Uk Literature Emoji Combos

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๐Ÿ“š๐Ÿ–‹๏ธ๐Ÿ‡ฌ๐Ÿ‡ง

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๐Ÿ“šโœ๏ธ๐ŸŽญ
๐Ÿ“œ๐Ÿ–‹๏ธ๐ŸŽญ
๐Ÿง‘โ€๐Ÿซ๐ŸŽญ๐Ÿ“–
๐Ÿ“–๐Ÿง๐ŸŽญโœ’๏ธ
๐Ÿ“–โค๏ธ๐Ÿ‡ฌ๐Ÿ‡ง๐ŸŒณ
๐Ÿ‡ฌ๐Ÿ‡ง๐Ÿ“–๐Ÿ‡ซ๐Ÿ‡ท
๐Ÿ–‹๏ธ๐Ÿ“–๐Ÿด๓ ง๓ ข๓ ฅ๓ ฎ๓ ง๓ ฟ
๐Ÿ“–๐Ÿ‡ฌ๐Ÿ‡ง๐Ÿ‡ซ๐Ÿ‡ท
๐Ÿ‡ฌ๐Ÿ‡งโœ๏ธ๐Ÿ“œ
๐Ÿ‡ฌ๐Ÿ‡ง๐ŸŽญ๐Ÿ“–
โ›ฐ๏ธ๐ŸŒซ๏ธโœ๏ธ๐Ÿด๓ ง๓ ข๓ ฅ๓ ฎ๓ ง๓ ฟ
โค๏ธโ€๐Ÿ”ฅโœ๏ธ๐Ÿ“–
๐Ÿ“šโœ’๏ธ๐Ÿ‘“๐Ÿ‡ฌ๐Ÿ‡ง
๐Ÿด๓ ง๓ ข๓ ฅ๓ ฎ๓ ง๓ ฟ๐Ÿ“–
๐Ÿ‘ด๐Ÿ’ฐ๐Ÿ‘ป๐ŸŽ„
๐Ÿญ๐ŸŽฉ๐Ÿ“–
๐Ÿ‘จโ€๐Ÿฆณ๐Ÿ–‹๏ธ๐Ÿ“–๐Ÿ‡ฌ๐Ÿ‡ง
๐Ÿ“œ๐ŸŽ๐Ÿ
โœ’๏ธโค๏ธ๐Ÿ“œ
๐Ÿง โค๏ธ๐Ÿ“–๐Ÿ‘ฉโ€โค๏ธโ€๐Ÿ‘ฉ
๐Ÿ‡ฌ๐Ÿ‡ง๐Ÿ‡บ๐Ÿ‡ธ๐Ÿ“–
๐Ÿ—ฃ๏ธ๐Ÿ…ฐ๏ธ๐Ÿ…ฑ๏ธ๐Ÿ“œ
๐Ÿด๓ ง๓ ข๓ ฅ๓ ฎ๓ ง๓ ฟ๐Ÿ“–โšก๏ธ๐ŸงŸ
๐Ÿ‡ฌ๐Ÿ‡ง๐Ÿ‡บ๐Ÿ‡ธ๐Ÿ‡ฆ๐Ÿ‡บ๐Ÿ“š
โšก๏ธ๐Ÿ“š๐Ÿ‡ฌ๐Ÿ‡ง
โœ๏ธโžก๏ธ๐Ÿ“š&๐Ÿ‡ฌ๐Ÿ‡ง
๐Ÿ‡ฌ๐Ÿ‡งโœ๏ธ๐Ÿค”๐Ÿ“–
๐ŸŽญ๐Ÿด๓ ง๓ ข๓ ฅ๓ ฎ๓ ง๓ ฟ๐Ÿ“œ
๐Ÿ–‹๏ธ๐Ÿ‡ฌ๐Ÿ‡ง๐Ÿ“–โ˜•
๐Ÿ•‰๏ธ๐Ÿ”Ÿ๐Ÿง +๐Ÿ“–๐Ÿ‡ฌ๐Ÿ‡ง
The easy way out has arrived, just sign your soul away to the devil, and you can live forever! โธธโœžโ˜ฆโœโœŸโ™ฑโ˜ฅโ™โœ™โ›งโ›คโ›งโ›ฅโธธโœชโŸโ˜ แต’ฬถฬถฬทฬ€โ„เฅ‚เคพเฅ€เฅ‚๐Ÿœ ๐–ค ๐•ฃ โถโถโถโ˜ฅ๐“‹นโšธโƒ โ›ฆโƒ๐–คโ˜พโ‹†๏ฝก
( -_โ€ข)โ•ฆฬตฬตฬฟโ•คโ”€
โ˜ ๏ธŽ๏ธŽเผ’๏ธŽโœž๏ธŽ๐Ÿ•ธ๐–ค แถ แถธแถœแตแตงโ‚’แตค ๐Ÿ•ทฮตใคโ–„โ–ˆโ–€โ–ˆโ— โœฎ
