the air was palpable, as if it too was holding its breath, waiting for Plankton to snap out of his frozen state. "You can do it, Plankton," she encouraged. "Just breathe." Plankton's body slowly relaxed, and his eye blinked, finally coming back into focus. He looked around, bewildered, as if he had just woken from a particularly vivid nightmare. "Karen?" he croaked, his voice weak and trembling. "I'm here, Plankton," she said, her hand still resting on his arm. "You had another shutdown, but it's over now." His eye narrowed on Patrick, who was now standing awkwardly by the couch. "What?" Plankton snapped. Patrick's eyes widened. "I-I just want to see what was wrong," he stuttered. "Well, nothing's wrong with me!" Plankton spat pushing himself up from the couch. "But you were just..." Patrick started to protest. "I said there's nothing wrong!" Patrick took a step back. "But..." "Just leave me alone!" Plankton shouted, echoing off the cold metal walls. Patrick's smile faded, and he looked down. He hadn't meant to upset his friend, but he couldn't help but feel confused and hurt by Plankton's sudden outburst. "I-I'm sorry, Plankton," he murmured. "I didn't mean to... I just..." "You just what?" Plankton cut him off, antennae quivering with irritation. "You just don't know to mind your business do you?" "But I just..." "I said leave me alone!" Plankton barked again, his tiny frame shaking with anger. Patrick took another step back, his eyes brimming with confusion. "Plankton..." "What part of 'leave me alone' don't you understand?" Plankton retorted. Patrick's eyes searched the room, desperate to find something to say or do that would fix the situation. The air grew thick with the tension of Plankton's frustration and Patrick's fear of losing a friendship he had worked hard to maintain despite their many differences. "I just..." he began again, his voice trailing off as he tried to find the right words. "What is it?" Plankton snarled, impatience growing with each passing second. Patrick took a deep breath, trying to compose his thoughts. "I just wanted to make sure you were ok because I don't know what's wrong with you," he said finally, his voice barely above a whisper. "Wrong with me?" Plankton's voice grew louder, his tiny fists clenching at his sides. "You think there's something wrong with me?!" Patrick took another step back, his eyes never leaving Plankton's furious gaze. "Well, you know you were just sitting there, not moving..." "It's none of your business!" Plankton yelled, his antennae quivering with rage. "What's it to you anyway?" Karen, who had been watching the exchange with a growing sense of unease, knew that she had to intervene. She could see the hurt in Patrick's eyes and the turmoil within Plankton's, and she knew that their friendship was hanging by a thread. Carefully, she stood up from her chair and approached the two, her movements deliberate and calming. "Plankton, honey, let's not get too worked up," she said placing a comforting hand on his shoulder. "Patrick didn't mean any harm. He's just worried about you." Patrick nodded emphatically, his hands raised in a gesture of peace. "Yeah, buddy, I just want to help." But Plankton's anger didn't subside. "You don't get it do you? I don't need your help, or your pity. I just want you to leave me alone!" Karen's gaze softened as she looked at her husband. "Patrick, I know you mean well, but sometimes Plankton needs his space." Patrick's eyes darted from Karen to Plankton, his confusion now mixed with a hint of sadness. "But, I thought..." Karen stepped between them, her eyes filled with understanding. "Patrick, sometimes Plankton just needs a moment." She turned to Plankton, her voice firm but gentle. "And Plankton, you know Patrick only wants to be there for you." Plankton's eye narrowed, but he didn't argue. He just nodded curtly, embracing her hand. "Ok," Patrick murmured, his voice heavy with disappointment. "Look, Patrick," Karen said, her voice measured and soothing, "Plankton's got a condition." Karen turns to Plankton as Patrick comes back by them. "Plankton, may you explain to Patrick?" Plankton let out a heavy sigh, his tiny shoulders rising and falling dramatically. Patrick's expression grew more concerned, his pink star-shaped body inching closer to the couple. "Plankton, don't be scared.." "I'm not scared!" Plankton barked, his antennae shooting straight up. "I just don't need you poking in to my business!" Patrick's eyes grew wide, and he took a tentative step back. "But..." "But nothing!" Plankton spat, curling inward to Karen. "I don't need your help, I don't need your pity, and I certainly don't need you treating me like some sort of lab experiment!" Ignoring the barb, Patrick took a step closer, his tentacles reaching out to pat Plankton's shoulder. It was a gesture of comfort he'd seen SpongeBob use countless times, and it had always worked to soothe his frayed nerves. But as soon as his hand made contact, Plankton flinched violently, as if he'd been scalded. "Don't touch me!" he yelled, shoving Patrick's hand away. Patrick's eyes went wide, and he took a hasty step back, his tentacles retreating into his body. "I'm sorry, Plankton," he stammered, his voice full of genuine remorse. "I didn't mean to..."
new planktrick karen plankton patrick plankton
PATRICK PLANKTON 2/4 (NEURODIVERGENT AUTHOR) Yet Plankton was beyond listening. He was in the throes of a full-blown meltdown, his body quaking with anger and fear. His usually tiny form looked monstrous in the dim light of the lab, his eye wild and his antennae twitching erratically. Plankton's shaking grew more intense, his tiny body trembling. His eye darted around the room, looking everywhere except at the starfish who had just tried to offer him comfort. Karen's heart ached as she watched her husband's silent panic attack unfold. She knew the signs all too well. The erratic antennae movements, the clenched fists, the sudden need for personal space - it was all part of his condition. Plankton had always been so private about it, but she had hoped that with time and trust, he'd learn to open up. Patrick, however, remained oblivious to the gravity of the situation. He had never seen his friend this way, and the fear in Plankton's usually beady eye was more than he could bear. "What's happening to him?" he whispered to Karen, his voice shaking. Karen took a deep breath, her eyes never leaving Plankton's trembling form. "It's his condition," she said softly. "He gets like this when he's really overwhelmed. He needs us to be calm for him." Patrick looked from Karen to Plankton. He didn't know what to do, but he knew that he couldn't just stand there. Carefully, he reached out a tentacle and wrapped it around Plankton, pulling him into a gentle embrace. "It's okay, buddy," he murmured. "You don't have to be scared." But Plankton's panic only seemed to worsen. His tremors grew more pronounced, his tiny body convulsing in Patrick's arms. Karen's eyes grew wide with alarm, and she rushed over to her husband's side. "Patrick, let go!" she urged, her voice firm but filled with urgency. "You're making it worse!" Patrick's eyes grew wide, and he released Plankton as if he'd been holding a live wire. The tiny plankton crumpled to the floor, his body going limp. "Plankton?" Karen gasped, dropping to her knees beside him. She checked his antennae for a pulse, her face a mask of panic. "Plankton, can you hear me?" There was no response. His single eye had rolled back into his head, and his antennae had gone still. Panic gripped Karen and Patrick. "What's happening?" Patrick's voice was barely a whisper. Karen's filled with a mix of fear and determination as she checked Plankton's pulse again. "It's a severe episode," she said, her voice tight with concern. "He needs to calm down, and fast." Patrick hovered over them, his heart racing in his chest. "What..." "He's passed out," Karen said, her voice tight with worry. "We need to get him to his bed." Patrick's eyes grew rounder, and he nodded frantically. "Okay okay," he murmured, reaching down to help Karen lift Plankton's unconscious body. Together, they carefully carried him to the bed. Karen laid Plankton on the bed and began to check his vitals, scanning his tiny form with a medical precision that belied her usual robotic demeanor. "His pulse is steady." Patrick hovered at the edge of the room, his heart racing. "What can I do?" he asked, his voice quivering. "Just stay here," Karen instructed, her focus solely on Plankton. "And keep talking to him. Sometimes hearing a familiar voice helps." Patrick nodded, his tentacles clutching at the edge of the bed. "Plankton?" he called out softly, his voice filled with a mix of fear and concern. "Buddy, can you hear me?" There was no response. Plankton's tiny body remained still and lifeless, his antennae drooping like wet noodles. Patrick felt his own body go cold with fear. He'd never seen anyone faint before, let alone a friend. He didn't know what to do, so he just talked hoping his voice could reach Plankton through the fog of unconsciousness. "Hey, Plankton," he said softly, "Just rest up, buddy." Karen looked up from her ministrations, her expression grim. "Patrick," she began, voice low and serious, "you need to know something about Plankton." Patrick leaned in, his worry for his friend clear on his face. "What is it?" he whispered. "It's his brain," Karen said, her voice tight. "Plankton has a traumatic injury." She paused, her gaze never leaving Plankton's still form. "It's from an accident a long time ago, before I was even built.." Patrick's eyes grew wide with shock. "What kind of accident?" Karen took a deep breath, her eyes never leaving Plankton. "It was a... a car accident," she said finally, her voice thick with unshed emotion. "A runaway boat hit him, actually." Patrick's tentacles drooped in horror. "Oh no!" he gasped. "Is that why he gets like this?" "Yes," Karen nodded solemnly. "The injury causes him to have these episodes when he gets too stressed or overwhelmed. It's why he's so obsessed with the Krabby Patty formula. The pursuit of something so constant and unchanging helps him cope with the chaos in his head." Patrick's eyes widened. "But why didn't he tell me?" he murmured. "Because he's ashamed," Karen said softly. "He thinks it makes him weak. But it's just a part of who he is." Patrick looked at her, his eyes filled with sadness. "But he's not weak," he said firmly. "He's the smartest person I know." "Patrick," Karen said, placing a comforting hand on his shoulder, "his mind is brilliant, yes. But he's also fragile, in ways you can't even imagine." Patrick nodded, his eyes never leaving Plankton's pale face. "I won't tell anyone," he promised, his voice barely above a whisper. Suddenly, Plankton's antennae twitched. A soft groan escaped his mouth and his eye fluttered open. He looked around the room, blinking in confusion. "Plankton?" Karen's voice was a whisper, filled with hope. The tiny plankton's antennae twitched slightly, and his eye blinked open focusing with difficulty on the concerned faces hovering over him. The room was spinning, a kaleidoscope of colors and shapes that made him nauseous. He groaned and tried to sit up, but his body felt like it was made of jelly. "Take it easy," Karen soothed, gently pushing him back down. "You've had a rough time." Plankton's eye focused on Patrick, who was still standing by the bedside looking as though he'd just seen a ghost. "What's he doing here?" he croaked. "You fainted," Karen said gently. "Patrick was just trying to help." Plankton's eye darted around the room, trying to piece together the puzzle of what had happened. The last thing he remembered was reading, then Patrick yelling, then Patrick's overwhelming embrace... A chilling sensation washed over him, a sense of déjà vu so strong it was almost tangible. He looked at Patrick, who was hovering over him like a giant, concerned balloon, and suddenly it clicked. "I remember now," Plankton murmured, his voice still shaky. "You tried to... hug me." He cringed at the thought, his antennae curling inward. "Don't ever do that again.." Patrick looked down at his tentacles, which had instinctively reached out during Plankton's episode. He pulled back. "Sorry, buddy," he mumbled. "I didn't mean to make you feel uncomfortable." Karen's gaze softened. "It's okay, Patrick. You couldn't have known." She turned her attention back to Plankton searching his for any signs of further distress. "How are you feeling, Plankton?" He swallowed hard, his throat dry. "T-terrible," he rasped. "But I'll be fine." His voice was laced with the stubbornness that Patrick had come to expect from him. Plankton pushed himself into a sitting position, his antennae still trembling slightly. Karen's gaze remained on him. "You sure?" she asked, voice a gentle murmur. Plankton nodded, his antennae quivering slightly as he tried to stand. His legs wobbled beneath him, and he had to grab the bedframe to steady himself. "Just... need a moment," he murmured, his voice shaking as much as his body. Patrick watched with a heavy heart as his friend struggled to regain his composure. He knew that Plankton was trying to put on a brave face, but the fear in his eye was unmistakable.
new planktrick karen plankton patrick plankton
GO HONE 1/2 Karen sat in the chair next to the bed. Plankton lay there, snoring softly. They'd just finished removing his wisdom teeth. Karen rarely sees him asleep. He was a light sleeper, always had been. But here he was, mouth agape, drool pooling onto the pristine pillowcase. The nurse had said the anesthesia would wear off soon. She felt a strange mix of pity and amusement. Karen reached out to stroke his forehead. "Plankton?" Her voice was gentle, soothing. He didn't respond. His eye remained shut, but she noticed the faintest twitch of his antenna. A moment later, his eye fluttered open, unfocused. "Wheh...am I?" he mumbled, his voice slurred by the lingering effects of the drugs and numb mouth. "Karen?" "You're in the recovery room, sweetie," Karen whispered. "You just got your wisdom teeth out." The nurse walked in. "How we feeling?" Plankton looked around, his gaze unfocused, as if he wasn't quite sure where to land. "I don't know," he said, voice still thick. "Everything ish tho...big?" The nurse chuckled. "That's the anesthesia. It'll wear off in a bit. Can you tell me your name?" Plankton blinked a few times, trying to get his bearings. "Pwankton," he managed, sounding like a toddler with a mouthful of marshmallows. Karen pressed her lips together to hold back a laugh. She felt a tug at her heart, seeing this tough, competent man reduced to such a helpless state. He attempted to sit up, but his body didn't cooperate, flopping back down onto the pillows. "Whoa, wath happening?" he slurred, his eye searching the room as if looking for something familiar. His limbs felt like spaghetti noodles, and his brain was stuck in slow motion. Karen helped him adjust, pillows plumping around his head. She couldn't help but chuckle at his drunken antics. The nurse took his pulse and checked the monitors. "Everything looks good," she said. "Just rest a bit longer." "Oh boy," he muttered, a goofy smile spreading across his face. "Wook at aww tha little fishies!" Plankton's mind was clearly somewhere else entirely. Karen looked around the recovery room, but all she could see were the regular, sterile equipment and a few other patients, not a fish in sight. She couldn't help but let out a small laugh at his silliness. "You're okay," she assured him, patting his hand. "Just the meds talking." Plankton's eye grew even wider, his smile turning into a grin. "Can I pway with dem?" he asked, reaching out a shaky arm to grab at the invisible fish. The nurse looked at Karen with a knowing smile. "It's a common side effect," she assured her. "The drugs can make patients feel pretty loopy." Plankton's giggle grew louder as he continued to "catch" the nonexistent fish. His movements were clumsy, like a baby learning to use their hands for the first time. Karen watched, her heart swelling with a sudden fondness for his innocent charm. "Wook, Karen! I got one!" He held up a finger, waggling it in the air between them. "It's tho tiny!" His eye squinted as he tried to focus on his own digit, then opened wide in amazement. "And it's on my han!" He was utterly captivated by his own hand, turning it this way and that, studying it like a new discovery. Karen couldn't help but smile at his antics. "That's right, Plankton. That's your finger," she said, her voice filled with amusement. "You're doing great." The nurse took a step back, allowing Karen to interact more freely with her husband. "You can talk to him, just keep it calm and don't let him move too much," she said before checking on the other patients. Plankton's gaze followed the nurse, his eye glazed over with wonder. "Wheh's she go?" he asked, his voice innocently curious. Karen leaned in closer, her hand still in his. "She's just checking on the other people who are feeling a bit sleepy like you." He nodded solemnly, his antennas flopping to the side with the motion. "Okay, Karen," he said, as if she had explained the secrets of the universe to him. The room started to spin gently, and he giggled. "I fink I'm on a merry-go-round!" Karen's smile grew, warming the coolness of the recovery room. "No, honey, you're just a bit woozy from the surgery. You need to lie still." Plankton nodded, his grin never leaving his face. "Otay," he mumbled, his eye crossing as he tried to focus on Karen's face. "Buh ith fun!" Karen couldn't resist the urge to lean in and kiss his forehead. "You're so adorable when you're loopy," she said, her voice filled with affection. Plankton's grin grew even wider, his cheeks flushing slightly from the attention. He closed his eye and leaned into the kiss like a child seeking comfort. "Karen," he said, his voice a slurred whisper, "youw my besht fren." The tenderness in his words made her heart melt. "Always, Plankton," she said, her thumb gently brushing his palm. "Always." He sighed contentedly, his giggle subsiding into a gentle snore. His hand fell limp beside him, his fingers still slightly curled as if holding onto the invisible fish. Karen smiled, catching him. His eye fluttered open again, rousing with a snort. "Whath...?" Plankton mumbled, his gaze floating around the room. He squinted at Karen, his vision blurred. "You're okay," Karen soothed, her voice like a lullaby in the stillness of the room. "You're just coming out of the anesthesia." Plankton blinked slowly, his pupil expanding to take in the soft lights and the unfamiliar surroundings. He tried to speak, but his words came out as mumbles and squeaks. "Wha...?" Karen's screen twinkled with affection as she spoke gently, "You're in the recovery room, sweetie. You're okay." Plankton's mind was still swimming in a sea of confusion. "Buth...buth...my teef?" he managed to ask. "They're out, don't worry," Karen assured him, her laughter barely contained. "The dentist took them out." Plankton looked at her with a mix of relief and silly curiosity. "The dentish?" he asked, his voice childlike. "Wheh did the put dem?" Karen nodded, trying not to laugh. "They're gone, gotten rid of." Plankton's face scrunched up like a little kid's, trying to understand. "Buth I can't feel dem," he whined, his hand gently probing his swollen cheek. "Awe youw shure?" Karen nodded, her smile never wavering. "They're gone, I promise. You'll have to be careful with soft food for a few days." Plankton's eye lit up like a child at the mention of a treat. "Soft food? Wike ice cweam?" Karen nodded, her laughter bubbling to the surface. "Yes, like ice cream. But remember, no chewing." Plankton's face fell. "Oh, no chewing?" he asked, his voice dropping to a disappointed whine. Karen nodded firmly, trying not to laugh at his sulky pout. "No chewing," she said, her voice conciliatory. "But we can have ice cream when we get home." Plankton's expression shifted immediately, his eye sparkling with anticipation. "Wight, wight," he said, his speech slowly becoming clearer. "Ice cweam ith okay?" "Yes, ice cream is okay," Karen said, her voice steady and warm. "But we'll have to wait until we get home." Plankton's eye grew large with excitement. "Hone?" he asked, as if the word had just entered his vocabulary. "Whewe hone?" Karen nodded, keeping her tone calm. "Yes, we're going home soon." Plankton's mouth twitched into a smile. "Whewe?" he asked again, his voice rising with excitement. Karen couldn't help but laugh at his enthusiasm. "Soon, Plankton. You just need to stay awake long enough for the nurse to say you're ready." His face fell a little, but then he perked up. "Candoit!" he exclaimed, his words slurred together. He sat up. "I'm awake!" Karen had to hold back her laughter as he swayed like a ragdoll before flopping back onto the bed. "Not quite yet, Plankton," she said, patting his shoulder.
new go hone karen plankton œ
GO HONE 2/2 The nurse returned, seeing his renewed energy. "Looks like you're feeling better," she said with a smile. "But let's not rush things." Plankton nodded eagerly, his antennas bobbing. "Yeth, yeth, I'm weady!" He tried to sit up again, his body still wobbly. The nurse helped him, adjusting his pillows. "Let's see if you can stay awake for a few more minutes," she said. He looked at her with determined innocence, like a child promising not to eat cookies before dinner. "I'm weally weally weady," he insisted, his words still thick. Karen couldn't help but chuckle, watching him fight the sleepiness. "Good," the nurse said. "Keep talking to your wife, that'll help keep you alert." Plankton's eye lit up with a childlike excitement. "Ish fun to tawk to you, Karen," he said, his words still slurred. "Youw make me happy." Karen felt her heart swell. "And you make me happy," she said, her voice sincere despite his loopy state. "Even when you're being a goofball." Plankton's smile grew, his eye still half-lidded. "Goof...ball?" he repeated, the words sounding strange in his mouth. He giggled again, his body swaying slightly with the effort of staying upright. "Ish fun to be a goofball." Karen couldn't resist smiling back, his silliness was infectious. "Yes, it is," she said. "But you need to stay awake for a little longer." Plankton nodded, his head bobbing slightly. "Otay, Karen," he said, his voice still thick. He then saw the nurse. "Who's dat?" he whispered, his eye wide with curiosity. Karen chuckled softly. "That's the nurse, Plankton. Remember?" He blinked a few times, his antennas perking up as his eyes focused on the kind-faced woman. "Oh, yeah. Tha nurse lady," he slurred, his voice full of sudden realization. "Hi!" The nurse chuckled. "Hello, Mr. Plankton. You're doing great." Plankton's smile grew even wider, his cheeks flushing with pleasure. "Ish nice to meechu," he said, sleepily. "I wike youw hat.." The nurse couldn't help but laugh. "Thank you, Mr. Plankton. It's nice to meet you too." Plankton's eye began to droop again, and Karen could see the sleep trying to pull him under. "Wakey wakey, Plankton," she said, giving his hand a gentle squeeze. "You have to stay with me." He nodded, his head lolling to the side before snapping back up with a jerk. "Ish okay, Karen," he whispered, his voice still slurred. "Ish okay." But his eyelid grew heavy, and his words trailed off. "Ish just...tho tiwed," he mumbled. Karen's chuckle was gentle, not wanting to disturb his attempts to stay alert. "I know, sweetie," she said, stroking his hand. "Just a few more minutes." But Plankton's eyelid was like a heavy curtain, despite his best efforts. "Whe...whe...why am I so tiwed?" he slurred, his head lolling to the side like a ragdoll's. Karen knew he wasn't going to last much longer. His hand slipped out of hers, and he began to snore softly again. Karen looked over at the nurse, who nodded in understanding. "It's normal," the nurse said. "The anesthesia can make people pretty loopy for a while." Plankton's snores grew softer, his body relaxing. Karen watched him, her expression a mix of amusement and concern. "How much longer?" she asked the nurse. "Just a little longer," the nurse said, checking his vitals again. "The effects should start to wear off soon." Plankton's snores grew softer, and then he was awake again, looking around the room with wide- eyed wonder, drool trailing from the corner of his mouth. "Whe...where...?" His voice was a sleepy whisper. "You're still in the recovery room," Karen soothed, wiping his chin with a tissue. "You fell asleep again." Plankton looked up at her, his eye wide and innocent. "Did I miss sumfing?" he asked, his voice still thick with slumber. "No, sweetie," Karen replied, her voice soothing. "You just fell asleep for a bit. You're still waking up." Plankton's antennas perked up, and he sat up. "But...but I hav ice cweam?" His eye were wide with hopeful inquiry. Karen nodded with a smile, wiping the remaining drool from his mouth. "Yes, when we get home, remember?" Plankton's grin was infectious. "Yay!" he cheered, clapping his hands together with a slightly awkward smack. Karen couldn't help but chuckle at his reaction, his childlike enthusiasm was adorable. "Looks like you're feeling better," she said, her voice filled with affection. But Plankton was already off on another tangent, his gaze wandering to the ceiling. "Whewe awe the fishies?" he asked, his voice a sleepy whisper. Karen followed his gaze, seeing the plain, white ceiling tiles. "The fishies are in your imagination, Plankton," she said, her tone gentle. He pouted, his disappointment palpable. "Oh," he murmured, his head lolling to the side. Karen chuckled, her hand still on his arm. "They'll be there when you're all better," she assured him. "But for now, let's just stay here." The nurse smiled. "Looks like our patient is feeling better," she said with a smile. "Almost ready to go home?" Plankton nodded vigorously, his antennas flopping with the motion. "Hone, yesh! Ice cweam!" His eye closed again, and he snored lightly. Karen chuckled. His excitement was adorable, even if it was short-lived. The nurse checked his vital signs. "Looks like the anesthesia's wearing off," she said with a smile. "We can get you ready to go home soon." Plankton's eyelid fluttered open. "Hone?" he asked, his voice hopeful. "Almost," Karen said, her voice calm and soothing. "Just a few more minutes." Plankton's eye closed again, his breaths deepening into sleep. His head lolled to the side, his antennas drooping. Karen watched him with love. Even in his most vulnerable state, his antics brought a warmth to the room. The nurse returned and began to prepare the discharge papers. "Almost there," she said with a wink at Karen. "He'll be right as rain in no time." Plankton stirred again, his eye half-opening to a squint. "Whe...where's my ice cweam?" he mumbled, his voice slurred with sleep. Karen chuckled. "Not until we get home, remember?" Plankton's head nodded, his antennas bobbing. "Oh yeah," he mumbled, his voice dreamily content. The nurse finished up the paperwork and turned to Karen. "We're all set. Just make sure he gets plenty of rest and eats soft foods for the next few days." Plankton's eye shot open, his antennas springing to attention. "Ice cweam?" he asked, his voice hopeful. Karen laughed, shaking her head. "When we get home, remember?" He pouted, his lower lip sticking out like a sulky child's. "But I'm so tiwed," he whined. "Tiwed of being tiwed." Karen couldn't help but smile at his usual stubbornness. "You just had surgery," she reminded him gently. "Your body needs to recover." Plankton's eye grew large, and he nodded slowly. "Oh yeah," he said, his voice trailing off. "But...but I wan' ice cweam..." He faltered as Karen holds him up. The nurse chuckled and handed Karen the papers. "It's all normal, he's just loopy from the meds. He'll be fine once he's home." Karen nodded, her expression a mix of concern and affection. Plankton's head lolled back onto her shoulder, his eye drooping again. "Ice...cweam?" he mumbled. "As soon as we get home, I promise," she whispered. His body relaxed into her, his breathing evening out into a gentle snore. The nurse helped Karen maneuver the sleeping Plankton into a wheelchair, his legs still not fully cooperating. "Just a precaution," she said with a wink. "Better safe than sorry." The cool air of the hallway hit him like a wave, and Plankton's eye popped open. "Whe...?" he mumbled, looking around confused. "It's okay, we're going home," Karen said, pushing the wheelchair through the hospital's sliding doors. The sun was shining, and the brightness made him blink. Plankton squinted, his eye trying to adjust to the light. "Home?" he asked, his voice still thick with sleep. "Ice cweam?" Karen chuckled, nodding. "Yes, home. And yes, ice cream." She pushed him out into the parking lot, the sun glinting off the cars. Plankton was still groggy, his antennas waving slightly as if trying to keep time with his thoughts. The ride home was quiet, Plankton's snores punctuating the gentle hum of the engine. Karen couldn't help but glance over at him, his mouth slightly open, his face peaceful in sleep. She felt a wave of tenderness wash over her. When they finally pulled up to their house, the sight of their familiar surroundings seemed to revive Plankton. "Whe...we're hone?" he asked, his voice groggy. Karen nodded. "Yes, we're home," she said, her tone filled with relief. "Time for that ice cream."
new go hone karen plankton 2
A TOOTHY STORY pt. 2 The room is quiet except for the occasional slosh of the saline and the whirring of the chair's recline. Karen watches as the nurse, Nina, applies gauze to the newly-emptied sockets where the teeth once were. The redness is stark against Plankton's slackened face. His snores are deep and even, his antennae resting limply on the chair's headrest. The doctor, Dr. Marlin, gives her a thumbs-up, a silent assurance that everything went according to plan. Karen feels a weight lift from her shoulders. The procedure is over, and Plankton is safe. His breathing continues, the anesthesia still keeping him in its gentle embrace of peaceful slumber. Nina turns to her with a sympathetic smile. "It's normal for patients to feel a bit groggy once they wake up. Sometimes they're a bit disoriented. It's like coming out of a deep sleep. It's normal if today he seems a little out of it. Bleeding and brushing are to be expected, and swelling is normal." "But he'll be okay?" Karen asks, her voice shaking. "More than okay," Dr. Marlin assures her, "Just follow the aftercare instructions and he'll be back to his usual self in no time. Just remember, no solid foods for a few days, lots of fluids, and keep those ice packs handy." Nina adds, "Keep an eye on him. He might be a bit forgetful, or say some funny things. It's just the anesthesia wearing off. Nothing to worry about." As they wheel Plankton into recovery, Karen watches his chest rise and fall with each breath. Nina, the nurse, explains, "The numbness is normal, it's the local anesthesia wearing off. It can feel weird, but don't worry, it'll fade. As for sleepiness, it's just the body recovering from the anesthesia. He might be a bit wobbly on your feet or have some difficulty speaking because of the numbness. Just take it slow, okay? Yet you can talk to him right now while he wakes if you'd like, even if he doesn't fully understand you yet." Karen nods, leaning in close to her husband's. "It's over, Plankton," she murmurs. "You did great. Just a little bit more sleep and then we'll go home." Plankton's breaths are slow and steady, his body still under the anesthesia's spell. The recovery room is dimly lit. The nurse, Nina, keeps a close eye on Plankton as Karen sits beside him, her hand resting on his arm. She's always been there for him, a constant source of comfort in the face of fear. The receptionist from earlier, Becky, comes in to check on Plankton, her face still cheerful despite the early hour. "How's our patient?" she asks Karen, glancing at the monitors that track his recovery. Plankton's chest rises and falls steadily, his snores punctuating the quiet. Karen smiles weakly. "He's still out of it." Becky nods. "That's normal. The anesthesia takes a little while to wear off. He'll wake up soon enough. You can talk to him if you'd like. Sometimes it helps to hear familiar voices." Karen looks down at Plankton's peaceful face. "You're going to be okay, sweetheart," she says softly. "Just a little longer, and then we'll go home. No more worrying." A line of drool starts to trickle from the corner of Plankton's numb mouth. It's a sight Karen's seen before, but only during his deepest slumbers. She reaches for a tissue and gently dabs at the saliva pooling, his body still under the sedative's grip. She cannot help but feel a twinge of pity for his vulnerable state, despite his snoring. The drool slowly starts to form a tiny river on the chair, a silent testament to the depth of his sleep. Karen wipes it away, knowing he'd be embarrassed if he were conscious of the sight. The nurse, Nina, checks his vitals, satisfied with his progress. "You can sit him up now," she says. "Just make sure he's actually awake before we get him walking." Karen carefully turns Plankton's chair with the lever, which gently guides his sleeping body upright. As the chair moves, Plankton's snoring changes pitch, his head lolling slightly. Karen smiles despite herself, his vulnerability endearing. Gently, she cups his cheek guiding his head back up. "Don't worry, Plankton. Almost time to go home," she says, her voice soft as a morning lullaby.
new a toothy story karen plankton 2
NOTHING BUT THE WISDOM TRUTH vi "I... I just want to make sure he's ok," Krabs said. "He's not in a good place right now," Karen admitted. "Tell him... I didn't mean to embarrass him, that I'm sorry for... everything." "I'll let him know," she said. Heading into the bedroom she found Plankton fast asleep, his face a picture of peace amidst the chaos of his mind, a stark contrast to the turmoil she knew was churning within him. She knew waking him would only stir up more pain and anger, so she decided to let him rest. Karen sat on the edge of the bed, watching him sleep. His chest rose and fell with each breath, the gentle snores a soothing soundtrack to the quiet room. She reached out to brush his antennae, with love and concern. Karen knew this wisdom teeth extraction had taken a toll on him, but she had no idea the depth of his embarrassment til she saw the photo. The next morning, Plankton woke to Karen's gentle humming. The stiffness in his jaw had subsided to a dull throb. As he sat up, the events of the previous day crashed down on him like a tidal wave. Karen turned, her smile fading as she took in his expression. "You're up," she said tentatively. Plankton nodded, jaw still aching. "Krabs called," Karen said, breaking the silence. Plankton's eye snapped to hers, his body tensing. "What." Karen took a deep breath, trying to keep her voice calm. "He said he's sorry for everything," she replied, her voice measured. "And that he didn't mean to embarrass you." Plankton stared at her, his jaw clenched. Karen understood the depth of his pain. "Maybe it wasn't about embarrassment," she suggested gently. "Maybe he was just trying to help." Plankton snorted, but the anger in his eye was fading, replaced by something closer to defeat. "Help." he repeated. "From Krabs!" Karen nodded. "He seemed genuinely concerned," she said. "And he did bring over those jellyfish for you." Plankton's skeptical, but didn't argue. Mr. Krabs wasn't exactly known for warm and fuzzy moments. But the idea that he had shown any care was unsettling. He always seen Krabs as the epitome of greed and self-interest, this newer side as unwelcome as the pain in his mouth. But as the day wore on, Plankton couldn't shake the feeling there's more to the story. Despite pride, he was curious about what happened between them. He knew he had to confront Krabs to set things straight, to regain some semblance of control over. So, when Mr. Krabs appeared at the chum bucket door, unannounced and looking unusually nervous, Plankton's curiosity won over. He begrudgingly let him in, posture stiff. Mr. Krabs fidgeted, his claws twitching as he looked around the cluttered room. "Plankton," he began, his voice tentative. "I know I've not always been the... the most sensitive crab in the sea, but I never meant to cause ye distress." Plankton's eye narrowed. "What do you want?" he demanded, his voice gruff. Mr. Krabs took a deep breath, his claws fidgeting. "I just... I wanted to apologize," he said, his voice barely above a whisper. "For the photo. For... everything." Plankton's eye never left Mr. Krabs' face. "You had no right," he said, his voice cold. Mr. Krabs swallowed. "I know," he admits. "But I didn't mean for it to go viral. Pearl... she's young, she doesn't understand the implications." Mr. Krabs shifted uncomfortably. "I don't expect anything," he said. "But I want to explain. You were in a lot of pain, and I just... I just wanted to help." Plankton's expression unyielding. "And what exactly?" Mr. Krabs took a step back, his eyes flickering with uncertainty. "Well, you were delirious," he began. "You talked a bit, but it was mostly nonsense." Plankton wasn't satisfied. "I want details?" Mr. Krabs sighed heavily, his shoulders dropping. "You talked about the good ol' days," he said, his voice barely above a whisper. "And how, despite our rivalry, we've always had a... a sort of respect for each other." Plankton felt a flicker of something in his chest, but pushed it aside. "Respect?" he sneered. "You expect me to believe that?" Mr. Krabs nodded, his eyes earnest. "It's the truth," he said. "You talked about how we've been through a lot together, even though we're enemies." Plankton felt his anger dissipate with a strange curiosity. "Why?" he asked, his voice softer. "Why would I?" Mr. Krabs shrugged uncomfortably. "I don't know," he admitted. "Maybe anesthesia brought out some hidden feelings?" Plankton's antennae quivered with irritation. "Hidden feelings!" he echoed. "You're telling me I have feelings for you?" Mr. Krabs' face flushed a deep red. "No, no, no!" he sputtered, holding up his claws defensively. "It's just... you were out of it, Plankton, unable to know what you were saying." But Plankton wasn't letting it go. "I need to know," he insisted, his voice low and intense. "What did I say to you?" Mr. Krabs squirmed, his eyes darting around the room. "It's... it's nothing, really," he stammered. "Just random, incoherent babble." But Plankton's gaze was unyielding. "Tell me," he demanded. Mr. Krabs took a deep breath, eyes downcast. "You called me your... your best friend," he murmured. "And you said you admire me." Plankton's eye bulged, his antennae standing straight up. "Admired you?" he echoed, his voice incredulous. Mr. Krabs nodded, his cheeks burning. "Yes," he said, his voice barely audible. "But it was just the medication, I'm sure." Plankton's mind reeled at the revelation. Best friend? Admired? Inconceivable. He had spent his life plotting against Mr. Krabs, trying to steal the Krabby Patty secret, and here he was, confessing his admiration and friendship? A nightmare. "Why would I?" he croaked, his voice a mix of disbelief and anger. Mr. Krabs shuffled his feet. "I told ya," he repeated. "You were out of it, babbling about all sorts of things." But Plankton's mind was racing, trying to piece together the puzzle of his subconscious. "What else did I do?" he pressed, his voice tight. Mr. Krabs fidgeted, his eyes darting around the room. "You... you also thanked me," he said, his voice barely above a whisper. "For being here." Plankton's jaw dropped, his arms flailing. "Thanked you?" he echoed, his voice filled with disbelief. "What, exactly?" Mr. Krabs squirmed, his eyes darting around the room. "You said I was a... friend," he admitted, his voice barely above a whisper. "And that you were grateful for my help." Plankton quivered with rage. "Grateful?" he spat, his voice filled with revulsion. "To you?" Mr. Krabs looked down at his claws, his eyes pleading. "I know it's hard to believe," he said. "But you were in a lot of pain, and the medication can do funny things." Plankton's mind raced, trying to process this new information. He had always seen Mr. Krabs as the epitome of everything he despised: greedy, selfish, and always one step ahead in their eternal dance for the Krabby Patty secret. But here he was, describing a moment Plankton couldn't even remember. "What else?" Plankton demanded, his voice low and dangerous. "What other humiliating things?" Mr. Krabs took a deep breath, his eyes flicking up to meet Plankton's. "Well, you dozed off during my story," he admitted, his voice trembling slightly. "You leaned against me, and before I knew it, you were out cold." Plankton's tentacles stilled, his mind racing with the absurdity of the situation. "Story time?" he echoed, his voice laced with disbelief. "I fell asleep on your shoulder?" Mr. Krabs nodded, his face a picture of awkwardness. "It was quite... unexpected," he said, his eyes darting around the room. "But you seemed to enjoy it." Plankton stared at him, his mind reeling. "What was the story?" he asked, his voice a hoarse whisper. Mr. Krabs' cheeks turned an even deeper shade of red. "It was about... You, per your request." Plankton's eye widened. Mr. Krabs nodded, turning a shade of red that matched his shell. "Yeah," he said, his voice small. "You said you liked the sound of my voice. It's the anesthesia," he said, his voice gentle. "It can do funny things to a body, make 'em say and do things they wouldn't normally." Plankton tightened around the ice pack, his mind racing. He had always seen Mr. Krabs as his sworn enemy, the one who stood between him and the Krabby Patty secret. But here was Krabs, describing a moment of intimacy that was as far from their usual interactions as the moon was from the ocean floor. Mr. Krabs cleared his throat, in discomfort. "It's alright, Plankton," he said, his voice gruff. "It's not something anyone needs to know about." But Plankton was insistent, his curiosity piqued. "I need to know," he said, his voice a mix of anger and desperation. "How did it happen?" Mr. Krabs sighed, eyes dropping to the floor. "Well," he began, his voice halting. "You seemed to get tired," he said, his voice barely above a whisper. "Your eye closed, and your head just... kind of fell onto my shoulder." Plankton's antennae twitched with discomfort, his cheeks burning. "And?" "Well, you were in pain," he said, his voice gruff. "I didn't want to disturb you ." Karen watched the exchange from the doorway. She knew Plankton was tough, but this was a side of him she had never seen before. Vulnerable and exposed. "Mr. Krabs," she said, her voice firm but gentle. "Thank you for coming over." Mr. Krabs looked up, his eyes darting to her before returning to Plankton. "It's no trouble, Karen," he said, his voice thick with emotion. "I just wanted to make sure he's okay." Karen nodded, her gaze never leaving Plankton's face. "I think we can handle it from here," she said, her tone firm but not unkind. Mr. Krabs' eyes darted between the two of them, fidgeting. "If... if there's anything I can do," he offered, his voice trailing off. Karen gave a small smile filled with gratitude. "I think we got it from here," she said. "But thank you for caring."