๐Ÿฅถ๐Ÿ‘นโ„โ›„๐ŸŒจ๐Ÿ’Žโ„โ‹† หš๏ฝกโ‹†เญจเญงหš๐Ÿ’ ยฐโ€ง๐Ÿซงโ‹†.เณƒเฟ”*:๏ฝฅโ˜ƒ๊™ณยทโ…ยฐ*ห–โœจโ„โ™ซโ‹†๏ฝกโ™ช โ‚Šหšโ™ฌ๏พŸ.๐ŸŒŒโœ…โ˜ƒ๊™ณยทโ…ยฐ*ห–๐ŸŒจ๏ธโ‹†๐™šโ‚ŠหšโŠนโ™กโ˜ƒ๊™ณยทโ…ยฐ*ห–โ‹†โœด๏ธŽหš๏ฝกโ‹†.ยฐ เผ˜๐ŸŽงโ‹†๐Ÿ–‡โ‚Šหšเท†ฮตใคโ–„โ–ˆโ–€โ–ˆโ—
๐ŸŽƒ๐Ÿ‡ช๐Ÿ‡บ๐“‡ข๐“†ธ๐Ÿฆ‡โ™กโ™ฐโ™ฑ
๐ŸŽƒ๐Ÿ‡ช๐Ÿ‡บ๐“‡ข๐“†ธ๐Ÿฆ‡โ™กโ™ฐโ™ฑ๐Ÿ‡ช๐Ÿ‡บ๐Ÿ•‹๐Ÿ‘ป๐ŸŽƒโ›ฅ
๐•ฟ๐–๐–Š ๐•พ๐–Š๐–›๐–Š๐–“ ๐•ฒ๐–”๐–™๐–๐–Ž๐–ˆ ๐•พ๐–Ž๐–Œ๐–“๐–˜ ๐”–๐”ฑ๐”ฏ๐”ž๐”ซ๐”ค๐”ข ๐”–๐”ญ๐”ž๐” ๐”ข๐”ฐ Essential in creating gothic atmosphere and unsettling the reader, gothic narratives are traditionally set in the โ€˜strangeโ€™ โ€“ places that are unfamiliar and faraway. Think crumbling castles, ancestral homes, religious dwellings, and long ago. Think places distant in time and space. ๐”–๐”ด๐”ฌ๐”ฌ๐”ซ๐”ฆ๐”ซ๐”ค ๐”–๐”ด๐”ข๐”ข๐”ฑ๐”ฅ๐”ข๐”ž๐”ฏ๐”ฑ๐”ฐ The stereotypical gothic heroine is inquisitive and brave, and voraciously reads. She has beauty and purity and is thus a target. Whether a victim to fashion (those tight-laced corsets) or the female condition (I hope my tone is clear here), her defence in danger is the delicate swoon. Though she is likely to suffer, she is usually saved. ๐”–๐”ฒ๐”ฃ๐”ฃ๐”ข๐”ฏ๐”ฆ๐”ซ๐”ค ๐”–๐”ž๐”ณ๐”ฆ๐”ฌ๐”ฒ๐”ฏ๐”ฐ Whether saviour to a swooning heroine (see above) or on adventures all their own, the gothic favours the anti-hero for its male lead. Often intellectual, perhaps academic, for