new AI Story Generator plabsen nothing but the wisdom truth
PATRICK PLANKTON 3/4 (NEURODIVERGENT AUTHOR) "Here," he said, awkwardly offering a tentacle to help Plankton to his feet. "Let me help you." But Plankton slapped his hand away, his shivering growing more intense. "No," he whispered, his voice barely audible. His body was a wreck of tremors, his tiny frame visibly struggling to hold itself upright. Patrick looked at Karen, his eyes pleading for guidance. Karen nodded gently, understanding the unspoken question. "Just give him some space," she whispered back. The tension in the room was palpable as Patrick took a step back, his tentacles retracting into his body. Plankton's shivering grew worse, his tiny frame seemingly shrinking before their eyes. He wrapped his arms around himself, his legs giving out beneath him. Before Karen could even react, Patrick's instincts took over. He lunged forward, catching Plankton in his strong, star-shaped embrace, preventing him from hitting the cold metal floor. The impact was jarring, but Patrick's concern for his friend outweighed any discomfort he might have felt. "Whoa, buddy," he murmured, his tentacles embracing Plankton's shoulders. "You ok?" Karen watched the scene unfold with a mix of surprise and admiration for the starfish's intuitive care. "P-Patrick," Plankton stuttered, his body still convulsing slightly. Patrick's eyes searched Plankton's face for any sign of pain or discomfort, his tentacles tightening around his friend's shaking body. "It's ok," he murmured, his voice soothing despite the fear that was knotting his insides. "You just had a little episode, but you're ok now." Plankton's body stiffened, his antennae sticking straight out in alarm. "What are you doing?" he hissed, his voice a mix of anger and fear. "Just trying to help," Patrick said, his eyes filled with genuine concern. "You're shaking, and I don't want you to fall." Plankton's antennae drooped, the fight draining from him. "I..." he murmured, wanting to escape Patrick's grasp. But Patrick held firm. "You lean on Karen, yet it's ok to lean on someone else too." Plankton's eye searched the room, desperate to find a way out of this embarrassing situation. "I-I don't need..." But his protests were cut short by a wave of dizziness that washed over him. His legs buckled. "Let me go," he whispered, his voice trembling with a mix of anger and fear. Patrick's tentacles tightened around Plankton slightly, but he didn't let go. "You need to relax," he said softly. "Just breathe." Plankton's shivering grew worse, his teeth chattering like a typewriter on overdrive. "Can't... can't breathe," he managed to get out. Karen stepped in, her eyes filled with a mix of concern and understanding. "Plankton," she said, her voice calm and even, "you need to relax. You're safe." "But he's..." Plankton's protests were cut off by another tremor that rippled through his body. "I know, buddy," Patrick said gently. "But sometimes we all need a little help, even if we don't want to admit it." "Get. Off. Me!" he spat, his voice filled with a desperation that made Patrick's heart ache. But Patrick didn't move. He just held Plankton closer. "You're safe. I just don't want you to..." Plankton's tremors grew more violent, and his eye rolled back into his head again. His tiny body convulsed in Patrick's arms, his antennae flailing wildly. "Patrick, let go!" Karen's voice was sharp with fear. "You're making it worse!" Patrick's tentacles loosened their grip, and Plankton slumped back onto the bed, his body still quivering uncontrollably. Karen's robotic hands moved with surprising gentleness as she tucked him in, scanning his form for any sign of injury. "It's okay," she whispered, her voice a soothing hum. "You're safe now." Patrick hovered nearby, his heart racing. He didn't know what to say or do to make things right. The sight of his friend in such distress was more than he could bear. "I'm sorry," he murmured, his tentacles wringing in his hands. "I didn't mean to..." But Plankton's shivering had stopped, his body going slack. His antennae had dropped to his side, and his single eye was closed. Karen checked his pulse again, her expression unreadable. "He's okay," she said finally, her voice a mix of relief and exhaustion. "Just needs to rest." Patrick hovered by the bedside, feeling helpless. "What can I do?" he asked, his tentacles twitching with the need to help in some way. Karen looked up at him, her expression a mix of gratitude and weariness. "Just be here," she murmured. "And maybe... maybe don't touch him again." Patrick nodded solemnly, his tentacles drooping in defeat. "Okay," he murmured. "I'll just stay." He watched as Karen continued to monitor Plankton's condition, her mechanical movements a stark contrast to the tender way she treated her husband. The silence in the room was heavy with unspoken words and fear. "I had no idea," Patrick whispered, his gaze never leaving Plankton's still form. "It's not something he talks about," Karen said gently. "But you should know. Plankton's episodes are often triggered by sudden movements, loud noises, or physical contact." Patrick nodded, his gaze still on Plankton. "I didn't mean to scare him," he said softly. Karen's eyes met his, filled with understanding. "I know, Patrick," she said. "But you have to understand, Plankton's condition makes him sensitive to certain things." Patrick nodded slowly, his gaze never leaving Plankton's face. "What exactly are triggers?" he asked, his voice a low murmur. "Well," Karen began, her voice taking on the tone of a teacher explaining a complex concept, "triggers are basically anything that sets off Plankton's condition. They can be anything from a sudden sound to someone touching him without warning. It's like his brain gets overstimulated and shuts down to protect itself." Patrick listened intently, his eyes never leaving Plankton's still form. "So, I shouldn't..." Karen interrupted gently, "you shouldn't surprise him, especially with physical contact." Patrick nodded, his tentacles stilling as he took in the gravity of the situation. He had never thought about how his actions could affect someone in such a profound way. "How can I help then?" he asked, his voice small. "Just be there," Karen said, her hand patting his shoulder. "Talk to him, keep things calm. And if he starts to get overwhelmed, just let him be. Sometimes, that's all he needs." Patrick nodded, taking in her words. He knew he wasn't the sharpest tool in the shed, but he could do this. Be there for his friend without smothering him. He could be that rock that Plankton could lean on without crushing him. "Okay," he murmured, "I can do that." Karen turned her attention back to Plankton, her robotic eyes scanning his body for any signs of improvement. "He's resting now," she said, her voice a soft whisper. "But he might be irritable when he wakes up." Patrick nodded, his gaze never leaving his friend. "What can I do to make sure he doesn't get to upset?" he asked, his tentacles twitching with anxiety. "Look for signs," Karen said. "If his antennae start to twitch, or he seems distant it might be time to give him some space." Patrick nodded, his eyes searching Plankton for any signs of distress. He didn't want to cause his friend any more pain, especially after seeing him like this. "What else?" he asked, his voice barely above a whisper. "Look at his breathing," Karen instructed, her gaze focused on Plankton's chest rising and falling in slow, shallow movements. "If it gets rapid or erratic, he's likely overwhelmed." Patrick nodded, watching intently as Plankton's chest moved with each breath. "Ok" he murmured, "I'll keep an eye on that." Karen's gaze softened, looking up at the starfish. "It's more than just that, Patrick," she said gently. "It's about understanding him, knowing what sets him off." Patrick nodded, his eyes focused on Plankton. "So, what are the signs?" Karen paused, considering her words carefully. "Well, it's like reading a book," she began. "You have to pay attention to the little things, the subtle cues that tell you how he's feeling." "Subtle cues?" he repeated, his brow furrowed in concentration. "Yes," Karen nodded. "Like how he reacts when you touch him. Sometimes, it can be soothing. Other times, it can be overwhelming." She paused, her eyes scanning Plankton's form for any signs of distress. "It's all about reading his cues." Patrick leaned in closer, his tentacles stilling. "How do know if it's helping or hurting, or what type of touching?" "It's different for everyone with his condition," Karen explained, still on Plankton's sleeping form. "But for Plankton, it's usually about pressure." Patrick's eyes widened. "What do you mean?" Karen demonstrated with her robotic arm, applying gentle pressure to Patrick's shoulder. "Like this," she whispered. "Soft, comforting touches can help him feel grounded." Patrick tentatively reached out with a tentacle, mimicking the light touch. He watched as Plankton's sleeping body tensed for a moment before relaxing slightly. "Is that ok?" he asked, his voice barely above a murmur. "Just keep it gentle," Karen reminded him, her eyes still on her husband. "And pay attention to his reactions."
new planktrick karen plankton patrick plankton
PATRICK PLANKTON 4/4 (NEURODIVERGENT AUTHOR) Patrick nodded, his tentacle hovering above Plankton's shoulder. He was about to touch him again when Karen spoke up. "Remember, Patrick," she said, her voice a soft hum, "it's all about his comfort. If he seems tense or pulls away, you know to ease off." Patrick nodded, his tentacle poised in the air ready to offer comfort without causing more distress. "Okay," he murmured his eyes never leaving Plankton's peaceful, if slightly troubled, face. "Soft and gentle.." "Yes," Karen said. "And if he flinches or seems more uncomfortable, I know to stop immediately." Patrick nodded solemnly retreating. "I don't wanna worsen," he whispered. "You won't," Karen assured him. "Just remember, Plankton's condition isn't your fault. And he's lucky to have a friend like you who cares enough to learn." Patrick nodded, his tentacles stilling as he absorbed the information. He looked down at his massive starfish body, feeling clumsy and awkward next to Plankton's frail frame. "How do I know if I'm touching him the right way?" he asked, his voice tentative. "Just watch for his reactions," Karen instructed, her robotic eyes flickering as she observed Plankton's peaceful expression. "If he relaxes, you're doing it right. If not, you're doing too much." Patrick nodded, his tentacles hovering anxiously. "But how do I show him interest and care, without touching?" Karen considered his question, her robotic brain processing. "Words can be powerful, too," she said finally. "Ask him about his day, what he's been working on. Show genuine interest in his life." Patrick nodded, his tentacles retracting slightly. "I can do that," he murmured. "Plankton enjoys talking about his inventions," Karen began. "He finds solace in the predictability of science and engineering. It's his way of making sense of the world." Patrick nodded, his gaze thoughtful. "So, I should ask him about his latest gizmo?" "Exactly," Karen said with a small smile. "And listen, really listen to what he has to say. It's his way of sharing his world with you." Patrick nodded, his eyes reflecting his determination to be a better friend. "Instead of physical affection, what else might he like to show I care?" he asked eager to learn more. "Plankton's quite fond of his pet, Spot," Karen said, her voice a mix of fondness and amusement. "You could offer to help play with Spot, or even bring a little treat for him." Patrick's eyes lit up at the mention of the tiny amoeba puppy. "Really?" he asked, his tentacles unfurling slightly. "Yes," Karen said with a smile, "Spot is a source of great comfort to him, they enjoy each other." She paused, considering. Patrick's tentacles began to twitch with excitement. "Could you get Spot?" he asked, his voice hopeful. "Maybe having Spot here would help him feel better when he wakes up." Karen's smile grew. "That's a wonderful idea, Patrick," she said, and glided out of the room, to get Spot. Plankton's antennae twitched, and his eye began to flutter open. "Wha..." Karen returned with Spot in tow, the little amoeba wagging its tail. She placed the small creature gently on the bed with Plankton. "Look who's here to see you," she said, voice a gentle coo. Plankton's antennae perked up at the sight of his little amoeba bounced over. Patrick watched as the tiny creature brought a rare smile to Plankton's face. "Hey, bud," Plankton murmured. Spot in Plankton's arms, licking his face with its tiny, slimy tongue. Plankton giggled. "Good boy," he murmured, his antennae twitching with delight. The sight of Spot's excitement seemed to ease some of the tension in his body. Patrick watched from the side, his tentacles twitching with the desire to join in the moment of levity. He knew he had to tread carefully, but he also knew Plankton's smile was worth it. "How about we play a game? Spot can come too." he suggested, voice soft and tentative. Karen nodded, her smile genuine. "That's a great idea. Plankton loves a good trivia game." Patrick's eyes lit up. "I know just the thing!" He dashed out of the room and returned with a battered old board game titled "Bikini Bottom Brainiac Challenge." "This is perfect," Karen said, her voice filled with relief. She knew how much Plankton enjoyed a good intellectual showdown. Patrick set up the game with shaky tentacles, and Plankton's antennae twitched with curiosity and eagerness. "What's the rules?" Plankton asked, his voice still a little raspy from his episode. He's still holding Spot. "Simple," Patrick said, his tentacles steady as he unfolded the board. "We take turns answering trivia questions. If you get one right, you move forward. If not you go back." Plankton's antennae wiggled with excitement. "I've got this," he declared, his competitive spirit briefly overriding his exhaustion. "Let's start with an easy one," Karen suggested, her robotic voice filled with a motherly concern. Patrick nodded, picking up a card. "Alright, Plankton," he began, his tone light, "who invented the telephone?" Plankton's antennae shot up. "Alexander Clam Bell," he said with a smug smile, and Spot barked in excitement. Karen chuckled. "Correct," she said, moving his game piece forward. "Patrick's question." Plankton pulled a card from the pile, his tentacles shaking slightly. "Okay," he said, "who was the first sea creature to walk on land?" Patrick thought for a moment, his tentacles tapping the side of his head. "I know this one," he exclaimed. "It was..." He paused, trying to remember the name from one of Mr. Krabs' many history lessons. "Gilligan!" Karen's robotic laugh filled the room. "I'm afraid not, Patrick. It was actually the first amphibian, not a sea creature, who walked on land." Plankton rolled his eye. "It's okay, Patrick. It was a good guess," he said, his tone kinder than the usual sarcasm. Patrick chuckled, feeling a bit silly. "Alright, I'll work on my history," he said, moving his piece back. "Your turn, Karen." The game continued, the tension in the room slowly dissipating with each question and laugh. Plankton's eye lit up with each answer he knew, his antennae waving with excitement. The simple act of playing together brought a sense of normalcy to the situation. Karen's questions were more science-based, which Plankton devoured. "What is the chemical composition of seawater?" she asked, her robotic eyes gleaming with challenge. "Easy," Plankton said, his voice growing stronger with each word. "It's mostly sodium chloride with traces of other salts and minerals." Patrick watched as Plankton's confidence grew with every correct answer, his antennae standing tall. The game was a balm to his friend's frazzled nerves, a gentle reminder of the Plankton he knew before the meltdown. "Your turn," he said. Karen's question was about the ocean's currents, and Plankton felt a twinge of excitement. "Oh, I know this one," he exclaimed. "It's all about the Coriolis Effect is what makes the water spin in different directions in the northern and southern hemispheres!" Patrick nodded, his tentacles twirling with enthusiasm. "Wow, Plankton, you're really good at this!" But as he went to roll the dice, his excitement got the better of him. The dice slipped from his grasp, bouncing straight Plankton's open eye. Plankton yelped in pain. Patrick's tentacles froze mid-air, his eyes wide with horror. "Oh no!" he exclaimed, reaching out to help his friend. But Plankton was already recoiling, his antennae flailing as he clutched his eye. "Ow!!" Patrick's heart sank. "I'm so sorry!" he exclaimed, reaching out to comfort his friend. But Plankton was already on the defensive, arms swiping at the air as if trying to swat away the pain, his eye watering. Patrick's tentacles retreated immediately, the gravity of his mistake weighing heavy on him. "I didn't mean to," he said, his voice tight with regret. "I'm sorry, Plankton." Plankton's eye watered, and he blinked rapidly, trying to clear the pain. Karen's eyes went wide with alarm, and she was at his side in an instant. "Plankton?" Plankton rubs his eye with his tiny hand. "Just... just give me a moment." Patrick gets a small bag of ice with a cool cloth. "Here," he says, holding it out tentatively. "Cold might help Plankton.." Plankton's eye is still red and watery, but he takes the ice pack. "Thanks," he mumbles placing the cool compress on his eye. After a few moments, he lets out a sigh. "It's ok," he says, his voice a mix of pain and annoyance. "It may bruise." Patrick looks at him with a mix of relief and guilt. "Are you sure you're ok?" he asks, his tentacles hovering. "Yes!" Plankton exclaimed, antennae shooting up. He winced as he tried to open the eye fully, but the pain was too much. "But I can handle it," he said through gritted teeth. Plankton took a deep breath, the silence in the room thick with the sting of pain. He knew he had to say something, to apologize for how he treated Patrick. "Look," he began, gruff but sincere. "Sorry if I've been a bit... much.." Patrick's tentacles twitched with emotion. "It's ok, Plankton," he said, his voice thick. "I just didn't know how to help." "You're trying," Plankton said, antennae dropping slightly. "And that's more than anyone else has ever done, other than Karen and Spot of course." Plankton's antennae twitched, his voice a little softer than usual. "You're just to... to enthusiastic for me most times." Patrick nodded. "I'll be more careful," he murmured. Karen looked at him with a mix of gratitude and pity. "Patrick, it's not your fault," she said. "Plankton's condition is complex, and even I struggle to sometimes. Plankton's not like everyone else. He needs his space, his quiet and his routines." Patrick nodded, his tentacles drooping slightly. "I'll do better," he said, earnest.
new planktrick karen plankton patrick plankton
COPEPOD AUTISM pt. 3 (Neurodivergent author) After breakfast, Plankton looks up from his plate, his gaze meeting Karen's. "Karen," he says, his voice clearer now. "Plankton want outside." Karen nods, recognizing the need for a change of environment. They head out to the backyard, where the morning air is cool and the sun's rays cast dappled patterns on the grass. Plankton sits on a bench, his eye scanning the garden, taking in the sights. He points to a scallop, its wings a blur of color. "Beautiful," he says, his voice filled with awe. Karen nods, understanding that his heightened senses are allowing him to experience the world in a way she can't fully comprehend. The sound of Mr. Krabs’s lawnmower starts up, and Plankton flinches, his hands flying to cover his head. Karen quickly moves to his side, placing a gentle hand on his shoulder. "It's ok," she says, her voice calm and soothing. "It's just Mr. Krabs." Plankton's humming starts up again, his body rocking slightly with each engine's roar. She squeezes his shoulder, reminding him of her presence. Together, they sit on the bench, Karen's hand on his back, as he tries to ground himself with the feel of her touch and the rhythm of his humming. The lawnmower's noise gradually becomes louder. Plankton's body tenses, and he starts to rock faster, Karen notices. "Let's go inside," she suggests gently, reading his distress. The moment they step back into the house, the noise dims. He leans into her, his body seeking the comfort of her nearness. Karen leads him to the couch, where he curls into a small ball, his hands over his ears. "It's ok," she repeats, her voice a lullaby. "We can go to the quietest room." They move to the study, a place where Plankton's favorite books reside. He nods, his body still tense with the memory of the mower's invasive sound. Karen closes the door, cutting off the outside noise, and sits beside him on the floor. She opens a drawing book she knows he loves, filled with scenes from his favorite movies. Plankton's hands drop from his ears as he focuses on the images, his breathing steadying. Karen picks up a pack of colored pencils, handing them to him without a word. He selects a blue one and starts to trace the outline of a jellyfish, his hand shaking slightly. The mower's drone outside becomes a distant hum, the pages of the book a barricade against the sensory assault. He colors in the jellyfish, his strokes becoming more confident, his breaths deep and even. Karen watches him, seeing the world through his eye, feeling his discomfort slowly ebb away. The blue pencil moves with purpose, filling in the intricate details of the jellyfish's bell. Plankton's focus is so intense it's as if he's drawing a map to navigate his new reality. Each stroke is deliberate, a silent protest against the chaos that had invaded their morning. The mower's noise grows fainter, a fading memory. In the quiet of the study, his mind finds refuge. The colors swirl and blend, a symphony of order amidst the cacophony of sensations. Karen watches him, her own hands resting in her lap, giving him the space he needs. His coloring becomes a form of therapy, a way to communicate without words, to express his feelings when speech fails. The blue pencil moves to a green one, then a red, each color adding layers to the picture. The jellyfish comes to life under his touch, a silent companion that doesn't judge or overwhelm. The doorbell rings, a sharp intrusion into their sanctuary. Plankton's body jerks at the sound, his hand slipping, leaving a smudge on the page. Karen sighs, knowing it's Mr. Krabs, probably coming over to check on them. She glances at Plankton, his body coiled tightly, his eye fixed. "It's okay," she whispers, placing a hand on his arm. "It's just Mr. Krabs." The doorbell rings again, more insistent this time. Plankton's antennae droop, his body taut with anxiety. He starts to rock, his humming picking up speed. Karen rises, leaving the colored pencils behind. She moves to the door, each step deliberate. Mr. Krabs's face appears through the peephole, his expression a mix of concern and curiosity. She takes a deep breath, preparing herself for the interaction she's read so much about. How to explain Plankton's condition without causing more stress? When she opens the door, Mr. Krabs's eyes widen, noticing Plankton. "Ye drawing a jellyfish? Absurd!" He cackles, causing further distress; Plankton sees where his drawing messed up and the harsh sound of Krabs laughter, and can't take it anymore. He throws the colored pencils across the room, each one a silent shout of frustration. "Leave me alone!" he yells, his voice cracking. Mr. Krabs's laughter dies instantly, his face morphing into one of shock. "Plankton, buddy, what's gotten into ya?" he asks, his voice thick with amused confusion. The question is a spark to Plankton's already frayed nerves. He feels his body tense further, his voice rising. "You don't know anything about me!" Plankton shouts at Mr. Krabs, his words a jumbled mess of anger and hurt. "You think you can just come in here and laugh at me?" Mr. Krabs's claws freeze in midair, his laughter choked off by the unexpected outburst. He stammers, trying to find the words to respond, but Plankton cuts him off. "You think I'm a joke? That my brain is a punchline for your entertainment?" Plankton's voice is a mix of anger and pain, each word a knife thrown with precision. Mr. Krabs, taken aback, takes a step backward. His face is a mask of surprise, his mouth agape like a fish out of water. "No, no, Plankton," he stammers, his claws raised in a defensive gesture. "I didn't mean to—" But Plankton isn't listening, his eye blazing with a fury Karen's never seen before. "You never knew me!" he cries, his voice echoing through the hallway. "You just saw what you wanted to see!" Each word is a whip crack in the tense silence. Mr. Krabs opens his mouth to speak, but Plankton's words continue to fly like shrapnel. "You only see what you want to see!" Plankton's voice cracks with emotion. "You see a business rival, not a friend, not someone who's hurting!" He stands up, his body trembling. Karen steps in, her hand on his arm, trying to calm him. "Let's go back to the study," she tries to suggest. But Plankton is beyond listening. The dam of his emotions has broken, and he's lost in a flood of words and accusations. "You only cared about your Krabby Patties, your greed!" Plankton's voice rises, each syllable a dagger. Mr. Krabs's eyes dart around, unsure how to respond to the raw pain in his friend's words. So he reaches his claw out hoping to calm him, but it's giving the opposite effect. "My whole life, you've used me!" Plankton's accusations fly like shrapnel in the quiet room. Karen's heart aches, but she knows this is a release he needs. She remains silent, her hand a comforting weight on his back, grounding him.
new copepod autism plabsen 3
Ꮀᔉⁿᔗⁱ˹ᔗ ᎏᔖᔖᔒⁱⁿᔗᔐᔉⁿᔗ âœá”†á”–á”’âżá”á”‰áŽźá”’á”‡ á¶ á”ƒâżá¶ â±á¶œâŸ Part 1 áŽŸËĄá”ƒâżá”á”—á”’âż'Ëą á¶œá”’á”á”–á”˜á”—á”‰Êł ʷⁱᶠᔉ áŽ·á”ƒÊłá”‰âż ᔈᔉᶜⁱᔈᔉᔈ á”—á”’ ʷᔃᔏᔉ ʰⁱᔐ âżá”’Ê· á¶ á”’Êł Ê°â±Ëą á”ˆá”‰âżá”—â±Ëąá”— á”ƒá”–á”–á”’â±âżá”—á”á”‰âżá”—â€§ ᎎᔉ'Ëą á”˜Ëąá”˜á”ƒËĄËĄÊž ᔘᔖ á”‡á”‰á¶ á”’Êłá”‰ Ê°á”‰Êł ᔃⁿᔈ Ëąá”—á”ƒÊžËą ᔘᔖ ËĄá”ƒá”—á”‰ á”ƒá¶ á”—á”‰Êł ËąÊ°á”‰â€§ áŽźá”˜á”— ᔗʰᔉʞ'Êłá”‰ á”—á”’ ËĄá”‰á”ƒá”›á”‰ á”‰á”ƒÊłËĄÊžâ€§ ᔆʰᔉ Êłá”˜á”‡Ëą Ê°â±Ëą ᔇᔃᶜᔏ‧ "á”†Ê°á”‰ËĄá”ˆá”’âżâ€§" ᎎⁱ˹ ᔉʞᔉ á”‡Êłá”’Ê· ᔗʷⁱᔗᶜʰᔉᔈ‧ ᔆʰᔉ á”—Ê°á”‰âż âżá”˜á”ˆá”á”‰Ëą ʰⁱᔐ‧ "ᔂᔃᔏᔉ ᔘᔖ! áŽŹÊłá”‰ ʞᔒᔘ ᔃʷᔃᔏᔉ?" áŽŽá”‰Êł Ê°á”˜Ëąá”‡á”ƒâżá”ˆ ᔒᔖᔉⁿ˹ Ê°â±Ëą ᔉʞᔉ‧ "áŽłá”’á”—á”—á”ƒ ᔍᔒ á”—á”’ ᔗʰᔉ á”ˆá”‰âżá”—â±Ëąá”—â€§" Ꮀᔉ˹ᔖⁱᔗᔉ á”‡á”‰â±âżá” á”ƒËĄâ±á”›á”‰âžŽ áŽ·á”ƒÊłá”‰âż'Ëą ⁿᔒᔗ ᔃⁿ á”’Êłá”á”ƒâżâ±á¶œ á”‡á”‰â±âżá”â€§ ʞᔉᔗ ËąÊ°á”‰ ˹ᔗⁱ˥˥ ᶠᔉ˥ᔗ Ê°á”‰Êł á”’Ê·âż ᔉᔐᔒᔗⁱᔒⁿ˹ ᔃⁿᔈ á”–á”‰ÊłËąá”’âżá”ƒËĄâ±á”—Êž ᔗᔒ‧ áŽŸËĄá”ƒâżá”á”—á”’âż á”˜Ëąá”˜á”ƒËĄËĄÊž á”á”‰á”—Ëą á”ˆá”‰âżá”—á”ƒËĄ ᶠ˥ᔒ˹˹ ᔃ˹ ᔗʰᔉʞ Ëąá”‰âżá”ˆ ʰⁱᔐ ᔒᔘᔗ ᔒⁿ Ê°â±Ëą ʷᔃʞ ᔇᔘᔗ âżá”’Ê· ᔒⁿᔉ ᔒᶠ ᔗʰᔉ á”ˆá”‰âżá”—â±Ëąá”—Ëą ᶜᔃᔐᔉ ᔘᔖ á”—á”’ ˹ᔉᔉ Ê°á”‰Êłâ€§ "áŽ·á”ƒÊłá”‰âż áŽŸËĄá”ƒâżá”á”—á”’âżâ€§â€§â€§" "Êžá”‰Ëą?" 'á”‚Ê°á”‰Êłá”‰ ⁱ˹ ᔐʞ Ê°á”˜Ëąá”‡á”ƒâżá”ˆ ᔃⁿᔈ Ê·Ê°Êž ʞᔒᔘ á¶œá”’á”â±âżá” á”—á”’ ᔐᔉ?' áŽ·á”ƒÊłá”‰âż Ê·á”’ÊłÊłâ±á”‰á”ˆâ€§ "ᔆᔒ ʷᔉ ᔈᔒ Ëąá¶œá”ƒâżËą ᔃⁿᔈ ᔗᔒᔈᔃʞ ʷᔉ á¶ á”’á”˜âżá”ˆ Ê°â±Ëą Ê·â±Ëąá”ˆá”’á” ᔗᔉᔉᔗʰ âżá”‰á¶œá”‰ËąËąá”ƒÊłÊž á”—á”’ Êłá”‰á”á”’á”›á”‰ ᔗʰᔉᔐ‧" 'ᔂʰᔃᔗ“' "᎔ á¶œá”ƒâż ËĄá”‰á”ƒá”ˆ ᔗʰᔉ ʷᔃʞ á”—á”’ Ê·Ê°á”‰Êłá”‰ ʰᔉ'˱‧‧‧" "᎔ á”ˆâ»á”ˆá”’âżâ€™á”— á”âżá”’Ê· ⁱᶠ ᎔ á”˜âżá”ˆá”‰ÊłËąá”—á”ƒâżá”ˆâ€§" áŽ·á”ƒÊłá”‰âż á¶ á”’ËĄËĄá”’Ê·á”‰á”ˆ ᔗʰᔉ âżá”˜ÊłËąá”‰ á”—á”’ áŽŸËĄá”ƒâżá”á”—á”’âż Ê·Ê°á”’'Ëą ⁱⁿ ᔗʰᔉ Êłá”‰á¶œËĄâ±âżá”‰Êł ⁱⁿ Êłá”’á”’á”â€§ "á”†Ê°á”‰ËĄá”ˆá”’âż?" "ᎎᔉ˥˥ᔒ ᎔'ᔐ á”†Ê°á”‰ËĄá”ˆá”’âż áŽŸËĄá”ƒâżá”á”—á”’âż'Ëą Ê°Êžá”â±á”‰âżâ±Ëąá”—! áŽșá”’Ê· ʷᔉ ˹ᔉᔉ ᔗʰᔉ á”–Ê°á”’á”—á”’ ᔒᶠ ᔗᔉᔉᔗʰ ʷᔉ ᔗᔒᔒᔏ➎ ᔃⁿᔈ ᔗʰᔉ ᔇᔃᶜᔏ ᔒⁿᔉ˹ á”ƒÊłá”‰ á”á”’ËĄá”ƒÊłËą ⁱⁿ âżá”‰á”‰á”ˆ ᔒᶠ Êłá”‰á”á”’á”›á”ƒËĄâ€§ ᔂᔉ Ê·á”ƒâżâżá”ƒ ᔍᔒ ᔃʰᔉᔃᔈ ᔃⁿᔈ á”’á”–á”‰Êłá”ƒá”—á”‰ ᔇᔘᔗ ʷᔉ ᔒᔘᔗᔗᔃ ᔗᔉ˥˥ ʞᔒᔘ‧ ᔀʰᔉ âżá”˜ÊłËąá”‰ á¶œá”ƒâż ᔍⁱᔛᔉ ʞᔒᔘ ᔃ á”–á”ƒá”á”–Ê°ËĄá”‰á”— ᔒᶠ â±âżËąá”—Êłá”˜á¶œá”—â±á”’âżËąâ€§ áŽźá”‰á¶ á”’Êłá”‰ ʷᔉ Ëąá”—á”ƒÊłá”— áŽŸËĄá”ƒâżá”á”—á”’âż ᎔'ËĄËĄ ᔗᔉ˥˥ ʞᔒᔘ➎ ⁱᔗ'Ëą âżá”’Êłá”á”ƒËĄ á”—á”’ ᔇᔉ á”ƒâżËŁâ±á”’á”˜Ëąâ€§" ᔀʰᔉ Ê°Êžá”â±á”‰âżâ±Ëąá”— Ëąá”ƒÊžËąâ€§ "ᔂᔉ ᔈᔒ Ëąá”˜Êłá”á”‰ÊłÊž ᔃⁿᔈ ʷᔉ Ëąá”–á”‰á¶œâ±á”ƒËĄâ±Ëąá”‰ ᔗᔒ‧ áŽșá”’Ê· Ëąá”‰á”‰â±âżá” ᔗʰᔉ ᔗᔉᔉᔗʰ Ê°á”ƒá”›á”‰âż'á”— á”‰Êłá”˜á”–á”—á”‰á”ˆ á”–á”ƒËąá”— ᔗʰᔉ á”á”˜á”ËąâžŽ ᔗʰᔉ á”–Êłá”’á¶œá”‰á”ˆá”˜Êłá”‰ Ê·â±ËĄËĄ á”á”’Êłá”‰ â±âżá”›á”ƒËąâ±á”›á”‰âžŽ ᔇᔘᔗ ʷᔉ ʰᔃᔛᔉ Ëąá”‰á”ˆá”ƒá”—â±á”’âż ᔒᔖᔗⁱᔒⁿ‧" ᔀʰᔉ âżá”˜ÊłËąá”‰ ˥ᔉᔗ˹ áŽ·á”ƒÊłá”‰âż Ê°á”’ËĄá”ˆ áŽŸËĄá”ƒâżá”á”—á”’âż'Ëą Ê°á”ƒâżá”ˆâ€§ "᎔ á”—Ê°â±âżá” ⁱⁿ Êžá”’á”˜Êł á¶œá”ƒËąá”‰ ⁱᔗ'ᔈ ᔇᔉ ᔇᔉ˹ᔗ á”—á”’ ᔖᔘᔗ ⁱⁿ ᔃ ᔈᔉᔉᔖ ˹˥ᔉᔉᔖ➎ á¶œá”’âżËąâ±á”ˆá”‰Êłâ±âżá” á¶œâ±Êłá¶œá”˜á”Ëąá”—á”ƒâżá¶œá”‰Ëąâ€§" "ᎎᔃᔛᔉ ʞᔒᔘ á”ƒâżÊž á‘«á”˜á”‰Ëąá”—â±á”’âżËą?" ᔀʰᔉ âżá”˜ÊłËąá”‰ á”ƒËąá”Ëąâ€§ "á¶œá”ƒâż áŽ·á”ƒÊłá”‰âż Ëąá”—á”ƒÊžâ€§â€§â€§" "áŽŸËĄá”ƒâżá”á”—á”’âż ËąÊ°á”‰ Ê·á”’âż'á”— ËĄá”‰á”ƒá”›á”‰ ᔗʰᔉ á”‡á”˜â±ËĄá”ˆâ±âżá” ᔇᔘᔗ ËąÊ°á”‰'ËĄËĄ ʰᔃᔛᔉ á”—á”’ ᔉˣⁱᔗ ᔗʰᔉ Êłá”’á”’á” Ê·Ê°á”‰âżá¶œá”‰ á”’á”–á”‰Êłá”ƒá”—â±âżá”â€§ áŽșá”’Ê· áŽŸËĄá”ƒâżá”á”—á”’âżâžŽ ʞᔒᔘ Êłá”‰á”ƒá”ˆÊž?" "᎔'ᔛᔉ á”â±á”›á”‰âż áŽ·á”ƒÊłá”‰âż ᔃ˥˥ â±âżá¶ á”’Êłá”á”ƒá”—â±á”’âżâ€§" á”†á”ƒÊžËą ᔗʰᔉ âżá”˜ÊłËąá”‰â€§ "ᔂᔉ á”ƒÊłá”‰ á”á”’â±âżá” á”—á”’ Ëąá”—á”ƒÊłá”— á”ƒá”ˆá”â±âżâ±Ëąá”—Êłá”ƒá”—â±á”’âż ᔒᶠ Ëąá”‰á”ˆá”ƒá”—â±á”›á”‰Ëą ᔃⁿᔈ ᔐⁱᔍʰᔗ ˹ᔉᔉᔐ á¶ á”˜âżâżÊž ᔇᔘᔗ ⁱᔗ Ê·â±ËĄËĄ ᔇᔉ á”’á”›á”‰Êł á”‡á”‰á¶ á”’Êłá”‰ ʞᔒᔘ á”âżá”’Ê· ⁱᔗ‧ áŽŒá”˜Êł Ê°á”ƒâżá”ˆÊž á”á”ƒá¶œÊ°â±âżá”‰'Ëą á”á”’âżâżá”ƒ á”—á”˜Êłâż ᔒⁿ ᔃⁿᔈ ʞᔒᔘ Ê·â±ËĄËĄ ᔇᔉ á”á”’âżâ±á”—á”’Êłá”‰á”ˆâ€§" ᔀʰᔉ Ê°Êžá”â±á”‰âżâ±Ëąá”— Ëąá”ƒÊžËą á”‡á”‰á¶ á”’Êłá”‰ Ëąá”—á”ƒÊłá”—â±âżá” ᔘᔖ ᔗʰᔉ á”á”ƒá¶œÊ°â±âżá”‰â€§ "ʞᔒᔘ'Êłá”‰ á”ˆá”’â±âżá” Ëąá”’ ᔍᔒᔒᔈ ÊČᔒᔇ‧" 'ʞᔒᔘ ᶠᔉᔉ˥ âżâ±á¶œá”‰â€§â€§â€§' áŽŸËĄá”ƒâżá”á”—á”’âż á”á”‰á”—Ëą á”ƒËąá”á”‰á”ˆ ᔇᔘᔗ Ê°â±Ëą ᔉʞᔉ'Ëą ⁿᔒ ËĄá”’âżá”á”‰Êł ᔏᔉᔖᔗ ᔒᔖᔉⁿ‧ áŽŸËĄá”ƒâżá”á”—á”’âż á”âżá”’Ê·Ëą âżá”’á”—Ê°â±âżá” ᔉ˥˹ᔉ á”’á”—Ê°á”‰Êł á”—Ê°á”ƒâż Ê°â±Ëą ᔉʞᔉ á¶ ËĄá”˜á”—á”—á”‰Êłâ±âżá” ᔃ˹ á”á”‰á”ˆâ±á¶œâ±âżá”‰ á”âżá”’á¶œá”á”‰á”ˆ ʰⁱᔐ ᔒᔘᔗ á¶œá”’ËĄá”ˆâ€§ ᔀʰᔉ âżá”˜ÊłËąá”‰ ˥ᔉᔗ˹ áŽ·á”ƒÊłá”‰âż ᔍᔒ ᔇᔃᶜᔏ á”—á”’ Ê·Ê°á”‰Êłá”‰ ËąÊ°á”‰'Ëą ʷᔃⁱᔗᔉᔈ‧ áŽ±á”›á”‰âżá”—á”˜á”ƒËĄËĄÊž ᔗʰᔉ âżá”˜ÊłËąá”‰ á”á”‰á”—Ëą áŽ·á”ƒÊłá”‰âż á”ƒá”á”ƒâ±âż ᔃ˹ ᔗʰᔉʞ á¶ â±âżâ±ËąÊ°á”‰á”ˆ ᔘᔖ‧ "ᎎᔒʷ‧‧‧" "Êžá”’á”˜Êł Ê°á”˜Ëąá”‡á”ƒâżá”ˆ'Ëą ʞᔉᔗ á”—á”’ ʷᔃᔏᔉ ᔘᔖ➎ ᔇᔘᔗ ᔗʰᔉ Ëąá”˜Êłá”á”‰ÊłÊž Ê·á”‰âżá”— á”–á”‰Êłá¶ á”‰á¶œá”—ËĄÊž á”Êłá”‰á”ƒá”—â€§" áŽ·á”ƒÊłá”‰âż Ëąá”ƒÊ· áŽŸËĄá”ƒâżá”á”—á”’âż ˹ᔗⁱ˥˥ ⁿᔒᔗ á¶œá”’âżËąá¶œâ±á”’á”˜Ëą/ᔃʷᔃᔏᔉ ʞᔉᔗ ᔃⁿᔈ ᔗʰᔉ Ê°Êžá”â±á”‰âżâ±Ëąá”— Ê·â±á”–á”‰Ëą ᔃʷᔃʞ ˹ᔒᔐᔉ á”ˆÊłá”’á”’ËĄâ€§ "ᎎᔉ ᔐⁱᔍʰᔗ á”‡ËĄá”‰á”‰á”ˆ ᔃⁿᔈ á”‡Êłá”˜â±Ëąá”‰ á¶ á”’Êł ˥ᔉ˹˹ á”—Ê°á”ƒâż ᔃ ʷᔉᔉᔏ ᔃⁿᔈ ʰᔉ'Ëą á”‰ËŁá”–á”‰á¶œá”—á”‰á”ˆ á”—á”’ á”‰ËŁá”–á”‰Êłâ±á”‰âżá¶œá”‰ ˹ᔒᔐᔉ ËąÊ·á”‰ËĄËĄâ±âżá”â€§" "áŽżâ±á”Ê°á”— Ê·Ê°á”‰âż ᎔ ᔍᔉᔗ á”ˆÊłá”’á”’ËĄ á¶œËĄá”‰á”ƒâżá”‰á”ˆ ᔘᔖ á”á”’Êłá”‰ ᔒᶠ ⁱᔗ á¶œá”’á”á”‰Ëą! áŽźá”˜á”— Êžá”‰Ëą ᔃ˥˥ ᔗʰᔉ á”á”‰á”ˆâ±á¶œâ±âżá”‰ ⁱⁿ Ê°â±Ëą ᔇᔒᔈʞ ËąÊžËąá”—á”‰á” ᔐⁱᔍʰᔗ ᔐᔃᔏᔉ ʰⁱᔐ ᔃᶜᔗ ᔘᔖ á¶ á”’Êł ᔃᔇᔒᔘᔗ ᔃ ᔈᔃʞ‧" áŽ·á”ƒÊłá”‰âż Êłá”‰á”ƒá”ˆ ᔗʰᔉ á”–á”ƒá”á”–Ê°ËĄá”‰á”— á”‰ËŁá”–ËĄá”ƒâ±âżâ±âżá” á”ƒá¶ á”—á”‰Êł á¶œá”ƒÊłá”‰ ᔃⁿᔈ Ê°á”’Ê· á”—á”’ á”˜Ëąá”‰ ᔍᔃᔘᶻᔉ‧ ᔆʰᔉ á”âżá”‰Ê· ʰᔉ á”á”˜Ëąá”— ᔇᔉ âżá”˜á”á”‡á”‰á”ˆ ᔐᔒᔘᔗʰ ᔃⁿᔈ á”ƒËĄËąá”’ ËąËĄá”’á”–á”–Êžâ€§ 'á”‚á”ƒá”â±âżá” ᔘᔖ‧‧‧' 'á¶œá”ƒâż ʞᔒᔘ ˥ᔉᔗ ᔐᔉ ˹ᔉᔉ ʞᔒᔘ ᔒᔖᔉⁿ Êžá”’á”˜Êł ᔉʞᔉ?' áŽŸËĄá”ƒâżá”á”—á”’âż Ëąá”˜á”ˆá”ˆá”‰âżËĄÊž Ê°á”‰á”ƒÊłËą ᔃ˹ ʰᔉ'Ëą Ê·á”ƒá”â±âżá” ᔘᔖ‧ "á”‚ÊłÊłá¶» á”‡ÊłÊłÊłá”ˆâ€§â€§" áŽŸËĄá”ƒâżá”á”—á”’âż á”‡á”ƒá”‡á”‡ËĄá”‰á”ˆâžŽ á”’á”–á”‰âżâ±âżá” Ê°â±Ëą ᔉʞᔉ‧ "áŽčÊłâżâżâ€§â€§â€§" "áŽŸËĄá”ƒâżá”á”—á”’âż?" 'á”‚Ê°á”‰Êłá”‰ ᔃᔐ ᎔' áŽŸËĄá”ƒâżá”á”—á”’âż á”—Êłâ±á”‰á”ˆ Ëąá”ƒÊžâ±âżá”â€§ ᎎᔉ á”—Ê°á”‰âż Êłá”‰á¶œá”’á”âżâ±Ëąá”‰á”ˆ áŽ·á”ƒÊłá”‰âżâ€§ "Ꮀᔒ ʞᔒᔘ á”âżá”’Ê· Ê·Ê°á”‰Êłá”‰â€§â€§â€§" "ᔆᔒ ᔗʰᔉ âżá”˜á”á”‡âżá”‰ËąËą ᔃⁿᔈ ᔗʰᔉ á”á”‰á”ˆâ±á¶œâ±âżá”‰ Ê·â±ËĄËĄ ᔐᔃᔏᔉ ⁱᔗ á”á”’Êłá”‰ á”ˆâ±á¶ á¶ â±á¶œá”˜ËĄá”— á”—á”’ á”ƒÊłá”—â±á¶œá”˜ËĄá”ƒá”—á”‰ Ê·á”’Êłá”ˆËąâ€§" áŽŸËĄá”ƒâżá”á”—á”’âż ᶠᔉ˥ᔗ áŽ·á”ƒÊłá”‰âż Ê°á”‰ËĄá”– ʰⁱᔐ ᔘᔖ á”—á”’ Ê°á”‰Êł ᔃⁿᔈ á”â±á”á”ËĄá”‰Ëą ᔃ˹ ʰᔉ ᶠᔃ˥˥˹ ᔒⁿ Ê°á”‰Êłâ€§ "᎞ᔉᔗ'Ëą ᔖᔘᔗ ᔍᔃᔘᶻᔉ ⁱⁿ á”‡á”‰á¶ á”’Êłá”‰ ʞᔒᔘ ᔍᔒ‧‧" "á”†Ê°á”‰ËĄá”ˆá”’âż ᔍᔒᔒᔈ ÊČᔒᔇ!" ᎎᔉ Ê°á”‰á”ƒÊłËąâžŽ âżá”’Ê· ʷⁱᔗʰ ᔍᔃᔘᶻᔉ‧ ᎎᔉ ËĄá”ƒá”˜á”Ê°Ëą ᔇᔘᔗ ˹ᔒᔐᔉ ʷʰᔃᔗ á”á”˜á¶ á¶ ËĄá”‰á”ˆ á¶ Êłá”’á” ᔗʰᔉ ᔍᔃᔘᶻᔉ‧ "᎞ᔉᔗ'Ëą ᔍᔒ!" áŽ·á”ƒÊłá”‰âż á”—á”ƒá”á”‰Ëą áŽŸËĄá”ƒâżá”á”—á”’âż ᔇᔃᶜᔏ á”—á”’ ᔗʰᔉ ᶜʰᔘᔐ ᔇᔘᶜᔏᔉᔗ‧ áŽŹá¶ á”—á”‰Êł ËĄá”‰á”ƒá”›â±âżá”âžŽ ËąÊ°á”‰ Ëąá”ƒÊ· áŽŸËĄá”ƒâżá”á”—á”’âż ËĄá”’á”’á” Ëąá”ƒá”ˆâ€§ "ʞᔒᔘ ᔍᔒᔒᔈ?" "᎔ ᔐⁱ˹˹ áŽ·â»áŽ·á”ƒÊłá”‰âżâ€§â€§â€§" "á”†Ê°á”‰ËĄá”ˆá”’âż ᎔➎ ᎔ ᔃᔐ áŽ·á”ƒÊłá”‰âżâ€§" "áŽčÊž ËĄá”’á”›á”‰ËĄÊž áŽ·á”ƒÊłâ± ᎔ ˥ᔒ⁻ᔒᔛᔉ Ê°á”‰Êł!" "áŽŸËĄá”ƒâżá”á”—á”’âż ᎔'ᔐ Êžá”’á”˜Êł áŽ·á”ƒÊłá”‰âż!" ᔀᔒ á¶œá”’âżá¶ á”˜Ëąá”‰á”ˆâžŽ ʰᔉ á”—Ê°á”‰âż Êłá”‰á”ƒËĄâ±Ëąá”‰Ëą ËąÊ°á”‰'Ëą áŽ·á”ƒÊłá”‰âżâ€§ "áŽ·á”ƒÊłá”‰â»â»â»â» áŽ·á”ƒÊłá”‰âżâ€œ" ᔀʰᔉʞ ᔇᔒᔗʰ á”—Ê°á”‰âż á”ƒÊłÊłâ±á”›á”‰ ᔃᔗ ᔗʰᔉ ᶜʰᔘᔐ ᔇᔘᶜᔏᔉᔗ‧ "á”‚Ê°á”‰Êłá”‰'Ëą ᔗʰᔉ á”ˆá”’á”’Êł?" áŽŸËĄá”ƒâżá”á”—á”’âż á”‰ËŁá¶œËĄá”ƒâ±á”Ëą ᔃ˹ ËąÊ°á”‰ á”—á”˜á¶œá”Ëą ʰⁱᔐ ⁱⁿ Ê°â±Ëą á”’Ê·âż ᔇᔉᔈ‧ "Ꮃᔉᔗ ˹ᔒᔐᔉ Êłá”‰Ëąá”— âżá”’Ê·â€§" "á”‚Ê°á”‰Êłá”‰'Ëą ᔗʰᔉ á”ˆá”‰âżá”—â±Ëąá”—?" "ᔂᔉ ˥ᔉᶠᔗ‧‧" áŽ·á”ƒÊłá”‰âż Ê·â±á”–á”‰Ëą á”ˆÊłá”’á”’ËĄâ€§ ᎎᔉ á¶ ËĄá”ƒá”–Ëą Ê°â±Ëą á”ƒÊłá”Ëąâ€§ "᎔'ᔐ Êłâ±á”ˆâ±âżá” ᔃ á”ˆÊłá”ƒá”á”’âżâ€§â€§" "á¶œá”ƒâż ʞᔒᔘ ËĄá”‰á”ƒâż ᔇᔃᶜᔏ?" áŽŸËĄá”ƒâżá”á”—á”’âż á”ˆá”’á”‰Ëą ˹ᔒ➎ ᔉʞᔉ á¶œËĄá”’Ëąâ±âżá” ËąÊ°á”˜á”—â€§ "Ꮀᔒ ʞᔒᔘ ᶠᔉᔉ˥ ËĄâ±á”á”‰ á”—á”’ Êłá”‰á”–ËĄá”ƒá¶œá”‰ ᔗʰᔉ ᔍᔃᔘᶻᔉ‧‧‧" áŽ·á”ƒÊłá”‰âż á”ƒËąá”Ëą áŽŸËĄá”ƒâżá”á”—á”’âż ᔇᔘᔗ ʰᔉ'Ëą á”—á”’ Ê°á”‰á”ƒá”›â±ËĄÊž á”ƒËąËĄá”‰á”‰á”– âżá”’Ê· ᔃ˹ ËąÊ°á”‰ Ê°á”‰á”ƒÊłËą ʰⁱᔐ Ëąâżá”’Êłá”‰âžŽ ʷʰⁱᶜʰ ËąÊ°á”‰ âżá”‰á”›á”‰Êł Ê°á”‰á”ƒÊłËąâ€§ áŽ·á”ƒÊłá”‰âż Ëąá”—á”’á”–á”–á”‰á”ˆ á”—á”ƒËĄá”â±âżá” á”—á”’ ʰⁱᔐ âżá”’Ê· ᔃ˹ Ê°á”‰Êł Ê°á”˜Ëąá”‡á”ƒâżá”ˆ Ëąâżá”’Êłá”‰Ëą ⁱⁿ Ê°â±Ëą ˹˥ᔉᔉᔖ‧ áŽŸËĄá”ƒâżá”á”—á”’âż'Ëą ᔐᔒᔘᔗʰ Ëąá”—á”ƒÊžá”‰á”ˆ ᔒᔖᔉⁿ ᔃⁿᔈ á”˜âżá”á”’á”›â±âżá” á”á”‰á”ƒâż ᔗⁱᔐᔉ ᔃⁿᔈ áŽ·á”ƒÊłá”‰âż ˥ᔉᔗ ʰⁱᔐ ᔇᔉ‧ 'ᔆᔒ ËąÊ·á”‰á”‰á”—' áŽ·á”ƒÊłá”‰âż ᔗʰᔒᔘᔍʰᔗ‧ áŽŸËĄá”ƒâżá”á”—á”’âż á”’âżËĄÊž Ëąá”—â±ÊłÊłá”‰á”ˆ ᔃʷᔃᔏᔉ Ê·Ê°á”‰âżá¶œá”‰ ⁱᔗ'Ëą á”ƒá¶ á”—á”‰Êł ⁿᔒᔒⁿ ᔃ˹ Ê°â±Ëą ᔉʞᔉ á¶ ËĄâ±á¶œá”á”‰ÊłËą ᔒᔖᔉⁿ‧ ᎎᔉ ᶠᔉ˥ᔗ ˹ᔒᔐᔉ á”—Ê°â±âżá” ⁱⁿ Ê°â±Ëą ᔐᔒᔘᔗʰ➎ á”‡á”‰â±âżá” ᔗʰᔉ ᔍᔃᔘᶻᔉ ʰᔉ âżá”’Ê· á”—á”ƒá”á”‰Ëą ᔒᔘᔗ‧ áŽ·á”ƒÊłá”‰âż Ê°á”‰á”ƒÊłá”ˆ áŽŸËĄá”ƒâżá”á”—á”’âż Ëąá”’ ËąÊ°á”‰ ᶜᔃᔐᔉ‧ "á¶œá”ƒÊłá”‰á¶ á”˜ËĄâ€§â€§" "áŽ·â»áŽ·á”ƒÊłá”‰âż?" 