him the human condition is heavy to bear. This long-suffering figure is flawed and doomed and may just reveal the monstrous in man. ๐”–๐”ฅ๐”ž๐”ก๐”ฌ๐”ด๐”ถ ๐”–๐”ฑ๐”ฏ๐”ž๐”ซ๐”ค๐”ข๐”ฏ๐”ฐ Though gothic villains are slow to uncloak themselves, their mould has since been truly set. The shadowy stranger epitomises the fear of โ€˜otherโ€™. Often autocrat, aristocrat, male, and undefined โ€˜foreignโ€™, he is a man out truly for himself. ๐”–๐”ฒ๐”ค๐”ค๐”ข๐”ฐ๐”ฑ๐”ข๐”ก ๐”–๐”ญ๐”ข๐” ๐”ฑ๐”ฏ๐”ข๐”ฐ All sorts of creatures make their home in gothic literature. There are ghosts, spirits, and apparitions; demons, the devil, and the dead returned; vampires, zombies, and apparent monsters. The supernatural may be metaphorical โ€“ a tool for subversion. It is frequently suggested as one thing and revealed to be otherwise, if there at all. ๐”–๐”ฒ๐”ฏ๐”ค๐”ฆ๐”ซ๐”ค ๐”–๐”ฒ๐”ฐ๐”ญ๐”ข๐”ซ๐”ฐ๐”ข The gothic tone is of fear: terror or horror, and halted breath. It is dread that creeps and suspicion that grows. Suspense builds in uncanny spaces, where everything is unnerving and nothing is as it seems. Often at odds with logic, rational thought is invited to leave as heightened senses are startled by the wind. ๐”–๐”ฉ๐”ข๐”ข๐”ญ๐”ฉ๐”ข๐”ฐ๐”ฐ ๐”–๐”ฌ๐”ฒ๐”ฉ๐”ฐ Just as the narrative fiction aims to unsettle the mind of the reader, gothic protagonists are similarly disturbed. Nighttime casts shadows on certainty. Sleep, if achieved, is addled with nightmares. Waking hours, in turn, are similarly plagued. The concept of reality is toyed with as sanity and truth can no longer be presumed.
In a letter to John Hamilton Reynolds (1818), Keats wrote: โ€œโ„‘ ๐”ž๐”ช ๐”ค๐”ฌ๐”ฆ๐”ซ๐”ค ๐”ž๐”ช๐”ฌ๐”ซ๐”ค ๐”ฐ๐” ๐”ข๐”ซ๐”ข๐”ฏ๐”ถ ๐”ด๐”ฅ๐”ข๐”ซ๐” ๐”ข โ„‘ ๐”ฆ๐”ซ๐”ฑ๐”ข๐”ซ๐”ก ๐”ฑ๐”ฌ ๐”ฑ๐”ฆ๐”ญ ๐”ถ๐”ฌ๐”ฒ ๐”ฑ๐”ฅ๐”ข ๐”‡๐”ž๐”ช๐”ฌ๐”ฐ๐”ข๐”ฉ โ„œ๐”ž๐”ก๐” ๐”ฉ๐”ฆ๐”ฃ๐”ฃ๐”ข โ€“ โ„‘โ€™๐”ฉ๐”ฉ ๐” ๐”ž๐”ณ๐”ข๐”ฏ๐”ซ ๐”ถ๐”ฌ๐”ฒ, ๐”ž๐”ซ๐”ก ๐”ค๐”ฏ๐”ฌ๐”ฑ๐”ฑ๐”ฌ ๐”ถ๐”ฌ๐”ฒ, ๐”ž๐”ซ๐”ก ๐”ด๐”ž๐”ฑ๐”ข๐”ฏ-๐”ฃ๐”ž๐”ฉ๐”ฉ ๐”ถ๐”ฌ๐”ฒ, ๐”ž๐”ซ๐”ก ๐”ด๐”ฌ๐”ฌ๐”ก ๐”ถ๐”ฌ๐”ฒ, ๐”ž๐”ซ๐”ก ๐”ด๐”ž๐”ฑ๐”ข๐”ฏ ๐”ถ๐”ฌ๐”ฒ, ๐”ž๐”ซ๐”ก ๐”ฆ๐”ช๐”ช๐”ข๐”ซ๐”ฐ๐”ข-๐”ฏ๐”ฌ๐” ๐”จ ๐”ถ๐”ฌ๐”ฒ, ๐”ž๐”ซ๐”ก ๐”ฑ๐”ฏ๐”ข๐”ช๐”ข๐”ซ๐”ก๐”ฌ๐”ฒ๐”ฐ-๐”ฐ๐”ฌ๐”ฒ๐”ซ๐”ก ๐”ถ๐”ฌ๐”ฒ, ๐”ž๐”ซ๐”ก ๐”ฐ๐”ฌ๐”ฉ๐”ฆ๐”ฑ๐”ฒ๐”ก๐”ข ๐”ถ๐”ฌ๐”ฒ.โ€ 1819 Keats wrote to his brother, George: โ€œ๐”—๐”ฅ๐”ข ๐”ฃ๐”ฆ๐”ฃ๐”ฑ๐”ฅ ๐” ๐”ž๐”ซ๐”ฑ๐”ฌ ๐”ฌ๐”ฃ ๐”‡๐”ž๐”ซ๐”ฑ๐”ข ๐”ญ๐”ฉ๐”ข๐”ž๐”ฐ๐”ข๐”ฐ ๐”ช๐”ข ๐”ช๐”ฌ๐”ฏ๐”ข ๐”ž๐”ซ๐”ก ๐”ช๐”ฌ๐”ฏ๐”ข โ€“ ๐”ฆ๐”ฑ ๐”ฆ๐”ฐ ๐”ฑ๐”ฅ๐”ž๐”ฑ ๐”ฌ๐”ซ๐”ข ๐”ฆ๐”ซ ๐”ด๐”ฅ๐”ฆ๐” ๐”ฅ ๐”ฅ๐”ข ๐”ช๐”ข๐”ข๐”ฑ๐”ฐ ๐”ด๐”ฆ๐”ฑ๐”ฅ ๐”“๐”ž๐”ฒ๐”ฉ๐”ฌ ๐”ž๐”ซ๐”ก ๐”‰๐”ฏ๐”ž๐”ซ๐” ๐”ฅ๐”ข๐”ฐ๐” ๐”ž โ€“ โ„‘ ๐”ฅ๐”ž๐”ก ๐”ญ๐”ž๐”ฐ๐”ฐ๐”ข๐”ก ๐”ช๐”ž๐”ซ๐”ถ ๐”ก๐”ž๐”ถ๐”ฐ ๐”ฆ๐”ซ ๐”ฏ๐”ž๐”ฑ๐”ฅ๐”ข๐”ฏ ๐”ž ๐”ฉ๐”ฌ๐”ด ๐”ฐ๐”ฑ๐”ž๐”ฑ๐”ข ๐”ฌ๐”ฃ ๐”ช๐”ฆ๐”ซ๐”ก ๐”ž๐”ซ๐”ก ๐”ฆ๐”ซ ๐”ฑ๐”ฅ๐”ข ๐”ช๐”ฆ๐”ก๐”ฐ๐”ฑ ๐”ฌ๐”ฃ ๐”ฑ๐”ฅ๐”ข๐”ช โ„‘ ๐”ก๐”ฏ๐”ข๐”ž๐”ช๐”ฑ ๐”ฌ๐”ฃ ๐”Ÿ๐”ข๐”ฆ๐”ซ๐”ค ๐”ฆ๐”ซ ๐”ฑ๐”ฅ๐”ž๐”ฑ ๐”ฏ๐”ข๐”ค๐”ฆ๐”ฌ๐”ซ ๐”ฌ๐”ฃ โ„Œ๐”ข๐”ฉ๐”ฉ. ๐”—๐”ฅ๐”ข ๐”ก๐”ฏ๐”ข๐”ž๐”ช ๐”ด๐”ž๐”ฐ ๐”ฌ๐”ซ๐”ข ๐”ฌ๐”ฃ ๐”ฑ๐”ฅ๐”ข ๐”ช๐”ฌ๐”ฐ๐”ฑ ๐”ก๐”ข๐”ฉ๐”ฆ๐”ค๐”ฅ๐”ฑ๐”ฃ๐”ฒ๐”ฉ ๐”ข๐”ซ๐”ง๐”ฌ๐”ถ๐”ช๐”ข๐”ซ๐”ฑ๐”ฐ โ„‘ ๐”ข๐”ณ๐”ข๐”ฏ ๐”ฅ๐”ž๐”ก ๐”ฆ๐”ซ ๐”ช๐”ถ ๐”ฉ๐”ฆ๐”ฃ๐”ข โ€“ โ„‘ ๐”ฃ๐”ฉ๐”ฌ๐”ž๐”ฑ๐”ข๐”ก ๐”ž๐”Ÿ๐”ฌ๐”ฒ๐”ฑ ๐”ฑ๐”ฅ๐”ข ๐”ด๐”ฅ๐”ฆ๐”ฏ๐”ฉ๐”ฆ๐”ซ๐”ค ๐”ž๐”ฑ๐”ช๐”ฌ๐”ฐ๐”ญ๐”ฅ๐”ข๐”ฏ๐”ข ๐”ž๐”ฐ ๐”ฆ๐”ฑ ๐”ฆ๐”ฐ ๐”ก๐”ข๐”ฐ๐” ๐”ฏ๐”ฆ๐”Ÿ๐”ข๐”ก ๐”ด๐”ฆ๐”ฑ๐”ฅ ๐”ž ๐”Ÿ๐”ข๐”ž๐”ฒ๐”ฑ๐”ฆ๐”ฃ๐”ฒ๐”ฉ ๐”ฃ๐”ฆ๐”ค๐”ฒ๐”ฏ๐”ข ๐”ฑ๐”ฌ ๐”ด๐”ฅ๐”ฌ๐”ฐ๐”ข ๐”ฉ๐”ฆ๐”ญ๐”ฐ ๐”ช๐”ฆ๐”ซ๐”ข ๐”ด๐”ข๐”ฏ๐”ข ๐”ง๐”ฌ๐”ฆ๐”ซ๐”ข๐”ก ๐”ฆ๐”ฑ ๐”ฐ๐”ข๐”ข๐”ชโ€™๐”ก ๐”ฃ๐”ฌ๐”ฏ ๐”ž๐”ซ ๐”ž๐”ค๐”ข โ€“ ๐”ž๐”ซ๐”ก ๐”ฆ๐”ซ ๐”ช๐”ฆ๐”ก๐”ฐ๐”ฑ ๐”ฌ๐”ฃ ๐”ž๐”ฉ๐”ฉ ๐”ฑ๐”ฅ๐”ฆ๐”ฐ ๐” ๐”ฌ๐”ฉ๐”ก ๐”ž๐”ซ๐”ก ๐”ก๐”ž๐”ฏ๐”จ๐”ซ๐”ข๐”ฐ๐”ฐ โ„‘ ๐”ด๐”ž๐”ฐ ๐”ด๐”ž๐”ฏ๐”ชโ€ฆโ€ In his last known letter, Keats wrote to his former housemate, Charles Armitage Brown. Dated the 30th of November, 1820, Keats wrote from Rome, where he had gone to