'Ꮀⁱᔈ ᎔ ⁿᔒᔗ ᔍᔒ á”—á”’ ᔗʰᔉ á”ˆá”‰âżá”—â±Ëąá”—?' áŽŸËĄá”ƒâżá”á”—á”’âż'Ëą ᔐᔒᔘᔗʰ ᶠᔉ˥ᔗ á”ˆâ±á¶ á¶ á”‰Êłá”‰âżá”—âžŽ ᔃⁿᔈ ʰᔉ'Ëą ⁿᔒᔗ Ëąá”˜Êłá”‰ ᔒᶠ ʷʰᔃᔗ'Ëą Ê°á”ƒá”–á”–á”‰âżâ±âżá”â€§â€§ "᎔ á¶œá”ƒâż ᔍᔉᔗ ʞᔒᔘ âżá”‰Ê· ᔍᔃᔘᶻᔉ‧" áŽ·á”ƒÊłá”‰âż á”âżá”‰Ê· ʰᔉ'Ëą ˹ᔗⁱ˥˥ ʰᔃᶻʞ➎ ᔇᔘᔗ ᔗʰᔉ á”—Êłá”ƒá¶œá”‰ ᔒᶠ Ëąá”‰á”ˆá”ƒá”—â±á”›á”‰/á”ƒâżá”ƒá”‰Ëąá”—Ê°á”‰Ëąâ±á”ƒ Ê·â±ËĄËĄ ʰᔃᔛᔉ ᔇᔉᔉⁿ Ê·á”’Êłâż ᔒᶠᶠ ᔇʞ á”—á”’á”á”’ÊłÊłá”’Ê· á”á”’Êłâżâ±âżá”â€§ ᔆʰᔉ Êłá”‰á”–ËĄá”ƒá¶œá”‰á”ˆ ᔗʰᔉ ᔍᔃᔘᶻᔉ ᔃⁿᔈ á”ˆâ±Ëąá”–á”’Ëąá”‰á”ˆ ᔒᶠ ᔗʰᔉ Êłá”‰á”ˆ Ëąá”—á”ƒâ±âżá”‰á”ˆ ᔒⁿᔉ˹‧ "᎔ ᔗʰᔉᔉ ʞᔒᔘʷ!" "á¶œÊ°á”ƒá”—á”—á”‰Êłâ±âżá” ᔐᔃʞ Ê°á”˜Êłá”—â€§â€§â€§" "᎔'ᔐ ᔈᔒ ᔍᔉᔗ ᔐʞ ᔗᔉᔉᔈ á¶œÊłá”‰á”ƒâżËą âżá”’Ê·â€§â€§" "ʞᔒᔘ ᔈⁱᔈ‧" "áŽčÊž âżá”‰âżá”ˆâ±Ëą Ê·â±ËĄËĄ ᔈᔒᔒᔈᔃʞ‧ ᎏᔗ ᔗʰᔉ ⁿᔉⁿᔗⁱ˹‧" "á¶œá”ƒâż ʞᔒᔘ á”–á”˜ËąÊ° ᔗʰᔉ ᔍᔃᔘᶻᔉ ᔇᔃᶜᔏ ⁱⁿ? ᔀʰᔉʞ'Êłá”‰ á¶ á”ƒËĄËĄâ±âżá”â€§â€§" áŽŸËĄá”ƒâżá”á”—á”’âż Êłá”‰á”ƒá¶œÊ°á”‰á”ˆâ€§ "áŽ±á”ƒËąÊž!" áŽ·á”ƒÊłá”‰âż Ëąâ±á”Ê°Ëąâ€§ ᔆʰᔉ Ëąá”ƒá”— ᔇʞ áŽŸËĄá”ƒâżá”á”—á”’âż ᔃⁿᔈ Êłá”˜á”‡á”‡á”‰á”ˆ Ê°â±Ëą á”ƒÊłá” ʷⁱᔗʰ Ê°á”‰Êł Ê°á”ƒâżá”ˆâ€§ 'áŽ¶á”˜Ëąá”— ʷᔃⁱᔗ á¶ á”’Êł á”—á”’á”á”’ÊłÊłá”’Ê·' áŽ·á”ƒÊłá”‰âż ᔗʰᔒᔘᔍʰᔗ á”—á”’ Ê°á”‰ÊłËąá”‰ËĄá¶ â€§ to be cont. pt. two
new split into parts plaren healing and caring dentistcore karen plankton plankaren plankkaren dentist appointment
áŽĄáŽÊ€áŽ… ᮄᮏᮜɮᮛ: đŸ·.đŸ¶đŸŒáŽ‹ At the Neptune Medical Center, Karen parks the car and goes with her husband Plankton into the building after an injury to his antenna. "I still don't see why you didn't press charges against Krabs, Sheldon," Karen sighs, as they walk through the gleaming, sterile corridors of the medical center. "Karen I'm not gonna give him the satisfaction." Plankton's antenna now hangs limp and damaged. The doctor had assured him it was a simple repair job, yet Plankton's nerves were as frayed as the antenna itself. They enter the reception area, the automatic doors whispering shut behind them, as if sealing off the outside world's chaos. The smell of antiseptic fills the air, mingling with the faint scent of fear and hope. The receptionist, a young squid with a friendly smile, looks up from her computer screen. "Mr. Plankton, your appointment is with Dr. Marlin, the antenna specialist," she says, her tentacles typing efficiently. "You can go straight to the third floor, room 304." The elevator ride is silent, save for the rhythmic ding of each passing floor. Karen notices his distant gaze and squeezes his arm reassuringly. "You'll be fine, Sheldon," she whispers. Plankton nods. They arrive at room 304, and Karen opens the door, revealing a state-of-the-art examination room. Dr. Marlin, an octopus with a gleaming scalpel in one tentacle and a clipboard in another, looks up from his notes. "Ah, Mr. Sheldon Plankton, right on time," he says, his eight eyes blinking in unison. "I understand you've had a bit of an injury?" Plankton nods, his voice tight. "Krabs... he... snapped it." Dr. Marlin's tentacles twitch in concern. "Mr. Eugene Krabs, eh? He's had his share of accidents around here." He scribbles something on the clipboard. "Well, let's get you fixed up. I've seen worse, and you're in good hands." The doctor leads Plankton to the examination chair, which is surprisingly comfortable for someone so tiny. He adjusts the chair's height and angles the light to shine on the antenna. Plankton winces as the doctor gently prods the damaged area. "It's definitely snapped," Dr. Marlin says, his voice calm and professional. "But the good news is, it's not to far gone. We can repair it with a simple procedure." "You'll need to be under for this," he explains. "It's nothing to worry about. You'll be out Before you know it." Plankton's heart races as he lies back in the chair, the cold metal pressing against his back. He glances at Karen, who gives him a forced smile, her screen filled with concern. The doctor notices and pats his shoulder reassuringly. "It's just a little sleep," he says. "You'll be back in no time." Karen reaches for his hand, giving it a comforting squeeze. The anesthesiologist, a bluefish with a gentle demeanor, enters the room, pushing a trolley with a variety of bottles and tubes. She introduces herself as Nurse Bella and explains that she'll be administering the anesthesia for the surgery. Plankton swallows hard, eye darting from her to Karen's screen and back again. Karen's gaze follows the anesthesiologist, Nurse Bella, as she meticulously prepares. "Ready? Count as high as you can," she asks, her voice as soft as a lullaby. Plankton nods, his grip on Karen's hand tightening. "One... two... three..." Plankton's voice starts strong, but the medicine's effect begins to take hold. His eyelid grow heavy, and the numbers begin to slur. Karen watches as Plankton's count descends into a whisper. "Five... six... sev..." His tiny hand relaxes in hers, and his body goes slack. She watches the rise and fall of his chest slow as he succumbs to the anesthesia. Karen squeezes his hand one last time. The door to the exam room opens again, and Dr. Marlin's head pokes out. "Everything's gone well," Dr. Marlin says, peering over his mask. "We're to halt anesthesia." "You're okay," Karen whispers, her voice cracking. "You're okay." "He's doing great," the nurse whispers. "You can talk to him if you'd like. Sometimes they can hear you." Karen leans closer, her voice low and soothing. "Hey, Plankton, it's Karen. You're safe now. They've fixed your antenna. No more pain, okay?" Her thoughts are interrupted by a soft groan from the bed. Karen's screen snap to Plankton, who's beginning to stir under the blankets. "Shh," she whispers, stroking his arm. "You're safe." "K...Karen?" His eye opens. "Yes, it's me. You're okay, you're in the hospital. They've fixed your antenna." "Karen... antenna... Krabby Patty... wait, what?" He giggles, the words jumbling together in a way that makes no sense. Plankton's eye widen with childlike excitement. "Oh, right! The antenna!" He tries to touch the bandage but ends up nearly slapping himself in the face with his own arm. "Oops!" He giggles again, the sound echoing through the quiet room. He tries to sit up, but cannot. "Whoa, Nelly!" "Easy," Karen laughs. "I'm the king of the jellyfish prom! They got no flair!" Once in the car, Karen buckles him in with care, double-checking the seatbelt. "Remember, no funny business," she warns. Plankton's eye droop, and his head lolls to the side. "You're going to sleep, aren't you?" she says, her voice a mix of amusement and exhaustion. "M'not sleeping," Plankton mumbles, his eyelid fluttering, his voice fading into a snore. The drive home is peaceful, with Plankton snoring lightly beside her. As they approach their place, she gently shakes him awake. "We're home, Sheldon," she says, her voice gentle. "Can you wake up for me?" Plankton's eye blink open, and he looks around in confusion. "Home?" he mumbles. "Already?" Karen nods with a smirk. "Yeah, you slept through the whole drive. Came out of it just in time." They get out of the car, and Plankton wobbles slightly on his legs, the after-effects of the anesthesia still lingering. Karen wraps an arm around his waist, supporting him as they make their way to the front door. With a chuckle, Karen helps him inside, the warm light of their living room washing over them. Plankton's snores become more pronounced as they move through the hallway. "Come on, you need to get to bed," she says, leading him to their bedroom. The room is cozy, with a large bed that seems to swallow Plankton whole as he collapses into it. Karen carefully pulls the covers up to his chin. "Rest now," she whispers, placing a gentle kiss on his forehead.
new karen plankton fishkin neptunecore bellacore examcore hospitalcore medicalcore medicalpunk sheldon plankton
Ꮀᔉⁿᔗⁱ˹ᔗ ᎏᔖᔖᔒⁱⁿᔗᔐᔉⁿᔗ âœá”†á”–á”’âżá”á”‰áŽźá”’á”‡ á¶ á”ƒâżá¶ â±á¶œâŸ Part 2 áŽŹá¶ á”—á”‰Êł Êžá”‰Ëąá”—á”‰Êłá”ˆá”ƒÊž'Ëą á”’Êłá”ƒËĄ Ëąá”˜Êłá”á”‰ÊłÊžâžŽ áŽŸËĄá”ƒâżá”á”—á”’âż âżá”’Ê· ʷᔒᔏᔉ ⁱⁿ á”á”’Êłâżâ±âżá” ʷⁱᔗʰ Ëąá”’Êłá”‰ á”ƒá¶œÊ°á”‰ËąâžŽ ⁿᔒ á”—Êłá”ƒá¶œá”‰Ëą ᔒᶠ Ëąá”‰á”ˆá”ƒá”—â±á”’âż ˥ᔉᶠᔗ‧ ᎎⁱ˹ á¶œá”’á”á”–á”˜á”—á”‰Êł ʷⁱᶠᔉ áŽ·á”ƒÊłá”‰âż ˹ᔉᔉ˹ ʰⁱᔐ ʷᔃᔏᔉ âżá”’Ê·â€§ "áŽŸËĄá”ƒâżá”á”—á”’âż ʰᔉʞ➎ á¶œá”ƒâż ʞᔒᔘ ˹ⁱᔗ?" áŽźá”˜á”— ʰᔉ'Ëą á”˜âżá”ƒá”‡ËĄá”‰ á”—á”’ á”á”ƒâżá”ƒá”á”‰ á”—á”’ ᔍᔉᔗ Ê°â±á”Ëąá”‰ËĄá¶  ᔘᔖ‧ áŽ·á”ƒÊłá”‰âż ᶠᔉ˥ᔗ ᔇᔃᔈ á¶ á”’Êł ʰⁱᔐ‧ 'áŽčÊž ᶠᔃᶜᔉ➎ ʷᔃⁱᔗ ᔐʞ á”ˆá”‰âżá”—â±Ëąá”— á”ƒá”–á”–á”’â±âżá”—á”á”‰âżá”—â€§â€§â€§' áŽŸËĄá”ƒâżá”á”—á”’âż ᶠᔉ˥ᔗ á”á”’Êłá”‰ á”–á”ƒâ±âż âżá”’Ê·â€§ "Ꮀᔒᔉ˹ ⁱᔗ Ê°á”˜Êłá”— á”—á”’ ᔐᔘᶜʰ á”—á”’ á”—á”ƒËĄá”? ᎔ á¶œá”ƒâż ᔍᔉᔗ ʞᔒᔘ ˹ᔒᔐᔉ ⁱᶜᔉ‧" áŽ·á”ƒÊłá”‰âż Ëąá”ƒÊžËąâžŽ Êłá”‰á”—Êłâ±á”‰á”›â±âżá” ˹ᔃⁱᔈ ⁱᶜᔉ‧ '᎔ ᶠᔉᔉ˥ ËĄâ±á”á”‰ ᎔ Ê·á”‰âżá”— á”—á”’ ᔃⁿᔈ ᔈⁱᔈ ᔗʰᔉʞ ᔍᔉᔗ ᔐʞ Ê·â±Ëąá”ˆá”’á”â€§â€§â€§' áŽŸËĄá”ƒâżá”á”—á”’âż á”—Ê°â±âżá”ËąâžŽ ᔇᔘᔗ á”—Êłá”ƒâ±ËĄËą ᔒᶠᶠ ᔃ˹ ʰᔉ ᶠᔉ˥ᔗ á¶œá”’á”’ËĄ Ëąá”‰âżËąá”ƒá”—â±á”’âżâ€§ áŽ·á”ƒÊłá”‰âż Êłá”‰á”á”’á”›á”‰á”ˆ ᔗʰᔉ ᔍᔃᔘᶻᔉ á¶ Êłá”’á” ËĄá”ƒËąá”— âżâ±á”Ê°á”—â€§ ᔀʰᔉ á”’ËĄá”ˆ ᔍᔃᔘᶻᔉ á”ˆÊłâ±á”–Ëą Êłá”‰á”ˆ á”ˆÊłá”’á”–Ëą ᔒⁿ ᔃ á”—á”’Ê·á”‰ËĄ áŽŸËĄá”ƒâżá”á”—á”’âż á”ˆá”’á”‰Ëąâż'á”— Êłá”‰á”á”‰á”á”‡á”‰Êł á”á”‰á”—á”—â±âżá” ᔃⁿᔈ áŽ·á”ƒÊłá”‰âż á”á”‰á”—Ëą ʰⁱᔐ ᔃ âżá”‰Ê· ᔒⁿᔉ‧ "ᎎᔒʷ ᔃᔇᔒᔘᔗ ⁱᶜᔉ á¶œÊłá”‰á”ƒá” á”’Êł ᔃ á”ˆÊłâ±âżá” ᔒᶠ Ê·á”ƒá”—á”‰Êł? áŽŒÊł ᔇᔒᔗʰ? áŽșá”’?" "᎔ Ê°â»â»â»Ê°á”˜Êłá”—â±âżá”â€§â€§â€§" áŽŸËĄá”ƒâżá”á”—á”’âż Ê·â±âżá¶œá”‰á”ˆâžŽ Ê·á”’ÊłËąá”‰âżâ±âżá” Ê°â±Ëą á”–á”ƒâ±âżâ€§ áŽ·á”ƒÊłá”‰âż á”—Ê°á”‰âż Êłá”‰á¶ á”‰ÊłÊłá”‰á”ˆ á”—á”’ ᔗʰᔉ á”–á”ƒá”á”–Ê°ËĄá”‰á”— ᔗʰᔉʞ ᔍᔃᔛᔉ‧ "᎔ᔗ'Ëą âżá”’Êłá”á”ƒËĄ ᔃⁿᔈ ᔗʰᔉ á”–á”ƒá”á”–Ê°ËĄá”‰á”— Ëąá”ƒÊžËąâ€§â€§â€§" áŽ·á”ƒÊłá”‰âż Ëąá”—á”ƒÊłá”—ËąâžŽ ᔇᔘᔗ ᔗʰᔉ ⁱᶜᔉ Ëąá”’á”’á”—Ê°á”‰Ëą áŽŸËĄá”ƒâżá”á”—á”’âż á”‰âżá”’á”˜á”Ê° á¶ á”’Êł ʰⁱᔐ á”—á”’ Ëąá”—á”ƒÊłá”— á¶ á”ƒËĄËĄâ±âżá” á”ƒËąËĄá”‰á”‰á”–â€§ áŽ·á”ƒÊłá”‰âż Ëąá”—á”ƒÊłá”—á”‰á”ˆ á”—á”’ ËĄá”‰á”ƒá”›á”‰ ᔗʰᔉ Êłá”’á”’á” Ê·Ê°á”‰âż áŽŸËĄá”ƒâżá”á”—á”’âż á¶œÊłâ±á”‰Ëą ᔒᔘᔗ‧ áŽ·á”ƒÊłá”‰âż á”—á”˜ÊłâżËą á”—á”’ ʰⁱᔐ ᔃ˹ ʰᔉ Êłá”‰á”ƒá¶œÊ°á”‰Ëą Ê°â±Ëą á”ƒÊłá”Ëą ᔒᔘᔗ‧ "ʞᔒᔘ'ᔈ ËĄâ±á”á”‰â€§â€§â€§" áŽŸËĄá”ƒâżá”á”—á”’âż Ê·â±ËąÊ°á”‰á”ˆ á¶ á”’Êł áŽ·á”ƒÊłá”‰âż á”—á”’ ᔇᔉ ᔇʞ ʰⁱᔐ âżá”’Ê·â€§ "áŽŽá”˜á”á”ËĄá”‰â€§" 'áŽŽá”˜á”á”ËĄÊž?' "áŽ·á”ƒÊłá”‰âż'ᔈ Ê°á”˜á”á”ËĄá”‰â€§" ᔆʰᔉ á”á”‰á”—Ëą ᔇʞ áŽŸËĄá”ƒâżá”á”—á”’âż ᔒⁿ Ê°â±Ëą ᔇᔉᔈ‧ áŽ·á”ƒÊłá”‰âż á”ƒËĄËĄá”’Ê·á”‰á”ˆ Ê°á”‰Êł Ê°á”˜Ëąá”‡á”ƒâżá”ˆ á”—á”’ á”á”ƒâżá”’á”‰á”˜á”›Êłá”‰ Ê°á”‰Êł á”ƒÊłá” Ê°á”’Ê· Ê·Ê°á”‰Êłá”‰ á”—á”’ ʰᔉ'Ëą á¶œá”’á”á¶ á”’Êłá”—á”ƒá”‡ËĄá”‰ ʷⁱᔗʰ‧ ᔆʰᔉ ᔐᔒᔛᔉᔈ Ê°á”‰Êł ᔗʰᔘᔐᔇ ᔇᔃᶜᔏ ᔃⁿᔈ á¶ á”’Êłá”—Ê° ᔒⁿ áŽŸËĄá”ƒâżá”á”—á”’âż'Ëą ʰᔉᔃᔈ á”—á”’ Ëąá”’á”’á”—Ê°á”‰ ʰⁱᔐ‧ áŽ·á”ƒÊłá”‰âż â±âżËąá”—á”ƒâżá”—ËĄÊž Ëąá”ƒÊ· Ê°á”‰Êł Ê°á”˜Ëąá”‡á”ƒâżá”ˆ ᶠᔉᔉ˥ ˹ᔒᔐᔉ ʷʰᔃᔗ á”‡á”‰á”—á”—á”‰Êł âżá”’Ê·âžŽ á”‰á”›á”‰âżá”—á”˜á”ƒËĄËĄÊž á¶ á”ƒËĄËĄâ±âżá” á”ƒËąËĄá”‰á”‰á”–â€§ áŽžá”‰á”ƒâżâ±âżá” ᔒⁿ Ê°á”‰Êł Ê°á”ƒâżá”ˆ ʷⁱᔗʰ Ê°â±Ëą ʰᔉᔃᔈ Ê°â±Ëą ᔍᔃᔘᶻᔉ ᶠᔉ˥˥ ᔒᔘᔗ ᔒᶠ Ê°â±Ëą ᔐᔒᔘᔗʰ Ëąá”’ áŽ·á”ƒÊłá”‰âż á”ˆâ±Ëąá”–á”’Ëąá”‰á”ˆ ᔒᶠ ⁱᔗ‧ 'áŽșá”’á”— á”—á”’ Êłá”‰á”ˆ á”ƒâżÊž á”á”’Êłá”‰ ᎔ ˹ᔉᔉ' áŽ·á”ƒÊłá”‰âż Êłá”‰á”ƒËĄâ±Ëąá”‰á”ˆâžŽ Ëąá”‰á”‰â±âżá” ʰᔉ ⁿᔒ ËĄá”’âżá”á”‰Êł á”‡ËĄá”‰á”ˆ ᔃ˹ ᔐᔘᶜʰ ᔃ˹ á”‡á”‰á¶ á”’Êłá”‰â€§ ᔆʰᔉ Ëąá”—á”ƒÊžá”‰á”ˆ ʷⁱᔗʰ áŽŸËĄá”ƒâżá”á”—á”’âżâžŽ ⁿᔒᔗ á”ˆá”ƒÊłâ±âżá” á”—á”’ ᔐᔒᔛᔉ‧ áŽźá”˜á”— á”—Ê°á”‰âż ËąÊ°á”‰ âżá”’á”—â±á¶œá”‰á”ˆ ᔗʰᔉ ⁱᶜᔉ á”‡á”‰á”â±âżâżâ±âżá” á”—á”’ Ëąá”—á”ƒÊłá”— á”á”‰ËĄá”—â±âżá” Ëąá”’ ËąÊ°á”‰ ᔖᔘᔗ ⁱⁿ ᔗʰᔉ á¶ Êłá”‰á”‰á¶»á”‰Êłâ€§ áŽ·á”ƒÊłá”‰âż á”—Ê°á”‰âż Ê·á”‰âżá”— ᔇᔃᶜᔏ á”—á”’ ʰⁱᔐ ᔃ˹ á”‡á”‰á¶ á”’Êłá”‰âžŽ á¶œá”ƒÊłá”‰á¶ á”˜ËĄËĄÊž á”á”‰âżá”—ËĄá”‰ Ëąá”’ ᔃ˹ ⁿᔒᔗ á”—á”’ á”ˆâ±Ëąá”—á”˜Êłá”‡ âżá”’Êł Ê°á”˜Êłá”— ʰⁱᔐ‧ áŽźá”˜á”— Ê°â±Ëą ᔉʞᔉ á”‡Êłá”’Ê· âżá”‰á”›á”‰Êł á¶ á”˜ÊłÊłá”’Ê·á”‰á”ˆ ᔃ˹ ʰᔉ á¶œá”’âżá”—â±âżá”˜á”‰Ëą Ëąâżá”’Êłâ±âżá” ᔃ˹ ⁱᶠ ËąÊ°á”‰ âżá”‰á”›á”‰Êł ˥ᔉᶠᔗ‧ áŽ·á”ƒÊłá”‰âż Ëąá”â±ËĄá”‰á”ˆâ€§ áŽșá”’á”— á”â±âżá”ˆâ±âżá” ᔗʰᔉ á”ˆÊłá”’á”’ËĄ ᔃⁿᔈ á”ƒá¶œá”—á”˜á”ƒËĄËĄÊž ᔉⁿÊČᔒʞᔉᔈ ËĄâ±Ëąá”—á”‰âżâ±âżá” á”—á”’ ᔗʰᔉ ʷᔃʞ ʰᔉ Ëąâżá”’Êłá”‰á”ˆâžŽ áŽ·á”ƒÊłá”‰âż ᶠᔉ˥ᔗ Ëąá”’ á”ËĄá”ƒá”ˆ á”—á”’ ᔇᔉ ʷⁱᔗʰ Ê°á”‰Êł Ê°á”˜Ëąá”‡á”ƒâżá”ˆâ€§ end finale
new split into parts healing and caring karen plankton klankton POV Karen dentist appointment
Plankton found himself in a sticky situation. In his haste, he collided with a submerged rock, and with a painful snap, one of his antennae broke dangling in half. His computer wife Karen took him to a clinic. The receptionist, a kind octopus named Tentacla, took his information and assured Dr. Dolittlefish would see him shortly. "Plankton?" Dr. Dolittlefish called out, his voice echoing through the room. Plankton walked in, Karen trailing behind. The doctor examined the fractured antenna. Plankton winced, feeling a sharp pain as the doctor prods it gently. Dr. Dolittlefish chuckled, "We'll need to perform a repair, and for that, you'll need a touch of anesthesia. It'll make you feel like you're floating on a cloud.." Plankton's one good antenna perked up with interest. "A magical elixir that will put you into a state of deep relaxation," Dr. Dolittlefish explained, his eyes twinkling behind his spectacles. "You'll be completely unaware of the surgery. We give you a little dose to make you drowsy. It's like sinking into a warm, bubble bath after a long day of plotting. Trust me, you'll wake up with a fixed antenna and no memories of the procedure. It's like a nap that'll keep you unconscious and pain-free throughout the operation. It's tailored for each patient, so you'll only get what you need." Turning to Karen, who had been quietly observing the exchange, the doctor said, "Karen, if you have any concerns, feel free to ask. Your husband's safety is my top priority. I'll be sure to take into account." Karen sighed, her circuits whirring as she searched for the right words. "Well, Plankton has always had trouble with deep sleep. He's a bit of a light sleeper, you see. Even the slightest disturbance and he's up for the day. It's hard for him to get to sleep." The doctor nodded, scribbling more notes. "I see," he said thoughtfully. "That does add a layer of complexity to the anesthesia. We'll need to be precise with the dosage to ensure he remains asleep throughout the surgery without any complications. We'll use the lightest touch possible and administer the anesthesia in a way that minimizes discomfort." Dr. Dolittlefish turned to Plankton. "Now, when you wake up, it'll be like coming out of a delightful dream. You'll feel a bit groggy, like you've just emerged from a particularly long nap. You might be a tad disoriented, but that's perfectly normal. Your body will be feeling the effects of the medication wearing off, so it's crucial that you rest for a while in our recovery area." Plankton's eye searched Karen', looking for reassurance. She nodded firmly, gripping his tiny hand. "You'll be okay, Plankton. I'll be right here." The doctor nodded. "Karen, you can accompany him into the surgery room. But remember, you'll have to go and stay outside once the actual procedure begins." The next day, Plankton and Karen returned to the clinic, feeling a mix of anxiety and hope. The lobby was filled with various sea creatures, all waiting for their appointments with their own assortment of woes and ailments. "Come on, Plankton," Karen urged, her voice steady. "You've got this." Dr. Dolittlefish took his place at the head of the operating table, a serious look on his face. "Alright, Plankton," he said, his voice steady, "It's time for the anesthesia. This might feel a bit strange, but remember, it's just like drifting off to sleep." With a flick of his fin, he administered the first dose through a small tube connected to a bubble filled with the sedative. The bubble popped, and Plankton felt a warm sensation spread through his body. It started in his toes and traveled up to his antennae, making them feel weightless. His eye grew heavier, and he couldn't help but let out a sigh. The room began to spin gently, the sounds around him becoming muffled, like the distant hum of a lullaby sung by the ocean currents. He felt himself sinking into the chair, the cushions seemingly made of the softest sea foam. "How do you feel?" Dr. Dolittlefish's voice was a comforting murmur. "Woozy," Plankton slurred, his eyelid fluttering. The room was a blur of lights and colors, like a kaleidoscope of bubbles. The pain in his antenna was fading, replaced by a pleasant numbness. Karen squeezed his hand tightly, her grip the only solid thing in his swirling world. She watched him closely, her LED eyes full of worry. "It's ok, Plankton," she murmured. "You're going to be fine." The doctor nodded to her encouragement. "I want you to count backwards from one hundred ok?" Plankton, already feeling the warm embrace of the anesthesia, began his count with a lazy sensation. "One hundred... ninety-nine... ninety-eight..." His voice grew softer with each number, the digits slipping away like grains of sand through his tiny fingers. The world around him grew fuzzy, like a TV show losing signal. The lights above looked like distant stars, their brightness dimming as he descended into the abyss of unconsciousness. "...eighty-four... eighty-three... eighty-two..." His eye now half-closed, the surgery room's noises melding into a symphony of comforting whispers. The gentle sway of the seaweed outside the clinic's windows seemed to be rocking him to sleep. His voice grew more faint, words slurring together. Karen watched him count, her gaze never leaving his face. She could feel his hand loosening in hers, his grip becoming as light as a feather. Each number he uttered was a step closer to the surgery that would hopefully restore his antenna to its former glory. The count grew slower, like a snail on a leisurely stroll across the ocean floor. His voice was a mere murmur, the words barely discernible. Karen could see his tiny chest rising and falling in a slow, rhythmic pattern, his breathing growing deeper and more relaxed with each passing moment. The colors around them bled into one another, creating a dreamlike landscape. The lights above danced like jellyfish in a moonlit lagoon, casting eerie shadows across the gleaming surgical instruments. Plankton's eye fully closed now, his count barely a whisper. Each word was a soft ripple in the vast ocean of sleep that was consuming him. The whirring of the machines and the occasional splash of water seemed to fade into the background, replaced by the steady rhythm of his breathing. Karen watched, her heart swelling with love and fear as she listened to the dwindling numbers. Plankton's voice was now a faint echo, his body going slack. The room was still, save for the hypnotic pulse of the anesthesia bubbles and Plankton's shallow breaths. Karen held her own breath, her screen never leaving his face. His count grew quieter still, each number a soft, barely perceptible sigh. Karen felt the tension in her limbs ease as she watched the lines of worry on Plankton's forehead smooth out. His sleep was finally deep and peaceful, the anesthesia working its magic. "Thirty-four... thirty-three..." His voice was a mere ripple in the vast sea of quiet that filled the room. The last number slipped away, and Plankton's count stopped, his breathing deep and even. Karen felt the weight of his hand in hers, a silent testament to his complete surrender to the anesthesia's embrace. She watched Plankton's chest rise and fall with each steady breath, his body utterly relaxed with his eye sealed shut slightly. The surgery room, once a cacophony of fear and doubt, was now a sanctuary of peace, the only sounds the rhythmic beep of the heart monitor and Plankton's soft snores. The doctor nodded, satisfied with the sedation's effect. "Alright, Karen, he finally fell asleep," he whispered, patting Plankton's shoulder. "Now, we'll proceed with the actual procedure." Karen swallowed hard, nodding her head. She had never seen Plankton so vulnerable, but she knew this was for the best. "I'll be right outside," she said, her voice wavering slightly. She leaned in and kissed Plankton's forehead before letting go. With a final squeeze of his hand, she reluctantly let go and went towards the door. The doctor nodded in understanding, his eyes focused on the delicate task ahead. As the door slid shut with a soft hiss, Karen found herself in the stark, sterile waiting room. The walls were lined with sea-themed art, an attempt to provide comfort in a place filled with uncertainty and anxiety. She hovered over to the plush sea sponge chair, the material reminding her of home. Her tentacles wrapped around the phone, her movements deliberate and precise as she dialed the numbers. The first call was to Spongebob, she knew he would want to know about the accident. The line rang, and she hoped he'd pick up. "Karen?" "Spongebob, it's about Plankton," she began, her voice trembling. "He's had an accident, and he's in surgery now." "Oh no!" Sponge Bob exclaimed, his bubbly enthusiasm dimming. "Can I talk to Plankton during the surgery?" "No, they put Plankton to sleep," Karen explained, her tentacles gripping the phone tightly. "But I'll let him know you called as soon as he wakes up." "Thank you, Karen," SpongeBob said, his voice filled with genuine concern. "Tell him I'm thinking of him." The receptionist, Tentacla, noticed her distress and swam over. "Is everything okay?" she asked, her tentacles poised to offer comfort or assistance. "It's just... I've never seen him like this," Karen admitted, her voice wavering. "So... vulnerable." Tentacla nodded sympathetically, her tentacles reaching out to pat Karen's arm. "It's tough, I know. But Dr. Dolittlefish is the best in the business. Plankton's in good fins."