convalesce from tuberculosis. His friend and his fiancรฉe awaited him in England, not knowing that he was never to return. โ€œ๐”—๐”ฆ๐”ฐ ๐”ฑ๐”ฅ๐”ข ๐”ช๐”ฌ๐”ฐ๐”ฑ ๐”ก๐”ฆ๐”ฃ๐”ฃ๐”ฆ๐” ๐”ฒ๐”ฉ๐”ฑ ๐”ฑ๐”ฅ๐”ฆ๐”ซ๐”ค ๐”ฆ๐”ซ ๐”ฑ๐”ฅ๐”ข ๐”ด๐”ฌ๐”ฏ๐”ฉ๐”ก ๐”ฑ๐”ฌ ๐”ช๐”ข ๐”ฑ๐”ฌ ๐”ด๐”ฏ๐”ฆ๐”ฑ๐”ข ๐”ž ๐”ฉ๐”ข๐”ฑ๐”ฑ๐”ข๐”ฏ. ๐”๐”ถ ๐”ฐ๐”ฑ๐”ฌ๐”ช๐”ž๐” ๐”ฅ ๐” ๐”ฌ๐”ซ๐”ฑ๐”ฆ๐”ซ๐”ฒ๐”ข๐”ฐ ๐”ฐ๐”ฌ ๐”Ÿ๐”ž๐”ก, ๐”ฑ๐”ฅ๐”ž๐”ฑ โ„‘ ๐”ฃ๐”ข๐”ข๐”ฉ ๐”ฆ๐”ฑ ๐”ด๐”ฌ๐”ฏ๐”ฐ๐”ข ๐”ฌ๐”ซ ๐”ฌ๐”ญ๐”ข๐”ซ๐”ฆ๐”ซ๐”ค ๐”ž๐”ซ๐”ถ ๐”Ÿ๐”ฌ๐”ฌ๐”จ โ€“ ๐”ถ๐”ข๐”ฑ โ„‘ ๐”ž๐”ช ๐”ช๐”ฒ๐” ๐”ฅ ๐”Ÿ๐”ข๐”ฑ๐”ฑ๐”ข๐”ฏ ๐”ฑ๐”ฅ๐”ž๐”ซ โ„‘ ๐”ด๐”ž๐”ฐ ๐”ฆ๐”ซ ๐””๐”ฒ๐”ž๐”ฏ๐”ž๐”ซ๐”ฑ๐”ฆ๐”ซ๐”ข. ๐”—๐”ฅ๐”ข๐”ซ โ„‘ ๐”ž๐”ช ๐”ž๐”ฃ๐”ฏ๐”ž๐”ฆ๐”ก ๐”ฑ๐”ฌ ๐”ข๐”ซ๐” ๐”ฌ๐”ฒ๐”ซ๐”ฑ๐”ข๐”ฏ ๐”ฑ๐”ฅ๐”ข ๐”ญ๐”ฏ๐”ฌ๐”ฆ๐”ซ๐”ค ๐”ž๐”ซ๐”ก ๐” ๐”ฌ๐”ซ๐”ซ๐”ฆ๐”ซ๐”ค ๐”ฌ๐”ฃ ๐”ž๐”ซ๐”ถ ๐”ฑ๐”ฅ๐”ฆ๐”ซ๐”ค ๐”ฆ๐”ซ๐”ฑ๐”ข๐”ฏ๐”ข๐”ฐ๐”ฑ๐”ฆ๐”ซ๐”ค ๐”ฑ๐”ฌ ๐”ช๐”ข ๐”ฆ๐”ซ ๐”ˆ๐”ซ๐”ค๐”ฉ๐”ž๐”ซ๐”ก. โ„‘ ๐”ฅ๐”ž๐”ณ๐”ข ๐”ž๐”ซ ๐”ฅ๐”ž๐”Ÿ๐”ฆ๐”ฑ๐”ฒ๐”ž๐”ฉ ๐”ฃ๐”ข๐”ข๐”ฉ๐”ฆ๐”ซ๐”ค ๐”ฌ๐”ฃ ๐”ช๐”ถ ๐”ฏ๐”ข๐”ž๐”ฉ ๐”ฉ๐”ฆ๐”ฃ๐”ข ๐”ฅ๐”ž๐”ณ๐”ฆ๐”ซ๐”ค ๐”ญ๐”ž๐”ฐ๐”ฑ, ๐”ž๐”ซ๐”ก ๐”ฑ๐”ฅ๐”ž๐”ฑ โ„‘ ๐”ž๐”ช ๐”ฉ๐”ข๐”ž๐”ก๐”ฆ๐”ซ๐”ค ๐”ž ๐”ญ๐”ฌ๐”ฐ๐”ฑ๐”ฅ๐”ฒ๐”ช๐”ฌ๐”ฒ๐”ฐ ๐”ข๐”ต๐”ฆ๐”ฐ๐”ฑ๐”ข๐”ซ๐” ๐”ข.โ€ On Friday the 23rd of February, 1821, John Keats passed away in Rome
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