new karen plankton tentacla surgerycore doctorcore doolittlefish antennae
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new plabscore napcore code page 437
ANTENNAE i Plankton found himself in a sticky situation. In his haste, he collided with a submerged rock, and with a painful snap, one of his antennae broke dangling in half. His computer wife Karen took him to a clinic. The receptionist, a kind octopus named Tentacla, took his information and assured Dr. Dolittlefish would see him shortly. "Plankton?" Dr. Dolittlefish called out, his voice echoing through the room. Plankton walked in, Karen trailing behind. The doctor examined the fractured antenna. Plankton winced, feeling a sharp pain as the doctor prods it gently. Dr. Dolittlefish chuckled, "We'll need to perform a repair, and for that, you'll need a touch of anesthesia. It'll make you feel like you're floating on a cloud.." Plankton's one good antenna perked up with interest. "A magical elixir that will put you into a state of deep relaxation," Dr. Dolittlefish explained, his eyes twinkling behind his spectacles. "You'll be completely unaware of the surgery. We give you a little dose to make you drowsy. It's like sinking into a warm, bubble bath after a long day of plotting. Trust me, you'll wake up with a fixed antenna and no memories of the procedure. It's like a nap that'll keep you unconscious and pain-free throughout the operation. It's tailored for each patient, so you'll only get what you need." Turning to Karen, who had been quietly observing the exchange, the doctor said, "Karen, if you have any concerns, feel free to ask. Your husband's safety is my top priority. I'll be sure to take into account." Karen sighed, her circuits whirring as she searched for the right words. "Well, Plankton has always had trouble with deep sleep. He's a bit of a light sleeper, you see. Even the slightest disturbance and he's up for the day. It's hard for him to get to sleep." The doctor nodded, scribbling more notes. "I see," he said thoughtfully. "That does add a layer of complexity to the anesthesia. We'll need to be precise with the dosage to ensure he remains asleep throughout the surgery without any complications. We'll use the lightest touch possible and administer the anesthesia in a way that minimizes discomfort." Dr. Dolittlefish turned to Plankton. "Now, when you wake up, it'll be like coming out of a delightful dream. You'll feel a bit groggy, like you've just emerged from a particularly long nap. You might be a tad disoriented, but that's perfectly normal. Your body will be feeling the effects of the medication wearing off, so it's crucial that you rest for a while in our recovery area." Plankton's eye searched Karen', looking for reassurance. She nodded firmly, gripping his tiny hand. "You'll be okay, Plankton. I'll be right here." The doctor nodded. "Karen, you can accompany him into the surgery room. But remember, you'll have to go and stay outside once the actual procedure begins." The next day, Plankton and Karen returned to the clinic, feeling a mix of anxiety and hope. The lobby was filled with various sea creatures, all waiting for their appointments with their own assortment of woes and ailments. "Come on, Plankton," Karen urged, her voice steady. "You've got this." Dr. Dolittlefish took his place at the head of the operating table, a serious look on his face. "Alright, Plankton," he said, his voice steady, "It's time for the anesthesia. This might feel a bit strange, but remember, it's just like drifting off to sleep." With a flick of his fin, he administered the first dose through a small tube connected to a bubble filled with the sedative. The bubble popped, and Plankton felt a warm sensation spread through his body. It started in his toes and traveled up to his antennae, making them feel weightless. His eye grew heavier, and he couldn't help but let out a sigh. The room began to spin gently, the sounds around him becoming muffled, like the distant hum of a lullaby sung by the ocean currents. He felt himself sinking into the chair, the cushions seemingly made of the softest sea foam. "How do you feel?" Dr. Dolittlefish's voice was a comforting murmur. "Woozy," Plankton slurred, his eyelid fluttering. The room was a blur of lights and colors, like a kaleidoscope of bubbles. The pain in his antenna was fading, replaced by a pleasant numbness. Karen squeezed his hand tightly, her grip the only solid thing in his swirling world. She watched him closely, her LED eyes full of worry. "It's ok, Plankton," she murmured. "You're going to be fine." The doctor nodded to her encouragement. "I want you to count backwards from one hundred ok?" Plankton, already feeling the warm embrace of the anesthesia, began his count with a lazy sensation. "One hundred... ninety-nine... ninety-eight..." His voice grew softer with each number, the digits slipping away like grains of sand through his tiny fingers. The world around him grew fuzzy, like a TV show losing signal. The lights above looked like distant stars, their brightness dimming as he descended into the abyss of unconsciousness. "...eighty-four... eighty-three... eighty-two..." His eye now half-closed, the surgery room's noises melding into a symphony of comforting whispers. The gentle sway of the seaweed outside the clinic's windows seemed to be rocking him to sleep. His voice grew more faint, words slurring together. Karen watched him count, her gaze never leaving his face. She could feel his hand loosening in hers, his grip becoming as light as a feather. Each number he uttered was a step closer to the surgery that would hopefully restore his antenna to its former glory. The count grew slower, like a snail on a leisurely stroll across the ocean floor. His voice was a mere murmur, the words barely discernible. Karen could see his tiny chest rising and falling in a slow, rhythmic pattern, his breathing growing deeper and more relaxed with each passing moment. The colors around them bled into one another, creating a dreamlike landscape. The lights above danced like jellyfish in a moonlit lagoon, casting eerie shadows across the gleaming surgical instruments. Plankton's eye fully closed now, his count barely a whisper. Each word was a soft ripple in the vast ocean of sleep that was consuming him. The whirring of the machines and the occasional splash of water seemed to fade into the background, replaced by the steady rhythm of his breathing. Karen watched, her heart swelling with love and fear as she listened to the dwindling numbers. Plankton's voice was now a faint echo, his body going slack. The room was still, save for the hypnotic pulse of the anesthesia bubbles and Plankton's shallow breaths. Karen held her own breath, her screen never leaving his face. His count grew quieter still, each number a soft, barely perceptible sigh. Karen felt the tension in her limbs ease as she watched the lines of worry on Plankton's forehead smooth out. His sleep was finally deep and peaceful, the anesthesia working its magic. "Thirty-four... thirty-three..." His voice was a mere ripple in the vast sea of quiet that filled the room. The last number slipped away, and Plankton's count stopped, his breathing deep and even. Karen felt the weight of his hand in hers, a silent testament to his complete surrender to the anesthesia's embrace. She watched Plankton's chest rise and fall with each steady breath, his body utterly relaxed with his eye sealed shut slightly. The surgery room, once a cacophony of fear and doubt, was now a sanctuary of peace, the only sounds the rhythmic beep of the heart monitor and Plankton's soft snores. The doctor nodded, satisfied with the sedation's effect. "Alright, Karen, he finally fell asleep," he whispered, patting Plankton's shoulder. "Now, we'll proceed with the actual procedure." Karen swallowed hard, nodding her head. She had never seen Plankton so vulnerable, but she knew this was for the best. "I'll be right outside," she said, her voice wavering slightly. She leaned in and kissed Plankton's forehead before letting go. With a final squeeze of his hand, she reluctantly let go and went towards the door. The doctor nodded in understanding, his eyes focused on the delicate task ahead. As the door slid shut with a soft hiss, Karen found herself in the stark, sterile waiting room. The walls were lined with sea-themed art, an attempt to provide comfort in a place filled with uncertainty and anxiety. She hovered over to the plush sea sponge chair, the material reminding her of home. Her tentacles wrapped around the phone, her movements deliberate and precise as she dialed the numbers. The first call was to Spongebob, she knew he would want to know about the accident. The line rang, and she hoped he'd pick up. "Karen?" "Spongebob, it's about Plankton," she began, her voice trembling. "He's had an accident, and he's in surgery now." "Oh no!" Sponge Bob exclaimed, his bubbly enthusiasm dimming. "Can I talk to Plankton during the surgery?" "No, they put Plankton to sleep," Karen explained, her tentacles gripping the phone tightly. "But I'll let him know you called as soon as he wakes up." "Thank you, Karen," SpongeBob said, his voice filled with genuine concern. "Tell him I'm thinking of him." The receptionist, Tentacla, noticed her distress and swam over. "Is everything okay?" she asked, her tentacles poised to offer comfort or assistance. "It's just... I've never seen him like this," Karen admitted, her voice wavering. "So... vulnerable." Tentacla nodded sympathetically, her tentacles reaching out to pat Karen's arm. "It's tough, I know. But Dr. Dolittlefish is the best in the business. Plankton's in good fins."
new karen plankton tentacla surgerycore doctorcore doolittlefish antennae
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new plabscore plabs code page 437
᎞ⁱᔗʰᔖ Part 2 âœá”†á”–á”’âżá”á”‰áŽźá”’á”‡ á¶ á”ƒâżá¶ â±á¶œâŸ ᔆᔒᔐᔉ ËąÊ·á”‰ËĄËĄâ±âżá”âžŽ á”‡Êłá”˜â±Ëąâ±âżá” ᔃ˹ á”‰ËŁá”–á”‰á¶œá”—á”‰á”ˆâžŽ ⁿᔒ ËĄá”’âżá”á”‰Êł á”‡ËĄá”‰á”‰á”ˆâ±âżá” ᔐᔘᶜʰ➎ áŽ·á”ƒÊłá”‰âż'Ëą Ê°á”˜Ëąá”‡á”ƒâżá”ˆ ˹ᔗⁱ˥˥ Êłá”‰á¶œá”’á”›á”‰ÊłËąâ€§ áŽŸËĄá”ƒâżá”á”—á”’âż ᔈⁱᔈⁿ'á”— Ê·á”ƒâżá”— ᔖᔉᔒᔖ˥ᔉ á”—á”’ ˹ᔉᔉ ʰⁱᔐ ᔃ˹ Ëąá”˜á¶œÊ°âžŽ ᔃⁿᔈ ʰᔉ âżá”‰á”‰á”ˆËą á”—á”’ ᔖᔒ˹ᔗᔖᔒⁿᔉ á”ƒâżÊž á”–ËĄá”ƒâżËą á”’Êł Ëąá¶œÊ°á”‰á”á”‰Ëąâ€§ ᎎᔉ á”–Êłá”‰á¶ á”‰ÊłËą á”—á”’ Êłá”‰Ëąá”— âżá”’Ê·â€§ "Êžá”‰Ëąá”—á”‰Êłá”ˆá”ƒÊž ʞᔒᔘ á”—á”’ËĄá”ˆ ᔐᔉ ʞᔒᔘ'Êłá”‰ á”á”’âżâżá”ƒ ᔍᔒ ˹ᔉᔉ áŽ·á”ƒÊłá”‰âż!" 'ᎌʰ‧‧' á”†á”–á”’âżá”á”‰á”‡á”’á”‡ á”—á”ƒËĄá”Ëą á”—á”’ á”†á”ƒâżá”ˆÊžâ€§ "Ꮀⁱᔈ ʞᔒᔘ ˹ᔉᔉ áŽŸËĄá”ƒâżá”á”—á”’âż á”—á”’?" "᎔ Ëąá”ƒÊ· ᔇᔒᔗʰ ᔒᶠ ᔗʰᔉᔐ ᔇᔘᔗ ᎔ á”’âżËĄÊž á”—á”ƒËĄá”á”‰á”ˆ á”—á”’ áŽ·á”ƒÊłá”‰âżâ€§" "ᔂʰʞ?" "áŽŸËĄá”ƒâżá”á”—á”’âż'Ëą ⁿᔒᔗ ᔘᔖ á”—á”’ á”›â±Ëąâ±á”—â±âżá”â€§" "áŽźá”˜ËąÊž Ê·á”’Êłá”â±âżá” ᔒⁿ á”–ËĄá”ƒâżËą?" "ᎎᔉ'Ëą ⁿᔒᔗ Ê°â±á”Ëąá”‰ËĄá¶ â€§" á”†á”ƒâżá”ˆÊž á”ƒá”ˆá”â±á”—Ëąâ€§ "ᔂʰʞ ⁿᔒᔗ?" "ᔂᔉ˥˥ ʰᔉ ÊČá”˜Ëąá”— ᶜᔃᔐᔉ á¶ Êłá”’á” á”á”‰á”—á”—â±âżá” á”—Ê°â±Êłá”ˆ á”á”’ËĄá”ƒÊłËą Ëąá”˜Êłá”â±á¶œá”ƒËĄËĄÊž Êłá”‰á”á”’á”›á”‰á”ˆ ᔇᔘᔗ á”ˆá”’âż'ᔗ‧‧‧" "áŽŸËĄá”ƒâżá”á”—á”’âż'Ëą Ê°á”’Ëąá”–â±á”—á”ƒËĄâ±Ëąá”‰á”ˆâ€œ" "᎔ á”ˆá”’âż'á”— á”—Ê°â±âżá” ʰᔉ'ᔈ ËĄâ±á”á”‰ á”—á”’ ᔇᔉ Ëąá”á”’á”—Ê°á”‰Êłá”‰á”ˆ Ê·Ê°â±ËĄËąá”— Ê°á”‰á”ƒËĄâ±âżá”â€§" á”†á”–á”’âżá”á”‰á”‡á”’á”‡ á¶œá”ƒâż ᔇᔉ Ê°Êžá”–á”‰Êł ᔃⁿᔈ á”ƒá¶ á¶ á”‰á¶œá”—â±á”’âżá”ƒá”—á”‰â€§ ᎏ˹ áŽŸËĄá”ƒâżá”á”—á”’âż Êłá”’á”˜Ëąá”‰á”ˆ á¶ Êłá”’á” á”‡Êłâ±á”‰á¶  âżá”ƒá”– ʰᔉ Ê°á”‰á”ƒÊłËą áŽ·á”ƒÊłá”‰âż á”’á”–á”‰âżâ±âżá” ᔗʰᔉ á”ˆá”’á”’Êłâ€§ "á”†á”ƒâżá”ˆÊž á”’âżËĄÊž á”—á”’ËĄá”ˆ ᔐᔉ ᔃᔇᔒᔘᔗ á”á”‰á”—á”—â±âżá” á”ˆá”‰âżá”—â±Ëąá”— á”ƒá”–á”–á”’â±âżá”—á”á”‰âżá”—âžŽ á”‡á”‰á¶œá”ƒá”˜Ëąá”‰ á¶ á”’Êł ᎔ á”ƒËąá”á”‰á”ˆ Ê°á”‰Êł Ê°á”’Ê· ʞᔒᔘ'Êłá”‰ á”ˆá”’â±âżá” Ëąâ±âżá¶œá”‰ á”‡á”‰á¶ á”’Êłá”‰ ËąÊ°á”‰ Ëąá”ƒÊ· ʞᔒᔘ ËąÊ°á”‰ ˥ᔉᔗ ᔐᔉ á”âżá”’Ê· ᔃᔇᔒᔘᔗ Ëąá”˜Êłá”–Êłâ±Ëąâ±âżá” ʞᔒᔘ ʷⁱᔗʰ ᔃ ᔛⁱ˹ⁱᔗ!" á”†á”–á”’âżá”á”‰á”‡á”’á”‡ á‘«á”˜â±á”‰á”—ËĄÊž ᔗᔉ˥˥˹ áŽ·á”ƒÊłá”‰âżâ€§ ᎎᔉ Ê·á”‰âżá”— ⁱⁿ á”—á”’ ᔗʰᔉ Êłá”’á”’á” áŽŸËĄá”ƒâżá”á”—á”’âż'Ëą ˹ᔗⁱ˥˥ ᔃᔗ‧ "ᎎⁱ áŽŸËĄá”ƒâżá”á”—á”’âż!" 'Ꮀⁱᔈ áŽ·á”ƒÊłá”‰âż ˥ᔉᔗ ʰⁱᔐ ⁱⁿ?' áŽŸËĄá”ƒâżá”á”—á”’âż á”–á”’âżá”ˆá”‰ÊłËą ᔃ˹ á”†á”–á”’âżá”á”‰á”‡á”’á”‡ âżá”’á”—â±á¶œá”‰á”ˆ Ê°â±Ëą á¶œÊ°á”‰á”‰á”Ëąâ€§ "áŽŹÊłá”‰ ʞᔒᔘ‧‧‧" "᎔'ᔐ ᶠⁱⁿᔉ!" á”†á”–á”’âżá”á”‰á”‡á”’á”‡ ËĄá”’á”’á”á”‰á”ˆ Ëąá¶œá”ƒÊłá”‰á”ˆâ€§ áŽŸËĄá”ƒâżá”á”—á”’âż Ëąâ±á”Ê°Ëąâ€§ "Ꮀᔒⁿ'á”— Ê·á”’ÊłÊłÊž ᔏⁱᔈ; ᎔'ᔐ ᶠⁱⁿᔉ‧" "ᔂᔉ˥˥ á¶œá”ƒâż ᎔ ˹ⁱᔗ?" á”†á”–á”’âżá”á”‰á”‡á”’á”‡ Ê·á”‰âżá”— á”—á”’ ᔗʰᔉ ᔉᔈᔍᔉ ᔒᶠ Ê°â±Ëą ᔇᔉᔈ‧ "᎔ á”‡Êłá”’á”˜á”Ê°á”— ʞᔒᔘ ˹ᔒᔐᔉ á¶œá”’ËĄá”ˆ ⁱᶜᔉ á¶ Êłá”’á” áŽźá”ƒÊłá” áŽș áŽčá”ƒÊłá”— ᔒⁿ ʷᔃʞ á”—á”’ ˹ᔉᔉ ʞᔒᔘ!" ᎎᔉ Ê°á”‰ËĄá”ˆ ᔒᔘᔗ ᔗʰᔉ á”‡á”ƒá”Ëąâ€§ "ᔀʰᔉ á”–á”ƒá¶œá”Ëą ᔐⁱᔍʰᔗ Ê°á”‰ËĄá”– Ëąá”’á”’á”—Ê°á”‰â€§â€§â€§" "á”†á”–á”’âżá”á”‰á”‡á”’á”‡ Ê·Ê°Êž'ᔈ ʞᔒᔘ á”‡Êłâ±âżá” ⁱᶜᔉ ᶠᔒʷ ᔐᔉ?" "᎔ᔗ'ËĄËĄ ᶠᔉᔉ˥ Ëąá”’ ᔍᔒᔒᔈ ᔃⁿᔈ Ê°á”‰ËĄá”– ʷⁱᔗʰ ᔗʰᔉ‧‧‧" "᎔ á”˜âżá”ˆá”‰ÊłËąá”—á”ƒâżá”ˆ ᔇᔘᔗ ʷʰᔃᔗ ᔐᔃᔈᔉ ʞᔒᔘ ᔍᔉᔗ ⁱᔗ➎ ᔃ˹ ⁱᶠ ʞᔒᔘ á”âżá”‰Ê·â€§â€§â€§" "᎔ ÊČá”˜Ëąá”— á¶ â±á”á”˜Êłá”‰á”ˆâ€§â€§â€§" "ʞᔒᔘ ÊČá”˜Ëąá”— á¶ â±á”á”˜Êłá”‰á”ˆ ʷʰᔃᔗ?" "áŽ¶á”˜Ëąá”— á”—ÊłÊž ᔗʰᔉ ⁱᶜᔉ á”†Ê°á”‰ËĄá”ˆá”’âżâ€§" áŽ·á”ƒÊłá”‰âż Ëąá”ƒÊžËąâ€§ "ᎌʰ ⁱᔗ ᶠᔉᔉ˥˹ âżâ±á¶œá”‰â€§" "᎔'ᔐ á”ËĄá”ƒá”ˆâžŽ ᔒⁿ á”ƒá¶œá¶œá”’á”˜âżá”— ᔒᶠ Ê·Ê°á”‰âż á”†á”ƒâżá”ˆÊžâ€§â€§â€§" "á”†á”ƒâżá”ˆÊž?" "Êžá”‰Ëą ËąÊ°á”‰ á”—á”’ËĄá”ˆ ᔐᔉ Ê·Ê°á”‰âż ËąÊ°á”‰ Ëąá”ƒÊ· ʞᔒ‧‧‧" "á”†á”–á”’âżá”á”‰á”‡á”’á”‡ ˥ᔉᔗ'Ëą ᔍⁱᔛᔉ áŽŸËĄá”ƒâżá”á”—á”’âż ᔃ ᔐᔒᔐᔉⁿᔗ➎ ˥ᔉᔗ'Ëą ᔍᔒ‧" áŽ·á”ƒÊłá”‰âż ᔗᔒᔒᔏ Ëąá”–á”’âżá”á”‰á”‡á”’á”‡ ᔒᔘᔗ ᔒᶠ ᔗʰᔉ Êłá”’á”’á”â€§ "ᔆᔒ áŽŸËĄá”ƒâżá”á”—á”’âż á¶œá”ƒâż ᔇᔉ ᔒⁿ ᔉᔈᔍᔉ➎ ʞᔒᔘ á”âżá”’Ê·â€§" "Êžá”‰Ëą?" "ᔂᔉ˥˥ á”†á”–á”’âżá”á”‰á”‡á”’á”‡ ʰᔉ á”ˆá”’á”‰Ëąâż'á”— Êłá”‰á”á”‰á”á”‡á”‰Êł á”†á”ƒâżá”ˆÊž á¶œá”’á”â±âżá” á”‡á”‰á¶œá”ƒá”˜Ëąá”‰ ⁱⁿ ᔗʰᔉ Ëąá”˜Êłá”á”‰ÊłÊžâžŽ ᔗʰᔉʞ ᔍᔃᔛᔉ ʰⁱᔐ á”á”‰á”ˆâ±á¶œâ±âżá”‰ Ê·Ê°á”‰Êłá”‰ ⁿᔒᔗ á”ƒÊ·á”ƒÊłá”‰ á”’Êł ᶠᔉᔉ˥ ʷʰⁱᶜʰ ËĄâ±âżá”á”‰ÊłËąâ€§" "ᎌʰ‧" "ᎎᔉ ᔐⁱᔍʰᔗ ⁿᔒᔗ ᔇᔉ ʰᔃᔖᔖʞ Ëąâ±âżá¶œá”‰ ʰᔉ'Ëą ⁿᔒᔗ Ê·â±ËąÊ°â±âżá” á¶ á”’Êł á”’á”—Ê°á”‰ÊłËą á”—á”’ á”—á”ƒËĄá” ᔃᔇᔒᔘᔗ ⁱᔗ á”’Êł ˹ᔉᔉ ʰⁱᔐ Ê°á”˜Êłá”—â±âżá” ʞᔒᔘ á”âżá”’Ê·â€§ ᎎᔉ'Ëą ˹ᔗⁱ˥˥ á”’á”›á”‰ÊłÊ·Ê°á”‰ËĄá”á”‰á”ˆâ€§" ᔀʰᔉʞ Ê·á”‰âżá”— ᔇᔃᶜᔏ á”—á”’ áŽŸËĄá”ƒâżá”á”—á”’âżâ€§ "᎔'ËĄËĄ á”—ÊłÊž ⁿᔒᔗ á”—á”’ á”—á”ƒËĄá” á”—á”’ ᔐᔘᶜʰ‧‧" á”†á”–á”’âżá”á”‰á”‡á”’á”‡ Ëąá”ƒÊžËąâ€§ "á”€Ê°á”ƒâżá” ʞᔒᔘ ᶠᔒʷ ᔗʰᔉ ⁱᶜᔉ‧‧" "ʞᔒᔘ'Êłá”‰ Ê·á”‰ËĄá¶œá”’á”á”‰â€§ ᎔˹ ⁱᔗ á¶œá”’á”’ËĄ ⁱᶠ ᎔ á”ƒËąá” ʞᔒᔘ ᔃ á‘«á”˜á”‰Ëąá”—â±á”’âż ᔃᔇᔒᔘᔗ ⁱᔗ?" "áŽ°á”‰á”–á”‰âżá”ˆËąâ€§" "᎔ᶠ ᎔ á¶œá”ƒâż á”ƒËąá” ʷʰᔃᔗ Ëąá”˜Êłá”á”‰ÊłÊž ᶠᔉ˥ᔗ ËĄâ±á”á”‰âžŽ á¶ á”’Êł ʞᔒᔘ?" "ᔂᔉ˥˥ ᎔ Ê·á”‰âżá”— Êžá”‰Ëąá”—á”‰Êłá”ˆá”ƒÊž ʷⁱᔗʰ áŽ·á”ƒÊłá”‰âżâ€§ ᎔ ËĄá”‰á”ƒâżá”‰á”ˆ ᔇᔃᶜᔏ ᔃⁿᔈ á”—Ê°á”‰âż á”á”˜Ëąá”—'ᔛᔉ Êłá”‰á¶œá”‰â±á”›á”‰á”ˆ á”á”‰á”ˆâ±á¶œâ±âżá”‰ á”‡á”‰á¶œá”ƒá”˜Ëąá”‰ ⁿᔉˣᔗ ᎔ á”âżá”’Ê· ᎔'ᔐ ËĄá”‰á”ƒá”›â±âżá” ʷⁱᔗʰ áŽ·á”ƒÊłá”‰âżâ€§ áŽźá”˜á”— ᎔ á”ˆá”’âż'á”— á”âżá”’Ê·â€§" "ᔆᔒ á”á”‰á”ˆâ±á¶œâ±âżá”‰ ⁱᔗ➎ ʞᔒᔘ'Êłá”‰ ⁿᔒᔗ ᔃʷᔃᔏᔉ?" "áŽșá”’á”— á”ˆá”˜Êłâ±âżá” ᔗʰᔉ á”–Êłá”’á¶œá”‰á”ˆá”˜Êłá”‰â€§ ᎔ᔗ'Ëą Ëąá”—Êłá”’âżá”â€§â€§â€§" "᎔ ᔇᔉᔗ ˹ᔒ➎ Ëąá”‰á”‰â±âżá” ʞᔒᔘ ʰᔃᔛᔉ ⁿᔒ Êłá”‰á¶œá”’ËĄËĄá”‰á¶œá”—â±á”’âż ᔒᶠ á”†á”ƒâżá”ˆÊž'Ëą ᔛⁱ˹ⁱᔗ‧‧‧" á”†á”–á”’âżá”á”‰á”‡á”’á”‡ Ëąá”ƒÊžËąâžŽ â±á”á”á”‰á”ˆâ±á”ƒá”—á”‰ËĄÊž Êłá”‰á”Êłá”‰á”—á”—â±âżá” ⁱᔗ‧ "ᔂʰʞ ᔈᔒ ʞᔒᔘ ᔏᔉᔉᔖ á”á”‰âżá”—â±á”’âżâ±âżá” ᔗʰᔉ Ëąá‘«á”˜â±ÊłÊłá”‰ËĄ? ᎏⁿᔈ ʷʰᔃᔗ ᔛⁱ˹ⁱᔗ‧‧‧" "ᔆʰᔉ ÊČá”˜Ëąá”— á”›â±Ëąâ±á”—á”‰á”ˆ ᔐᔉ ᔗᔒᔈᔃʞ! ᔂᔉ˥˥ ᎔ Ê·á”‰âżá”— á”—á”’ ˹ᔉᔉ Ê°á”‰Êłâ€§â€§â€§" "᎔ ˹ᔉᔉ‧" áŽ·á”ƒÊłá”‰âż Ê°á”‰á”ƒÊłá”ˆ ᔗʰᔉ á”ˆá”’á”’Êłâ€§ "᎔'ËĄËĄ ᔍᔒ ˹ᔉᔉ‧‧" áŽ·á”ƒÊłá”‰âż Ê·á”‰âżá”— ᔃⁿᔈ ᎎᔃⁿⁿᔃ ᶜᔃᔐᔉ ⁱⁿ‧ "᎔ á”ˆá”’âż'á”— á”âżá”’Ê· Ê°á”’Ê· ᔃ ᔇᔒᔈʞ Ê·á”’Êłá”Ëą ᔇᔘᔗ ⁱ˹ ʰᔉ á”ƒâżÊž á”‡á”‰á”—á”—á”‰Êł?" "ᎎᔉ'Ëą á”á”’Êłá”‰ Ê°â±á”Ëąá”‰ËĄá¶ â€§" "ᎎᔉʞ ᔏⁱᔈ ᎔ á”ˆá”’âż'á”— ᶠᔉᔉ˥ ËĄâ±á”á”‰ áŽ·Êłá”ƒá”‡Ëą á”’Êł á”ƒâżÊž á”’á”—Ê°á”‰Êł á”–á”‰ÊłËąá”’âż ᔒᔘᔍʰᔗᔗᔃ á”âżá”’Ê·â€§" "Ꮃᔒᔗ ⁱᔗ!" á”€Ê°á”‰âż ᶜᔃᔐᔉ ⁱⁿ ᎎᔃⁿⁿᔃ ʷⁱᔗʰ áŽ·á”ƒÊłá”‰âżâ€§ "ᔂʰʞ'Ëą ËąÊ°á”‰ ⁱⁿ ᔐʞ Êłá”’á”’á”?" áŽŸËĄá”ƒâżá”á”—á”’âż Ëąá”ƒá”— ᔘᔖ‧ "ᔆʰᔉ ᔍᔃᔇᔉ ʞᔒᔘ ᔃ á”›â±Êłá”˜Ëą ᔒⁿᔉ ᔗⁱᔐᔉ!" "áŽ±ËŁá”ƒá¶œá”—ËĄÊžâžŽ á”’âżá¶œá”‰â€§ áŽșá”’á”— ᔒⁿ á”–á”˜Êłá”–á”’Ëąá”‰â€§ áŽźá”˜á”— ᎎᔃⁿⁿᔃ ᎔ á”ˆá”’âż'á”— á”—Ê°â±âżá” áŽŸËĄá”ƒâżá”á”—á”’âż'Ëą ᔘᔖ‧‧‧" "᎔ ᔗʰᔒᔘᔍʰᔗ ʰᔉ ËĄâ±á”á”‰á”ˆ Ëąá”‰á”‰â±âżá” ᔐᔉ!" ᎎᔃⁿⁿᔃ Ëąá”ƒÊžËąâ€§ "Êžá”‰Ëąá”—á”‰Êłá”ˆá”ƒÊž ʰᔉ ᔈⁱᔈ‧ ʞᔒᔘ ˹ᔃⁱᔈ á”—á”’ ᔐᔉ ᔃⁿᔈ á”†á”ƒâżá”ˆÊž Ê°á”’Ê· ʞᔒᔘ ˥ᔒᔛᔉ ᔘ˹ ᔇᔒᔗʰ ˹ᔒ⁻ᔒ ᔐᔘᶜʰ!" "ᔂʰ‧‧‧" "Êžá”‰Ëąá”—á”‰Êłá”ˆá”ƒÊž Ê·Ê°á”‰âż ʷᔉ Ëąá”ƒÊ· ʞᔒᔘ á”ˆÊłá”’á”’ËĄ ËĄá”ƒËąá”— âżâ±á”Ê°á”— á”‡á”‰á¶ á”’Êłá”‰ ʞᔒᔘ Ëąá”—á”ƒÊłá”—á”‰á”ˆ Ëąâżá”’Êłâ±âżá”â€§â€§" ᔆʰᔉ Ëąá”ƒÊžËąâžŽ ⁿᔒᔗ á”˜âżá”ˆá”‰ÊłËąá”—á”ƒâżá”ˆâ±âżá” ᔗʰᔉ ᔗᔉⁿ˹ⁱᔒⁿ ᶠᔉ˥ᔗ‧ "áŽŸá”‰ÊłÊ°á”ƒá”–Ëą ᎔'ËĄËĄ ᔍᔒ‧‧" ᎎᔃⁿⁿᔃ ËĄá”‰á”ƒá”›á”‰Ëąâ€§ "ᔆᔒ ᎔ á¶œá”ƒâż ᔍᔉᔗ ˹ᔒᔐᔉ á”á”’Êłá”‰ ⁱᶜᔉ á”‡á”‰á¶ á”’Êłá”‰ ⁱᔗ ᔐᔉ˥ᔗ˹ á”’Êłâ€§â€§â€§" á”†á”–á”’âżá”á”‰á”‡á”’á”‡ á”—Êłâ±á”‰á”ˆ á”—á”’ Êłá”‰ËĄâ±á”‰á”›á”‰ ᔗʰᔉ Ëąâ±ËĄá”‰âżá¶œá”‰â€§ "áŽ·á”ƒÊłá”‰âżâ€§â€§â€§" "᎔'ËĄËĄ á¶œá”’âżá¶ á”‰ËąËą á”†á”ƒâżá”ˆÊž á”–ËĄá”ƒâżâżá”‰á”ˆ ᔒⁿ á”›â±Ëąâ±á”—â±âżá” ᔃⁿᔈ á”—á”’ËĄá”ˆ ᔐᔉ Ê°á”‰Êł á”–ËĄá”ƒâżËą ᔃⁿᔈ ËąÊ°á”‰ Ê·á”‰âżá”— Ê·Ê°á”‰âż ʞᔒᔘ ˹ᔗⁱ˥˥ Êłá”‰á¶œá”’á”›á”‰Êłá”‰á”ˆ ᔃⁿᔈ ËąÊ°á”‰ á”—á”’ËĄá”ˆ ᔐᔉ ʞᔒᔘ'Êłá”‰ á”˜âżá”ˆá”‰Êł ᔗʰᔉ Ê·á”‰á”ƒá”—Ê°á”‰Êł ᎔'ᔐ Ëąá”’ Ëąá”’ÊłÊłÊž áŽŸËĄá”ƒâżá”á”—á”’âż!" á”†á”–á”’âżá”á”‰á”‡á”’á”‡ Ëąá”ƒÊžËąâ€§ áŽŸËĄá”ƒâżá”á”—á”’âż ˹ᔃⁱᔈ âżá”’á”—Ê°â±âżá”â€§ "᎔ ᔈⁱᔈⁿ'á”— á”âżá”’Ê· ËąÊ°á”‰ á”–ËĄá”ƒâżâżá”‰á”ˆ ᔒⁿ á¶œá”’á”â±âżá” ʷⁱᔗʰ ᎎᔃⁿⁿᔃ Ëąá”’ á”ˆá”’âż'á”— á”‡ËĄá”ƒá”á”‰â€§â€§â€§" "ᶠⁱⁿᔉ‧" "ᔂʰᔃᔗ; ᶠⁱⁿᔉ?" "Ꮃᔉᔗ á”â»á”á”’Êłá”‰ á¶œá”’ËĄá”ˆ ⁱᶜᔉ➎ ⁱ⁻ⁱᔗ Ê°â»Ê°á”˜Êłá”—Ëąâ€§â€§" á”†á”–á”’âżá”á”‰á”‡á”’á”‡ ˥ᔉᔗ ʰⁱᔐ ʰᔃᔛᔉ á”á”’Êłá”‰ ⁱᶜᔉ‧ "áŽŹÊłá”‰ ʞᔒᔘ‧‧‧" "᎔ ᔃᔐ á”—á”’ ᔗⁱʷᔉᔈ ᔃⁿᔈ Ê°â»Ê°â»Ê°á”˜Êłá”— á”—á”’ á”—á”ƒËĄá”â€§" áŽŸËĄá”ƒâżá”á”—á”’âż Ëąá”ƒÊžËą á”—á”’ ᔗʰᔉᔐ ᔇᔒᔗʰ‧ "ᎌʰ ᎔'ᔐ Ëąâ»Ëąá”’ÊłÊłÊžâ€§â€§â€§" "ʞᔒᔘ ᔇᔒᔗʰ á”ƒÊłá”‰ â±á”á”–á”’Êłá”—á”ƒâżá”— á”—á”’ ᔐᔉ ᔃⁿᔈ á”–Ê·á”‰á”ƒËąá”‰ ʷᔉᔗ á”†á”–á”’âżá”á”‰á”‡á”’á”‡ Ëąá”—á”ƒÊžâ€§" "ᎌᶠ á¶œá”’á”˜ÊłËąá”‰!" to be cont. Pt. Three
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